Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Tag Archives: witchcraft

Bog Witch, by Mab Jones

Bog Witch, by Mab Jones
Moon Books, 1803411872, 96 pages, June 2024

Bog Witch by Mab Jones is a poetic and beautifully weaved piece of work that blends memoir, environmental awareness, and folklore. Jones’ story begins in a deeply personal setting exploring her working-class upbringing in Europe, which touches on a larger discussion of nature, feminism and capitalism’s harmful hold on both the environment and people.

Initially Bog Witch drew me in because of the interesting cover—a woman with a face mostly hidden with long hair which gave me the impression that this was going to be a scary book filled with mystical stories of myths of a witch that lives in the bog with creatures. However, this book is far from my guess, and despite that fact, I still enjoyed this piece. Diving into this book I have found that it is geared more towards weaving the author’s personal life, folklore, and deep analogies of the environment to raise awareness before it is too late to care for and save the earth. This focus in itself made a lasting impression and left me with deep thoughts inspiring more love for the nature that surrounds us.

When I started reading this book my very first thoughts were, “Gosh this author sure knows how to write visually and relate to her audience.” Even though my experiences were not exactly the same, I had similar experiences throughout my life and relating to the author made me feel relieved because there were not that many authors I could relate to. In a way this book touched my heart and I felt inspired realizing this could be me writing my heartfelt experiences on paper and sharing it with my audience as well. All of my passions, life experiences, and desires to get through to humanity is a task I have been uncomfortable to take on until now. Books like Bog Witch inspire not just a call to action but creativity as well because the words woven on paper have been well put together.

I enjoyed the foretelling of Jones’ childhood and experiences in nature:

“My interactions with nature were few and far between, and restricted to things found in or on hedges as we walked the short route to school. This included ladybirds, caterpillars, and, once, a hedgehog.”1

Experiences like this took me back to my memories of childhood and all the times I was outside in nature and unaware of all its beautiful mysteries. When I was young just like the author I too was “Blind to the beauties of nature.”2

The style of Jones’ writing at first was a bit difficult for me to understand, as she uses a lot of analogies and descriptive storytelling throughout the entire book. However, when I started getting further into my reading journey, it was as if I slowly started to ease into Jones’ world and relax. Bog Witch is a book that will catch you off guard and disarm your overly critical thinking mind (as it has done to me). Understanding the point and mission of the book became apparent to me when I started relaxing into the author’s words: Change yourself first, notice the beauty of nature, and protect nature. 

Each chapter like “Fenny,” “Tongue of dog”, “In the cauldron”, and so on talk about a different type of particular bog. Bogs are described as mucky, icky, and gross but Jones showed a different perspective and way of thinking which I enjoyed reading. In chapter two,  the title named “Fenny” came from a story of three witches and their incantation using the word “fenny” to describe an ingredient. The way the author connected the name of her chapters to storytelling is creative. And the use of folklore from Welsh, English, Hindu, and other cultures creates a unique and diverse atmosphere for readers.

Other than the folklore there is also a bit of education on water spirits which I did not have much knowledge of prior. Water spirits are not talked about that much in the witchy community, and I was hoping that the author would touch more on the subject but a little bit of information was definitely better than nothing.

Further in the book on page 29, I learn that dragonflies have other folk names such as the flying dragon which made me curious and want to research the subject further. Commonly dragonflies are known as Devil’s Darning Needle or Snake Doctor which seems to barely scratch the surface and requires more research on my end.

From beginners to advanced in knowledge, this book has a little something for everybody to take a piece of and walk away with. Even if you don’t learn something new, it is still a great book to sit down with a cup of tea and read to raise awareness of our environment and make you think about how you might be treating nature. What people fail to realize is that not only do we have one planet but change starts with us because too many people are not wanting to take accountability and just leave future problems to future generations. The author sees this happening and does a great job translating her words on paper to sway audiences and beg for change.

Overall even with the shaky start of starting Bog Witch, I finished strong with confidence and longing for another volume. Raising awareness of nature with a mix of storytelling, folklore, and knowledge is the perfect blend to a piece of writing that isn’t boring and preachy. Jones knows how to relate to her audience, entice, and educate. I can definitely see myself influenced by her words even though I have started my journey of caring for the earth a while back.

Her knowledge on bogs has taught me to appreciate and respect their space. Bogs are sacred, beautiful, and have environmental purposes. My other witchy friends that love nature or want to learn more about nature are the ones I would definitely recommend this book to. People that are not witches would still enjoy this book because it doesn’t particularly get into witchcraft and therefore they would not feel a conflict in their beliefs.

A Witch Alone, by Marian Green

A Witch Alone: 13 Moons to Master Natural Magic, by Marian Green
Weiser Books, 1578638437, 224 pages, February 2025

A Witch Alone: 13 Moons to Master Natural Magic by Marian Green is an illuminating guide for those interested in exploring the path of solitary witchcraft. Known for her expertise in traditional witchcraft, Green offers readers an insightful look into the path of witchcraft, teaching readers how to build their own sustainable practice moon by moon. For those who may not have access to a coven or prefer a more personalized spiritual journey, Green offers her insights as an elder, passing down the wisdom she’s learned over the years to a new generation of witches.

“This is not an easy path to follow, nor is it for all. Those who set out upon the hidden ways need to desire that secret knowledge, long for it in their hearts, yearn for it in their souls, and be willing, in turn, to offer continuing personal dedication, commitment and love.”2

Upon reading the introduction to this book, I appreciated how Green doesn’t make light of the “Old Ways”. Unlike many modern books, which can teach you how to do spells or commune with nature within hours, this book lacked any superficiality; Green truly has written those for those ready to follow a deeper calling to the pagan path and make the commitment for a full year. While her gravity might come across as stern at points, I felt reassured that her guidance came from the best of intentions to prepare the initiate fully for what’s to come as they advance their magical capabilities and deepen their practice of witchcraft.

The book is divided into thirteen chapters, each corresponding to a lunar cycle within the year, perfect for those seeking to engage with the natural cycles of the seasons. The focus is on the Old Ways, and Green often refers to Druid and Celtic roots too. This is not “pop” witchcraft, quite the opposite in fact. Readers are slowly taken on the journey of discovering the Great Goddess and her Son/Consort in their many forms.

Each chapter delves into different aspects of traditional witchcraft that illuminates the sacred stories, practices, and traditions. Topics include cycles of the year, journeying to the Otherworld, healing arts, divination, moon and solar magic, working with plants, and more. Green sets a nice pace for readers, allowing them to delve into one aspect at a time with dedication and focus, slowly building with each lunar cycle to create a comprehensive curriculum.

At the end of each chapter, there’s recommend exercises to focus on. Green suggests things like getting to know your local traditions, meditations and visualizations, crafts, and working with sacred tools. She recommends creating a Book of Illuminations to keep track of one’s revelations and insights as they move through the year and put into practice the knowledge acquired. She also often recommends other books to read for more information.

One of the key themes in A Witch Alone is the deep connection with nature. Green emphasizes the importance of observing and understanding the natural world as a source of wisdom and inspiration. She encourages readers to spend time outdoors, engage with the elements, and develop a personal relationship with your natural surroundings, writing:

“Your first acts of magic, if you are one of the rare folk who actually do want to align themselves with the traditional arts and reawaken the creative powers of the Old Religion within themselves, will be to get out of doors as much as you can.”3

One of my favorite aspects of this book is Green’s focus on the reader experiencing personal growth and self-discovery. She encourages readers to trust their intuition, which is of the utmost importance for a solo witch to rely on. Green does a wonderful job of teaching the foundations of witchcraft while also giving the reader room to explore their own inner landscapes, building their own connection with nature and learning to interpret and feel into the symbolism, cycles, and energies of the world.

The toughest part for me in reading this book is not skipping ahead! I find Green’s writing to be so illuminating that I want to keep going, rushing through the book to absorb all her insights. But cultivating the discipline to move one chapter at a time, beginning the next chapter the day after the new moon, has helped me to really absorb the material. I think in the course of a year, the integration of moving at a slow and steady pace will really pay off. I also find this method useful since life can get busy, so having a specific focus I can concentrate on 15-30 minutes a day helps me to be more consistent in my practice.

Overall, A Witch Alone is a valuable resource for anyone interested in exploring witchcraft on their own terms. Whether you are a beginner or an experienced practitioner, Green offers a wealth of knowledge and inspiration, guides readers in developing their magical abilities and personal spirituality. Her witchcraft experience and practical advice make this book a trusted companion on the journey of solitary witchcraft. Making the year-long commitment to follow this step-by-step process is sure to deepen and enrich one’s journey. Readers will overcome many of the challenges of a solitary practice and discover how to tailor Green’s wisdom to their own practice.

A Witch’s Book of Wisdom, by Patricia Telesco

A Witch’s Book of Wisdom, by Patricia Telesco
Crossed Crow Books, 1959883542, 224 pages, November 2024

Looking for a charm guide to magic? A Witch’s Book of Wisdom by Patricia Tesleco is just for you! Telesco is a prolific author, whose other works include Mastering Candle Magic, A Floral Grimoire, and A Kitchen Witch’s Cookbook. In this book, she adapts the persona of “Granny Good Witch”, an archetypal Cunning Folk, who is happy to share their honest thoughts and practical knowledge based on decades of experience to those seeking guidance on magical topics.

“The entire purpose of this book is to provide a nurturing, sound, practical, and fun-loving outlook on magic and spirituality as they intertwine with your everyday life.”4

The book is organized alphabetically by topic. From A to Z, readers can browse the magical advice Granny Good Witch has to offer on all sorts of aspects of the Craft. From etiquette to gardening to beauty, Granny Good Witch has something to say. While a spell or incantation might be offered here and there, this book is definitely more focused on imparting general knowledge than offering “how to” advice. For those looking for specific spells with directions to follow, I’d recommend Telesco’s  Spinning Spells, Weaving Wonders.

Much of this book is sharing principles, lessons, helpful hints, and methods one can use to fulfill their intention. It reads like a magical compendium. For each topic, there’s a quote and Granny’s general take on the topic. Bullet-point lists are often included too, making the material easy to absorb and remember.

Telesco notes, “The processes provided are neither over time-consuming nor do they smack of Hollywood hocus-pocus.”5 I concur that all the advice was easy to implement! The whole book is very down to earth, acknowledging the reality that many magical practitioners don’t always have the time for complex workings. All this wisdom goes to show that our practice is meant to be lived and there’s many ways to incorporate magic into one’s day.

There’s quite a few tidbits of guidance from Granny that I picked up so far, yet three things have stood out the most. The first is to draw in luck by changing one’s routine around a bit. The second is a recipe for baking bread for kindness. And the third was a list of things fire magic can be used for.

Some of my favorite advice from Granny came from the “Manifestation” section:

“The question is, how do we go about encouraging manifestation? To answer this question, Granny looks at the ancients, who often used ritualistic dance to nudge the process along. Ritual dancing consummates the connection between the spiritual and temporal. It provides an energy-generating medium, and it then offers a way for the practitioner to express magical fulfillment as realized (in symbolic form).”6

Another aspect I like of Granny’s wisdom is the balance between encouragement and a healthy caution. This isn’t a fast-track to magic, and often, the advice is to keep on trying different things, such as working alone vs. in a group, until you find what works best for you. There’s absolutely not a “one-size fits all” mentality in these pages. Rather, the advice feels like it has your best interest at heart, as the message is tread of advice often circles back to discovering what’s best for your path, taking it slow in your exploration, and then keeping an open mind for the sake of flexibility; adaptation is definitely one of the Cunning Folk’s best attributes!

Overall, I recommend A Witch’s Book of Wisdom for those who are in need of someone (yes, even if it’s a book, Granny’s advice feels very comforting!) to turn to for magical advice. While some witches are blessed with a fulfilling community, others are left to seek out other like-minds in new groups or online forums, gathering the advice they can get from books and other resources. It’s very nice to have Granny in your corner; this is absolutely a book that is worth adding to your collection to turn to for inspiration when seeking guidance on a myriad of topics.

The Tameless Path, by Kamden Cornell

The Tameless Path: Unleashing the Power of Invasive Plants in Witchcraft, by Kamden Cornell
Crossed Crow Books, 1959883631, 306 pages, August 2024

In recent years, there’s been a shift in how plants are used in magical practices. There have always been ways to obtain ingredients for spells or other workings, but the events during the last few years have seen many people foraging for their own elements. Without overly generalizing, it seems as though anyone with access to an outdoor space has taken advantage of that and started to grow their own herbs and such. But how many people actually forage, as in go into the woods and search endlessly for plants that grow wild only in certain spots? And how do you make sure that what you are gathering is safe and not harmful to children or pets?

Enter The Tameless Path: Unleashing the Power of Invasive Plants in Witchcraft, by Kamden Cornell. If Rachel Pollacks’ 78 Degrees of Wisdom is looked upon as the definitive book on tarot, then Cornell’s book will certainly be a top contender with respect to plants. Cornell is no stranger to plants: they currently teach classes on witchcraft, occultism, herbalism, wortcunning, foraging, and invasive species wildcrafting in their region. They also work as an apothecarist and own a small, witchcraft-oriented business that focuses on herbal remedies, ritual goods, and education. To say they are qualified is an understatement.

“What we call “weeds” have been used as remedies and food for thousands of years in the regions they were native to before being transplanted to our own soils.”7

One of the first things I questioned when I picked up this book was relevance to me personally; after all, I don’t live anywhere near the author. Looking at the table of contents quickly relieved me of that fear as I saw many familiar plants that grow in my area listed. The chapters on alchemy, planetary magic, and various methods of plant preparation are well written and provide information that will lead the reader to a deeper understanding of the connection between plants and the universe.

There are two table of contents pages: one showcases chapters divided thoughtfully into a pattern that makes sense in terms of content, and the other is a full listing of spells and recipes by weed. Both are comprehensive and well laid out, but it’s the spells and recipes that drew me in. While some of the spells seem whimsical in terms of their ingredients, knowing what can be substituted for the more arcane and less available tasks is vital. Knowing a bit of herbology and spellcraft would be useful here but isn’t necessary as long as the internet exists!

Chapter 4 is my favorite as it deals specifically with choosing the method of preparation and provides clear instruction on how to do so. The preamble for the directions is very informative and provides a ton of guidance around the processes. There is also a disclaimer regarding using words such as medicine or medicinal, as Cornell is very clear to reiterate that “nothing in this book is intended to be a substitute for medical treatment.”8 The author is very clear about personal safety and recommends being in the care of an allopathic physician should one choose to utilize herbal protocols in any way. 

Cornell goes into great detail in each section of this chapter, explaining common terms that relate to each section such as tisane and strewing blends. Most people who pick up this book will probably have some knowledge around these terms, yet Cornell goes deep into each area and ensures there are no stones left unturned. I appreciate that immensely as there is no need for cross referencing: everything you need to know is contained in one book. How convenient!

Perhaps the most interesting part of the section is the alchemical one. Not being familiar with this specific method myself, I devoured the section and made notes. I was under the impression that processes like distillation were complicated and involved so many containers and apparatus, and I was right. Probably not something I could do in my tiny apartment, but a girl can dream. I love the idea of distilling my own supplies, but the reality is I cannot. Not the first time I’ve been disappointed but at least it’s not with the book.

The Tameless Path is perfect for those who are interested in the path of herbology and want to deepen the practice. Chock full of information that isn’t readily available elsewhere unless you dig deep, this book provides clear and concise information as well as a variety of accompanying methods and recipes for a well-rounded literary journey through the land of herbology. Practical and magical, I will be gifting copies of this book to a few of my green-thumbed friends, who might be persuaded to share the fruits of their labour with me.

Boys Are Witches Too!, by Ted Enik and Shiloh Penfield

Boys Are Witches Too!, by Ted Enik and Shiloh Penfield
RedFeather, 0764368230, 32 pages, August 2024

I absolutely love sharing my Pagan beliefs with my son and cultivating family traditions together. However, it has been a challenge to find books that showcase other little boys being witches, as the focus is often on witchcraft being for girls. Boys Are Witches Too! by Ted Enik is a delightful children’s book that showcases the magical adventures of being a witch from boys’ point of view, inviting a sense of inclusivity to the craft, through the alphabet.

“Down through spiraling time, Witchcraft and other Pagan beliefs have always embraced this balance—it’s all around us: daylight and darkness, fire and water, summer and winter, sun and moon, and most meaningfully, the Goddess and the God. Women and men, boys and girls, can look to both Gods and Goddesses for inspiration and guidance and in doing so exercise a balanced, mutual respect.”9

Through clever storytelling and vibrant illustrations, this book teaches the ABCs and various aspects of Pagan practices. E is for Elders, while V is for Veil. And for each there’s a rhyme, making this a very fun book to read aloud. Here’s an example for I, Intention:

“Intention means giving a wish a head start; It’s a map from your mind and a path from your heart.”10

This book is a collaboration between Ted Enik, who wrote the book and drew the illustrations, and Shiloh Penfield who handed the brilliant color. Enik was creative in choosing the words to use for each letter, ranging from animals (hare and narwhal) to tools within the craft (key and bells). And his illustrations show all types of little boys and girls happily participating in the craft. And with Penfield’s assistance, the illustrations are colorful, whimsical, and perfectly complement the text. The artwork brings the magical world to life and captures the imagination of readers, adding an extra layer of enjoyment to the story.

The experience of both creators shines through in this book. Enik’s other work includes being the primary artist of the “I Can Read” series of Fancy Nancy. He also writers plays and films in addition to illustrating books and graphic novels. His expertise designing children’s book is apparent, and it’s just lovely how he includes a variety of Pagan symbols, such as the pentagram in many of the illustrations. Then Penfield’s background creating artwork for comics is reflective in the way the color of this book pops, making it perfect for young ones to read as it will maintain their attention and focus.

As a Pagan parent, I really like how the text fosters discussion. Even if your child already knows the ABCs, the different rhymes are sure to spark an interest and get your child asking questions, opening a dialogue about the craft. The illustrations especially will be of interest to older children, as they contain symbolism that can be absorbed, reflected on, and talked about with their parents.

For instance, Q for Quarters, features a child holding up a piece of paper with trees in each season in the corner, a big circle, and then images of the elements in their proper direction in the middle. This would be a great page to discuss topics such as the Wheel of the year, elements, directions, and how they all come together in a magical practice.

Overall, Boys Are Witches Too! is a real treat for children learning about the Paganism. While it’s a real treat for young boys to finally see themselves represented as a witch, all children will enjoy the fun illustrations and bright colors within the pages of this book. From teaching the ABCs to the creating dialogue about Paganism with your children, this is a wonderful book that is sure to be a delight for everyone!

A Confluence of Witches, edited by Casey Zabala

A Confluence of Witches: Celebrating Our Lunar Roots, Decolonizing the Craft, and Reenchanting Our World, edited by Casey Zabala
Weiser Books, 1578638453, 224 pages, October 2024

Witchcraft is not a one-size-fits-all practice. There’s no single, universal “witchcraft” that everyone follows. Different witches may have varying beliefs, rituals, and traditions, influenced by their individual experiences, cultural backgrounds, and personal paths. This diversity is what makes witchcraft such a rich and fascinating exploration.

A Confluence of Witches: Celebrating our Lunar Roots, Decolonizing the Craft, and Reenchanting Our World, edited by Casey Zabala, brings together a diverse array of voices within the contemporary witchcraft community. Through a rich tapestry of essays, rituals, and personal narratives, this anthology shines a light on the multifaceted nature of witchcraft in the modern world to explore “the authentic intersection of magic, spirituality, personal development, and social justice.”11

“Modern Witchcraft is not a disavowal of our Pagan, animist, lunar roots. Rather, Modern Witchcraft is an evolution of our responsibilities as practicing witches. These responsibilities have historically been to praise the divinity of the Earth and cosmos, to provide healing remedy and support to the community, and to offer a spiritual framework for the oppressed. To be a modern witch we must straddle both our ancient origins and our futurist dreams.”12

This anthology covers a broad range of topics that will appeal to both seasoned practitioners and those new to the craft. The seven chapters each focus on a certain aspect of witchcraft: the Moon, the blending of traditional magic with modern technology, the decolonization of witchcraft, connection with the spirit world, connection to our bodies and Earth, pathways of healing, and the power of covens. Within the chapter there’s three essays related to the topic.

The essays in A Confluence of Witches are thought-provoking and deeply personal. Each contributor shares their unique journey and insights, making the anthology both informative and intimate. Some of my favorites are “Reclamining Resources: Money Magic in This Time of Capitalism” Jessie Susannah Karnatz, “Loving What Is: Quantum Witchcraft” by Sanyu Estelle, “Flower Animism: A Floral Spell” by Liz Migliorelli, and “There is Sustenance in the Roots by Star Feliz.

Zabala’s editorial hand is evident in the seamless flow of the book. At the start of each chapter, she writes an introduction for the topic, creating a cohesive overview of the essays that follow. I also felt like the arrangement of the chapters was very intuitive, though there’s truly no need to read them all in order.

One of this anthology’s greatest strengths is its inclusivity. Zabala has curated contributions from witches of various backgrounds, practices, and traditions, ensuring that readers are exposed to a wide spectrum of perspectives. This diversity not only enriches the reader’s understanding of witchcraft but also challenges any preconceived notions they might have. The essays all give a little glimpse inside the world of the writers, so readers can then pursue exploring more work of the writers they especially resonate with.

There are so many leads I want to follow now that I’ve read this book! I am truly enamored with the insights from the writers who contributed. At the end, Zabala has included biographies for all the contributors. Here readers can discover new podcasts, YouTube channels, books, organizations and groups, and more. The community Zabala created in 2018 is called Modern Witches, which aims “to heal and honor the collective’s relationship to the witch.”13

Reading through this book prompted a lot of reflection for me, and I began to see my practice connected to a much wider group of people. Oftentimes, especially when feeling isolated or marginalized, I think witches forget the community resources available to them. But there are so many others out there shaping Modern Witchcraft. I learned about so many other amazing witches and their work when reading this book that I would have never known about otherwise, and I’m really excited to further brand out and explore some new groups I learned about from the book.

It felt very expansive to see just how vast the world of Modern Witchcraft is right now and to take the time to think about the impact of technology, political systems, and social structures on witchcraft right now. With each chapter, I felt a shimmering web of energy growing between me and these other witches; even though our practices might look very different, we all walk the same path at this current time.

Overall, A Confluence of Witches is an essential read for anyone interested in the Modern Witchcraft movement. Within the variety of voices, the book maintains a narrative that guides the reader through the complexities of Modern Witchcraft that is expansive, inclusive, and thought-provoking. Whether one is new to the craft or a seasoned practitioner, this book gives voice to where Modern Witchcraft is at right now, contextualizing the greater community of witches beyond one’s daily scope.

We all possess our own sacred blend of spirituality, shaped by our experiences, beliefs, and connections to the world around us. By embracing the diversity of witchcraft and honoring the unique practices of others, we can create a more inclusive and supportive community that celebrates the richness of human spirituality.

Witches, by Judika Illes

Witches: A Compendium, by Judika Illes
Weiser Books, 1578638577, 240 pages, October 2024

Autumn has arrived, and I think we can all agree.. It’s officially the season of the witch! For those who are feeling drawn to witches, whether through fictional tales or their own witchcraft practice, Judika Illes’ latest book Witches: A Compendium offers a fascinating exploration of the subject, from ancient times to modern day. This comprehensive guide covers a range of witchcraft topics, from famous witches to the best witch-travel destinations.

“The world of witches is filled with passion, magic, high spirits, and joy. It is a world where the sacred is ever-present, a world in which even the most mundane objects possess deep spiritual significance. The world of witches is a world of wonder in which every color, incident, creature, sight, or sound has some sort of magical import.”12

Illes does an excellent job of presenting a diverse range of perspectives on witchcraft. Chapters are dedicated to types of witches, witchcraft tools, animal familiars, various well-known witches (famous ones, fictional ones, divination witches, and those who have been persecuted for their practice). She includes stories and practices from different cultures, highlighting the universal appeal and varied interpretations of witchcraft around the world. This inclusivity is a refreshing aspect of the book, as it acknowledges and respects the wide array of traditions and beliefs associated with witchcraft.

For each topic in the compendium, there’s anywhere from one paragraph to two pages dedicated to the subject. Illes’ writing style is engaging and accessible. She excels in writing insightful profiles that bring these individuals to life, offering readers a glimpse into their lives and the culture during the time they lived. Some of my favorites covered include Tamoamo-no-Mae, Hulda, and Kybele. I also loved the focus on fictional witches, such as Agatha Harkness, whose new TV show I just started watching on Disney+; Illes writing is so up-to-date that it mentions this new Marvel show, along with the recent WandaVision.

I was also pleasantly surprised to see that Illes included quite a few men in this compendium. Of course, there’s the male founders of certain traditions, such as Alexandrian Wicca and The Clan of Tubal Cain, who were influential in the spread of modern witchcraft. But she also looks to famous magicians and sorcerers of the past too, such as Abei no Seimei, Franz Bardon, Count Alessandro di Cagliostro, and Dr. Leo Martello. This inclusion gives a very balanced perspective on witchcraft, offering a full picture that counters stereotypes of witches always being old hags or devious young women.

The chapters on the tools, crafts, and animals associated with witchcraft are especially beneficial for readers to learn more about different practices. Illes covers tools like dolls, mirrors, runes, and wands, along with crafts of the trade such as dowsing, scrying, and astrology. The chapter “Animal Witches and Witches’ Animals” is loaded with information about the roles various animals have in witchcraft practices worldwide. I was fascinated to learn:

“European itches were accused of riding wolves or bates; African witches ride galloping hyenas, the animal most closely identified with witches throughout Africa.”14

And, if after making it through most of this book you are wondering if you’re a witch, Illes’ final chapter helps to answer this question. She includes lore that indicates being a witch, such as being the seventh-born son or daughter, as well as having a witch-mark or disliking salt. She also notes personality traits like “you have an affinity for wild nature, a love for the world’s wild, untamed places”15 and “you possess an independent streak: you don’t like being told what you can’t do, can’t learn, can’t known, can’t read, or where you can’t go.”16

Finally, the visual aspect of the book is also worth mentioning. Witches is beautifully illustrated, with images that complement the text and enhance the reader’s experience. The illustrations add an extra layer of enchantment to the book, making it not only informative but also a pleasure to look at.

Overall, Witches: A Compendium is a great read for anyone interested in the world of witchcraft. It is comprehensive, well-researched, and beautifully presented. Whether you are a seasoned practitioner or a curious newcomer, this book offers valuable insights and practical knowledge that will deepen your understanding of witchcraft and its enduring allure.

And if you enjoy this book, Illes has quite a few other informative books published, including Encyclopedia of 5,000 Spells, Encyclopedia of Spirits, The Element Encyclopedia of Witchcraft, and Encyclopedia of Mystics, Saints, & Sages, along with The Weiser Field Guide to Witches and The Weiser Field Guide to the Paranormal.

Witchcraft, by Raven Grimassi

Witchcraft: A Mystery Tradition, by Raven Grimassi
Crossed Crow Books, 978-1-959883-59-3, 270 pages, July 2024

Neo-Pagan scholar and witch Raven Grimassi (1951-2019) was the prolific author of several books on the Old Religion. Initiated into Wicca in 1970, he founded the Aridian tradition a decade later, which blended Wicca and Italian witchcraft. In 2006, he established the Ash, Birch and Willow tradition with his wife Stephanie, which emphasizes the primal roots of European witchcraft. 

Crossed Crow Books, dedicated to preserving Grimassi’s legacy by republishing his out-of-print works, has rereleased Witchcraft: A Mystery Tradition. In this comprehensive work, Grimassi explores the myths and universal deity archetypes at the core of the Mysteries, which he says are “applicable to any system or tradition of Witchcraft.”17. This book was inspired by the Goddess of the Mysteries, Ceres, who Grimassi honored as his patroness because he was born on her festival day, April 12th. Before writing each chapter, Grimassi asked Ceres for her guidance.

For me, witchcraft is an ecstatic religious experience rooted in ancient practices, and Grimassi’s writings support that school of thought with meticulous research.

“It is my personal belief and experience that Witchcraft is a religion that has evolved over countless centuries (as opposed to a modern construction),”18 Grimassi says. “Historians and archaeologists spend a great deal of time and energy trying to separate magick and sorcery from Witchcraft as well as other things that the Witch as a practitioner knows to be inseparable.”19

Grimassi’s traditional perspective is so validating and refreshing to read, and I wholeheartedly agree with him. It’s become trendy for witches on social media to deny that witchcraft is a religion, and I can’t help but feel that they are serving their egos instead of the Goddess and the God.

Grimassi provides supporting historical evidence of Wiccan concepts and practices that have supposedly been debunked by historians like Ronald Hutton as modern inventions. He traces the ancient origins of ritual nudity, also known as being “skyclad,”20 citing seventeenth-century woodcuts and classical works, such as Ovid’s Fasti, as proof. He also validates the threefold nature of the goddess of witches, who is mentioned in classical sources like Lucan’s Pharsalia and Ovid’s Metamorphoses, as well as in “the ancient concept of the Three Fates,” in which “we see the classic Maiden, Mother, and Crone vision.”21 

One of the greatest strengths of this book is that Grimassi helps readers see the Mystery Tradition from the perspective of our prehistoric ancestors. For example, he suggests that the ancient belief in an afterlife may have stemmed from the observation that sleeping people resemble the dead and visit the spirit realm in dreams. He also notes that “the Sun and Moon appeared to arise from beneath the ground and return each day or night,”22 suggesting the presence of an Underworld beneath the earth.

“It is the work of a Witch, as a practitioner of Earth Religion, to be a steward of nature,”23 Grimassi says.

Witches align with nature through the seasonal rites of the Sabbats, which Grimassi explores in detail. He explains how the waxing and waning halves of the years are personified by the Holly King and Oak King, whose animal forms are the stag and the wolf, and he analyzes the symbolism associated with the myths and legends of each Sabbat. 

“The Mystery Teachings are designed to bring humankind back to its original relationship with nature,”24 Grimassi says. By studying these teachings, he believes we can reactivate dormant ancestral knowledge, which he refers to as “memory-chain associations.”25 Memory-chain associations are energetic currents that Grimassi likens to quantum threads in a spider’s web of non-linear time, weaving together the simultaneously existing past, present, and future.

By aligning with a “core concept” that is received upon initiation into the Mysteries, “one can interface with the memory-chain associations.”26 Once the memory-chain has been activated, the initiate can draw from the Underworld cauldron of ancestral memory hidden within the labyrinthine tangle of roots beneath the Tree of Knowledge. The wisdom that lies therein is meant to be shared, for the enlightenment of humanity, and “the cauldron will not offer its essence to those who serve only themselves.”27

I believe Grimassi wrote this book in such a way that it activates those memory chains in the reader, stimulating initiatory insights, and this book is such a wellspring of information that it would take multiple readings to fully integrate what it has to offer. By shifting my mindset to the primal perspective of this work, I had a profound epiphany that deepened my understanding of the Horned God and my personal relationship with him. 

I took the holy sacrament of psilocybin cubensis for the first time while reading Chapter Three, “The God of the Witches,” and it was a truly initiatory experience. Although Grimassi does not mention the use of psychedelic sacraments in this book, I felt guided to do so by my guardian spirits because the mushroom, with its phallic shape and ecstatic properties, is a sacred plant medicine of the Horned God. It was a fortuitous synchronicity that I received the sacrament from a church the day after I started reading this book. I was also given signs to take it by the presence of two large mushroom fairy rings at the local park.

After waiting several hours for something to happen, I was disappointed because I thought the sacrament wasn’t working. I gave up and watched an episode of the X-Files, in which Agent Scully was kidnapped and almost lobotomized by a serial killer who wanted to trepan out her demons. Before Mulder rescued her, I had an intense craving for Doritos. That’s when the magic mushrooms finally started to kick in.

I heard a spirit voice tell me that I was protected and it was safe for me to let my guard down and surrender to the experience. She told me I have a very strong mind, like barbed wire, and it took a long time for me to feel the effects of the sacrament because of my psychic barriers. I realized she was right. I was curious to see what would happen, but I was also afraid of being mind-raped by the mushroom, so I had a lot of subconscious resistance. Up until that point, I had been worried that I wasn’t feeling anything because I didn’t take enough, but she told me that the Universe had provided me with the exact dosage that was right for me to consume at that time. Left to my own devices, I could easily have overdosed and become Madame Psychosis. My guardian spirits know me all too well.

At the peak of my trip, Dionysos appeared to me in the form of a serpent crawling along the tiles of my floor. The serpent told me he knows me better than I know myself, and gave me a lot of insight into my own behavior. He revealed to me that he is like a chameleon, and if I try too hard to see him, I won’t find him at all. “Surprise!” he said. I am the Mushroom King. He was very playful and teased me for overlooking him when he’s all around me, giving me obvious signs of his presence.

On the eve of Lughnassadh, a few days prior to me consuming the sacrament, a catalpa tree fell in the backyard during a thunderstorm. Thankfully, no one was injured and there was minimal damage, but it was a really startling encroachment of nature. A forked stang was gifted to me from that fallen tree, and I learned from an internet search that catalpa wood encourages creative self-expression, embracing one’s uniqueness, and facilitates communication with spirits, including angels, fairies, and ancestors.

The garden has also been strangely wild and overgrown with monstrous weeds this summer, despite all my diligent efforts to tame them. The corn was mysteriously knocked over by some unseen force, which was a frustrating disappointment, but the berry bushes have been thriving. All of this excessive weedy vegetation has been the Horned God’s way of trying to get my attention. He confirmed that I am a maenad by giving me a vision of myself with green skin and wearing a flower crown, which aligned with me being born in May and the emerald being my birthstone. I reveled in this Dionysian ecstasy without worrying about whether or not these insights were real or a form of spiritual psychosis, and once it was over, I felt heightened creativity and wrote down everything I could remember and transformed my experience into a poem.

Dionysos taking the form of a serpent in my vision was significant because Grimassi writes that, according to Plutarch, during the waning half of the year, “Dionysos is lord of Delphi,”28 while Apollo reigns during the waxing year. He likens Apollo and Dionysos to the Oak and Holly Kings of the waxing and waning and waning year who annually battle for regency. After re-reading this passage, I realized I had seen Dionysos in the form of the sacred python of the Delphic Oracle. This information was important for me to integrate because I’ve been wanting to incorporate Apollo into my practice as a complement to Dionysos, and seeing him as the king of the waxing year adds more depth to how I perceive his relationship with the Dionysian shadow.

I now see Apollo as the rational conscious mind, the Luciferian prince of dawn who wakes us in the morning and helps us remember and interpret the dreams and visions gifted to us in the Dionysian underworld of the subconscious mind. Light-bringing Apollo helps us make sense of it all and gives our visions deeper meaning by translating them into poetry, music, and other art forms. Apollo, the embodiment of reason, bestows the gift of discernment, enabling the mind to parse out delusions and fantasies from genuine prophecies and mystical experiences.

According to Grimassi, when the conscious mind attempts to digest illogical dream symbolism, “it discards what cannot be understood and retains what can be deciphered through logic and rational reasoning.”29 “The discarded information falls back into the subconscious mind where it later reappears in another dream state,”30 Grimassi says. This subconscious stew of dreams is symbolized in mythology as a magical cauldron, and as I read Grimassi’s words, I had a sudden epiphany that these dream fragments are reflected in the myth of the dismemberment of Dionysos, who was cooked in a cauldron and eaten by the Titans.

“The mystical theme of consuming is at the core of the Mystery Teaching associated with the Sacred King or Slain God,” Grimassi says. “The seed must go into the earth and the God must go into the soul. In essence, burial takes place in the soil and the stomach.”31 Grimassi also points out that the hearth was seen “as an entrance to the Underworld.”32 “The cauldron,” he says, “is not only a cooking pot but also a womb symbol from which metaphorical children are born.”33 

Taking the sacrament while reading this chapter gave me a whole new perspective of the Horned God’s manifestation as the sacred serpent. The correlation between the Horned God and digestion got me thinking about how the human digestive tract is just one long snake.

“The serpent is a very old symbol of the forces of the Underworld and of transformation itself,”34 Grimassi says.

Part of the Biblical serpent’s wisdom must have been instinctual discernment of what is safe and not safe to eat. Practicing Grimassi’s prehistoric way of thinking, I imagined the process of trial and error for hunters and gatherers learning which plants were safe for consumption and which ones were poisonous. To consume the sacrament is to metabolize plant wisdom. Perhaps being cursed to crawl on one’s belly metaphorically means that the will to survive is driven by the pangs of hunger. In order to stay alive, we are slaves to the dietary needs of our bodies.

Perhaps this is why so many Christian ascetics used fasting as a method of resisting the Devil. I have come to the conclusion that the Tree of Knowledge is the human body, and the serpent is the digestive system. The serpent rules the literal bowels of the Underworld, the digestive system that alchemizes food into energy. By honoring the wisdom of the serpent, we treat all food as sacred and become more mindful of what we consume.

Witchcraft: A Mystery Tradition has blessed me with initiatory revelations and I can’t praise this book enough. I came to this work seeking to know the God of Witches better, but of course, Grimassi devotes the same amount of attention to the Triple Goddess. In the past, my practice has been primarily goddess-centric, so this book initiated me into an aspect of the Horned God’s mysteries because that’s what I needed most for my personal spiritual journey. I have no doubt that multiple readings will take me in new directions, and every reader’s initiatory experience will be different, depending on where they are on their spiritual path.

Seasons of the Witch: Imbolc Oracle, by Lorraine Anderson and Juliet Diaz

Seasons of the Witch: Imbolc Oracle, by Lorraine Anderson and Juliet Diaz
Rockpool Publishing, 1922579785, 112 pages, 44 cards, November 2023

In the darkness of winter, Imbolc is a time of fresh starts, hope, and renewal, as we begin to see signs of the spring returning. While others rush to make their new year’s resolution in January, I’ve always known the potent magic in waiting until Imbolc to start crafting my intentions. And this year I’m really excited to have Seasons of the Witch: Imbolc Oracle by Lorraine Anderson and Juliet Diaz  to turn to for guidance as I map out my intentions for the upcoming months.

The Seasons of the Witch oracle series has already moved through Yule, Samhain, and Mabon, and with this deck Anderson and Diaz turn their focus to encapsulating the energy of Imbolc into the next deck in the series. Anderson and Diaz describe how they find Imbolc “to be the most suited for solitary work, a time when you turn inward and focus on your hopes and dreams.”1

“Each card was brought to light with the hope that it would stimulate self-awareness rather than focusing on other people.”25

To better acquaint myself with the deck, I decided to flip through the guidebook before delving into a reading. Following the author’s introductions, there is a list of themes and areas of focus for Imbolc, an overview of how to use the cards, and card spreads. I really liked the authors’ idea of pulling a monthly guiding-light card, photocopying it, and placing it in areas you’ll see throughout the day to remind you of the energy. Anderson and Diaz also describe how after reader feedback from other decks, they decided to shift from invocations to mini messages that give a glimpse of the card’s meaning.

The cards themselves have a calm, tranquil energy. I instantly feel at ease when I’m holding the deck. They shimmer with their navy-blue gilded edges, and the image on the back of the moon with candles surrounding it brings a soft, gentle illumination. The cards’ imagery remind me of the concept of hygge, bringing warming feelings of contentment or well-being. Some card names are Cinnamon Rolls, Casserole, Greenhouse, Amethyst, Snowflakes, Groundhog, Dawn, and Aquarius.

The coloring is a perfect mixture of healing darkness with soft light, reminding readers of the bliss that comes in the quiet stillness of the deep winter, but also honoring the winter blues. In the mix there are plenty of cards that invite the reader to delve into their grief and longing and create a sacred space for healing and transformation to occur. It is only through having the courage to face the dark that we can find the light within again; with this deck, we are safely held to explore our inner realms and wash away the old to pave way for the new.

My first time using this deck I did a one-card pull and got Arts and Crafts. It instantly felt very aligned, as I have been longing to create space in my schedule to do some crafting projects. Recently, I’ve been longing to create a winter vision board, bake and build a gingerbread house, and make my own witch’s ball and/or spell jar. The card felt like an intuitive nudge to follow this whim.

Then reading the message for Arts and Crafts hit home even more. It reads:

“The Arts and Crafts card comes to you when you are trying to manifest your vision using other people’s means and methods instead of creating something for yourself. . . Don’t cut yourself short thinking you don’t have the skill to bring your ideas and visions to life, because skills can be learned and mastered.”30

Recently, I have been relying on other people, hoping their dreams pan out and I fit in somewhere, rather than pursuing my own visions. This card was a gentle reminder of my creativity, from the daily crafts I will start to build to the greater vision of my life that I am now feeling ready to begin tending again.

My next time using this deck was to gain insight into how I could heal an important relationship in my life. I chose the Rosemary bread spread (yum, right?) that the authors warn “is not for the faint of heart”31 as it will reveal honestly if the relationship is better mended or if it has reached its natural conclusion and it’s time to part ways. The positioning of four main cards gives insight into whether or not the relationship should continue, and the cards five-a and five-b are to be read depending on if the answer is “yes” to mend the relationship or “no” to heal and move on.

When I read the first four cards in the spread, I was honestly shocked by the accuracy. It was as though the deck tapped into the situation perfectly and laid before me the truth that I had been unintentionally shielding myself from. The essence of the message was that my partner and I were not in alignment with our higher purpose; I am being non-committal, while he is lacking focus. The fourth card, Peppermint, revealed it was time for a clearing of toxic patterns. (Sidenote: It was interesting that Peppermint came up for me too because it’s an herb I’ve been feeling really called to work with recently!)

From the spread, I determined the message was to mend, and so I read the follow-up card that pretty much pointed to us needing to do some shadow work to overcome these recurring issues. Sharing this information with my partner led to a much-needed discussion about our future, and afterwards we felt more connected than we had in a while. I definitely felt the author’s intention for this deck to help readers focusing on their own inner work rather than other people’s expectations of you helped to restore balance in my relationship.

So far, I think this is my favorite Season of the Witch deck yet. Just like the others, it perfectly captures the essence of the sabbat. But I think Imbolc is often overlooked, as it has a quiet energy compared to some of the other more bold sabbats, such as Samhain and Yule. These cards are a perfect way to attune yourself to the gentle unfolding of Imbolc during the winter. Though, I feel there’s plenty of insight to gain from using them as one feels called throughout the year as well.

Overall, I highly recommend Seasons of the Witch: Imbolc Oracle. Anderson and Diaz are doing a wonderful job of distilling the essence of the sabbats into these decks. The cards for Imbolc perfectly capture the energy of this season; they are warm and cozy with unexpected depth. This deck will help you to delve into the hidden emotions to reconnect with yourself and determine what’s of true value in your life and worth pursuing as a new beginning.

Alive with Spirits, by Althaea Sebastiani

Alive with Spirits: The Path and Practice of Animistic Witchcraft, by Althaea Sebastiani
Weiser Books, 1578638259, 240 pages, May 2024

Many pursue the path of witchcraft hoping to influence the world around them, yet it’s important to also honor the energy exchanges consistently taking place and defining our relationships with the world we inhabit. How else can we manifest our desires, heal our wounds, and cultivate a practice without a connection to the Land, spirits, and energetics surrounding us?

Alive with Spirits: The Path and Practice of Animistic Witchcraft by Althaea Sebastiani is a profound exploration into the world of animistic witchcraft, offering readers a comprehensive guide to understanding and practicing this ancient spiritual path from the scope of modern witchcraft.

“Within the context of contemporary witchcraft, animism is the definitive influence behind a land-based approach. It provides structure for practice that is rooted in deep relationship with physicality, both of the land and of ourselves. It affords us a sense of connection to something larger than ourselves that is gained through understanding of community that includes the individual spirits as much as it includes other humans.”35

The most prominent standout feature of this book is its emphasis on direct experience and personal connection with the natural world. Sebastiani encourages readers to cultivate relationships with the spirits of the land, animals, and plants around them, fostering a sense of reverence and intimacy with the environment.

This approach to witchcraft is refreshing in a world often disconnected from nature, and it serves as a reminder of the sacredness in everyday life. The practical exercises provided are thoughtful and varied, allowing readers to experiment and find what resonates most with their unique spiritual journey.  For every chapter, there are new exercises related to the information just shared, along with on-going exercises to keep practicing what was already spoken about previously in the book, yielding a steady build up of skills.

Most of these exercises are focused on energy work, and readers who engage with Sebastiani’s exercises will find themselves learning to fine-tune their psychic sensitivities. There’s layers and layers of energy to be explored through this animistic approach, and she ensures that readers are grounded, knowledgeable, and prepared to take the next step in their journey.

Towards the beginning of the book, Sebastiani explains, “As witches, our work with energy takes two forms: sensing energy and manipulating energy.”36 She goes on to explain the general forms of manipulating energy are pushing (projecting), pulling (attracting), and holding (containing).37 This foundation understanding of energy is then expanded to assist readers in connecting with the Land, their body, and other living and non-living beings.

My greatest takeaway from this book was the new awareness of the more subtle, overlooked energies both within myself and in the Land surrounding me. The section titled “Layered: Together and One” was particularly eye-opening for me. Sebastiani describes:

“When we think of the land and nature, we have a tendency to think of the things that fill nature. We think of plants, trees, animals. Rarely do we consider the “empty spaces”–the dirt, the rocks, the wind–except in relation to those other living, animated things. . .Being able to be within a location and to hold the awareness of it as unique–appreciating the differences that are an intrinsic part of its beauty, personality, identity, and basic nature–is essential in order to grow your awareness of the spiritual qualities of that place.”38

These animistic teachings have greatly expanded my perception of place, and recently, I’ve been focusing on creating a connection with the empty space in the same way I do with the living things around me to be more rooted in my local landscape.

Another defining aspect of Alive with Spirits is how Sebastiani delves into the ethical considerations of animistic witchcraft, addressing the importance of respect, consent, and reciprocity in interactions with the spirit world. Her insights into the interconnectedness of all beings and the responsibility that comes with spiritual work are particularly poignant, offering a grounded and conscientious perspective. She writes:

“If a relationship is the inherent connection that exists between us and all other beings within the world, right relationship is the actions we take that are congruent with the awareness of that relationship and the awareness of inarguable autonomy of each being. It is acting in such a way so as to minimize negative impact upon the beings closest to us, and to encourage and work towards mutual benefit for all, as much as is possible.”39

Overall, in Alive with Spirit, Sebastiani skillfully intertwines personal anecdotes, practical exercises, and theoretical knowledge, creating a holistic approach to animism that is both engaging and educational. Her writing is both accessible and deeply insightful, making complex concepts digestible for both beginners and seasoned practitioners alike.

This book is a valuable resource for anyone interested in deepening their understanding of animism and integrating its practices into their magical practice. This book is also testament to Sebastiani’s expertise and passion for the subject, making it a must-read for those drawn to the path of animistic witchcraft.

For those interested in learning more about Sebastiani’s work, you can follow her on Instagram or check out her website. She offers community events and custom courses to strengthen one’s witchcraft foundation, such as Feral Witchcraft, Spiritual Self-Care, A Witch’s Guide to Necromancy, and more. She’s by far one of the most real-deal witches I follow!