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Tag Archives: witchcraft

A Tea Witch’s Grimoire, by S.M. Harlow

A Tea Witch’s Grimoire: Magickal Recipes for Your Tea Time, by S.M. Harlow
Weiser Books, 1578638216, 208 pages, October 2023

I read the most delightful book recently: Afternoon Tea Is the New Happy Hour by Gail Greco. This book gave me plenty of tantalizing ideas for teas, small plates, and other sweet treats to enjoy, BUT it didn’t venture into the magical aspects of tea, which is what I’m always looking to include in my daily routine. Luckily, A Tea Witch’s Grimoire: Magickal Recipes for Your Tea Time by S.M. Harlow has amply provided the mystical wisdom of tea that I’ve been craving.

“In the daily practice of the magical arts, the spirit desires enlightenment but also seeks nourishment and comfort. By our hands, we create earthly substances of vast power, and by our hearts, we tend to the fires of our soul.”1

Tea witch Harlow infuses this whole book with love for her craft. She shares how her grandmother, “a true Wise Woman”2, was constantly healing family and friends with her unique conceptions, seeming to just know what remedy was needed. In the same spirit of generosity and warmth, Harlow carries on the tradition of passing along knowledge by sharing what she’s learned in her on-going journey of mastering tea magic with readers.

The book starts right at square one, providing a description of tea, guidance on how to prepare and store herbs, covering the tea tools needed for this practice. I remember when I first got into drinking loose-leaf tea that I didn’t have the right items to steep it in, nor did I have a proper tea cup. So it’s worth reviewing the basics just to make sure you’re ready for the endeavor, especially if you’ll be preparing your own herbs too.

As for the teas Harlow shares, where do I start?! Well, she beings with remedies, which includes things such as happiness tea and purification tea, but also psychic protection and astral travel tea. I see this section as having all the tea rituals for what people would usually cast a spell for (binding, courage, friendship are just a few more teas covered!). She then covers teas for the moon phases and esbats (full moon each month), tea for every zodiac energy, and sabbat teas (Imbolc, Mabon, and so on). There’s even a section on creating blossoming tea, where the leaves unfurl when put in water.

For all of these teas, not only does Harlow provide the exact recipe, she also leads readers through the entire ritual, from what items are needed, how and when to prepare the tea, and what to focus on when drinking the tea. Some tea rituals are a bit more elaborate than others. It can vary from Harlow simply recommends a certain color mug to drink it from to  a long list of specific items such as crystals, candles, salts, honey, and more.

For instance the items called for November’s Yarrow Moon Tea Esbat include “a black altar cloth, 1 white candle, heat-safe plate, 8 snowflake obsidians, an oil burner, Wisteria and lilac with a base oil, 1 bay leaf, a black and white mug, strainer.”3 I have no doubt all of these items blend together to truly create magic, but I certainly wouldn’t have these things lying around! Therefore it’s important to plan ahead and make sure you have time to gather all the ingredients and items needed for your tea ritual.

As for the ritual, Harlow guides readers to do a variety of things to enhance their spells. There’s the usual visualizations and chants, but at times she encourages readers to spit into their tea (break hexes), salute the energies around you, or speak aloud your intentions. Harlow also provides an entire section on reading tea leaves for divination, known as tasseography, where a list of symbols helps readers to know the messages coming through.

Beyond the specific rituals, Harlow provides a plethora of information about tea magic in general, including tea sigils, properties of various crystals, and uses of tea remnants in spellwork. Additionally, there’s an entire chapter on potions, as well as guidance for creating aromatic oils and vinegar, alcohol and milk tinctures, and moon water.

Finally, the chapter “Tables and Correspondences” is worth its weight in reference gold. It includes a table of brewing times based on tea type and a table of measurement conversions. There’s also a list of intentions/goals and the herbal correspondences, along with a sections on the elemental attributes of herbs and herbal substitutions  o further help readers learn how to successfully create their own tea blends or alter the recipes she’s provided based on what one has available.

The book itself is a sturdy hardcover, which makes me feel it will be resistant to the spills that will ultimately happen as I am trying to turn a page while brewing my tea! There’s a whimsical quality to the illustrations, and they really provide an aesthetically pleasing browse through the text.

For those just learning about the magical aspects of tea, A Tea Witch’s Grimoire is a great place to start, though experienced tea witches certainly will also appreciate the compendium of recipes and rituals. Readers can reference this book year-round to trying out the different tea rituals as the seasons change, establishing their own relationship with the herbs. Or they can use the guidance of Harlow to manifest their will through the tea rituals, attracting or banishing what they want from their worlds, while also looking to the leaves for messages about the future. Harlow has created a true treasure trove of tea wisdom, and I for one am excited to start crafting my next brew!

Heal the Witch Wound, by Celeste Larsen

Heal The Witch Wound: Reclaim Your Magic and Step Into Your Power, by Celeste Larsen
Weiser Books, 1578637988, 208 pages, April 2023

Personal safety is something that is of great concern in today’s society. From hate groups attacking those trying to live their lives to the “everyday” violence that is commonplace, we all just want to be safe to be who we are. While this book, Heal The Witch Wound: Reclaim Your Magic and Step Into Your Power, focuses on feeling safe with respect to magical practices, Celeste Larsen has also managed to weave in a broader spectrum of what personal safety means individually as well as on a greater scale.

The introduction begins with a simple explanation of the “witch wound”, and Larsen describes it as “a collective, intergenerational, psychic wound that is rooted in the Burning Times – an era of widespread persecution and violence against suspected witches.”4

Anyone with this wound will usually hide their spiritual beliefs and practices out of fear of being judged or shamed or rejected. Without taking away from the basis of this book, I find many parallels between this and the situation of other groups in current society. To be clear, this is a personal observation that I am making and not meant to take away from this book in any way.

Larsen has drawn on her experience as a pagan witch, writer, and ritualist to produce a work that is more of a how-to rather than a reference book. To me, this is excellent news as I need a guide and not just theory in this realm. The book is comprised of three parts that each deal with a specific aspect of the healing journey. The first section deals with the root of the wound and goes into detail around the creation of it as well as its legacy. Larsen’s writing is simple, straightforward and honest, and manages to put the reader at ease while imparting some tough information around the wound and its causes.

The second part of this spectacular book focuses on the symptoms of the witch wound, something I hadn’t even considered. In fact, as I read this section, I was struck by the number of things mentioned that I completely identified with. It didn’t even occur to me that it might be a result of the witch wound I carry.

I had a very visceral reaction to one part specifically where Larsen writes:

“Of all the ways the witch wound can show up, fear of being authentically heard and seen is undoubtedly the most pervasive. How often do you stifle your own voice out of fear of being too outspoken, too opinionated, too sensitive, too demanding, too honest, too much?”5

This specific part hit me really hard. I’ve been told my whole life to be quiet, sit down, keep my hands to myself, don’t talk so loud, “why are you laughing so loudly?”, and all that. I have never felt comfortable around people simply because I’m afraid that I will be too much of something and then I’ll be made to feel less-than as a result.

Reading this book made me realize that this wound I carry that presents in this way is something of a gift. Stay with me here. Knowing that I am holding back my awesomeness for the sake of other people’s comfort means that I am much more awesome than I think I am. And I think I’m pretty awesome.

Seriously though, reading about how this wound affects daily life if nothing is done to heal it opened my eyes to how important self-care is. Part three of the book delves deeply into this with a whole host of various ways to heal certain aspects of the wound. My personal favorite deals with moving into personal magic and power.

Here, Larsen talks about the ways in which practitioners can talk about individual magic and specific practices in a way that honors them while also maintaining a certain level of privacy. There is an acknowledgement that no two practitioners will refer to themselves in the same way, nor does their individual practices align. In this way, Larsen states that personal comfort comes before any sort of declaration that might be made concerning someone’s personal craft.

Larsen writes honestly with an authentic voice and the situations presented in the book by way of confirming the various suggestions presented feel like they have been actually lived by the author. I felt many echoes as I read and aligned with many of the situations that Larsen describes throughout the book by way of sharing her personal story. 

Heal the Witch Wound is an excellent book for those who feel they cannot ‘come out’ as a practitioner of magic and who feel they need to stifle themselves in order to fit it. You don’t have to dim your own light in order for other people to shine, and you don’t have to stay small for other people’s comfort. This isn’t to say that there shouldn’t be consideration for others: depending on what your situation is you might feel it’s in your best interest to be silent about what you do. This book is meant to reframe the way in which we look at how we express ourselves in the world we live in and helps us see where we can make positive changes to bring us into more alignment.

Pagan Portals – The Water Witch, by Jessica Howard

Pagan Portals – The Water Witch: An Introduction to Water Witchcraft, by Jessica Howard
Moon Books, 978-1-78535-955-2, 112 pages, March 2023

As a practicing witch with over twenty years’ experience, Jessica Howard has provided a blueprint for inviting the element water into personal practice. Her book, Pagan Portals – The Water Witch: An Introduction to Water Witchcraft, is full of useful information and insight. Not only does Howard talk about the various ways water could be used to develop one’s connection to the Divine, she also shares her own personal experience with the element, furthering the concept of there being no right way to practice this particular type of witchcraft.

Howard has laid the book out in both highly digestible and very practical sections in only 112 pages. The table of contents provides a glimpse of what’s contained within this book: an in depth look at the various facts of this craft. 

Personally, as a Fire sign I find water incredibly challenging to work with. Despite the great healing abilities water contains, along with various divination and knowledge seeking qualities, I have found it very difficult to use regularly. Howard’s clearly written book identifies the challenges and addresses them in the third chapter titled “Connecting With Water Energies”. In this chapter, she identifies and addresses the main root of my personal block when it comes to water: being gentle with yourself for not getting it right away. She explains why it might feel disheartening at first, saying:

“Sometimes we have shut ourselves off for so long that it can take a while to open ourselves up to these energies. So even if it doesn’t work with the first meditation or first blessing, keep at it. Try different approaches, search for more ideas than just what’s in this book, and keep at it until you find something that works for you.”6

I like the fact that Howard recognizes and fully embraces the fact that not every practicing witch is going to connect to water in the same way she has. By building in flexibility and encouraging additional studies outside of the book she wrote, she creates a sense of trust with the reader that isn’t overly cloying or fake. There is no loftiness in her language; not to say that what she writes is basic, rather, the way the book is written invites dialogue and experimentation on the part of the practitioner. Howard has not written a book telling the reader specifically how to be a water witch – she is sharing her journey and providing the steps she took in order to connect with the element in the way that she does.

This lack of information gatekeeping is so refreshing! Too many times I’ve read books that start off promising to share insight into whatever and before too long the realization that nothing is actually being shared sets in and I’m left with a book that doesn’t help my personal pursuit of knowledge. It’s disheartening and causes immense frustration. Howard has gone out of her way to ensure that if nothing else, the reader walks away with a healthy understanding of water in the context of magic and how useful it can be when used in conjunction with current practices. 

In a later chapter, Howard talks about the environment as it relates to those who follow a magical path. She is forthright in her requests to the reader in this specific framework: not only does she challenge those magical practices that instruct the practitioner to contribute to the ongoing crisis we see all around us in nature, but she gives specific thought to what we as individuals could do in order to reduce our footprint in this mass destruction. I’ve not seen anything as specific as this in any previous magical books and I am glad she took the time to remind us of the devastation our practices can cause if we aren’t mindful. Howard says:

“I’ve seen books on witchcraft which have recommended putting your petition into a plastic container and throwing into a river…pouring perfume into rivers because undines like pleasant scents. Please do not follow this advice. If you want to throw something into a river to help rid yourself of negativity, use a stick or small stone. If you want to give an offering to the undines, use a small vial of water which has had naturally grown rose petals steeped in it. Please stop and think about what you are offering and what the potential harm it could have before you make it.”7

This might turn folks off who want to just do their thing and not concern themselves with the harm they might be doing to the environment. Personally, my offerings are usually a combination of items that can be composted (fruit, flowers), and containers that are specific to the use of magic (candle holders, cast iron cauldron). While some of this might come off as sounding ‘holier than thou’, I share this only to show how simple it is to be mindful of the materials being used in your practice. 

Pagan Portals – The Water Witch is a wonderful book for those looking to expand their practice to include water work. It’s beautifully written and full of useful information that encourages the reader to learn more through other channels. A softer read than I am used to, this book both challenged my ideas around water magic and whether I could actually use it and helped me to find my own path as I navigated my deep feelings around being open to new things and performing magic.

Crimson Craft, by Halo Quin

Crimson Craft: Sexual Magic for the Solo Witch, by Halo Quin
Moon Books, 978-1-78535-939-2, 178 pages, January 2023

As a practicing Faery witch and lifelong lover of magic, Halo Quin is also a devotee of Freya and the Faery Queen, so it’s easy to see where the impetus for Crimson Craft: Sexual magic for the Solo Witch comes from! One of my favorite sections of this book is at the beginning of Chapter 1. Titled “Foreplay”, this small section is a warning to those who might not be ready to tackle the very intimate topics covered. Starting off with a bit of cheek is absolutely delightful, and perfectly suited to Quin.

The book is separated into a variety of chapters that are logically and well thought out in terms of pacing. The first chapter deals with how to use the book, with sections on safety considerations, including mental health support, as well as a note about ethics that talks about consent. While this is a book targeting solo practitioners and assisting with healing wounds associated with the erotic self, the inclusion of consent is completely appropriate. 

Separated into parts which then house individual chapters, Quin has deftly taken a number of topics and expanded on them in a detailed way. In “Part II Laying the Foundation”, Quin talks about sensual magic and provides insight into how to prepare for the various practices described. Interestingly, it’s acknowledged that not all things need to be healed all at once and the reader is cautioned to take their time and check in with themselves. Quin explains:

“Our bodies hold the memories of all we have lived through, and some of us have lived through quite painful things. We might need support to heal, or release, some things. If you encounter something like that within yourself, I invite you to consider what kind of support might be the right choice for you and seek it out when you are ready.”8

Quin has spent a great deal of time ensuring that this book is approachable and written in a way that is helpful and not divisive. You will find no earth shattering practices in here, unless you count taking responsibility for your own healing particularly sensational. This is not to mean that the book isn’t worthy of being on the shelf alongside other popular books of this ilk; rather, I would suggest starting with this book before those others. The tone is soft and gentle and might be a better entry into this sort of practice for those who are new to this. It isn’t easy healing sexual wounds no matter how much therapy might have been done, and this book is in line with many parameters around self-care with respect to the numerous calls to perform self check-ins along the way.

Having said that, the section on erotic divinities absolutely got my full attention. In fact, I jumped ahead to it as soon as I saw the table of contents. Who wouldn’t? I mean, I guess some people have patience and read through the whole book in order the way it was meant to be read but that person is not me.

Quin states that “Magic. Sex. War. Love. The deities of passion hold all these things in their grasp. The Goddesses of Passion are known by many names and many faces.”9 Quin continues by naming a few: Inanna, Aphrodite, Lilith, Freyja, Venus, and Babylon, all of whom have their own stories and embody the Goddess persona in very different ways, depending on which stories you subscribe to.

Quin connects love and righteous war saying that they are two sides of the same coin, which is apparent in that goddesses of love are often also warrior women as well. It’s an interesting concept, and one that is found often when reading about goddesses in this context. Quin explains why there is such a deep connection between love and war within the context of love goddesses, stating, “Perhaps because love is a passion, love is a feeling that fills one with fire. Whether that fire is the gentle hearth or the roaring bonfire, it is akin to the fire that can be used to protect the ones we love from darkness.”10

Not only does Quin talk about the goddesses, but the gods of passion are mentioned as well. It’s a bit tricky to navigate this particular space when there is much talk of reclaiming the divine feminine, but Quin magnificently sidesteps the drama and gets right to the point. Quin says:

“Each one of us, regardless of gender, has to learn to temper our passions, and to know when to let them pour out into the world. And so, the gods of love are so often depicted as wild and kind in equal measure…with their passions held in balance in service of their love. And here is the lesson of the gods of passion; where the goddesses can teach us about boundaries of self, the gods can teach us about the boundaries of community and family. Passion is both expression and protection, and is this not love?”11

Recognizing that gender can produce more stress in specific instances, I feel that this book would be more helpful than harmful for those looking to reclaim their sexual sovereignty. There are exercises included throughout the book that assist with healing in the form of journaling, meditation, spellcasting, and others. I would recommend Crimson Craft to absolutely anyone looking to start down the path of healing, regardless of whether the harm being dealt with is sexual or not. This is a valuable addition to any library, and I know it’s going on my shelf.

Witches, Druids, and Sin Eaters, by Jon C. Hughes with Sophie Gallagher

Witches, Druids, and Sin Eaters: The Common Magic of the Cunning Fold of the Welsh Marches, by Jon C. Hughes with Sophie Gallagher
Destiny Books, 9781644114285, 296 pages, September 2022

Witches, Druids, and Sin Eaters beckons one to the Welsh Marches – the ancient borderland of Wales and England. It is a brilliant collaboration between Jon Hughes, a fifth-generation Druid living in a remote part of Wales and Sophie Gallagher, a Welsh-born witchcraft researcher with a deep knowledge of the ancient witches of the Welsh Marches. 

Seeking to explore and bring to light the “treasure trove of untapped information relating to the ancient Druids and arcane witchcraft that evolved in the Welsh Marches”12 while incorporating the current practices in this area, Hughes and Gallagher looked at artifacts, texts, museum archives, and even the natural landscape. They soon discovered that there were more similarities than differences in the practices of the Druids and the witches. The book delves into regional practices such as sin eaters and eye biters and even includes the area’s influence on the writing of J. R. R. Tolkein.

Accompanying photographs of artifacts, sites, and buildings bring to life the artifacts and markings of these people. The most widespread witch marks found in the area’s buildings are of taper burns, intentional in their making and not by the random flicker of a flame too close to a wall. Photographs of items such as a curse doll, a wooden witch’s coffin curse, and protective amulets and devices found in walls and floorboards, illustrate the influence of the witches and Druids in this region.

“People have secretly hidden objects in their houses for centuries (things like bottles, shoes, and bodies of cats) to protect themselves and their families from various forms of supernatural menace (evil spirits, witches, hostile magic, malign influences) to influence events or to take revenge on people that have wronged them.”13 

The work is comprehensive in its exploration of the significance of the earth-based practices of the Druids and witches in the Welsh Marches. The Druids have lived in this area for over 6,000 years, from around 3,800 B.C. The region, of course, experienced tumult since the first ancient people arrived there. The book also details encounters of these people with the Romans in their first invasion, with reminders that the Romans were also pagan until 313 A.D.

Historical references put things into context. I was particularly struck by the reading about the Walton Basin, on the Welsh side of the border, which archeologists believe was a national ceremonial center. A timber henge, approximately 328 feet in diameter, was discovered that is felt to be a prototype for a stone henge that was not built. There were similarities between the deposits found at this site and Stonehenge.

Tolkein enters the picture in Lydney Park, Gloucestershire, England, where he joined British archeologist, Sir Mortimer Wheeler, at Dwarf’s Hill in the late 1920s. Dwarf’s Hill contained a labyrinth of tunnels and was thought to be the home of little people. A tablet bearing a curse was also found. Silvianus, a Roman, had lost a ring and cursed all who bore the name of Senicianus, the supposed thief.

Wheeler invited Tolkein to examine the site of Noden’s Temple at Dwarf’s Hill after which Tolkein contributed to a report on the origin of the name, Noden. When Tolkein later wrote The Hobbit “it became impossible not to speculate upon the connection between his experiences at Lydney and his epic tales of Middle Earth,“14 including Hobbits and a ring.

The book provides simply fascinating information and insight. Sin eaters and eye biters….oh, my. Sin eaters were unique to the Welsh culture and the region of the Welsh Marches. The sin eater (always male) took upon himself the sins of the newly deceased so that the departed could find his/her place in the hereafter. A sin eater was retained by the family of the deceased and would consume a cake called a dead cake which had been placed on the breast of the corpse at sunset. It would remain there until sunrise the following morning where it was thought to absorb the sins of the departed. The sin eater would then consume the cake along with ale.

Eye biters were found among the powerful witches of the Welsh Marches who were thought to have the ability to cast evil curses simply by looking at their victims. Their gaze was as effective as if they were to “bite the jugular vein (of the victim) and watch them bleed to death.”15 Beware the brathwyr llygaid, or eye biters!

As a reference, the book provides a comprehensive list of five prominent occultists (alchemists, astrologers, and occult philosophers) who “influenced the kings and emperors of much of Europe and beyond.”16 These men, while famous, reflect the many unknown practitioners, who live/lived in the Welsh Marches:

“There is little doubt that the unique and extraordinary culture of the Welsh Marches has had a lasting influence upon the history of the occult within the Marches itself and further afield around the globe.”17

Hughes and Gallagher remind the reader that the lore of the Druids and witches was an oral tradition. They bring the reader into the modern era of witches and Druids. “A Druid is a learned pagan, well versed in the oral tradition of paganism and the role of the Druid as a teacher and spiritual leader within it.”18 Like the Druids, witches maintain an ancient understanding of natural magic. The authors write extensively about Neo-Paganism in its many forms.

The book is divided into two sections. The first section, “Witchcraft and Druidic Lore of the Welsh Marches” focuses on all that was written about above. The second section, “Grimore of the Welsh Marches (Yr Llyfr Swynion Gororau Cymru)” opens the reader to the book of spells of the Welsh Borderland. It is a valuable companion to the first part of the book and allows the reader to investigate this natural magic. “While this grimoire is the result of a detailed comparison of witchcraft practices and Druidic lore, it must not be considered an erroneous conflation of the two traditions.”19

The reader is reminded that there are fundamental differences between the two and also varying beliefs and practices within each tradition. “…It is a subtle blending of selective beliefs and practices that have an underlying unity that resonates within both traditions, allowing the merging of both without compromising the fundamental principles of either.”20

There is information on preparing the work space and crafting components, casting a circle, use of botanicals, invocations, protection against malevolent energies, amulets, talismans, and charms. 

Also introduced are witch marks (burn marks), various types of spells, the casting and lifting of spells and curses, the use of wands and the crafting of wands, working with waters and oils, creating poppers (a small doll representing the recipient of a curse). I particularly liked (and was relieved) that the second section of the book ended with elixirs of love. As the authors remind, “in the case of inanimate objects they of course have a material manifestation and are also imbued with a communal spirit; however, they do not have a personal spirit that all living things receive at conception.”21

Overall, Witches, Druids, and Sin Eaters is a very comprehensive look at this unique area of the world, one with a long and deep history of Druids and witches. I highly recommend it if you are looking for a deep dive into this all-important region, particularly if you feel drawn to the aforementioned spiritual paths of Druidry or Witchcraft. There’s so much valuable history revealed in this book that is sure to expand your background knowledge, particularly the impact these lands have had on writers such as Tolkien and those dedicated to exploring the mysteries, such as alchemists, astrologers, and occult philosophers.

The Witch of the Woods, by Kiley Mann

The Witch of The Woods: Spells, Charms, Divination, Remedies, and Folklore, by Kiley Mann
CICO Books, 1800651694, 144 pages, October 2022

Your relationship to your landscape is bound to influence and guide your magical practice, especially in witchcraft. In The Witch of the Woods: Spells, Charms, Divination, Remedies, and Folklore, Kiley Mann highlights this special connection to place by sharing her experiences in the northern region of Michigan. Leading readers through the seasons, folk magic, herbs and omens of this land, Mann takes the reader on a journey into the wilderness of witchcraft.

Witchcraft takes many forms, from witch wounds on the east coast from fiery trails that led to a more fierce practice in the centuries to follow to the more glitzy, New-Age “manifest” witchcraft style of the west coast, but sometimes in the process the essence of being connected deeply to nature and one’s own local folklore gets lost. Mann perfectly revitalizes this connection for readers in this beautiful grimoire that is uniquely centered upon her lived experiences. The unification of witch and land is by far what stands out the most in this book.

“These lands have lessons to teach us, unique in their own characteristics and being. You must walk the land to know it.  You cannot know her if you do not let your feet touch the ground and wander aimlessly as you please. These lessons are taught directly through the land itself.”20

There’s a reverence for the long line of witches that have come before Mann, along with a desire to know the bodies of water, plants, and spirits that share the space with her for their own inherent power, without placing upon them desires or expectations. Sometimes this connection to one’s surroundings and traditions, which is a vital part of witchcraft, can be hard to translate; it tends to be more of a lived, embodied awareness that comes from walking this path overtime. Yet there’s something in Mann’s descriptions of ancient practices, remedies, and folklore, along with her illustrations that awaken this awareness in the reading, prompting them to reflect on their own connection to the local traditions of their homeland.

The book is divided into two parts. The first focuses on folklore, including stories of the trolls, land spirits, ancestral spirits, and omens of the land and animals. The second part is the folk magic, or the how-to remedies, rituals, and divinations that have evolved from life in this region. Mann helps the reader to familiarize themselves with the properties of different herbs and crystals before delving into spell work. She offers spells to alleviate common troubles, such as releasing worry, banishing nightmares, and romantic resolution, along with ones to gain success, luck, self-love, and protection.

I found this book really interesting from the perspective of place because I rarely hear about the folklore of the midwest region. Even though I can only imagine what the energy of a swamp feels like energetically or how it might inform my practice, reading about Mann’s revelations and observations made me start thinking about the natural landscape of where I am currently living, both physically and psychologically. While someone from Mann’s locality of the midwest might naturally connect more with the grimoire, I still feel there’s so much value in exploring her process and learning about methods she’s come across to thrive as a witch in the woods even having never visited the lands she explores in this book. At its heart, nature is nature, and there’s still plenty of overlap and insight to gain no matter what region you’re from, especially in regard to the use of herbs in spellwork and divination.

Another aspect of this book that makes it a real special gem is that Mann illustrated it herself. The symbolism of the imagery boosts her power, as the images themselves convey messages beyond words alone. Flipping through the pages, noticing what your eyes are drawn to and how the colors impart feelings or sensations, makes for an engaging read. The Witch of the Woods is less of a how-to manual and more of an invitation to step inside the creativity of Mann’s own witchcraft practice while learning ways to enhance your own.

Overall, The Witch of the Woods is an insightful, earthy exploration of witchcraft that will guide others to become the witch of their own woods. Mann has done an impressive job of weaving together the elements of her craft to present readers with a beautiful grimoire of knowledge about remedies, folklore, spiritwork, and divination. From brewing your own magical tea to crafting your own wild medicine, this book reminds readers of the unity between nature and oneself – the center of all witchcraft.

The Holy Wild Grimoire, by Danielle Dulsky

The Holy Wild Grimoire: A Heathen Handbook of Magick, Spells, and Verses, by Danielle Dulsky
New World Library, 1608688003, 208 pages, September 2022

Earthy, primal, rich, and real – this is how I feel sinking into The Holy Wild Grimoire: A Heathen Handbook of Magic, Spells, and Verses by Danielle Dulsky. In this book, Dulsky has uprooted the underpinnings of harmful ideologies, created through our stories and myths we unconsciously live by according to society’s urging, to bring forth prompts and rituals that invite readers to move through a portal of death and rebirth to fully embrace their own sovereign sorcery within through magical word-craft and reconnect with the Holy Wild. For those ready to lurk in the deeper realm of mystery, potency, and power that come through embodying and rewriting the mythic aspect of the world we live within in order to expand their practice of the craft, this is the book for you!

Hopefully that didn’t all sound too intimidating! All of Dulsky’s brilliant methodology for engaging the reader’s psyche through storytelling, journal prompts, and spellwork to create their own personal grimoire are actually very clearly laid out, making this book accessible to everyone. But be forewarned there’s something about Dulsky’s writing that inspires me to play with words and discover new voices within that have yet to be explored.

The book does read at times like a long-lost ancient tale, where the dialect is just a bit different than you’re used to, as words become poetry vivid with imagery and perfectly strung together to invoke meaningful feeling. This definitely isn’t a straight-forward “how-to” manual for those seeking insight on witchcraft; hardwork and dedication is required to truly reap the rewards of the material presented, leaving room for your own creativity to emerge and guide the way.

“The time to radically revision our place in the world is now. This is the moment in the human tale when hope meets sorrow, when innocences meets wisdom, a climactic union of polarities that is birthing – and will continue to birth – a new, more heathen reality.”22

Moving through medicine the elements of earth, water, air, fire, and ether, The Holy Wild Grimoire guides readers in creating their own book of magic. Dulsky writes, “In the context of this handbook, a grimoire reflects the magick locked in our language, the spells that live and breathe in our words and symbols.”23 Moving through each element, the reader begins to craft the most personal journal of their thoughts, feelings, visions, and intuitions, reshaping their reality, reclaiming pieces of their soul that have been lost, and gaining the courage to shed habits, patterns, and modes of being – skins – that no longer fit who the reader is growing into.

These might seem like lofty goals or mere promises, but I can assure you that by moving through The Holy Wild Grimoire with an open-mind and heartfelt intention, you will notice shifts in how you relate to your own narrative and how your narrative merges with the on-going story of the world, inviting synchronicities, realizations, and connections that previously you may have not had the discerning energetic eye to notice and in the process creating new potential realities.

Each element contains an introduction to its energy medicine, a word-spell, an artful invocation, a story lantern, follow-up questions to the story lantern for reflection, an opening spell and element spells, multiple reflection questions about your experience with the element, writing prompts to attune you to the element’s presence in your life, and prompts to assist you with visioning through the energy of the element. All together this creates twelve journal entries. Then at the end of the chapter is a testament to the element, where the reader (or more like writer once you get going with this book!) goes back through their reflections, presences, and visions for the element to create the thirteenth entry, which become the verses for that element. It really is a beautiful, culminating process once you get to the verses, especially because so much has been put into the prompts to lead you to that point.

After reading this book, and making my way through the grimoire creation over the course of two months, I have a bit of advice. First, though anyone can jump right in, for the best results I highly recommend familiarizing yourself with Dulsky’s other publications, most especially The Holy Wild, which lays out more of a foundation for creating one’s Holy Wild grimoire. The Holy Wild has quite a bit of spellwork in it that some readers might find more practical and grounding. The Holy Wild Grimoire is definitely suited for those who enjoy reading and writing, and if you are someone who doesn’t readily embrace the written word or symbolic imagery, you might feel more comfortable exploring The Holy Wild first to ground this book a bit.

Second, prior to reading this book, I’d also suggest brushing up on your knowledge of archetypes, depth psychology, and the power of myths to fully embrace the content of this book. You may want to familiarize yourself with the work of Carl Jung, Marie-Louise von Franz, and Clarissa Pinkola Estés, author of Women Who Run with the Wolves, another great book for exploring oneself through stories and myth.

Finally, my third recommendation is to move slowly! There is so much packed in each element that it can feel overwhelming at times. Remember that there is no rush; you are not being timed. This process of communion with the Holy Wild will happen in natural timing that is aligned and right for you. You can skip around to different sections, work through an element for months, and only need to do the prompts that call to you. As odd as it sounds, sometimes I’d have to remind myself this isn’t a magical homework assignment, I’m not working towards an “A”, and that it’s intended to be fluid and connected rather than prescriptive and forced.

Sometimes, as I worked through a particularly dense emotion, memory, or experience, I’d put the book down for weeks at a time, not ready to move forward to the next exercise and needing room to breathe and reorient first, allowing what was unfolding to happen on its own without further conscious prompting or trying to rush forward without allowing the proper time needed to acknowledge what was going on and creating space for transformation.

This might not make sense prior to reading The Holy Wild Grimoire, but I have no doubts that if you delve into the work, you’ll understand what I’m talking about. There’s enough content in this book to last the reader years in regard to inner exploration, and the stories and prompts are something one can return to time and time again for one’s responses will surely always be changing. The potency of this book comes through what you’re willing to put in to looking within and exploring the uncharted depths of the Holy Wild.

Even if this seems a bit intimidating, there’s ways to start slowly, such as reading the hand-crafted stories, called story lanterns, Dulsky has written for each element, which are intended to open a new lens for the reader to access answers within through the imagination. I’ve found that a fun way to connect with the stories is to have someone else read them to you, so you can receptively receive their messages, though active reading too has its own merit. Once again, there’s a multitude of ways to play with this book, just like all mythological stories, and limitless wisdom that can be gained through experimentation.

All in all, The Holy Wild Grimoire is an all-in-one creative writing journey for readers to make their own grimoire, filled with personal revelations, visions, reflections, and mythology that is theirs alone. Doing the journal prompts is a deeply fulfilling and insightful process, akin to magical therapy, as the reader delves into the hidden parts of their psyche to discover a hidden richness: their own wild unknown. By connecting to these parts of oneself through the elemental energy, a whole new realm of possibilities emerges, cracking open from within the reader’s spirit to begin composting what’s no longer needed and feel comfortable sitting in the void before shapeshifting into the next vision.

Hearth & Home Witchcraft, by Jennie Blonde

Hearth & Home Witchcraft: Rituals and Recipes to Nourish Home and Spirit, by Jennie Blonde
Weiser Books, 1578637737, 211 pages, September 2022

A balm. A comfortable chair that offers you the ability to relax in order to dream, to conjure, to recharge. A friend, a companion, a motivator. This is what Hearth & Home Witchcraft: Rituals and Recipes to Nourish Home and Spirit by Jennie Blonde, the self-proclaimed “Comfy Cozy Witch”, was to me. I’m sure it will be the same for you.

Blonde succeeds in combining witchcraft for the hearth and home with hygge, the Danish and Norwegian lifestyle concept that translates loosely into “hug.” I’ve often written on the topic of hygge, so it was a quite “coincidence” to begin the book by reading how Jennie incorporated hygge into her practice to create something “comfy, cozy, and witchy.”24

This wonderful, informative book guides the reader into finding and practicing comforting and nourishing hearth and home magic for every season. As with hygge in general, one is asked to keep in mind that what is comforting and cozy to you may not be the same to another person. You are called to create a home and hearth that reflects you, that nourishes you, and comforts you. Jennie also reminds the reader that “everyone’s idea of comfort within witchcraft differs.”25

Blonde has been practicing witchcraft for over two decades. In addition to this book, she has a podcast called… you guessed it: Comfy Cozy Witch. She writes in a way that is both informative and casual; she writes as if we are sitting in her kitchen talking over a cup of tea. The book is “a blend of story-telling, witchcraft, and warmth…accessible to any witch, at any point of their journey. A book filled with information, personal anecdotes, rituals, spell work, and recipes to nourish yourself, nourish your home, nourish your spirit.”26

Hearth & Home Witchcraft is divided into seven sections, each focusing on places (hearth and home, kitchen, garden and nature), one’s self, and everyday rituals. Also included is a reference to the book’s rituals and recipes as well as a glossary of terms and references for future reading. The Wheel of the Year is detailed with corresponding delicious, easy to make recipes including mini bread loaves (Lughnasadh), honey butter (Imbolc), and sangria (Litha). The recipes ensure this is a book to keep out year-round.

Readers are introduced to the concept of choosing a household deity (if one feels so inclined) to work with. Blonde offers a few suggestions for household deities, such as Hestia, Vesta, and Brigid but leaves open to choice what resonates with the reader, noting it could also be a spirit of local lands of an animistic deity. There is a corresponding house goddess ritual too. 

There are also suggestions on ways to make one’s home both magical and homey, inviting and nourishing. There are magical cleaning tips, everyday magical items with which to “work,” and suggestions for making areas of your home both reflect and sustain you. Here Blonde focuses on the basic tenants of the home of a hearth witch:

“Hearth craft begins and ends in the home, there is a focus on cleanliness, there is positive nurturing energy with subtle touches of magic, and there is a respect for all of nature.”27

In turning one’s attention to the hearth, or kitchen, Jennie writes about the kitchen altar, herb and tea magic, as well as kitchen rituals for meditation and balance. There is a large focus on food and recipes, for as she writes, “the kitchen of a home is a place of gathering. Food, in and of itself, is magic.”28 Some of the ones I’ve tried so far are the pumpkin chocolate muffins and herby biscuits, which were both delicious.

Imagine tales in which the witches toil over a cauldron to create magic – Blonde helps the reader create similar magic in a modern kitchen with tried and true items such as tea, cinnamon, honey, and mint. There are sprays and rituals for things such as energy cleansing and lessening anxiety, which I made for one of my daughters. It was simple to make, yet I felt the potency of the mixture as I blended it together. So far, she’s loved the calming effects.

Blonde encourages the reader to set up one’s own sacred space – be it in the home itself or on the property surrounding the home. “A sacred space is personal in nature and the location varies depending on who you talk to.”29 One can engage in “witchy self-care” in these sacred spaces – ways to ground, relax, recharge, and reconnect. For extending the interior space to the natural world, there are tips for setting up a witch’s garden, and working with Fairies. I am especially looking forward to trying out the Ancestor Honoring Ritual for Samhain.

Overall, Blonde helps the reader identify ways to find “magic in the everyday things, no matter how big or small.”30 The biggest suggestion is to find time – no matter how small – to participate in one’s rituals. She reminds us to find the magic that surrounds us, and that “It isn’t the length of a ritual that matters, it’s the quality.”31  To settle into the magic so that it supports us, comforts us, grounds us and activates us, Hearth & Home Witchcraft is the book to read. It’s the small things we do with meaning that matter. I highly recommend this book to settle into the comfy, cozy routines of your life that make it magic.

Witch Queens, Voodoo Spirits, and Hoodoo Saints, by Denise Alvarado

Witch Queens, Voodoo Spirits, and  Hoodoo Saints: A Guide to Magical New Orleans, by Denise Alvarado
Weiser Books, 1578636744,  276 pages, February 2022

My spirit longs to visit New Orleans, but alas the time has not yet come. So I decided to delve into Witch Queens, Voodoo Spirits, and Hoodoo Saints: A Guide to Magical New Orleans by Denise Alvarado, letting her words transport me to the “sacred supernatural geography of the city”29. I’ve been completely absorbed in this book; Alvarado has done such a wonderful job illuminating the spirits and folk saints of this beloved city with a rich cultural history that I’ve hardly put it down.

Alvarado is a New Orleans native, who has been studying the indigenous healing traditions of the area for more than four decades. She teaches South conjure at Crossroads University and is also a rootworker in the Louisiana folk magic tradition. Alvarado has written quite a few other related books, including The Conjurer’s Guide to St. Expedite, The Magic of Marie Laveau, The Voodoo Hoodoo Spellbook, and The Voodoo Doll Spellbook. She also has an online shop at creolemoon.com with plenty of magical items for sale.

“As anyone who has been to the Crescent City will tell you, you get a feeling when you are there that screams “elusive and mysterious.” It’s a gut-level feeling–you know there is more to it, but you just can’t put your finger on it. All you know is that you want to see more, know more, and ultimately, feel more–more of that good old N’awlins supernatural vibe.”30

This is definitely how I’m feeling! But after having read Witch Queens, Voodoo Spirits, and Hoodoo Saints, I feel like I know the potent visible and invisible world of New Orleans a bit more. In this book, Alvarado shares her research and experience about twenty influential Louisiana spiritual figures. With such a rich tradition, being as New Orleans is a merging place for multiple cultures, it’s hard to put all the people and spirits covered into one category. From folktale hero Annie Christmas, warrior-for-the-people Black Hawk, Voudou Saint Jean St. Malo, African Diaspora god Papa Legba, and even Catholic Saint Joseph, Alvarado delves into adoption of these figures into the spiritual tapestry of New Orleans.

Chapter by chapter, with each one focusing on one character, Alvarado shares all she knows, which I am positive is more than even locals know because of her studious research. It’s very clear that Alvarado has put dedicated time and effort into finding out all she can about these figures. And what I really appreciate is that she sticks to source material, which range from oral stories of New Orleans residence that were documented, old newspaper clippings, or even original source documents. If there’s a story that Alvarado can’t find source material for, she shares it but also lets the reader know she hasn’t found information to back it up, keeping the reader fully informed.

Alvarado also sometimes presents different views, offering the reader diverse perspectives on the figure she’s describing. This might be the different ways certain religious traditions portray a certain spirit, or differing versions of folktales. Alvarado lays it all out for the reader to truly see the full picture. And this made for a very interesting read because that’s how real life, and even more so spirituality and magic, tends to be – there’s no definitive answers and we’re doing our best to piece together information based on sources, experience, and stories from others.

Oh, but each story Alvarado shares is just so interesting! And her writing style is very conversational; her colloquial way of writing really draws the reader in! Alvarado successfully engages the heart, soul, and imagination all in one with these stories. You feel the pain of the spiritual figures, or those in need praying to them; you can taste the offerings being laid out; you can feel the culture the figure’s life took place in; you can see the Voodoo queen going about their daily lives. The weaving together of so many stories is tantalizing and will certainly have your mind wandering, hoping you get the chance to see these places in real life soon. And just in case you don’t get to right away, there’s plenty of pictures included throughout to provide visuals of what Alvarado describes.

This book is also beneficial for those who are hoping to expand their magical practice. If you’ve felt drawn to work with some of these figures, Alvarado provides useful insights. Now, I don’t mean you’ll suddenly be able to create your whole Voodoo or Hoodoo practice based on this book. That would require a much more in-depth study, obviously! But there’s plenty of information about what to offer certain spirits, what they like on their altars, and basic prayers or spellwork that can be done. For instance, burying an upside down statue of St. Joseph to sell one’s home or creating lucky garters to attract a generous man of means based on Lala Hopkins’ grimoire.

For each figure, Alvarado does a wonderful job describing who they were (their life story, spiritual origins), the impact they had in their life, why one might call on them, and what offerings are best to make if one does decide to create a relationship with them. Plus, there’s plenty of information about how different New Orleans spiritual practitioners or traditions work with these figures too for broader context.

Overall, Alvarado does a wonderful job teaching readers about the supernatural element of folklore vibrant in the city, opening them up to the multifaceted magic of New Orleans as an introduction to this very special place. Story after story, filled with historical information and practice magical how-tos, make this a very interesting book to read. Alvarado has skillfully pieced together tons of information to give the readers a fascinating guidebook about the figures that remain present in New Orleans folklore and culture, offering both blessings and curses depending on how they’re called upon.

If you’ve ever felt the pull of New Orleans, Witch Queens, Voodoo Spirits, and  Hoodoo Saints is perfect for learning more about the spiritual roots of the unique city; there’s so much insight and knowledge packed into these pages, you’re bound to learn plenty and have quite a few laughs along the way with these tales!

Spirit Weaver, by Seren Bertrand

Spirit Weaver: Wisdom Teachings from the Feminine Path of Magic, by Seren Bertrand
Bear & Company, 1591434351, 256 pages, May 2022

Spirit Weaver: Wisdom Teachings from the Feminine Path of Magic by Seren Bertrand was balm for my aching soul. Recently, I have been rather withdrawn, tending to my inner world over making strides towards accomplishments in the external world. I’ve been quite content exploring and feeling into the changes taking place within myself as I enter a new phase of my life

But amid the soul-shifting happening, I was being quite hard on myself, lamenting about “not being productive” and chastising my need to remain in my domestic sphere, which has felt quite like my safe haven or nest during this time. It wasn’t until I spent two days in bed, switching off between deep-diving into the wisdom of this book, journaling, and napping, that I felt a very rooted, authentic connection to my own feminine magic was restored.

“We have to nest. Not to always be somewhere else.

Wild creatures know how to nest. They know how to leave–and how to return.

There is great spiritual power in pottering–in the garden, in the kitchen, just being around the house, the home. Tending the herbs in the garden, making a fresh-brewed tea, the sensual art of cooking. Or entering the prayer chamber of the sofa, lounging with God, in intimate conversations and occasional snoring.

Nowhere to go, nothing to do. No grand theories to unite. Just to relax and be.

Home brings us back down to Earth. It makes us real. It grants us “enrealment.”

It is imbued with Womb magic; the power of Earth, of life, of love, of the real.”32

Bertrand is a skilled spirit weaver and visionary creatrix, who has done so much research on the lost global feminine wisdom traditions. She has also co-authored Womb Awakenings and Magdalene Mysteries with her husband Azra. Both of these books were life-changing for me, and I highly recommend them as well for anyone interested in feminine magic.

What sets Spirit Weaver apart from these other two books though is that this one feels more personal and the wisdom shared can be easily incorporated into one’s life. Whereas Womb Awakening and Magdalene Mysteries are both 560 pages of historical, anthropological, and spiritual revelation, Spirit Weaver is about half the length and is based on Bertrand’s personal insight and heartfelt experience of living the path of feminine magic.

Her first-hand perspective really hit home for me, as it felt like an invitation to walk alongside her as she shares what she’s learned throughout her journey, much like listening to a friend. Her soothing way with words was a more creative approach to sharing the mysteries of this path, intuitively opening new chambers within my own psyche and soul to explore. And it’s definitely worth noting though she explores feminine magic worldwide, Bertrand’s personal narrative of her ancestry to her homeland of England is a prominent theme.

“Sitting at the heart of these essays I share with you is the story of my personal ancestral lineage at Mam Tor (Mother Mountain), in the Peak District of the Old North of England, once the grail lands of Maid Marian and Robin Hood and the ancient tribe of the Brigantes–who worshiped the goddess Brigantia, the ancien mother of the old north–who were once led by powerful queens. These lands are an ancestral soulmate within me, the earth placenta of my childhood.”33

The book is composed of 50 essays divided into five sections: “Spinning Our Web”, “Growing Our Roots”, “Weaving Our Healing”, “Dreaming Our Magic”, and “Enchanting Our World”. While the sections have essays relevant to the overall theme, each one stands alone as a unique, insightful reflective piece of writing. I choose to make my way through chronologically, but one could absolutely pick and choose the essays or sections that feel relevant to them in each moment.

One thing I loved about this book was the brilliant paintings throughout the book that was rich with symbolism, featuring images of women, animals, spirals, and more. It felt as though each picture was perfectly placed, inspiring revelation as I turned the page after reading a specific essay to see a creative expression of the essence, energy, and themes Bertrand is describing. Sometimes, I would end up staring at the imagery for a good five to ten minutes, sometimes contemplating its message and other times just admiring the beauty. Plus, there is variation in font color too, which adds to the beauty of the book; it’s not just black and white, but alive with color for visual appeal.

In addition to paintings, there’s also some photographs included too, such as wells, festivals, and even an ancestral photograph of Bertrand’s family. These pictures definitely made Bertrand’s writing more realistic because I could see exactly what she was describing, even if I haven’t visited these places myself or experienced the culture of the lands she describes, especially her homelands of northern England. Now I just want to go take a pilgrimage!

Another thing I really enjoyed about Spirit Weaver is how Bertrand offers ideas for self-reflection or advice about how to integrate what she’s just written about in her essay. For instance, following the essay “Feminine Archetypes: The Witch and the Priestess”, Bertrand invites the reader to reflect on which one is more resonant to them right now. Following another essay, “Rooted Power: Feminine Spiritual Path”, Bertrand shares a way to find the balance between one’s rooted power (embodiment check-ins) and their infinite love (affirmation). While not every essay has something like this at the end, these prompts definitely helped to integrate Bertrand’s writing.

Overall though, I think my absolute favorite thing about the book was the content. Bertrand delves into many aspects of the feminine with such insight. As someone who also walks the path of feminine spirituality, it felt like a homecoming to read Bertrand’s thoughts and reflections. I’m constantly vacillating between whether to call my path one of witchcraft or priestesshood, while also contemplating how to embody this practice in my daily life. Mary Magdalene and the Christ path has always had a special place in my heart, which is definitely not discussed much in witchcraft, so I loved soaking up Bertrand’s wisdom about that.

But the topics covered a wide range of feminine spirituality, such as Moon magic, Celtic traditions, Dankini magic, working with the shadow, romantic love as a spiritual pathway, the wisdom of Grandmothers, mermaids, and so much more. This might sound like a smorgasbord, but it wasn’t at all like that; it’s a rich tapestry of all aspects of the feminine skillfully woven together.

What I was most surprised at was her essay called “Lady Saturn: Lineage of the Cosmic Witch”. I recently did a whole astrology presentation about the feminine aspect of Saturn as Crone, and I was thrilled to read another’s perspective about the VERY overlooked female attributes of Saturn. Bertrand writes, “Lady Saturn is the darkness of wisdom, of Sophia. She is the grand cosmic witch.”34 This just set my passion ablaze and spurred me on in my own research!

I was also just overcome by what I read in the section “Epiphany: Three Wise Witchy Midwives” where Bertrand discusses the Christmas Witch La Befana. As an Italian-American, the past three yuletide seasons, I’ve been deepening my relationship with la Strega Noel, and Bertrand provided more information in this section than I had been able to find thus far. I loved learning about how “The sacred Christmastime of Epiphany was once the heartland of the feminine mysteries, celebrated by many feminine folk traditions.”35 Suddenly, it made a lot more sense why this has become such a special time of the year for me, as I walk this path.

All in all, Spirit Weaver is a treasure trove of wisdom about the magic of the feminine mysteries. I highly recommend this book to all who feel called to walk the path of the feminine spirituality, in whatever form this looks like for them. Bertrand covers such a wide-range of topics that each reader is sure to take away something meaningful for their own personal journey. Bertrand truly continues to do such a service to the feminine spiritual pathway, educating readers with her research and courageously sharing her own experience to illuminate the way for others. This is a book that I know I will be returning to time and time again, as I continue to weave my own way immersed within the all-encompassing divinity of the feminine.