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A Confluence of Witches, edited by Casey Zabala

A Confluence of Witches: Celebrating Our Lunar Roots, Decolonizing the Craft, and Reenchanting Our World, edited by Casey Zabala
Weiser Books, 1578638453, 224 pages, October 2024

Witchcraft is not a one-size-fits-all practice. There’s no single, universal “witchcraft” that everyone follows. Different witches may have varying beliefs, rituals, and traditions, influenced by their individual experiences, cultural backgrounds, and personal paths. This diversity is what makes witchcraft such a rich and fascinating exploration.

A Confluence of Witches: Celebrating our Lunar Roots, Decolonizing the Craft, and Reenchanting Our World, edited by Casey Zabala, brings together a diverse array of voices within the contemporary witchcraft community. Through a rich tapestry of essays, rituals, and personal narratives, this anthology shines a light on the multifaceted nature of witchcraft in the modern world to explore “the authentic intersection of magic, spirituality, personal development, and social justice.”1

“Modern Witchcraft is not a disavowal of our Pagan, animist, lunar roots. Rather, Modern Witchcraft is an evolution of our responsibilities as practicing witches. These responsibilities have historically been to praise the divinity of the Earth and cosmos, to provide healing remedy and support to the community, and to offer a spiritual framework for the oppressed. To be a modern witch we must straddle both our ancient origins and our futurist dreams.”2

This anthology covers a broad range of topics that will appeal to both seasoned practitioners and those new to the craft. The seven chapters each focus on a certain aspect of witchcraft: the Moon, the blending of traditional magic with modern technology, the decolonization of witchcraft, connection with the spirit world, connection to our bodies and Earth, pathways of healing, and the power of covens. Within the chapter there’s three essays related to the topic.

The essays in A Confluence of Witches are thought-provoking and deeply personal. Each contributor shares their unique journey and insights, making the anthology both informative and intimate. Some of my favorites are “Reclamining Resources: Money Magic in This Time of Capitalism” Jessie Susannah Karnatz, “Loving What Is: Quantum Witchcraft” by Sanyu Estelle, “Flower Animism: A Floral Spell” by Liz Migliorelli, and “There is Sustenance in the Roots by Star Feliz.

Zabala’s editorial hand is evident in the seamless flow of the book. At the start of each chapter, she writes an introduction for the topic, creating a cohesive overview of the essays that follow. I also felt like the arrangement of the chapters was very intuitive, though there’s truly no need to read them all in order.

One of this anthology’s greatest strengths is its inclusivity. Zabala has curated contributions from witches of various backgrounds, practices, and traditions, ensuring that readers are exposed to a wide spectrum of perspectives. This diversity not only enriches the reader’s understanding of witchcraft but also challenges any preconceived notions they might have. The essays all give a little glimpse inside the world of the writers, so readers can then pursue exploring more work of the writers they especially resonate with.

There are so many leads I want to follow now that I’ve read this book! I am truly enamored with the insights from the writers who contributed. At the end, Zabala has included biographies for all the contributors. Here readers can discover new podcasts, YouTube channels, books, organizations and groups, and more. The community Zabala created in 2018 is called Modern Witches, which aims “to heal and honor the collective’s relationship to the witch.”3

Reading through this book prompted a lot of reflection for me, and I began to see my practice connected to a much wider group of people. Oftentimes, especially when feeling isolated or marginalized, I think witches forget the community resources available to them. But there are so many others out there shaping Modern Witchcraft. I learned about so many other amazing witches and their work when reading this book that I would have never known about otherwise, and I’m really excited to further brand out and explore some new groups I learned about from the book.

It felt very expansive to see just how vast the world of Modern Witchcraft is right now and to take the time to think about the impact of technology, political systems, and social structures on witchcraft right now. With each chapter, I felt a shimmering web of energy growing between me and these other witches; even though our practices might look very different, we all walk the same path at this current time.

Overall, A Confluence of Witches is an essential read for anyone interested in the Modern Witchcraft movement. Within the variety of voices, the book maintains a narrative that guides the reader through the complexities of Modern Witchcraft that is expansive, inclusive, and thought-provoking. Whether one is new to the craft or a seasoned practitioner, this book gives voice to where Modern Witchcraft is at right now, contextualizing the greater community of witches beyond one’s daily scope.

We all possess our own sacred blend of spirituality, shaped by our experiences, beliefs, and connections to the world around us. By embracing the diversity of witchcraft and honoring the unique practices of others, we can create a more inclusive and supportive community that celebrates the richness of human spirituality.

Witches, by Judika Illes

Witches: A Compendium, by Judika Illes
Weiser Books, 1578638577, 240 pages, October 2024

Autumn has arrived, and I think we can all agree.. It’s officially the season of the witch! For those who are feeling drawn to witches, whether through fictional tales or their own witchcraft practice, Judika Illes’ latest book Witches: A Compendium offers a fascinating exploration of the subject, from ancient times to modern day. This comprehensive guide covers a range of witchcraft topics, from famous witches to the best witch-travel destinations.

“The world of witches is filled with passion, magic, high spirits, and joy. It is a world where the sacred is ever-present, a world in which even the most mundane objects possess deep spiritual significance. The world of witches is a world of wonder in which every color, incident, creature, sight, or sound has some sort of magical import.”1

Illes does an excellent job of presenting a diverse range of perspectives on witchcraft. Chapters are dedicated to types of witches, witchcraft tools, animal familiars, various well-known witches (famous ones, fictional ones, divination witches, and those who have been persecuted for their practice). She includes stories and practices from different cultures, highlighting the universal appeal and varied interpretations of witchcraft around the world. This inclusivity is a refreshing aspect of the book, as it acknowledges and respects the wide array of traditions and beliefs associated with witchcraft.

For each topic in the compendium, there’s anywhere from one paragraph to two pages dedicated to the subject. Illes’ writing style is engaging and accessible. She excels in writing insightful profiles that bring these individuals to life, offering readers a glimpse into their lives and the culture during the time they lived. Some of my favorites covered include Tamoamo-no-Mae, Hulda, and Kybele. I also loved the focus on fictional witches, such as Agatha Harkness, whose new TV show I just started watching on Disney+; Illes writing is so up-to-date that it mentions this new Marvel show, along with the recent WandaVision.

I was also pleasantly surprised to see that Illes included quite a few men in this compendium. Of course, there’s the male founders of certain traditions, such as Alexandrian Wicca and The Clan of Tubal Cain, who were influential in the spread of modern witchcraft. But she also looks to famous magicians and sorcerers of the past too, such as Abei no Seimei, Franz Bardon, Count Alessandro di Cagliostro, and Dr. Leo Martello. This inclusion gives a very balanced perspective on witchcraft, offering a full picture that counters stereotypes of witches always being old hags or devious young women.

The chapters on the tools, crafts, and animals associated with witchcraft are especially beneficial for readers to learn more about different practices. Illes covers tools like dolls, mirrors, runes, and wands, along with crafts of the trade such as dowsing, scrying, and astrology. The chapter “Animal Witches and Witches’ Animals” is loaded with information about the roles various animals have in witchcraft practices worldwide. I was fascinated to learn:

“European itches were accused of riding wolves or bates; African witches ride galloping hyenas, the animal most closely identified with witches throughout Africa.”2

And, if after making it through most of this book you are wondering if you’re a witch, Illes’ final chapter helps to answer this question. She includes lore that indicates being a witch, such as being the seventh-born son or daughter, as well as having a witch-mark or disliking salt. She also notes personality traits like “you have an affinity for wild nature, a love for the world’s wild, untamed places”3 and “you possess an independent streak: you don’t like being told what you can’t do, can’t learn, can’t known, can’t read, or where you can’t go.”4

Finally, the visual aspect of the book is also worth mentioning. Witches is beautifully illustrated, with images that complement the text and enhance the reader’s experience. The illustrations add an extra layer of enchantment to the book, making it not only informative but also a pleasure to look at.

Overall, Witches: A Compendium is a great read for anyone interested in the world of witchcraft. It is comprehensive, well-researched, and beautifully presented. Whether you are a seasoned practitioner or a curious newcomer, this book offers valuable insights and practical knowledge that will deepen your understanding of witchcraft and its enduring allure.

And if you enjoy this book, Illes has quite a few other informative books published, including Encyclopedia of 5,000 Spells, Encyclopedia of Spirits, The Element Encyclopedia of Witchcraft, and Encyclopedia of Mystics, Saints, & Sages, along with The Weiser Field Guide to Witches and The Weiser Field Guide to the Paranormal.

Secrets of Romani Fortune-Telling, by Jezmina Von Thiele and Paulina Stevens

Secrets of Romani Fortune-Telling: Divining with Tarot, Palmistry, Tea Leaves, and More, by Jezmina Von Thiele and Paulina Stevens
Weiser Books, 1578638585, 224 pages, October 2024

Secrets of Romani Fortune-Telling: Divining with Tarot, Palmistry, Tea Leaves, and More by Jezmina Von Thiele and Paulina Stevens is a compelling exploration into the rich and often secret world of Romani divination practices. The book serves as both an educational resource and a captivating narrative, shedding light on the traditions and cultural significance of fortune-telling within the Romani community. While not all secrets can be revealed, the authors open the world of Romani divination to us gadje (non-Romanian folks) to facilitate more cultural appreciation and less cultural appropriation.

“To understand the true art of Romani fortune-telling, and the secrets of intuition, we will share some spiritual techniques and business acumen, but more than that, we will share our beliefs, culture, history, trauma, resilience, and our stories. All of these make up the much misunderstood, maligned, and misrepresented practice of Romani divination.”1

Both Von Thiele and Stevens are of Romani descent. Von Thiele is a creative spark, working as a fortune teller, writer, editor, teacher, and performer in New Hampshire. While Stevens lives in California running her business Romani Holistic Healing where she offers clients fortune-telling, meditation, herbal health remedies, and life coaching. The authors combine their expertise in their joint podcast Romanistan, which inspired and led to Secrets of Romani Fortune-Telling.

What I love about the authors is how in both their podcast and this book they challenge aspects of their culture that need to evolve. They consider themselves intersectional feminists, gender librators, and anti-colonist, choosing to walk their own path, support LGBTQIA+ communities, and speak out against cultural issues such as domestic violence and arranged teen marriage. Their collaboration ensures that the book is not only informative but also sensitive to the cultural intricacies and historical context of Romani fortune-telling; it does not sugarcoating what needs to be addressed while simultaneously promoting a more inclusive future.

The book is structured to guide readers through various aspects of Romani divination. It covers a range of techniques, from palmistry and tarot reading to more obscure methods like coffee grounds and crystal gazing. Each chapter delves into the history, symbolism, and practical application of these techniques, making the book suitable for both beginners and those with a more advanced interest in the subject.

A real highlight are the  personal stories Von Thiele and Stevens share from firsthand experience. The authors share anecdotes and insights from their own lives, providing a personal touch that makes the material more relatable and engaging. This narrative approach helps demystify the practice of fortune-telling and highlights its significance as a living tradition within Romani culture.

It’s also interesting to compare and contrast the experiences of Von Thiele and Stevens as their stories are often side-by-side, offering a multi-faceted perspective. I particularly enjoyed the information shared in the chapter “Dream Divination”. Each author shares their family’s approach to dreams, as well as prophetic dreams they’ve had, bedtime tea recipes, and dreams for interpretation. It feels like you are getting a two-for-one bonus with the dual insights shared by the authors.

I found it interesting to read about all the energy clearing and protective measures within Romani culture. Similar to my Italian heritage, the Romani culture veers towards superstitions and proactively acts to counter bad energy. There’s a whole section on the evil eye and what measures one can take to avoid it or remove it. The authors explain how within is an emphasis on cleansing and protecting your space and yourself, offering ways one can do this to maintain good energy.

“Fortune-telling deals with people’s lives, secrets, hopes, dreams, beliefs, loves, mistakes, struggles, and ambitions. The potential for messiness is great if you don’t have a solid moral compass yourself.”2

Another aspect of the book I really enjoyed is the guidance for working with clients and running one’s own fortune-telling business. The authors are seasoned professionals, trained from childhood to be fortune tellers, and after decades of this work, it’s clear they know what they’re doing. Entire chapters are dedicated to fortune-telling ethics, how to be convincing as a reader, ways to deal with skeptics, and how to be a professional fortune-teller. For those interested in running any client based business where they’re offering readings, these chapters are very helpful.

Overall, Secrets of Romani Fortune-Telling is a valuable addition to the literature on divination and Romani culture. It offers readers a unique perspective, combining historical context, practical guidance, and personal narrative. Whether you are interested in learning about fortune-telling techniques or gaining a deeper understanding of Romani traditions, this book is a worthwhile read.

The Oracle of Awakening, by Lalania Simone

The Oracle of Awakening, by Lalania Simone
Weiser Books, 9781578638628, 112 pages, 44 cards, October 2024

In stunning The Oracle of the Awakening, the creator Lalania Simone has gifted the world with her guidance, her art, and her magic. From the first time you look at the box cover and its purple foil accents, you know that something special is inside.

Lalania Simone is an indigenous artist, metalsmith, author and creator of tarot and oracle decks.  She has written a book called Urban Soul Warrior: Self-mastery in the Midst of the Metropolis and created two tarot decks.  She currently runs a spiritual boutique called Alchemy Ritual Goods. In this shop she and her partner provide acupuncture/herbs, traditional spiritual healing practices, Usui Reiki, and several types of divination. Simone also creates custom jewelry pieces. You can learn more about Simone on her website.

The guidebook features an introduction which shares:

“The Oracle of awakening was created with the intention of bringing the energy of unconditional love to each person who works with these cards.”1

Simone features a combination of digital art and collage “filled with high-frequency energy and intention.”2 She shares a simple section on using the cards and two spreads. I really liked the spread called “Inner Alignment.”  With four cards, you can get clarity around these key questions:

  1. What do you need to balance? 
  2. What do you need to accept? 
  3. What do you need to release? 
  4. Message advice from spirit.

The guidebook is printed in black and white with a thumbnail and two to three pages of guidance for each card.  Simone includes a one sentence summary of the overall message of the card, key words, and then shares guidance. Some cards include a clearing exercise, while others feature a practice or meditation that compliments the guidance. She also shares an affirmation for many of the cards.

The cards and guidebook are encased in a sturdy box with purple metallic stamping for the type and a beautiful, lacy dragonfly. The cards are a nice weight for shuffling and are a standard oracle deck size at 4 X 5.5”. The colors of the cards are designed with vibrant jewel tones and purple metallic edges.

A variety of plants, people, animals, and symbols fill the cards from Simone’s rich heritage. In addition to her mother’s Mexican history and her father’s Puerto Rican roots, Simone can trace her family back to fifteen different regions of the globe.

To test the deck, I pulled cards for myself each day for three days. It was amazing how the guidance from the guidebook spoke to me. Also, the images on the photos evoked memories or feelings from my past and gave me a way to peel back the layers of feelings and receive healing.

For example, the first day, I pulled the card “Download.”  The woman featured on the card really spoke to me, reminding me of my younger self. The guidance reminded me that the Universe is always guiding me, sending me signs and messages. Lately, I’ve become a little jaded and perhaps not as open to guidance from my own team. This card was the wake up call I needed!

Next, I shared the deck with my friends at my Coffee & Cards group.  One friend pulled the “Fierce-Stand in Your Power” card and said right away that it really resonated with her. “This card for whatever reason has reminded and rekindled the fierce side of me that I can tap into!”

Another friend drew the “Clearing” card, which suggested taking time to “purify, refresh and fortify.”  She shared: “Perfect guidance for the situation I had in mind when I chose the card. Sometimes we need to be reminded to clear negativity instead of feeding it. Was just the validation that I needed.”

And a third friend pulled the card entitled “Gentleness,” which featured the key words “compassion, kindness and soft.” Not only did she love the message she received, but she had this to say about the deck:

“I feel this deck is not only a perfect fit for those who are initially awakening to their intuitive abilities, but also for those who are attuning and integrating the expansion of their intuitive abilities. These cards are so beautiful and are energetically radiant with a centered calm for the inner turmoil and chaos.”

I agree totally with my friend on that note!  As you glance through the deck, you see beautiful images, including flowers, exotic animals, and unusual fruit or plants, not to mention the strong women from many different cultures. Each image evokes a memory or a desire to learn more about the symbol or feeling that floats in.

The Oracle of Awakening would be great for anyone who loves and uses an oracle deck for daily divination. The warm, bright colors are so beautiful and life affirming. The symbolism is rich and multi-layered.  I plan to keep this deck on hand to use as a way to close readings that I do for clients. I’ll also put it in my bag for my Friday group, due to the great response from my friends.

Blackthorn’s Book of Sacred Plant Magic, by Amy Blackthorn

Blackthorn’s Book of Sacred Plant Magic: Spells, Rites, and Rituals for Living an Aromatic Life, by Amy Blackthorn
Weiser Books, 978-1578638307, 272 pages, September 2024

Amy Blackthorn is a renowned herbalist and author of multiple books that are widely used both in the pagan and mainstream communities. Her expertise and deep commitment to the use of plants as both allies and magical companions in all facets of her work is clearly evident in Blackthorn’s Book of Sacred Plant Magic: Spells, Rites, and Rituals for Living an Aromatic Life.

“In this book, I hope to help open your eyes to the connection, the relationships that can be built, and the friends you’ll likely make along the way.  We’ll talk about who to build botanical relationships with and why-as well as how to find the magical attributes for plants that aren’t listed in your favorite magical tomes.”1

Blackthorn’s Book of Sacred Plant Magic is organized into two sections and a total of eleven chapters. A multi-page bibliography and brief Plant Index conclude the book. In support of the intention of this title, “Section 1: Creating Relationships with Plants” takes the reader on a journey of introductions to those lesser known plant allies and reacquaints them in a deeper fashion alongside those that are commonly used for magical practice.

“Chapter 1: Scent, Memory, And Personal History” reminds the reader of the importance of scent, from our earliest stages of development as infants to those memories brought into adulthood that remain throughout our lives. The focus is on the association of emotions and the trigger of a specific scent, whether consciously or subconsciously, and the powerful association we have to the smells surrounding us.

As the reader moves through subsequent chapters of the first section, the intention of stepping more closely into relationship with and understanding of the nature of plants/botanicals and the spirit that each holds as its specific energetic signature is slowly and methodically built. Blackthorn has a very accessible style of writing; all the while, she is imparting gems of knowledge that begin the seeding process of what is to bloom. 

One of the first exercises is found in “Chapter 2: Developing Plant Spirit Relationships” as the reader is guided to Create Your Visual Landscape to become an inner-lands where plant spirits may be met. Blackthorn provides suggestions for approaching the plant spirits and questions that may be asked. She also reminds that the call may organically come from the botanical spirit and you may not yet even know what a healing relationship with that specific plant may unfold.

“Have you ever been in a plant nursery, hardware store, or even a big-box store and noticed a plant that you knew you just had to purchase, take care of, and get to know?  When you feel it in your bones, you know it’s time to get to know that plant, whatever it is. The plant you find can tell you a lot about yourself or your magical needs-and the remedy is that plant.”2

Another feature of this book is the plethora of active workings, spells, recipes, ritual and more that fully engage the reader in setting their own energetic imprint on their personal journey of plant alliances. “Chapter 3: Building Botanical Relationships” takes us on a journey of exploring the energy in plants starting with the simplicity of the spices in your kitchen.

“Take a look inside your kitchen cabinet and you can take a trip around the world. Each spice, herb, and flavor have a rich history of use in medicine, folklore, and witchcraft.”3

“Chapter 5: Plant Spirit Families” is a fascinating backstory for the reader of the origins of the botanical plant names. Blackthorn teaches how plants may be categorized and energetically aligned and the broader families of which they are a part. We are introduced to those botanical members of the Mint, Citrus, Rose and Myrtle Families. Every family has their own particular type of magic and nuance. 

Each of the chapters of “Section I: Scent, Memory, And Personal History” provides the foundational information covering many aspects of botanical use as essential oils, aromatherapy, medicinally, and more. Additionally, the properties of each form that a botanical may take and proper uses, cautionary considerations, length of efficacy, storage, and appropriate application are thoughtfully shared. All, in support of cultivating a deep connection and, most importantly, a working magical/mundane and spiritual relationship with your chosen plants. 

“Section II: Deeper Connections” jumps right into practical use and application of the properties of botanicals. This section comprises approximately half of the book, making this title a suitable reference source to be returned to as the reader’s journeys into the realm of botanicals evolves and grows.

“Chapter 10: Botanical Listings A-Z” is a cornucopia of over twenty-five botanicals, each offering herbal lore and uses, spells, and a recipe specific to its properties. The result is a complete introduction for the reader to the adaptability and ways in which various plants can be organically woven into mundane and magical practices. Appropriate warnings are placed on those botanicals that may be toxic in specific circumstances along with a reminder to always error on the side of caution.

Blackthorn concludes the journey on a very practical note with recommendations that are invaluable to those readers new to the botanical industry. “Chapter 11: Practical Test for Oil Integrity” offers advice to the botanical shopper seeking prepared botanical oils for their magical work. She notes, “With many shops looking to provide affordable supplies to support their customers, it can be difficult to tell what kind of materials you have in your shop.”4

A list of “Things to Look Out For” such as type of storage bottles, labels, price and enhancements is followed by testing methods that may be employed such as alcohol, water, and paper to determine the authenticity and potency of the product. This offers readers sound advice in exercising discernment around their choices. Although just a few pages in length, the importance of using a product that is what should be expected in quality and price is underscored by Blackthorn for it evokes the sacred action of choosing your plant allies wisely and honoring their power.

Would I Recommend?

Blackthorn’s Book of Sacred Plant Magic is perfect for anyone who is plant curious, working with botanicals, or simply wants to be more connected to the kingdom of plants. It is definitely worth adding to one’s reference library. In keeping with the style of delivery and ease of implementation that is a staple of Blackthorn’s books, this one absolutely delivers and surpasses readers’ expectations. This title, along with any other of Blackthorn’s books, would be a prized gift for consideration as we near the holiday season.

“Everyone has times in their lives when their magic seems out of reach; it’s natural in such a busy, harried culture. I was looking for a reconnect. The full moon came and it was time to venture out into my yard to connect with my land spirits and let them know I hadn’t forgotten them.  As I gathered my libations and tools, I had a feeling of peace I hadn’t experienced in a while. This is what I had been missing.5

About the Author: Amy Blackthorn

Amy Blackthorn is a professional intuitive and the bestselling author of several books on botanical magic, including Blackthorn’s Botanical Magic, Blackthorn’s Botanical Brews, and Blackthorn’s Botanical Wellness. The founder of Blackthorn’s Botanicals, she has a certification in aromatherapy and was ordained by the Order of the Golden Gryphon. Amy lives in Delaware. Keep up with Amy’s book news on her website and check out her tea shop.

Starlore Arcana, by Nitasia Roland

Starlore Arcana: Constellations for Tarot, Astrology, and Cartomancy, by Nitasia Roland
Weiser Books, 1578638488, 128 pages, 56 cards, September 2024

Starlore Arcana: Constellations for Tarot, Astrology, and Cartomancy by Nitasia Roland is an intriguing and imaginative fusion of ancient wisdom and modern mysticism. In this deck, Roland seamlessly weaves together the celestial themes of constellations with the practices of tarot, astrology, and cartomancy, creating a rich tapestry that invites readers to explore the cosmos both within and beyond.

“We see something of our souls in the heavens, and the use of images helps us connect with those beings that are the stars.”1

The design of this 56-card deck is based on Astronomical Playing Cards created by John Lenthall and published in 1717. Roland digitally optimized Lenthall’s deck and then added four Knight cards she created, as the original deck had the traditional structure for playing cards (Jack, Queen, and King). Playing card suits are used instead of the traditional tarot suits with Wands as Clubs, Cups as Hearts, Swords as Spades, and Pentacles as Diamonds.

The symbol for the suit and card number is at the top of each card, though the full name of the card is also written at the bottom. The image of the constellation is the focal point for each card. Then the French name is written in a beautiful font, while the English translation is written in cursive below. Some cards feature more hand-written insight such as “rises not” or “sets not” to give further information about the constellation.

The deck is beautifully illustrated, with enchanting images that bring the constellations to life. These visuals not only enhance the reader’s experience but also serve as a valuable tool for meditative and intuitive work.  I love the rich colors used for the cards, which are a perfect contrast to the bold black lines of the imagery. For someone who loves both astrology and tarot, seeing the constellations come to life in the depictions and then further be illuminated by the structure of the tarot is a real treat. There’s so many layers in each card, and this is also reflected in the detailed guidebook entries.

Roland’s translation of the vastness of the night sky into personal and relatable insights in the guidebook is impressive. In the introduction, Roland shares the numerology meanings for Ace-10, quick descriptions of the suits and court cards, and guidance on how to consecrate, charge, and store one’s deck. Then for each card, she has written about the location of the constellation in the sky/times of the year when it’s present, the mythology or history of the constellation (star lore), cartomancy meaning, tarot meaning, and divination. Some cards also have a zodiac section too, if they have astrological significance.

For each entry, the longest section by far is the divination, providing a ton of insight about the card’s message for you. One of the standout features of this deck is Roland’s thorough research and deep understanding of the symbolic connections between the stars and divinatory messages. Each constellation is packed with details that offer historical context, mythological background, and practical guidance. Even as a seasoned tarot reader and astrologer, I find myself gaining plenty of new insights from how Roland ties all the aspects of each card together.

Plus, the guidebook is nice and big, making it easy to hold in one’s hand and read like a book. For someone studying the constellations, simply pursuing the guidebook will yield tons of insight, especially from the Star Lore section of each entry. And for those more drawn to divination, there’s something about the tandem reading of the cartomancy, tarot, and mythological significance of the constellation that illuminates so much within a reading. Truly, this deck is one of a kind in this regard.

One of my favorite cards in this deck is Ace of Spades (Swords), featuring the constellation Draco. The imagery looks like a mix of a dragon and snake, and on the card it reads “sets not” as this constellation never dips below the horizon. The lore describes how it is of Phonecian origins and also a Chaldaen figure. To the Babalonians, this constellation represented Tiamat, “the dragon goddess of chaos”.2 There’s also a Greek myth included too.

Cartomancy meanings include “Clarity”efn_note]page 65[/efn_note] and “Intellectual prowess.”3 While some tarot meanings read “Cutting toxicity”efn_note]page 65[/efn_note] and “Breakthroughs”efn_note]page 65[/efn_note]. Roland writes as part of the divination:

“Balance street-smart cunning with levelheadedness and decisive action, know thyself, and declare your battle cry. It is time to claim the prize that your holy Daimon guards for you in the gard of your personal Eden, which is none other than the wondrous ability to understand the part you have to play in the grand scheme of life–a many-branched tree laden with meaningful synchronicities and deep gnosis that help cut through darkness, chaos, and clouds of ambiguity and welcome cathartic experiences to guide your personal mission along avenues of joy and prosperity.”efn_note]page 65[/efn_note]

How potent and poetic is that divination? And that’s only a part of what Roland has to say about Draco! This deck definitely isn’t just a lot of fluff; it’s packed with meaningful substance that takes readers deeper on their spiritual journey.

Overall, Starlore Arcana is a captivating and enlightening deck that offers a fresh perspective by blending cartomancy, tarot, astronomy, and mythology. Roland has created a valuable resource for anyone looking for thorough readings that have a multi-faceted approach to the divination. Roland provides a unique and inspiring way to connect with the cosmos; I’ve definitely been more inclined to go star-gazing when reading with this deck. Whether you are a seasoned practitioner or a curious newcomer, this deck is sure to spark your imagination and give you new insight to the interconnection of our night’s sky and the divinatory arts.

Living Conjure, by Mama Starr Casas

Living Conjure: The Practice of Southern Folk Magic, by Starr Casas
Weiser Books, 1578638240, 208 pages, August 2024

Living Conjure: The Practice of Southern Folk Magic by Mama Starr Casas, a Conjure woman with over forty years of experience, is a comprehensive guide to traditional Southern Conjure that’s accessible to all skill levels, from beginner to seasoned practitioner. A native Kentuckian, Mama Starr’s voice is like a warm hearth fire crackling with wisdom and laced with the sweet smoke of magic. Her writing style emulates the way she was taught: through word of mouth, from her elders. This enchanting prose, delivered with the down-to-earth charm of a beloved granny, immerses readers in a legacy of time-honored Southern secrets. It’s clear that Mama Starr poured her heart and soul into preserving and sharing this invaluable knowledge.

“Don’t forget your roots,”1 Appalachian Conjure man Jake Richards says in the foreword, and those words lingered with me like the whisper of a ghost. I’ve tried running from the South, where I was born, and I’ve rejected the Christian faith in which I was raised. When I lived in New York, some people projected negative Southern stereotypes onto me and wrongly assumed that I voted in a certain way, so I came to realize that I couldn’t run from the South. Wherever I go, she follows me, a phantom belle perfumed with magnolias, and when fate forced me to come back, she reclaimed me. Trying to escape my roots just buried them deep in my shadow. Studying Conjure and incorporating some elements of Southern folk magic into my personal practice has been a therapeutic way for me to reconcile with my roots by digging them up and putting them to good use.

Mama Starr honors the tradition of her elders by teaching Conjure through the lens of children’s folktales, like “Brer Rabbit and the Tar Baby,”2 and the rhythms of old spirituals. These weathered yarns weave a rich tapestry of magic. “The ancestors of this work learned to hide the work in plain sight—that is why this work is called tricks,”3 she explains. This emphasis on subtlety and clever disguise is a core principle of Conjure.

“Conjure, Hoodoo, and Rootwork are all the same thing,” Mama Starr explains. “When I was growing up, I never heard Hoodoo being used as the name for this work. Hoodoo was a question: “Hoodoo you?” Meaning, “Who put roots on you?”4

These terms have evolved over time and their usage can vary depending on the region and the practitioner. However, they all refer to the same tradition of folk magic that has been passed down through generations in the Southern United States.

“Sometimes folks get upset with me because I share so much,” Mama Starr says. “I share it because if I don’t, when I’m gone what’s in my head is going to be gone.”5 She hopes to keep the work alive and honor the memory of the ancestors through her writing.

One chapter explores the use of “The Arms of the Cross”6 in Conjure, associating each arm with a cardinal direction and element. Mama Starr counsels caution when doing this type of work, because one could accidently nail themselves down with a crossed condition if performed incorrectly. In the sample workings she provides, a candle or a petition is placed on one of the cross arms.

“I’m what folks call a two-headed worker, which means that I will do what folks call ‘light’ or ‘dark’ work just as long as the work is justified,”7 Mama Starr says. She emphasizes the importance of performing divination before a working to ensure it is warranted and to take responsibility for your actions. 

Most of the workings are very simple and require few tools. Mama Starr teaches how to work Conjure with objects most people already have lying around the house, such as scissors, keys, bottles, and jars. The use of blue bottles in Conjure held the most fascination for me because I’ve always loved decorating with cobalt blue glass bottles and I used to keep them in my kitchen window. It turns out they can be magically charged to keep ghosts away.

“Haunts can’t cross over water,” Mama Starr says, “and it is believed they don’t know the difference between the blue in the paint or bottles and the blue of the water, so they stay away from the homes that have the ceiling of the porch painted blue or have blue bottles hanging in the trees.”8

Before reading this book, I had no idea that blue bottles were used in Southern folk magic to ward off spirits, so I must have had an intuitive instinct to decorate my window with them. 

Mama Starr teaches how to honor one’s personal ancestors by tending graves, creating an ancestor altar, and making offerings. However, ancestors need not be limited to blood kin. She also emphasizes the importance of honoring the ancestors of Conjure, “the folks who were brought over here during the time of slavery.”9 “Conjure was born out of slavery, from folks trying to survive during a time when white folks felt they had the right to own another person like they were cattle,”10 Mama Starr says. She admires their courage, wisdom, and cunning intelligence in the face of oppression and hardship.

The shadow of slavery looms large over the South, and it was one of the reasons why I tried to escape my Southern roots. Instead of being ashamed of being a white Southerner and trying to push the horrors of slavery out of my mind, Living Conjure has shifted my perspective to thinking about how I can honor the ancestors of Conjure in my personal practice. Mama Starr writes about them and keeps them in her prayers.

Mama Starr talks about the magical properties of animal curios, such as bird feet and alligator paws, and explains that the use of animal parts in magic can be discerned by observing the animal’s natural behavior. I have a flock of egg-laying hens, so her insights into using eggs and chicken feet in Conjure were especially significant for me. She points out that chickens are resourceful and scratch around in the dirt all day looking for food, so their claws can symbolically rake in money. Their feet are also protective because their claws are sharp enough to draw blood. She gives detailed instructions for multiple workings with the feet, as well as how to perform an egg cleansing.

The chapter on “Dirts and Powders” was also very insightful. Mama Starr points out that the virtues of various dirts can be like a double-edged sword. For example, bank dirt can bring prosperity, but one should keep in mind that banks also repossess property, and so the energy of loss and poverty may be mingling in that dirt. I recently started working with bank dirt this year, and this passage enriched my understanding of how to use it.

Mama Starr’s website claims that “she has tried to keep the work as pure as possible,”11 and for her, that means you can’t take the Bible out of Conjure. If you do, it’s not Conjure. However, in this book, she adopts a more lenient approach, teaching the role the Bible plays in Conjure and leaving it up to readers to decide whether or not they want to use it.

I’ve had a complicated relationship with the Bible. Being raised in a conservative Christian household, I had a little pink Bible that I used to read in bed as a child. When my mother disciplined me, one of her favorite punishments was for me to hand copy Proverbs three times each. As an adolescent, I lost faith, read more critically, and became jaded with the misogyny I found in the scriptures. I’m against burning books, so I’ve done my best to make peace with the Bible. College taught me to read it as a work of literature, and Living Conjure is helping me reconnect with it as a powerful grimoire, rather than a source of judgment and condemnation.

“Since the ancestors were forced to become Christian, they put the Bible to good use,”12 Mama Starr says. This passage spoke to my soul because my mother put the fear of God into me when I was a small child, and like it or not, that indoctrination is a major theme in the first chapter of my origin story, and a part of who I am. If you try to take the Bible out of Conjure, Mama Starr says it’s like throwing the baby out with the bathwater, and “you are weakening the foundation that the ancestors built through their blood, sweat, and tears.”13

Mama Starr emphasizes that Conjure is a magical practice, not a religion. The Bible is a religious text, but it is also a spellbook. It can be used for divination in a practice called bibliomancy, and Mama Starr teaches how to receive messages from Spirit using this method. While many Christians believe that divination is a sin, Mama Starr cites biblical passages to the contrary, which describe divinatory practices and claim that the gift of prophecy comes from God. “Men of the churches have tried to remove God’s gift out of the churches, but you can’t take away what God has given,”14 Mama Starr says.

About five years ago, I had a dream that I was in an underground chapel with my mom, and a big black goat of the Witches’ Sabbath was standing on its hind legs in front of her, holding the Bible open like a living lectern. She was so spellbound by the Word that she didn’t even realize the Devil was the one holding the book. I woke up from that dream thinking of the Bible as the Devil’s Black Book, and from then on I recognized it as a powerful tool for witchcraft. Living Conjure has given me deeper insight into putting it to good use. 

I may not like some of my roots, but I’ve chosen to own them. After all, if you want to find your power, it’s in your shadow. It’s in those potent roots you keep buried deep, the ones that don’t ever want to see the light of day. If Southern folk magic is part of your heritage, then Living Conjure is a valuable guide that can help you reclaim your roots and tap into that subterranean current of power.

Alive with Spirits, by Althaea Sebastiani

Alive with Spirits: The Path and Practice of Animistic Witchcraft, by Althaea Sebastiani
Weiser Books, 1578638259, 240 pages, May 2024

Many pursue the path of witchcraft hoping to influence the world around them, yet it’s important to also honor the energy exchanges consistently taking place and defining our relationships with the world we inhabit. How else can we manifest our desires, heal our wounds, and cultivate a practice without a connection to the Land, spirits, and energetics surrounding us?

Alive with Spirits: The Path and Practice of Animistic Witchcraft by Althaea Sebastiani is a profound exploration into the world of animistic witchcraft, offering readers a comprehensive guide to understanding and practicing this ancient spiritual path from the scope of modern witchcraft.

“Within the context of contemporary witchcraft, animism is the definitive influence behind a land-based approach. It provides structure for practice that is rooted in deep relationship with physicality, both of the land and of ourselves. It affords us a sense of connection to something larger than ourselves that is gained through understanding of community that includes the individual spirits as much as it includes other humans.”1

The most prominent standout feature of this book is its emphasis on direct experience and personal connection with the natural world. Sebastiani encourages readers to cultivate relationships with the spirits of the land, animals, and plants around them, fostering a sense of reverence and intimacy with the environment.

This approach to witchcraft is refreshing in a world often disconnected from nature, and it serves as a reminder of the sacredness in everyday life. The practical exercises provided are thoughtful and varied, allowing readers to experiment and find what resonates most with their unique spiritual journey.  For every chapter, there are new exercises related to the information just shared, along with on-going exercises to keep practicing what was already spoken about previously in the book, yielding a steady build up of skills.

Most of these exercises are focused on energy work, and readers who engage with Sebastiani’s exercises will find themselves learning to fine-tune their psychic sensitivities. There’s layers and layers of energy to be explored through this animistic approach, and she ensures that readers are grounded, knowledgeable, and prepared to take the next step in their journey.

Towards the beginning of the book, Sebastiani explains, “As witches, our work with energy takes two forms: sensing energy and manipulating energy.”2 She goes on to explain the general forms of manipulating energy are pushing (projecting), pulling (attracting), and holding (containing).3 This foundation understanding of energy is then expanded to assist readers in connecting with the Land, their body, and other living and non-living beings.

My greatest takeaway from this book was the new awareness of the more subtle, overlooked energies both within myself and in the Land surrounding me. The section titled “Layered: Together and One” was particularly eye-opening for me. Sebastiani describes:

“When we think of the land and nature, we have a tendency to think of the things that fill nature. We think of plants, trees, animals. Rarely do we consider the “empty spaces”–the dirt, the rocks, the wind–except in relation to those other living, animated things. . .Being able to be within a location and to hold the awareness of it as unique–appreciating the differences that are an intrinsic part of its beauty, personality, identity, and basic nature–is essential in order to grow your awareness of the spiritual qualities of that place.”4

These animistic teachings have greatly expanded my perception of place, and recently, I’ve been focusing on creating a connection with the empty space in the same way I do with the living things around me to be more rooted in my local landscape.

Another defining aspect of Alive with Spirits is how Sebastiani delves into the ethical considerations of animistic witchcraft, addressing the importance of respect, consent, and reciprocity in interactions with the spirit world. Her insights into the interconnectedness of all beings and the responsibility that comes with spiritual work are particularly poignant, offering a grounded and conscientious perspective. She writes:

“If a relationship is the inherent connection that exists between us and all other beings within the world, right relationship is the actions we take that are congruent with the awareness of that relationship and the awareness of inarguable autonomy of each being. It is acting in such a way so as to minimize negative impact upon the beings closest to us, and to encourage and work towards mutual benefit for all, as much as is possible.”5

Overall, in Alive with Spirit, Sebastiani skillfully intertwines personal anecdotes, practical exercises, and theoretical knowledge, creating a holistic approach to animism that is both engaging and educational. Her writing is both accessible and deeply insightful, making complex concepts digestible for both beginners and seasoned practitioners alike.

This book is a valuable resource for anyone interested in deepening their understanding of animism and integrating its practices into their magical practice. This book is also testament to Sebastiani’s expertise and passion for the subject, making it a must-read for those drawn to the path of animistic witchcraft.

For those interested in learning more about Sebastiani’s work, you can follow her on Instagram or check out her website. She offers community events and custom courses to strengthen one’s witchcraft foundation, such as Feral Witchcraft, Spiritual Self-Care, A Witch’s Guide to Necromancy, and more. She’s by far one of the most real-deal witches I follow!

Glamour Witch, by Sophie Saint Thomas

Glamour Witch: Conjuring Style & Grace to Get What You Want, by Sophie Saint Thomas
Weiser Books, 978-1-57863-775-1, 210 pages,  January 2023

Self-expression through personal style and appearance has the power to make or break a situation. Think of the feeling behind a new haircut or an outfit that looks and feels amazing (and may have pockets!). When we allow ourselves to express who we are, things seem to flow easier and it’s almost as if being in alignment with our spirit opens doors. Weird how that happens.

Sophie Saint Thomas’s book Glamour Witch: Conjuring Style & Grace to Get What You Want, is an exploration into the world of glamour magic and how it can be used on a daily basis to help ease the stress of everyday life. Does that mean there will never again be a bad hair day? No such promises are made; however, it appears there could be fewer of them ahead if Saint Thomas has anything to say about it!

Based in New York City, Saint Thomas is a journalist and author originally from the U.S. Virgin Islands. She is published in a variety of magazines with a focus on sex, drugs, and rock ‘n’ roll as well as the occult and other subcultures. Author of numerous books in the realm of spirituality with a lean towards self-help, she consistently weaves accessibility throughout her work no matter the topic. Her writing is approachable, and I enjoy reading her books as they impart useful information and provoke thoughts around my personal beliefs.

Separated into two distinct sections, “Glamour 101” and “Glamour Grimoire”, the book covers a lot of expected topics plus a few interesting additions. The opening section tells the story of beauty, which some might find off-putting if they picked up the book under different expectations. I am a firm believer in learning the rules before breaking them, so seeing this information contained in one comprehensive section was delightful. It’s also interesting that the author calls out practices that some of us are already doing and calling it glamour magic. She explains, “…you’ll realize that you’re likely already practicing glamour magick, such as taking a lavender-infused bath to unwind.”1

One thing I love about this book is the inclusivity. Nowhere does the author criticize any specific style, no matter how outrageous. Being seen in an industry that catered to a select few for so long is such a gift and Saint Thomas goes out of her way to include examples of beauty trailblazers of all shapes, sizes, and sexual orientations. About damn time, I think.

The purpose of this book, from what I can see through my own absorption of it, is to provide a foundation of understanding of beauty as it relates through time in order to help the reader decide how to move forward with their own definitions and personal style. I like that so much of the book is this foundational section, as there is so much to learn from previous eras.

Something I found incredibly interesting is the idea that a vanity is an altar. I’ve found that on days when I’m not feeling my best, a quick swipe of mascara and some lip gloss can make me feel better and help me face the world. Saint Thomas expands on this idea, saying:

“As we move through this book, I want you to start thinking of your body as an altar – a beautiful living altar to Venus, the goddess of love, beauty, and abundance. Your shoes, the way you walk, your posture – it can all become a dance of intimidating beauty.”2

Tying color theory and astrology together is intriguing, and completely different from the color matching done in previous eras that was all the rage! This is a more deliberate look at color and how best to use it in a variety of ways depending on the desired outcome. Chapters on clothing, jewelry, perfume, and others give the reader a strong base from which to begin to build their living altar: themselves.

The spells in the grimoire section are easy to follow and produce results. One thing I will say here is that the spell ‘Sacred Pain with Piercing’ was effective and helped me make the appointment to get my septum pierced. I’d wanted it done forever and hadn’t because I thought it would hurt too much and that it could interfere with my corporate life;  also, what would people say? I took a deep breath, followed the steps, then made the appointment and got it done. I have never felt more myself: I look amazing and now am planning the next poke.

If you are looking for a quick fix to jumpstart your beauty routine, Glamour Witch might not give you what you want. If you are more interested in curating an experience for yourself each time you get ready to face the world, grab this book. There is a lot of information packed into it and although some topics might not resonate with you, there is enough here that undoubtedly will.

The Way of the Will, by David Shoemaker

The Way of the Will: Thelema in Action, by David Shoemaker
Weiser Books, 1578638267, 240 pages, May 2024

The vicissitudes of life can strip away everything that grants mortals an illusory sense of identity and stability, but hidden within the core of every human being is a microcosmic star, an immortal spark of divinity, which is the immutable true self. The mystical tradition of Thelema, founded by Aleister Crowley (1875-1947), is a philosophical path for magicians seeking to discover their true selves and align with their life purpose, or True Will, through the alchemical Great Work of personal transformation. (Thelema is a Greek word meaning “will,” specifically the will of a divine being.1) In The Way of the Will: Thelema in Action, author Dr. David Shoemaker provides Thelemic exercises for spiritual growth, utilizing Qabalistic psychology, the Tree of Life, astrology, and excerpts from Crowley’s writings.

Dr. Shoemaker is a Jungian clinical psychologist, magician, musician, and composer. He is the chancellor and prolocutor of the Temple of the Silver Star, and has been a member of O.T.O. (Ordo Templi Orientis, which is Latin for the Order of Oriental Templars, or Order of the Temple of the East) and A∴A∴ (Astreum Argenteum, or Silver Star) for over thirty years. He is also the author of The Winds of Wisdom: Visions from the Thirty Enochian Aethyrs (2016) and Living Thelema: A Practical Guide to Attainment in Aleister Crowley’s System of Magick (2022), which is a companion text to this present work.

Part One of The Way of the Will focuses on working with the Qabalistic Tree of Life and how the sephiroth relate to the various initiatory grades of Thelema. The exercise provided in Chapter 1 helps the reader balance their internal Tree of Life by identifying how each sephirah is manifesting in their daily life and consciousness. For example, if one is being swept away by a tsunami of chaotic emotions and behaving irrationally, then Netzach may be out of whack, and that emotional energy needs to be sublimated in more constructive ways.

In Chapter 2, titled “Qabalistic Psychology in the New Aeon,” Dr. Shoemaker explains how parts of the soul correspond to the Tree of Life. Malkuth, the earthly sphere, is related to guph, the “physical body.”2 Nephesh, the “animal soul,”3 which is the seat of our primal instincts and procreative drive, corresponds to the lunar sphere of Yesod. Dr. Shoemaker likens the nephesh to one’s inner child, which must be guided by the parental figure of ruach, the “breath”4 soul and conscious mind.

“The ruach needs to parent the nephesh in a compassionate and nonjudgmental way—a way that clearly conveys to the nephesh that its instincts, its drives, its sexuality, its life force, are all divine and perfect,”5 says Dr. Shoemaker.

Part of Thelemic initiation involves cleansing the nephesh of the shame, guilt, and body negativity of the Old Aeon, which Dr. Shoemaker compares to “child abuse”6 perpetuated by oppressive aspects of Christian ideology. In the New Aeon, the inner child, or nephesh, must learn to trust in the wisdom of the inner parent, the ruach, instead of seeking external validation from a spiritual savior or someone else’s ruach.

The ruach encompasses several sephiroth on the Tree of Life, including Yesod (intuition) and the five spheres of Jungian ego: Chesed (memory), Geburah (will), Tiphareth (the spiritual hub of consciousness), Netzach (emotion), and Hod (intellect).

The neshamah is the transpersonal aspect of the soul, or superconsciousness, and corresponds to the supernal triad of Kether, Chokmah, and Binah, with an emphasis on Binah in particular. “This supernal consciousness transcends our everyday egoic strivings, wants, and desires and contains archetypes, spiritual ideals, and symbolic material in its highest forms,” writes Dr. Shoemaker. [40] It is through contact with neshamah (superconsciousness) that the ruach (ego/conscious mind) discerns one’s True Will, and aligns with the immortal true self, which resides in the khabs, or star-self aspect of the soul in the center of our being. 

In terms of human evolution, humanity learned during the Old Aeon that we could transcend our animal drives (nephesh) and temper them by developing and identifying with our egoic higher consciousness (ruach). The downside of this process was the tendency to reject the animal aspect of the soul and feel ashamed of our bodies and primal urges, but the mind-body connection can be healed by recognizing the innate sacredness of both. As we transition into the New Aeon, human consciousness is evolving to transcend our over-identification with the ego and align with the superconsciousness (neshamah).

Reading this chapter was an incredible spiritual download for me and enhanced my personal relationship with the Tree of Life. Lately, I find myself drawn to working with the lunar sphere of Yesod in particular, and learning from this book that Yesod is associated with nepesh, the animal soul, aligns with my conscious spiritual work to heal the mind/body disconnect by honoring the sacredness of the animal kingdom and rewilding myself. Over the past few years, my personal healing work has involved nourishing my animal soul by caring for cats, growing more of my own food, and raising chickens for eggs. I daydream about working with goats and bees in the future.

I think Dr. Shoemaker’s parent/child analogy for ruach/nepesh is easily adaptable to humanity’s relationship with animals as their caretakers. I’m deeply disturbed by humanity’s disconnect from nature and the decline of traditional animal husbandry in favor of the unceremonious and inhumane slaughtering practices of industrial farming. We don’t value animal life or see animals as sacred, and that’s clear in how we treat them. We also shame our own animal souls, our physical bodies, and seek to transcend them, either through repressing and denying them via unbalanced spirituality or by trying to control or alter natural biological processes through pharmaceutical and medical interventions.

In Chapter 4, “Saturn and Jupiter in the Life of a Thelemite,” Dr. Shoemaker explores the magician’s juggling act of balancing the universal energies of expansion and contraction, represented by Jupiter and Saturn in astrology. The life challenges and constraints imposed by Saturn can sometimes serve as redirections that steer us back on the path of True Will rather than egoic will. I appreciate Dr. Shoemaker’s approach to the astrological taskmaster Saturn, as he encourages readers “to think inside the box, consciously striving to accept and learn from the restrictions that appear to bind us.”7

Saturn is associated with Binah on the Tree of Life, the archetypal womb of the Great Mother, and the Grail, or cup of Babalon. Dr. Shoemaker explains that the Saturnian Grail gives shape and form to creative energy in the same way that a chalice contains and restricts the flow of liquid. For an artist, limitations can stimulate creativity. By adhering to a certain structure or form, creative breakthroughs can occur.

Embracing the fated restraints of Saturn brings us into ecstatic union with the Great Mother. In Thelema, the Egyptian sky goddess Nuit, whose infinite body is spangled with stars, is “the goddess of all possibilities and realities.”8 One way to worship her is through acceptance of our current circumstances and surrendering to all of our experiences, regardless of how unpleasant they may be, rather than resisting, repressing, or denying them, which is an ego-based response. Dr. Shoemaker compares this to softening and surrendering to the sensation of physical pain, such as stubbing a toe, rather than clenching the muscles in resistance. Surrender as an act of worship enhances our intuitive receptivity to the superconscious wisdom of neshamah, which can help us navigate life’s challenges more effectively.

One devotional practice of surrender he suggests involves mindful and radical acceptance of everything one encounters by taking “regular walks through both attractive and unattractive surroundings,” and accepting “all of these things as perfect manifestations of Nuit.”9 This holistic approach should also be applied inward, through radical acceptance of one’s strengths and weaknesses and recognizing that all aspects of the soul are in service to one’s True Will. 

Reading about radical acceptance was synchronous for me because lately I’ve been thinking about how certain negative experiences aligned with my soul purpose but were painful and traumatic for my ego to endure, yet I had no choice but to surrender to them, and seek a higher purpose through them. I personally believe that the Western concept of free will is more ego-based and illusory, while the Thelemic concept of True Will aligns with the Divine and the mysterious workings of fate.

“Part Two: Thelemic Practice in Detail” provides exercises for shifting from ego-centered consciousness to cosmic consciousness, as well as advice on how to craft potent invocations and achieve “a ‘talismanic’ state of consciousness”10 for divine embodiment in ecstatic ritual. This section also devotes chapters to exploring the magical symbolism of Crowley’s Gnostic Mass and the influence of the Golden Dawn on Thelema, as well as giving guidance on seeking out a Thelemic teacher or organization to join, if one so desires.

Part Two opens with a chapter on “Advanced Thelemic Meditations” that assist with “disidentification with the ego and its thoughts.”11 For example, one exercise from Crowley’s Liber Iod involves breathing through the nose while imagining sending breath to the Ajna chakra (the third eye, or brow chakra, in the center of the forehead) instead of the lungs. With practice, other sensations, such as pain, can also be transferred to Ajna.

Attainment of the Knowledge and Conversation of the Holy Guardian Angel is the ultimate magical invocation, which involves the integration of one’s Holy Guardian Angel, or HGA, who is the angelic personification of their True Will, with their consciousness. The final chapter of this book is Dr. Shoemaker’s memoir of his personal epiphany of his Holy Guardian Angel, which he experienced in December 2004. This chapter is one of the most valuable in the book because so few magicians talk about this experience, and it will be inspiring for readers considering attempting the ritual because it gives them an idea of what to expect.

Dr. Shoemaker reveals that all the unique life experiences of the magician, both good and bad, are utilized by the HGA to make them a proper vessel for enacting their True Will, and the HGA will unite with the magician at the right kairos (the Greek concept of sacred time).

“Everything you think of as yourself has been there to enable you to be a better talisman of your HGA—an attractor and vessel for the indwelling force of the HGA,”12 Dr. Shoemaker says.

I love that he likens the cleansing and refinement of the initiate’s soul to the consecration of a “talisman,”13 which empowers the initiate to live in accordance with their True Will. It’s such a beautiful analogy that emphasizes the sacredness of all aspects of the soul.

In my personal exploration of the Tree of Life, I’ve been working from the ground up, and after spending a lot of time contemplating the lunar sphere of Yesod, I feel like I’m about ready to enter the solar sphere of Tiphareth. When working with Yesod, I often have visions of a spider, which I think of as my shadow totem, and I recently learned that Crowley considered the spider to be sacred to Tiphareth, which is a startling confirmation of the significance of my spider spirit in relation to the Tree of Life. The sephiroth surrounding Tiphareth do visually resemble a spider’s web, and Yesod and Malkuth could be imagined as a spider descending upon a silk thread. I believe the spider of Tiphareth corresponds to the Native American Grandmother Spider, who carries the sun on her back, and I imagine she could also be a symbol of Nuit, whose starry body is the night sky, bearing infinite suns.

In Dr. Shoemaker’s memoir, he shares an insight regarding Tiphareth that makes me excited to move forward with that sephirah:

“The way I think of it, the HGA ‘lives’ in Kether, but you first encounter it with full conscious awareness in Tiphareth. This is your point of contact—the marriage bed where the balanced and awakened human ruach is joined with the descending power of the path of Gimel from Kether.”14

The Way of the Will offers a holistic approach to spiritual development, which embraces all aspects of the soul, from the lower animal self to the divine star-self. As someone who is not initiated into Thelema and has limited knowledge of Crowley’s teachings, I found this work to be accessible and enlightening, and it’s been a wonderful complement to my own personal exploration of the Qabalistic Tree of Life.

However, this is not an introductory text, as it assumes that the reader has some basic knowledge of Qabalah and other Thelemic concepts. Throughout the book, Dr. Shoemaker recommends that the reader refer back to his previous work, Living Thelema, which I haven’t had the opportunity to read yet, but I managed to follow along without much difficulty. I’m grateful that Dr. Shoemaker is making his insights available to the public, and I’m adding Living Thelema to my reading list so I can reference the two works together in the future.