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Celtic Healing Oracle, by Rosemarie Anderson

Celtic Healing Oracle, by Rosemarie Anderson and illustrated by Susan Dorf
Inner Traditions, 9781644114964, 165 pages, 64 cards, January 2023

An interesting combination of both myth and tradition, the Celtic Healing Oracle card deck by Rosemarie Anderson is filled with healing information and guidance.

Anderson has been studying Celtic traditions since the late 1970’s.  She is an author, poet, professor emerita of psychology, Episcopal priest, and award-winning researcher. She is the author of six books, including The Divine Feminine Tao Te Ching, Transforming Self & Others Through Research, and Celtic Oracles: A New System for Spiritual Growth and Divination. She has lived in many different countries around the world, including South Korea, Japan, Germany, Italy, and Ireland. She now lives in Oregon.

The artwork for the cards was created with an art knife and black paper by the artist Susan Dorf. She created the images to represent contemporary block prints.  She is well known for her sketches, paintings and prints, as well as workshops in painting and journaling in several countries.  She currently lives in Mexico.

Anderson traces her journey to create these cards to a time almost forty years ago when she lived in Germany.  Here she visited the forests and woodland creatures and became aware of the Celts and their belief in the interconnectedness of life. Later, she would live in Ireland, Wales, and Scotland and learn more about the Celts and their rich traditions.

The Celts divined answers to life’s questions from the animals, plants, wind, and seasons. Trees and animals had particular knowledge of all things – past, present and future.

In addition to the history of the Celts and their belief systems, Anderson includes tips on how to best use and interpret the cards. For example, she speaks about what to do if the same card shows up time and again:

“If so, watch for that symbol mirroring many aspects of your life. A basic issue, represented by one or more related symbols, may have overriding significance in your life at this time period. For example, you might repeatedly cast one or several manifestations of the goddess in response to a variety of questions, signifying integration of certain of her aspects.”1

Anderson also includes several different spreads for use with the cards, including the Spiritual Development Spread. This spread features six cards and a variety of questions that Anderson bases on her own use of oracle systems.

I did a reading for myself with this spread and received a succinct answer to a question that I had been pondering for quite some time.  The message of the six cards could be distilled into a guidance that assured me that I had all of the tools within me to heal old wounds and take decisive action in future endeavors.

Next, I did a one-card reading for each of the women attending my Sunday Coffee & Cards event on Zoom. For one woman, I drew the Raven card, which speaks of truth-telling and prophecy.  She related that the message really resonated, including the portion that said:

“Your present situation may require speaking the truth to clear the way for newness and avoid misunderstandings. Telling the truth is akin to prophecy. It cleans the eye of the heart.”2

For another woman, I drew the Ram-Horned Snake/Shape-shifting card.  She related that over this past summer she took a month-long trip to her home state and enjoyed carefree travel plans. She related:

“This ties into my summer so much!  Shape-shifting or going with the flow as events present themselves.  Don’t wait!  I’ve had so many messages from animals and plants lately, too.  Thank you for this confirmation.”

Although the cards do not appear to be arranged in any particular order, Anderson numbers the cards.  This tool makes it easy to find the guidance in the book, which also features a Table of Contents. To break up the black and white art and type in the guidebook, Dorf highlights the name of each card in green and also uses red type for section titles. Anderson includes a bit of history for each card in a section of invocation.  Then, she features a section called “If you drew this card,” where she shares guidance and messages. 

The invocation section title is really helpful, as it gives a word or two that contains the overall energy of the card.  For example, with my own six-card reading, I received these words of encouragement:

Power – Change – Selfless Action – Wholeness – Honor – Decisive Action

The cards are printed on a nice card stock and will hold up nicely to repeated use.  Although the cards are printed with a glossy finish, they do not show fingerprints. The back of the cards is printed in green with a black Celtic symbol, while the front of the cards is black and white with tiny green leaves as accents.  The deck is a standard oracle card size with its 3.5 X 5 dimensions.

My favorite card in this deck is #12 Mare – Healing the Wounds of Abandonment and Loss of Trust.  Perhaps because I drew this card in the spread where I was asking for clarity, this card really spoke to me of the power of healing the heart so you can be more open and free.  

This deck would be good for any level of oracle or tarot reader.  The way the guidebook is presented, and the simple design of the cards makes it easy for any reader to utilize.  I can see myself adding a one card reading to my intuitive readings or coaching sessions for clients.  The guidance is easy to understand and the additional information on Celtic history and traditions enriches the messages. 

Anderson also includes a complete “Selected Celtic Bibliography” for those who might want to further investigate Celtic traditions.

In Anderson’s own words, the Celtic Healing Oracle cards provide guidance from a rich symbology:

“Whether you choose a card from the card deck to answer a specific question or create a card spread from the cards, the symbols provide a practical and spiritual perspective into the hidden forces within your nature and present circumstances.”3

I’ll be looking forward to working with this deck in the coming months to learn more about myself, in light of the nature symbols and Celtic traditions.

The Divine Feminine Tao Te Ching, by Rosemarie Anderson

The Divine Feminine Tao Te Ching: A New Translation and Commentary, by Rosemarie Anderson, Ph.D.
Inner Traditions, 1644112469, 160 pages, April 2021

Rosemarie Anderson, Ph.D., has many accomplishments – she is professor emerita of psychology at Sofia University, an Episcopal priest, an author of several books, and the recipient of the Abraham Maslow Heritage Award. She has traveled widely through Asia, and she has decades of experience with the Chinese language and the Tao Te Ching – all of which more than qualify her to author The Divine Feminine Tao Te Ching.

However, the qualification that touched me the most was declared in the very first sentence written in the book, in the acknowledgments section: “Translating the Tao Te Ching has been a work of love.”1 The love that this author has for the Tao Te Ching, and for the language in which it was written, informs her entire translation.

Anderson begins with a few short pages explaining her personal story of moving to Asia as a young woman and how she very quickly learned, and fell in love with, the Chinese language. She explains her love for the elegance of the calligraphic form and the etymology of the characters, along with the reverence the Chinese people seemed to have for them. 

In exploring and observing the Chinese way of life during her time in Asia she recognized that she was beginning to learn a concept the Chinese call “wei wu wei, which means to ‘act without acting’ or ‘know without knowing’.”2

This concept of wei wu wei, she explains, is essential to understanding the Tao Te Ching, requiring one to slow down, to read with patience, to allow the poems to enter one’s knowing almost of their own accord.

Anderson originally decided to translate the Tao for her own benefit and delight, using her basic knowledge of Chinese supplemented by scholarly books that would teach her any characters she did not recognize. She began this process expecting that she might discover something new in the Tao Te Ching along with some new discoveries about herself. The thing she did not expect was to discover that the Tao was profoundly feminine – full of self-descriptive words such as “mother”, “virgin”, and “womb of creation” – all intrinsically feminine ideas! 

In fact, the descriptor of Anderson’s translation in the title as “divine feminine” is what drew me as a reader to this version. And it seems so obvious upon reading these ideas that the Tao would be referred to as “She” in most if not all places where pronouns are used, but historically that has not been the case. “Only in a rare poem do a few translators refer to the Tao as “She” when the reference to “mother” or “womb” is blatant.”3

Something I found profoundly interesting was that the author’s experience of the wei wu wei method of translation is that it was “rarely mental but typically took the form of bodily impressions.”4

This idea of allowing input (in this case the poems of the Tao Te Ching) to reverberate in the body instead of automatically depending on the mind to figure everything out seems to be something worth exploring in earnest. 

The next idea to help us ingest the poems (and to enter into wei wu wei) is to read the poems aloud, or to sing them – even perhaps to a favorite tune, along with a suggestion to read one poem per day and to truly commit to listening and hearing what the Tao has to offer. 

I particularly liked this specific instruction:

“Sing out loud and sing long. This is hermeneutics in action. The term hermeneutics comes from the Greek god Hermes, the great communicator who brought the gods’ messages down to humans. In singing the Tao Te Ching, communicating with the Heavens and back to planet Earth is precisely what you are doing. Do it. Improvise on the text as an ancient storyteller might. Begin your own legend – your own pathway to the Heavens and back again.”5

This instruction seems like the perfect way to begin or expand one’s exploration of the Tao Te Ching, especially The Divine Feminine Tao Te Ching – unhurried, embodied, and without any specific expectation other than “communicating with the Heavens and back to planet Earth.” For me, as a beginner, this encouraged me to not overthink or overdo, but to just sing.

So far, one of my favorite poems in Anderson’s translation is poem 34, which I place here for your enjoyment:

-34-
The Tao flows everywhere!
She stretches to the left and to the right
All things rely on Her for life
She never turns away
She accomplishes Her work
And makes no claims
She is free of desires
We call Her small
All things return to Her
Yet she never controls
We call Her great
In not striving to be great
The wise accomplish great things

This selection seems to align well with the author’s instructions and contemplations of wei wu wei, and this particular passages encourage me in the idea of “accomplishing great things by not striving to be great”6 and to “grasp the Great Mirror”7 of the Divine Feminine Tao Te Ching.

The poems are presented in a beautiful, flowing form, the typography spacious. And the book wraps up nicely with Notes on the translation and calligraphy, as well as an annotated bibliography. 

I recommend this little gem of a book to anyone wanting to study the Tao Te Ching – especially to consider it in the context of a gentle, non-striving practice.