Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Conjuring Dirt, by Taren S

Conjuring Dirt: Magick of Footprints, Crossroads & Graveyards, by Taren S
Moon Books, 1803413328, 176 pages, October 2023

I love dirt. My father is a ceramic artist, so unlike other kids whose parents might have tried to keep them tidy, I was always encouraged to play in the mud and eventually learn how to shape clay into bowls and mugs. From there, my enjoyment of dirt, and nature in general, led me down a path of environmental science; I’ve studied the microbes in dirt and learned how soil’s nutrients are vital for the growth of plants, which keep us alive through a balanced ecosystem.

But beyond the mind-blowing scientific study of interconnectedness through the ground beneath our feet, I’d never realized the potency of dirt from a magical perspective prior to reading Conjuring Dirt: Magick of Footprints, Crossroads & Graveyards by Taren S. This book has opened a whole new realm of magic to me, which I’ve been eager to embrace!

Taren is a seasoned magical practitioner with roots in the Carolinas, though she now lives in California. For over a decade she’s worked as a spiritual counselor and tarot card reader at a Haitian Voodoo Doctor’s botanica. She is initiated as a High Priestess within American Witchcraft and as a Mama Bridget within American Voodoo/Hoodoo. In Conjuring Dirt, she shares a lot about her personal path, giving readers perspective into how she’s learned this craft as well as the traditions behind the content of the book.

“We all have sacred and special dirt specifically to us. When we go back through memories we can ground into the land, and we can build new memories through the land. This in itself is a magical spiritual journey.”1

In this book, Taren teaches readers about three categories of dirt: Graveyard, Crossroads, and Purposeful (Footprint). She dedicates lengthy chapters to each one, giving the reader a full sense of the powerful energy held within the dirt and the many ways each one can be utilized in magickal workings.

She starts with Purposeful Dirt, noting that it’s the “most common and easily accessible”2 kind. Since it’s very versatile, Taren describes ways this dirt can be used for cleansing, banishing, and spellwork. She teaches about the types of spirit of place, such as Ancestral spirits and Land spirits, and how to connect and work with these spirits. Then she covers “spirit of the root” and how to unite with plants as allies. The list of plants and herbs and the way they can be used, which spans a whole ten pages, is immensely valuable to all practitioners, especially those new to working with plants and herbs.

Reading over parts of this section made me think of the land in a new way; did you know you can use the dirt from banks, casinos, and libraries for magickal purposes such as prosperity spells, amulets, and building knowledge?! Prior to this, I wouldn’t have thought twice about the dirt or spirit of these places. Now everywhere I go, I’m thinking about the energy of my surroundings, taking time to pause and attune to the spirit of the place, and think creatively about how the dirt might be utilized.

Crossroads Dirt comes from the liminal spaces where “two different environments meet or intersect but is technically neither extreme.”3 At these intersections, boundaries are thinner; it can feel like stepping out of time as multiple directions become available, prompting initiated action before the moment passes by.

“The meaning of crossroads is all about liminal space. Liminal space is that in-between point that means both we are neither here, nor there. Liminal space as represented by crossroads points to 100% potential and opportunity. It is the place where magick happens because it is that slight crack when/where anything can happen.”4

In this section, Taren provides an overview of the global lore about crossroads, revealing similarities between cultures while also highlighting each one’s unique lore. She also covers crossroads and witches, crossroads in dreams and modern magic, the significance of ley lines, and offers a crossroads tarot spread.

After sharing about crossroad magic in general, Taren goes more in-depth about Crossroad Dirt specifically. She teaches readers about the different types of crossroads one might gather dirt from and the significance of soil from each one. She covers how best to collect the dirt, petition the crossroads, and offers a ritual to open the crossroads. Other workings Taren provides are for propensity, a spell to forget, and banishing.

Last but not least, the section on Graveyard Dirt. Taren explains Graveyard Dirt “is used to employ the spirit of the one buried for your intentions.”5 Taren covers so much in this section, from symbols on grave markers to gathering dirt from the roots of cemetery trees, and it completely opens new doors for readers. This section alone could be a whole book! But one emphasis that comes through strongly is showing respect for the deceased. I like how Taren always reminds readers to mind their manners above all else!

While reading the section on Graveyard Dirt, I’ve decided it’s high time I go visit my ancestor’s graves and leave an offering. I don’t plan on taking any dirt this time, but I would like to begin cultivating a relationship with them, learning more about who they were in life and how I can maintain a relationship with them in their afterlife. To start, my dad and I decided we are going to begin purchasing grave markers for the family member’s burial sites he’s found that do not have them.

All in all, Conjuring Dirt is a wonderful resource for all spiritual practitioners. I would go as far to say it’s been my favorite magical book I’ve read in 2023! Taren does such a wonderful job sharing all she knows to help readers begin to incorporate dirt in their workings. Her style of talking straight makes readers feel she really has their best interest at heart, ensuring they’re doing things the right way and not making trouble for themselves down the line. This book is sure to reshape your perception of the land beneath your feet and give a deeper appreciation for the magic held within the dirt we often take for granted or overlook.

The Sacred Herbs of Yule and Christmas, by Ellen Evert Hopman

The Sacred Herbs of Yule and Christmas: Remedies, Recipes, Magic, and Brews for the Winter Season, by Ellen Evert Hopman
Destiny Books, 1644117800, 344 pages, September 2023

Sit down and clear your lap to make room for Ellen Evert Hopman’s The Sacred Herbs of Yule and Christmas: Remedies, Recipes, Magic, and Brews for the Winter Season. This book is full of all of the tips, backstories, and recipes that you could possibly need to navigate through the winter months.

I was born in January and winter has always been my favorite season. It’s warm from the inside, stark and beautiful on the outside, full of promise as one turns the calendar page to a new year, and the perfect time to set intentions, rest, and of course, commune with friends and family. 

In this memorable book, Hopman covers all of the traditions and recipes of Yule and Christmas found around the world–and there’s quite a few! If one really wanted to participate in all of the rituals and traditions, it would be advised to put pen to paper and note the various dates and traditions. December 13 for Saint Lucia Day, December 6, the day that Santa arrives in Switzerland, December 16, the start of the Christmas season in Venezuela, and Twelfth Night. 

There is a primer to the book that advises on how to prepare herbs including choosing good quality herbs, making teas, salves, tinctures, poultices, and using essential oils. Hopman also writes about crafting spells, magical properties of the color and seasons of plants, and the basics of spell work. 

Part One focuses on traditions, rites, food, and drinks of the season. The characters are both benign and also “fearsome,” from the Yule Lads of Iceland to Polish werewolves. “First footing” is found in many parts of Europe, a “type of magical practice designed to bring luck in the New Year and Christmas.”1 There are rituals of fire involving candles, logs, and communal festivals, along with fascinating yuletide divinations for marriage, to bring back the sun, and for luck as well as accompanying recipes. Hopman shares wonderful rituals for everything from taking down the seasonal greenery and the winter solstice.

This comprehensive section covers Christmas traditions from around the world with accompanying recipes from Austria to Wales, with places such as Venezuela, Spain, and Italy also represented. And what would seasonal merrymaking be without libations? There are a few recipes for the hot toddy, liqueurs, infused gin, and martinis too!

Part Two covers the magical and medicinal herbs of the winter. The plants profiled “all have a special connection with Yuletide and Christmas, and are valuable winter medicines.”2 The herbs run alphabetically from Allspice to Vanilla, and for each she writes of corresponding legends, medicinal properties, magical uses, and the herb at Yuletide, plus recipes for each. 

For example, for Pine she writes about the Greek goddess Cybele and her lover, Attis, sharing the tale of how the pine became the symbol of eternal hope. She also writes of the origins of the tradition of the Christmas tree and also the meaning of standard ornaments, pinecones for motherhood and fertility, stars for guidance, bells for joy, and… carrots for success in cooking! There’s even a recipe for conifer crème brulee.

The range of traditions covered by Hopman is quite impressive. Someyou might be familiar due to your familial history, others will surely be completely new to you. The origins of Santa’s reindeer, benevolent witches bringing treats in Italy, and other rites and rituals of the season are shared.  To be honest, most of what we celebrate is a mish-mash of many cultures and traditions, all of which honor the season, bring in the light, and aid us in navigating the dark. As Hopman’s aim is to “explore the roots of this ancient celebration (of Yule) from the magical and medicinal herbs of winter to the traditions, rites, foods, and drinks of the season, with the intention of deepening our understanding of the past so that we can carry it forward with purpose, respect, and joy.”3 

Another neat feature of the book are the colored-page inserts of Christmas imagery. They depict different Yuletide scenes and have little informative explanations next to this. The pictures add to the reader’s experience, bringing to life the words on the page.

Hopman is a well-regarded master herbalist and lay homeopath, who has been a Druidic initiate since 1984. She is also the author of Celtic herbals and Druid novels. In other words, Hopman is highly qualified, but more importantly, passionate and knowledgeable about herbs and also Yuletide.

My most favorite concept from the book, which I now carry with me, is that plants want to heal us. I highly recommend The Sacred Herbs of Yule and Christmas for those looking to embrace this time of the year with a renewed awe and deeper understanding of the rituals we use to celebrate this season. I know I’ll be spending plenty of time testing out the recipes and enjoying the celebrations with more purposeful intentions.

Soul Journey through the Tarot, by John Sandbach

Soul Journey through the Tarot: Key to a Complete Spiritual Practice, by John Sandbach
Destiny Books, 1644117096, 384 pages, November 2023

I’ve been studying tarot for almost 27 years, but these magical cards contain so much wisdom that there is always something new to learn, and I often feel like I’ve barely scratched the surface. Most tarot books on the market tend to be geared towards beginners, rehashing the same sets of keywords and interpretations, so I get excited when I find a text that delves deeper into the esoteric teachings of the cards.

In Soul Journey through the Tarot: Key to a Complete Spiritual Practice, author John Sandbach shares his own unique magical system, co-created with his spirit guides and inspired by over 50 years of studying tarot. Sandbach first channeled these oracles in 1976, and wrote this updated edition with the intention that it will be used as “a tool for vibrational healing.”1

He has named the Major Arcana cards depicted in this book the Azoth Deck, and the illustrations were created by South Korean artist Daehee Son.

“Azoth,” Sandbach says, “refers to the spirit and energy of the planet Mercury, who in Egypt was the god Thoth, who was the inventor of the alphabet—the tarot being an alphabet of spiritual forces.”2

Sandbach has changed some of the traditional names of the Major Arcana. For example, as a departure from the final reckoning of Christianity, Sandbach calls the Judgment card “The Awakening,” a title that he feels more accurately captures the core meaning of Arcanum XX. The Devil, Arcanum XV, has been renamed “The Musician,” to avoid the negative connotations of the original title and shift the focus of the card to the inner harmony or discord of the seeker.

The book’s cover claims that this text integrates “numerology, astrology, Kabbalah, and the contemplative life.”3 I wanted to read this book to get a better grasp of the Kabbalistic Tree of Life and Hebrew letters in relation to tarot, as well as deepen my understanding of the astrological tarot correspondences. However, I was surprised to find that many of Sandbach’s astrological and elemental associations are completely different from the Golden Dawn attributions I currently use, which I learned from The Complete Golden Dawn System of Magic (1984) by Israel Regardie (1907-1985).

Sandbach associates The High Priestess, titled “The Guardian of the Gate (Veiled Isis)”, with Virgo instead of the Moon; The Hermit, titled “The Seeker (The Sage)”, with Aquarius instead of Virgo; The Star, “The Light”, with Gemini instead of Aquarius; and so on.4 The Suit of Coins is assigned the element of Air instead of Earth, and Swords are Earth instead of Air.5 Even though most of these associations don’t resonate with me, I decided to keep an open mind and shift my perspective to include them, at least for the duration of time it took me to read this book.

Sandbach justifies the association of Coins with Air by explaining that exchanging currency for goods is an abstract concept created by the mind, and “the air element resonates with concepts and systems formed through the mental activity of humans.”6 Swords, on the other hand, are practical instruments made of metal, which penetrate the density of matter. These elemental associations have Vedic origins, and relate to the Hindu tattwa system. He borrowed his elemental and astrological associations from The Sacred Tarot by astrologer and occultist C.C. Zain (1882-1951), a work that was a major influence on his approach to tarot.7 Sandbach acknowledges that these are less popular tarot associations, and advises the reader to use whatever correspondences make the most sense to them, because all systems are valid.

“Ultimately,” he says, “we must realize that the four physical elements are not four distinctly different things, but the same thing in different states.”8

This is an excellent point, and it made me more receptive to his alternative elemental associations. 

While I had a hard time connecting with many of these correspondences, the Virgo association with The High Priestess, titled “The Guardian of the Gate (Veiled Isis)” was compelling to me, particularly in how it influenced Sandbach’s interpretation of the card. Virgo rules the digestive system, and the message of the High Priestess is to “be watchful of what you ‘eat,’ whether it be food, thoughts, emotions, concepts, or vibrations.”9 I personally associate The High Priestess with Persephone, whose fast was broken by pomegranate seeds while she was in the Underworld, so the digestion message really spoke to me. The Moon, which is usually the planetary association for this card, is considered to be the ruler of Virgo in esoteric astrology, and knowing this reinforces the validity of Virgo as an alternative astrological association for the High Priestess.

The most unique tarot associations Sandbach gives are spirit names in the intergalactic Language of Space. “This universal constructed language, known as aUI,” Sandbach says, “was originally received from extraterrestrial beings by psychologist and linguist Dr. John Weilgart (1913-1981) in the early 1950s.”10 aUI (pronounced “ah-OO-ee”) is a sound-based language, and the aliens who transmitted it to Dr. Weilgart told him that it had been spoken by Adam and Eve in the Garden of Eden.11

Sandbach gives a spirit name in aUI for each major arcana card and supplies the correct pronunciations for the reader. For example, the spirit name for the High Priestess (Veiled Isis) is ytlUkU (pronounced “yit-LOO-koo”).12 Sandbach says these spirit names were channeled by him and belong to entities associated with the cards.

“The letters of aUI and their sounds can be used for contemplation and to make up your own magical words,” Sandbach says.13

What a fascinating concept! Even if a reader doesn’t agree with Sandbach’s tarot associations, the chapter on the Language of Space is intriguing.

I draw a daily tarot card for myself almost every morning, and I decided to apply Sandbach’s interpretations while reading his book. One of the cards I drew was Strength from The Bones Arcana.

Sandbach calls Strength “Arcanum XI: The Maiden (The Enchantress)” and associates her with the planet Neptune. I love the title “The Enchantress,” which brings to mind the Greek witch goddess Circe, daughter of the sun god Helios, who was accompanied by lions in the Odyssey and transformed Odysseus’s crew into pigs. I tend to prefer numbering this card 8 instead of 11 because I associate it with Leo, the eighth sign of the zodiac. Sandbach’s Neptune association aligns with the belief of some modern astrologers that Neptune is exalted in Leo.

Sandbach says of “The Enchantress” that “she has gained ascendancy over one of nature’s most powerful creatures, and she has accomplished this through the actualization of her psychic power, as well as through her love.”14 Sandbach’s description of Strength as “the arcanum of psychic power,”15 reminded me again of Witch Queen Circe. In the Odyssey, she was a loner who lived on the uncharted island of Aeaea. She was a master of illusion magic, involving shapeshifting and crafting potions, and she revealed the bestial natures of those who invaded her privacy by transforming them into animals.

All of these skills have a very Neptunian quality to them. Neptune is the hypnotic and bewitching planet of dreams, fantasies, glamor, illusions, mysticism, and drugs (or potions, in Circe’s case). Circe was the daughter of the sun god Helios, and Sandbach says the Sun is the root ruler of this card, while Neptune is the “therapeutic agent.”16 After exploring the Circe connection I made to the Strength card, I appreciate Sandbach’s Neptune association much more. 

Sandbach’s system is a radical departure from what most tarot students are probably familiar with, and this reminds me of the differences between tropical (Western) astrology and sidereal (Vedic) astrology. Western astrology is more popular, but both systems are equally valid. Tarot readers influenced by occultist C.C. Zain will likely resonate with Sandbach’s system, while those who have memorized the Golden Dawn’s tarot associations may find these correspondences a bit more difficult to integrate.

Sandbach claims that the system he uses, which is modeled after Zain’s work, “is a therapeutic or healing system,” while the more common associations, which he says are based on the Kabbalistic text titled the Sepher Yetzirah (the “Book of Formation,” or  the “Book of Creation”), encompass “the root, or actual system.”17 Approaching his associations as a complementary healing system may help readers blend Sandbach’s method with the one they currently use.

Initially I was resistant to the teachings in this book because I was hoping to expand my understanding of the Golden Dawn associations, not learn a completely new system. However, being receptive to correspondences I didn’t agree with and exploring them with open-minded curiosity helped me glean new insights about the cards. I think any experienced tarot reader will benefit from questioning and reevaluating the associations they have memorized by being open to alternative ones or intuitively assigning their own. After all, when used as a tool for spiritual growth, tarot expands consciousness and opens our minds to new possibilities, so the archetypal images have infinite layers of interpretation. In this light, Soul Journey through the Tarot can help seasoned readers rediscover tarot and tap into new ways of relating to the cards.

Sage, Huntress, Lover, Queen, by Mara Banscombe

Sage, Huntress, Lover, Queen: Access Your Power and Creativity through Sacred Female Archetypes, by Mara Banscombe
Findhorn Press, 978-1644117934, 256 pages, July 2023

Sage, Huntress, Lover, Queen: Access Your Power and Creativity through Sacred Female Archetypes by Mara Banscombe has managed to bring a balance of self-reflection and immediate application to the mysteries of the Sacred Feminine. Reaching deeply into the core of what the nature of the sacred is, Branscombe has crafted a book that allows the reader to feel the power held within these mysteries. All the while, she coalesces what is truly soul-searching work into actions and thought processes that are accessible and resonant at every level for any reader.

This book has the structure of seven feminine archetypes: the Maiden, Mother, Sage, Huntress, Lover, Mystic and Queen. Each archetype has been given secondary assignations that are easily recognizable and immediately bring to mind visual experience of how these archetypes might appear in physical form.  

Branscombe describes the Maiden as the Underworld Explorer using the familiarity of the story of Persephone as template for that journey.

“To embody the Maiden archetype is to reclaim creativity, gather courage, restore faith in your biggest dreams, and live with a lust for life.”1

The Mother is the Earth Matrix that knows how to protect, guide, sustain, and create.

“The embodied Mother greets her masculine spark to enhance her feminine frequency. Embracing her inner child, she discovers the world with an awakened vision, choosing love over comparison, acceptance over judgment.”2

The Sage is the Water Healer gathering her power from the flow of deep waters of gnosis and wisdom.

“The Sage flows with change, while staying present to her evolving intuitive process.  She cultivates a peaceful inner life while sharing her visionary’s wisdom with the world. The sage does not sleep her life into being. Like the healing hands of the grandmother, she gathers her current materials and weaves them into her cloak of knowledge.”3

The Huntress is the Fire Generator that catalyzes and becomes the path towards right action.

“The embodied Huntress has the true spirit of the warrior and empowers herself and others to live life to the fullest. Her life purpose is fueled by her devotion to be in service to her impassioned cause. The Huntress teaches us how to ignite our true essence and share it unapologetically with the world.”4

The Lover is the Air Alchemist who teaches the lessons of self-love and acceptance to cultivate healthy and strong relationships at all levels of being.

“The Lover understands that self-awareness is her superpower inside any relationship. Her boundaries are clear, either refined or porous as needed. She is wild at heart and stays true to her mission; to source the pure frequency of love while going as deep into the realms of intimacy as possible in this lifetime.5

The Mystic is the Ethereal Time Traveler who remains rooted and anchored in corporeal existence because this is the path to cosmic understanding.

“The feminine Mystic’s power is expansive. Energy can be sensed within, above, below and all around. She uses this information to respond to her soul’s calling. Paying close attention to the sacred experiences coming alive in this human body is the work of the Mystic.6

And, The Queen as the Universal Thought Weaver who commands ultimate authority over self through experience and indomitable self-awareness and confidence.

“The Queen embodies wholeness. She is a clear channel of refined inner strength. She is both movement and stillness, wisdom and inquiry, surrender and activation.”7

This book is thoughtfully separated into eight chapters, a robust Introduction (“Evoking the Divine Feminine Way”), and “Revealing the Archetypes and Appendix: Rituals and Wisdom Practices to Embody the Archetypes”, which indexes the rituals throughout the book for quick reference. I really liked this addition of indexing and thought there was an abundance of opportunity in using it as a checklist, of sorts, to mark the highlights of your journey through the archetypes. 

Each of the chapters provides the reader with a bounty of information and techniques of approach and awakening the specific archetype of focus within the reader. Branscombe takes the reader through informed step-by-step creative practices, guided visualizations, rituals, and poetry to help the reader embody each archetype and activate a life of fulfillment and happiness

The journal prompts were spot on for each of the archetype chapters and rather than a one size fits all approach to the other self-directed work to be completed, each chapter contained just the right combination of foci and intention to really push the reader to examine more deeply and thus, effect change more deeply.

I was particularly drawn to “Chapter 6 – Awakening the Mystic: Truth Seeker, Vision Holder, Divine Space Explorer”. Typically, the term “Mystic” has been associated with spiritual practice that aligned more with Eastern philosophies and applications. The image of the Mystic has been that of one who has hermited themselves away from the world and immerses totally in the Divine. These are true, but Branscombe has also brought that term into Western practice and more specifically as an archetype of the sacred feminine. The first portion of this chapter answers quite nicely who the mystic is:

“Anchored to the earth and attuned to her inner voice, the feminine Mystic embodies an otherworldly, enigmatic presence. Drawn to the numinous, spirited, and ethereal frequencies, she imbibes the natural magic and shares it freely with the world…The modern Mystic trusts the power of Divine timing. She embodies a heightened awareness to what happens in the natural world and to the ordinary synchronicities in everyday life… The Mystic walks the earth sharing her gifts with all sentient beings while tuning in to the realm of the skies.”8

One of the underpinnings of this chapter, that I would say also is true of other archetypes and development of their potential, is that of illusion that can be found on any spiritual path, particularly one of self-growth.

“Go beyond the smoke and mirrors of certain spiritual practices. Be aware when you are following a spiritual teacher to fit into a mold or generate a false sense of security.”9

Would I Recommend?

Sage, Huntress, Lover, Queen: Access Your Power and Creativity through Sacred Female Archetypes is a treasure of accessible and inspirational content. Throughout the book the reader will find little gems of poem and inspired verse from Banscombe that provide yet another way of engaging those archetypes within self.  This book is a rich and self-empowering and deeply immersive journey into the many facets of power and expression that we hold as sentient beings. Reading this book is an opportunity for reclaiming of these archetypes that have inspired and catalyzed transformative change throughout the evolution of the feminine and HER mysteries. 

About the Author: Mara Branscombe

Mara Branscombe is an author, mother, yogi, artist, teacher, mindfulness leader, ceremonialist, and spiritual coach. Her mission is to amplify wellness and creativity while supporting others to live their best life. She is passionate about weaving the art of mindfulness, self-care, creativity, mind-body practices, and earth-based rituals into her life and work. Mara has been teaching and leading ceremony since 2000.

A Tea Witch’s Grimoire, by S.M. Harlow

A Tea Witch’s Grimoire: Magickal Recipes for Your Tea Time, by S.M. Harlow
Weiser Books, 1578638216, 208 pages, October 2023

I read the most delightful book recently: Afternoon Tea Is the New Happy Hour by Gail Greco. This book gave me plenty of tantalizing ideas for teas, small plates, and other sweet treats to enjoy, BUT it didn’t venture into the magical aspects of tea, which is what I’m always looking to include in my daily routine. Luckily, A Tea Witch’s Grimoire: Magickal Recipes for Your Tea Time by S.M. Harlow has amply provided the mystical wisdom of tea that I’ve been craving.

“In the daily practice of the magical arts, the spirit desires enlightenment but also seeks nourishment and comfort. By our hands, we create earthly substances of vast power, and by our hearts, we tend to the fires of our soul.”1

Tea witch Harlow infuses this whole book with love for her craft. She shares how her grandmother, “a true Wise Woman”2, was constantly healing family and friends with her unique conceptions, seeming to just know what remedy was needed. In the same spirit of generosity and warmth, Harlow carries on the tradition of passing along knowledge by sharing what she’s learned in her on-going journey of mastering tea magic with readers.

The book starts right at square one, providing a description of tea, guidance on how to prepare and store herbs, covering the tea tools needed for this practice. I remember when I first got into drinking loose-leaf tea that I didn’t have the right items to steep it in, nor did I have a proper tea cup. So it’s worth reviewing the basics just to make sure you’re ready for the endeavor, especially if you’ll be preparing your own herbs too.

As for the teas Harlow shares, where do I start?! Well, she beings with remedies, which includes things such as happiness tea and purification tea, but also psychic protection and astral travel tea. I see this section as having all the tea rituals for what people would usually cast a spell for (binding, courage, friendship are just a few more teas covered!). She then covers teas for the moon phases and esbats (full moon each month), tea for every zodiac energy, and sabbat teas (Imbolc, Mabon, and so on). There’s even a section on creating blossoming tea, where the leaves unfurl when put in water.

For all of these teas, not only does Harlow provide the exact recipe, she also leads readers through the entire ritual, from what items are needed, how and when to prepare the tea, and what to focus on when drinking the tea. Some tea rituals are a bit more elaborate than others. It can vary from Harlow simply recommends a certain color mug to drink it from to  a long list of specific items such as crystals, candles, salts, honey, and more.

For instance the items called for November’s Yarrow Moon Tea Esbat include “a black altar cloth, 1 white candle, heat-safe plate, 8 snowflake obsidians, an oil burner, Wisteria and lilac with a base oil, 1 bay leaf, a black and white mug, strainer.”3 I have no doubt all of these items blend together to truly create magic, but I certainly wouldn’t have these things lying around! Therefore it’s important to plan ahead and make sure you have time to gather all the ingredients and items needed for your tea ritual.

As for the ritual, Harlow guides readers to do a variety of things to enhance their spells. There’s the usual visualizations and chants, but at times she encourages readers to spit into their tea (break hexes), salute the energies around you, or speak aloud your intentions. Harlow also provides an entire section on reading tea leaves for divination, known as tasseography, where a list of symbols helps readers to know the messages coming through.

Beyond the specific rituals, Harlow provides a plethora of information about tea magic in general, including tea sigils, properties of various crystals, and uses of tea remnants in spellwork. Additionally, there’s an entire chapter on potions, as well as guidance for creating aromatic oils and vinegar, alcohol and milk tinctures, and moon water.

Finally, the chapter “Tables and Correspondences” is worth its weight in reference gold. It includes a table of brewing times based on tea type and a table of measurement conversions. There’s also a list of intentions/goals and the herbal correspondences, along with a sections on the elemental attributes of herbs and herbal substitutions  o further help readers learn how to successfully create their own tea blends or alter the recipes she’s provided based on what one has available.

The book itself is a sturdy hardcover, which makes me feel it will be resistant to the spills that will ultimately happen as I am trying to turn a page while brewing my tea! There’s a whimsical quality to the illustrations, and they really provide an aesthetically pleasing browse through the text.

For those just learning about the magical aspects of tea, A Tea Witch’s Grimoire is a great place to start, though experienced tea witches certainly will also appreciate the compendium of recipes and rituals. Readers can reference this book year-round to trying out the different tea rituals as the seasons change, establishing their own relationship with the herbs. Or they can use the guidance of Harlow to manifest their will through the tea rituals, attracting or banishing what they want from their worlds, while also looking to the leaves for messages about the future. Harlow has created a true treasure trove of tea wisdom, and I for one am excited to start crafting my next brew!

Unlocking the Secret Language of Tarot, by Ruth Ann and Wald Amberstone

Unlocking the Secret Language of Tarot: 22 Keys to Understanding Its Symbolic Imagery, by Ruth Ann and Wald Amberstone
Weiser Books, 1578638186, 304 pages, November 2023

As tarot pioneers in America, Ruth Ann and Wald Amberstone founded The Tarot School in 1995 and first published this material in 2008. Unlocking the Secret Language of Tarot: 22 Keys to Understanding Its Symbolic Imagery combines the curriculum of many classes that they taught to thousands of students. This book presents a treatise on many of the symbols in the popular Rider-Waite-Smith deck. It is arranged in a series of seven chapters, each of which shares information on three or four of twenty-two symbols from the deck. You can learn more about the Amberstones and their school at www.tarotschool.com.

The Amberstones state the following about this material in this book:  

“We’ll be using the Rider-Waite-Smith imagery as our benchmark, but the information in this course should be transferable to any deck you care to use. We think it will also give your intuition a lot of additional material to work on.”1

The Rider-Waite-Smith deck was my first tarot deck, and I was excited to investigate this book by these master teachers. In addition to sharing imagery for the twenty-two symbols, they also share exercises and spreads throughout the book to make the most of the information. 

I decided to peruse the book, get myself familiar with the symbols, and then put it to the test.  I looked back at a three-card reading I did for myself to see how the enhanced symbology would inform or accentuate the message. I chose a reading I did a few months ago with the general question:  “What do I need to know today?”

I drew the King of Pentacles, Three of Swords, and Six of Wands.  My own guidance from the reading can be summarized as:  Although I may mourn losses, I use patience and determination to achieve my goals and meet victory and success.

After reviewing the Amberstones’ information for each card, I learned the following:

  1. King of Pentacles: “The armored foot of the king of pentacles is a hint of the full armor hidden from sight by his robes. It is a symbol of the public servant who guards the well-being of his Kingdom despite his apparent personal opulence.”2 Next, the authors take the reader on a “Contemplation of the Symbol of Armor.”3 This simple exercise invited me to ponder a question regarding how I might use armor to defend myself and was quite revealing.
  2. Three of Swords: For this card, I investigated the symbol of clouds. First, I had never noticed that there are three clouds on this card. Second, the authors share that clouds are “potent symbols of change.”4 Also, clouds can bring obscurity, depression and disaster, as well as divine support and potential.5
  3. Six of Wands: One of the cards that features a horse or horses, the Six of Wands has always represented success to me. Once again, the authors shared an exercise, “The Journey of the Horse.”6 This mythical meditation invited me to experience the world as a horse and it was truly magical!!! Then, the authors share the message of this card:

“Here again, we have the white terrestrial horse that carries his rider from the past into the present and toward the future in the world of human events. Because the intent of this card is to picture victory, the horse is white to symbolize nobility, triumph, and the mildness of perfect surrender to the rider’s will.”7

I have never seen the Six of Wands in quite this way!

With the additional symbology from the Amberstones, I now summarize the guidance from my previous reading as follows: Even though disaster might come, I have Divine support and take good care of myself as I transcend my past and travel to the sweet success of my future.

I really love the extra layer that the imagery provides! 

Next, I reviewed all of the information on my favorite card in the Rider-Waite-Smith deck: The Star. I learned that “the simple lesson of the eight-pointed star is the feeling of beauty and perfection that rewards the completion of an inner journey.”8 Did you know that the eight-pointed star is found on only two cards in the deck?  The Fool and The Star. The authors also share information on the pool, which in the case of The Star, represents “the great pool of spiritual awareness that we explore by meditation.”9

Throughout this chapter, the authors share information on the other types of stars on cards in the Rider-Waite-Smith deck, as well as ideas for spreads and meditations. I will return to the spread called “The Pool, Moon, and Star”10 later for guidance.  

The book is very well constructed, with information on the symbols and then representative cards that feature the symbols. They worked with the original printing plates of the Rider-Waite-Smith deck, and Ruth Ann highlighted a different part or parts of each card to call attention to the specific symbol being discussed. This technique is very helpful!

In the Appendix, the authors lay out exercises and spreads for each of the seven chapters.  This enables the reader to find a particular spread, meditation, or practice, without going page by page through the book. They also include an eight-page Index where you can find everything from every mention of angels (or archangels!) to every Major Arcana or Minor Arcana card mentioned in the book. These tools are very helpful for the novice and experienced tarot professional alike. For this reason, as well as the conversational style in which the authors share the information, I feel that this book would benefit any level of tarot reader. In fact, for the new reader, this book is a great textbook for learning more about the esoteric symbols of tarot.

I plan to use many of the spreads for work with my clients, as well as utilizing the information on imagery to add depth to my own daily readings.

Perhaps Tarot Master Rachel Pollack said it best on the back cover of Unlocking the Secret Language of Tarot:

“For years, Wald and Ruth Ann Amberstone’s deep work on the symbols and esoteric traditions of the Rider-Waite-Smith cards has been a legend, the learning and inspiration available only to their students. This book is useful in the deepest possible sense.”11

Bogowie, by T.D. Kokoszka

Bogowie: A Study of Eastern Europe’s Ancient Gods, by T.D. Kokoszka
Moon Books, 1803412852, 448 pages, September 2023

Without a doubt, the most famous Slavic deity is the child-eating hag goddess Baba Yaga. Thanks to her memorable mobile home on chicken legs, she has achieved mainstream recognition through children’s books, and she even lends her name as an alias to the eponymous assassin played by Keanu Reeves in the John Wick film series (2014). Aside from everyone’s favorite chicken witch, Slavic mythology has inadequate representation in pop culture and western scholarship. In Bogowie: A Study of Eastern Europe’s Ancient Gods, author T.D. Kokoszka seeks to remedy this deficiency. The book’s title, Bogowie (pronounced “BO-GOV-YEH”), is Polish for “Gods,”1 and in this work, Kokoszka uses “comparative analysis to interpret Slavic folklore”2 and reconstruct Slavic paganism.

It may come as a surprise that the author, who has a Bachelor’s degree in Microbiology from Texas State, would choose to write a book on a topic that digresses so far from his field of expertise. While microbiology may seem unrelated to comparative mythology on the surface, the study of ancient genetics intersects with the reconstruction of ancient Slavic culture. The author recognizes the inherent dangers of investigating the Proto-Indo-European “Aryan” identity, and approaches this topic with sensitivity. As a half Jewish and half Polish-American man, Kokoszka is disturbed by the appropriation of Slavic paganism by far-right nationalist groups, such as Russian and Ukrainian Neo-Nazis, and seeks to reconstruct traditional Slavic faith from a non-biased scholarly perspective.

Kokoszka felt compelled to write this book because the study of pre-Christian Slavic culture and mythology has been neglected by modern scholarship, and he was frustrated and disappointed by the dearth of quality research in this field. However, his target audience is not scholars (he doubts they would take him seriously), but those who are interested in Slavic paganism. Being a Slavic pagan himself, he hopes this work will be a valuable resource for both curious readers and devoted practitioners attempting to reconstruct the pre-Christian Slavic faith.

I fall into the curious camp, and Baba Yaga’s chicken foot hut led me through a dark forest to the unfurling leaves of this book. Earlier this year, I read Baba Yaga’s Book of Witchcraft: Slavic Magic of the Woods by Ukrainian diaspora witch Madame Pamita, which piqued my interest in Slavic mythology, a topic I shamefully knew little to nothing about up until that point. Bogowie proved to be the nitty-gritty, in-depth scholarly analysis I enjoy as a mythology buff.

While the author humbly refers to himself as an “amateur,”3 the depth of his comparative mythology analysis is impressive and reminiscent of the works of Joseph Campbell. Kokoszka explores parallels between the Slavic pantheon and other world mythologies, with an emphasis on major deities such as Mokosh, the goddess of fate and the personification of Mother Earth; Perun, the thunder god; Volos, the god of cattle and Lord of the Underworld; the Zoryas, sea maidens of the dawn; and the solar deity Dazhbog. Several chapters end with a sample tale, including one of my personal favorites, called “Baba Yaga and Vasilissa the Fair.”4 

In Chapter 2, titled “Baba Yaga and Mokosh the Great Mother,” Kokoszka’s exploration of the widespread European folk tradition of saving the last sheaf of grain for a deity is fascinating. In the Ukranian folk tale of “The Snake Wife,” a farmer is advised by a talking serpent in the forest to ask for the last sheaf of corn as payment after he harvests his master’s fields. Then he throws the last sheaf into a fire and a beautiful woman leaps like a spark from the flames. They get married, and his new bride warns him to never call her a serpent, or else she will leave him. Inevitably, he does so anyway, and she turns into a snake. Before she slithers away, he kisses her thrice, and is blessed with knowledge each time. She tells him to go to the Tsar, who will reward him for his wisdom by giving him a princess for a bride.

“Why does the peasant burn the last sheaf of grain to summon the snake wife?”5 Kokoszka asks. He reveals that the last sheaf is associated with an old woman or hag throughout Europe. In Scotland, the last sheaf of grain was dressed as a woman and devoted to the Cailleach, a hag goddess. In German folklore, the last sheaf is called “the corn mother” or “wheat-bride,” and “some Dutch stories portray the Ruggenmoeder (Rye Mother) as an old hag with red eyes and a black nose who carries a whip and pursues children.”6 Meanwhile, in Russia, “sometimes a small patch of rye stalks were left in the corner of the field, and braided for Baba Yaga,” who “feeds the world, but is herself hungry.”7 Perhaps this is why she eats naughty children! “Another tradition which intersects with this is found in Central Europe, where one can find narratives about an old hag getting ground up by a mill and coming out as a maiden, with her youth restored,”8 says Kokoszka.

The last sheaf may also be personified as “The Old Man,”9 and in some parts of Russia, Kokoszka says, “the last sheaf of grain was called ‘The Beard of Volos.’” 10 While it may seem strange to connect an agrarian fertility tradition with the god of death, Kokoszka believes there is evidence that this practice is rooted in ancestral cult worship, as illustrated by the Ukrainian Didukh, another ceremonial last sheaf representing a grandfather spirit. The Didukh was believed to be a spirit house for deceased family members, and was brought into the home for winter festivities.

“The Didukh was given a place of honor during Christmas in many Ukrainian households,” Kokoszka says. “Finally, in early January, it was taken to the field and burned to free the spirits.”11

I found it even more intriguing that the pagan Volos was syncretized with the Christian Saint Nicholas. In some parts of Russia, the “Beard of Volos” was also known as the “Beard of Nicholas,”12 and a bull was sacrificed to him on his feast day on December 6th, an obviously pagan practice that hearkens back to the ancient association of Volos with cattle. Kokoszka says that “the bull to be sacrificed was named mikolets, after the Saint himself.”13

Bogowie is jam-packed with nutritious tidbits like this. I loved following the little bread crumbs about Baba Yaga the most because I have been fascinated with her ever since I first saw an image of her chicken foot hut in a computer game as a child. I was delighted to learn that, in Slavic mythology, there is also a female house spirit with chicken legs called a kikimora who lives behind the stove. In the middle of the night, she will tangle unspun thread or unravel needlework that has not been put away or sained (blessed with the sign of the cross).

Now that I have my own little coven of seven Easter Egger hens I call the Chicken Foot Clan, I like to think of myself as a chicken witch, and I want to be known as Baba Yaga to my grandchildren. I made a feather duster/chicken feather besom for ritual use with a bundle of naturally-shed tail feathers and a branch from the chaste tree growing in my backyard. According to Kokoszka, “witches of Carpatho-Ukrainian folk belief often have chicken feet.”14 I don’t have chicken feet yet, but after the ladies pass away of natural causes, I plan on harvesting theirs, mummifying them, and painting their toenails so they look like little hag hands. In witchcraft, dried chicken feet have protective powers, and it will also be a way for me to memorialize my hens.

Bogowie will be an engrossing read for chicken witches, Slavic pagans, and anyone who enjoys studying comparative mythology. Kokoszka’s thorough investigation of Eastern European folklore is formidable, and this book is destined to be an essential text on Slavic mythology.

Pagan Portals – Gods & Goddesses of England, by Rachel Patterson

Pagan Portals –  Gods & Goddesses of England, by Rachael Patterson
Moon Books, 1789046629, 128 pages, July 2023

I was drawn to Pagan Portals – God & Goddesses of England by Rachel Patterson because as the wife of an Englishman, I’ve traveled there quite a bit. What I love about my travels is that we don’t visit as tourists, we settle in as family and then branch out and explore the countryside. It’s a place that shares its land with small villages, larger cities such as York and Bath, and also ancient markers, all of which cohabitate beautifully. Thanks to Patterson, my knowledge of the deities of England has greatly expanded. I’m looking forward to seeing the sights with the lens of the gods and goddesses next time we visit!

Pattern is the perfect guide for this trip through the landscape of England’s deities. Her website titles her an “English kitchen witch and author” 1 Her list of other published works is impressive, including Pagan Portals – Kitchen Witchcraft, Pagan Portals – Moon Magic, and A Witch for Every Season. She is listed as one of the 100 Most Spiritually Influential Living People in Watkins Mind Body Spirit magazine.

Now, diving in, this book is divided into two broad sections: “Part I, The History of Humans” and “Part II, Gods & Goddesses”. To start the book, Patterson presents what she describes as a “very brief outline” of Britain’s timeline from Paleolithic Britain (700,000 B.C.) through the Noman conquest of 1066 A.D. She also introduces the reader to the various invading forces who settled in Britain and put their stamps on the people and the land – from the Romans to the Germanic tribes, to the Vikings. This laid the foundation for delving into the deities of England in this book. 

In Part II, before recommending how to connect with the deities, Rachel profiles numerous deities, referencing whether they were a god or a goddess, and the location where reference to these deities was found. For some she is able to share a lot of information, while for others all that remains is a reference to their name on an inscription or relic or reference in a manuscript. She covers the whole of England, though, in a concise manner. 

Of course, Britannia shows up. This time inscribed on a statue base in York. Britannia eventually became the symbol of Britain and of the resiliency of its people. She provides a lot of information on Sulis, a goddess found in Bath. As she writes, “a great number of altars, dedications and curse tablets have been found in Bath along with a large temple dedicated to her.”2 While worshiped during the Roman times as a goddess with whom they equated their goddess Minerva, Sulis seems to have been a local goddess long before the Romans invaded.

I was intrigued by the curse tablets that had been thrown into a spring. Each was made of metal and mostly all rolled up before being thrown into the spring. “All of them seem to be requesting return of stolen items, asking for revenge, or the righting of wrongs. Most of them involved what would seem to be today small items such as a stolen towel.”3 In all fairness, though, one needs their towel in Bath.

She offers ways to engage with the deities, whether one is local to you or whether you were drawn to one in the book. Ways include researching the deity, setting up an altar, connecting with the land, and, one of her favorite ways, researching food local to the area. She feels that these local recipes help her “align with the energies of the area”4 while also providing good food. 

Rachel also writes extensively as to how she connects with specific deities, Belisama, the Three Mothers/Matres, and Sabrina.  For each, she writes on myths and origins, invocations, rituals, meditations, and of course, recipes including chorley cakes (Belisama), Gloucester pancakes (The Three Mothers/Matres) and shearing cake (Sabrina). She concludes with offering further readings, if interested. 

I highly recommend Pagan Portals – Gods and Goddesses of England. It encourages one to connect with the deities rather than just providing copious amounts of information on each, helping readers to create their own relationship with these gods and goddesses. Realizing that all might not be able to visit England to connect with these deities, Patternson offers ways to do so if one feels drawn to a particular deity. I loved her final recommendation as she sent me on my way:

“What I would recommend you do is to connect with the energy of the land you live on. Research the history for your own area and get to know the land beneath your feet.”5

The Language of Lenormand, by Erika Robinson

The Language of Lenormand: A Practical Guide for Everyday Divination, by Erika Robinson
Weiser Books, 1578638054, 208 pages, October 2023

As both a book lover and a collector of Lenormand oracles, I was very excited to have the opportunity to review The Language of Lenormand: A Practical Guide for Everyday Divination by Erika Robinson.

Robinson’s skills as a seasoned card reader and a highly trained educator shine brightly throughout this delightful guide – her Harvard education and years of teaching English evidenced on every page.

The book’s beautiful cover caught my eye, and I was somewhat surprised and a bit disappointed that there was no deck accompanying this book (more on that later though because there is good news after all for us deck collectors).

Rightly named a “Practical Guide”, Robinson is actively teaching from the start. Set up like a workbook with questions and brainstorming activities winding up each chapter, the student has an opportunity to be fully engaged, helping make the learning process even smoother.

The Lenormand Oracle is comprised of 36 cards, with some decks having a few extra cards so that the sibyl and/or sitter may choose between different representations of specific cards. The cards are always read in combination with each other (no single card pulls as is often done with Tarot and other oracles). Memorizing the meanings of the cards is first and foremost to learning to read with them in combinations.

Chapter One begins by introducing the first three cards to us, explaining the images and their meanings as you might expect, but the chapter continues with something fresh by immediately teaching us how to read those three cards in several different combinations. Robinson also asks us to come up with some meanings on our own, and right away we are learning, thinking, and reading the cards ourselves. Brilliant!

The next six cards are described and added to our repertoire in Chapters Two and Three, and then for the following chapter we take a little break from learning new cards to talk about significators and different ways of using them. We learn this easily by playing with the cards we’ve studied so far. Then, we move on to learning a few more new cards in Chapter Five.  

I really enjoyed Robinson’s take on significators, so I was excited when she returned with more ideas about them in chapter six along with a technique called “mirroring” and our first “spreads” – using configurations of five cards and seven cards. 

The book continues in this fashion, teaching three cards per chapter and then layering our newfound learning with actual card reading in combinations along with additional techniques for determining what the cards are saying to us by using more cards in combination. These layers and combinations provide more and more clarity and detail. 

Robinson teaches a range of traditional spreads (also called “vignettes” in Lenormand parlance) using the Nine Box (a spread using 9 cards) for multiple examples as we work our way through learning the entire deck. Her use of the Nine Box reminded me of just how much information you can find using just nine cards. 

By the time we reach Chapter Eighteen we know the meanings of each card and how they work together in combinations. And now we are ready to take a crack at the biggest spread of all – the one that uses the entire deck – a giant spread famously known as The Grand Tableau.

When I was first learning to use the Lenormand oracle, I remember feeling equal amounts of excitement and dread about approaching such a huge spread. You may feel the same way, but fear not! Robinson provides us with lovely instructions on how to navigate the Grand Tableau walking us step-by-step through her entire process. The Grand Tableau can be quite an undertaking but with such clear instruction you can be sure to fully enjoy it!

Moving forward, we learn some new and original spreads including a twenty-three-card spread called Erika’s Reading that I used immediately and loved, and happily it was much appreciated by my sitter as well, as it validated quite a few details for them. Among the original ideas in this book, this is my favorite and one I plan on using a lot. It’s quicker than the Grand Tableau while still giving a wealth of information.  

I mentioned earlier that I was a bit disappointed that this book was not the guidebook for a new deck, but my disappointment vanished once I discovered that Robinson does have her own deck coming out. I peeked on Instagram and the cards are gorgeous. Unfortunately, the deck was a Kickstarter project that had closed by the time I went to investigate it. 

Hopefully, the deck will be available to those of us who were late to the party and missed the backer deadline. The deck is called Erika’s Lenormand of Hope and as thoughtful as her book is, I can only imagine that the same care went into producing her beautiful deck.

As someone who has been reading the Lenormand for almost a decade, I learned quite a few new things from The Language of Lenormand, and with personal stories and lots of reading examples it was fun and easy to read. This book is for anyone wanting to learn about the Lenormand oracle whether a beginner or a seasoned reader. There are new and original ideas here along with traditional Lenormand teachings and they are all presented in a very comprehensive way. A beautiful addition to any cartomancy library, highly recommended.

Ho’oponopono, by Ulrich E. Duprée

Ho’oponopono: The Hawaiian Ritual of Forgiveness, by Ulrich E. Duprée
Earthdancer Books, 978-1644118801, 112 pages, September 2023

“Ho’oponopono is a simple way to regain unity, inner peace, and harmony.”1

The quote above is a deceptively simple statement about a practice that in application is difficult for one to embrace, particularly in a society that is hyper-vigilant about who has done what to me. How can I retaliate when forgiveness is not part of the equation. Ho’oponopono: The Hawaiian Ritual of Forgiveness by Ulrich E. Duprée is a small, yet powerful book of self-healing and forgiveness so that we may offer the same state of grace to others.

“Ho’oponopono is a way of solving and resolving internal and external problems and conflicts while at the same time healing relationships: your relationship with yourself, with other people, and with your environment.”2

Ho’oponopono is separated into four main sections with an introductory portion entitled, “The Adventure Begins”. The reader immediately is drawn into the concept that the practice of Ho-oponopono is more than simply reciting special words, offering up specific emotions, and then going about your daily activities until the next “flare up” that needs forgiveness arises. It is indeed an adventure that requires self-reflection, honesty, and most importantly a continued stance of SELF love and forgiveness. Duprée gently reminds the reader throughout that the reconciliation at the level of self is first and foremost in the deeper meaning and success of the Ho-oponopono practices. 

The subsequent sections–“What is Ho-oponopono?”, “The Spiritual Laws-Ho’oponopono in Practice”, and “The Desire For Peace”– take the reader through the nuts and bolts of the history and evolution of the Ho’oponopono ritual and its application within any culture’s beliefs. Duprée also masterfully weaves core principles of living in harmony with all life, respect for all life, and the interconnectedness of all life.

I especially took note of the section, “The Core of the Simplified Ho’oponopono”. This core has been rendered down by Duprée into four statements:

As soon as something annoys you, whenever you feel like turning around and running away from a situation, and especially whenever someone is “pushing your buttons”, please join me in first saying to yourself:
I’m sorry.
Please forgive me.
I love you.
Thank you.3

He discusses each at length, and although the initial response of many would be that of feeling a contradiction to forgiveness towards the situation/individual that you feel victimized by, this speaks volumes to the verbiage of we are all connected and the actual implementation of recognizing that in the heat of the moment.

There are many exercises throughout Ho’oponopono that are brief in what is asked, but if used wisely, reveal and transform the reader’s perspective and view of themself, others, and our collective place in the world. 

Duprée covers multiple aspects of humanity’s existence and these are woven into the Ho-oponopono practices of restoring health, balance in work and home, global implications, and challenges and ultimately the desire for peace and everyone’s role in that aspiration.

Would I recommend?

Ho’oponopono is one of those rare books that looks by appearance to be a “light” read, suited more to those who have interest or personal resonance with Hawaiian practice and spirituality. But there is nothing “light” about this book, other than perhaps the enlightened state that is possible for those who take the time to read, self-reflect, and then apply. This should be a required read for everyone who has felt victimized, who desires harmony, who seeks to be the “change” we often speak of, who wants to remember that regardless of race, ethnicity, religion or geographical location, we all want to acknowledged, heard, loved and feel safe in giving love and forgiveness. Ho’oponopono is absolutely point-on for these troubling times. It’s definitely a keeper and a life-long lesson to be referenced frequently. 

About the Author:

Ulrich Emil Duprée is a spiritual seeker, visionary, and seminar leader. He has studied both Western and Eastern philosophy and lived in a Hindu monastery for four years. He has taught Ho‘oponopono, the ritual of forgiveness, since his mystical initiation by a Hawaiian Kahuna priest in 2009. The is also the author of Family Constellations. He currently lives in Germany.