✨ A Gathering Place for Magical Readers and Writers ✨

The Book of Celtic Symbols, by Joules Taylor

The Book of Celtic Symbols: Symbols, Stories, and Blessings for Everyday Living, by Joules Taylor
CICO Books, 978-1-78249-824-7, 2020 (first published 2007)

The Book of Celtic Symbols: Symbols, Stories, and Blessings for Everyday Living by Joules Taylor is a comprehensive primer for those new to the Celts, as well as a concise work that provides insight into Celtic life for those of familiar with these people. The book “captures the essence of Celtic wisdom and shows how to bring its magic into our lives today.” 1 Joules Taylor, an established author and co-author, is well poised to open this world to us. I was espeically excited to read about their far-reaching traditions and belief system to better understand the sites I’ve seen in my travels.

Despite growing up in an Italian-American household, I have been inexplicably drawn to Ireland and have traveled there twice in the past five years. My knowledge of the Celts was literally learned on the spot in places such as Newgrange. I read this book with the deepen my knowledge of the Celts, and I certainly feel this happens page after page.

When I was in Ireland, I allowed the places to call me to them. I had no knowledge of Newgrange, a Stone Age monument in Ireland’s Ancient East and found it surreptitiously through highway signs. Wells and Brigid? I went to where I was pulled. Joules’ book puts all the pieces into place for me, and I now have a deeper understanding of the importance of the art and artifacts of the Celts. With no written language, these symbols were their means of communication. As Joules explains, “to the Celts, everything in life was symbolic.” 2

The book is divided into seven chapters: “The Celtic Year, Celtic Guides and Their Symbols,” “Ogham: Celtic Alphabet, Symbols from Domestic life,” “The Signification of Trees and Mistletoe,” “Animal Guides,” and “The Sacred Landscape.” All information is present in depth with colorful illustrations or photographs of actual Celtic metalwork or stonework (including those spirals found at Newgrange). The writing is concise and easily understandable. Each chapter is a deep-dive into the topic at hand. There’s even a bread recipe in the chapter, Symbols of Domestic Life. (I intend to try this recipe the next time I make bread this month.) As you see, there’s a variety of topics, content, and ways to connect to Celtic culture.

Just to provide some background, the Celtic culture flourished for almost three thousand years across Europe and the British Isles. It was eventually taken over by Romans as their empire expanded. What resonated most with me about the Celtic culture is the connection that the Celts had with the earth. “The Celts considered the land to be a goddess, their Great Mother, filled with mystery and peopled by gods and goddesses in the springs, rivers, wells, and caves, in the hills and trees.” 3

A practitioner of seasonal living, I enjoyed reading that the Celts lived in concert with the seasons. Their celebrations broke up the year into festivals, and they were ways to show gratitude and reverence. Their celebrations were incorporated into Early Christian life. The celebrations of Esotre/Ostara with eggs and hares symbolizing fertility and rebirth became Easter with its eggs and bunnies. I enjoyed learning that the Celts’ dark year, or new year, began with Samhain, akin to what is traditionally known as Halloween. Bonfires or bone fires, trick or treating, all have their start with the Celts. It was very interesting to learn the roots of these modern practices date back to the Celts.

Through Joules’s writing, I was introduced to goddesses and gods with whom I was unfamiliar, such as Modron and Sulis. Having visited Bath in England I liked learning that Sulis was the “local goddess of the springs at what is now known as Bath.” 4 Stevie Nicks sang of Rhiannon with Fleetwood Mac, but Joules brought this this beautiful woman to life for me. Associated with horses and the moon, she represents beauty, fidelity, and love. 5

I especially like Joule’s suggestions in the book that offered ways to incorporate Celtic traditions, celebrations, ceremonies, and activities into life today. Joules provides detailed descriptions on the origins of these celebrations/activities and how they can be used in daily life. As we approach Imbolc (January 31 – February 1) I have set about “spring cleaning” to prepare for the new year after which I will go for a walk in nature to look for signs of new life, buds on branches and birds building nests as Joules suggests. While today we generally don’t have a hearth fire burning continuously, and unfortunately (at least for me) don’t have a cauldron simmering all day to offer hospitality to visitors, I did learn ways to live more aligned to Celtic domestic life. 

Despite the fact that the Celts did not use what we call the written word, they had a form of alphabet called Ogham based on characters. Joules allows a whole chapter to learning to use this alphabet. I’ll need to go back and spend time with this chapter to attempt a few communications. Coincidentally, as I was reading this book, I received Ogham symbols carved into various types of trees for my birthday. My daughter had become aware of my growing interest in Celtic culture and ordered a handmade set all the way from England! I look forward to using Joules book along with my tree Ogham to commune more with nature, especially the trees. 

Which brings me to my favorite chapter in the book, “The Significance of Trees and Mistletoe.” It helped deepen the reason why my tree Ogham gift contained the twigs from the trees that it did. Joules detailed the indigenous trees that grew in Celtic lands and their importance. As Joules wrote, “all trees were sacred to the Celts.”6 Oak was probably the most sacred tree, a symbol of eternity. The birch was associated with eloquence, stemming from the belief that “Ogmios, the Celtic god of eloquence, wrote the first Ogham characters on a wand of birch wood.” 7 Mistletoe had medicinal properties and was associated with male fertility, and kissing under the mistletoe invoked blessings of the gods in matters of love. 8

Further more, Joules describes how the apple tree bore a fruit that was considered magical because it could be eaten raw and cooked. It was a symbol of immortality and afterlife, and was connected to Annwn, or the Otherworld.

“To some, Avalon may have been another name for Annwn, separated from the mortal world by the thinnest of unseen barriers.” 9 Avalon, the Isle of Apples, was thought to be a place where “there was no pain or distress and everyone was forever young and happy.”10

The book provided a serendipitous connection to another place I visited, Glastonbury, in England. Some consider Glastonbury to have been where Avalon was located. It truly is an otherworldly place. Joules writes that “Glastonbury was reputed to be a site of a Druid University.” 11

What I really appreciated about The Book of Celtic Symbols is Joules presented the information in a non-encyclopedic way. The writing felt relatable and invited me to explore the Celtic culture, even though I have very little former knowledge of the traditions. The illustrations and photographs of sacred symbols throughout the book enhanced the writing, visually prompting me to connect with the words on the page and further absorb all the fascinating things I was learning. 

I highly recommend The Book of Celtic Symbols as a guide to learning about the Celts but more meaningfully, to incorporating some of their wisdom and beliefs into your life. Nature-based living, celebrating the cycle of the year, strong women, and blessings – all of which we could use of dose of today.

The Chiron Effect, by Lisa Tahir

The Chiron Effect: Healing Our Core Wounds through Astrology, Empathy, and Self-Forgiveness, by Lisa Tahir, LCSW
Bear & Company, 1591433958, 208 pages, November 2020

We all have a wound within us that makes us say “ouch” when it’s touched. Chiron, an astronomical centaur, can illuminate where this pain may be showing up in our lives through looking at its placement in an astrology chart. The Chiron Effect: Healing Our Core Wounds through Astrology, Empathy, and Self-Forgiveness by Lisa Tahir, LCSW is a wonderful place to begin your journey in discovering your wounding and shifting it into a healed strength. Offering a comprehensive method of healing your core wounding, this book goes beyond explaining the meaning of Chiron in your astrology chart, and becomes your guide to transformation.

Tahir’s intention to facilitate a healing process is evident within her writing. Her unique approach to astrology stems from her background in clinical social work. She developed and trademarked the modality Psychastrology®, which combines personal psychology and natal astrology. The approach she takes in teaching the reader about Chiron is a cross between psychology techniques for healing and spiritual practices to facilitate mental, emotional, and spiritual wellness, such as meditation, affirmations, and energy healing through the chakras. This unique method really makes it so the reader can use The Chiron Effect as a guide for doing their own inner work to heal the wounding of their Chiron placement as they read Tahir’s insight.

The book slowly eases the reader into working with this sensitive energy. Tahir assures the reader that change is possible by highlighting her own personal journey. Throughout The Chiron Effect, she draws on the wisdom learned from taking on the challenge of overcoming her wounding, as indicated by her Chiron placement, and teaches the toolkit that was most effective. The first chapter, “Living Deeply In Each Moment,” is almost entirely a first-person account of experience in finding her voice, holding onto hope, and attaining enlightenment through forgiveness. Her process awoke the inner healer within her, and as she writes “My own experiences inspired me to investigate the power of this particular healing method.” 10

From here, Tahir guides the reader to discover the wounded healer within themselves through the energy of Chiron. She puts forth that learning unconditional love, empathy, and forgiveness has the power to undo the hurt of the past and change it into wisdom that can be used to heal yourself and others. As mentioned, Tahir uses a variety of psychological methods such as bringing awareness to coping mechanisms due to trauma, moving through emotionally triggering situations, and embracing change even if the ego mind struggles to accept it. She also draws upon teachings from A Course in Miracles, which has greatly impacted her personal work and spiritual journey.

“What I do know is that points of pain can expand us  beyond who we are now and enable us to grow into more beautiful people if we allow this to happen. We do this by tenderly holding onto our precious selves. We also continue our inner work of healing and tap into gratitude for the love that has broken us open to our core and given birth to many small miracles through us.” 12

Chapter five, “Finding Chiron In Your Chart,” then shifts into the astrology aspects of Chiron. Tahir uses a chart to guid the reader through finding the zodiac sign that Chiron was located in when they were born. Then there is a description of all twelve of the astrological houses. However, there isn’t much description about how one would find the house placement of their natal Chiron and it may be a bit over the head of someone who hasn’t ever seen their own astrology chart. This may be why there are only brief explanations of each house and much more emphasis on the sign placement of Chiron.

Chiron is then described through every zodiac sign in chapters six through seventeen. Every sign has key words for how wounded and healed Chiron feels, an overview of the wounding of this placement, takeaways to facilitate healing, and affirmations. Some signs seemed to have more information than others; I found myself wishing for a bit more information about my Chiron placement. The style of writing and Tahir’s tone changes from sign to sign, making some descriptions feel more relatable than others.

Reading through all the Chiron placements, it seems there were quite a few assumptions made about how a person would be based on the wounding of the sign. In the short description of my placement there was a plea to seek mental health counseling or call 911 for suicidal thoughts. I feel like perhaps Tahir’s background in social work and counseling is more pronounced in the interpretation of the Chiron placements than a professional astrological interpretation. This is worth noting because someone with an astrological background may find the description of the sign placements generic or presumptuous.

This is why I would recommend this book for a very beginner to astrology or someone with minimal astrology interest that is more seeking an alternative modality to facilitate spiritual healing. Tahir’s background in social work and counseling creates a safe container for one to begin to learn about the wounds of Chiron. While this is obviously a life-long journey, she successfully instills confidence in the reader that change is possible and beauty can emerge from the pain. Tahir has ventured into the archetype of wounded healer and emerged with the wisdom of this book to share with others.

My favorite part of The Chiron Effect actually came at the very end in the appendix, “Chiron and the Psychoastrology® of the United States of America.” Tahir discusses the natal astrology chart of America and things such as the impact of COVID-19, homelessness, public education, and a variety of other societal ills to be responded to in the near future. This appendix feels like it could be an insightful book and I do hope Tahir shares more of her insight on these topics.

All in all, The Chiron Effect is a guide for spiritual development and transformation. Through acknowledging our pain, weaknesses, and wounding based on Chiron in one’s astrology chart, Tahir teachers the reader that they can become their own healer. Filled with the love, faith, hope, and optimism that comes through Tahir’s writing, readers will be able to see themselves with a bit more clarity and use this awareness to facilitate inner peace.

Angel Tarot, by Travis McHenry

Angel Tarot, by Travis McHenry
Rockpool Publishing, 1925924206, 72 cards, 122 pages, April 2020

Many angel oracle or tarot decks feature sweeping images of light, splendor, and magnificence, along with a comforting affirmation of the angels’ eternal love and devotion. While Angel Tarot by Travis McHenry does facilitate this sacred connection to the power of the angels, the deck is unique because it also offers sigils, seals, and ancient grimoire knowledge to invite the angels into your life. Working with the Angel Tarot allows you to do more than just your standard tarot reading; the energy of the angels is yours to evoke, meditate with, and conjure for magical purposes.

Travis McHenry is a seasoned occultist that has had a varied career. He has an academic background in anthropology and has studied a variety of religions; he was even ordained as a deacon in the Baptist church at one time. McHenry also served in the United States Navy as an intelligence specialist. Afterwards he became a recruiter for the largest telephone psychic company in the world.13 Previously to publishing this deck, McHenry created The Occult Tarot, which is a 78-card deck featuring daemons of the 17th century with guidance on demon conjuration according to Solomonic principles.

It is McHenry’s incorporation of high magic that makes Angel Tarot very different from the usual New Age angel oracle cards or tarot decks. Every card features the tarot correspondence, the angel’s divine name, angelic number, few word description of the meaning of the name, astrological meaning of the card and angel, the angel’s abilities, summoning sigil, and magical seal. I realize this may not make sense to someone who doesn’t have much experience with high magic, but McHenry offers enough guidance that even a novice would be able to effectively use the cards to summon angels.

The guidebook introduction describes Cornelia Agrippa’s doctrine about every human being born with three guardian angels. McHerny describes the difference between each guardian angel, but leaves it up to the deck user to figure out which angels are their guardians. Then there is a brief overview of the hierarchy of angels. I have written a series about the different angels, so if you’re interested you can read a general overview here.

From here, McHenry provides succinct and straightforward directions to conjure angelic spirits. He even includes an image of the Grand Pentacle of Solomon to keep practitioners safe while using the deck. For those who wish to evoke an angel using one of the cards, there is a script for before and after the evocation. McHenry’s directions make it very easy to choose an angel from the deck to petition, connect with the angel, state your request, and then formally end the ritual. I absolutely love the ability to use the cards as a focal point while summoning angels. Angel magic has been what I plan on devoting my studies to this year, and the Angel Tarot is the perfect accompaniment for this undertaking in a safe, contained manner.

Other ways to use the cards suggested by McHenry are meditation and divination. Meditation can attune someone to the angel of your choice’s energy if they do not feel up for doing the full evocation ritual, and is what I would recommend from someone just getting used to the system of this method of working with angels. Then for those doing divination, McHenry writes, “When reading with this deck your answers may come from the tarot connection, the angel’s astrological connection or the angel’s ability.”14 This gives a lot of versatility with this deck, along with plenty of room to explore the different angel correspondences for study and oracular purposes. So far I’ve enjoyed working with the cards more for meditation than divination.

The rest guidebook is the description of meaning for each card. Fair warning, it is not in the style of a usual guidebook that will explicitly state what the card means. Each description has a biblical verse, photograph of the card, and information about when the angel is the soul, mortal, or physical guardian (excluding the six archangels, which have almost the exact same description on their card). This information is how one can find out who their three guardian angels are if they are interested in fostering a relationship with them in particular. The guidebook also shares the intonation for each angel’s name, which is important for ritual evocation, and rank in the angel hierarchy. I learned my moral and soul guardian are the same angel!

There are no specifics given about how the cards relate to the tarot other than this card is this tarot correspondence and guidance on how to do some common tarot spreads. Therefore you should already be familiar with the energy of tarot, otherwise you will not be able to make the associations as easily. Even without knowing the tarot correspondence though, there’s still value in this deck as a method to work with angels. I say this to ensure that someone who sees the title Angel Tarot knows that the main focus is on the 78 angels.

The cards in the deck are gorgeous. They are all coated in gold trim and have The Grand Pentacle of Solomon on the back and in the background of the front of the cards as all. The color scheme of gold, grey, and white hues give the deck a sleek, classical feeling. The images on the front of the cards look like Renaissance sketches. There’s a complexity to the simplicity to the cards, for they all look clean-cut but are filled with sigils, seals, imagery, and words that all seem to attract the eye at once. Red and black emphasize the imagery on some cards, making them more pronounced and striking as one looks through the deck.

I highly recommend Angel Tarot to anyone looking to establish a practice of summoning angels, enhancing their high magic practice, or learn more about the kabbalah hierarchy of angels. While it seems more suited for an experienced occultist, this deck is absolutely user-friendly for people to work with at a beginner level. As I delve into my year of dedicated study of the angels, I am very grateful to have this deck as an enhancement to work I plan on doing. McHenry has done a wonderful job of synthesizing arcane grimoires, occult knowledge, and magical practice to create an outstanding deck.

Magdalene Mysteries, by Seren and Azra Bertrand

Magdalene Mysteries: The Left-Hand Path of the Feminine Christ, Seren Bertrand & Azra Bertrand, M.D.
Bear & Company, 978-1-59143-346-0, 525 pages, 2020

Magdalene Myserties: The Left-hand Path of the Feminine Christ by Seren Bertrand and Azra Bertrand is a deep dive into Mary Magdalene, viewing her from Biblical, historical, and mystical perspectives. This well-researched book invites the reader on a pilgrimage to the Rose by journeying through three portals: the Magdalene Chronicles, the Magdalene Codex, and the Magdalene Vision Quest. These portals form the basis of the sectioning of the book, with each portal offering in-depth exploration of the topic. The authors write that “a key to our journey into the Magdalene Mysteries is to understand the true left-hand path of the goddess; and that Mary Magdalene…was the lineage holder of this sacred tradition.”15

Before the reader enters the portals, the authors provide their “love letters,” each offering individual writings on their initiations/encounters with Mary Magdalene, with Sara writing of meeting Mary Magdalene and of the sacred masculine vision and Azra writing about the Holy Whore of Sophia. The book then proceeds to “explore a radical, forbidden version of Mary Magdalene as a priestess of the Womb mysteries.”16

I was drawn to this book to explore the multi-faceted Mary Magdalene. Having been raised a Catholic, I initially only knew of Mary Magdalene as the prostitute, carried into my teen years with watching Jesus Christ Superstar where she was again portrayed in this role. I later became an adjunct instructor of Art History, and again, my encounters with Mary Magdalene in painting and sculpture again had her portrayed as a prostitute. As I began reading sources other than the Catholic church (!) I was met by a powerful woman, a trusted apostle of Jesus. I needed to learn more, and this book provided a compendious accounting of Mary Magdalene. 

Portal One, the Magdalene Chronicles, details Mary Magdalene’s lineage, starting with the “ancient mothers” in Sumeria. The chronology includes mermaids and the primeval water dragons, Inanna, and Asherah. It was illuminating to read of this lineage of the powerful woman, the vessel, the womb. The authors then transition to Mary Magdalene’ story of the Feminine Christ, looking at the feminist ministry of Christ, whether or not Mary Magdalene and Jesus were married, and her place at the crucifixion and resurrection. The first portal concludes with churches linked to the growth of churches in Europe linked to Mary Magdalene. 

The main focus of Portal Two, the Magdalene Codex, is an in-depth study of the Ghent Altarpiece, created by Jan Van Eyck, from 1426 to 1432. The authors approach this work “as both a pilgrimage and Grail Quest.”17 I found this section fascinating. I was familiar with the Ghent Altarpiece and taught about it in my Art History classes from the typical perspective of the religious symbolism in the painting such as the lamb symbolizing the Lamb of God. I taught about perspective, the place of patrons present in the piece, the role of an altarpiece in a church, etc. The authors, however, offer a complex and compelling distillation of the altarpiece, focusing one’s attention on the positioning of images to create the “position of birthing and sacred sexuality.” (plate 15). I did need to sit a while with the intimation that Van Eyck inserted an heretical message in the work. 

The authors turned next to Leonardo da Vinci’s painting of the Last Supper. I will admit that I never “bought” the explanation that the feminine figure to the side of Jesus was John the Evangelist. I am in agreement that, after having read about the important place of Mary Magdalene in the life of Jesus, that this image was indeed that of Mary Magdalene. The authors write that da Vinci was also “connected to the underground streams of the feminine mysteries.” 18 I imagine that these artists kept the need of art patronage in the forefront as they created multi-dimensional works of art with levels of meaning. 

The belief that Mary Magdalene was seen as a “dangerous figure” threatening to usurp masculine power, led to her portrayal as a “less than,” a whore, non-starter. The second portal closes with a return to the Ghent Altarpiece, where the authors write that Van Eyck “presents an entirely new, and at the same time ancient, vision in which the feminine is restored.” 19 I found the second portal so very fascinating, given my background in Art History. It’s given me a desire to develop an art history course on Mary Magdalene. 

The Third Portal, Magdalene Vision Quest, focuses on the pilgrimage to the Rose through “stories, oracles, and personal rituals.” 20 In the chapter Honoring the Motherline, Mary Magdalene as the “spirit keeper of the womb” is investigated. Seren writes about her own opening up to the path of Mary Magdalene and the goddess path. A personal favorite of mine was her writing about her pilgrimage to Glastonbury in England, a place I was drawn to visit as well. It is hard to adequately describe the otherworldly feeling of Glastonbury, the multidimensional feeling of space and time. Sere writes about the chalice well and its red flowing water and Glastonbury Abbey built on the site of an ancient sacred site devoted to the divine feminine and “known in local lore as the ‘vagina of the birth goddess.’”21

Seren recounts how Magdalene directed her to visit Iona, a remote Scottish island in the Hebrides. I was beginning to feel a connection both to Magdalene and Seren as Iona is a place that I find myself constantly drawn to read about and to most definitely visit post-pandemic. She continues by writing about the ancestral wise witches and the death of her mother, the mother of her “birth womb.”22 She movingly describes the graveside service she led for her mother. “As my mother’s womb had birthed me into this world, now I midwived her back into the womb of Mother Earth, for her rebirth into the Spirit world.”23

The Third Portal section contains rituals that the reader can perform, such as a Rose Ritual or the Anointing of the Moon ritual, a Mermaid ritual, and a Black Rose rituals. The rituals all contain references to an element, a ministry (such as cleansing), archetypes (such as Aphrodite), colors, and sigils (like a chalice). I have not yet taken the time to participate in a ritual, though, but the moving descriptions accompanying each ritual will draw me in sooner rather than later.

The book concludes with an invitation to return to the “dynamic Wild Feminine” which is “not limited to the story of one person or priestess – it is a living, vibrant frequency within everyone, calling to be remembered and embodied.” 24 Seren’s prayers to Magdalene are the final pages of the book. 

The book contains numerous images and illustrations to support the writings, including prehistoric clay tablets and sculptures, rich reproductions of pre-Renaissance and Renaissance tapestries, painting, and sculptures, and 20th century art including the image of a stained glass window in Sheffield, England in which Mary Magdalene is depicted as holding her hands in the “womb mudra position.” 25

Magdalene Mysteries offers a perfect combination of historic information across millennia along with the personal interactions of the authors with Mary Magdalene. It is a book to be read over time, allowing the information to seep in. It reads as a pilgrimage, and like all pilgrimages, time should be taken to allow the path to reveal itself to you, to allow yourself to open to revelations and notice the changes that occur as a result of the pilgrimage. The book is a pilgrimage to the Rose, and as such, invites the reader to open up slowly to Mary Magdalene, much like a rose itself that slowly opens, moving from a bud to a flower in full bloom, layers of beautiful petals.  It is a comprehensive introduction to Mary Magdalene to those new to the subject and also a deep-dive for those wanting a deeper interaction with Mary Magdalene. I highly recommend this book and encourage the reader to walk the path of pilgrimage to the Rose with these highly informed and passionate authors.

Egyptian Magick, by Mogg Morgan

Egyptian Magick: A Spirited Guide, by Mogg Morgan
Mandrake of Oxford, 1906958992, 432 pages, November 2020

The influence of ancient Egypt has remained strong in the imagination of Western magic through the Hebrew and Greek traditions and was popularized again in its revival during the Enlightenment. While this energy is still potent centuries later, it is often molded into the one-size-fits-all, easy-to-digest books that make this type of magickal practice easily accessible to the reader. This is wonderful for those who do not intend to delve into a full practice, but it often leaves those who seek to deepen their magick wanting. Cue Egyptian Magick: A Spirited Guide by Mogg Morgan, which is just the book for those who truly wish to expand their practice into a working system.

Morgan is both a practitioner and scholar of the occult. The level of detail described in Egyptian Magick duly reflects this combination, which clearly showcases the relationship between scholarship to inform practice and practice contextualizing scholarship. He has authored quite a few other titles, the most notable being Isis: Goddess of Egypt & India, Supernatural Assault in Ancient Egypt: Seth, Renpet & Moon Magick, The Ritual Year in Ancient Egypt: Lunar and Solar Calendars and Liturgy, and Seth & The Two Ways: Ways of Seeing the Demon God of Egypt. His area of focus is “the connections between the popular magick of ancient Egypt and its continuation/crossover with the living magical traditions of the middle East, and the Kaula/witchcraft of south Asia and beyond.”26

Egyptian Magick is Morgan’s compilation of the core ideas from his previous books all brought together to create one authoritative guide. And let me tell you, it is PACKED with information. I will admit, I was a bit intimidated when I began reading this book. With only a novice level of knowledge about Egyptian Magick, I instantly felt like I was in over my head. At first I did my best to find my footing in the book by dutifully going through it page by page, but quickly I realized I could jump around a bit within each chapter and slowly weave together the tapestry of information. This method helped me to not feel overwhelmed and discover my own method of working with the book rather than becoming inundated (and stuck!).

There are eight chapters in the book that are all filled with sub-sections and even more small headers with information. At times this can feel a bit choppy, but I also believe this style offers as much information as possible within the framework of the book. The book begins with an invocation and then delves into Heka & Hekau. This section really stands out because it describes all types of Egyptian magick: sleep magick, image magick, human sacrifice, funeral rites, and more! So often, scholarship wants to overlook these gruesome details within occult practices, but Morgan does not shy away from topics such as decapitation and reversals or cannibalism. It’s a bit gruesome, but at the same time enlightening, and almost liberating, to be able to delve into such taboo topics.

Reading on, Morgan expands on his reasoning for the basis for this work with contextual references to the Hermetic Order of the Golden Dawn and Aliester Crowley. He writes, “I have come to believe that the real ‘Golden Dawn’ is an experience rather than an organization.”27. He then encourages the reader to “try to put aside what you know and approach the surviving records of ancient Egyptian magick with a fresh mind.”28 This sentiment really stuck with me, as many of the techniques and practices I’ve learned thus far have stemmed from the Golden Dawn. Some of the fascinating topics that resonated with me most were the correspondences of Greek vowels with elements, secret languages of magicians, the relationship between sigils and hieroglyphs, Egyptian numerology, and an impressive array of seals.

Chapter four, “The Temple of Imaginarium,” was probably my favorite in the entire book. Ever since I learned about this mind-mapping technique in Masonic Magician by Philipa Faulks and Robert L.D. Cooper, I’ve been fascinated but haven’t been able to learn more. Morgan explains it well in writing:

“What else is a temple but a representation, in material, of the cosmology of the people who built it? The temple represents the archeology of gnosis, the sequences of a journal through the temple represent the initiatory journey to the ‘holy mountain’.29 It can be an imaginarium or House of all Possibilities, a theatre in which to locate one’s magick.”30

Morgan offers a guided visualization to move through this temple to discover your own magical potency. You gain the ability to move through and access the energy of Egyptian deities, performing the role of a priest. I’ve only tried this once, but found it quite impactful. I plan on familiarizing myself with this exercise when I have time to truly dedicate to experimenting with the technique.

The following chapters detail the rites of initiation, lead the reader through the underworld, and then go into the longest chapter about the ritual year of the Egyptians. These chapters are the real key to opening oneself into this working system of Egyptian Magick. The rituals can be performed at the start of each month and help to orient the practitioner to the time of year and energy available. Since I prefer attuning to the spirit of the place where I physically am, I haven’t tried any of the rituals. However, for a reader who wishes to fully work this system, everything that is needed is within this chapter.

What strikes me the most about Egyptian Magick is the level of insight that Morgan has accumulated. I would guess this isn’t his last book, but in many ways it feels like a magnum opus. Without hesitancy, Morgan clearly elucidated occult practices with objectivity, reverence, and awe. The book is clearly shaped by Morgan’s unique perception, but in no way does it feel contrived to push a practice. Rather, it clearly lays it all out for the reader, from the taboo to the mundane aspects of this work, and offers an all-encompassing guide to Egyptian magick.

Overall, Egyptian Magick is a trustworthy source for expanding one’s knowledge of the Egyptian occult and how this magick can be practiced today. It beautifully blends scholarship with experience to offer a compendium of information. I hesitate to recommend it to a novice practitioner, but I do believe that is a must-have for anyone working with Egyptian deities or is interested in learning more about Egyptian practices. Within these pages is a year-round system of Egyptian magick that utilizes techniques that have amply survived the test of time.

As Morgan writes, “Ideally this becomes part of a practical theology by which the practitioner becomes, through ‘dynamic resonance’ the image of the gods or divine forces he or she emulates.”31 I feel putting this book into effect could absolutely achieve these results. It certainly is not for everyone, but Egyptian Magick is a reliable resource for those who are ready to take their practices to the next level.

Esoteric Mysteries of the Underworld, by Jean-Pierre Bayard

Esoteric Mysteries of the Underworld: The Power & Meaning of Subterranean Spaces, by Jean-Pierre Bayard
Inner Traditions, 978-1644110621, 320 pages, 2020

One of the first things I noticed about Esoteric Mysteries of the Underworld: The Power & Meaning of Subterranean Spaces was how incredibly dense it is. This book is not a light read; it’s meant for those serious about exploring the hidden symbolism and meaning found in the deepest recesses of the Earth. Perfectly poised to craft such a tome, Jean-Pierre Bayard was a prolific esoteric scholar and authored more than 50 books on topics such as Rosicrucianism, secret societies, symbolism, and the spiritual aspect of Freemasonry. Bayard passed away in 2008 leaving behind a legacy of gorgeous writings that are multilayered and diverse in their objective to share his vast knowledge. This specific book explores the spiritual aspects of the underworld; with many ancient cultures sharing similar beliefs around the power of underground spaces and natural rock formations, Bayard weaves together the similarities in a way that breathes life into these places often thought devoid of life.

This book called to me instantly, as the myths of humans and demigods traversing through the underworld on their various journeys to find themselves is an appealing theme. Included with this thematic exploration of myth, symbology, deities, and beliefs is a guide to the spiritual energies that ebb and flow beneath our feet. Reading this book caused me to become more aware of my surroundings and to pay attention to subtle shifts in energies around me, as often they are telltale signs of things to happen. Not to say I accurately predicted lottery numbers; this was more of an awareness of present energies and their patterns. Birds suddenly flocking around me signaling an approaching predator (a cat), a squawking crow alerting me to a changing traffic light, and so on. Situations like this may seem mundane, as most of us have experienced some form of what I mentioned at some point, but when taken in a spiritual light as a form of an all-encompassing connection it becomes so much more.

The book is separated into two parts: “The Symbolism of the Underworld and the Cave” and “The Cavern.” Dealing with topics such as telluric currents, underground water, underground gems and so on, the book lays out very detailed explanations of each topic and why it’s relevant. The meaty stuff is where I turned to first: underground temples, initiatory passageways, underground labyrinths, and more. This is why you buy this book: these topics are so thoroughly explored you feel as thought you’ve just earned a degree. Bayard references his previous books as additional sources of information, not out of megalomania but because he really does know that much about these things. There is no bravado here, it’s all just information presented in a very high level manner that is a joy to read. An in-depth bibliography, endnotes presented by chapter, and two appendices (one listing definitions from the Mytho-Hermetic Dictionary and the other a two page piece on Hollow Earth Mysticism) are nice additions to the book. These provide great resources for those who may require further explanation. I love when writers include their notes on the resources they used and referred to in their work as quite often it leads to discovering more information and new writers. Everything is connected.

Perhaps my favorite section of the entire book is lucky chapter eight, “Descent Into Hell.” This chapter delves into the notion of hell. It does not focus on the Christian aspect of the region, but instead goes into vast details about the symmetry of the place as an idea — one that is described using similar vernacular across various cultures and time periods. I appreciated this shift away from the whole “lake of fire and eternal damnation” imagery immensely. Bayard explains his choice to explore other aspects of the realm by reminding the reader that this has already been explored in a previous book. Again, this does not come across as bragging, merely a statement that if one wishes to know more about that specific topic, there is another book by the same author that could give you what you are looking for.

What I also love about this book is how Bayard takes all of this information and somehow manages to not only make it interesting, but to also leave space for the reader to question. There is no feeling that the material presented is the final word on any of the subjects contained within: this is more of collection of writings on a variety of topics that all have an esoteric thread linking them to one another. Each section blends seamlessly into the next and there is enough information in each section that links to the next, something that I found kept me on track and engaged despite the vast amount of information being presented.

Bayard’s style of writing might be off putting to some who may be used to more humor in their reading material. He writes in a tone that imparts the information in a very straight forward way, almost like a lecture but with more depth. Personally, I found his voice to be very to the point and without any frills, something that is rare when dealing with esoteric topics. I will admit I haven’t delved too deeply into the topic of the underworld previously, as it seemed unavailable to me, and now after reading Bayard’s Esoteric Mysteries of the Underworld, I think I am ready to have another go at it.

House of Sleep, by Brad Kelly

House of Sleep, by Brad Kelly
Independently Published, 8593128638, 312 pages, January 2021

What is that place where reality ends and dreams begin? Can our dreams impact our reality, and in turn can reality be shaped by our dreams? These philosophical questions are brilliantly explored in the recently published book House of Sleep by Brad Kelly. This genre-melding fictional story invites the reader to question the nature of our dreams, where we derive personal satisfaction from in our life, and the ultimate quest for the existence of an omnipresent divine being.

Lynn is distraught after the death of her fiancé. She had recently become pregnant and within a short span of time, she lost both the baby and her beloved Michael. Maintaining her career as a psychiatrist becomes a challenge as she slips deeper into despair. Spiraling out of control and desperate to connect with Michael again, Lynn decides to take the opportunity to attend a retreat, which happens to be nearby and completely free. With the encouragement and safety net of her trusted best friend Nikki keeping tabs on her, Lynn desires to embrace this experience and see what may come of it.

Simultaneously, readers are introduced to the other protagonist Daniel, who is disease-ridden and at the mercy of a religiously fervent father that believes him to be demonically possessed. After a lifetime of being subjected to his father’s violent zealotry, Daniel has finally gathered the inner strength to leave home and seek out his older brother who had left the abusive home years prior. Growing up, Daniel’s older brother had been his refuge, as he did his best to shield Daniel from the blows of their father and share with him all he had learned about the world. The parting words he left Daniel with were to get to a doctor and then find him.

The lives of Lynn and Daniel, along with many other colorful characters, become intertwined at the House of Sleep. Led by a mysterious man called The Diving Man, the House of Sleep is creating a bridge in the dream realm to usher in a new reality. As he spouts philosophical wisdom and transcendent spiritual insights, the main characters are led to question who this person is and whether he is to be trusted. Some followers give him full credence, while another is keeping tabs on this man for detective research. The ambiguity of it all leaves room for the reader to continually question if the Diving Man is a brilliant cult leader or incarnate god. All the people called there have a role to play, but what is the price of the great work these dreamers are doing?

Kelly does a wonderful job of keeping the readers guessing. The book is divided into three parts each section and ends with a metaphorical ellipsis. Just when the reader thinks they have it figured out, there’s a new twist to the story. There is a blending of past, present, and future that creates a labyrinth of time. The characters must work together to discover the truth about the secret dream work they are doing and its impact on the lives of everyone involved.

The best part of the book is the monologue of the Diving Man, presumably speaking to himself in his own mind. Packed with revelation and wisdom, these words open portals to new dimensions of the mind. Having the courage to flip reality on its head invites splendid perceptions, and the Diving Man has the background to truly push at the seams of reality to bring forth the truth of spiritual and human existence. Reading his words, you begin to wonder about who or what God is and how is this state of being truly achieved?

“Don’t you see that God has truly died? There are no lies and so every word a metaphor, and those you make in a moment live live as wires in your head, so. . . we (yes, yes, yes) we killed him and he was pleased to go. It had been long enough trying to hammer the point home.  But there is a way to take his place. And how many broken-souled caveats to the start-it-all-over paradigm would you actually trade to place someone back in that cobwebbing throne.” 32

While on the surface this book may seem like a narcissist’s dream of massing followers to do his bidding based on their desire to assuage their personal suffering, the Diving Man’s wisdom remains compelling. His unique life circumstances have primed him for the role even he must play in the symphony of the Universe. The book brings to light just how far grief can push people to go in the quest to regain the love lost and find meaning once again in their life.

I will say the book can feel a bit dark at times. I chalk this up to the lens through which Kelly writes: the stark realism contrasting the symbolic dreams of the people in the House of Sleep. It becomes a real battle between Saturnian and Neptunian forces. As Lynn tries to escape the pain of her reality and reconnect with her love in dreams, Daniel is emerging from the delusion he’s been trapped in his entire life to discover the true nature of reality. The link between them is the real key to awakening, and the role of the Diving Man becomes increasingly warped.

I recommend House of Sleep for readers that enjoy the work of Chuck Palahniuk and Philip K. Dick. The blending of psychedelics and psychology to probe the interior of human minds in both waking and dreaming life invites revelatory insight. You may hear the prompting of the Diving Man whispering his life’s knowledge into your ear, but it’s up to you to decide the action must be taken based on your subjective reality in the dreams. If you would like to sample Kelly’s work and get a feel for his writing style, you can read his short stories here: https://www.bradkellyesque.com/short.

Enchanted Herbal, by Gail Bussi

Enchanted Herbal: Connect to Nature & Celebrate the Seasons, by Gail Bussi
Llewellyn Publications, 0738766119, 288 pages, December 2020

Living seasonally is a very important part of my spiritual practice. The best ways to connect with the seasons that I’ve learned over the years are practices that keep me grounded, such as cooking, journaling, and self-care. Though I’ve been living this lifestyle for quite some time, I have been delightfully surprised by all the inspiration offered by Gail Bussi in Enchanted Herbal: Connect to Nature & Celebrate the Seasons. This book is handy, practical, and filled with wisdom for all the seasons. Reading it just through Winter thus far, I’ve already felt a shift that deepened my mind-body-spirit connection to the season. I’ve also had lots of fun trying out new recipes and learning about seasonal herbs.

Immediately I resonated with Bussi’s words, “Each season brings its own gifts, lessons, opportunities, and sometimes challenges — but I believe nature also offers us the remedy for these challenges if we are open to connecting with her each and every day of the year.”33 By participating in the energy of the seasons, adjusting our routines accordingly, there is wisdom to be gained from the natural cycles of the Earth. Bussi’s writing nurtures the reader and enhances feelings of being calm and centered throughout the seasons. With this book in hand, I feel ready for all the shifts in nature through the year.

The book starts with Spring and moves along in seasonal order to end with Winter. Every season is divided into sections: Heart Notes, Create, Nurture, Grow, and Taste. The way this compendium of seasonal knowledge is organized makes it easy to find just what you’re looking for, whether it be general information about the time of the year, a scrumptious recipe, or an idea for a creative project. Enchanted Herbal has it all — simple practices to connect with the energy of the season, gardening tips, homemade body products, and a wide array of tasty delights.

What I like most about Enchanted Herbal is that it is a very hands-on book. Reading it makes one want to partake in the seasonal energy through the wide variety of projects, creative suggestions, and cooking ideas that Bussi offers. My initiative was ignited, but in the most soothing and centered way, as I am reading it during winter which is the “do nothing” season. The promptings to bake, cook, or partake in self-care felt very intuitive. I would feel called to try this recipe, or steep that tea, and the experience of reading through the book over the course of a few weeks yielded a Juniper Cleansing Mist, Eucalyptus and Jasmine Foot Soak, and dinner of Stir-Fry Brussel Sprouts with Bacon, Pecans, and Garlic (yum!).

Even though I only partook in Winter activities, I did read through the other seasons and got very excited for all the things I wanted to try out. My mouth was joyfully anticipating some of the recipes in the book, such as Chocolate Mint Pots, Fireside Mushroom Soup, Pumpkin Fritters with Sage, and Spicy Coconut Chicken. It’s worth noting that Bussi previously ran a catering company and has published a cookbook, so she truly knows her stuff when it comes to food! Furthermore, there are even recipes for enticing beverages – to name a few: Spring Morning Tea, Coconut Tumeric Latte, and Dandelion Wine.

Some other ideas inspired by Enchanted Herbal are planting an astrological garden, creating a nature mandala, and practicing the art of foraging. I’m very much looking forward to Spring now that I have this book to guide me into new ways to attune to nature and celebrate the season. I am already intending to create the Spring Morning Toner, which uses all the natural ingredients to refresh the skin, and Lemon Verbena Massage Oil that can be used for the skin or dropped into a bath. I’m pacing myself, but it’s tempting to not hold off on all the Summer recipes (Tri-Colore Tomato Salad!) and self-care DIY projects (Peaceful Nights Pillow Mist, After-Sun Soothing Tub) I’m eager to try out! 

Bussi has filled each season with so many ways to engage with the herbs that the reader has room to pick and choose as they feel called, coming back over the course of a long while to perhaps finally try it all. This is definitely a book that you will reference back to many times through the year, as the recipes are worth repeating and the instructions for projects like creating essential oils, foot scrubs, and aloe vera gel will always come in handy. It is a wonderful book to begin your herbal journey of healing and self-nurturance.

All elements of my being felt supported when reading Enchanted Herbal, as it truly teaches how to tend to one’s self with love and care to become more aligned with the natural energy of the year. I highly recommend this book to anyone who enjoys cooking, DIY projects, or gardening that wants to further deepen their connection to the energy of the seasons. There’s magic in these everyday activities, and Bussi teaches the reader how to find joy throughout the year by living in harmony with the seasons.

Green Witch Oracle, by Cheralyn Darcey

Green Witch Oracle: Discover real secrets of botanical magick, by Cheralyn Darcey
Rockpool Publishing, 1925924718, 44 cards, 144 pages, February 2021

Green Witch Oracle: Discover real secrets of botanical magick by Cheralyn Darcey is absolutely bursting with garden wisdom and colorful fun. This deck really pops, and it reminds me of a plentiful garden on a warm summer’s day. Darcey has beautifully blended elemental affinity with the secret sagacity of plants to create a multi-purpose deck. It is a splendid resource to create a magickal bond with plants through spellwork, learn about the different plant correspondences as you garden, or engage in divination with plant energy.

Opening the box and seeing the brilliant green back of the cards filled me with a sense of heart-opening abundance. The alchemical symbols for the four elements (fire, water, air, earth) are drawn in white on the back of the cards. The cards were nice and smooth as I shuffled them, offering little resistance due to their glistening shine.

Looking through the deck, I was struck by the bright color of all the varieties of plants featured in the deck. The creamy background is the perfect contrast to make the images burst forth and capture the reader’s attention. Black ink blots add to the dynamic energy of each card, further illuminating the plant image. There’s a wide range of plants featured in the deck, which include fruits, vegetables, flowers, and herbs.

On every card is the number at the top for guidebook reference, the elemental symbol, a key word, and the name of the plant (both common name and genus/species name). If the plant has an astrological correspondence, there is also a glyph of the zodiac sign. There are also little sketches of metaphysical objects that are related to the card’s meaning, such as a dreamcatcher for Marigold’s key word ‘Positivity’ and a sword for Fennel’s key word ‘Strength.’

I’ve been pulling a card a day and have very much enjoyed reading the guidebook to better understand the energy of each one. Reading through it I noticed that the deck is organized so that certain types of plants correspond with an elemental energy: vegetables are earth, herbs are fire, fruits are water, and flowers are air. Also being a tarot reader, the elemental correspondence of the cards made intuitive sense to me. Now when I pull a card, I am also able to sense the elemental energy within it too, which I feel has enhanced my readings.

In the guidebook, Darcey first provides a short and sweet introduction and a bit of information on how to use the deck. Then there are three garden-themed card spreads suggested. My favorite to use so far has been “The garden shed” that is meant to help the reader with a challenge they are facing. The card placements relate to gardening, such as Card 1 being called “the shovel,” and this card is meant to highlight the energy of “the deepest part that needs to come to light.”34 All the spreads are creative and well-suited for this deck. It was unique to see something different than the standard card placements (ex. past, present, future) often suggested.

The rest of the guidebook focuses on the 44 cards in the deck. For each card there is a quote, oracle meaning, description of the plant’s cultivation, and list of magical correspondences (uses, deities, celestial, and astrological sign). The best part is that there is also a spell to generate the energy of the plant in your life. All the spells listed use the plant of their card in the spellwork, which gives the reader another way to connect to the magickal energy of each plant.

So far I’ve only tried one spell: a desire spell from the Lettuce card. Who would have thought you could make an incredible facial mask with lettuce and use it to super-charge your desire? I did have to switch out dried milk for a bit of whole milk, but it still turned out just fine. Looking through the spells, I would say the majority of them can be done easily with simple ingredients most people already have in their kitchen. Next time I want to do some protection work, I plan on using the spell given in the guidebook for Onion!

The very end of the guidebook includes a small glossary of terms used and also *drum roll* a bibliography! I really like to see a nice bibliography, as so many books and decks seem to freely dispense information with no sources listed for where it was found. While things like the oracle meaning of the card are bound to be more subjective, I value Darcey’s sharing the sources of her knowledge. This is sure to be a starting point for readers that use the deck and wish to continue learning more about the gardening techniques and properties of different types of plants.

For anyone interested in enhancing their magick with a bit of green witchery this is absolutely a deck you’ll want to have in your collection. I highly recommend Green Witch Oracle to anyone who is interested in learning more about the energy of plants. Whether you’re interested in cultivating a magickal relationship or simply discovering new ways to connect with your garden through learning about plant properties and timing techniques, this deck is a wonderful resource. It’s a deck filled with an enthusiastic levity that makes these explorations fun and exciting.

Angelic Lightwork, by Alana Fairchild

Angelic Lightwork: Magic & Manifestation with the Angels, by Alana Fairchild
Llewellyn Publications, 9780738762692, 248 pages, 2020

It’s true, big things come in little packages. Angelic Lightwork: Magic & Manifestation with the Angels by Alana Fairchild is a small book (7”x5”) that packs a powerful dose of angelic love. I’ve read countless books on the angels, how to work with them, who they are, and how they communicate, but this book spoke words to me that I hadn’t heard until now; it offered insight that had never been presented to me.

I was drawn to this book initially because I am familiar with other work by the author. Her deck Mother Mary Oracle is one of my absolute favorites and it never fails to offer guidance that is spot on. I was interested to see whether her writings on the angels would also resonate so deeply. I can say with assurance that Fairchild fully delivers on her intention of the book stated as, “my intention in creating this loving little book is that you connect with all that divine goodness within and find comfort, empowerment, happiness, and freedom in doing so.” 35

I read this book as many challenges were creeping into my life — challenges that trigger those story-fondling monsters that threaten joy, faith, and peace. The statements found in the pages of the book offered a new way of thinking for me, a new way of understanding who the angels are, and insight into the ease with which one can interact with the them for manifestation of the highest good.

Lesson one: ahh, yes, I limit myself but the angles are limitless. Lesson two: think of connecting with the angels as more of “playing” with these lighthearted beings versus “working” with them. “It is not the divine nature that is the issue, but our own expectations and fears that prevent us from being able to bear unobstructed witness.” 36 As Fairchild reminds the reader, angels help us get closer to the divine.

Fairchild reiterates that there are limitless numbers of angels that can be called on to help; when we ask for angelic guidance we are not taking the angels away from another in need. The more we engage with the angels the more we open up the channel to the divine. “When your thoughts are on the divine energies of angels, you will be energetically broadcasting a beautiful light that will attract similar frequencies to your world….” 37

Conversely, she also writes about the concept of our free will. “They (angels) want to help humans, but because of our free will, they need to wait until we ask.” 38 Correspondingly, we can ask for angelic help for another being, but they have the free will whether to accept the angelic help. 

Throughout the book, Fairchild shares her amazing knowledge of the angelic realm in great detail. Part One focuses on “angelic basics” with sections on what angels are really like, the different types of celestial angels, some of the angels who want to help you, simple practices to connect with angels, and preparing for archangel work.  I particularly liked the questions she posed and answered, such as one about if one can ask for too much help from their angels. The questions are ones that I’m sure that most of us have as we work with the angels, and her responses serve to deepen our understanding of working with these beings of love and light.

In the chapter titled “Different Types of Celestial Angels,” Fairchild provides an in-depth description of the hierarchy of angels from the first through the third orders. Her descriptions of the angelic realms such as powers, virtues, seraphim, and thrones were enlightening. I had no idea there were so many strata of angels. However, while the book references guardian angels, it only briefly touches on this subject.

Fairchild goes into greater detail about individual angels in the chapter “Angels Who Want to Help You.” Included are the four archangels that she details in Part Two of the book, as well as other angels who are particularly close to humanity, such as Metatron, Sandalphon, and Camael. I find it so helpful to know the particular “specialties” of these angels to help me call on one in particular depending on the issue at hand. For example, Camael who helps those who need spiritual strength39 has been very helpful to me recently, as I face some obstacles in my personal life. She even offers specific ways to call in the particular angel and also provides information on the ways they are depicted in art and writing. 

The chapter “Simple Practices to Connect with Angels” also gave me a lot of insight into how I can better connect with the angels. In part of the book Fairchild offers ways to ready one’s self for receiving angelic communication from setting up an altar to finding a quiet space. I liked hearing that calling on the angels can be as simple as saying an angel’s name aloud. The book conveys that working with the angels can be any way that works best with our own individual lifestyle. 

Part Two focuses on what Fairchild calls angelic lightwork, “which is the art of creating healing, magic, and manifestation with angelic energy.” 40 She specifically details how to do deeper angelic lightwork with four archangels, Michael, Raphael, Gabriel, and Uriel. Since Michael is a favorite of mine, I chose to do the book’s exercises with Michael. I appreciated reading that I could work with Michael as often as I wished and that my practice with Michael would never become worn out. I have been using the book’s exercise to call in Michael often over the past few weeks and find that inviting in Michael’s angelic support is always met with a response. I release the need to control how, when, where, and why – and open myself for the response. As Fairchild explains, “when we focus on doing our inner work rather than trying to make outer circumstances change, we heal and grow spiritually.” 41

At the beginning of the book, just after the Table of Contents, the reader finds “Practices,” a section that is a quick reference to special practices found in Chapters 6 – 9 that can be used to work with these four archangels. Fairchild lists the specific topics and references the page on which they can be found. For example, there is a practice for healing through divorce (or the end of any relationship), manifesting money, and all the resources you need for peace and progress, prayers for good health, blessing a journey, finding the best place to live (and for the homeless in need of shelter), and protection for animals. There is truly a wide range of angelic practices detailed in the book, and I like that the Practice section gives quick reference.

The book continually reinforces the belief that “we still have our challenges in life to deal with, but we no longer have to feel that we have to do so on our own. We have powerful divine guardians to help us grow and heal through any experience.” 42 Doing the practices in this book and learning to work with the angels has certainly show this to be true. I already feel the guidance, love, and support from my angels deepening from the experience of reading this book.

I highly recommend Angelic Lightwork to all who wish to cultivate a relationship with the angels. Fairchild’s writings completely changed my mindset in working with the angels. It has been a healing balm that came at a much-needed time. Learning about these new method of working with the angels as given me many ways to invite the angels into my life. Having the angels nearby provides me comfort in knowing that I am never alone, and help can be just a whisper away.