Page 13 – Musing Mystical

The Vedic Tarot, by Dwina Murphy-Gibb

The Vedic Tarot: East Meets West, by Dwina Murphy-Gibb
RedFeather, 978-0764368202, 288 pages, 81 cards, September 2024

Dwina Murphy-Gibb has created a masterful tarot deck with influences from the Vedic, Irish, Qabbalistic, and Rider-Waite-Smith traditions in The Vedic Tarot: East Meets West. From the brightly colored illustrations to the wealth of information presented in the guidebook, this deck is a feast for the eyes and wisdom for the soul.

Born and raised in Northern Ireland, Dwina Murphy-Gibb was educated at Hornsey Art College in England. Her published works include three books of poetry, three novels, and numerous short stories. In addition to two plays, she has also produced a few independent films. You can learn more about Murphy-Gibb on her website.

What interested me most about this deck was the reference to “East Meets West.” Murphy-Gibb shares that her first deck of cards was a deck of playing cards. This was due to her grandmother’s disdain for tarot cards. Her first tarot deck was a Rider-Waite-Smith (RWS) deck, followed by the Etteilla and Aquarian decks, among others. The symbolism of the Rider-Waite-Smith deck shines through in this deck, although some of the names and symbols of the cards have been changed.

Murphy-Gibb changes The Fool to The First Traveler, and Death to Changes, among others. She also adds three cards to the major arcana: Oogenesis, Arbor Vitae, and Supreme Soul. So that she doesn’t interrupt the traditional numbers of the major arcana, Murphy-Gibb gives these three cards special numbers.

For the minor arcana, she utilizes the suits of Cups, Wands and Swords, but transforms Pentacles into Shields. In an example of how the RWS symbology is seen, the Five of Shields in this deck features a couple huddled outside of a building with stained-glass windows. The shields on most of the cards are round, much like pentacles in other suits.

Each card features the name of the card, a symbolic drawing, the Hebrew letter, the Sanskrit name, the Ogham tree/symbol, and the musical instrument applicable to the card. In the guidebook, Murphy-Gibb gives detailed information regarding each of these correspondences. There are also two charts in the guidebook that present tables of the information from all of the correspondences for the major arcana. Here are just a few of the correspondences that she assigns to The Lovers card in one of the charts:

Musical note: D-natural
Hertz: 587.33
Chakra: Sacral¹

Murphy-Gibb begins the guidebook with the story of how The Vedic Tarot was created:

“This Tarot is really an illustrative book that explores secrets of four ancient languages: Vedic Sanskrit, Irish Ogham Tree Alphabet, and Hebrew, as well as English and the influence of sound or music in the spheres and in the chakras of the body.”²

Next, she explains how each of these play a role in the story of man and tarot. She divides the major arcana into three sections of archetypes, powers, and the Eight-Fold Path.

After the extensive guidance and wisdom provided for both major and minor arcana cards, Murphy-Gibb presents Part 2. This section includes how to work with the cards, correspondence tables, and several spreads, including one she learned from a Gypsy Queen in her youth. This spread includes “the making of a mandala by interlocking the cards,”³ and makes use of only six cards.

Next, Murphy-Gibb presents glossaries for Sanskrit, Hebrew/Qabbalah, and Ogham terms. She also includes resources for further reading, including online sources.

I decided to test drive the deck by drawing three cards, keeping in mind Murphy-Gibb’s advice:

“The querent does not need to ask a question, because the answer will be apparent to them during the reading, or the subconscious question they have not dared to ask will be answered.”⁴

I drew these cards: Three of Swords, Knight of Swords and Knight of Cups. The information in the guidebook is so rich and multi-layered and it is easy to become overwhelmed. I decided to scan the pages for each card and came up with these three bits of guidance:

“I am not lost, but rather replace it with the wonder of being somewhere else.”⁵
“I may choose to challenge laws without breaking them.”⁶
“There is joy in “the finding of a direction, not the seeking of it.””⁷

This guidance helps me greatly with a situation in my life. I am also going to look up music with violins, C-sharp notes, and/or music that soothes the heart chakra, in keeping with Murphy-Gibb’s guidance.

This deck is presented in a large, sturdy box, printed in rich colors of scarlet, gold, and black. It features a magnetic flap that secures the box and opens to reveal space for the guidebook and two deep wells for the cards. These cards are printed on nice cardstock, which is so heavy that the box requires you to cut the deck in half to store it. The cards have a black matte edging, and the back of the card is a unique design, which Murphy-Gibb describes as: “a combination of the Trishula, Shiva’s weapon, the Damru, his drum and the lyre.”⁸ She also accents the image with a sun, a snake and three worms across a moon, because she finished the artwork for the back of the cards on a Worm Moon.

My favorite card in this deck is the Arbor Vitae. This card is numbered 0-8 and comes before the Justice card in the major arcana for this deck. The visual is a tree with a feminine face, a small tree in her heart and curling roots. The musical instrument for this card is the bell. It is so calming and beautiful. I plan to keep it on my altar for a few days and drink in its powerful love vibes. The last line of the guidance says it all:

“Everyone wants to feel useful, and taking care of the little things is a service to the Great Mother and our own fulfillment. Undoing the wrongs by taking right action is the greatest medicine of all.”⁹

The Vedic Tarot would probably be best for a seasoned tarot reader or tarot scholar. The rich layers of guidance, the multiple correspondences and the combination of Vedic, Sanskrit, Hebrew, and Irish myth and lore might be too difficult for a novice to take in.

However, if beginners wanted to initially focus on the Divination section and then build up to adding the information in the other portions, this would be a great addition to their tarot collection. I plan to keep it on hand for personal readings and utilize the guidebook for additional information for client readings.

With this deck, we can continue our quest for knowledge and, as Murphy-Gibb says:

“We can begin remembrance of who we really are and start learning to fly.”¹⁰

The Tameless Path, by Kamden Cornell

The Tameless Path: Unleashing the Power of Invasive Plants in Witchcraft, by Kamden Cornell
Crossed Crow Books, 1959883631, 306 pages, August 2024

In recent years, there’s been a shift in how plants are used in magical practices. There have always been ways to obtain ingredients for spells or other workings, but the events during the last few years have seen many people foraging for their own elements. Without overly generalizing, it seems as though anyone with access to an outdoor space has taken advantage of that and started to grow their own herbs and such. But how many people actually forage, as in go into the woods and search endlessly for plants that grow wild only in certain spots? And how do you make sure that what you are gathering is safe and not harmful to children or pets?

Enter The Tameless Path: Unleashing the Power of Invasive Plants in Witchcraft, by Kamden Cornell. If Rachel Pollacks’ 78 Degrees of Wisdom is looked upon as the definitive book on tarot, then Cornell’s book will certainly be a top contender with respect to plants. Cornell is no stranger to plants: they currently teach classes on witchcraft, occultism, herbalism, wortcunning, foraging, and invasive species wildcrafting in their region. They also work as an apothecarist and own a small, witchcraft-oriented business that focuses on herbal remedies, ritual goods, and education. To say they are qualified is an understatement.

“What we call “weeds” have been used as remedies and food for thousands of years in the regions they were native to before being transplanted to our own soils.”¹¹

One of the first things I questioned when I picked up this book was relevance to me personally; after all, I don’t live anywhere near the author. Looking at the table of contents quickly relieved me of that fear as I saw many familiar plants that grow in my area listed. The chapters on alchemy, planetary magic, and various methods of plant preparation are well written and provide information that will lead the reader to a deeper understanding of the connection between plants and the universe.

There are two table of contents pages: one showcases chapters divided thoughtfully into a pattern that makes sense in terms of content, and the other is a full listing of spells and recipes by weed. Both are comprehensive and well laid out, but it’s the spells and recipes that drew me in. While some of the spells seem whimsical in terms of their ingredients, knowing what can be substituted for the more arcane and less available tasks is vital. Knowing a bit of herbology and spellcraft would be useful here but isn’t necessary as long as the internet exists!

Chapter 4 is my favorite as it deals specifically with choosing the method of preparation and provides clear instruction on how to do so. The preamble for the directions is very informative and provides a ton of guidance around the processes. There is also a disclaimer regarding using words such as medicine or medicinal, as Cornell is very clear to reiterate that “nothing in this book is intended to be a substitute for medical treatment.”¹² The author is very clear about personal safety and recommends being in the care of an allopathic physician should one choose to utilize herbal protocols in any way.

Cornell goes into great detail in each section of this chapter, explaining common terms that relate to each section such as tisane and strewing blends. Most people who pick up this book will probably have some knowledge around these terms, yet Cornell goes deep into each area and ensures there are no stones left unturned. I appreciate that immensely as there is no need for cross referencing: everything you need to know is contained in one book. How convenient!

Perhaps the most interesting part of the section is the alchemical one. Not being familiar with this specific method myself, I devoured the section and made notes. I was under the impression that processes like distillation were complicated and involved so many containers and apparatus, and I was right. Probably not something I could do in my tiny apartment, but a girl can dream. I love the idea of distilling my own supplies, but the reality is I cannot. Not the first time I’ve been disappointed but at least it’s not with the book.

The Tameless Path is perfect for those who are interested in the path of herbology and want to deepen the practice. Chock full of information that isn’t readily available elsewhere unless you dig deep, this book provides clear and concise information as well as a variety of accompanying methods and recipes for a well-rounded literary journey through the land of herbology. Practical and magical, I will be gifting copies of this book to a few of my green-thumbed friends, who might be persuaded to share the fruits of their labour with me.

The Council of Horses Oracle, by Sandra Wallin

The Council of Horses Oracle, by Sandra Wallin and illustrated by Kim McElroy
Bear & Company, 9781591434931, 40 cards, 192 pages, October 2024

In their wise and colorful deck, The Council of Horses Oracle, Sandra Wallin and Kim McElroy weave together guidance from our equine helpers with stunning artwork.

Sandra Wallin studied science and education, and earned a master’s degree in counseling psychology. She is currently pursuing a Doctorate in Ecopsychology. In her work, she pulls experience from three decades as a psychotherapist, teacher, and mentor. Along with her work with horses, Sandra utilizes modalities such as Psych-K and Bruce Lipton’s Biology of Belief to work with women who are ready to walk a new path. Though she has studied with many amazing people, Wallin says her most influential teachers have been horses, whom she credits for taking her (and her clients) beyond her belief ceiling to a place where all things are possible.¹³

Illustrator and artist Kim McElroy has always been drawn to horses and began drawing them as soon as she could hold a crayon. McElroy combines her artistic talent with her love of horses and more than thirty years working with these beautiful creatures. She has co-created another deck and guidebook, as well as a journal on horses. Learn more about her at her website.

I was excited to open this deck because horses have always been of interest to me. As a child, I loved riding horses on my uncle’s farm, and I was born in the year of the horse. When I met my husband more than twenty years ago, I gained a friend who worked with horses for more than twenty years at racetracks around the country. Our granddaughter is also an accomplished horse rider.

Sandra Wallin and Kim McElroy have combined their knowledge and experience to create a beautiful deck with wisdom that is both intuitive and practical. The guidance provides a message, a story from the author’s experience, wisdom from the horses and questions to be used as journal prompts for more inner work. Each card’s guidance includes four to five pages of information and ends with a recap, which is called “The Invitation”. This short section sums up the key idea from each card.

Wallin presents the deck with a short introduction and then shares how to work with the deck, including key questions to ask, how to get to know the cards, and different spreads to use. She shares this information about how the art and words work together:

“There is a union between the art and the writing, which is akin to the synergy that happens when the horse and human come together. When you work with the cards in this way, it is like being with horses in their paddocks, pastures, and fields, smelling their sweet breath; feeling their footfalls on the ground beside you; and seeing yourself reflected in their fathomless eyes.”¹⁴

Wallin even provides three sample readings that show how to do a reading with the cards, as well as how the client responded to the guidance shared.

One friend, whom I’ll call “C” drew the card Aenbharr and shared that this card and its guidance was a confirmation to follow her intuition and take herself on a new adventure. She further shared that she had really felt stuck or stymied recently and that she kept feeling that she was missing out on the magic in her life. This card and the invitation that it included held a challenge to let go of old beliefs and habits that were keeping her from “rediscovering the magic that exists within the world,”¹⁵ as the guidebook entry for the card reads.

To give the deck a trial run, I took the cards to my Friday Coffee & Cards group. Each of my friends chose a card and the smiles on their faces as they read the guidance was all I needed to see.

It is interesting to note that Wallin drew the artwork for this card; she is also credited with co-creating the artwork for another card with Kim McElroy.

Another friend, “D” drew the card Al-Buraq and shared that as part of her recent retirement, she felt she was simply going through the motions. There was no surprise that the questions posed by this card asked her to reflect on what she might need to change in her life, what she might be taking for granted, and what limits she might need to overcome. She wrote down the questions and said she would use these as journal prompts for exploration and growth. She particularly related to the Message for Humankind for this card:

“Believe in the reality of what you envision or experience regardless of what the external world might negate.”¹⁶

The cards are standard oracle card size and printed on heavy, glossy card stock. The cards are easy to shuffle and will stand up well to repeated use. For the back of the cards, McElroy chose a beautiful piece of horse art that seems to gallop off the card. It is framed by clouds and light rays and also features a burst of light at the horse’s heart center.

The guidebook is printed in black and white, with a thumbnail of each card shown with the guidance. The guidebook is easy to navigate, as it is arranged in alphabetical order. Wallin also includes a Table of Contents.

The Council of Horses Oracle would be great for horse enthusiasts or anyone who has an affinity for horses. The guidance really transcends the subject matter and can be applied to daily life quite easily. If you want to do a quick reading, you can select a card, take note of the key words, and then jump to the “Invitation”, which recaps the wisdom shared by Wallin. I intend to keep this deck close by to end client sessions and refer to it for my own encouragement.

Palmistry, by Sasha Fenton

Palmistry: Your Plain & Simple Guide to Reading Destiny in Your Hands, by Sasha Fenton
Hampton Roads Publishing, 978-1642970685, 160 pages, 2024

In her book, Palmistry: Your Plain and Simple Guide to Reading Destiny in Your Hands, author Sasha Fenton presents an easy-to-read guide to reading palms. She even includes a brief explanation of fingerprints. The book is written in a very conversational style with lots of drawings that support the text and make it easy to read your own palm and the hands of friends and family. This book is a reprint of a version that was published in 2009 and again in 2016.

A professional astrologer since 1973, Sasha Fenton has also practiced tarot, numerology and palmistry for many years. She is a prolific writer, with over 120 books that have been translated into 11 languages around the world. In addition to speaking at workshops and panels in Great Britain, Fenton has also appeared on numerous TV and radio programs. Her articles on astrology have been published in many magazines and newspapers. She has also served on several boards and councils, as well as aiding in the launch of MBS Professionals LTD, a group for practitioners in the spiritual arts. Fenton currently lives in western England.

I have always been fascinated by palmistry and was excited by the cover of Fenton’s book, which features a hand with some of the most important regions highlighted in bright, bold colors. She even included the astrological correspondences for the fingers!

After a brief introduction, Fenton dives right into teaching us how to read hands, dividing the subject matter into eleven chapters. She begins with a masculine set of hands and a scene where you and your girlfriends are out for the evening and decide to research the guys you encounter. She covers hand size and the differences between right and left-handed people. I found this quote amusing:

“Right-handed people are in the majority; so, if you like an ordinary type of guy whose head isn’t full of artistic waffle, this is the man for you.”¹

Next, she highlights details of female hands, before moving on to a “map of the hand,” which highlights different areas of our lives. She provides a brief history and shares: “the Indo-European palmistry that we use has links to the planets in astrology, but there are subtle differences between a palmist’s view of the planetary connections and that of astrologers.”¹⁷ She explains that she thinks that this difference relates to the way modern astrology has strayed from more ancient ways of looking at the planets and how they interact with life on earth.

Fenton presents a great table of the primary planets and the areas of the hand (and life) that each reflects. The rest of the chapter focuses on the planets and how each one shows up in our hands. In successive chapters, she covers the fingers, the lines on the hands, marks on the hands, and how the hands relate to love and relationships. I found this chapter really interesting!

Next, Fenton covers the hands and markings and qualities that can point to health or illness. She advises the reader to check out other, more comprehensive books on this topic if you are really interested in learning more.

Finally, Fenton combines all the knowledge that she has shared and brings the reader back to the restaurant scene from the first chapter. She gives you tips about bringing all the information together, in order to read a palm and learn more about the people in your life. This chapter is really focused on the “love” aspect, and she provides information about what to look for in a mate, if you are desiring certain traits and characteristics.

I decided to test what I’d learned and do a reading on my husband’s hands. Here’s what I learned:

Large hands: Doesn’t like to be rushed, enjoys quiet nights at home

Right-handed: Happy with the ordinary and may be good with hands for odd jobs

Veins showing on back of hand: Sensitive in nature and will hear what you say

Flexible hands: May be spontaneous and happy to go out of town on the spur of the moment

Edge of hand is thick: Not easy to shock this man

Fingers spread widely: Generous with money

Rounded fingertips and a thumb that opens widely: Friendly, helpful, social

I would say that each of these qualities is accurate for my guy! Next, I’ll look at his lines and look for more qualities and check out some of the health notes.

Palmistry is great for anyone who wants to learn more about reading palms, hands, and fingers. It would probably be best for a beginner, as the information is very foundational and a more experienced palm reader might be disinterested. Since it is so easy to read, it would also be good for teenagers or young adults to read and use the information to analyze friends and family.

I plan to investigate Sasha Fenton further and find more of her books and articles!

The Flowerwise Oracle, by Leigh Podgorski

The Flowerwise Oracle, by Leigh Podgorski and illustrated by Kait Matthews
RedFeather, 9780764367694, 208 pages, 44 cards, April 2024

In her first oracle deck, Leigh Podgorski has combined a lush garden of beautiful flowers, diverse feminine forms, and guidance from Mother Earth to create The Flowerwise Oracle.

Previously, Podgorski has written plays, screenplays, and novels. Her play We are Still Here premiered in 2000 and went on to run in various theaters throughout California. Western Song, her latest novel, is being made into a movie.

Illustrator Kait Matthewswas an original member of the cast of Podgorski’s play We are Still Here. After running an art gallery in San Diego, she now works as an artist and illustrator. She previously illustrated Clarity Tarot. Matthews also creates murals and other artwork for businesses.

I was drawn to the beautiful flowers and tagline of this deck: “Empowerment through the ancient wisdom of the feminine spirit.”¹⁸ From the first time I opened the warm mahogany-colored box, I was captivated by the flowers, the penetrating feminine faces, and the rich, jewel-toned colors. Each face is different with many different cultures and ethnicities included. The background is the perfect color to highlight the face, and each flower is featured in a unique way.

“All the flowers of the tomorrows are in the seeds of today.
-Indian proverb”¹⁹

Podgorski is very generous with the information she shares in the guidebook, beginning with a preface that shares a history of flowers in general, a short section on how to use the deck, and a list of each of the flowers in the deck with a keyword. The guidance spans four pages or more per flower and includes the Latin name, key words, history, habitat, and myths. Finally, there is a small section for guidance, which she labels “The Flower Speaks.”

I loved that the guidebook is arranged alphabetically, and each entry also shows a small image of the flower in full color.

Each card also features either a raindrop or a sun. This enables the card to be used for a quick answer by the reader, as the sun represents “Yes” and the raindrop is “No”.

To test drive the deck, I took it to my Friday Coffee & Cards group and each woman selected a card. One friend drew the Acacia card, which features a beautiful blonde woman wearing a spray of bright yellow acacia flowers in her hair. The tagline is “practice courage; perseverance pays.”²⁰ The guidance in the book further spoke to renewed friendships, long-lost love or an adventure that beckons. My friend shared that she has recently reconnected with an old friend who wants her to travel to Hawaii with her. She took this card and its message as confirmation that she had the courage to book the trip and enjoy her adventure!

Another friend drew the Calla Lily card, which shares: “Focus on the possible; let go of the doubt; imagine the best.”²¹ My friend was particularly interested in the history of the calla lily, which can be traced to South Africa. She also learned that the flower is toxic to both people and animals, so it is no longer used as medicine. But the guidance touched her deeply:

“There is death among us. Sadness and despair. But fear not. For among us, too, there is magnificent beauty, boundless joy and eternal hope. . . When you feel hopeless, sit by the waters. In silence, reflect. Restore. Find your sacred balance anew.”²²

She then shared that she was struggling with a recent loss, and this helped her to balance and center herself. She took a photo of the card to meditate on later.

I also showed the cards to my ten-year old granddaughter, who is quite an artist herself. We sat and flipped through the deck; the beautiful images of women and flowers kept her attention as we scanned all 44 cards. Her favorite was Elodea, with a beautiful blonde woman whose hair floats up, almost like a mermaid. Elodea is an aquatic plant, and my granddaughter has always loved the water!

These cards are a nice size at 3.75” by 5.5”. They are printed on nice cardstock with a matte finish. The back of the cards features an assortment of different flowers, from rich reds to stark whites and deep blues. The deck comes in a beautiful, sturdy box that holds both the cards and the guidebook and features a magnetic flap.

Podgorski includes a thirteen-page list of various sources for the guidebook. It is arranged alphabetically and includes fantastic resources for those who might want more information about flowers and their origins and uses. It’s worth noting, she focused on her work with a Cahuilla elder and an anthropologist for this deck.

These cards would be great for any level of oracle (or tarot) card reader. Young girls and teens will also resonate with the feminine characters and the messages of hope and inspiration. The Flower Speaks section can be used for a brief message, as well as the sun and raindrop symbols for a quick Yes or No. I plan to keep this deck on hand to utilize at the close of my client readings. I’ll close with this quote from Luther Burbank, which Podgorski shares:

“Flowers always make people better, happier and more helpful. They are sunshine, food and medicine to the mind.
-Luther Burbank”²³

Boys Are Witches Too!, by Ted Enik and Shiloh Penfield

Boys Are Witches Too!, by Ted Enik and Shiloh Penfield
RedFeather, 0764368230, 32 pages, August 2024

I absolutely love sharing my Pagan beliefs with my son and cultivating family traditions together. However, it has been a challenge to find books that showcase other little boys being witches, as the focus is often on witchcraft being for girls. Boys Are Witches Too! by Ted Enik is a delightful children’s book that showcases the magical adventures of being a witch from boys’ point of view, inviting a sense of inclusivity to the craft, through the alphabet.

“Down through spiraling time, Witchcraft and other Pagan beliefs have always embraced this balance—it’s all around us: daylight and darkness, fire and water, summer and winter, sun and moon, and most meaningfully, the Goddess and the God. Women and men, boys and girls, can look to both Gods and Goddesses for inspiration and guidance and in doing so exercise a balanced, mutual respect.”²³

Through clever storytelling and vibrant illustrations, this book teaches the ABCs and various aspects of Pagan practices. E is for Elders, while V is for Veil. And for each there’s a rhyme, making this a very fun book to read aloud. Here’s an example for I, Intention:

“Intention means giving a wish a head start; It’s a map from your mind and a path from your heart.”²⁴

This book is a collaboration between Ted Enik, who wrote the book and drew the illustrations, and Shiloh Penfield who handed the brilliant color. Enik was creative in choosing the words to use for each letter, ranging from animals (hare and narwhal) to tools within the craft (key and bells). And his illustrations show all types of little boys and girls happily participating in the craft. And with Penfield’s assistance, the illustrations are colorful, whimsical, and perfectly complement the text. The artwork brings the magical world to life and captures the imagination of readers, adding an extra layer of enjoyment to the story.

The experience of both creators shines through in this book. Enik’s other work includes being the primary artist of the “I Can Read” series of Fancy Nancy. He also writers plays and films in addition to illustrating books and graphic novels. His expertise designing children’s book is apparent, and it’s just lovely how he includes a variety of Pagan symbols, such as the pentagram in many of the illustrations. Then Penfield’s background creating artwork for comics is reflective in the way the color of this book pops, making it perfect for young ones to read as it will maintain their attention and focus.

As a Pagan parent, I really like how the text fosters discussion. Even if your child already knows the ABCs, the different rhymes are sure to spark an interest and get your child asking questions, opening a dialogue about the craft. The illustrations especially will be of interest to older children, as they contain symbolism that can be absorbed, reflected on, and talked about with their parents.

For instance, Q for Quarters, features a child holding up a piece of paper with trees in each season in the corner, a big circle, and then images of the elements in their proper direction in the middle. This would be a great page to discuss topics such as the Wheel of the year, elements, directions, and how they all come together in a magical practice.

Overall, Boys Are Witches Too! is a real treat for children learning about the Paganism. While it’s a real treat for young boys to finally see themselves represented as a witch, all children will enjoy the fun illustrations and bright colors within the pages of this book. From teaching the ABCs to the creating dialogue about Paganism with your children, this is a wonderful book that is sure to be a delight for everyone!

Wise Women Oracle, by Cheyenne Zarate

Wise Women Oracle: Reconnect with She Who Knows, by Cheyenne Zarate
Rockpool Publishing, 1922786055, 128 pages, November 2024

Wise Women Oracle: Reconnect with She Who Knows by Cheyenne Zarate is a captivating exploration of femininity, strength, and wisdom through the lens of an oracle deck. This deck is not just a guide but a celebration of the diverse tapestry of women’s experiences, illuminating the wild woman archetype within us all through folklore, history, mythology, and pop culture. It combines beautifully illustrated cards with insightful narratives that inspire introspection and empowerment.

“We can find the wise woman at the crossroads between compassion, empathy, and motherly love, and mystery, magic, and the creative and destructive forces of nature. When we enter her time we seek to challenge ourselves and those around us to live up to our highest potential and integrity, and share our knowledge and wisdom with our children and family and also he greater world.”²⁵

The front of the cards are all a pretty mint green color with monochrome illustrations. The illustrations are very detailed, and there’s a lot to gaze at when working with the card. The back of the cards are all black with four white owls in the corners and a flower in the center. There simplicity of the colors scheme creates relaxing visual experience, invoking the feelings of open-heartedness and connection to nature.

Additionally, the historical range of style in the illustrations is impressive. One card features Stevie Nicks, while another depicts Psyche. From Cailleach to Cinderella, Zarate masterfully intertwines traditional mythology with contemporary themes, creating a bridge between ancient wisdom and modern life. Drawing from many different perspective, the cards tap into a variety of cultures, identities, and stories that the wild woman appears within, enriching the reader’s understanding and appreciation of the multifaceted nature of women’s wisdom.

Beyond its artistic merit of the cards themselves, the guidebook offers practical advice for using the oracle in daily life. Each card is accompanied by a well-crafted description that delves into the history, symbolism, and message of reflective guidance. There’s also a question for each card that prompts the reader to go within for personal insight.

As an example, this morning I pulled the card Akhilanda, She Who is Never Not Broken. The guidebook shares how Ankhilanda is a Hindu goddess who “tells us that the liminal space where we don’t know how to move forward is an empowering place.”²⁶ Zarate shares in the “Symbolism” section how Akhilanda rides a crocodile, and the same way crocodiles clench their prey in their jaws, spinning it until the prey is disoriented and drowns, Akhilanda does the same for us to strip us of our ego’s illusions and false identities and out-dated attachments. In this way, we are given the opportunity t “alchemize our pain and insecurities into greater wisdom and beauty.”²⁷

The question for this card reads:

“How can I vulnerably and compassionately embrace my brokenness so I can reinvent a self that is stronger, wiser, and more beautiful within?”²⁸

Meanwhile, Zarate’s writing in the “Reflection” section encourages readers to remember their infinite potential and courageously choosing to discard the versions of self that have become stagnant. She notes that when we allow ourselves to fall apart and be reinvented, our new self now contains the wisdom and self-awareness developed from moving through a darker time.

This card was exactly what I needed to hear in the moment! The depth of the single card reading was enough to give me plenty to reflect and journal on during the day, and it was a confirmation that it’s okay to be imperfect and change into a new version of myself. There is no formula for perfection, and the best I can do is continue to integrate the wisdom I’ve accumulated and shapeshifter as needed. I’m going to be whole no matter what!

I’m so excited to continuing working with this deck in the coming months, as the messages from these wild woman is having a resoundingly transformational effect on my soul. Zarate’s choice of women and her interpretation of their wisdom is very moving. I love Zarate’s style of making it so the guidebook shares a mixture of facts about the woman along with intuitive guidance. Readers get to know the women’s historical background along with the translation of the unique medicine she has share with others.

Overall, Wise Woman Oracle is the perfect deck to reconnect with one’s wild spirit. Its combination of engaging visuals and thoughtful narratives makes it both a valuable tool for personal growth and a beautiful deck to treasure. This deck will appeal to anyone interested in exploring the rich, empowering stories of women throughout history and mythology. Whether a seasoned practitioner or a newcomer to oracle readings, Zarate’s work offers inspiration and wisdom for all.

Elemental Spirits, by Jaq D. Hawkins

Elemental Spirits: Building a Magical Practice in an Animistic World, by Jaq D. Hawkins
Crossed Crow Books, 1959883569, 294 pages, August 2024

Elemental Spirits: Building a Magical Practice in an Animistic World by Jaq D. Hawkins is a fascinating journey into the world of animism and elemental magic. Drawing on decades of experience, Hawkins presents readers with a comprehensive guide on connecting to the elements to develop a spiritual practice grounded in the natural world. She emphasizes the importance of forming a personal connection with nature, encouraging readers to view the world as filled with energy we can learn to draw upon and work in harmony with.

“When I speak of elemental spirits, the reference may refer to a wider spectrum of spiritual essences as well as more individualised spirits of different kinds. I’m basically an Alchemist and an Animist. I believe that everything that exists has a spiritual nature, including things that are manufactured. Everything is made from basic elements that begin in nature, after all.”¹

In this book, Hawkins provides a detailed exploration of the elements—earth, air, fire, water, and aether—through a variety of perspectives. Most of the chapters focus on an overarching topic that delves into the perspective of each individual element. These topics include the animistic view (the nature of the element), folklore of the elemental spirits, locations to find the elemental spirits, how to perceive the spirits (actually see them), folk magic to work with the elements, formal elemental rituals (both outdoors and for specific tasks), creating elemental thought-form servitors, divining with the elemental spirits, and elemental spellwork.

One chapter that deviates from the general format delves into correspondences (astrological, alchemical, and incense), along with the numerology, including magic squares, and associations between “creatures, plants, and colours.”²⁹ The other one covers tree lore, bird lore, holy wells, and dance.

With so many approaches to each element, readers really get to know the characteristics and energies of them. The book is enriched with practical exercises designed to help readers develop their skills, including meditation techniques, visualization exercises, and rituals that facilitate a deeper understanding of elemental spirits. Hawkins’ instructions are clear and concise, making them easy to follow for anyone looking to incorporate these practices into their daily lives.

This is a book readers will absolutely come back to over and over again because there’s SO much information! At first, I tried reading it all the way through, but it started to feel overwhelming to absorb so much at once. Instead, I decided to pick the element I wanted to focus on (air) and read the chapters on air that called to me. Hawkins writes of air:

“As an element, Air rules intellect, thought, the first steps towards creation, movement, pure visualisation, spells involving travel, instruction, freedom, obtaining knowledge, discovering lost items, and uncovering lies. It is the element of dreams and plans, goals, and inventions.”³⁰

I learned so much from Hawkins about air!!! First, I discovered that banshees and night-elves are forms an air spirit might take. My perception of air was then expanded by Hawkin’s assertion that “it is the Air spirits who we are most likely to respond most strongly to on the subconscious level.”³¹ As someone with an air Mercury that squares Pluto, this makes a lot of sense about why depth psychology was my field of study.

I also realized that I work with air much more naturally than I thought I did, as Hawkin’s descriptions of folk magic with Air elementals were pretty much already how I do much of my own practice! I enjoy inventing spells on the spot through using my intuition, and oftentimes, these spells involve singing silly chants that I make up and repeat over and over again. I also regularly write out what I want and charge it.

Some ideas I received from Hawkins about other things I can do are burn a sigil and then blow away the ashes to rid myself of things and hone my visualizing skills. My next steps with air? This weekend I plan to use Hawkin’s “Spell for Inviting Air Spirits Into the Temple or Home”³² to invite Air into my office space for inspiration.

I am really looking forward to taking my time and working with another element soon—which one is yet to be determined! To be honest, I am in no rush to “finish” this book, as it’s a field guide to working with the elements that I want to truly explore and delve into over time. By far, Elemental Spirits is the most comprehensive book on the subject that I’ve yet to find. Hawkins has written a treasure trove of information!

Overall, Elemental Spirits is a valuable resource for anyone interested in exploring the intersection of nature and spirituality through the elements. Hawkins provides readers with the tools to build a meaningful and personalized magical practice rooted in the natural world. Whether you’re a beginner or an experienced practitioner, this book offers insights and inspiration to deepen your connection with air, earth, water, fire, and aether.

The Westwood Tarot, by Yasmeen Westwood and Kalliope

The Westwood Tarot, by Yasmeen Westwood and Kalliope
RedFeather, 9780764368127, 256 pages, 78 cards, September 2024

In the rich set of 78 cards of The Westwood Tarot, Yasmeen Westwood has created a zoological treasure map for the Soul. She and the writer of the guidebook, Kalliope, have presented guidance and wisdom for the soul traveler.

Yasmeen Westwood is an artist who was born in Scotland and holds both a degree in biochemistry and a graduate degree in immunopharmacology. After working in the oil and gas field, she decided to study NLP, hypnotherapy, Reiki, and life coaching. She considers herself a “self-taught photomanipulation artist.” After the birth of her child, she suffered from postnatal depression and began to teach herself Photoshop and other graphic techniques. She leaned into art to express herself and heal from PND. Soon, she had created her first tarot deck and went on to create four more decks, including The Westwood Tarot. You can learn more about her journey here.

Kalliope began working with the secrets of tarot in 1986 and also works with Lenormand cards. She has also written a guidebook for The Lenormand of Enchantment. She is a well-known speaker and teacher, who lives in Ontario with her husband and two sons. Learn more about Kalliope on her website.

The cards and guidebook are housed inside a box that looks like a book. The left side of the box is curved, like the spine of a book. Then the top and bottom edges of the box are painted to look like book pages and are adorned with dragonflies. It is so whimsical and fun!

My first observations of this deck were that it is larger than a usual tarot deck, more like the standard oracle deck size. The deck is printed on nice card stock and is a good weight for shuffling. The back of the cards features a lush green leaf and floral design, and each card is edged in gold. The fanciful beings on the cards offer a new dimension to tarot symbolism, which follows the Rider-Waite-Smith line up of major and minor cards.

Westwood’s inspiration for this deck comes from her childhood memories of Enid’s Blyton’s book series The Magic Faraway Tree. Each tarot card is paired with a beautiful creature that takes center stage on the card. The whimsical animals, birds, insects, flowers, and marine life are brought to life with rich and vibrant colors, symbolism, and magical touches. The guidebook offers a Spirit message from the respective characters.

Here are just a few examples:

Fool – Grasshopper
Hanged Man – Orangutan
Ace of Wands – Sunflower
6 of Cups – Dolphin

As the creator Westwood and Kalliope say in their “Welcome”:

“The Westwood Tarot beckons you to delve into the depths of your subconscious, where profound insights and revelation await. Inspired by pure intuition and decades of experience, this deck is a testament to the innate connections among artistry, intuition, and profound human experiences.”¹

Next, the creators share five steps to beginning a reading: center, clear, connect, call, and close. They also give the reader a quick look at the categories that the guidebook includes for each card. A quick review of each of the four suits of the minor arcana follows, as well as an explanation of the court characters for each suit. At the end of the guidebook, Kalliope includes ideas for three different spreads.

Unlike a lot of tarot decks which have a small guidebook, the information for The Wildwood Tarot is quite extensive. The guidance spans about three pages for each card.

To get acquainted with this deck, I drew one card daily for about a week. The first day I drew the 8 of Swords, which Westwood has creatively paired with a Canary! In its gilded cage, the canary hangs upside down, feeling trapped, although he can see a method of escape. Kalliope shares a four-line poem, provides key words for both light and shadow applications, and then paints a beautiful scene for the card. This “Scene” verbiage is more of a short narrative, explaining the background, setting, and a fable that brings to life the story of the chosen character.

After reading all the background material for the 8 of Swords, I chose to also read the passage on Career, which advised me to “Welcome workplace challenges as stepping stones to growth.”³³ This was particularly resonant to me, as I have recently been feeling stuck with several challenges around growing my practice. However, when I am honest, I see that I am making steady progress. I took the rest of the guidance to heart and created this question to ponder: How am I torn between the safety of the cage and fear of freedom and success?

Later in the week, I drew the King of Cups, which shows a frog sitting against the night sky. The deck’s guidance shared that the frog “hops into your journey to facilitate a deeper connection with your emotions.”³⁴ Kalliope says that because a frog can’t handle “toxic environments,” it just hops away. This told me that it might be best to get out of toxic situations! I knew exactly what was being referenced in that advice! For this card, I chose to read the additional information about Wellness, where I found a suggestion to release negative emotions.

The way that the creators offer extra guidance for Love, Career, Wellness, and Finances is so helpful. And for me, the addition of the Spirit or Spirit Guide message from one of the creatures on the card is the icing on the cake. Kalliope also adds a quote from a famous person to the end of the guidance for every card. My favorite quote was the one that accompanied the 8 of Swords and the Canary:

“I started to build a home with all the walls I was putting up for myself, but when I was finished, I realized I had built a cage and didn’t make a key. Lydia Longoria.”³⁵

My favorite card in the deck is the Empress. This card features a whimsical Highland Cow, which is currently my favorite creature! (Who doesn’t love those cuddly beings?) Here’s just a part of what Kalliope shares in the Spirit Guide message from the Highland Cow:

“Embrace their presence, dance in the sun, and let daisies be strewn under your feet, for you, too, deserve the beauty of nature’s embrace.”³⁶

The Westwood Tarot would be good for any level of reader, from a novice to a more experienced reader. The cards and the guidance shared will form a good foundation for the beginner and add new insights for the more skilled diviner. I plan to keep the deck on hand for a few more weeks to see both major and minor arcana from a new perspective. I can see myself referring to the guidebook often in the future to add another layer of guidance for client readings.

Pagan Portals – Mestra the Shapeshifter, by Dianna Ryan

Pagan Portals – Mestra the Shapeshifter: Ancient Heroine of the Sacred Grove, by Dianna Rhyan
Moon Books, 1803415290, 144 pages, November 2024

Dianna Rhyan has re-animated a lesser-known, inspirational woman in Pagan Portals – Mestra the Shapeshifter: Ancient Heroine of the Sacred Grove. Often overshadowed by more famous mythological figures, Mestra was a one-of-a-kind ancient heroine, the only woman to ever figure out how to transform into different beings on her own. In this book, Rhyan opens the door to the world of Mestra through a composition of ancient texts and creative story-telling, highlighting her skills as a shapeshifter, her role within the sacred groves, her ability to defy conventional standards, and ultimately, her happy ending of freedom to come and go as she pleases.

“Mestra represents the outermost and innermost limits of human experience, a fertile capacity for radical change, that is always emergent in our psyche, even if it is something dormant or hidden away.”³⁶

Rhyan’s writing is unique in that it weaves in historical and cultural insights that enrich the reader’s understanding of ancient Greek spirituality as it tells the tale of Mestra. Written like a literary collage, Rhyan uses text from ancient Greek and Latin sources, such as hymns to different deities, Women of Trachis by Sophocles, Metamorphoses by Ovid, and Illiad by Homer, alongside her own improvisation of the texts about Mestra to tell a story attuned to the heart of Greek zeitgeist.

Beyond being a brilliant composition of sources skillfully brought together to create an illuminating narrative, there’s also a sense of cohesion and union reflected in Mestra’s story as a whole. Rhyan shows the many separate parts of a greater whole within Mestra’s story, finding the themes and threads that unite them to give a cohesive insider look at her the forces that shaped her destiny. From the consequences of her greedy father Erysichthon cutting down Demeter’s sacred groove to the trickster suitors who pursued Mestra for marriage, there’s a web of influential forces that Mestra had to outmaneuver with her cunningness.

During a time when women’s roles were very much confined by social structure, her ability to remain in the driver seat of her life was quite a feat. And while this book is about her, Mestra seems to flee in and out of the pages as other aspects of her story offer center stage to her contemporaries. Rhyan explores Zeus’s sacred grove at Dodona, shares stories of other women (Io, Penelope, Ariadne, Arachne, Circe and more) who also mirror Mestra’s tale, and examines what it was like to be a woman of this time.

All the while, Rhyan describes divine presence, the natural beauty of the Earth, and the sensations of transformation with vivid language that makes the reader feel immersed within the story. The sacred grove, a recurring motif in the narrative, serves as both a physical and metaphysical space for readers to explore. Meanwhile, the salty sea becomes her place of refuge and transcendence. The dual natures of land and sea, male and female, human and wild animal, are integrated within Mestra’s polymorphic essence.

Rhyan skillfully brings Mestra’s shapeshifting abilities to life, portraying her as a dynamic character capable of transformation not only in form but also in spirit. This theme of transformation resonates throughout the book, inviting readers to consider the power of change and adaptation in their own lives. This was one of the most stimulating books I’ve read in a while, and there’s even journal questions at the end for readers to further reflect on.

“We have heard of the hero with a thousand faces; she is a heroine who gathers that tradition into her manifold self. . . No longer is she voiceless or shackled or by fate.”³⁷

Overall, Rhyan provides a fresh take on Greek mythology, offering readers a chance to explore a less celebrated heroine in Pagan Portals – Mestra the Shapeshifter. Filled with historical and cultural details that enhance the reader’s understanding of ancient Greek practices and beliefs, Rhyan’s ability to blend storytelling with factual information keeps the reader engaged from start to finish. This is a compelling read for anyone interested in mythology, spirituality, or ancient cultures, as well as those who feel ready for a transformation and seeking the inspiration.