Living Wands of the Druids: Harvesting, Crafting, and Casting with Magical Tools, by Jon G. Hughes
Destiny Books, 1644118033, 232 pages, January 2024

I bought my first wand from Neil the Wandmaker, a well-known wand artisan in California. It took me nearly half an hour to select the right wand, picking them up and putting them down as I tried to sense which one was calling to me the most for that moment. While I’ve gotten plenty of use out of my artisan wand, recently, my exploration into the spirituality of Druidism has made me think differently about nature and the tools I use in my craft.

Living Wands of the Druids: Harvesting, Crafting, and Casting with Magical Tools by Jon G. Hughes has completely shifted my perspective into the purpose of a wand and how one might go about crafting their own. Hughes teaches readers how a fundamental principle of the Druid tradition is that the wood from which a wand or staff is crafted must be living. He explains:

“By living we mean that the wood must still contain the vital living sap of the tree from which it has been harvested so that this vital sap may impart the virtues and attributes of the chosen tree to the channeled energy of the adept, enhancing and elevating the adept’s energy and intention as they pass through the heart of the wand.”¹

While the focus is on living wands, Hughes takes plenty of time explaining aspects of Druid foundational principles and lore. There’s an entire chapter dedicated to the lore of trees. He describes how Druids believe all living things, including trees obviously, have “three essential components: their physical manifestation, their portion of the communal or world energy (sometimes referred to a world spirit), and their personal energy.”²

All three components must be used when crafting a living wand, making it important to select the right donor tree, which Hughes luckily teaches readers how to do. There are plenty of things to consider, ranging from location of the tree to the season, and once the appropriate tree is selected, Hughes provides a harvesting rite to “maintain the harvested branch’s integrity and potency.”³

Hughes emphasizes how crucial it is to understand the attributes of different tree species when selecting a wand. While this topic could easily comprise an entire book and there are many more tree species than the ones covers, he covers the Druidic lore, wood qualities, and spiritual attributes of ten common trees (and even includes a handy reference chart): apple, birch (silver), elm (wych), hawthorn, hazel, holly, oak, pine (scots), rowan, and yew.

“Eventually, an intimate understanding of each tree and its place in its forest home will develop, and each tree will become a trusted friend. It is then that a connection with the ancient ways will enter the adept’s own spiritual being; a connection with the ancient pagan beliefs and the lore of the Druids will mature within the adept and with this connection and understanding she will grow and fulfill her role in nature’s partnership.”⁴

Now that readers have activated their connection with the trees, Hughes moves onto wand types. The main wands he covers are rudimentary, entire, compound wands, rods, and staffs. For each wand type, there is a picture provided, and Hughes shares the appropriate use for the wand and how to craft it. Occasionally included further background information to provide a well-rounded understanding for readers, such as the importance of a protective circle and how to cast one.

For more complex wand types, he also includes additional information, such as how to select “entwining botanical”⁵ (entwined wands) and “wood combinations”⁶ (compound wands) and adorn a staff. There’s also guidance on creating hooked wands, forked wands, protective bundles, and flying staffs, plus how to use feathers as wands. Lots of really great wand ideas in this section, and readers will feel fully equipped in choosing which one is best based on their intention and crafting it appropriately.

Once the natural materials for the wand have been selected, Hughes leads readers through finding and/or creating an auspicious workspace to craft their wand and then preparing the wand for use through cleansing and potentializing. In regard to finding the right location, Hughes includes diagrams to help readers orient themselves and ensure they are aligning properly with their chosen orientation.

For the preparation section and the following one on using the wand, Hughes writes out exactly what one can say for cleansing the wand, activating its potential, and then using it in bold lettering. I love how what to do, when to do it, and what to say while doing it are all clearly laid out for the reader. I find this incredibly helpful since I often get tongue-tied in ritual, and I appreciate having the structure to follow.

Topics covered for using the wand range from casting with one’s hand as a wand to making one’s own flying ointment to use with their flying staff. There’s so many ways to use the wands, and as readers experiment on their own, they’ll start gaining more confidence in their practice. From attraction to protection, curse-casting to inner contemplation, there’s so many possibilities for the intentions one can set with their wants.

One of the things I didn’t know prior to reading this book was that the original casting device should be kept “If the adept considers that there is even a remote possibility that the intention he has cast will need to be annulled, undone, or reversed…”⁷ Hughes notes that it’s common to see wands “labeled and stored in their protective wrappings just in case they might be needed to amend the intentions they originally cast.”⁸ This was helpful to know, and if one does need to do any of the aforementioned magical workings, Hughes has once again provided the ritual wording to do so.

When one feels assured that their work with the wand is complete, the Druidic way is to return the wand to the earth. Hughes writes:

“The protocol of returning all harvested material to its source location is born from the tenant that the balance of nature must be retained at all ties, and that only when botanical material is allowed to decay and reunite with its base matter and spiritual energies, as part of the world reservoir of elemental substance and spirit, may the cosmic balance resin intact, allowing all these precious resources to be used over and over again without depleting or diluting the world’s vital reserves.”⁹

This feels really resonant for me that the circle comes to completion by giving the wand back to nature. What an absolutely beautiful principle to live by! This sentiment is very different From the dominant materialistic culture focused on consumerism, where the purchased wands created often can never go back to their original source. And yes, there’s a ritual clearly laid out by Hughes for one to return their wand.

Overall, Living Wands of the Druids, is the perfect beginner’s guide to crafting one’s own magical wand. Whether or not one considers themselves a Druid, Hughes makes the material accessible for everyone. He shares a lot about the belief system of lore of Druidism, but there’s never an assertion that one must take any sort of oath or vow to create these living wands. A simple respect for nature and desire to be in harmony with fellow life on the earth is all readers need to draw upon the natural wisdom of the Druids for this practice of crafting living wands.

I gained a deeper reverence for the earth while reading it, as well as a better appreciation and understanding of Druidism in general. I highly recommend this book for those looking to be sustainable in their craft. The art of making living wands is also a reminder we have all we need for our magical practice within nature, emphasizing the importance of maintaining balance and reciprocity with the earth.