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Tag Archives: feminine spirituality

Censored Angels, by Zara West

Censored Angel: Anthony Comstock’s Nemesis, by Zara West
Tidal Waters Press, 1959318128, 350 pages, June 2023

Censored Angel: Anthony Comstock’s Nemesis by Zara West, the second book in her Forgotten Women series, is a historical fiction novel about the life of Ida Craddock, a mystical marriage counselor and advocate for free speech. West tells Craddock’s tale in first-person narrative form, opening a doorway for reader’s to enter Craddock’s fascinating inner world.

The story begins with Craddock as a teenager in 1875, highlighting her trying relationship with her mother, who continually undermines her career ambition and spiritual pursuits. Craddock’s one place of peace is her Quaker school where she excels academically. Upon learning her beloved teacher has passed away, after she had come to Craddock for advice about the pain she feels during material relations, Craddock is devastated. She was too late to save her teacher, but is now determined to help other women in similar situations.

This sets her on a path of study focused on the religious history of sex worship, along the way gaining knowledge from doctors, activists, and spiritualists who share her mission. She also has the divine support of her angels, most notably her spirit husband Soph, who guides her in the art of heavenly love. Her rebellious, unconventional ways continue to put Craddock at odds with her mother, who is a staunch Christian temperance member.

Craddock yearns to gain some independence. Working as a typist and escaping her mother’s roof, she begins to cultivate her own dreams. Even though Craddock had dreams of becoming a scholar, to stay afloat, she resorts to publishing her instruction manuals about human sexuality and the correct way to have appropriate, respectful sexual relations between husband and wife. Her most famous works include Heavenly Bridegrooms, Psychic Wedlock, Spiritual Joys, Letter To A Prospective Bride, The Wedding Night, and Right Marital Living. These publications soon become the focus of Anthony Comstock, the notorious Anti-Obscenity PostMaster General known for his staunch laws about what was and was not appropriate to send through the mail.

Craddock’s continual effort to prove herself as an intellectual comes up against sexism, censorship, and ill-will from Comstock who see her as a deviant. But she doesn’t allow her mother or Comstock to stand in her way. Pinching pennies to pursue her path, she moves from city to city to have the freedom to continue her studies. The book covers her time in England, California, Chicago, and her home city of Philadelphia. Finally, in New York City, Craddock stands her ground against Comstock. She advertises her services as a marriage counselor and proclaims herself High Priestess of the Church of Yoga. She openly sees clients and hands out her work, baiting Comstock to come after her.

Eventually, Comstock does bring charges against her. And this time, unlike her previous arrest where she took a plea deal, Craddock refuses to back down and uses the trials as an opportunity to take a stand for what she believes in. With the assistance of other open-minded reformers and activists, Craddock used her publicity to advocate for free speech. Ultimately though, facing serious jail time, Craddock decided to end her life as a free woman, writing in a letter to her mother, “I maintain my right to die as I have lived, a free woman, not cowed into silence by any other human being.”

Personally, I absolutely loved this book and think Kosher did an incredible job of portraying Craddock. I first learned about Craddock when reading the work of Emma Goldman, who really looked up to Craddock and sung her praises. I then read The Man Who Hated Women: Sex, Censorship, and Civil Liberties in the Gilded Age when it was released in 2021. That book gave me insight into Craddock’s significant role in advocating for women’s rights and free speech.

However, even with all this information I had read about Craddock, she never really became someone I connected with personally until West’s writing in Censored Angels. Kosher drew from Craddock’s letters, diaries, published work, as well as first hand material such as newspaper and magazine articles and court records to create this narrative. Even though this book is historical fiction, the way Kosher weaves in actual quotes provides the readers with insight into Craddock’s inner world.

Kosher also does a very good job of setting readers within the time and place of Craddock’s life. Small details about the way people dressed or the current trends ground readers in the historical period of Craddock’s life, further situating the significance of her work in comparison to the repressed Victorian values that dominated the Gilded Age.

I also was simply blown away by how well Kosher seemed to understand Craddock. The level of commitment she must have put into this research, the time truly contemplating Craddock’s motives and what she was trying to do, along with respect for her spiritual truth, most notably her angelic husband Soph, demonstrate considerable talent on West’s part. It’s one thing to write a biography, it’s a whole other thing to tell the fictional autobiography through a first-person narrative and make it feel so real.

All in all, I highly recommend Censored Angel to those interested in spiritualism and feminism. Craddock is not given enough recognition for her life’s work, which truly paved the way for others to advocate for women’s rights to have knowledge about their own bodies and agency over their sexual and marital affairs. West’s writing is sure to keep you amused (I was hooked from the first chapter!) and make you feel admiration for the sacrifices Craddock made to share her divine wisdom with the general public to ensure Americans maintained their freedom of speech.

Spirit Weaver, by Seren Bertrand

Spirit Weaver: Wisdom Teachings from the Feminine Path of Magic, by Seren Bertrand
Bear & Company, 1591434351, 256 pages, May 2022

Spirit Weaver: Wisdom Teachings from the Feminine Path of Magic by Seren Bertrand was balm for my aching soul. Recently, I have been rather withdrawn, tending to my inner world over making strides towards accomplishments in the external world. I’ve been quite content exploring and feeling into the changes taking place within myself as I enter a new phase of my life

But amid the soul-shifting happening, I was being quite hard on myself, lamenting about “not being productive” and chastising my need to remain in my domestic sphere, which has felt quite like my safe haven or nest during this time. It wasn’t until I spent two days in bed, switching off between deep-diving into the wisdom of this book, journaling, and napping, that I felt a very rooted, authentic connection to my own feminine magic was restored.

“We have to nest. Not to always be somewhere else.

Wild creatures know how to nest. They know how to leave–and how to return.

There is great spiritual power in pottering–in the garden, in the kitchen, just being around the house, the home. Tending the herbs in the garden, making a fresh-brewed tea, the sensual art of cooking. Or entering the prayer chamber of the sofa, lounging with God, in intimate conversations and occasional snoring.

Nowhere to go, nothing to do. No grand theories to unite. Just to relax and be.

Home brings us back down to Earth. It makes us real. It grants us “enrealment.”

It is imbued with Womb magic; the power of Earth, of life, of love, of the real.”1

Bertrand is a skilled spirit weaver and visionary creatrix, who has done so much research on the lost global feminine wisdom traditions. She has also co-authored Womb Awakenings and Magdalene Mysteries with her husband Azra. Both of these books were life-changing for me, and I highly recommend them as well for anyone interested in feminine magic.

What sets Spirit Weaver apart from these other two books though is that this one feels more personal and the wisdom shared can be easily incorporated into one’s life. Whereas Womb Awakening and Magdalene Mysteries are both 560 pages of historical, anthropological, and spiritual revelation, Spirit Weaver is about half the length and is based on Bertrand’s personal insight and heartfelt experience of living the path of feminine magic.

Her first-hand perspective really hit home for me, as it felt like an invitation to walk alongside her as she shares what she’s learned throughout her journey, much like listening to a friend. Her soothing way with words was a more creative approach to sharing the mysteries of this path, intuitively opening new chambers within my own psyche and soul to explore. And it’s definitely worth noting though she explores feminine magic worldwide, Bertrand’s personal narrative of her ancestry to her homeland of England is a prominent theme.

“Sitting at the heart of these essays I share with you is the story of my personal ancestral lineage at Mam Tor (Mother Mountain), in the Peak District of the Old North of England, once the grail lands of Maid Marian and Robin Hood and the ancient tribe of the Brigantes–who worshiped the goddess Brigantia, the ancien mother of the old north–who were once led by powerful queens. These lands are an ancestral soulmate within me, the earth placenta of my childhood.”2

The book is composed of 50 essays divided into five sections: “Spinning Our Web”, “Growing Our Roots”, “Weaving Our Healing”, “Dreaming Our Magic”, and “Enchanting Our World”. While the sections have essays relevant to the overall theme, each one stands alone as a unique, insightful reflective piece of writing. I choose to make my way through chronologically, but one could absolutely pick and choose the essays or sections that feel relevant to them in each moment.

One thing I loved about this book was the brilliant paintings throughout the book that was rich with symbolism, featuring images of women, animals, spirals, and more. It felt as though each picture was perfectly placed, inspiring revelation as I turned the page after reading a specific essay to see a creative expression of the essence, energy, and themes Bertrand is describing. Sometimes, I would end up staring at the imagery for a good five to ten minutes, sometimes contemplating its message and other times just admiring the beauty. Plus, there is variation in font color too, which adds to the beauty of the book; it’s not just black and white, but alive with color for visual appeal.

In addition to paintings, there’s also some photographs included too, such as wells, festivals, and even an ancestral photograph of Bertrand’s family. These pictures definitely made Bertrand’s writing more realistic because I could see exactly what she was describing, even if I haven’t visited these places myself or experienced the culture of the lands she describes, especially her homelands of northern England. Now I just want to go take a pilgrimage!

Another thing I really enjoyed about Spirit Weaver is how Bertrand offers ideas for self-reflection or advice about how to integrate what she’s just written about in her essay. For instance, following the essay “Feminine Archetypes: The Witch and the Priestess”, Bertrand invites the reader to reflect on which one is more resonant to them right now. Following another essay, “Rooted Power: Feminine Spiritual Path”, Bertrand shares a way to find the balance between one’s rooted power (embodiment check-ins) and their infinite love (affirmation). While not every essay has something like this at the end, these prompts definitely helped to integrate Bertrand’s writing.

Overall though, I think my absolute favorite thing about the book was the content. Bertrand delves into many aspects of the feminine with such insight. As someone who also walks the path of feminine spirituality, it felt like a homecoming to read Bertrand’s thoughts and reflections. I’m constantly vacillating between whether to call my path one of witchcraft or priestesshood, while also contemplating how to embody this practice in my daily life. Mary Magdalene and the Christ path has always had a special place in my heart, which is definitely not discussed much in witchcraft, so I loved soaking up Bertrand’s wisdom about that.

But the topics covered a wide range of feminine spirituality, such as Moon magic, Celtic traditions, Dankini magic, working with the shadow, romantic love as a spiritual pathway, the wisdom of Grandmothers, mermaids, and so much more. This might sound like a smorgasbord, but it wasn’t at all like that; it’s a rich tapestry of all aspects of the feminine skillfully woven together.

What I was most surprised at was her essay called “Lady Saturn: Lineage of the Cosmic Witch”. I recently did a whole astrology presentation about the feminine aspect of Saturn as Crone, and I was thrilled to read another’s perspective about the VERY overlooked female attributes of Saturn. Bertrand writes, “Lady Saturn is the darkness of wisdom, of Sophia. She is the grand cosmic witch.”3 This just set my passion ablaze and spurred me on in my own research!

I was also just overcome by what I read in the section “Epiphany: Three Wise Witchy Midwives” where Bertrand discusses the Christmas Witch La Befana. As an Italian-American, the past three yuletide seasons, I’ve been deepening my relationship with la Strega Noel, and Bertrand provided more information in this section than I had been able to find thus far. I loved learning about how “The sacred Christmastime of Epiphany was once the heartland of the feminine mysteries, celebrated by many feminine folk traditions.”4 Suddenly, it made a lot more sense why this has become such a special time of the year for me, as I walk this path.

All in all, Spirit Weaver is a treasure trove of wisdom about the magic of the feminine mysteries. I highly recommend this book to all who feel called to walk the path of the feminine spirituality, in whatever form this looks like for them. Bertrand covers such a wide-range of topics that each reader is sure to take away something meaningful for their own personal journey. Bertrand truly continues to do such a service to the feminine spiritual pathway, educating readers with her research and courageously sharing her own experience to illuminate the way for others. This is a book that I know I will be returning to time and time again, as I continue to weave my own way immersed within the all-encompassing divinity of the feminine.

Celebrating the Yuletide with Downhome Mystic

🌲 The season of Yule is upon us! 🌲

Quick History Lesson

This yearly celebration has roots in the Germanic Paganism culture and is usually celebrated for 12 days beginning on the winter solstice. This year Yule begins on Monday, December 21st and ends on Friday, January 1st, 2021. The Winter Solstice is the shortest day of the year, but it simultaneously marks the return of daylight. Often associated with honoring a variety of God and Goddesses, this was a time to be joyful, dance, sing, and connect with nature.

This Pagan celebration was natural for our ancestors, as they were so deeply connected to the Great Mother. They felt sense of connection to the natural world; the direct reciprocity people felt with the Earth was ingrained in daily life. Unfortunately, many of us have become disconnected from nature, from the Great Mother, and finding our way back has been an integral part of our spiritual path. Creating celebration and honoring nature’s cycles helps connect us to our past, deepen our connection to the Earth, and ultimately connect back to ourselves. 

How Do I Celebrate Yule?

This is the fun part! Now is the time to get creative, consider what is meaningful to you (and your family), and create a celebration that best fits your needs and wants. A Yuletide celebration can range from an elaborate gathering to a bath time ritual to a simple altar created at the foot of a pine tree. Here are some of my suggestions:

Connect or Reconnect with Nature

When was the last time you stood barefoot on the earth? If you live in an area that is not too cold or snow-covered, find an area to stand soul (of your foot) to soul on the earth. Feel the soil on your feet, feel the connection of the earth move up your body. If you are unable to be barefoot in your area, take a walk out in nature. Look for signs of winter and reflect on the changes in your life that have taken place over the course of the year.

Build an Altar

This can be done either outside during your nature walk or in your home. If you choose to build an altar at home, gather a few items from outside and bring them home with you, placing each item on your altar while giving thanks and honoring each beautiful item. You could gather evergreen branches, berries, sticks, pinecones, a vile of snow or natural water (ocean, stream, river, rain), brown leaves, feathers, any items that call to you. You might be surprised by what you find! If you choose to create an altar outside, find a special location such as the foot of a tree, in a meadow, or alongside a stream. Lovingly place a few natural items with intent onto the altar while speaking what you are thankful for. 

Dance in the Sunlight or Moonlight

Dancing is a lovely way to reconnect to our bodies and spirit, and it can be especially satisfying if you are outdoors and with others. When we dance, we seem to come alive! We feel the blood move through our bodies, we feel our hearts pump, and our breath deepens; we become embodied. Try dancing with a scarf, moving it through the air and across the ground, further connecting you to the earth.

Build a Fire

You may have heard the term Yule-log. The tradition of a Yule-log varies among different regions and religions, but the basics are burning a log to entice the sun to return to longer days. Often a portion of the log is kept and used to start the fire for the next year’s Yule-log. The ashes were also believed to be good luck and could be used in the garden or kept in an area of the house for protection.  As the Yule-log burns, you can watch the flames, dance, and feel the warmth on your face. This is also a good time to tell stories or hold hands with a loved one basking in the fire’s glow.

Sing Songs

Many of our favorite holiday songs are versions of Yule songs, such as Deck the Halls and the Holly and the Ivy. Singing opens our throat chakra and clears away energetic debris. Singing with others can be an uplifting experience, as a single voice becomes a choir. 

Get Witchy in the Kitchen

Whip up a batch of holiday cookies, bake some rosemary bread, or craft a warm seasonal soup. Try adding an herb that you have never worked with or check out the seasonal farmers market for some wholesome root vegetables. Depending on what you make, you can always place an offering on your altar or out in nature, thanking the Great Mother or God or Goddess of your choice. 

There are many beautiful ways to celebrate the season of Yule; these are a few of my favorites. I would love to hear which one you like best or if you have anything to add. Comment below if you decide to try any of these suggestions.

Magdalene Mysteries, by Seren and Azra Bertrand

Magdalene Mysteries: The Left-Hand Path of the Feminine Christ, Seren Bertrand & Azra Bertrand, M.D.
Bear & Company, 978-1-59143-346-0, 525 pages, 2020

Magdalene Myserties: The Left-hand Path of the Feminine Christ by Seren Bertrand and Azra Bertrand is a deep dive into Mary Magdalene, viewing her from Biblical, historical, and mystical perspectives. This well-researched book invites the reader on a pilgrimage to the Rose by journeying through three portals: the Magdalene Chronicles, the Magdalene Codex, and the Magdalene Vision Quest. These portals form the basis of the sectioning of the book, with each portal offering in-depth exploration of the topic. The authors write that “a key to our journey into the Magdalene Mysteries is to understand the true left-hand path of the goddess; and that Mary Magdalene…was the lineage holder of this sacred tradition.”1

Before the reader enters the portals, the authors provide their “love letters,” each offering individual writings on their initiations/encounters with Mary Magdalene, with Sara writing of meeting Mary Magdalene and of the sacred masculine vision and Azra writing about the Holy Whore of Sophia. The book then proceeds to “explore a radical, forbidden version of Mary Magdalene as a priestess of the Womb mysteries.”2

I was drawn to this book to explore the multi-faceted Mary Magdalene. Having been raised a Catholic, I initially only knew of Mary Magdalene as the prostitute, carried into my teen years with watching Jesus Christ Superstar where she was again portrayed in this role. I later became an adjunct instructor of Art History, and again, my encounters with Mary Magdalene in painting and sculpture again had her portrayed as a prostitute. As I began reading sources other than the Catholic church (!) I was met by a powerful woman, a trusted apostle of Jesus. I needed to learn more, and this book provided a compendious accounting of Mary Magdalene. 

Portal One, the Magdalene Chronicles, details Mary Magdalene’s lineage, starting with the “ancient mothers” in Sumeria. The chronology includes mermaids and the primeval water dragons, Inanna, and Asherah. It was illuminating to read of this lineage of the powerful woman, the vessel, the womb. The authors then transition to Mary Magdalene’ story of the Feminine Christ, looking at the feminist ministry of Christ, whether or not Mary Magdalene and Jesus were married, and her place at the crucifixion and resurrection. The first portal concludes with churches linked to the growth of churches in Europe linked to Mary Magdalene. 

The main focus of Portal Two, the Magdalene Codex, is an in-depth study of the Ghent Altarpiece, created by Jan Van Eyck, from 1426 to 1432. The authors approach this work “as both a pilgrimage and Grail Quest.”3 I found this section fascinating. I was familiar with the Ghent Altarpiece and taught about it in my Art History classes from the typical perspective of the religious symbolism in the painting such as the lamb symbolizing the Lamb of God. I taught about perspective, the place of patrons present in the piece, the role of an altarpiece in a church, etc. The authors, however, offer a complex and compelling distillation of the altarpiece, focusing one’s attention on the positioning of images to create the “position of birthing and sacred sexuality.” (plate 15). I did need to sit a while with the intimation that Van Eyck inserted an heretical message in the work. 

The authors turned next to Leonardo da Vinci’s painting of the Last Supper. I will admit that I never “bought” the explanation that the feminine figure to the side of Jesus was John the Evangelist. I am in agreement that, after having read about the important place of Mary Magdalene in the life of Jesus, that this image was indeed that of Mary Magdalene. The authors write that da Vinci was also “connected to the underground streams of the feminine mysteries.” 4 I imagine that these artists kept the need of art patronage in the forefront as they created multi-dimensional works of art with levels of meaning. 

The belief that Mary Magdalene was seen as a “dangerous figure” threatening to usurp masculine power, led to her portrayal as a “less than,” a whore, non-starter. The second portal closes with a return to the Ghent Altarpiece, where the authors write that Van Eyck “presents an entirely new, and at the same time ancient, vision in which the feminine is restored.” 5 I found the second portal so very fascinating, given my background in Art History. It’s given me a desire to develop an art history course on Mary Magdalene. 

The Third Portal, Magdalene Vision Quest, focuses on the pilgrimage to the Rose through “stories, oracles, and personal rituals.” 6 In the chapter Honoring the Motherline, Mary Magdalene as the “spirit keeper of the womb” is investigated. Seren writes about her own opening up to the path of Mary Magdalene and the goddess path. A personal favorite of mine was her writing about her pilgrimage to Glastonbury in England, a place I was drawn to visit as well. It is hard to adequately describe the otherworldly feeling of Glastonbury, the multidimensional feeling of space and time. Sere writes about the chalice well and its red flowing water and Glastonbury Abbey built on the site of an ancient sacred site devoted to the divine feminine and “known in local lore as the ‘vagina of the birth goddess.’”7

Seren recounts how Magdalene directed her to visit Iona, a remote Scottish island in the Hebrides. I was beginning to feel a connection both to Magdalene and Seren as Iona is a place that I find myself constantly drawn to read about and to most definitely visit post-pandemic. She continues by writing about the ancestral wise witches and the death of her mother, the mother of her “birth womb.”8 She movingly describes the graveside service she led for her mother. “As my mother’s womb had birthed me into this world, now I midwived her back into the womb of Mother Earth, for her rebirth into the Spirit world.”9

The Third Portal section contains rituals that the reader can perform, such as a Rose Ritual or the Anointing of the Moon ritual, a Mermaid ritual, and a Black Rose rituals. The rituals all contain references to an element, a ministry (such as cleansing), archetypes (such as Aphrodite), colors, and sigils (like a chalice). I have not yet taken the time to participate in a ritual, though, but the moving descriptions accompanying each ritual will draw me in sooner rather than later.

The book concludes with an invitation to return to the “dynamic Wild Feminine” which is “not limited to the story of one person or priestess – it is a living, vibrant frequency within everyone, calling to be remembered and embodied.” 10 Seren’s prayers to Magdalene are the final pages of the book. 

The book contains numerous images and illustrations to support the writings, including prehistoric clay tablets and sculptures, rich reproductions of pre-Renaissance and Renaissance tapestries, painting, and sculptures, and 20th century art including the image of a stained glass window in Sheffield, England in which Mary Magdalene is depicted as holding her hands in the “womb mudra position.” 11

Magdalene Mysteries offers a perfect combination of historic information across millennia along with the personal interactions of the authors with Mary Magdalene. It is a book to be read over time, allowing the information to seep in. It reads as a pilgrimage, and like all pilgrimages, time should be taken to allow the path to reveal itself to you, to allow yourself to open to revelations and notice the changes that occur as a result of the pilgrimage. The book is a pilgrimage to the Rose, and as such, invites the reader to open up slowly to Mary Magdalene, much like a rose itself that slowly opens, moving from a bud to a flower in full bloom, layers of beautiful petals.  It is a comprehensive introduction to Mary Magdalene to those new to the subject and also a deep-dive for those wanting a deeper interaction with Mary Magdalene. I highly recommend this book and encourage the reader to walk the path of pilgrimage to the Rose with these highly informed and passionate authors.

The Lantern Oracle, by Angelina Mirabito

The Lantern Oracle, by Angelina Mirabito, PhD and illustrated by Yuly Alego
Blue Angel Publishing, 1925538908, 44 cards, 144 pages, July 2020

In the rush of life, it can be common to overlook the importance of a strong spiritual foundation. The Lantern Oracle by Angelina Mirabito, PhD is a reminder of the sacredness in the everyday life of all women. In this touching deck, the beauty of connection among women across the span of time is woven together to create a spring of generational insight. This deck is a gateway to exploring woman’s wisdom through the archetypal forms of feminine consciousness: Maiden, Mother, Guardian, and Crone.

“Together, the young ladies and women of The Lantern Oracle nurture clarity, self-empowerment, and healing. They provide access to the eternal feminine energy, living love, and wisdom as medicine to work with, personalise, and integrate.”1

Mirabito introduces the concept of the deck in the guidebook, which explains how the 44-card deck has 11 cards in each of the four sections of feminine archetypal energy mentioned above. There is a description provided for all of these archetypes that demonstrates how one builds upon the former. For instance Mirabito writes, “Choices that are often naively and idealistically made during the Maiden stage can culminate in the birthing of a new reality or an illusion during the Mother stage.”2

Something I think is unique, which I really appreciate, is her addition of Guardian as an archetypal energy, which seems to add another layer of depth to the traditional triple goddess expression of energy (Maiden, Mother, Crone). I’ve always felt there was a phase in-between Mother and Crone, which Mirabito aptly expresses in the deck and guidebook explanations of the cards in this section.

The Guardian phase is the time of midlife, where one discovers their sense of self in an empowered way. These messages are about learning to stand in one’s own authority, having been renewed through the mistakes of young adulthood and now having learned to carry oneself with composure. Maturity, regeneration, and a sense of responsibility highlight this passageway.

The illustrations on The Lantern Oracle cards, done by Yuly Ageo, really create an encompassing sense of connection between all women, which once again adds to the feeling of this being a deck of universal wisdom. Though there is a mixture of fantasy, with some images having elf-like ears, most of the cards feature ordinary women of all ages. The commonality between these women is evident, who all on their journey towards wholeness and personal fulfillment must face the ups and downs of the wheel of life.

Within Ageo’s images on the cards, I can see the challenges, fears, hopes, and dreams of these women, which emotionally brings them to life for me. Even if the women on the cards don’t look like me physically (there are many cultures portrayed), as I shuffle through the deck I am able to identify the faces of my grandmothers, aunts, mother, and friends because there is a sense of solidarity on the path of feminine wisdom. These cards become a visual reminder of the shared experiences we go through as a collective on the path to learning how to nurture, empower, and tend to ourselves with care, no matter where we originate from or live.

My favorite part of the deck is Marabito’s choice of cards and the wisdom within each one. The different cards have a sense of authenticity, that give meaningful spiritual insight without glossing over reality, putting a positive spin, or becoming too ominous. It feels as though the wisest part of oneself is speaking through the cards, a higher self if you will. Due to the cross-generational messages of the cards, healing is accessible through connection to parts of yourself in former life stages, as well as future ones.

For instance, Trusting Tricksters, is card number six in the Maiden section. I certainly know that as a Maiden I trust quite a few tricksters, who lead me astray and caused confusion in my life. Drawing this card in the present reminds me of that time in life, makes me recall the lessons I learned, and then allows me to consciously put that wisdom into action.

I especially find the cards for Motherhood empowering too right now, as these are the words I wish I had someone telling me as I make my way through early adulthood. Cards such as Melting Mask (16), Radical Honesty (18), and Enough (20) all remind me of the necessity of feeling like I am worthy, moving away from roles that suffocate my spirit, and aligning with who I truly feel myself to be. While these are the lessons we should be teaching all women, it is this wisdom that is often more difficult to hear in a world that drowns out the voice of our soul all too often.

Working with these cards on a daily basis has improved my confidence, made me feel more attuned to my soul, and also reminded me of the inevitable turning of the great wheel of life. I am more relaxed accepting where I am currently, facing what comes my way with a sense of calmness and ease, acknowledging there is always going to be room for growth, new experiences, and transformation. With this deck, I have a trusted resource to guide me in love, compassion, and strength through life’s ups and downs.

I recommend The Lantern Oracle for those looking to bring feminine wisdom into their life on a daily basis for guidance, encouragement, and attunement. Mirabito’s words are so genuine, and just what I need to hear on a daily basis to remember my innate wisdom and soul’s path. Alejo’s artwork is absolutely beautiful, reminding me of my connection to all women, despite our external differences. The inclusive nature of feminine energy shines through this deck and holds space for integrating the lessons of the four phases of consciousness we all pass through on our spiritual journey. This deck is a true spiritual treasure whose timeless quality makes it perfect for working with long term.