What if the tarot you hold in your hands was also a pathway to discovering Renaissance wisdom?Tarot Emblemata: Decoding Magical Symbolism beautifully bridges the culture of the Renaissance and modern tarot reading. Inspired by Claude Paradin’s emblem book, Devises Heroïques (originally published in 1551), Nitasia Roland revives the intricate art of symbolic storytelling that once conveyed moral, philosophical, and mystical truths through image and maxim.
Unfamiliar with emblems, I immediately went to Roland’s introduction in the guidebook to better understand the deck’s concept. I learned how during Renaissance emblems were visual metaphors designed to convey moral lessons, awaken contemplation and insight, and share didactic information. Roland explains how Renaissance emblems were illustrations “accompanied by mottos of text and verse that allegorically and symbolically express sentiments, concepts, societal concerns, and parables that were current in the social and cultural life of 16th- and 17th century continental and Baroque Europe.”1
In Tarot Emblemata, Roland repurposes Paradin’s emblems, which can be viewed here, to provide a fresh twist on the traditional tarot cards. This unique deck is comprised of 83 full-color cards: the traditional 78 cards of the Major and Minor Arcana along with five additional oracle cards. Weaving the emblems of Paradin (as well as a few by Bernard Salomon from an updated 1557 edition) and Latin mottos into the tarot’s archetypal structure, Roland has created a deck that illuminates the timeless insights of the Renaissance. This truly unique approach makes for some interesting reads!
The deck comes in a sturdy, hardcover box, giving it gravitas and weight. The tactile linen finish on the cards makes them very easy to handle (I much prefer this finish to a smooth varnish or glossy laminate!). And the gilded silver edges add a little burst of elegance.
As for the design, Roland kept Paradin’s symbolic imagery and moral mottos, written in both Latin inscription and English, but brought them to life with color. At the bottom of each card is the name of the tarot card. The aesthetic is minimal yet steeped in mystique, the clean parchment background reminds me of illuminated manuscripts or alchemical engravings.
For those who are used to ornate or narrative tarot cards, this deck feels more refined, even cerebral. What’s interesting about the emblems is how the symbolic language they convey is universal enough to be widely accepted and spread yet personal enough to instill the meaningful message. The emblems give a new perspective on traditional tarot, compelling the reader to sit with the imagery and to ponder its message, despite the directness of the associated motto. In this way, readers can both get a straight-forward message that appeases the part of oneself that is searching for guidance as well as an esoteric illustration that ignites the subconscious.
Granted, those who heavily rely on context clues from more elaborately designed tarot decks might find the deck a bit harder to connect with, but for those already familiar with the general tarot card meanings, it’s fairly easy to see how the symbol aligns with the card. For me it is honestly refreshing to not be bogged down with elaborate illustration, allowing the interesting symbols to activate my psyche, prompting revelation. Roland writes:
“Drawing a card or interpreting a spread encourages personal transformation, allowing the reader to tap into the magical archetypes and the universal mysteries that Renaissance iconography and symbolism inspire, connecting you to the guidance of spirit via the wisdom of the seen and unseen worlds.”2
Accompanying the deck is the 192-page, full-color guidebook. It is about 5.5 by 7.5 inches big, about the size of a small book, and very easy to hold and read. There’s a foreword, introduction, messages for each card (including the five additional oracle cards) and spread suggestions.
What I absolutely love about the guidebook is how much detail Roland provides for each card. Written in 2nd person (you), Roland addresses the readers directly. While the cards themselves are very symbolic, the messages from Roland are filled with clarity and purpose, providing meaningful direction. Roland artfully translates the essence of the tarot card through the perspective of the Renaissance emblem and motto. She doesn’t skirt around the message, rather she hones in with skill and precision, delving right into the heart and soul of the card’s energy.
It’s quite evident the time and thought Roland put into matching each emblem with the corresponding tarot card archetype and then contemplating how to translate the card for readers in the guidebook. She hits the mark, having the traditional tarot meaning still present in each interpretation yet illuminating a novel perspective for readers to understand the tarot by filtering it through Paradin’s emblems and mottos.
For instance, The Hanged Man in this deck has the illustration of a rope hanging down from a cloud, piling on the ground, while another cloud has a hand holding a sword emerging from it about to slice the rope. The motto at the top reads, “I resolve all doubts by self-refelction”3. And the guidebook entry opens with this line:
“A severing blade and sword of divine wisdom and truth bring clarity after a time of being held up, where the clock seems to stop, and where inner reflection is the only choice to get you out of the snag you are in.”4
Ah, I just love how Roland conveys The Hanged Man without resorting to any of the trite and overused interpretations that can just make some guidebooks so boring. Dedicating two pages to each card, she provides a fantastic entryway into each card for readers, leaving them with plenty of information to further contemplate. Truly, I am deeply impressed by this guidebook and have really enjoyed reading Roland’s guidance for each card.
Plus, the additional five oracle cards are a real bonus. These cards – Ancestors, Libations, Sovereignty, Regeneration and Caduceus – give readings a real extra boost. The entry for these cards in the guidebook is a bit shorter, but it’s more than enough for readers to learn their meanings and skillfully weave these cards into their spreads. I get extra excited when I see one emerge in a reading!
Overall, Tarot Emblemata is a very interesting deck to work with. Roland offers a one of a kind approach to tarot that transports readers to the flourishing Renaissance. Somehow the deck is artfully able to be both universally enlightening and individually transformationing. For those looking for a creative re-envisioning of the tarot, especially if you enjoy ancient history, this deck is perfect for adding to your collection.
I’d recommend this deck to those who enjoy a dose of practical advice coupled with deeper spiritual insights. This is not simply a “deck for readings” but a tool for exploration, reflection, and developing one’s intuitive and symbolic literacy, priming the psyche with meaningful imagery to activate archetypes that continue to be relevant to spiritual growth and human development.
Alanna Kali is an astrologer, numerologist, and pioneer spirit that loves to explore life through the lens of depth psychology. She has a passion for studying the humanities and social trends. Her academic work is centered upon reuniting body, mind, and spirit through eco-psychology. She loves reading, spending time in nature, and travel.
Healing Plants of Renaissance Florence: The Development of Herbal Medicine in Florence by Angela Paine offers a fascinating exploration into the world of botany during the Renaissance period in Florence. Paine’s work is an intricate blend of history, science, and herbalism, which provides readers with both an educational and captivating journey into the past. Whether you’re a lover of ancient history or herbalism, this book is packed with fascinating details about plant medicine during one of Italy’s most interesting times.
In “Part 1: Introduction”, Paine introduces readers to this topic by events that spurred her own interest in healing plants of Renaissance Florence: her time working at the National Library restoring ancient books, the exhibit The Botany of Leonardo da Vinci, and discovering the Medici family grew medicinal plants in gardens to make their own medicine.
From here, Paine sets the scene for readers with a vivid depiction of Florence during the Renaissance. She shares overviews of the members of the Medici family lineage that promoted medicinal herbs: Giovanni di Bucci, Cosimo the Elder, Lorenzo the Magnificent, Cosimo I de’ Medici, Francesco de’ Medici, and Ferdinando de’ Medici. It was absolutely fascinating to learn about Cosimo I de’ Medici’s interest in alchemy, which consumed his son Francesco de’ Medici much to the city’s dismay. I also loved how Paine shares the socio-cultural events during the lives of these Medici family members, including the plague beginning in 1478 and banking developments like the double entry system.
“This was a time when the whole world was changing, due to numerous voyages of exploration. Medicinal, food and decorative plants were being transported across the world and transplanted into countries where they had never grown before. The Medici were as excited as everyone else by the new plants, and they had the means to acquire them and grow them in their botanic gardens.”5
In “Part 2: Healing Plants of the Renaissance” Paine details the plants most used during this time based on the research of Cristina Bellorini. Bellorini authored Speziale al Giglio, which is “a detailed study of the account books of the apothecary shops.”6 Drawing from Bellorini’s writing, Paine covers the twenty-two most commonly used healing plants during this time, which include Aloe, Dill, Ivy, Lemon, Mustard, Rose, Sage, and more.
For each plant, Paine provides an introduction and sketch, botanical description, list of healing properties, chemistry of the plant, modern research about the plant’s use, how to use the plant, and contraindications (when not to use the plant). Some plant entries also include guidance on dosage. Herbalists will absolutely love this section, likewise those interested in learning more about how to incorporate plants into their healing work will benefit from the information on the medicinal properties. I found it very cool to think about the connection between myself and those in Renaissance Florence using these plants for the same purposes!
“Part 3: Exotic Healing Plants Used in Renaissance Florence” covers the imported plants Cosimo I was able to cultivate in his garden and use for healing purposes. Paine gives these plants the same thorough description as the common plants. Some of the plants covered in this section are Cinnamon, Dragon’s Blood Tree, Liquorice, and Nutmeg.
Finally, Paine concludes with “Part 4: Poisonous Plants in Renaissance Florence”. While she doesn’t provide full-detailed descriptions of the plants, she shares about the widespread use of poison during this time, detailing how the Medici were especially aware of dangers and took measures to protect themselves. From soldiers coating their knives with poison to a few drops being put in a wine glass, the uses of poisons were extensive and Paine gives a great overview of the common poisons present at this time. Nevertheless, these plants were also used for medical purposes, albeit not without their risks.
Overall, Healing Plants of Renaissance Florence is a well-researched book that will appeal to history enthusiasts, herbalists, and anyone interested in the intersection of medicine, alchemy, and botany. Paine successfully brings to life the rich tapestry of Renaissance botanical practices, offering readers a unique glimpse into a world where the properties of plants were just being discovered for use in rapidly changing times. Her coverage of the influence of the Medici family in cultivating plant medicine and recording the process through their writings is a captivating piece of history, one I had never before known about. For those interested in further research, Paine has included a thorough reference list that is sure to lead readers to other insightful discoveries of Renaissance plants.
Alanna Kali is an astrologer, numerologist, and pioneer spirit that loves to explore life through the lens of depth psychology. She has a passion for studying the humanities and social trends. Her academic work is centered upon reuniting body, mind, and spirit through eco-psychology. She loves reading, spending time in nature, and travel.
With the many controversies happening within our country right now, from vaccination mandates to military withdrawal, it feels an opportune moment to reflect on the state of American politics and the forces that are shaping our current government system. Cue The King in Orange: The Magical and Occult Roots of Political Power by John Michael Greer, here to help magically-minded folks make sense of the political mess in terms they understand.
Drawing upon The King in Yellow, a book of short stories by Robert W. Chambers, Greer helps to discern the energetic forces behind collective political movements that have been taking shape the past decade through the lens of occult forces (both conscious and unconscious) guiding the path forward.
In particular, he highlights the competition between two competing schools of magic that ultimately lead to the presidency of Donald Trump. By examining what led to this Populist rise, an occurrence happening elsewhere too, such as Britain, Greer leads the reader through a journey in the masked magical forces impacting public discourse.
And I’m going to be honest, Greer gives a very fair treatment of the subject without ever outwardly picking a side. So, this book may be potentially troublesome for anyone very rooted in their own personal beliefs and isn’t willing to see things differently.
For the most part, there is no sway towards either political party. I will say the exception to this seems to be in regard to Greer’s writing on Hilary Clinton, which I did find to be rather pejoratively biased. Overall though, Greer presents the material very objectively, offering perspective to guide readers in making their own conclusions.
Greer really delves into the concepts such as virtue signaling, privilege in America, and the class divide rift between salary workers and wage workers. He especially packs a punch by highlighting the magic of the liberal, privileged salary class that directly contributed to the populist rise of Trump: mainstream culture and the mass media that perpetuates it.
“This is one of the crucial points about privilege in today’s America: to the privileged, privilege is invisible. That’s not just a matter of personal cluelessness or of personal isolation from the less privileged, though these can of course be involved. It’s one of the most significant magical spells we’re under. The mass media and every other aspect of mainstream American culture constantly present the experience of privileged people as normal, and just as constantly feed any departure from that experience through an utterly predictable set of filters.”7
The filters used by the media, as well as the new American Left, according to Greer, inaccurately portray Trump supporters using distorted narratives, such as homophobic, racist, misogynist, when in factor many votes for Trump were for populist reasons of job loss, wage cuts, unaffordable health coverage, and a general lose of faith in system that is willingness neglecting their interests. Though identity politics currently take precedent above other cultural divisors, the overlooked factor is social class.
Greer draws on the scholarly work of Ioan Couliano to illuminate age-old forms of manipulation dating back to the Renaissance now channeled into modern advertising and mass media. This one-sided perspective led to a nation-wide upset as millions of voters were blind sided by Trump’s victory, which was dismissed as impossible by the media narrative.
Simultaneously, chaos magicians are also waging their own in the form of Pepe the frog memes, truly believing their symbolism was having an effect on the election, and thus constellating a change in consciousness among a group of “internet wizards.” Delving into the story of how this magic was used via Reddit was a really interesting topic, particularly after having encountered it directly in my mid-20s as quite a few acquaintances began to post about it.
To be honest, I’m still integrating the way he’s woven together the underpinning occult energies in play in American politics with the recent history of the 2016 election to present a viewpoint that is entirely original and most relatable as a magical practitioner. As an avid seeker, I enjoy how Greer’s insight work blends discourse from political, social, and magical movements.
While the future is not set in stone, the deeds of the past are catching up and contributing to where we are now as a nation. With ample reference to material such as Oswald Spengler’s Decline of the West and Dion Fortune’s war letters, Greer provides multiple avenues for readers to further study.
Reading The King in Orange had me reminiscing about when I was a recent college graduate, filled with liberal ideals, dating a boisterous, in your face Trump supporter. Needless to say, the relationship didn’t even survive the political campaigning. As tension in the country has become more polarized, I’ve literally seen more and more long-term relationships ending over deep-set political stances.
I really feel like reading Greer’s ideas in this book helped me to reconcile my differences and find a more balanced perspective. When my Trump supporting friend asserted the other day that America needs to “Blame the suits, not the boots”, I had much more insight into her perspective.
The King in Orange is not an easy read, as there are some hard truths to swallow regardless of where your political beliefs lay. But this book opened my eyes to the roots of the current political climate that go deeper than just standard party issues. There are fundamental shifts to the American way of life that are leading to uncertainty about the future. Being more aware of the occult forces in play on both sides helps to be discerning in shaping our beliefs. I have been recommending this book to quite a few people recently who are wondering what’s going on in the politics right now because it’s a really thought-provoking read that delves into the psychological factors effecting the collective consciousness.
Alanna Kali is an astrologer, numerologist, and pioneer spirit that loves to explore life through the lens of depth psychology. She has a passion for studying the humanities and social trends. Her academic work is centered upon reuniting body, mind, and spirit through eco-psychology. She loves reading, spending time in nature, and travel.
