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Tag Archives: divination

Wild Soul Runes, by Lara Veleda Vesta

Wild Soul Runes: Reawakening the Ancestral Feminine, by Lara Veleda Vesta
Weiser Books, 9781578637393, 208 pages, May 2021

Lara Veleda Vesta’s book Wild Soul Runes: Reawakening the Feminine is not just another book that lists the various runes and provides meanings for them. Well, it does, but don’t let that fool you into thinking that this is “just another book” about runes, because it isn’t. This, my friends, is a 33-week course disguised as a book and is almost impossible to put down.

Vesta is an artist, author, storyteller and educator transforming chronic illness into a path of healing and reclaiming. The author and illustrator of The Moon Divas Guidebook and The Moon Divas Oracle, Vesta is currently working toward her PhD in Philosophy and Religion while exploring ancestral connection and disability as initiation. Wild Soul Runes is a journey towards a deeper understanding of runes and their magic, as well as an opportunity to reconnect with ancestral energy while exploring personal sovereignty within the framework of spirituality.

Personally, runes have always both fascinated and bewildered me. I want very much to connect with them but have found it difficult, as there are so many books and courses that provide conflicting information on how to interpret, when to read, and even how to choose a set. Vesta’s book doesn’t provide a set series of steps to follow; instead, she offers “a scaffold, information, recommendations, and a theory based in my own ritual relationship with the runes.”1 How refreshing!

What I love about this book is the sense of inclusion: Vesta believes that all people should have access to runes and their teachings:

“The basis for this practice is the belief that we can all receive direct, divine information. It is not just for a few special people – it is the birthright of all humans. We are so inured to the idea that information must come through specific authorities, we have forgotten how to cultivate our own inner knowing, activate our ancestral magic, and believe in this direct communication.”2

The first section of the book is simply titled “Beginning the Work” and sets out the framework for the teachings. Set over the course of 33 weeks, Vesta recommends working with one rune per week and describes the practice as something that “consists of building a rune altar each week, examining the ancient rune poems, investigating personal translation, employing meditation and sacred art practice, and toning the runes in a rhythm.”3

Vesta also speaks to the importance of a daily ritual and recommends starting with ten minutes a day. She says that this amount of time can expand as needed but starting with a non-negotiable time frame of ten minutes is necessary for consistency. She also acknowledges that working with the runes requires a certain amount of personal alignment and clarifies:

“If you have things in your life that are out of integrity, places where you are not being honest; are resisting change; or are not letting go based on fear, guilt, shame, or another patterned emotion, the runes will seek to clarify your path before deepening into relationship.”4

That gave me pause. When I looked back at the times I tried working with runes, I realized that those were the times in my life where I was struggling to bring an aspect of my life back into balance. In one case, I was working a job that paid well but didn’t fulfill me. I felt heavy each day going into work, and while I was good at my job, I felt empty. Looking back now, it makes sense that the runes would want a safe foundation upon which to build, something I didn’t have at that time.

In writing this book, Vesta felt called to look up certain words to get a sense of what the runes were trying to say. This is partly where some of the confusion comes from across multiple sources of information, as there is no dictionary and the language most of the reference materials are written in does not exist anymore. Vesta explains:

“There is no definitive source that spells it out clearly. We are missing the historical context of the runes, the culture and society from which they came. Our source materials have been mostly rewritten and translated. Those translators – even those with a deep understanding of ancient grammar and culture – still rely on inference and, like so much in translation, judgment. In translation a word may have many meanings, so a translator makes a judgment based sometimes on deep knowledge but other times for poetic purpose or personal interpretation. When we read a translation, especially of an ancient primary source in a language no longer spoken – like Old Anglo-Saxon – we are reading such an interpretation.”5

This book has done a lot to dispel some of the confusion I’ve had around runes and why I’ve felt that they don’t like me. While I haven’t had a chance as yet to go through the 33-week course, I do plan on doing that, as I feel a pull to access some of my deeper ancestral knowledge and recognize this path might be a good way to establish a connection. 

Written in a comfortable, easy to read voice, Vesta has done a great job in making the sometimes confusing and temperamental divination system known as runes more accessible. For me, Wild Soul Runes has opened my eyes to a gentler way to access my personal gnosis and to not take it personally when the runes decide that today isn’t the day to solve every single one of my problems. This book is perfect for someone who seeks to connect to the runes and wants to explore that possibility using a slow-paced, buildable process that empowers as well as educates. 

Pagan Portals – Scrying, by Lucya Starza

Pagan Portals – Scrying: Divination Using Crystals, Mirrors, Water and Fire, by Lucya Starza
Moon Books, 9781789047158, 104 pages, February 2022

Writing about subjective topics such as scrying is not an easy task. There needs to be an innate understanding of the topic as well as a personal link in order for the reader to feel connected to the author. Thankfully, Lucya Starza is no stranger to writing about things that are hard to pin down and define. As the author of quite a few books on such subjects as poppets, candle magic, and others, Starza is well positioned to offer her perspective on scrying in Pagan Portals – Scrying: Divination Using Crystals, Mirrors, Water and Fire.

Scrying has been difficult for me personally, as I just can’t seem to sit still long enough to allow images to form in the crystal ball, to visualize signs within flickering flames, or to see things come forth from the inner depths of a scrying mirror or pool of water. Picking up this book made me a bit nervous; I wondered how I would be able to use the content effectively. Starza says that’s completely normal, as “Scrying requires us to use our psychic senses and intuition to the full. But don’t worry if that seems a tough task, this book will teach you how to do that. It’s also okay to feel nervous at your first attempts.”2

Starza’s writing reminds you of a loving aunt who has tons of advice that actually is helpful. When scrying, she stresses the importance of not reacting immediately to whatever information is picked up and adds that there are things to do before you even think of starting to scry. Foundational advice is always welcome, and Starza offers a few pearls of wisdom in the context of scrying to help the reader understand that what they might see is completely subjective and open to interpretation. She says:

“Often what we see offers insights about ourselves that may help us with the problems we face or what is yet to come. Do not act hastily after scrying. Make notes and think about what you’ve experienced; let the meaning of any visions become clearer with time. But we’re getting ahead of ourselves; thinking about what to do after scrying. Before we even begin there’s some background to understand and preparations to do…”3

This is an important quote because not all books that discuss topics such as this actually delve into the beforehand preparations. They detail a number of pre-done how-to scenarios that aren’t based in the reality of how people might use the information being presented and wash their hands of it. This book does not do that: Starza goes out of her way to ensure that the reader is fully versed in the foundations of scrying before even getting into the art itself. There’s even a gentle suggestion of speaking with a counselor or GP prior to beginning any sort of magical work if there is a concern regarding mental health. Wonderful to read that, as some books don’t mention it at all, and I personally feel it’s vital to offer that caveat when offering esoteric information.

The introduction of the book is full of useful background information that delves into the history of scrying and where it was used. Starza gives full descriptions of various cultures using scrying for their purposes which not only builds credibility in the art but also gives an anchor in terms of who used it and why. Personally, I find that information valuable, and I love introductions, so this was a pleasure to read.

Starza writes with a practiced hand and her prose is easy to understand and approachable. For me, I would rather have a book written in a clear way without extraneous text getting in the way of the information. I have read books where I have felt that the author has fluffed up their sentences and paragraphs in an effort to pad their word count and I can say that I don’t see this here. Starza writes from the heart and it shows in the words chosen and the way the book is laid out.

My favorite chapter is the last one titled “Problem Solving and Frequently Asked Questions” because it clearly telegraphs that Starza knows her audience. She understands that not everything readers want to know will be in the book, (how could it all fit in this slim volume? Impossible.) so she cleverly has a section devoted to everything she couldn’t fit into the rest of the chapters. Brilliant.

The questions in this section include topics such as seeing scary images, how to scry for others, and what to do if you can’t scry no matter how hard you are trying. (I might have flipped to that last one first.) What I love about this chapter is that Starza repeatedly reinforces ethics, mental health, being gentle with yourself, and writing everything down to reflect back on.

These are also basic witchcraft principles that she has woven into this book, and, personally, I love seeing the overlap. Not all who scry identify as witches and not all witches scry, so seeing these cornerstones repeated throughout was refreshing. Starza’s answers to the FAQ’s are thorough and crafted to make the reader feel good about having the question to begin with, something I’ve not seen for some time in books such as these.

Scrying is difficult under the best circumstances, and if you don’t have the right mindset or the right information you can end up being very confused and feeling like you’ve failed. If you are interested at all in scrying or tea leaf readings or any other type of interpretive art this book would be an asset. Not only is it full of useful information on the actual types of readings themselves, there’s also an extensive listing of symbols and colors that relate not only to scrying but also to Tarot and other divination types. I found myself jotting down notes in my personal book on various symbols as Starza’s interpretations seemed more fulsome than some other resource material I have. 

Pick up Pagan Portals – Scrying if you are even remotely interested in scrying. Even if you never see anything in whatever medium you choose to explore in your scrying, you will have a remarkable resource book that can be used across a variety of disciplines.

The Relative Tarot, by Carrie Paris

The Relative Tarot: Your Ancestral Blueprint for Self-Discovery, by Carrie Paris
Weiser Books, 1578637627, 96 pages, 82 cards, November 2021

Ancestry has been a prominent theme for me this November. I’ve taken an ancestral astrology class, while also curating book club questions on Hiero for Badass Ancestors. The Relative Tarot: Your Ancestral Blueprint for Self-Discovery by Carrie Paris came along in perfect harmony with these other happenings. So far, it’s one of the most unique tarot decks that I’ve ever worked with. I’m just loving the bridge it opens between past, present, and future.

And this is exactly what Carrie Paris does best, as her work often allows for divination across the barriers of time and space. She holds a Masters in the Cultural Study of Cosmology and Divination from the University of Kent, UK. Paris also has recently published Generations Oracle with Lisa Bonnice, which uses casting pieces, such as charms and coins based on the Lenormand Oracle, and a pendulum to connect with ancestors.

One of my favorite divination systems created by Paris is the Magpie Oracle, which uses small charms to cast divinations. I’ve always found her approach to divination very out of the box. It’s refreshing to have new ways to connect with spirit, and it’s clear Paris puts a lot of thoughtfulness into her creations.

The methodology for The Relative Tarot is just as unique. Paris asked her readers to send her photographs of their ancestors, and thus this deck was born of their images and stories. Initially, she planned for it to only be Majors and Court cards, but she received so many portraits and requests to be included that she decided to also include the Minor cards as well.

A sturdy box holds the cards. It has a side-flap for easy opening. Right when flipping it open, a mysterious woman with a mask and wings catches the eye, piquing intrigue and igniting curiosity in the reader. The potency of the deck can be felt as a glittering shimmer of magic that is decades old, now recreated to continue to flow through the veins of time.

The cards are absolutely stunning with their golden edges and beautifully crafted imagery. Old photographs are laid over colorful starry backgrounds with traditional tarot symbolism intermixed too. They feel of a different time, and this out of the ordinary sensation heightens the connection to the slip-space in the cracks of time, where intuition shines.

As I look through the cards, I wonder who these people were and what their story was. It’s like discovering a treasure chest of photographs in the attic, enchanted with memories, hopes, and wishes. You can see the personality of all the ancestral relatives on these cards shining through the looks in their eyes.

I am someone who enjoys historical non-fiction books because I enjoy the sensation of putting myself in someone else’s shoes and seeing what their life was like to live. I listen to their story and then integrate it into my own life, filled with the wisdom of those I have taken the time to learn more about. I feel like this deck gives me the ability to do this, only now these relatives are guiding me in regard to my spiritual path and potential future outcomes.

However, The Relative Tarot is not like a usual tarot deck, and as soon as you look at the guidebook you will see this. This deck is intended to help the reader “to create a divine Tarot Blueprint that will illuminate who you are, and what you’re here to do.”3 Paris writes this deck was created to experience your soul’s truth through an ancestral filter, helping one to see how ancestral influence is affecting one’s personal evolution and ancestral line.

Paris uses three types of cards for this ancestral and self-discovery method: Birth Cards, Annual Cards, and Significator Cards. Birth Cards are Major Arcana cards that represent one’s soul expression, including their personality, core ideals, challenges, unconscious urges, and ancestral agenda.6 Annual cards are also Major Arcana cards, but these change each year, offering a glimpse of the energies of the upcoming year, including opportunities for growth and key lessons. Then Significator Cards are Court Cards that connect the reader to their ancestral imprint, showing what might be impacting our choices and behavior.

To make it easy to navigate these calculations, Paris provides detailed instruction on how to find your cards through numerology. Then the Major and Court Cards in the deck are labeled with numbers to make pairing the cards together easier. The bottom left show the Birth Card numerological patterns and the bottom right indicates the corresponding Minor Arcana Cards with that Birth Card pattern.

For example, my Birth Card pattern is Universe, Hanged Man, and Empress. This pattern pairs with all the 3s in the Minor Arcana. However, it goes even deeper than this because within the Birth Card pattern, there can be shadow cards, whose energy is often unconscious or not tapped into.

To be honest, at first I found the entire system a bit confusing. I had to really concentrate and do the calculations and read the guidebook thoroughly for about an hour to start understanding this system. But Paris does a fairly good job of making this complex system approachable for readers. There’s even a Blueprint Review on pages 50-51 of the guidebook that is a fill-in-the-blank page for all the calculations.

In the end, I did get a lot of meaning out of using this process to learn more about my soul’s path and ancestral influences in my life. I think it would be especially helpful if readers also used this deck in combination with Mary K. Greer’s Archetypal Tarot, which focuses in-depth on birth cards. It’s also worth noting, this system is very different from simply doing tarot spreads to learn more about your ancestors, such as the process described in Ancestral Tarot by Nancy Hendrickson.

While this deck is phenomenal in what it offers, readers should be aware that it doesn’t give any descriptions of the tarot cards in the guidebook. For this reason, I recommend it to more experienced readers that are already comfortable with the traditional meanings of each tarot card, in case they want to use the deck to do spreads or read for others.

But it’s for this same reason that I DO recommend it to advanced readers because it’s a deck tailored to a different system of reading that can yield rich insight. Even though it takes a bit of time to learn it, I think once the general meaning of the Birth Card, Annual Card, and Significator Card is understood, this becomes a potent way to connect more deeply to one’s soul purpose, current lessons, and their ancestral line.

One last thing that really impressed me about the deck was how Paris designed it to have 82 cards, and this isn’t because she added new cards. Rather, Paris offers a much-needed option for tarot decks: the choice of three Lovers cards (one male/female, one female/female, and one  male/male). I thought this customization was just lovely to make the deck more inclusive to all relationships. Then Paris also allows readers to decide if they want Strength and Justice in the Major Arcana to be 8 and 11 or 11 and 8, depending on the system of reading they use.

All in all, The Relative Tarot is a really neat deck to add to one’s collection, especially for advanced readers or those interested in learning more about their ancestral line through the cards. The imagery is stunning and the process of reading with these cards is rich and potent with soulful wisdom. Paris has made a timeless deck that moves us into the liminal realm where our ancestors can speak to us and our intuition can be heard; past, present, and future weave together to open a portal for spiritual discovery and integration.

Super Tarot, by Sasha Fenton

Super Tarot: Interpret the Cards Like a Pro, by Sasha Fenton
Hampton Roads Publishing, 164970197, 176 pages, February 2021

Sasha Fenton’s Super Tarot: Interpret the Cards Like a Pro is an instructive paperback that seems to be gaining popularity as I write this! It features a rather encouraging forward, written by Theresa “the Tarot Lady” Reed. There’s not much else to add about the forward, as it is only 2 ½ pages long, but it does complement the rest of the book nicely. I found myself excited to turn the page toward the book’s 1st chapter, even though I already comfortably involve tarot reading in my own personal practices!

Of course, we all can always learn more, and improve our skills for everything we do, but honing my own skills in tarot specifically is why I picked up Super Tarot, and boy, did Sasha Fenton deliver! Fenton, a professional astrologer, palmist, and tarot card reader since 1974,  is also a well established instructive writer on divination, and Super Tarot adds another to the over 100 books in her already massive repertoire. I’m only focusing on one of her books for now, though, and that’s Super Tarot. 

The very first (honestly refreshing might I add) thing I noticed about this book is the feeling of almost casual friendliness that shone through page after page. Fenton seems more like a friend giving advice than an author telling you what to do. I liked the overall positivity of finding several examples of what you should do as well, rather than seeing the negative counterpart of  teaching what you shouldn’t. Don’t get me wrong, I understand and value the importance of warning beginners of the potential downsides one may face, but as someone with mental disabilities, having more than one different example helps me to better understand the abstract concepts I can struggle with.

Speaking of several examples of things to do, I learned an interesting spread from this book that I somehow hadn’t come across before. I know I’m no expert on tarot reading myself, but I had already gotten comfortable enough with the Past, Present, and Future spread to not really have many questions of how to advance it, but this book sure did give me an answer that turned out to be something I found Incredibly useful! I was nearly complacent in drawing just one card for each of the elements in the title of the Past, Present, and Future tarot reading, all totaling a count of three cards. From Super Tarot, on page 112, I found a spread that actually involves drawing two cards for each of the past, present, and future elements, totaling in a 6 card spread.

Right then, I put the book down for a few minutes, and picked up my tarot cards! The 6-card spread resulted in a far more accurate, and informative reading than I had ever gotten from pulling just 3 cards, and that might seem obvious, but remember, I was already comfortable with the amount of information I’d gotten with the way I was already doing the Past, Present, and Future spread, so to have even more to work with was amazing to me. I already feel more confident in my own reading abilities by just practicing one exercise from Super Tarot.

Simple as my own discovery may seem, Super Tarot is not geared towards beginners. Fenton forgoes the usual “what is,” and history chapters for only a few beginner tips, and a brief review of the Major Arcana, Minor Arcana, and card suits, before jumping right into her more advanced instructions on interpretation and skill building. If one would like to gain a more comprehensive beginning look at tarot from this author, Fenton herself directs the readers of Super Tarot to a different book of her works: “My book, Fortune Telling By Tarot Cards, is designed for beginners.”1

That doesn’t stop Fenton from continuing her reputation for writing in a clear style that’s easy to understand with Super Tarot, however. This book is filled with comprehensible, useful infographics that depict clear examples as well. While it’s not a new idea, there is still a bit of book mechanics information to note: In the suit’s description of Super Tarot, Fenton uses Pages, and Coins to describe the cards of those ranks. Respectively, other common names used to refer to those cards are Princes/Princesses, and Pentacles.

Overall, and as a person with disabilities that cause me to struggle with the abstract symbolism and emotional concepts that make up the very essence of tarot card reading, Super Tarot has helped me immeasurably. Author Sasha Fenton’s down to earth tone, and clear instructions with different examples to follow them from will stay with me, as I feel more confident than ever in my understanding of the interpretation of tarot card readings.

I enthusiastically recommend Super Tarot to any who might struggle with the same issues I do, or those who simply want to strengthen their grasp on tarot reading for any reason. You might even close the book with the inspiration to offer your own readings as a service for some extra cash! As for me though, the knowledge and confidence I’ve gained by reading this book, has allowed me the motivation to broaden, and personalize  my personal tarot divination practice by creating my own unique card spreads. If you need me, I’ll be shuffling my cards!

Conjure Cards, by Jake Richards

Conjure Cards: Fortune Telling Deck and Guidebook, by Jake Richards
Weiser Books, 1578637449, 64 Pages, 52 cards, May 2021

Reading fortunes using playing cards has a history as long as the history of playing cards themselves. Fortunes began to be told using playing cards soon after the cards were invented in the 14th century. This tradition has made its way into many different belief systems and practices, including Appalachian folk magic and conjure. Hence the name of the deck, Conjure Cards: Fortune Telling Deck and Guidebook, created by Jake Richards, a native of Tennessee and an expert in Appalachian conjure magic. 

I was interested in this deck because I’ve been reading playing cards for over a decade myself and I enjoy collecting playing card decks for this purpose. I had also recently read Richards’ book Doctoring the Devil.

What I did not expect was the dream interpretation aspect present in this deck. The author has melded Appalachian dream interpretations into the card meanings – an interesting addition that will probably create a bit of a learning curve for anyone that is familiar with reading playing cards but not familiar with Appalachian dream symbols.

One traditional and popular method of divining with playing cards is to generally read the red cards (diamonds and hearts) as “good” and the black cards (spades and clubs) as “bad”. I wouldn’t say that this deck’s official card meanings follow that rule in a strict way, but there are more than a few hints of it such as the Ace of Spades being the “death” card (this is a very traditional meaning), many of the diamond cards heralding good fortune, and some heart cards suggesting love and romance.

Knowing that these cards were based on playing cards, I’ll admit I was a little disappointed when I opened the box to find cards much larger than traditional playing cards. The cards measure 4.25” x 3”, which is not huge compared to most tarot or oracle decks, but they definitely aren’t as easy to move in the hands as a poker deck. Nor do they have a typical playing card finish that helps a traditional poker or bridge deck shuffle so well. The card-stock is sturdy without being overly thick and has a smooth finish.

However, the box is one of the best deck boxes I have ever seen. It is a paper box that has the look and feel of wood and a hinged top. The accompanying book is the same size as the cards and has 60 pages of card meanings along with a few spreads. 

There is a 3-card past-present-future spread, a relationship spread called The Jusem Sweet — a 9-card spread for showing “the thoughts, feelings, and stance of each person in the relationship”7Conjure Cards Guidebook8, and a 36-card spread for general readings aptly called The Bullfrog because once the cards are down you “hop” to every seventh card to read the cards in a specific order. 

I decided that to really understand the deck I would use The BullFrog spread to do a reading for a client. This was a time-consuming endeavor, but I’m attributing that to having to learn a new deck and a new spread, along with the sheer number of cards laid down. 

Several things in the spread came to light within 24 hours of the reading, and some of the things that my client has marked as goals showed up in the spread as future events that will take place in a few months. So, I counted this reading as very accurate and noticed that it had a variety of good news and a few uncomfortable items (such is life!). My client felt strongly that the reading had a few very specific items that rang true for what was happening in her life at the time. 

The addition of Appalachian dream symbol imagery creates some unique card meanings that differ from some other traditional playing card divination meanings but seeing that this author has such a deep knowledge of conjure and folk magic Conjure Cards might be exactly what some conjure magicians are looking for.  I would recommend this deck for anyone who has an interest in conjure/Appalachian folk magic or divining with playing cards.

Hieroglyphic Words of Power, by Normandi Ellis

Hieroglyphic Words of Power: Symbols for Magic, Divination, and Dreamwork, by Normandi Ellis
Bear & Company, 1591433762, 336 pp., 2020

Egypt calls to mind all sorts of mysterious magic. Not only did the Egyptian empire last for over 3,000 years, the esoteric rites and occult magic have continued to be a cornerstone of Western magic to this day. Hieroglyphic Words of Power: Symbols for Magic, Divination, and Dreamwork by Normandi Ellis takes the reader into the mindset of those esteemed priests and priestesses of Egypt by teaching how to read the ancient hieroglyphs for magical and divinatory purposes.

I was drawn to this book because I have been very into exploring asteroids in my astrology chart, specifically Egyptian deities after finding out the asteroid Isis (42) is exactly conjunct Venus in my natal chart at 22 degrees Capricorn. For anyone with a bit of astrological knowledge, this degree of Capricorn has been a focus point of some major conjunctions this year! Since this transit began, I’ve been called to explore the mysteries of Egypt more deeply as I endeavor to decipher the archetype of Isis in my natal chart. Hieroglyphic Words of Power was a very useful book in strengthening my connection to the enchanting energy of Egypt.

What I like most about this book is the way Ellis describes the hieroglyphics as a sort of depth psychological poetry. She writes, “The consciousness of the creative intelligence that envisioned hieroglyphic communication operates in thought waves that defy logic.” 8 When viewed from this perspective, the hieroglyphs become living symbols that can be accessed intuitively in the liminal spaces of divination and dreams, allowing their meaning to be imbued in the context of their original conception, cutting through the separation of time and space.

Ellis divided the book into four sections: Introduction to the Hieroglyphs, The Unique Magic of their Hieroglyphs, The Hieroglyphs, and The Layouts. After delving into the history of hieroglyphs and explaining her own method of practice, study, and research, Ellis moves into how to use the magic of the hieroglyphs for the purpose of ritual magic, divination, and performing dream work.

I particularly enjoyed her writing on numerology with Egyptian meaning of the resonant energy for each digit. For those who may not be familiar with numerology, Ellis includes directions on how to calculate one’s birth path, personal year, and decipher the numerology of words using number-letter correspondences. One question I had while reading was if Ellis used the Pythagorean system of numerology or the Chaldean system because she highlights the influence of Egyptian practices on both Pythagoras and the Qabalah. I figured out by looking at her examples that she uses Pythagorean numerology. If you’re interested in learning more about the difference between these two systems, I have written about it here.

Back on topic now though, with the variety of ways offered to connect with the hieroglyphs, I decided to begin with dreamwork. Amazingly, the night I read that section and decided to try it out, I had my first ever dream of being in Egypt. Immersed in the dunes of sand, I gained the ability to soar into the clouds and overlook the whole region. I can tell you honestly that I never have had a dream like this before, and I fully attribute it to my working the practices in the book to open up to studying hieroglyphs in dreamtime, assisted by specific deities who protect and teach in this realm.

Another useful idea Ellis offers for learning the 60 hieroglyphs in this book is to create your own divination deck using the symbols. I appreciate how this method blends creativity with the process of learning the hieroglyphs and can also be used practically for divination. The entire next two sections are designed to assist the reader with building their own relationship to the hieroglyphs by working with them in the deck, meditation, and dreams.

The third section, which comprises the majority of the book, details 60 hieroglyphs that Ellis felt were best for the beginner to learn. For every hieroglyph Ellis offers an explanation of meaning, information about the context of meaning in Egyptian belief systems, and definitions that can be applied for understanding and divination using one’s numerology. Each hieroglyph also has a picture of it from Egypt and a drawing of it done by a graphic designer.

I’ve had a lot of success tracing the symbols in my journal and candles to connect with the hieroglyph. I decided to take the approach Ellis suggests of spending 2-3 days on a hieroglyph to get to know it’s meaning, energy, and wisdom. I am enjoying this slow and steady approach because it gives me the space to open to the hieroglyphs in an intuitive, experimental way. Each hieroglyph seems willing to speak when I am receptive to listening. Plus, I am nurturing my relationship with certain deities to assist with this process. No need to rush this practice. 🙂

Finally, the last section offers readings that can be done using the hieroglyphic images for divination. There is information on calculating one’s numerology, a variety of spreads that can be used, and most helpful, sample oracle readings that give the reader an idea of how to integrate the hieroglyphs to discern a clear message. I haven’t finished creating my oracle deck yet so I haven’t practiced the readings, but I am looking forward to trying them out when the time is right. They all look very useful and soulfully designed to help the reader gain insight into their questions and concerns.

Overall, I believe Hieroglyphic Words of Power is a wonderful guide to establishing the use of hieroglyphs in one’s personal practice. There’s something about Egypt magic that is so intriguing, yet elusive when we have no guide. Ellis has put together a method of study that is comprehensive, accessible, and transformative when undertaken. I recommend this book to anyone who is looking to begin strengthening their connection to the magic of Egypt, whether to develop relationships with deities or learn another method of divination based on the combination of dreamwork, numerology, and hieroglyphs. There’s a lot interwoven in this book and I’m sure it will remain one I refer back to often over time.