Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Tarot Life Lessons, by Julia Gordon-Bramer

Tarot Life Lessons:  Living Wisdom from The Major Arcana, by Julia Gordon-Bramer
Destiny Books, 9781644118177, 216 pages, November 2023

In Tarot Life Lessons: Living Wisdom from The Major Arcana, Julia Gordon-Bramer endeavors to “heal the world”1 with her personal stories and those of her clients from 40 years of tarot card readings.

Gordon-Bramer picked up her first tarot deck at 16 and began her journey, and along the way, she became an award-winning author and poet, professor, and host of her own radio show turned podcast called Mystic Fix.  She currently lives in St. Louis, MO.  You can learn more about Gordon-Bramer on her website.

In the book’s introduction, Gordon-Bramer shares:

“The tarot is a tool to awaken and tame the subconscious, to help us grow our strengths and make changes when we identify our weaknesses. It’s a way to conquer problems and move on from painful situations and the baggage we carry through life.”2

Within this book, Gordon-Bramer shares stories from readings she has done in regard to the Major Arcana, the first 22 cards in most tarot decks. She references the Universal Rider-Waite tarot and features drawings of cards from this deck in this book. These major arcana cards “represent the key players and milestones in life, the sacred adventure from birth to death. Those are my primary focus in this book.”3 Each chapter features one of the cards from the magical 22 cards. Gordon-Bramer shares these stories in card order from The Fool to the World.

“My tarot cards became a life decoder and a compass to navigate  and reduce the chance of bad luck.”4

In the first chapter, Gordon-Bramer kicks off her story with the first card in the Major Arcana, the Fool. Here, she shares her own spiritual journey, including her fascination with the famous poet Sylvia Plath, who had her own tarot deck.  She conveys more about who she is, creating a bond with the readers, to set the stage for her trip through the rest of the cards.

My favorite card in the tarot deck is the Star card, so I was curious about Gordon-Bramer’s notes on this one. She shares a story about working at a renaissance festival with her son and the clients who came her way.  She worked with a young couple, a man who aspired to be a recording artist and another man who was a skeptic. To his comments, the author said:

“Tarot is about showing you where your energy is going. It gives you tools to understand yourself and guidance to make the changes you want.”5

Each chapter includes a highlighted section on a special TIP. For instance, in the chapter on the Fool, she provides suggestions for buying your first tarot deck. In the chapter on the Star, she addresses the question “Is Tarot Evil?”:

“Tarot does not call spirits, good or evil, into play. . . The idea behind the tarot is that we all have access to that knowledge and power because we are all one, of one spirit (which I call God). . . As a reminder, what the tarot shows us about the future is not fixed. We always have the power to change our path through the decisions that we make.”6

My favorite chapter in the book is the chapter on the Devil card. Gordon-Bramer weaves a story about two women who immigrated from Columbia to St. Louis and were seeking love and money.  When the Devil card popped into a reading for one of the ladies, the woman panicked.  Gordon-Bramer told her:

“Relax, this isn’t about being evil; It’s about being indulgent. The Devil is about  living large: good food, drink, pretty clothes, expensive cars, sex, vacations, sleeping late . . . you get the picture.”7

These ladies visited the author many times over the years and through her readings, Gordon-Bramer was able to support the women as they navigated their lives. 

The cover is beautiful, printed in a soft gray with pastel type and extra varnish on the three tarot cards featured on the front. On the back, the Gordon-Bramer’s photo is highlighted with varnish also! The book is a nice size, perfect for tucking into a handbag or backpack. In addition to a Table of Contents, Gordon-Bramer also puts the name of each chapter’s card at the top of each page.  This makes it very easy to navigate the book and find a chapter or passage. 

In the back of the book, she adds a list of resources, including her favorite tarot decks for client readings. She also features an extensive index for finding specific stories or tips within these pages. 

This book would be great for the experienced tarot reader, one who wants to add an additional layer to their readings. Gordon-Bramer combines client histories with her own tarot symbolism to add to your knowledge base. I can also see that this book will add to my own journey with the cards, as I refer to her stories when I pull a specific Major Arcana card for myself.

The last tip in Tarot Life Lessons was an important one. She shares how to use tarot cards for creativity:

“I know many creative people who pull a card for inspiration or to help them take a project in a new direction. We come to the tarot to find language for the impenetrable emotions and  things we don’t have language for. As they say: a picture says 1000 words. Let the tarot show you your next steps in life and how you might create it.8

Conjuring Dirt, by Taren S

Conjuring Dirt: Magick of Footprints, Crossroads & Graveyards, by Taren S
Moon Books, 1803413328, 176 pages, October 2023

I love dirt. My father is a ceramic artist, so unlike other kids whose parents might have tried to keep them tidy, I was always encouraged to play in the mud and eventually learn how to shape clay into bowls and mugs. From there, my enjoyment of dirt, and nature in general, led me down a path of environmental science; I’ve studied the microbes in dirt and learned how soil’s nutrients are vital for the growth of plants, which keep us alive through a balanced ecosystem.

But beyond the mind-blowing scientific study of interconnectedness through the ground beneath our feet, I’d never realized the potency of dirt from a magical perspective prior to reading Conjuring Dirt: Magick of Footprints, Crossroads & Graveyards by Taren S. This book has opened a whole new realm of magic to me, which I’ve been eager to embrace!

Taren is a seasoned magical practitioner with roots in the Carolinas, though she now lives in California. For over a decade she’s worked as a spiritual counselor and tarot card reader at a Haitian Voodoo Doctor’s botanica. She is initiated as a High Priestess within American Witchcraft and as a Mama Bridget within American Voodoo/Hoodoo. In Conjuring Dirt, she shares a lot about her personal path, giving readers perspective into how she’s learned this craft as well as the traditions behind the content of the book.

“We all have sacred and special dirt specifically to us. When we go back through memories we can ground into the land, and we can build new memories through the land. This in itself is a magical spiritual journey.”1

In this book, Taren teaches readers about three categories of dirt: Graveyard, Crossroads, and Purposeful (Footprint). She dedicates lengthy chapters to each one, giving the reader a full sense of the powerful energy held within the dirt and the many ways each one can be utilized in magickal workings.

She starts with Purposeful Dirt, noting that it’s the “most common and easily accessible”2 kind. Since it’s very versatile, Taren describes ways this dirt can be used for cleansing, banishing, and spellwork. She teaches about the types of spirit of place, such as Ancestral spirits and Land spirits, and how to connect and work with these spirits. Then she covers “spirit of the root” and how to unite with plants as allies. The list of plants and herbs and the way they can be used, which spans a whole ten pages, is immensely valuable to all practitioners, especially those new to working with plants and herbs.

Reading over parts of this section made me think of the land in a new way; did you know you can use the dirt from banks, casinos, and libraries for magickal purposes such as prosperity spells, amulets, and building knowledge?! Prior to this, I wouldn’t have thought twice about the dirt or spirit of these places. Now everywhere I go, I’m thinking about the energy of my surroundings, taking time to pause and attune to the spirit of the place, and think creatively about how the dirt might be utilized.

Crossroads Dirt comes from the liminal spaces where “two different environments meet or intersect but is technically neither extreme.”3 At these intersections, boundaries are thinner; it can feel like stepping out of time as multiple directions become available, prompting initiated action before the moment passes by.

“The meaning of crossroads is all about liminal space. Liminal space is that in-between point that means both we are neither here, nor there. Liminal space as represented by crossroads points to 100% potential and opportunity. It is the place where magick happens because it is that slight crack when/where anything can happen.”4

In this section, Taren provides an overview of the global lore about crossroads, revealing similarities between cultures while also highlighting each one’s unique lore. She also covers crossroads and witches, crossroads in dreams and modern magic, the significance of ley lines, and offers a crossroads tarot spread.

After sharing about crossroad magic in general, Taren goes more in-depth about Crossroad Dirt specifically. She teaches readers about the different types of crossroads one might gather dirt from and the significance of soil from each one. She covers how best to collect the dirt, petition the crossroads, and offers a ritual to open the crossroads. Other workings Taren provides are for propensity, a spell to forget, and banishing.

Last but not least, the section on Graveyard Dirt. Taren explains Graveyard Dirt “is used to employ the spirit of the one buried for your intentions.”5 Taren covers so much in this section, from symbols on grave markers to gathering dirt from the roots of cemetery trees, and it completely opens new doors for readers. This section alone could be a whole book! But one emphasis that comes through strongly is showing respect for the deceased. I like how Taren always reminds readers to mind their manners above all else!

While reading the section on Graveyard Dirt, I’ve decided it’s high time I go visit my ancestor’s graves and leave an offering. I don’t plan on taking any dirt this time, but I would like to begin cultivating a relationship with them, learning more about who they were in life and how I can maintain a relationship with them in their afterlife. To start, my dad and I decided we are going to begin purchasing grave markers for the family member’s burial sites he’s found that do not have them.

All in all, Conjuring Dirt is a wonderful resource for all spiritual practitioners. I would go as far to say it’s been my favorite magical book I’ve read in 2023! Taren does such a wonderful job sharing all she knows to help readers begin to incorporate dirt in their workings. Her style of talking straight makes readers feel she really has their best interest at heart, ensuring they’re doing things the right way and not making trouble for themselves down the line. This book is sure to reshape your perception of the land beneath your feet and give a deeper appreciation for the magic held within the dirt we often take for granted or overlook.

Magical Tarot, by Madame Pamita

Magical Tarot: Your Essential Guide to Reading the Cards, by Madame Pamita
Weiser Books, 1578638119, 272 pages, November 2023

As a tarot reader for over a decade, I admit that I take the cards face value. I no longer really see the imagery, rather I just notice the name of the card and immediately jump to my own interpretation of it. Reading Magical Tarot: Your Essential Guide to Reading the Cards by Madame Pamita has been an opportunity to slow down my readings and truly connect with what is being depicted in the artwork of each card, unlocking new perspectives about the spiritual messages being revealed.

“Much more than a device to see the future, the tarot is a powerful book of esoteric knowledge in the form of cards.”1

Madame Pamita is a Ukrainian-American witch and quite an accomplished occult practitioner. She runs an online spiritual apothecary called Parlour of Wonders, hosts workshops, teaches witchcraft, reads tarot for individuals and group events, and hosts podcasts Magic and the Law of Attraction and Baba Yaga’s Magic. Her previous publications include The Book of Candle Magic (the best book on candle magic I’ve ever read!) and Baba Yaga’s Book of Witchcraft.

In the introduction, Pamita describes how she wrote this book for her students to ”guide them as to the meanings of the cards from the truly positive perspective that the cards contain, but also show them how they can expand far beyond traditional readings and use the cards as tools for manifesting and attracting the best life experiences ever.”2

To achieve this goal of manifesting greatness, Pamita starts with the basics for readers, explaining the law of attraction and how magic can be used to focus one’s intention. After a quick esoteric history lesson on the tarot, she shares suggestions for how readers can build their own relationship with the cards. Pamita then describes the art of affirmations to the readers and teaches readers how to get quick, magical manifestation results using the Rider-Waite-Smith tarot cards. 

The bulk of the book though is her description of each tarot card, leading the readers through the whole deck suit by suit, starting with the numerical minor arcana cards (Ace-ten), then covering the court cards, and finally moving onto the major arcana cards. I appreciated this approach of beginning with the minor arcana and slowly going suit by suit, rather than immediately diving into the major arcana, which is the approach of many other tarot books.

For every card, Pamita goes into depth about the imagery on the card and what the different symbolism means in regard to its overall meaning. Then Pamita supplies a list of the key symbols in the card and what they represent, a list of what the card signifies in a reading, a journal question to explore the card more deeply, and an affirmation.

Her analysis draws attention to aspects of the cards one might normally overlook or simply might not have the background knowledge to see in the way she’s explaining. She sometimes refers to the numerology of the card or brings up unique ways of how to view the card, such as seeing the Knight of Cups’ relationship to Hermes due to his shoes. For the Three of Pentacles, Pamita writes about the way triangles being pointed upward and downward represent the different elements alchemically. All these little tid-bits of information come together to open the reader’s perception of what’s really going on in the card beyond just the surface level visuals. I found her explanations to be very grounding, as in they make you think from within the card’s settings. 

While the general meaning of each tarot card is easily found online, the more nuanced mystical symbolism of the cards is not as readily accessible. Pamita does a good job of turning the cards on their head for readers to gain new insight to the essence of energy of the card. For instance, the Seven of Swords has always been a card that I associate with deceit or theft with a negative connotation, but in her analysis of the card, Pamita writes:

“What if the guys he’s stealing from are some really bad dudes and he’s one of the good guys stopping them from slaughtering innocent people with those swords? What if he’s just taking back what rightfully belongs to him? What if he’s not stealing the swords from an enemy but playing a prank on some friends? Maybe he’s not taking the swords at all, but merely rearranging them. One of the things that this card always awakens in the savvy reader is the idea that there may be more than one side to the story and that the way of the Trickster is to show us that are not always what they appear to be.”3

This insight was really impactful and helped me to shake out of the habits I have when reading the cards. For those like me who are often looking for concrete meanings, Pamita helps to widen this perspective to encompass the “what if” and see the energy of the card in a new light.

I also really appreciated the journal questions and affirmations included. All questions were meaningful and prompted me to explore inwardly for a few minutes to come up with an answer. I also have been enjoying using the affirmations daily when I have a moment to reflect. My next step is going to be intentionally using the affirmations magically, choosing the cards whose energy I want to work with rather than just being more passive right now and exploring what card comes up in my daily pull.

Overall, I highly recommend Magical Tarot for those looking to bring a bit more perspective into their readings. This book would be perfect for beginners, but it also can be immensely beneficial to skilled readers that feel their practice has grown a little stale. Discovering the esoteric secrets of the tarot symbolism is quite illuminating, opening new psychic doorways through visual engagement. You might even find yourself, like I am, starting to doodle the symbolism, deepening my connection with imagery on the cards. There are new worlds waiting to be explored and Pamita has done a wonderful job of guiding us over the threshold into magical terrain.

The Sacred Herbs of Yule and Christmas, by Ellen Evert Hopman

The Sacred Herbs of Yule and Christmas: Remedies, Recipes, Magic, and Brews for the Winter Season, by Ellen Evert Hopman
Destiny Books, 1644117800, 344 pages, September 2023

Sit down and clear your lap to make room for Ellen Evert Hopman’s The Sacred Herbs of Yule and Christmas: Remedies, Recipes, Magic, and Brews for the Winter Season. This book is full of all of the tips, backstories, and recipes that you could possibly need to navigate through the winter months.

I was born in January and winter has always been my favorite season. It’s warm from the inside, stark and beautiful on the outside, full of promise as one turns the calendar page to a new year, and the perfect time to set intentions, rest, and of course, commune with friends and family. 

In this memorable book, Hopman covers all of the traditions and recipes of Yule and Christmas found around the world–and there’s quite a few! If one really wanted to participate in all of the rituals and traditions, it would be advised to put pen to paper and note the various dates and traditions. December 13 for Saint Lucia Day, December 6, the day that Santa arrives in Switzerland, December 16, the start of the Christmas season in Venezuela, and Twelfth Night. 

There is a primer to the book that advises on how to prepare herbs including choosing good quality herbs, making teas, salves, tinctures, poultices, and using essential oils. Hopman also writes about crafting spells, magical properties of the color and seasons of plants, and the basics of spell work. 

Part One focuses on traditions, rites, food, and drinks of the season. The characters are both benign and also “fearsome,” from the Yule Lads of Iceland to Polish werewolves. “First footing” is found in many parts of Europe, a “type of magical practice designed to bring luck in the New Year and Christmas.”1 There are rituals of fire involving candles, logs, and communal festivals, along with fascinating yuletide divinations for marriage, to bring back the sun, and for luck as well as accompanying recipes. Hopman shares wonderful rituals for everything from taking down the seasonal greenery and the winter solstice.

This comprehensive section covers Christmas traditions from around the world with accompanying recipes from Austria to Wales, with places such as Venezuela, Spain, and Italy also represented. And what would seasonal merrymaking be without libations? There are a few recipes for the hot toddy, liqueurs, infused gin, and martinis too!

Part Two covers the magical and medicinal herbs of the winter. The plants profiled “all have a special connection with Yuletide and Christmas, and are valuable winter medicines.”2 The herbs run alphabetically from Allspice to Vanilla, and for each she writes of corresponding legends, medicinal properties, magical uses, and the herb at Yuletide, plus recipes for each. 

For example, for Pine she writes about the Greek goddess Cybele and her lover, Attis, sharing the tale of how the pine became the symbol of eternal hope. She also writes of the origins of the tradition of the Christmas tree and also the meaning of standard ornaments, pinecones for motherhood and fertility, stars for guidance, bells for joy, and… carrots for success in cooking! There’s even a recipe for conifer crème brulee.

The range of traditions covered by Hopman is quite impressive. Someyou might be familiar due to your familial history, others will surely be completely new to you. The origins of Santa’s reindeer, benevolent witches bringing treats in Italy, and other rites and rituals of the season are shared.  To be honest, most of what we celebrate is a mish-mash of many cultures and traditions, all of which honor the season, bring in the light, and aid us in navigating the dark. As Hopman’s aim is to “explore the roots of this ancient celebration (of Yule) from the magical and medicinal herbs of winter to the traditions, rites, foods, and drinks of the season, with the intention of deepening our understanding of the past so that we can carry it forward with purpose, respect, and joy.”3 

Another neat feature of the book are the colored-page inserts of Christmas imagery. They depict different Yuletide scenes and have little informative explanations next to this. The pictures add to the reader’s experience, bringing to life the words on the page.

Hopman is a well-regarded master herbalist and lay homeopath, who has been a Druidic initiate since 1984. She is also the author of Celtic herbals and Druid novels. In other words, Hopman is highly qualified, but more importantly, passionate and knowledgeable about herbs and also Yuletide.

My most favorite concept from the book, which I now carry with me, is that plants want to heal us. I highly recommend The Sacred Herbs of Yule and Christmas for those looking to embrace this time of the year with a renewed awe and deeper understanding of the rituals we use to celebrate this season. I know I’ll be spending plenty of time testing out the recipes and enjoying the celebrations with more purposeful intentions.

Sage, Huntress, Lover, Queen, by Mara Banscombe

Sage, Huntress, Lover, Queen: Access Your Power and Creativity through Sacred Female Archetypes, by Mara Banscombe
Findhorn Press, 978-1644117934, 256 pages, July 2023

Sage, Huntress, Lover, Queen: Access Your Power and Creativity through Sacred Female Archetypes by Mara Banscombe has managed to bring a balance of self-reflection and immediate application to the mysteries of the Sacred Feminine. Reaching deeply into the core of what the nature of the sacred is, Branscombe has crafted a book that allows the reader to feel the power held within these mysteries. All the while, she coalesces what is truly soul-searching work into actions and thought processes that are accessible and resonant at every level for any reader.

This book has the structure of seven feminine archetypes: the Maiden, Mother, Sage, Huntress, Lover, Mystic and Queen. Each archetype has been given secondary assignations that are easily recognizable and immediately bring to mind visual experience of how these archetypes might appear in physical form.  

Branscombe describes the Maiden as the Underworld Explorer using the familiarity of the story of Persephone as template for that journey.

“To embody the Maiden archetype is to reclaim creativity, gather courage, restore faith in your biggest dreams, and live with a lust for life.”1

The Mother is the Earth Matrix that knows how to protect, guide, sustain, and create.

“The embodied Mother greets her masculine spark to enhance her feminine frequency. Embracing her inner child, she discovers the world with an awakened vision, choosing love over comparison, acceptance over judgment.”2

The Sage is the Water Healer gathering her power from the flow of deep waters of gnosis and wisdom.

“The Sage flows with change, while staying present to her evolving intuitive process.  She cultivates a peaceful inner life while sharing her visionary’s wisdom with the world. The sage does not sleep her life into being. Like the healing hands of the grandmother, she gathers her current materials and weaves them into her cloak of knowledge.”3

The Huntress is the Fire Generator that catalyzes and becomes the path towards right action.

“The embodied Huntress has the true spirit of the warrior and empowers herself and others to live life to the fullest. Her life purpose is fueled by her devotion to be in service to her impassioned cause. The Huntress teaches us how to ignite our true essence and share it unapologetically with the world.”4

The Lover is the Air Alchemist who teaches the lessons of self-love and acceptance to cultivate healthy and strong relationships at all levels of being.

“The Lover understands that self-awareness is her superpower inside any relationship. Her boundaries are clear, either refined or porous as needed. She is wild at heart and stays true to her mission; to source the pure frequency of love while going as deep into the realms of intimacy as possible in this lifetime.5

The Mystic is the Ethereal Time Traveler who remains rooted and anchored in corporeal existence because this is the path to cosmic understanding.

“The feminine Mystic’s power is expansive. Energy can be sensed within, above, below and all around. She uses this information to respond to her soul’s calling. Paying close attention to the sacred experiences coming alive in this human body is the work of the Mystic.6

And, The Queen as the Universal Thought Weaver who commands ultimate authority over self through experience and indomitable self-awareness and confidence.

“The Queen embodies wholeness. She is a clear channel of refined inner strength. She is both movement and stillness, wisdom and inquiry, surrender and activation.”7

This book is thoughtfully separated into eight chapters, a robust Introduction (“Evoking the Divine Feminine Way”), and “Revealing the Archetypes and Appendix: Rituals and Wisdom Practices to Embody the Archetypes”, which indexes the rituals throughout the book for quick reference. I really liked this addition of indexing and thought there was an abundance of opportunity in using it as a checklist, of sorts, to mark the highlights of your journey through the archetypes. 

Each of the chapters provides the reader with a bounty of information and techniques of approach and awakening the specific archetype of focus within the reader. Branscombe takes the reader through informed step-by-step creative practices, guided visualizations, rituals, and poetry to help the reader embody each archetype and activate a life of fulfillment and happiness

The journal prompts were spot on for each of the archetype chapters and rather than a one size fits all approach to the other self-directed work to be completed, each chapter contained just the right combination of foci and intention to really push the reader to examine more deeply and thus, effect change more deeply.

I was particularly drawn to “Chapter 6 – Awakening the Mystic: Truth Seeker, Vision Holder, Divine Space Explorer”. Typically, the term “Mystic” has been associated with spiritual practice that aligned more with Eastern philosophies and applications. The image of the Mystic has been that of one who has hermited themselves away from the world and immerses totally in the Divine. These are true, but Branscombe has also brought that term into Western practice and more specifically as an archetype of the sacred feminine. The first portion of this chapter answers quite nicely who the mystic is:

“Anchored to the earth and attuned to her inner voice, the feminine Mystic embodies an otherworldly, enigmatic presence. Drawn to the numinous, spirited, and ethereal frequencies, she imbibes the natural magic and shares it freely with the world…The modern Mystic trusts the power of Divine timing. She embodies a heightened awareness to what happens in the natural world and to the ordinary synchronicities in everyday life… The Mystic walks the earth sharing her gifts with all sentient beings while tuning in to the realm of the skies.”8

One of the underpinnings of this chapter, that I would say also is true of other archetypes and development of their potential, is that of illusion that can be found on any spiritual path, particularly one of self-growth.

“Go beyond the smoke and mirrors of certain spiritual practices. Be aware when you are following a spiritual teacher to fit into a mold or generate a false sense of security.”9

Would I Recommend?

Sage, Huntress, Lover, Queen: Access Your Power and Creativity through Sacred Female Archetypes is a treasure of accessible and inspirational content. Throughout the book the reader will find little gems of poem and inspired verse from Banscombe that provide yet another way of engaging those archetypes within self.  This book is a rich and self-empowering and deeply immersive journey into the many facets of power and expression that we hold as sentient beings. Reading this book is an opportunity for reclaiming of these archetypes that have inspired and catalyzed transformative change throughout the evolution of the feminine and HER mysteries. 

About the Author: Mara Branscombe

Mara Branscombe is an author, mother, yogi, artist, teacher, mindfulness leader, ceremonialist, and spiritual coach. Her mission is to amplify wellness and creativity while supporting others to live their best life. She is passionate about weaving the art of mindfulness, self-care, creativity, mind-body practices, and earth-based rituals into her life and work. Mara has been teaching and leading ceremony since 2000.

A Tea Witch’s Grimoire, by S.M. Harlow

A Tea Witch’s Grimoire: Magickal Recipes for Your Tea Time, by S.M. Harlow
Weiser Books, 1578638216, 208 pages, October 2023

I read the most delightful book recently: Afternoon Tea Is the New Happy Hour by Gail Greco. This book gave me plenty of tantalizing ideas for teas, small plates, and other sweet treats to enjoy, BUT it didn’t venture into the magical aspects of tea, which is what I’m always looking to include in my daily routine. Luckily, A Tea Witch’s Grimoire: Magickal Recipes for Your Tea Time by S.M. Harlow has amply provided the mystical wisdom of tea that I’ve been craving.

“In the daily practice of the magical arts, the spirit desires enlightenment but also seeks nourishment and comfort. By our hands, we create earthly substances of vast power, and by our hearts, we tend to the fires of our soul.”1

Tea witch Harlow infuses this whole book with love for her craft. She shares how her grandmother, “a true Wise Woman”2, was constantly healing family and friends with her unique conceptions, seeming to just know what remedy was needed. In the same spirit of generosity and warmth, Harlow carries on the tradition of passing along knowledge by sharing what she’s learned in her on-going journey of mastering tea magic with readers.

The book starts right at square one, providing a description of tea, guidance on how to prepare and store herbs, covering the tea tools needed for this practice. I remember when I first got into drinking loose-leaf tea that I didn’t have the right items to steep it in, nor did I have a proper tea cup. So it’s worth reviewing the basics just to make sure you’re ready for the endeavor, especially if you’ll be preparing your own herbs too.

As for the teas Harlow shares, where do I start?! Well, she beings with remedies, which includes things such as happiness tea and purification tea, but also psychic protection and astral travel tea. I see this section as having all the tea rituals for what people would usually cast a spell for (binding, courage, friendship are just a few more teas covered!). She then covers teas for the moon phases and esbats (full moon each month), tea for every zodiac energy, and sabbat teas (Imbolc, Mabon, and so on). There’s even a section on creating blossoming tea, where the leaves unfurl when put in water.

For all of these teas, not only does Harlow provide the exact recipe, she also leads readers through the entire ritual, from what items are needed, how and when to prepare the tea, and what to focus on when drinking the tea. Some tea rituals are a bit more elaborate than others. It can vary from Harlow simply recommends a certain color mug to drink it from to  a long list of specific items such as crystals, candles, salts, honey, and more.

For instance the items called for November’s Yarrow Moon Tea Esbat include “a black altar cloth, 1 white candle, heat-safe plate, 8 snowflake obsidians, an oil burner, Wisteria and lilac with a base oil, 1 bay leaf, a black and white mug, strainer.”3 I have no doubt all of these items blend together to truly create magic, but I certainly wouldn’t have these things lying around! Therefore it’s important to plan ahead and make sure you have time to gather all the ingredients and items needed for your tea ritual.

As for the ritual, Harlow guides readers to do a variety of things to enhance their spells. There’s the usual visualizations and chants, but at times she encourages readers to spit into their tea (break hexes), salute the energies around you, or speak aloud your intentions. Harlow also provides an entire section on reading tea leaves for divination, known as tasseography, where a list of symbols helps readers to know the messages coming through.

Beyond the specific rituals, Harlow provides a plethora of information about tea magic in general, including tea sigils, properties of various crystals, and uses of tea remnants in spellwork. Additionally, there’s an entire chapter on potions, as well as guidance for creating aromatic oils and vinegar, alcohol and milk tinctures, and moon water.

Finally, the chapter “Tables and Correspondences” is worth its weight in reference gold. It includes a table of brewing times based on tea type and a table of measurement conversions. There’s also a list of intentions/goals and the herbal correspondences, along with a sections on the elemental attributes of herbs and herbal substitutions  o further help readers learn how to successfully create their own tea blends or alter the recipes she’s provided based on what one has available.

The book itself is a sturdy hardcover, which makes me feel it will be resistant to the spills that will ultimately happen as I am trying to turn a page while brewing my tea! There’s a whimsical quality to the illustrations, and they really provide an aesthetically pleasing browse through the text.

For those just learning about the magical aspects of tea, A Tea Witch’s Grimoire is a great place to start, though experienced tea witches certainly will also appreciate the compendium of recipes and rituals. Readers can reference this book year-round to trying out the different tea rituals as the seasons change, establishing their own relationship with the herbs. Or they can use the guidance of Harlow to manifest their will through the tea rituals, attracting or banishing what they want from their worlds, while also looking to the leaves for messages about the future. Harlow has created a true treasure trove of tea wisdom, and I for one am excited to start crafting my next brew!

Unlocking the Secret Language of Tarot, by Ruth Ann and Wald Amberstone

Unlocking the Secret Language of Tarot: 22 Keys to Understanding Its Symbolic Imagery, by Ruth Ann and Wald Amberstone
Weiser Books, 1578638186, 304 pages, November 2023

As tarot pioneers in America, Ruth Ann and Wald Amberstone founded The Tarot School in 1995 and first published this material in 2008. Unlocking the Secret Language of Tarot: 22 Keys to Understanding Its Symbolic Imagery combines the curriculum of many classes that they taught to thousands of students. This book presents a treatise on many of the symbols in the popular Rider-Waite-Smith deck. It is arranged in a series of seven chapters, each of which shares information on three or four of twenty-two symbols from the deck. You can learn more about the Amberstones and their school at www.tarotschool.com.

The Amberstones state the following about this material in this book:  

“We’ll be using the Rider-Waite-Smith imagery as our benchmark, but the information in this course should be transferable to any deck you care to use. We think it will also give your intuition a lot of additional material to work on.”1

The Rider-Waite-Smith deck was my first tarot deck, and I was excited to investigate this book by these master teachers. In addition to sharing imagery for the twenty-two symbols, they also share exercises and spreads throughout the book to make the most of the information. 

I decided to peruse the book, get myself familiar with the symbols, and then put it to the test.  I looked back at a three-card reading I did for myself to see how the enhanced symbology would inform or accentuate the message. I chose a reading I did a few months ago with the general question:  “What do I need to know today?”

I drew the King of Pentacles, Three of Swords, and Six of Wands.  My own guidance from the reading can be summarized as:  Although I may mourn losses, I use patience and determination to achieve my goals and meet victory and success.

After reviewing the Amberstones’ information for each card, I learned the following:

  1. King of Pentacles: “The armored foot of the king of pentacles is a hint of the full armor hidden from sight by his robes. It is a symbol of the public servant who guards the well-being of his Kingdom despite his apparent personal opulence.”2 Next, the authors take the reader on a “Contemplation of the Symbol of Armor.”3 This simple exercise invited me to ponder a question regarding how I might use armor to defend myself and was quite revealing.
  2. Three of Swords: For this card, I investigated the symbol of clouds. First, I had never noticed that there are three clouds on this card. Second, the authors share that clouds are “potent symbols of change.”4 Also, clouds can bring obscurity, depression and disaster, as well as divine support and potential.5
  3. Six of Wands: One of the cards that features a horse or horses, the Six of Wands has always represented success to me. Once again, the authors shared an exercise, “The Journey of the Horse.”6 This mythical meditation invited me to experience the world as a horse and it was truly magical!!! Then, the authors share the message of this card:

“Here again, we have the white terrestrial horse that carries his rider from the past into the present and toward the future in the world of human events. Because the intent of this card is to picture victory, the horse is white to symbolize nobility, triumph, and the mildness of perfect surrender to the rider’s will.”7

I have never seen the Six of Wands in quite this way!

With the additional symbology from the Amberstones, I now summarize the guidance from my previous reading as follows: Even though disaster might come, I have Divine support and take good care of myself as I transcend my past and travel to the sweet success of my future.

I really love the extra layer that the imagery provides! 

Next, I reviewed all of the information on my favorite card in the Rider-Waite-Smith deck: The Star. I learned that “the simple lesson of the eight-pointed star is the feeling of beauty and perfection that rewards the completion of an inner journey.”8 Did you know that the eight-pointed star is found on only two cards in the deck?  The Fool and The Star. The authors also share information on the pool, which in the case of The Star, represents “the great pool of spiritual awareness that we explore by meditation.”9

Throughout this chapter, the authors share information on the other types of stars on cards in the Rider-Waite-Smith deck, as well as ideas for spreads and meditations. I will return to the spread called “The Pool, Moon, and Star”10 later for guidance.  

The book is very well constructed, with information on the symbols and then representative cards that feature the symbols. They worked with the original printing plates of the Rider-Waite-Smith deck, and Ruth Ann highlighted a different part or parts of each card to call attention to the specific symbol being discussed. This technique is very helpful!

In the Appendix, the authors lay out exercises and spreads for each of the seven chapters.  This enables the reader to find a particular spread, meditation, or practice, without going page by page through the book. They also include an eight-page Index where you can find everything from every mention of angels (or archangels!) to every Major Arcana or Minor Arcana card mentioned in the book. These tools are very helpful for the novice and experienced tarot professional alike. For this reason, as well as the conversational style in which the authors share the information, I feel that this book would benefit any level of tarot reader. In fact, for the new reader, this book is a great textbook for learning more about the esoteric symbols of tarot.

I plan to use many of the spreads for work with my clients, as well as utilizing the information on imagery to add depth to my own daily readings.

Perhaps Tarot Master Rachel Pollack said it best on the back cover of Unlocking the Secret Language of Tarot:

“For years, Wald and Ruth Ann Amberstone’s deep work on the symbols and esoteric traditions of the Rider-Waite-Smith cards has been a legend, the learning and inspiration available only to their students. This book is useful in the deepest possible sense.”11

Bogowie, by T.D. Kokoszka

Bogowie: A Study of Eastern Europe’s Ancient Gods, by T.D. Kokoszka
Moon Books, 1803412852, 448 pages, September 2023

Without a doubt, the most famous Slavic deity is the child-eating hag goddess Baba Yaga. Thanks to her memorable mobile home on chicken legs, she has achieved mainstream recognition through children’s books, and she even lends her name as an alias to the eponymous assassin played by Keanu Reeves in the John Wick film series (2014). Aside from everyone’s favorite chicken witch, Slavic mythology has inadequate representation in pop culture and western scholarship. In Bogowie: A Study of Eastern Europe’s Ancient Gods, author T.D. Kokoszka seeks to remedy this deficiency. The book’s title, Bogowie (pronounced “BO-GOV-YEH”), is Polish for “Gods,”1 and in this work, Kokoszka uses “comparative analysis to interpret Slavic folklore”2 and reconstruct Slavic paganism.

It may come as a surprise that the author, who has a Bachelor’s degree in Microbiology from Texas State, would choose to write a book on a topic that digresses so far from his field of expertise. While microbiology may seem unrelated to comparative mythology on the surface, the study of ancient genetics intersects with the reconstruction of ancient Slavic culture. The author recognizes the inherent dangers of investigating the Proto-Indo-European “Aryan” identity, and approaches this topic with sensitivity. As a half Jewish and half Polish-American man, Kokoszka is disturbed by the appropriation of Slavic paganism by far-right nationalist groups, such as Russian and Ukrainian Neo-Nazis, and seeks to reconstruct traditional Slavic faith from a non-biased scholarly perspective.

Kokoszka felt compelled to write this book because the study of pre-Christian Slavic culture and mythology has been neglected by modern scholarship, and he was frustrated and disappointed by the dearth of quality research in this field. However, his target audience is not scholars (he doubts they would take him seriously), but those who are interested in Slavic paganism. Being a Slavic pagan himself, he hopes this work will be a valuable resource for both curious readers and devoted practitioners attempting to reconstruct the pre-Christian Slavic faith.

I fall into the curious camp, and Baba Yaga’s chicken foot hut led me through a dark forest to the unfurling leaves of this book. Earlier this year, I read Baba Yaga’s Book of Witchcraft: Slavic Magic of the Woods by Ukrainian diaspora witch Madame Pamita, which piqued my interest in Slavic mythology, a topic I shamefully knew little to nothing about up until that point. Bogowie proved to be the nitty-gritty, in-depth scholarly analysis I enjoy as a mythology buff.

While the author humbly refers to himself as an “amateur,”3 the depth of his comparative mythology analysis is impressive and reminiscent of the works of Joseph Campbell. Kokoszka explores parallels between the Slavic pantheon and other world mythologies, with an emphasis on major deities such as Mokosh, the goddess of fate and the personification of Mother Earth; Perun, the thunder god; Volos, the god of cattle and Lord of the Underworld; the Zoryas, sea maidens of the dawn; and the solar deity Dazhbog. Several chapters end with a sample tale, including one of my personal favorites, called “Baba Yaga and Vasilissa the Fair.”4 

In Chapter 2, titled “Baba Yaga and Mokosh the Great Mother,” Kokoszka’s exploration of the widespread European folk tradition of saving the last sheaf of grain for a deity is fascinating. In the Ukranian folk tale of “The Snake Wife,” a farmer is advised by a talking serpent in the forest to ask for the last sheaf of corn as payment after he harvests his master’s fields. Then he throws the last sheaf into a fire and a beautiful woman leaps like a spark from the flames. They get married, and his new bride warns him to never call her a serpent, or else she will leave him. Inevitably, he does so anyway, and she turns into a snake. Before she slithers away, he kisses her thrice, and is blessed with knowledge each time. She tells him to go to the Tsar, who will reward him for his wisdom by giving him a princess for a bride.

“Why does the peasant burn the last sheaf of grain to summon the snake wife?”5 Kokoszka asks. He reveals that the last sheaf is associated with an old woman or hag throughout Europe. In Scotland, the last sheaf of grain was dressed as a woman and devoted to the Cailleach, a hag goddess. In German folklore, the last sheaf is called “the corn mother” or “wheat-bride,” and “some Dutch stories portray the Ruggenmoeder (Rye Mother) as an old hag with red eyes and a black nose who carries a whip and pursues children.”6 Meanwhile, in Russia, “sometimes a small patch of rye stalks were left in the corner of the field, and braided for Baba Yaga,” who “feeds the world, but is herself hungry.”7 Perhaps this is why she eats naughty children! “Another tradition which intersects with this is found in Central Europe, where one can find narratives about an old hag getting ground up by a mill and coming out as a maiden, with her youth restored,”8 says Kokoszka.

The last sheaf may also be personified as “The Old Man,”9 and in some parts of Russia, Kokoszka says, “the last sheaf of grain was called ‘The Beard of Volos.’” 10 While it may seem strange to connect an agrarian fertility tradition with the god of death, Kokoszka believes there is evidence that this practice is rooted in ancestral cult worship, as illustrated by the Ukrainian Didukh, another ceremonial last sheaf representing a grandfather spirit. The Didukh was believed to be a spirit house for deceased family members, and was brought into the home for winter festivities.

“The Didukh was given a place of honor during Christmas in many Ukrainian households,” Kokoszka says. “Finally, in early January, it was taken to the field and burned to free the spirits.”11

I found it even more intriguing that the pagan Volos was syncretized with the Christian Saint Nicholas. In some parts of Russia, the “Beard of Volos” was also known as the “Beard of Nicholas,”12 and a bull was sacrificed to him on his feast day on December 6th, an obviously pagan practice that hearkens back to the ancient association of Volos with cattle. Kokoszka says that “the bull to be sacrificed was named mikolets, after the Saint himself.”13

Bogowie is jam-packed with nutritious tidbits like this. I loved following the little bread crumbs about Baba Yaga the most because I have been fascinated with her ever since I first saw an image of her chicken foot hut in a computer game as a child. I was delighted to learn that, in Slavic mythology, there is also a female house spirit with chicken legs called a kikimora who lives behind the stove. In the middle of the night, she will tangle unspun thread or unravel needlework that has not been put away or sained (blessed with the sign of the cross).

Now that I have my own little coven of seven Easter Egger hens I call the Chicken Foot Clan, I like to think of myself as a chicken witch, and I want to be known as Baba Yaga to my grandchildren. I made a feather duster/chicken feather besom for ritual use with a bundle of naturally-shed tail feathers and a branch from the chaste tree growing in my backyard. According to Kokoszka, “witches of Carpatho-Ukrainian folk belief often have chicken feet.”14 I don’t have chicken feet yet, but after the ladies pass away of natural causes, I plan on harvesting theirs, mummifying them, and painting their toenails so they look like little hag hands. In witchcraft, dried chicken feet have protective powers, and it will also be a way for me to memorialize my hens.

Bogowie will be an engrossing read for chicken witches, Slavic pagans, and anyone who enjoys studying comparative mythology. Kokoszka’s thorough investigation of Eastern European folklore is formidable, and this book is destined to be an essential text on Slavic mythology.

Pagan Portals – Gods & Goddesses of England, by Rachel Patterson

Pagan Portals –  Gods & Goddesses of England, by Rachael Patterson
Moon Books, 1789046629, 128 pages, July 2023

I was drawn to Pagan Portals – God & Goddesses of England by Rachel Patterson because as the wife of an Englishman, I’ve traveled there quite a bit. What I love about my travels is that we don’t visit as tourists, we settle in as family and then branch out and explore the countryside. It’s a place that shares its land with small villages, larger cities such as York and Bath, and also ancient markers, all of which cohabitate beautifully. Thanks to Patterson, my knowledge of the deities of England has greatly expanded. I’m looking forward to seeing the sights with the lens of the gods and goddesses next time we visit!

Pattern is the perfect guide for this trip through the landscape of England’s deities. Her website titles her an “English kitchen witch and author” 1 Her list of other published works is impressive, including Pagan Portals – Kitchen Witchcraft, Pagan Portals – Moon Magic, and A Witch for Every Season. She is listed as one of the 100 Most Spiritually Influential Living People in Watkins Mind Body Spirit magazine.

Now, diving in, this book is divided into two broad sections: “Part I, The History of Humans” and “Part II, Gods & Goddesses”. To start the book, Patterson presents what she describes as a “very brief outline” of Britain’s timeline from Paleolithic Britain (700,000 B.C.) through the Noman conquest of 1066 A.D. She also introduces the reader to the various invading forces who settled in Britain and put their stamps on the people and the land – from the Romans to the Germanic tribes, to the Vikings. This laid the foundation for delving into the deities of England in this book. 

In Part II, before recommending how to connect with the deities, Rachel profiles numerous deities, referencing whether they were a god or a goddess, and the location where reference to these deities was found. For some she is able to share a lot of information, while for others all that remains is a reference to their name on an inscription or relic or reference in a manuscript. She covers the whole of England, though, in a concise manner. 

Of course, Britannia shows up. This time inscribed on a statue base in York. Britannia eventually became the symbol of Britain and of the resiliency of its people. She provides a lot of information on Sulis, a goddess found in Bath. As she writes, “a great number of altars, dedications and curse tablets have been found in Bath along with a large temple dedicated to her.”2 While worshiped during the Roman times as a goddess with whom they equated their goddess Minerva, Sulis seems to have been a local goddess long before the Romans invaded.

I was intrigued by the curse tablets that had been thrown into a spring. Each was made of metal and mostly all rolled up before being thrown into the spring. “All of them seem to be requesting return of stolen items, asking for revenge, or the righting of wrongs. Most of them involved what would seem to be today small items such as a stolen towel.”3 In all fairness, though, one needs their towel in Bath.

She offers ways to engage with the deities, whether one is local to you or whether you were drawn to one in the book. Ways include researching the deity, setting up an altar, connecting with the land, and, one of her favorite ways, researching food local to the area. She feels that these local recipes help her “align with the energies of the area”4 while also providing good food. 

Rachel also writes extensively as to how she connects with specific deities, Belisama, the Three Mothers/Matres, and Sabrina.  For each, she writes on myths and origins, invocations, rituals, meditations, and of course, recipes including chorley cakes (Belisama), Gloucester pancakes (The Three Mothers/Matres) and shearing cake (Sabrina). She concludes with offering further readings, if interested. 

I highly recommend Pagan Portals – Gods and Goddesses of England. It encourages one to connect with the deities rather than just providing copious amounts of information on each, helping readers to create their own relationship with these gods and goddesses. Realizing that all might not be able to visit England to connect with these deities, Patternson offers ways to do so if one feels drawn to a particular deity. I loved her final recommendation as she sent me on my way:

“What I would recommend you do is to connect with the energy of the land you live on. Research the history for your own area and get to know the land beneath your feet.”5

The Language of Lenormand, by Erika Robinson

The Language of Lenormand: A Practical Guide for Everyday Divination, by Erika Robinson
Weiser Books, 1578638054, 208 pages, October 2023

As both a book lover and a collector of Lenormand oracles, I was very excited to have the opportunity to review The Language of Lenormand: A Practical Guide for Everyday Divination by Erika Robinson.

Robinson’s skills as a seasoned card reader and a highly trained educator shine brightly throughout this delightful guide – her Harvard education and years of teaching English evidenced on every page.

The book’s beautiful cover caught my eye, and I was somewhat surprised and a bit disappointed that there was no deck accompanying this book (more on that later though because there is good news after all for us deck collectors).

Rightly named a “Practical Guide”, Robinson is actively teaching from the start. Set up like a workbook with questions and brainstorming activities winding up each chapter, the student has an opportunity to be fully engaged, helping make the learning process even smoother.

The Lenormand Oracle is comprised of 36 cards, with some decks having a few extra cards so that the sibyl and/or sitter may choose between different representations of specific cards. The cards are always read in combination with each other (no single card pulls as is often done with Tarot and other oracles). Memorizing the meanings of the cards is first and foremost to learning to read with them in combinations.

Chapter One begins by introducing the first three cards to us, explaining the images and their meanings as you might expect, but the chapter continues with something fresh by immediately teaching us how to read those three cards in several different combinations. Robinson also asks us to come up with some meanings on our own, and right away we are learning, thinking, and reading the cards ourselves. Brilliant!

The next six cards are described and added to our repertoire in Chapters Two and Three, and then for the following chapter we take a little break from learning new cards to talk about significators and different ways of using them. We learn this easily by playing with the cards we’ve studied so far. Then, we move on to learning a few more new cards in Chapter Five.  

I really enjoyed Robinson’s take on significators, so I was excited when she returned with more ideas about them in chapter six along with a technique called “mirroring” and our first “spreads” – using configurations of five cards and seven cards. 

The book continues in this fashion, teaching three cards per chapter and then layering our newfound learning with actual card reading in combinations along with additional techniques for determining what the cards are saying to us by using more cards in combination. These layers and combinations provide more and more clarity and detail. 

Robinson teaches a range of traditional spreads (also called “vignettes” in Lenormand parlance) using the Nine Box (a spread using 9 cards) for multiple examples as we work our way through learning the entire deck. Her use of the Nine Box reminded me of just how much information you can find using just nine cards. 

By the time we reach Chapter Eighteen we know the meanings of each card and how they work together in combinations. And now we are ready to take a crack at the biggest spread of all – the one that uses the entire deck – a giant spread famously known as The Grand Tableau.

When I was first learning to use the Lenormand oracle, I remember feeling equal amounts of excitement and dread about approaching such a huge spread. You may feel the same way, but fear not! Robinson provides us with lovely instructions on how to navigate the Grand Tableau walking us step-by-step through her entire process. The Grand Tableau can be quite an undertaking but with such clear instruction you can be sure to fully enjoy it!

Moving forward, we learn some new and original spreads including a twenty-three-card spread called Erika’s Reading that I used immediately and loved, and happily it was much appreciated by my sitter as well, as it validated quite a few details for them. Among the original ideas in this book, this is my favorite and one I plan on using a lot. It’s quicker than the Grand Tableau while still giving a wealth of information.  

I mentioned earlier that I was a bit disappointed that this book was not the guidebook for a new deck, but my disappointment vanished once I discovered that Robinson does have her own deck coming out. I peeked on Instagram and the cards are gorgeous. Unfortunately, the deck was a Kickstarter project that had closed by the time I went to investigate it. 

Hopefully, the deck will be available to those of us who were late to the party and missed the backer deadline. The deck is called Erika’s Lenormand of Hope and as thoughtful as her book is, I can only imagine that the same care went into producing her beautiful deck.

As someone who has been reading the Lenormand for almost a decade, I learned quite a few new things from The Language of Lenormand, and with personal stories and lots of reading examples it was fun and easy to read. This book is for anyone wanting to learn about the Lenormand oracle whether a beginner or a seasoned reader. There are new and original ideas here along with traditional Lenormand teachings and they are all presented in a very comprehensive way. A beautiful addition to any cartomancy library, highly recommended.