Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

A Walk Through the Forest of Souls, by Rachel Pollack

A Walk Through the Forest of Souls: A Tarot Journey to Spiritual Awakening, by Rachel Pollack
Weiser Books, 1578637708, 288 pages, May 2023

Award-winning science fiction author, comic book writer, tarot expert, and trans activist Rachel Grace Pollack passed away on April 7th, 2023, at the age of 77. Born Richard A. Pollack on August 17th, 1945, in Brooklyn, New York, Rachel came out as a transgender woman in 1971, at the age of 26. During this time, Pollack discovered tarot and broke into publishing with a science fiction short story titled “Pandora’s Bust,” which appeared in New Worlds Quarterly.1

Pollack had an impressive literary career, publishing four short story collections and seven novels, three of which received awards. Unquenchable Fire won the Arthur C. Clarke Award in 1989, Temporary Agency (1994) won the Nebula Award, and Godmother Night (1996) won the World Fantasy Award. Pollack also blazed a trail through the DC Universe by creating Coagula, aka Kate Godwin, the first transgender superhero, while writing issues 64-87 of the rebooted DC Comics series Doom Patrol (1993-1995). However, it was the classic tarot tome Seventy-Eight Degrees of Wisdom (1980) that was the most influential work in Pollack’s oeuvre, and established Pollack as a leading authority on tarot.2

A Walk through the Forest of Souls: A Tarot Journey of Spiritual Awakening is a revised version of the out of print book titled The Forest of Souls: A Walk through the Tarot, first published in 2002. In this updated work, Pollack’s approach to reading the cards is innovative, intuitive, and imaginative. Rather than a cookbook of interpretive meanings, A Walk Through the Forest of Souls is a guide to using the tarot as a spiritual tool to expand consciousness and open one’s mind to new possibilities. 

“This book contains some outrageous ideas and questions,” Pollack says. “We will play with the idea that the Tarot images existed before the creation of the universe, that God somehow consulted the cards to make the world, and even that we can use the cards to find the very reading that God received.”3

Pollack is Jewish, but mischievously identifies as a heretic. The idea of God making a card game of creation is not meant to be taken as literal truth, but to be regarded as serious play. “God in these pages becomes a way to express our universal desire to know and comprehend the sacred,” says Pollack.4

Unlike an ordinary book, “the pages of the Tarot are not bound in any real order.”5 Through the act of shuffling, a new deck is created, and we are given the opportunity to turn over a new leaf, so to speak.

“In this book readings do not reveal a fixed future,” Pollack says. “They become a means to gain new perspectives and explore possibilities outside our normal ways of thought.”6

Pollack’s science fiction background shines through this book’s non-linear approach to the concept of time. “The future can ‘cause’ the past as much as the past causes the future,” Pollack says. “In fact, neither one causes the other, they exist in a relationship that goes in many directions at once. Imagine a web with a vast number of points, all connected to each other, with no single point as the origin or primary cause of the others. Our consciousness places us in one point, convincing us that a single line from the past has caused our current situation to come into being. But this may be an illusion.”7

Tarot reveals possibilities, not an immutable fate, and Pollack even goes so far as to say that since “divination creates new possibilities, it liberates the Creator from a universe where everything is planned and known ahead of time.”8

I recently rewatched the original Star Trek movies, and Pollack’s concept of nonlinear time being an elastic web in which the future can influence the past brings to mind a particular scene in Star Trek IV: The Voyage Home (1986). In this film, Admiral Kirk and his crew time travel to late 20th century San Francisco on a mission to bring two humpback whales back to the future in order to repopulate a 23rd century Earth where they are extinct.

Chief engineer Montgomery Scott and Dr. “Bones” McCoy visit a Plexiglas factory seeking construction materials for a whale tank. In exchange for the glass, Scotty gives the proprietor Dr. Nichols the formula for transparent aluminum, a futuristic construction material that is lighter and stronger than the Plexiglas he is currently manufacturing.

“You uh, realize of course if we give him the formula, we’re altering the future,” Bones says. “Why, how do we know he didn’t invent the thing?” says Scotty. His response implies that their need for Plexiglas is part of a predestination paradox, or causal loop, in which the invention of transparent aluminum depends on the necessity of their time travel in the first place.9

I’m a fan of non-linear thinking, and it’s mind-blowing to apply the predestination paradox to tarot reading. Perhaps the guidance we receive from the cards comes from our future selves, who, like Scotty, plant ideas in our minds that may not otherwise have come to us10

Pollack suggests using the cards for “Wisdom readings,”11 which transcend personal concerns by seeking deeper meaning with universal questions like “What is the soul?”12 According to Pollack, the tarot is an instrument we can use to communicate directly with Sophia, the divine personification of wisdom, and we limit its vast potential when we only focus on personal questions.13

The title of this book, A Walk through the Forest of Souls, was inspired by Pollack’s first Wisdom readings, using the Shining Tribe Tarot, a deck created by Pollack. When Pollack asked, “What is the soul?” the Ace of Birds (Ace of Swords) appeared, depicting an owl, the animal familiar of Athena, the Greek goddess of wisdom.14

Pollack then asked the cards, “What is Tarot?”15 The answer was the Six of Trees (Six of Wands), which depicts trees with owl eyes. “If the soul is an owl,” Pollack says, “then these woods become a forest of souls, and the Tarot, as the title of this book says, is ‘a walk through the forest of souls.’”16

In my own readings, I have found that lately, I tend to ask fewer personal questions and more cosmic ones, such as, “What will be the influence of the Full Moon in Cancer?” or some other upcoming astrological transit. Inspired by Pollack’s “Wisdom reading” method, I decided to ask questions about the symbolic language of mythology.

The first question that entered my mind was: “Why does the goddess Demeter carry two torches when searching for her daughter Persephone, when one would provide sufficient light and a free hand?” I knew that the twin torches symbolized some sort of celestial light, perhaps the horns of the night-wandering moon, but I wondered specifically why there were two of them. The answer I received surprised me, yet made so much sense. 

I drew three cards from the Crow Tarot: The Star, The Empress, and the Four of Wands. Venus, as the Morning and Evening Star, immediately came to mind. In her dual forms as herald of dawn and dusk, she represents two lights, or two heavenly torches. The astrological association for The Empress is the planet Venus, and the Four of Wands is associated with Venus in Aries.

Reading the cards like a sentence, I was moved by the heartwarming message I received: She is the Mother Star (Empress + Star), guiding her children back home (the Four of Wands represents the home and is a card of celebration, and the astrological association of Venus in Aries reminds me of Demeter and Persephone’s springtime reunion).

In retrospect, I used to be confused by The Empress being associated with both Venus, the goddess of love, and Demeter, the goddess of the harvest. I didn’t think of Demeter as being Venusian, since she is so often depicted as wandering in grief, searching for her lost daughter. After contemplating these cards, I now link Venus, the Heavenly Mother, and Demeter, the Earthly Mother, in the following way: When we are born, we descend into matter, like Inanna, the Sumerian Venus, descending into the Underworld.

When we get lost in the trappings of materialism, we can lose touch with our divine mother, and without her guidance, we may feel as though we are wandering alone in the dark. But she also descends with us, as chthonic Demeter, an earthly manifestation of Venusian energy. When we realize that the Goddess is simultaneously here with us on earth, as well as in heaven, we are reunited with her, just as Venus, the Morning Star, (or in the case of Demeter, a star of mourning) is reborn and emerges from the Underworld, and Persephone is reunited with Demeter. When we see and feel the presence of the Earth Mother made manifest in the physical realm, we are blessed by her with fertility, wealth, and abundance. When we are depressed and feel separated from her, the world in turn feels cold and barren. 

The leaves of tarot whisper to us all in unique ways, and the possibilities for interpretation are limitless. Pollack’s work encourages us to tap into our intuitive creativity and experience the tarot like we never have before. Experimenting with Wisdom readings has shifted my perspective on how to use tarot, and I plan on exploring Pollack’s techniques further in my personal practice.

Beginners may get lost trying to follow Pollack’s twists and turns through the Forest of Souls, but this thought-provoking guide will be a breath of fresh air for intermediate to advanced tarot enthusiasts, opening them up to expansive new ideas regarding what tarot is and how to use it. This final work will no doubt be a classic in Pollack’s enduring tarot legacy.

Talk to Your Angels, by Jayne Wallace and Liz Dean

Talk to Your Angels: 44 Ways to Connect with the Angels’ Love and Healing, by Jayne Wallace and Liz Dean, illustrated by Sarah Perkins
CICO Books, 9781800652293, 144 pages, May 2023

Talk to Your Angels: 44 Ways to Connect with the Angels’ Love and Healing by Jayne Wallace and Liz Dean is a jewel of a compendium on connecting with angels. It offers advice for both the novice and experienced angel-whisperer. Much like settling into the arms of a comfy chair and wrapping oneself in a blanket, the book begins with the soothing reminder that angels are always with us, offering unconditional love and infinite support. Because angels respect our autonomy or free will, they wait to be called into our lives.

In Talk to Your Angels, Wallace and Dean offer ways in which the angels show signs and nudges of their existence as well as ways for us to be proactive in connecting with the angels. Wallace, an author and professional clairvoyant, and Dean, an author of over 20 books and tarot decks, impart their knowledge in an understandable, approachable manner. Sarah Perkins’ illustrations accompany each tip and fill the book with beautiful, soothing, images.

The book offers 44 ways to connect with the angels because, as Wallace and Dean explain, 44 is the number of the angels1. These tips are all encompassing, including writing a personal letter to the angels, working with color, aromas, and stones, to cleansing one’s space in alignment with the House Angel. As the authors remind us, communicating with angels engages all of our senses. We might sense them through spoken or sung words, a scent, a tingling in our bodies when our intuition is heightened, a knowing in the pit of our stomach, or the attraction to a color.

The authors recommend starting with grounding, protection, and opening rituals as one begins the communication and offers rituals to this effect. They also offer a closing ritual to protect one from being exposed to the energy of others. To begin talking with the angels, they recommend selecting a page of the book that you are drawn to, asking the angels to stop you when you have reached the tip that you are most in need of at that particular time. The one I chose, or to be more accurate, the one that chose me today was “Discovering Your Angelic Chakra”. This offers a way to activate the angelic chakra on one’s forehead to accelerate the angelic connection. They also suggest crystals that can be used to enhance the effect, namely, amethyst and clear quartz.

While there are a myriad of angels with whom one can connect, we all have one guardian angel who we are born with, who is dedicated to us and us alone. There are three ways offered that one can “meet” one’s guardian angel through meditation and ritual. The meditation has no time limit other than what feels right for you – a minute or an hour. The meditations help you declutter your thoughts and energies to allow you to receive the communication. The authors remind us that our guardian angels are not offended if we choose to work with other angels as well. In fact, Archangels Barachiel and Metatron can be called on to help us connect with our own guardian angel2.

We are offered ways to talk with the angels through seeing repeated numbers, using angel cards, scrying in a tea cup or bowl, cloud watching, and through the use of crystals. You can communicate with the angels through scent by creating angel mists and the use of candles. There’s even a section on meeting with angels in the garden, in the bath (!), and through the use of Tarot cards. Really, there are unlimited ways to speak with the angels and the book offers ways to do so that resonate with you.

Need help? The angels are always here for us. They can help us find parking spaces, find “happy” money by making a “money angel” and keeping it in your wallet, and helping with abundance. Of course, the book offers ways to enhance these connections. There’s an angel to call on for everything from finding lost objects to helping us find love and healing.

The book also contains an Angel Directory that lists 44 archangels and angels who assist in different areas of our lives. Some of these angels might be familiar, such as Archangel Gabriel or Archangel Michael, while some might be new to you, such as Eth, the angel of time who helps things run on schedule or Sachluph, the angel of plants.

Wallace and Dean also offer a directory of angels associated with certain days of the week (Sachiel for Thursday), for each month (Cambiel for January), and for each sun sign (Haniel for Capricorn), if you want to speak with specific angels. There are also angel prayers and channeled angel messages for inspiration that you can read daily or, as the authors suggest, write onto cards and pull one randomly. The inspiring writing includes messages such as “Knowing angels means I’m never alone”3 and “Angels hear me when I talk to them”4.

I found that the offerings in Talk to Your Angels are thoughtful and provocative but also lighthearted because I believe that the angels are here to bring joy, comfort, guidance, and a bit of playfulness. I highly recommend the book and suggest that you live with it, keep it close at hand, and refer to it often. The angels are here for us and the book offers pathways to these loving angels.

Shamanic Dreaming, by Carol Day

Shamanic Dreaming: Connecting with Your Inner Visionary, by Carol Day
Findhorn Press, 1644117037, 192 pages, February 2023

Discovering Carol Day has been an experience. She is a remarkable woman, who lends herself to many walks of life. As an author, counsellor, nature educator, and constellation therapist, Carol is used to “working with imaginary realms. Holding space within nature, and multi-realm environments”1

I enjoyed the circular, cyclical elements within Shamanic Dreaming: Connecting with Your Inner Visionary. All of life is cyclical–all of the universe in fact. This concept is something that speaks to me and something I often ponder about, as we see several different cycles regularly. The changing seasons, menstrual cycles, and the circle of life. Planetary spheres. They’re all connected in similar patterns. 

Also, the actor within me thoroughly enjoyed that the book is cleverly laid out in “Acts”, much like life itself. You can split your own play into as many acts as you like, but the point is that we’re all only on this earth for a snippet of time and Carol wants us to deepen our connection to the “calling of the land”2 to make your time here a fulfilling experience.

In Act One you are invited to ask yourself, “Why am I here?” and “What is going on?”.

Day has developed a practice, which she shares with you in the book, to aid people in being open to their visions. She talks about knowing yourself, knowing the visions that you see, and trusting in this process.

The book allows you a hands-on approach and asks you to attune yourself to everything all around you. There are tasks for you to complete throughout, all of which can bring a deeper understanding of your mindset and learning to be present.

I recommend quickly browsing the book before you begin, as some tasks require items you might not just have lain around, such as a shamanic drum. If you’ve already got one, great. But just check beforehand, because getting all ready for one of the tasks only to find you’re missing the key ingredient can be a huge disappointment. 

Day explains to us how we can connect with the vibration of the universe and how this can be beneficial for seeking out your “knowing”. This isn’t a book just to read, it is for you to make a connection, it’s a companion for a specific time in your life. To tune in and be peaceful. To lean into where you need to be in life and in the universe. 

Act Two allows you to travel through the past, present, and future. Kind of like a modern-day Christmas Carol for those who want to reconnect with the universe. No need for any Scrooges, just an openness to all things.

You’ll be guided throughout to connect with the nature of the universe, to find your own spirit guides, to be creative, and learn how to be quiet and be still. How can you be enlightened? What do you find when you open your mind? You shall set intentions across several realms. And learn how to respond to callings, how to interpret the messages, and what to do with those that you receive.

This book literally has everything, from the vibrational settings that we receive when partaking in Shamanic Drumming to the connections we can make with the Fav. 

We eventually lead into the practice and process of dreaming and how to call the ancestors into your dreams. All the while keeping yourself grounded and safe. 

Life’s grand plan for us all, for you individually, is waiting within these pages, ready to be unleashed and your first step on this path is right here in Day’s Shamanic Dreaming.

The very lovely illustrations that accompany the text are hand drawn and have a slight Quentin Blake style to them. They’re a beautiful accompaniment to this very real, open, and organic guiding system that Day has kindly shared with us. 

If you’re trying to find your place in the universe and you know there’s something else waiting, but it’s just out of reach, maybe Shamanic Dreaming has your answer, waiting patiently just on the horizon.

Horns of the Goddess, by Dolores Cannon

Horns of the Goddess, by Dolores Cannon
Ozark Mountain Publishing, 1956945210, 400 pages, March 2023

“At the beginning of time everybody was in tune with the mother Earth, for the souls had just begun their journey.  And they were but newly separated from her, and so they remembered how to be in harmony with her.   And they knew how to be in harmony with nature. And, so they observed the things they knew they needed to be observed in order to stay that way.1

Horns of the Goddess by Dolores Cannon is an interesting exploration of the concept of past lives, the use of past life regression hypnotherapy to gain access to the information of the past lives of clients, and the impact that information may carry within the greater scientific and spiritual communities of the present. The quote above was taken from a chapter taken from the transcription of a session of one of the three individuals who shared past lives during the time of the Druids and are the theme of focus for the title.

Cannon was a regressive hypnotherapist and psychic researcher who recorded the sessions of multiple clients and became one of the collectors of “lost” knowledge, much of which was verified by the findings of archeologists. This is an important factor of consideration as the reader moves through this title and recognizes the credibility of both technique and content Cannon brings to material that could be considered just another example of new age fluff. 

The content was compiled by her daughter, Nancy Vernon, and much of the information contained within was withheld in being made part of Dolores’ public research offerings because of the sensitive nature of the information shared by her subjects. Timing in the release of this information and its consideration as potential truths was very important to Cannon. Given the timing of Cannon’s passing while writing this book provided an opportunity for some of the more controversial information to be included.   

Horns of the Goddess is formatted into three sections with chapters of content within. Each chapter is structured as a question (from Cannon) with answer (from the individual’s past life self/ves) transcribed from the recording made during hypnosis. Dolores’ impressions and notes are interspersed throughout, giving additional insight and background to what the reader is taking in. 

The “Introduction: The Time Traveler” provides the reader with Cannon’s path that led her to the writings and research she committed herself to after her children were grown. She describes the refinements and adjustments she crafted to the techniques of hypnotherapy that allowed for a deeper level of communication between the client and past life memories and now are the choice of practice for past life regressionists. 

“Section 1: Life as a Druidess” begins the journey through timelines of Druidry and events leading up to the Inquisition. In “Chapter 1: The Druidress (Karen)” the reader is introduced to one of her subjects who offers insights throughout a good portion of the book through multiple past lives experienced.  She speaks of one of her subjects, Karen:

“During 1982 and 1983 I worked with Karen on a regular basis. I discovered the true meaning of time travel during my sessions with her. We eventually explored thirty different lifetimes, and the detailed information that poured out of her was phenomenal. She was able to so totally become the other personality that she supplied historical information as well as cultural and theological.2

“Section 2: Brenda’s Story as Astelle” is filled with some of the more controversial material and brings to light from the subject’s experiences the horrors of the Inquisition and the lengths taken by the church to tamp down the nature-based practices….

“In the beginning when she was describing the horrors of the Inquisition and the callousness of the Church, I told her in the session…… “They will hang me from the highest tree if I ….tell about the horrible things the church did in those days. They will never stand for hearing such things about their church fathers”…. There is too much explosive material contained within this story. It is probably the truth about the way the church really behaved, but I feel I must wait a while before I dare to write it.”3

The chapters contained within this section are the meat of the book and a wealth of information about how the “old ways”’ of nature based religious practices would have been carried out. Insights into the use of Pentagrams, signs, omens, communication with animals, the lore and legends of the magic of the Druids, and the inhabitants of greater earth such as the Fae, gnomes, giants, etc… are offered through the memories of Brenda/Astelle in her sessions with Dolores. Woven throughout these chapters are the specifics of how the church made use of these beliefs and the ultimate return of the Inquisition period. 

Rounding out the density of information in Section 2,  Dolores returns to her long time subject Karen and shares the impressions received as Karen travels through the subsequent time periods of her Druidic days and returns to past lives as a minstrel, a physician, a child who sees faeries and a Greek priestess. “Section 3: More Lives with Karen” provides the reader with ample opportunity to give consideration to the possibility of multiple lifetimes that are experienced by a singular consciousness/soul.   

In conclusion, I found Horns of the Goddess to be a fascinating and thought provoking read.  Regardless of your perspective on the veracity of past lives, reincarnation and the storehouse of the subconscious in maintaining information that there is no reasonable explanation for the individual to know, the content of this title is engaging and completely immersive in its reading. 

“Dolores opened our eyes to wondrous and mysterious worlds. She dared to go into the forbidden realms of what the mind contained. If it had not been for her insatiable appetite to want to know more and to ask the many, many questions we might never have known the lost knowledge she found with her sessions.”4

Phoenixes & Angels, by Carmen Turner-Schott

Phoenixes & Angels: Mastering the Eighth & Twelfth Astrological Houses, by Carmen Turner-Schott, LISW, MSW
O-books, 1803410809, 290 pages, July 2023

Whether one is interested in astrology for mystical or mundane purposes, it’s hard to deny there’s something about the eighth and twelfth houses that stirs up the soul. These aren’t areas in our charts we can tread lightly. We’re either being plummeted into depths or transcended beyond the ordinary, and this can leave one feeling a bit traumatized or confused at times. In Phoenixes & Angels: Mastering the Eighth & Twelfth Astrological Houses, Carmen Turner-Schott draws upon her own experience of working in these special realms to teach readers how to navigate the waters for themselves.

Turner-Schott has been studying astrology for over 30 years with a specific research interest in the eighth and twelfth house. She holds a Master of Social Work degree and is both a licensed independent and clinical social worker. She courageously holds space for those dealing with the energies of these houses in her daily life through astrological consultations of clients worldwide and her work with victims of trauma. Turner-Schott is quite the writer too, and she has previously published nine books, including A Practical Look at the Planets through the Houses, Astrology From a Christian Perspective, Moon Signs, Houses & Healing, and Sun, Houses & Healing.

While she’s also written books focusing on the eighth and twelfth house individually (The Mysteries of the Eighth Astrological House and The Mysteries of the Twelfth Astrological House), Phoenixes & Angels is a combination of research and information on the two houses. Turner-Schott’s wrote this book specifically for “eighth and twelfth house people”1, which she describes as those with planets in those houses or “someone who has an abundance of Scorpio and Pisces energy.”2 The information is also useful for those with a prominent Pluto or Neptune placement in their chart.

Eighth house people have been termed Phoenixes by Turner-Schott because of how they are continually transformed and reborn throughout their life. With each rebirth, they grow stronger and more resilient, though this is not without hardship and difficulties along the way. In “Part One: Mastering the Eighth House”, Turner-Schott delves into the key aspects characteristic of Phoenixes, such as their strength, power, childhood secrets, and need for privacy and intimacy, as well as naturally being drawn to the taboo realms of death and sexuality.

“Eighth house people are meant to rise like a Phoenix out of the ashes. They must let the past die to release past hurts and trauma. They are meant to let go, destined to become beacons of hope for those who are hopeless. . . . Born with extreme empathy for those who suffer, they know what it feels like.”3

Along the way, Turner-Schott offers guidance for eighth house people as they learn how to forgive and let go, deal with the unseen world through spiritual gifts and psychic senses, battle with tough emotions like depression and rage, and perform self-care as they heal and deal with trauma that arises.

“Part Two: Mastering the Twelfth House” focuses on those Turner-Schott calls Angels. The twelfth house has to do with a belief in a higher power and making sacrifices to bring in healing energy. She describes how Angels are called to walk a spiritual path in life, alleviating the pain and suffering through their innate compassion and kindness. 

“Angels who fell to earth to support and uplift the lives of others, they are destined to come out of the mist and be seen. Walking in two worlds, with one foot in the spiritual and the other in reality helps them to find peace.”4

Topics covered by Turner-Schott include 12th house Angel’s need for isolation and solitude, imaginative gifts and mystical inclinations, propensity for secrets and illusions, connection to foreign countries and large animals, behind the scenes work, karmic issues to work out with their fathers and mothers, romanticism and loneliness, connection to cosmic consciousness, and influence of their dreams.

At the end of both parts, ​​Turner-Schott also provides information about what each planet in the eighth/twelfth house means natally and when transiting the house. And then there are quotes of insight and wisdom provided by Phoenixes and Angels themselves. Gleaning advice directly from those with these placements really integrated all that Turner-Schott had written in this section and creates a sense of connection, reminding readers they are not alone in their eighth house struggles, strengths, and lessons.

All in all, Phoenixes & Angels is a really interesting take on the eighth and twelfth house. Turner-Schott’s combination of personal experience, insights, and feelings, along with her examples and testimonials of clients from direct research, deepens readers’ understanding of these spiritually transformational houses. This book is a wonderful resource for those with eighth or twelfth house energies in their chart looking to find out more, whether one is new to astrology or has been studying for some time, to gain guidance in their unique challenges and abilities and grow in self-awareness.

Ecosomatics, by Cheryl Pallant, Ph.D.

Ecosomatics: Embodiment Practices for a World in Search of Healing, by Cheryl Pallant, Ph.D.
Bear & Company, 1591434769, 224 pages, June 2023

A few weeks ago, I had an energetic anatomy healing with psychic healer Madison Lang. For over an hour, she scanned the energy of my physical body from miles away; Madison is located in Minnesota, while I’m in New Jersey. At times, she told me of symbolic images residing in certain parts of my body, such as a clock, representing influence from my maternal grandmother creating soreness in my arm. Other times, she focused her keen awareness on misaligned, extra, and stagnant energy in my body, clearing away blockages and rebalancing my physical body energetically.

The whole experience was phenomenal. And afterwards, I felt like a million bucks! Physical symptoms that had been lingering for months disappeared. My consciousness felt situated within my body again, rather than floating outside myself. My confidence improved, as I was more connected to myself from within rather than making judgements about myself from external standards or perceptions. Madison’s encouragement to release attachment to my pre-pregnancy body and attune myself to my current body– wider hips, a softer belly, and big nursing chest–help me to embrace where I am in life right now with gratitude.

It felt a bit synchronistic to begin reading Ecosomatics: Embodiment Practices for a World in Search of Healing, by Cheryl Pallant, Ph.D. shortly after my energetic anatomy healing, as though the Universe was encouraging me to continue to learn more about the connection between myself and my body. Dr. Pallant’s concept of ecosomatics, or “embodiment work for personal and planetary health”1, goes one step beyond the psychic healing experience I had and grounds it into the physical realm. It has been a wonderful resource on my journey of expanding my perception to be more attune to my body and cultivating my own somatic intelligence.

“For those who are attentive, my touching you provides information about you and the touch also provides you with information about me. The place of contact opens the gate to all sorts of information, especially for healers whose highly sensitive hands rest gently on the skin surface and in the subtle field of the body to detect heat, cool, tingles, pressure, and more. . . Every part of the body leads to a specific awareness, emotion, sensation, imagery, and/or memory, perceptible to those who notice.”2

In Ecosomatics, Pallant asserts that shifting consciousness through expanding one’s sensory perceptions and attuning to the natural rhythms of one’s body has the power to transform on both a personal and collective level. While modern social problems, inadequate healthcare systems, and ecological crisis are pushing humanity towards the brink of destruction, Pallant believes somatic awareness can be a source of healing that aids in the evolution of human consciousness.

As context for her point of view, Pallant goes right to the core of how bias and perception can influence belief systems. She acknowledges the safety of collective belief systems, but encourages readers to delve into discomfort and have the courage to expand their perception to be more inclusive of the intuitive and energetic aspects of ourselves not readily seen with our eyes. This integrative approach helps to release fears, anxieties, and limiting beliefs and opens a doorway for the evolution of consciousness through somatic intelligence.

Drawing upon her own career experience, which includes a Ph.D. in Somatic Writing, certification in Reiki and Healing Touch, and training in Process-Oriented Psychology, Authentic Movement, and yoga, Pallant provides first hand experience of her own journey of discovering the healing ability within herself. She also provides plenty of client anecdotes that aid readers in believing that this somatic shift in perception is achievable.

But her approach to this topic is not a subjective one; Ecosomatics is filled with explanations from fields such as psychology, sociology, quantum physics, and neurobiology. Pallant also expertly weaves together her personal experiences with insight from experts in other related modalities focused on integrating mind, body, and self, such as Healing Touch, 5Rhythms, and Body-Mind Centering, to give readers a wide-range of approaches to somatic healing.

“Common knowing privileges logic, reasoning, and head-centered knowing. Missing is a comprehensive sense of the body that includes intuition, embodiment, energetic, and spiritual awareness that is integrative rather than fractional. Missing is a place and appreciation for uncanny experiences and impressions that don’t readily fit into our belief system.”3

A key theme of Pallant focuses on is interconnection. My favorite chapter, “The Ecology of Self” discusses topics such as energetic resonance, how people’s energy and emotions can be projected onto others, the impact of both fear and love in our lives, and the concept of “we space”. She writes, “Nascent in our development are intrapersonal practices that contribute to coming to know what lives in our shared personal spaces.”4

I really enjoyed contemplating the idea of sharing energetic spaces and observing this energy exchange throughout the week in different places I went. At first, I noticed how much my energy felt scattered and seemed to change based on the vibe of where I was and the energy of those around me; I was losing connection to myself and trying to camouflage into the energy around me.

But by actually doing the “Try This” exercises Pallant offers throughout Ecosomatics, I began to ground back into my own body and become more aware of the somatic experience I was having instead of leaving/ignoring the sensations of my body. I’m still working on my embodiment, but through these exercises, I am coming to understand what Pallant means when she writes:

“By stepping embodied into the fullness of who we are, what takes place is a transformation and a coherence of personal well-being that extends to all sentient and insentient beings and marks us as responsibly partaking in the ecology of self and the planet. What takes place is alignment with the present moment, which reaches out infinitely.”5

The final chapter, “Embodiment Practices”, is one that I’ll definitely be returning to time and time again. Pallant provides different practices for the reader to do in order to cultivate their sense of embodiment. These range from transforming fear and worry into love to balancing masculine and feminine energy to aligning with one’s flow through creative expression.

The one practice I’ve done so far was intended to help develop my intuition, using what I’ve learned about embodiment to discern between fantasy and my intuition. As someone who is clairsentient, it is helpful to be able to feel embody when connecting to my intuition and learning where emotions reside within my body.

All in all, Ecosomatics is a wonderful resource for those interested in expanding their perceptions to be more inclusive of their physical experience. Pallant puts forth a compelling thesis for why embodiment is vital to the growth of our consciousness and does a great job teaching readers how it can be done. The healing potential is infinite. This read is sure to shift how readers perceive themselves in the world around them, awakening them to the experience of embodiment and as a result more acutely attuning to the surrounding energy.

The First Female Pharaoh, by Andrew Collins

The First Female Pharaoh: Sobekneferu, Goddess of the Seven Stars, by Andrew Collins
Bear & Company, 1591434459, 464 page, April 2023

Most people are familiar with the famous Egyptian queens Cleopatra, Nefertiti, and Hatshepsut, but few are aware that they were preceded by Sobekkara Sobekneferu, the first woman to break the glass ceiling and be crowned pharaoh of Upper and Lower Egypt. Sobekneferu (pronounced “sob-bek-nef-frew”) was the last ruler of the Twelfth Dynasty, which brought the Middle Kingdom to a close about 3,800 years ago. She may have been around 30 years old at the time of her accession to the throne, and she ruled for almost four years, between the approximate dates of 1798 to 1794 BCE. The circumstances surrounding her coronation and her untimely death are unknown.

I first learned of Sobekneferu by reading Egyptologist Kara Cooney’s work When Women Ruled the World: Six Queens of Egypt (2018), and I was thrilled to review a book dedicated to this fascinating monarch. In The First Female Pharaoh: Sobekneferu, Goddess of the Seven Stars, author Andrew Collins (Göbekli Tepe: Genesis of the Gods, 2014) does rigorous archaeological detective work, analyzing a variety of statues and beads honoring Sobekneferu, in an effort to humanize her and unravel the mystery of her life and death. This book also has a historical whodunit vibe, as Collins explores possible political intrigues that may have led to her rise and fall. It’s amazing how much information can be gleaned about her from so few inscriptions and artifacts, and Collins walks the reader through each exhibit, clarifying its context.

Collins begins his search for the enigmatic Sobekneferu in London’s British Museum, where he inspects a cylinder seal bearing her royal titles. He presents clear diagrams of the inscriptions on the seal, accompanied by translations of the hieroglyphs so the reader can examine the artifact along with him and imagine the feeling of this ancient stone bead rolling between their fingers. We learn from the seal that her throne name, Sobek ka Ra, means “Sobek is the soul [ka] of Ra,”1 and her personal name, Sobek neferu, means “Beauties of Sobek of Shedet”2. 

The ancient city of Shedet (known to the Greeks as Crocodilopolis), located in the lush oasis of the Fayum, was the cult center of the crocodile god Sobek, to whom Sobekneferu was devoted. Sobek was a manifestation of the solar deities Ra and Horus, and as Sobek-Ra he represented the sun’s nocturnal journey through the Fayum’s great lake, Lake Moeris, before being reborn at dawn every morning.  He was also connected with the divine right of kings to rule and the annual flooding of the Nile. Before Sobekneferu, the Twelfth Dynasty pharaohs, who ruled Egypt from the city of Itj-tawy in the Fayum, adopted the name of Amun or his consort Wosret. Sobekneferu’s identification with the fierce male crocodile god and her alliance with his local priesthood may have politically supported her claim to the throne.

Another seal in the Egyptian Museum in Cairo gives the grammatically masculinized forms of her names, suggesting that the gender of her royal epithets may have sometimes been changed to legitimize her rule. A headless quartzite bust of Sobekneferu in the Louvre Museum in Paris may have been smashed in an attempt to erase her from history. What remains of the decapitated statue depicts the striped lappets of the nemes-headdress worn by male rulers cascading over her shoulders, and although she is wearing the shoulder straps of a woman’s dress, she appears to have flattened breasts.3 Like the Eighteenth Dynasty Queen Hatshepsut, it appears that Sobekneferu masculinized herself to be accepted as pharaoh, and perhaps Hatshepsut was inspired by her predecessor’s images. Other statues Collins analyzes have also been defaced. He explains that iconoclasts broke noses off of statues in the belief that without them the soul of the deceased wouldn’t be able to breathe in the afterlife.

Sobekneferu’s Two Ladies appellation, Sat sekhem nebet tawy, meaning “Daughter of Power, Mistress of the Two Lands,” is a reminder that she inherited the throne from her father, the mighty king Amenemhat III.4 Sobekneferu further legitimized her reign through her divine patriarch by honoring his memory, completing his pyramid complex at Hawara, known as the Labyrinth. 5 She deified him there and made herself the high priestess of his temple cult, a suave political move that emphasized her reign being the will of the gods. 6

Her Horus name, Meryt-Ra, meaning “Beloved of Ra,” was feminized, and was a title often given to priestesses, indicating that she may have served as one before rising to power.7 Collins believes she may have served the goddess Hathor. 8 During the Twelfth Dynasty, it was trendy for queens and kings to be depicted as sphinxes. In doing so, the monarch embodied the lion-headed goddess Sekhmet, the vindictive aspect of Hathor, whose name means “The Powerful One.”9

While Sobekneferu’s tomb has never been discovered, there is evidence that cult veneration of her continued long after she passed away. Graffiti left by visitors in the funerary chapel connected to the Theban tomb of a priestess of Hathor named Senat indicates that her burial site doubled as a place of veneration for Sobekneferu.10 Perhaps pilgrims were drawn to this location because it was the only Middle Kingdom tomb built for a woman.11

Sobekneferu’s older sister, Neferuptah, was heir to the throne, but she died young, and was buried in a small pyramid in her father’s temple complex. 12 Neferuptah was the first Egyptian woman in history to have her name inscribed within a royal cartouche, suggesting that her father may have been preparing her to rule after his death.13 Collins brings up the possibility that Neferuptah was murdered.14 Her cause of death is a mystery because her body unfortunately disintegrated due to groundwater leaking into her tomb.15

After Amenemhat III passed away, presumably from old age, Sobekneferu may have wed her brother Amenemhat IV upon his ascension to the throne and co-ruled with him, a position that had been intended for Neferuptah.16 Nine years later, Amenemhat IV died without a male heir to take his place, perhaps due to sterility resulting from generations of inbreeding.17 

In ancient Egypt, a woman could take the throne as regent, temporarily ruling on behalf of an heir who was perhaps too young to rule himself.18 Hatshepsut, for example, established herself as regent but did not relinquish the throne when the male heir, her co-king and nephew, came of age. After the death of her brother-husband Thutmose II, Queen Hatshepsut served as regent for her two-year-old nephew, Thutmose III 19. Instead of functioning as a placeholder who would step down when he came of age, by the seventh year of her regency (or perhaps sooner), she was officially coronated as king, assuming full pharaonic power through the religious authority of the oracle of Amun, which had declared her the rightful ruler. 20

In the case of Sobekneferu, when her brother died, there was no heir, and she took the throne without the pretense of regency, which is quite amazing. Collins suggests there may have been a nationalist plot to usurp Amenemhat IV and place Sobekneferu on the throne.21 Her brother’s “progressive ideologies” and open border policies would have been perceived as a threat to Egyptian nationalists, who were concerned about the influx of western Asiatic foreigners settling in northern Egypt and occupying positions of power, which no doubt paved the way for the Hyksos invasion a few generations later. 22 He was also allied with the priesthood of Atum in Heliopolis rather than the local cult of Sobek. 23

A controversial theory which Collins presents for the first time in this book is that the legend of Queen Nitocris, recorded in book II of The Histories by the Greek historian Herodotus in the fifth century B.C.E., is a dramatized account of Sobekneferu exacting revenge for her brother’s regicide. 24 According to the legend, Nitocris invited the Egyptian subjects who murdered her brother-husband to a banquet in an underground chamber and then drowned them by flooding the room with Nile water through a secret channel. 25 Afterwards, she committed suicide by throwing herself into a chamber of hot ashes in order to avoid retribution for her actions. 26

The Egyptian historian Manetho recorded that Nitocris was the last ruler of the sixth dynasty, but there is no evidence that she ever existed, and Collins believes that the twelfth dynasty ruler Sobekneferu is the best historical fit. 27 “The real Nitocris of legend was, I would argue, an abstract memory of the life and deeds of Sobekneferu,” Collins says. 28 He suggests that she may have collaborated with Egyptian nationalists to have her brother assassinated, then shifted blame onto her political opponents after she was placed on the throne. 29

Sobekneferu may have fallen out of favor due to low flood waters during the third year of her reign, which would have been disastrous for the cultivation of crops. 30 Since the failure of the inundation would have been perceived as her fault, Collins suggests that she may have been pressured by the priesthood at Heliopolis to take the role of sacrificial king and either commit suicide or be murdered. 31 

Collins has an intriguing theory regarding the method of her ritual death. He suggests that the serpent involved in Cleopatra’s suicide may have been symbolic for the ingestion of poisonous plants or the inhalation of their smoke, 32 which leads him to believe that the chamber full of hot ashes into which Nitocris threw herself may have been a room suffocated with mephitic fumes, and that this was how Sobekneferu committed suicide. 33

While the theories Collins presents are often pure conjecture, he clearly delineates between what is based upon concrete archaeological evidence and what is speculation, all the while acknowledging that we may never know the truth. Readers who are armchair archaeologists will appreciate his detailed analysis of artifacts, and those who want to learn more will find Kara Cooney’s book When Women Ruled the World: Six Queens of Egypt, which Collins cites several times, to be an excellent companion text to The First Female Pharaoh. 

The figure of Sobekneferu is just as relevant today as ever because she presents an interesting historical perspective on gender stereotypes and public perceptions of women’s leadership abilities both past and present. Women in positions of power are still pressured by society to adopt masculine fashions in order to be taken seriously, such as the pant suits worn by modern female politicians and other professionals. One might argue that these suits have evolved to become gender neutral, but originally they were worn to project an air of male authority, and on a subliminal level, they still convey the same message. Appearing androgynous often requires women to minimize or conceal their femininity instead of embracing it, perhaps even blurring their perceived gender identity, as was the case with both Sobekneferu and Hatshepsut. 

Hatshepsut in particular depicted herself as a man towards the end of her reign, and in When Women Ruled the World, Egyptologist Kara Cooney says that rather than this being an indication of her own gender confusion, “Hatshepsut’s problem was that she was trying to inhabit a masculine role within a patriarchal system on a long-term basis while there was a male king already occupying the throne.” 34 Depicting herself as a man was a way of validating her right to rule. 

In modern times, Sobekneferu has reincarnated in pop culture as a dangerous Egyptian queen with supernatural powers who returns to the realm of the living by possessing a young woman’s body. The subtitle of The First Female Pharaoh: Sobekneferu, Goddess of the Seven Stars, invokes Bram Stoker’s Egyptian novel The Jewel of Seven Stars (1903), in which the daughter of an Egyptologist, a young woman named Margaret, is possessed by the spirit of Queen Tera.

Critics have perceived this as a Gothic horror personification of the New Woman movement of First Wave Feminism at the turn of the century. As the spirit of Queen Tera takes control of Margaret, she becomes more strong-willed and independent, putting up increasing resistance to the masculine authority of her father and love interest, perhaps serving as a cautionary tale about the dangers of female empowerment, since Stoker didn’t seem very fond of the movement based on his treatment of strong female characters. 

Collins believes that Stoker’s evil Queen Tera was inspired by Sobekneferu, 35 and that she in turn influenced the character of Queen Kara in the 1980 film based on the novel titled The Awakening, starring Charlton Heston. 36 Collins posits that Stoker’s source materials were two works on ancient Egyptian star lore and mythology by Gerald Massey (1828-1907) that featured Sobekneferu, associating her with an ancient “Mother-Goddess of Time,” the “Goddess of the Seven Stars,” identified with the constellations Draco and Ursa Major. 37

The enigmatic queen Sobekneferu has also made quite an impact on the occult community. Esteemed occult writer Kenneth Grant drew connections between Sobekneferu and an ancient Draconian cult in his Typhonian Trilogies (1972-2002).38 According to the Tumblr account of Pacific North Witches, Sobekneferu even has a feast day, which falls on July 23.39 

It seems this ancient queen has indeed been resurrected into the collective consciousness. Whether we view Sobekneferu as a high priestess of Draconian magic or as the ultimate embodiment of female empowerment, she has achieved the dream of immortality that all the mighty ones of ancient Egypt sought to attain, inspiring new generations with her mysterious legacy, nearly 3,800 years after her death.

Pagan Portals: Demeter, by Robin Corak

Pagan Portals – Demeter, by Robin Corak
Moon Books, 1789047838, 128 pages, October 2022

At first glance, Pagan Portals – Demeter by Robin Corak seems like a straightforward book. The story of Demeter and her daughter, Persephone, is one that has been used to illustrate many variations of the mother-daughter dynamic in a variety of different contexts. Corak is taking that story and exploring various other themes that aren’t apparent at first glance.

A long-time practitioner of paganism, Corak is a member of the Sisterhood of Avalon where she currently serves as the Board Secretary and is the author of Pagan Portals – Persephone: Practicing the Art of Personal Power. Honestly, there’s no one more perfectly positioned to write the book on Demeter than Corak and her prose is both insightful and informative.

The book is sectioned off into specific areas that deal with Demeter’s background, specific rites and rituals, and other topics I didn’t expect to find. At the risk of outing myself as not being all-knowing about the goddesses and gods of the Greek pantheon, I had to look up two aspects of Demeter that I was not aware of that were referenced in this book: Demeter Chthonia: Grief and Loss and Demeter Chloe: Manifestation Magick. Blown away, completely and totally. Don’t get me wrong, I knew that Demeter was associated with grief (her daughter being taken away from her) and abundance (Goddess of the Harvest), I just didn’t know there were actual aspects devoted to these attributes. 

There’s so much information in this book and all of it is both relevant and timely. The astonishing realization that Demeter was still subject to patriarchy despite being a goddess was something I hadn’t considered. It was my understanding that Demeter’s power would ensure her personal agency. When Demeter is told by Helios that Hades abducted her daughter, Demeter’s opinions are not even considered as she is told that Hades would make a fine husband for her daughter. Because Demeter is dismissed, she then decides that nothing on Earth will grow until her daughter is returned to her. Her actions eventually see the return of Persephone to her, and it’s interesting to note that Demeter is the only goddess to make Zeus give in to her demands, and in a short amount of time. Underestimate an abundance Goddess at your peril!

A surprising aspect of this book is the focus on balance, something that most who identify as feminine struggle with due to the numerous stresses experienced through jobs, home, relationships, and other factors. Corak addresses this in the introduction, saying:

“Working with Demeter can facilitate a powerful journey of self-discovery resulting in a re-envisioning and reclaiming of our potential and our own lives. For those of us who may not have had a positive relationship with our own mothers, Demeter empowers us to access our own nurturing abilities so that we may provide ourselves with the quantity and quality of love that we feel we didn’t receive.”1

It took me a few days to process that, I will be honest. I do not have a good relationship with my mother and as she ages, I have had to come to terms with the very real fact that there will never be apologies or clarity around why certain events were allowed to happen. I found this book to be immensely helpful in navigating my personal grief around this, although I would be lying if I said I was able to completely resolve the anger. I took solace in a powerful sentence from Corak:

“The mother archetype is not just about loving and nurturing, it is also about protection and advocacy to ensure that that which has been given life will survive and thrive.”2

I sat with that for a moment, and realized that’s what I had been doing for myself by not engaging as deeply as I wanted to with my mother. I intuitively knew that this was something I could do to protect myself from additional harm, and this book opened my eyes to all that I have been doing for myself in this realm. 

There is so much healing in this book depending on what is required. For me, I chose to go through “Chapter 3 – Healing the Mother Wound”. Corak includes a definition of mother wound as “the loss or lack of mothering which can include abuse and neglect. Those who experience the mother wound don’t receive the love and attention they need as children and have mothers who seem to be distant and less attuned to their emotional needs.”3

This section in particular really hit me hard, as I thought I had dealt with my issues around this through extensive therapy. Clearly that was not the case, as I often found myself curled up in a ball with my cat gingerly offering me head butts and consoling licks. That is not an exaggeration, by the way. This book is excellent and devastating in a way I didn’t expect but am so glad I experienced. 

If any of this resonates with you, I would highly recommend picking up Pagan Portals – Demeter. If you have a therapist, I would also highly recommend enlisting their help for this journey because working with Demeter calls up all sorts of childhood trauma that needs to be brought out so that it can be healed.

One of the best parts of this whole process was learning that I could mother myself and did not need to rely on my emotionally unavailable mother to provide that. While seemingly heartbreaking, releasing yourself from unrealistic expectations of those who cannot possibly meet you where you need them to is freeing in a way that could potentially allow you to move on. Who wouldn’t want that?

The Magic of Cats, by Andrew Anderson

The Magic of Cats, by Andrew Anderson
Moon Books, 1803410663, 120 pages, May 2023

Just when you think you know everything about cats, Andrew Anderson comes along and opens your eyes to a whole new world–a world of stark contrasts between the cat of the night–with his lunar connection and the cat of the day with her built in solar panels. Both of whom are similar in so many ways but love to remind us of their differences. 

The Magic of Cats takes us way back, all the way to the Chinese creation myth that cats were sent by the gods to protect and look after humans, a task which they ultimately failed at, and instead became our silent, judging companions. 

As a lover of cats and a human who has been fortunate enough to be given the honor of living with a cat, I instantly knew I had to read this book. My cat, who I refer to as my familiar, is a definitive cat of the night. She’s like a little ninja, becoming a shadow when needed. Stalking her prey with her murder mittens, then flouncing back home ready for belly rubs, head bumps, and snoot boops.

We try our best to turn these kitties into snuggly, fluffy balls of floof, and although they tolerate it to an extent, they’re inevitably the rulers of any roost, as Andrew makes quite clear. Cats have prowled this earth for millenia, with us mere humans at their beck and call, and that’s not about to change any time soon.

I’d like to take this opportunity to offer a trigger warning, although Andrew doesn’t dwell on the harmful behaviour that cats have endured from humans in the past, he doest cover it. He doesn’t go into great detail, but if you’d prefer to not read about it, maybe skip past pages 32 and 33.

Anderson has split the book into two sections, each with their own chapters: “The Cat of the Night” and “The Cat of the Day”.

The witches among you will most likely be familiar with the cat of the night. They are sneaky and slinky and receive their energies from the moon. These are the cats who humans have sadly feared at times, when actually they should be celebrating their feline ways. If the Chinese creation myth is to be believed, then the cats of the world will be all seeing and all knowing, something which I’m surprised wasn’t taken into account in the historical treatment of cats.

And then on the other hand we have the cat of the day. The one who worships and soaks up the sun, he’s cunning and clever and knows exactly how to win your heart.

It is apparent, aside from Anderson telling us in his introduction, that he adores cats. They are and always have been a huge part of his world.

So much so that he was inspired to write the poem “The Cat of the Night and The Cat of the Day (A story for kittens of all ages)”. This narrative poem is a beautiful representation of how sacred we view cats to be (and with good reason). Anderson’s poem is accompanied by the gorgeous illustrations created by artist, Hannah Willow, and the beauty that she brings out of his words is ‘purr-fect.’

Cats are ever present throughout our history, whether feared or revered. We live and love alongside our feline friends. Never really knowing what they’re thinking, but hoping that deep down they feel something for us. And from reading The Magic of Cats, Anderson gives me the confidence that on some level they do.

Nevertheless, whether it’s reciprocated or not, we always invite them into our lives, as we’re all fully aware of that precious feeling we get when, just for a fleeting moment, a cat makes us believe that we are noticed in its world.

Then you realize all the cat wants is your chicken sandwich, and he or she may allow you to give them a head scritch, but only for precisely 4.5 seconds. Because you, measly human, are not worthy of anything else. 

The Magic of Cats is a wonderful way to find a deeper connection to your furry freeloading roommate. And also, to dip into the history of cats of the world, how they’re represented in religion and where they feature in myth and legend.

Anderson has encapsulated these magnificent creatures in his powerful poem, of which he says:

 “…imagines a story told by a mother cat to her kittens, explaining how the world was created and why we alternate between periods of light and dark.”1 

It really cements the connection we can have with our cats, the magic we can share. We all have two sides to us, and I believe we can all find shared similarities in the cat of the night and the cat of the day when we look inside.

Reclaim Your Dark Goddess, by Flavia Kate Peters

Reclaim Your Dark Goddess: The Alchemy of Transformation, by Flavia Kate Peters
Rockpool Publishing, 9781922579065, 336 pages, October 2022

Every person experiences some form of darkness at some point in their life, either from losing something or not being able to get something. But what if that darkness is something that is created by the Self, for the Self? What if the darkness isn’t the end of everything, but rather the beginning of something better, and greater, than what had been there previously? In Reclaim Your Dark Goddess: The Alchemy of Transformation, author Flavia Kate Peters examines the transformation that embracing the darkness within can trigger. 

As the UK’s leading elemental and ancient magic expert, Peters teaches her professional certification magickal courses at the College of Psychic Studies, London and is a hereditary witch and high priestess of Arnemetia and of the Morrigan. Perfectly positioned to explore this fascinating journey, Peters has given readers a complete and thorough blueprint for how to access, and how to embrace, the darkness that we all carry.

Separated into two parts, the book also includes an introduction (an absolute must read; do not skip this part!) as well an appendix showcasing the Dark Goddesses and their archetypal shadow traits. Very helpful when starting off on this journey. In Part One, Peters divulges information on how to prepare to meet the Dark Goddess and goes into significant detail as to who this mysterious entity is. Sharing her story along the way, Peters blends her personal experience with solid information and rituals designed to help ease the pain of unburdening the soul. It’s almost as if she was right there beside you, patting your shoulder as you realize your entire world is falling apart.

One of my favorite parts of this book talks about the pain of leaving behind the comfort of the known life in order to become who you are meant to be. Peters describes it perfectly:

“As you go through it life as you once knew will disappear; it will no longer be in view or, in fact, exist. But that is the old life, those old ways of doing things and those relationships that were holding you back even if you didn’t realize it. They were comfortable, known and accepted so it will take a crisis to move them on, but if you wish to overcome your difficulties in order to transform your dreams into reality and live the life you came here for then move on they must.”1

Peters also provides some basic information around the Wheel of the Year, provides guidance on how to assemble a specific altar for the purpose of calling in the Dark Goddess, and breaks down the maiden-mother-crone aspects of both the seasons and the moon phases. It’s interesting to see these concepts linked together in this way and could provide a deeper layer for those who incorporate such things into their personal craft.

The second part of the book deals specifically with the various aspects of the Dark Goddess and more importantly, how to connect with them. Peters provides a myriad of information in each Goddess’ section from an extensive background on each, messages from the Dark Goddess, how to seek Her out, reasons for working with that particular goddess, and preparing for the initiation to name a few. It’s really quite simple to invoke the Dark Goddess, but Peters cautions that awareness is a must-have prior to any sort of invocation or other work with the Goddesses. She explains:

“‘The Dark Goddess expects you to be responsible for yourself and your reactions, but it is not easy when you go through a dark night of the soul for you can be blinded by circumstance and find it hard to believe you will ever see the light again.”2

Personally, I found Reclaiming Your Dark Goddess to be a pleasure to read and the concepts in it were easy to understand and follow. I really liked the thoughtfulness that went into sorting the sections of the book and the guidance this layout provides. I would mention that if you are going to be doing this kind of work, you might want to engage with a therapist to help you unravel some of the trickier bits as they are encountered. There is no shame in asking for help, and asking for help shows the Dark Goddess that you are sincere in your supplication to her.

As someone who has done an incredible amount of shadow work and therapy, I was personally blown away by how accurately Peters described her own personal ‘dark night of the soul’. It’s not easy to discover that all the things once thought to be important mean nothing in the context of knowing who you are. The pain of losing people, habits, and other tangible and intangible things that provide comfort to us while we navigate life is almost unbearable until you catch a glimpse of what’s waiting for you on the other side. Being able to shed all that is no longer needed and emerge from the process scarred but beautiful is a wonderful part of life and this collective journey.