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Anubis, by Charlie Larson

Anubis―Ancient Egypt’s Lord of Death and Protection, by Charlie Larson
Weiser Books,  978-1578638413, 224 pages, November 2024

Anubis―Ancient Egypt’s Lord of Death and Protection by Charlie Larson is a timely addition in bringing forward the jackal-headed God and his energetic signature of protection, death, and healing. As we move into 2025 with the increasing challenges of war, unrest, and uncertainty, the Ancient Ones are here to guide, strengthen, and create more stable foundations. Anubis is at the ready.

This book is organized into two parts with eighteen chapters, each aligned with the goal of bringing the diverse nature and powerful energy of Anubis into the lives of those seeking his wisdom. It is quite apparent that this author “knows” Anubis and has a deeply personal relationship with this Deity. The Dedication page is an offering to Anubis, and even in the reading of it, the reader begins a journey into the many epithets and titles that Anubis has offered. These include:

“Anubis-Anpu, Navigator Through the Chaos, Obsidian Lord, Keeper of Keys, Lord of Shadows, Cosmic Balancer, Healer of Souls.”1

Each of the chapters concludes with a specific, to-the-focus prayer, followed by a selection of journal prompts. This offers the reader an opportunity to gather a selection of prayers to Anubis as example and journal drawing from their own experiences arising from the reading of the chapter’s information. Here’s a sample prayer extract:

“Hail Anubis Psychopompos! He who protects, He who leads the souls of the departed to the afterlife, He who walks the path of the weary traveler.”2

And this is an example journal prompt:

“What other psychopomp figures can you name? How are they similar or different from Anubis?”3

The Introduction provides the reader with a reminder about what approach should be taken in setting course to connect with the Ancient Gods:

“It is important to remember while reading this book that we live in a modern world., and we need to see deities through a modern lens. Many, or dare I say most, of those who follow any of the ancient Egyptian deities have no direct connection to the Egypt of old. . . Our world is vastly different from a world of 2,000 or 3,000 years ago, and so it is not always relevant to simply try to recreate what was.”4

Larson continues this recommendation to say:

“Myths can inform and inspire us, but we must be able to translate them into a context that makes them applicable today if they are to have any meaning for us. Myths can be incredibly interesting and they can serve as a foundational understanding of a deity, but we must not view them as “scripture” that must be closely followed. The most important thing about connecting with deities is the experiences you have with them.5

These statements set the tone for how to gain the most from the information that follows and set the reader to approaching this read with deliberate and effective intentions. 

“Part One: Discovering Anubis” provides the reader with a thorough and in-depth introduction to Anubis, covering the traditional assignations as well as those not so commonly parsed out. Each chapter contained within separates out the many faces of Anubis and underscores the vast and powerful influence this deity had and still has today. I especially liked “Chapter 7: The Great Watcher” and how this epithet may be applied as a protector of those marginalized. This feels particularly relevant today; it is a definite space of calling to this aspect of Anubis that the modern practitioner can empower within themselves and subsequent relationship with Anubis.

“Part Two: Working with Anubis” offers the means to connect more deeply with Anubis and the tools of practical application for cultivating a relationship. If the reader has done their due diligence in actively engaging on the material offered in “Part One”, they are suitably prepared to begin the task of personal work with this multifaceted Ancient God.

“Chapter 11: Communicating with Anubis” takes the reader through the basics of meditation, journeying, divination with some notable oracle decks and the caution of respect and humility when approaching a deity of this magnitude. The chapter concludes with a beautifully written pathworking, “Journey to Meet Anubis”, that is both simple and rich in nuances that enables the reader to begin first explorations of the potential for a relationship. 

In keeping with the necessary approach to establish relationship with the ancient Gods, the next chapters discuss ways of creating a daily devotional practice and appropriate offerings for Anubis. The following chapters, focusing on sacred space, magick, and celebrations, provide useable and simple recommendations for begin the next level of work with Anubis, including spells for protection and other magicks, blessings for amulets, and calling to Anubis for spiritual guidance through divinatory techniques and charms. Finally, “Chapter 17: Shadow Work of Anubis―Ancient Egypt’s Lord of Death and Protection” dives right into the core of Anubis’ gifts for coming to know all parts of self: light, dark, and shadow. 

The culminating engagement for the reader is in the form of “Chapter 18: Formal Dedication”. As with any dedication to a deity this is not something to be taken lightly. If it is so desired by the reader, the information and steps contained are both sound and complex in the aftereffects.

“Walk with me , dearest child, and I will lead you down the path that leads to the secrets and the mysteries of the world-seen and unseen. On this journey, you will shed what no longer serves you and grow into the best version of yourself that you  can be. Painful as it may be at times, take my hand, and I will guide you. Shielding and protecting you from harm.”6

The book rounds out nicely with three appendices, including a “Historical Timeline of Ancient Egypt” (A), “List of Correspondences” (B), and a most useful quick-find Index of “Prayers and Practices” (C). A four page bibliography provides the reader with an abundance of resources to explore and three pages of art credits support the highly visual aspects of spiritual practice employed by the ancient Egyptians.

Would I Recommend?

Anubis―Ancient Egypt’s Lord of Death and Protection is a refreshing and informative read about a deity who is most often written only as part of the broader collection of known Egyptian Deities. And, for anyone who works with this pantheon, this title is something to be savored.

I would also give due diligence in recognizing the beautifully powerful artwork that graces the cover. That in and of itself, draws the attention of the reader and is commanding in its presence. This book is ripe with black and white illustrations and photos of museum pieces throughout, adding to the layers of visual, intellectual and practical.

The psychopomp energy of Anubis is precisely what will speak to those who are death doulas. Ancestor veneration  is guided by Anubis and informs all manner of honoring and working with the Ancestors. Those seeking balance in the midst of a chaotic world are enhanced by Anubis’ gifts and knowledge of Ma’at’s order.  Larson’s closing words aptly express one of the goals of his title:

“Anubis is a complex and powerful deity who resides in more spaces than you can imagine. . . No matter how you see Anubis or how you approach him, I wish you all the best in building your relationship with him. Don’t forget that, when life gets hard, he will always be there , watching from the shadows, ready to bring light into the darkness.”7

About the Author: Charlie Larson 

Charlie Larson has been a practicing witch and eclectic Pagan for over two decades. Charlie is passionate about nature, ancestral magick, energy healing, and shadow work. He is a priest of Anubis and works closely with Hekate and other deities. A leader in his coven since the 2000s, he has written and taught in various online communities since 2016. He currently resides in California. You can connect with him at anubislightandshadow.com.

The Forbidden Knowledge of the Book of Enoch, by Harold Roth

The Forbidden Knowledge of the Book of Enoch: The Watchers, Nephilim, Fallen Angels, and the End of the World, by Harold Roth
Weiser Books (Weiser Enochian Library), 978-1578638123, 224 pages, December 2024

The Forbidden Knowledge of the Book of Enoch: The Watchers, Nephilim, Fallen Angels, and the End of the World by Harold Roth takes on the challenges of subject matter that is complex, covers a wide span of theology in various forms, and is still largely misunderstood. In fact, oftentimes this subject is avoided and regarded as part of lore. This being said, Roth does a very thorough job of laying down the bread crumbs towards a deeper perspective of the Book of Enoch for those seekers who choose to follow the trial. 

“Since its rediscovery (by the West) in the 18th century, readers have sought its secrets–its forbidden knowledge. But often contemporary readers have been baffled by its contents-mostly because the general population is not acquainted with the history of the Temple of Jerusalem priesthood. What’s more, readers can be overwhelmed by the fact that the book contains a number of versions of the same events that actually contradict each other.”3

This book is organized into three parts, inclusive of twenty-one chapters. The Book of Enoch contains one of the oldest stories ever told, written in ancient Aramaic and still held as a text of hidden/forbidden knowledge.  It is an epic tale of lust filled angels, man-eating violent giants, and portentous visions of the apocalyptic end times. It introduces us to the heavenly Watchers and their earthborn hybrid sons, the mighty Nephilim, providing a different concept of the origins of evil and the role of the most high in instigating.

“Part One: The History of Enoch” provides the reader with the origins of The Book of Enoch, and its applications in Jewish history, Babylonian exile, Early Christianity, and what the modern practitioner of these systems has chosen to extract in an incomplete manner that does not comprehensively make for deeper understanding. The reader is provided with a crash course in terminology, style, and the ways in  which sacred texts are typically considered and treated. Terms such as “pseudepigrapha” (books, usually ancient texts,  claimed to be written by a Biblical figure… but actually composed by someone else) and “Canonical” books (those which the authorities of religion consider to be authentically divinely inspired), and consideration of the tedious nature of the work of scribes.

Next, the reader is introduced to those beings that are the focus of The Book of Enoch. “Part Two: Characters in Enoch” introduces Enoch and his wives, the Watchers, Angels, and Nephilim. There’s also an interesting read in “Chapter 16: Christian Responses to the Watcher’s Teachings: Women Are Evil.”

Within the pages of The Forbidden Knowledge of the Book of Enoch, the reader is presented with an alternate origin of the evil usually placed upon humankind in the story of Adam and Eve. The Book of Enoch moves that belief and places it upon the actions of the Watchers and heavens realms. The idea of the forbidden knowledge associated with the Book of Enoch arose as Judaism and Christianity culled through the ancient text, removing what did not serve their systems. Their angels were not corrupt and evil as pictured in Enoch. They did not bring the knowledge of divination, metalworking, magick and more….

“The idea that angels could be corrupt–that ultimately Heaven was responsible for evil–bothered religious thinkers enough to end up rejecting The Book of Enoch as false. Both Jewish and Christian authorities had come to consider that evil came to be on earth strictly through human activity, such as disobeying God’s commandment that they must not eat from the fruit of the Tree of Knowledge of Good and Evil or murder their own brother out of jealousy (Cain and Abel).”5

The Forbidden Knowledge of the Book of Enoch offers the reader many paths of consideration for how we move through our life experiences and walk in this world. Roth suggests that the story of Enoch and the varied characters prevalent throughout the Book of Enoch are another way of perceiving ourselves and the  multitude of interactions we have with one another as well as whatever we call the Divine. In this way, The Book of Enoch becomes lore, metaphor, and truth.

Would I Recommend?

The Forbidden Knowledge of the Book of Enoch is not an easy read, despite the very thorough and scholarly approach to this complex subject matter. That being said, I think it is most certainly a necessary read because of the nature of its content and the broader story it holds of the potential of humanity, the so-called “fall of man”, and that perhaps the search for good and evil are one in the same.

“The Book of Enoch is shot through with all sorts of forbidden knowledge from which we can learn. Whether that forbidden knowledge might be harmful to us is something only we can judge. In this book, I discuss this forbidden knowledge and hope that discussion helps you to untangle the threads of what is evil, how it came to be, how tit continues, and how we can involve ourselves in stopping it.”8

There is a definite push towards thinking for oneself and making decisions based upon what thoughts arise from digging beyond the surface of a magickal/religious system. This idea is accentuated in the final “Chapter 21: Enoch in Occulture”. Roth offers opinions about some of the works of Enochian magick that have been staples for those interested.

Additionally there is “Appendix: Timeline of the Book of Enoch” that provides a snapshot of the evolution of The Book of Enoch and various components. A very useful Glossary follows for those unfamiliar with the Hebrew names used. The Notes and Bibliography exemplify the scope of research and reading done on the part of Roth in compiling a title that is both rich and readable in its selection of content.

About the Author: Harold Roth 

Harold Roth is an author and artist and among the foremost authorities on plants within the modern occult community. He has studied Hebrew as well as Jewish mysticism and magic for decades. The author of The Magic of the Sword of Moses and The Witching Herbs, Harold teaches classes on botanical magic, Kabbalah, and witchcraft. Visit him at haroldroth.com.

Tarot of the Cosmic Seed, by Lalania Simone

Tarot of the Cosmic Seed, by Lalania Simone
Weiser Books, 9781578638611, 80 pages, 79 cards, November 2024

Drawing from a rich palette of jewel tones and a diverse collection of symbology, Lalania Simone has transformed the Rider-Waite Smith tradition into her own language in Tarot of the Cosmic Seed.

Lalania Simone is an indigenous artist, metalsmith, author and creator of tarot and oracle decks.  She has written a book called Urban Soul Warrior: Self-mastery in the Midst of the Metropolis and created two other tarot decks, including The Oracle of Awakening. She currently runs a spiritual boutique called Alchemy Ritual Goods, where services such as acupuncture/herbs, traditional spiritual healing practices, Usui Reiki, and several types of divination are offered.

In the guidebook, we learn that Simone has added a 23rd major arcana card to the deck.  This addition, The Cosmic Seed, is a brilliant card which speaks to “the seed of infinite potential. It exists in the quantum realm and can move between dimensions/realities in all directions, and through matter.”9.

Another change Simone made is renaming some of the major arcana cards, such as changing The Hierophant to The Teacher and The Fool to The Wanderer. Furthermore, she also renamed the court cards. Simone explains that she made this change “in an effort to decolonize the tarot and challenge outdated gender norms.”10

In her new royal court, the Kings are named “Mastery”; Queens are “Nurturer”; Knights are “Action”; and Pages are “Messenger.”  Simone kindly puts the traditional court name in parentheses next to the new name she has created and lists these for each of the four minor arcana suits in the guidebook.

Simone includes one spread in the guidebook, which she calls the Spiritual Growth Spread. With this layout, the querent can get an idea of “what is blooming”, any “support and/or challenges” and “outcome or further progression”.11 She also includes notes on how to use the deck and how to work with reversals. In her own words, Simone shares:

“Tarot of the Cosmic Seed is a journey into the experience of life. A vibrant and diverse spiritual tool, a bridge to the mysterious and the esoteric, as well as a guide to the everyday.”12 

Within the deck, Simone features a very diverse group of characters. For example, you will see the Hindu goddess Lakshmi on the 6 of Coins, Native American arrows on 8 of Wands, maidens in Asian dress on the 3 of Coins, a Mexican family with sombreros on the 10 of Cups, and an African princess on The Star card. For Mastery of Wands, Simone captures a gentleman in a pinstriped aqua suit that reminds me of Gregory Hines in The Cotton Club.

However, not all cards feature people. The 4 of Swords captures a beautiful velvet loveseat in rich turquoise hues with giant flowers that act as pillows. The 8 of Coins card showcases buttons, instead of coins, as well as a needle, thread and scissors.  

My favorite cards are The Wanderer, with a ballerina balancing on one foot atop a giant garnet gemstone; The Devil, which features a woman in a locked birdcage with a stag skull above her; and The Hermit, which is perhaps the most intriguing card in the deck.  The imagery on The Hermit combines a full moon, which is visible from a cave near an ocean or large sea, with a woman dressed in purple formalwear. Although she faces the sea, her head turns to look toward a lantern shining inside the cave. The visual is multi-layered with a sacred geometric pattern in the sky and crystals in each corner.  I could gaze at it for days!

To test drive the deck, I posted the backs of three cards on Facebook and asked friends to select a card and come back later for the reveal. Several women posted positive comments regarding the cards, such as one friend who selected the card 6 of Cups and shared that the message of enjoying memories and reconnecting with someone from the past really resonated with her. She had recently heard from a friend she had worked with 30 years ago. Another friend had this to say:

“This fell right in line with my own Tarot for today, 3 of Cups and 10 of Cups. I love it when the Tarot voice isn’t ambiguous but sings with clarity.”

Another friend selected the Justice card, which features a scale of gemstones with a human heart on one side and a feather on the other. I shared Simone’s guidance that states that the Egyptians believed in weighing the heart with a feather to reveal the true character of the person. My friend shared that she has “always been drawn to Egypt and actually lived there for several months years ago.” She went on to share about some physical challenges she and her daughter are navigating and how “it’s requiring me to practice balance in both thoughts and actions.”

My own journey with the deck provided me with thought-provoking words of wisdom and some incredible journal prompts. The rich colors and interesting characters will keep me coming back for more adventures with The Tarot of the Cosmic Seed.

These cards are standard size for a tarot deck, coming in at a little over 5” X 3”.  The cards are printed in a matte finish and on good quality card stock.  The back of the cards features a watercolor design of cobalt blue, turquoise, and midnight blue. Simone designed a beautiful symbol with an eye in the center and swirls and palm fronds flanking the eye. This esoteric symbol is printed in a turquoise foil imprint in the center of each card, and the cards are edged in turquoise foil, as well.  It is truly a stunning deck.

Tarot of the Cosmic Seed would be great for anyone who wants to expand their knowledge of tarot and enjoys working with a diverse set of characters from around the world. It would probably be best for someone with a basic knowledge of tarot or with a foundation in Rider-Waite Smith symbols. I really enjoyed working with this deck and plan to add it to my collection of decks for client readings. My adventures with this deck are encouraged by Simone, as she offers this prayer on the first page of the guidebook:

“May this deck help you tap into your inner knowing. May it be a conduit for the wisdom of the divine within. May it serve as a mirror for healing and growth. May it ever align to the highest good of all.”13

A Confluence of Witches, edited by Casey Zabala

A Confluence of Witches: Celebrating Our Lunar Roots, Decolonizing the Craft, and Reenchanting Our World, edited by Casey Zabala
Weiser Books, 1578638453, 224 pages, October 2024

Witchcraft is not a one-size-fits-all practice. There’s no single, universal “witchcraft” that everyone follows. Different witches may have varying beliefs, rituals, and traditions, influenced by their individual experiences, cultural backgrounds, and personal paths. This diversity is what makes witchcraft such a rich and fascinating exploration.

A Confluence of Witches: Celebrating our Lunar Roots, Decolonizing the Craft, and Reenchanting Our World, edited by Casey Zabala, brings together a diverse array of voices within the contemporary witchcraft community. Through a rich tapestry of essays, rituals, and personal narratives, this anthology shines a light on the multifaceted nature of witchcraft in the modern world to explore “the authentic intersection of magic, spirituality, personal development, and social justice.”14

“Modern Witchcraft is not a disavowal of our Pagan, animist, lunar roots. Rather, Modern Witchcraft is an evolution of our responsibilities as practicing witches. These responsibilities have historically been to praise the divinity of the Earth and cosmos, to provide healing remedy and support to the community, and to offer a spiritual framework for the oppressed. To be a modern witch we must straddle both our ancient origins and our futurist dreams.”15

This anthology covers a broad range of topics that will appeal to both seasoned practitioners and those new to the craft. The seven chapters each focus on a certain aspect of witchcraft: the Moon, the blending of traditional magic with modern technology, the decolonization of witchcraft, connection with the spirit world, connection to our bodies and Earth, pathways of healing, and the power of covens. Within the chapter there’s three essays related to the topic.

The essays in A Confluence of Witches are thought-provoking and deeply personal. Each contributor shares their unique journey and insights, making the anthology both informative and intimate. Some of my favorites are “Reclamining Resources: Money Magic in This Time of Capitalism” Jessie Susannah Karnatz, “Loving What Is: Quantum Witchcraft” by Sanyu Estelle, “Flower Animism: A Floral Spell” by Liz Migliorelli, and “There is Sustenance in the Roots by Star Feliz.

Zabala’s editorial hand is evident in the seamless flow of the book. At the start of each chapter, she writes an introduction for the topic, creating a cohesive overview of the essays that follow. I also felt like the arrangement of the chapters was very intuitive, though there’s truly no need to read them all in order.

One of this anthology’s greatest strengths is its inclusivity. Zabala has curated contributions from witches of various backgrounds, practices, and traditions, ensuring that readers are exposed to a wide spectrum of perspectives. This diversity not only enriches the reader’s understanding of witchcraft but also challenges any preconceived notions they might have. The essays all give a little glimpse inside the world of the writers, so readers can then pursue exploring more work of the writers they especially resonate with.

There are so many leads I want to follow now that I’ve read this book! I am truly enamored with the insights from the writers who contributed. At the end, Zabala has included biographies for all the contributors. Here readers can discover new podcasts, YouTube channels, books, organizations and groups, and more. The community Zabala created in 2018 is called Modern Witches, which aims “to heal and honor the collective’s relationship to the witch.”16

Reading through this book prompted a lot of reflection for me, and I began to see my practice connected to a much wider group of people. Oftentimes, especially when feeling isolated or marginalized, I think witches forget the community resources available to them. But there are so many others out there shaping Modern Witchcraft. I learned about so many other amazing witches and their work when reading this book that I would have never known about otherwise, and I’m really excited to further brand out and explore some new groups I learned about from the book.

It felt very expansive to see just how vast the world of Modern Witchcraft is right now and to take the time to think about the impact of technology, political systems, and social structures on witchcraft right now. With each chapter, I felt a shimmering web of energy growing between me and these other witches; even though our practices might look very different, we all walk the same path at this current time.

Overall, A Confluence of Witches is an essential read for anyone interested in the Modern Witchcraft movement. Within the variety of voices, the book maintains a narrative that guides the reader through the complexities of Modern Witchcraft that is expansive, inclusive, and thought-provoking. Whether one is new to the craft or a seasoned practitioner, this book gives voice to where Modern Witchcraft is at right now, contextualizing the greater community of witches beyond one’s daily scope.

We all possess our own sacred blend of spirituality, shaped by our experiences, beliefs, and connections to the world around us. By embracing the diversity of witchcraft and honoring the unique practices of others, we can create a more inclusive and supportive community that celebrates the richness of human spirituality.

Witches, by Judika Illes

Witches: A Compendium, by Judika Illes
Weiser Books, 1578638577, 240 pages, October 2024

Autumn has arrived, and I think we can all agree.. It’s officially the season of the witch! For those who are feeling drawn to witches, whether through fictional tales or their own witchcraft practice, Judika Illes’ latest book Witches: A Compendium offers a fascinating exploration of the subject, from ancient times to modern day. This comprehensive guide covers a range of witchcraft topics, from famous witches to the best witch-travel destinations.

“The world of witches is filled with passion, magic, high spirits, and joy. It is a world where the sacred is ever-present, a world in which even the most mundane objects possess deep spiritual significance. The world of witches is a world of wonder in which every color, incident, creature, sight, or sound has some sort of magical import.”15

Illes does an excellent job of presenting a diverse range of perspectives on witchcraft. Chapters are dedicated to types of witches, witchcraft tools, animal familiars, various well-known witches (famous ones, fictional ones, divination witches, and those who have been persecuted for their practice). She includes stories and practices from different cultures, highlighting the universal appeal and varied interpretations of witchcraft around the world. This inclusivity is a refreshing aspect of the book, as it acknowledges and respects the wide array of traditions and beliefs associated with witchcraft.

For each topic in the compendium, there’s anywhere from one paragraph to two pages dedicated to the subject. Illes’ writing style is engaging and accessible. She excels in writing insightful profiles that bring these individuals to life, offering readers a glimpse into their lives and the culture during the time they lived. Some of my favorites covered include Tamoamo-no-Mae, Hulda, and Kybele. I also loved the focus on fictional witches, such as Agatha Harkness, whose new TV show I just started watching on Disney+; Illes writing is so up-to-date that it mentions this new Marvel show, along with the recent WandaVision.

I was also pleasantly surprised to see that Illes included quite a few men in this compendium. Of course, there’s the male founders of certain traditions, such as Alexandrian Wicca and The Clan of Tubal Cain, who were influential in the spread of modern witchcraft. But she also looks to famous magicians and sorcerers of the past too, such as Abei no Seimei, Franz Bardon, Count Alessandro di Cagliostro, and Dr. Leo Martello. This inclusion gives a very balanced perspective on witchcraft, offering a full picture that counters stereotypes of witches always being old hags or devious young women.

The chapters on the tools, crafts, and animals associated with witchcraft are especially beneficial for readers to learn more about different practices. Illes covers tools like dolls, mirrors, runes, and wands, along with crafts of the trade such as dowsing, scrying, and astrology. The chapter “Animal Witches and Witches’ Animals” is loaded with information about the roles various animals have in witchcraft practices worldwide. I was fascinated to learn:

“European itches were accused of riding wolves or bates; African witches ride galloping hyenas, the animal most closely identified with witches throughout Africa.”17

And, if after making it through most of this book you are wondering if you’re a witch, Illes’ final chapter helps to answer this question. She includes lore that indicates being a witch, such as being the seventh-born son or daughter, as well as having a witch-mark or disliking salt. She also notes personality traits like “you have an affinity for wild nature, a love for the world’s wild, untamed places”18 and “you possess an independent streak: you don’t like being told what you can’t do, can’t learn, can’t known, can’t read, or where you can’t go.”19

Finally, the visual aspect of the book is also worth mentioning. Witches is beautifully illustrated, with images that complement the text and enhance the reader’s experience. The illustrations add an extra layer of enchantment to the book, making it not only informative but also a pleasure to look at.

Overall, Witches: A Compendium is a great read for anyone interested in the world of witchcraft. It is comprehensive, well-researched, and beautifully presented. Whether you are a seasoned practitioner or a curious newcomer, this book offers valuable insights and practical knowledge that will deepen your understanding of witchcraft and its enduring allure.

And if you enjoy this book, Illes has quite a few other informative books published, including Encyclopedia of 5,000 Spells, Encyclopedia of Spirits, The Element Encyclopedia of Witchcraft, and Encyclopedia of Mystics, Saints, & Sages, along with The Weiser Field Guide to Witches and The Weiser Field Guide to the Paranormal.

Secrets of Romani Fortune-Telling, by Jezmina Von Thiele and Paulina Stevens

Secrets of Romani Fortune-Telling: Divining with Tarot, Palmistry, Tea Leaves, and More, by Jezmina Von Thiele and Paulina Stevens
Weiser Books, 1578638585, 224 pages, October 2024

Secrets of Romani Fortune-Telling: Divining with Tarot, Palmistry, Tea Leaves, and More by Jezmina Von Thiele and Paulina Stevens is a compelling exploration into the rich and often secret world of Romani divination practices. The book serves as both an educational resource and a captivating narrative, shedding light on the traditions and cultural significance of fortune-telling within the Romani community. While not all secrets can be revealed, the authors open the world of Romani divination to us gadje (non-Romanian folks) to facilitate more cultural appreciation and less cultural appropriation.

“To understand the true art of Romani fortune-telling, and the secrets of intuition, we will share some spiritual techniques and business acumen, but more than that, we will share our beliefs, culture, history, trauma, resilience, and our stories. All of these make up the much misunderstood, maligned, and misrepresented practice of Romani divination.”20

Both Von Thiele and Stevens are of Romani descent. Von Thiele is a creative spark, working as a fortune teller, writer, editor, teacher, and performer in New Hampshire. While Stevens lives in California running her business Romani Holistic Healing where she offers clients fortune-telling, meditation, herbal health remedies, and life coaching. The authors combine their expertise in their joint podcast Romanistan, which inspired and led to Secrets of Romani Fortune-Telling.

What I love about the authors is how in both their podcast and this book they challenge aspects of their culture that need to evolve. They consider themselves intersectional feminists, gender librators, and anti-colonist, choosing to walk their own path, support LGBTQIA+ communities, and speak out against cultural issues such as domestic violence and arranged teen marriage. Their collaboration ensures that the book is not only informative but also sensitive to the cultural intricacies and historical context of Romani fortune-telling; it does not sugarcoating what needs to be addressed while simultaneously promoting a more inclusive future.

The book is structured to guide readers through various aspects of Romani divination. It covers a range of techniques, from palmistry and tarot reading to more obscure methods like coffee grounds and crystal gazing. Each chapter delves into the history, symbolism, and practical application of these techniques, making the book suitable for both beginners and those with a more advanced interest in the subject.

A real highlight are the  personal stories Von Thiele and Stevens share from firsthand experience. The authors share anecdotes and insights from their own lives, providing a personal touch that makes the material more relatable and engaging. This narrative approach helps demystify the practice of fortune-telling and highlights its significance as a living tradition within Romani culture.

It’s also interesting to compare and contrast the experiences of Von Thiele and Stevens as their stories are often side-by-side, offering a multi-faceted perspective. I particularly enjoyed the information shared in the chapter “Dream Divination”. Each author shares their family’s approach to dreams, as well as prophetic dreams they’ve had, bedtime tea recipes, and dreams for interpretation. It feels like you are getting a two-for-one bonus with the dual insights shared by the authors.

I found it interesting to read about all the energy clearing and protective measures within Romani culture. Similar to my Italian heritage, the Romani culture veers towards superstitions and proactively acts to counter bad energy. There’s a whole section on the evil eye and what measures one can take to avoid it or remove it. The authors explain how within is an emphasis on cleansing and protecting your space and yourself, offering ways one can do this to maintain good energy.

“Fortune-telling deals with people’s lives, secrets, hopes, dreams, beliefs, loves, mistakes, struggles, and ambitions. The potential for messiness is great if you don’t have a solid moral compass yourself.”21

Another aspect of the book I really enjoyed is the guidance for working with clients and running one’s own fortune-telling business. The authors are seasoned professionals, trained from childhood to be fortune tellers, and after decades of this work, it’s clear they know what they’re doing. Entire chapters are dedicated to fortune-telling ethics, how to be convincing as a reader, ways to deal with skeptics, and how to be a professional fortune-teller. For those interested in running any client based business where they’re offering readings, these chapters are very helpful.

Overall, Secrets of Romani Fortune-Telling is a valuable addition to the literature on divination and Romani culture. It offers readers a unique perspective, combining historical context, practical guidance, and personal narrative. Whether you are interested in learning about fortune-telling techniques or gaining a deeper understanding of Romani traditions, this book is a worthwhile read.

The Oracle of Awakening, by Lalania Simone

The Oracle of Awakening, by Lalania Simone
Weiser Books, 9781578638628, 112 pages, 44 cards, October 2024

In stunning The Oracle of the Awakening, the creator Lalania Simone has gifted the world with her guidance, her art, and her magic. From the first time you look at the box cover and its purple foil accents, you know that something special is inside.

Lalania Simone is an indigenous artist, metalsmith, author and creator of tarot and oracle decks.  She has written a book called Urban Soul Warrior: Self-mastery in the Midst of the Metropolis and created two tarot decks.  She currently runs a spiritual boutique called Alchemy Ritual Goods. In this shop she and her partner provide acupuncture/herbs, traditional spiritual healing practices, Usui Reiki, and several types of divination. Simone also creates custom jewelry pieces. You can learn more about Simone on her website.

The guidebook features an introduction which shares:

“The Oracle of awakening was created with the intention of bringing the energy of unconditional love to each person who works with these cards.”1

Simone features a combination of digital art and collage “filled with high-frequency energy and intention.”2 She shares a simple section on using the cards and two spreads. I really liked the spread called “Inner Alignment.”  With four cards, you can get clarity around these key questions:

  1. What do you need to balance? 
  2. What do you need to accept? 
  3. What do you need to release? 
  4. Message advice from spirit.

The guidebook is printed in black and white with a thumbnail and two to three pages of guidance for each card.  Simone includes a one sentence summary of the overall message of the card, key words, and then shares guidance. Some cards include a clearing exercise, while others feature a practice or meditation that compliments the guidance. She also shares an affirmation for many of the cards.

The cards and guidebook are encased in a sturdy box with purple metallic stamping for the type and a beautiful, lacy dragonfly. The cards are a nice weight for shuffling and are a standard oracle deck size at 4 X 5.5”. The colors of the cards are designed with vibrant jewel tones and purple metallic edges.

A variety of plants, people, animals, and symbols fill the cards from Simone’s rich heritage. In addition to her mother’s Mexican history and her father’s Puerto Rican roots, Simone can trace her family back to fifteen different regions of the globe.

To test the deck, I pulled cards for myself each day for three days. It was amazing how the guidance from the guidebook spoke to me. Also, the images on the photos evoked memories or feelings from my past and gave me a way to peel back the layers of feelings and receive healing.

For example, the first day, I pulled the card “Download.”  The woman featured on the card really spoke to me, reminding me of my younger self. The guidance reminded me that the Universe is always guiding me, sending me signs and messages. Lately, I’ve become a little jaded and perhaps not as open to guidance from my own team. This card was the wake up call I needed!

Next, I shared the deck with my friends at my Coffee & Cards group.  One friend pulled the “Fierce-Stand in Your Power” card and said right away that it really resonated with her. “This card for whatever reason has reminded and rekindled the fierce side of me that I can tap into!”

Another friend drew the “Clearing” card, which suggested taking time to “purify, refresh and fortify.”  She shared: “Perfect guidance for the situation I had in mind when I chose the card. Sometimes we need to be reminded to clear negativity instead of feeding it. Was just the validation that I needed.”

And a third friend pulled the card entitled “Gentleness,” which featured the key words “compassion, kindness and soft.” Not only did she love the message she received, but she had this to say about the deck:

“I feel this deck is not only a perfect fit for those who are initially awakening to their intuitive abilities, but also for those who are attuning and integrating the expansion of their intuitive abilities. These cards are so beautiful and are energetically radiant with a centered calm for the inner turmoil and chaos.”

I agree totally with my friend on that note!  As you glance through the deck, you see beautiful images, including flowers, exotic animals, and unusual fruit or plants, not to mention the strong women from many different cultures. Each image evokes a memory or a desire to learn more about the symbol or feeling that floats in.

The Oracle of Awakening would be great for anyone who loves and uses an oracle deck for daily divination. The warm, bright colors are so beautiful and life affirming. The symbolism is rich and multi-layered.  I plan to keep this deck on hand to use as a way to close readings that I do for clients. I’ll also put it in my bag for my Friday group, due to the great response from my friends.

Blackthorn’s Book of Sacred Plant Magic, by Amy Blackthorn

Blackthorn’s Book of Sacred Plant Magic: Spells, Rites, and Rituals for Living an Aromatic Life, by Amy Blackthorn
Weiser Books, 978-1578638307, 272 pages, September 2024

Amy Blackthorn is a renowned herbalist and author of multiple books that are widely used both in the pagan and mainstream communities. Her expertise and deep commitment to the use of plants as both allies and magical companions in all facets of her work is clearly evident in Blackthorn’s Book of Sacred Plant Magic: Spells, Rites, and Rituals for Living an Aromatic Life.

“In this book, I hope to help open your eyes to the connection, the relationships that can be built, and the friends you’ll likely make along the way.  We’ll talk about who to build botanical relationships with and why-as well as how to find the magical attributes for plants that aren’t listed in your favorite magical tomes.”22

Blackthorn’s Book of Sacred Plant Magic is organized into two sections and a total of eleven chapters. A multi-page bibliography and brief Plant Index conclude the book. In support of the intention of this title, “Section 1: Creating Relationships with Plants” takes the reader on a journey of introductions to those lesser known plant allies and reacquaints them in a deeper fashion alongside those that are commonly used for magical practice.

“Chapter 1: Scent, Memory, And Personal History” reminds the reader of the importance of scent, from our earliest stages of development as infants to those memories brought into adulthood that remain throughout our lives. The focus is on the association of emotions and the trigger of a specific scent, whether consciously or subconsciously, and the powerful association we have to the smells surrounding us.

As the reader moves through subsequent chapters of the first section, the intention of stepping more closely into relationship with and understanding of the nature of plants/botanicals and the spirit that each holds as its specific energetic signature is slowly and methodically built. Blackthorn has a very accessible style of writing; all the while, she is imparting gems of knowledge that begin the seeding process of what is to bloom. 

One of the first exercises is found in “Chapter 2: Developing Plant Spirit Relationships” as the reader is guided to Create Your Visual Landscape to become an inner-lands where plant spirits may be met. Blackthorn provides suggestions for approaching the plant spirits and questions that may be asked. She also reminds that the call may organically come from the botanical spirit and you may not yet even know what a healing relationship with that specific plant may unfold.

“Have you ever been in a plant nursery, hardware store, or even a big-box store and noticed a plant that you knew you just had to purchase, take care of, and get to know?  When you feel it in your bones, you know it’s time to get to know that plant, whatever it is. The plant you find can tell you a lot about yourself or your magical needs-and the remedy is that plant.”23

Another feature of this book is the plethora of active workings, spells, recipes, ritual and more that fully engage the reader in setting their own energetic imprint on their personal journey of plant alliances. “Chapter 3: Building Botanical Relationships” takes us on a journey of exploring the energy in plants starting with the simplicity of the spices in your kitchen.

“Take a look inside your kitchen cabinet and you can take a trip around the world. Each spice, herb, and flavor have a rich history of use in medicine, folklore, and witchcraft.”24

“Chapter 5: Plant Spirit Families” is a fascinating backstory for the reader of the origins of the botanical plant names. Blackthorn teaches how plants may be categorized and energetically aligned and the broader families of which they are a part. We are introduced to those botanical members of the Mint, Citrus, Rose and Myrtle Families. Every family has their own particular type of magic and nuance. 

Each of the chapters of “Section I: Scent, Memory, And Personal History” provides the foundational information covering many aspects of botanical use as essential oils, aromatherapy, medicinally, and more. Additionally, the properties of each form that a botanical may take and proper uses, cautionary considerations, length of efficacy, storage, and appropriate application are thoughtfully shared. All, in support of cultivating a deep connection and, most importantly, a working magical/mundane and spiritual relationship with your chosen plants. 

“Section II: Deeper Connections” jumps right into practical use and application of the properties of botanicals. This section comprises approximately half of the book, making this title a suitable reference source to be returned to as the reader’s journeys into the realm of botanicals evolves and grows.

“Chapter 10: Botanical Listings A-Z” is a cornucopia of over twenty-five botanicals, each offering herbal lore and uses, spells, and a recipe specific to its properties. The result is a complete introduction for the reader to the adaptability and ways in which various plants can be organically woven into mundane and magical practices. Appropriate warnings are placed on those botanicals that may be toxic in specific circumstances along with a reminder to always error on the side of caution.

Blackthorn concludes the journey on a very practical note with recommendations that are invaluable to those readers new to the botanical industry. “Chapter 11: Practical Test for Oil Integrity” offers advice to the botanical shopper seeking prepared botanical oils for their magical work. She notes, “With many shops looking to provide affordable supplies to support their customers, it can be difficult to tell what kind of materials you have in your shop.”25

A list of “Things to Look Out For” such as type of storage bottles, labels, price and enhancements is followed by testing methods that may be employed such as alcohol, water, and paper to determine the authenticity and potency of the product. This offers readers sound advice in exercising discernment around their choices. Although just a few pages in length, the importance of using a product that is what should be expected in quality and price is underscored by Blackthorn for it evokes the sacred action of choosing your plant allies wisely and honoring their power.

Would I Recommend?

Blackthorn’s Book of Sacred Plant Magic is perfect for anyone who is plant curious, working with botanicals, or simply wants to be more connected to the kingdom of plants. It is definitely worth adding to one’s reference library. In keeping with the style of delivery and ease of implementation that is a staple of Blackthorn’s books, this one absolutely delivers and surpasses readers’ expectations. This title, along with any other of Blackthorn’s books, would be a prized gift for consideration as we near the holiday season.

“Everyone has times in their lives when their magic seems out of reach; it’s natural in such a busy, harried culture. I was looking for a reconnect. The full moon came and it was time to venture out into my yard to connect with my land spirits and let them know I hadn’t forgotten them.  As I gathered my libations and tools, I had a feeling of peace I hadn’t experienced in a while. This is what I had been missing.26

About the Author: Amy Blackthorn

Amy Blackthorn is a professional intuitive and the bestselling author of several books on botanical magic, including Blackthorn’s Botanical Magic, Blackthorn’s Botanical Brews, and Blackthorn’s Botanical Wellness. The founder of Blackthorn’s Botanicals, she has a certification in aromatherapy and was ordained by the Order of the Golden Gryphon. Amy lives in Delaware. Keep up with Amy’s book news on her website and check out her tea shop.

Starlore Arcana, by Nitasia Roland

Starlore Arcana: Constellations for Tarot, Astrology, and Cartomancy, by Nitasia Roland
Weiser Books, 1578638488, 128 pages, 56 cards, September 2024

Starlore Arcana: Constellations for Tarot, Astrology, and Cartomancy by Nitasia Roland is an intriguing and imaginative fusion of ancient wisdom and modern mysticism. In this deck, Roland seamlessly weaves together the celestial themes of constellations with the practices of tarot, astrology, and cartomancy, creating a rich tapestry that invites readers to explore the cosmos both within and beyond.

“We see something of our souls in the heavens, and the use of images helps us connect with those beings that are the stars.”1

The design of this 56-card deck is based on Astronomical Playing Cards created by John Lenthall and published in 1717. Roland digitally optimized Lenthall’s deck and then added four Knight cards she created, as the original deck had the traditional structure for playing cards (Jack, Queen, and King). Playing card suits are used instead of the traditional tarot suits with Wands as Clubs, Cups as Hearts, Swords as Spades, and Pentacles as Diamonds.

The symbol for the suit and card number is at the top of each card, though the full name of the card is also written at the bottom. The image of the constellation is the focal point for each card. Then the French name is written in a beautiful font, while the English translation is written in cursive below. Some cards feature more hand-written insight such as “rises not” or “sets not” to give further information about the constellation.

The deck is beautifully illustrated, with enchanting images that bring the constellations to life. These visuals not only enhance the reader’s experience but also serve as a valuable tool for meditative and intuitive work.  I love the rich colors used for the cards, which are a perfect contrast to the bold black lines of the imagery. For someone who loves both astrology and tarot, seeing the constellations come to life in the depictions and then further be illuminated by the structure of the tarot is a real treat. There’s so many layers in each card, and this is also reflected in the detailed guidebook entries.

Roland’s translation of the vastness of the night sky into personal and relatable insights in the guidebook is impressive. In the introduction, Roland shares the numerology meanings for Ace-10, quick descriptions of the suits and court cards, and guidance on how to consecrate, charge, and store one’s deck. Then for each card, she has written about the location of the constellation in the sky/times of the year when it’s present, the mythology or history of the constellation (star lore), cartomancy meaning, tarot meaning, and divination. Some cards also have a zodiac section too, if they have astrological significance.

For each entry, the longest section by far is the divination, providing a ton of insight about the card’s message for you. One of the standout features of this deck is Roland’s thorough research and deep understanding of the symbolic connections between the stars and divinatory messages. Each constellation is packed with details that offer historical context, mythological background, and practical guidance. Even as a seasoned tarot reader and astrologer, I find myself gaining plenty of new insights from how Roland ties all the aspects of each card together.

Plus, the guidebook is nice and big, making it easy to hold in one’s hand and read like a book. For someone studying the constellations, simply pursuing the guidebook will yield tons of insight, especially from the Star Lore section of each entry. And for those more drawn to divination, there’s something about the tandem reading of the cartomancy, tarot, and mythological significance of the constellation that illuminates so much within a reading. Truly, this deck is one of a kind in this regard.

One of my favorite cards in this deck is Ace of Spades (Swords), featuring the constellation Draco. The imagery looks like a mix of a dragon and snake, and on the card it reads “sets not” as this constellation never dips below the horizon. The lore describes how it is of Phonecian origins and also a Chaldaen figure. To the Babalonians, this constellation represented Tiamat, “the dragon goddess of chaos”.27 There’s also a Greek myth included too.

Cartomancy meanings include “Clarity”efn_note]page 65[/efn_note] and “Intellectual prowess.”28 While some tarot meanings read “Cutting toxicity”efn_note]page 65[/efn_note] and “Breakthroughs”efn_note]page 65[/efn_note]. Roland writes as part of the divination:

“Balance street-smart cunning with levelheadedness and decisive action, know thyself, and declare your battle cry. It is time to claim the prize that your holy Daimon guards for you in the gard of your personal Eden, which is none other than the wondrous ability to understand the part you have to play in the grand scheme of life–a many-branched tree laden with meaningful synchronicities and deep gnosis that help cut through darkness, chaos, and clouds of ambiguity and welcome cathartic experiences to guide your personal mission along avenues of joy and prosperity.”efn_note]page 65[/efn_note]

How potent and poetic is that divination? And that’s only a part of what Roland has to say about Draco! This deck definitely isn’t just a lot of fluff; it’s packed with meaningful substance that takes readers deeper on their spiritual journey.

Overall, Starlore Arcana is a captivating and enlightening deck that offers a fresh perspective by blending cartomancy, tarot, astronomy, and mythology. Roland has created a valuable resource for anyone looking for thorough readings that have a multi-faceted approach to the divination. Roland provides a unique and inspiring way to connect with the cosmos; I’ve definitely been more inclined to go star-gazing when reading with this deck. Whether you are a seasoned practitioner or a curious newcomer, this deck is sure to spark your imagination and give you new insight to the interconnection of our night’s sky and the divinatory arts.

Living Conjure, by Mama Starr Casas

Living Conjure: The Practice of Southern Folk Magic, by Starr Casas
Weiser Books, 1578638240, 208 pages, August 2024

Living Conjure: The Practice of Southern Folk Magic by Mama Starr Casas, a Conjure woman with over forty years of experience, is a comprehensive guide to traditional Southern Conjure that’s accessible to all skill levels, from beginner to seasoned practitioner. A native Kentuckian, Mama Starr’s voice is like a warm hearth fire crackling with wisdom and laced with the sweet smoke of magic. Her writing style emulates the way she was taught: through word of mouth, from her elders. This enchanting prose, delivered with the down-to-earth charm of a beloved granny, immerses readers in a legacy of time-honored Southern secrets. It’s clear that Mama Starr poured her heart and soul into preserving and sharing this invaluable knowledge.

“Don’t forget your roots,”28 Appalachian Conjure man Jake Richards says in the foreword, and those words lingered with me like the whisper of a ghost. I’ve tried running from the South, where I was born, and I’ve rejected the Christian faith in which I was raised. When I lived in New York, some people projected negative Southern stereotypes onto me and wrongly assumed that I voted in a certain way, so I came to realize that I couldn’t run from the South. Wherever I go, she follows me, a phantom belle perfumed with magnolias, and when fate forced me to come back, she reclaimed me. Trying to escape my roots just buried them deep in my shadow. Studying Conjure and incorporating some elements of Southern folk magic into my personal practice has been a therapeutic way for me to reconcile with my roots by digging them up and putting them to good use.

Mama Starr honors the tradition of her elders by teaching Conjure through the lens of children’s folktales, like “Brer Rabbit and the Tar Baby,”29 and the rhythms of old spirituals. These weathered yarns weave a rich tapestry of magic. “The ancestors of this work learned to hide the work in plain sight—that is why this work is called tricks,”30 she explains. This emphasis on subtlety and clever disguise is a core principle of Conjure.

“Conjure, Hoodoo, and Rootwork are all the same thing,” Mama Starr explains. “When I was growing up, I never heard Hoodoo being used as the name for this work. Hoodoo was a question: “Hoodoo you?” Meaning, “Who put roots on you?”31

These terms have evolved over time and their usage can vary depending on the region and the practitioner. However, they all refer to the same tradition of folk magic that has been passed down through generations in the Southern United States.

“Sometimes folks get upset with me because I share so much,” Mama Starr says. “I share it because if I don’t, when I’m gone what’s in my head is going to be gone.”32 She hopes to keep the work alive and honor the memory of the ancestors through her writing.

One chapter explores the use of “The Arms of the Cross”33 in Conjure, associating each arm with a cardinal direction and element. Mama Starr counsels caution when doing this type of work, because one could accidently nail themselves down with a crossed condition if performed incorrectly. In the sample workings she provides, a candle or a petition is placed on one of the cross arms.

“I’m what folks call a two-headed worker, which means that I will do what folks call ‘light’ or ‘dark’ work just as long as the work is justified,”34 Mama Starr says. She emphasizes the importance of performing divination before a working to ensure it is warranted and to take responsibility for your actions. 

Most of the workings are very simple and require few tools. Mama Starr teaches how to work Conjure with objects most people already have lying around the house, such as scissors, keys, bottles, and jars. The use of blue bottles in Conjure held the most fascination for me because I’ve always loved decorating with cobalt blue glass bottles and I used to keep them in my kitchen window. It turns out they can be magically charged to keep ghosts away.

“Haunts can’t cross over water,” Mama Starr says, “and it is believed they don’t know the difference between the blue in the paint or bottles and the blue of the water, so they stay away from the homes that have the ceiling of the porch painted blue or have blue bottles hanging in the trees.”35

Before reading this book, I had no idea that blue bottles were used in Southern folk magic to ward off spirits, so I must have had an intuitive instinct to decorate my window with them. 

Mama Starr teaches how to honor one’s personal ancestors by tending graves, creating an ancestor altar, and making offerings. However, ancestors need not be limited to blood kin. She also emphasizes the importance of honoring the ancestors of Conjure, “the folks who were brought over here during the time of slavery.”36 “Conjure was born out of slavery, from folks trying to survive during a time when white folks felt they had the right to own another person like they were cattle,”37 Mama Starr says. She admires their courage, wisdom, and cunning intelligence in the face of oppression and hardship.

The shadow of slavery looms large over the South, and it was one of the reasons why I tried to escape my Southern roots. Instead of being ashamed of being a white Southerner and trying to push the horrors of slavery out of my mind, Living Conjure has shifted my perspective to thinking about how I can honor the ancestors of Conjure in my personal practice. Mama Starr writes about them and keeps them in her prayers.

Mama Starr talks about the magical properties of animal curios, such as bird feet and alligator paws, and explains that the use of animal parts in magic can be discerned by observing the animal’s natural behavior. I have a flock of egg-laying hens, so her insights into using eggs and chicken feet in Conjure were especially significant for me. She points out that chickens are resourceful and scratch around in the dirt all day looking for food, so their claws can symbolically rake in money. Their feet are also protective because their claws are sharp enough to draw blood. She gives detailed instructions for multiple workings with the feet, as well as how to perform an egg cleansing.

The chapter on “Dirts and Powders” was also very insightful. Mama Starr points out that the virtues of various dirts can be like a double-edged sword. For example, bank dirt can bring prosperity, but one should keep in mind that banks also repossess property, and so the energy of loss and poverty may be mingling in that dirt. I recently started working with bank dirt this year, and this passage enriched my understanding of how to use it.

Mama Starr’s website claims that “she has tried to keep the work as pure as possible,”38 and for her, that means you can’t take the Bible out of Conjure. If you do, it’s not Conjure. However, in this book, she adopts a more lenient approach, teaching the role the Bible plays in Conjure and leaving it up to readers to decide whether or not they want to use it.

I’ve had a complicated relationship with the Bible. Being raised in a conservative Christian household, I had a little pink Bible that I used to read in bed as a child. When my mother disciplined me, one of her favorite punishments was for me to hand copy Proverbs three times each. As an adolescent, I lost faith, read more critically, and became jaded with the misogyny I found in the scriptures. I’m against burning books, so I’ve done my best to make peace with the Bible. College taught me to read it as a work of literature, and Living Conjure is helping me reconnect with it as a powerful grimoire, rather than a source of judgment and condemnation.

“Since the ancestors were forced to become Christian, they put the Bible to good use,”39 Mama Starr says. This passage spoke to my soul because my mother put the fear of God into me when I was a small child, and like it or not, that indoctrination is a major theme in the first chapter of my origin story, and a part of who I am. If you try to take the Bible out of Conjure, Mama Starr says it’s like throwing the baby out with the bathwater, and “you are weakening the foundation that the ancestors built through their blood, sweat, and tears.”40

Mama Starr emphasizes that Conjure is a magical practice, not a religion. The Bible is a religious text, but it is also a spellbook. It can be used for divination in a practice called bibliomancy, and Mama Starr teaches how to receive messages from Spirit using this method. While many Christians believe that divination is a sin, Mama Starr cites biblical passages to the contrary, which describe divinatory practices and claim that the gift of prophecy comes from God. “Men of the churches have tried to remove God’s gift out of the churches, but you can’t take away what God has given,”41 Mama Starr says.

About five years ago, I had a dream that I was in an underground chapel with my mom, and a big black goat of the Witches’ Sabbath was standing on its hind legs in front of her, holding the Bible open like a living lectern. She was so spellbound by the Word that she didn’t even realize the Devil was the one holding the book. I woke up from that dream thinking of the Bible as the Devil’s Black Book, and from then on I recognized it as a powerful tool for witchcraft. Living Conjure has given me deeper insight into putting it to good use. 

I may not like some of my roots, but I’ve chosen to own them. After all, if you want to find your power, it’s in your shadow. It’s in those potent roots you keep buried deep, the ones that don’t ever want to see the light of day. If Southern folk magic is part of your heritage, then Living Conjure is a valuable guide that can help you reclaim your roots and tap into that subterranean current of power.