Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Divine Feminine Gnosis, by Lee Irwin

Divine Feminine Gnosis: The Lesser and Greater Mysteries of Sophia, by Lee Irwin
Inner Traditions, 979-8888502532, 304 pages, December 2025

Within Lee Irwin’s Divine Feminine Gnosis: The Lesser and Greater Mysteries of Sophia is a challenge many books discussing esoteric topics face: the author must diligently walk the fine line between coherently communicating their ideas, experiences, and sentiments within the limits of language, with one hand, and gesturing toward the veiled dance of the deeper Mystery with the other. And the attempt to thread this needle in order to present the reader with a tapestry of divine feminine–i.e. Sophianic–wisdom is an even greater challenge due to the diversity of expression that such wisdom can take, as Irwin himself acknowledges.

The book is divided into two main sections: the Lesser and Greater Mysteries, which correspond to Praxis (practice, lived-experience, development of feminine values) and Sophiana (the hidden esoteric realities that ground and unify the expressions of feminine gnosis in one’s lived experience). While the latter half is certainly more abstract and metaphysical, it covers familiar Gnostic territory: Divine Union, the World Soul, Aeons, Rebirth, and how they connect to the lived-expressions of Sophia through the Body, Soul, and Mind as discussed in the first half.

At the outset, Irwin himself suggests that attempting to read the book in a typically “masculine” way: e.g. looking for precise, logical argumentation meant to arrive at a determinate conclusion, is not fitting for the content of the feminine gnosis. Throughout the text, Irwin takes great care to distinguish how the potentially limitless expression of Sophia–the divine source of this embodied, intuitive, and creative feminine type of knowing–differs from the masculine patterns that have dominated the religious and social institutions of our inherited past.

In a sense, because Sophianic knowing explicitly does not seek a final, closed formulation of beliefs, theory, or way of being-in-the-world, it seems difficult to provide any concrete examples of how divine feminine wisdom manifests in the world. Instead, Irwin relies upon the masculine/feminine contrast–using the distinction of what feminine gnosis is not like–along with repeated cycles of key descriptors to illuminate the topic.

Although Irwin’s presentation of the Lesser Mysteries is meant to reveal how feminine gnosis shows up in the world of our experience, this is especially where illustrating particular instances of feminine wisdom and/or practices that may open one to the grace of Sophia would be helpful for the reader. In lieu of this, Irwin presents iterations of generalized descriptions and “guiding principles” that often lack means toward practical application.

For example, Irwin writes, “The grounded praxis is simply to be loving and compassionate, to express care and concern that is heart-centered, in the most direct and genuine sense,”1 and “In post-traditional spirituality, what matters most is direct personal insights and how those insights contribute to a better, more mature world.”2 As a reader, I was left wondering: How do I become simply loving and compassionate? What is insight? How do we recognize and/or cultivate this capacity?

Irwin gestures at some practices which may help foster insight, such as meditation, soul-based education, creative projects, and dreamwork–indeed, Irwin’s only concrete example of a praxis is a simple, three-step process for dream analysis. Although the accumulation and refining of insight is one of the most frequent ways Irwin describes the ingress of Sophianic wisdom to lived-experience, this term does not even warrant a mention in the Index. Nor is insight differentiated from intuition, another key capacity for receiving Sophia’s gifts.

In the end, feminine gnosis comes down to some special way of knowing. Such knowledge is not based in abstract, rationalistic doctrines or privileged states of consciousness bequeathed by an (often patriarchal) authority or tradition. It is a “secret knowledge” (a common Gnostic trope) in the sense that it cannot be codified into language, emerging uniquely for each individual, and aimed toward the formulation and realization of certain qualities within both the individual, society, and Cosmos. E.g. inclusive equality of all beings and ways of life (people, animals, plants, minerals, angels, the deceased, etc.), mediated by mature loving relationships and guiding principles that foster universal well-being and the creative actualization of possibility awaiting exploration beyond the horizon of previous experience.

Despite the reservations I felt about Irwin’s style/structure, Divine Feminine Gnosis began to resonate on a deeper level over time, marinating with more exposure to the potentially inexhaustible ways Sophia weaves within the Mystery of Being. I urge readers who may be highly-analytic (myself included) to consider Irwin’s early guidance in how to read his book in the Preface and Opening (xi – 12). Personally, I found that pulling back and softening my focus on the text (even taking a break!) made reading flow far better, and without the feeling I was missing/losing content. 

I also found some of Irwin’s characterizations of “masculine” religions, wisdom traditions, etc. to be more abrasive, dichotomizing, and dismissive than necessary (not the most inclusive, holistic, respectful attitude, in my opinion). However, this emphasized that the revitalization of feminine Wisdom in our world cannot happen without disrupting the excesses of masculine patterns of thinking-being that grip us at individual and collective scales. For readers who may be more comfortable in these more masculine patterns (scientific, rationalistic, etc.), I found Irwin’s perspective resonated with contemporary cognitive science: e.g. McGilchrist’s argument that our brain’s left hemisphere (analytic, control-oriented) is playing the role of “master” rather than playing the emissary of the (holistic, relational) right hemisphere.

Irwin’s work was inspiring as it was illuminating, inviting a courageous openness to adopt a new perspective. Without this openness, I may not have persisted to the end of the book–and would’ve missed one of the most deeply resonant expressions:

“The incarnate world is the center of creation, not some lower level, but the very heart and soul of becoming as embodied life seeks to maximize our deepest potentials. We need physical life to actually reach maturity; we need the challenges and limitations as a means within which we can form and develop new structures and patterns of becoming.”3

Apothecary for the Afflicted, by Dr. Melissa Kim Corter and Stephanie Wicker-Campbell

Apothecary for the Afflicted: Shadow Work for Invisible Wounds, by Dr. Melissa Kim Corter with illustrations by Stephanie Wicker-Campbell
Muse Oracle Press, 1763586952, 200 pages, November 2025

Shadow work is a core yet often misunderstood part of the spiritual journey. It asks us to turn toward the parts of ourselves we’ve been taught to hide: the fears, desires, wounds, and contradictions that live beneath our curated identities. Rather than something to be conquered or purified away, the shadow is a repository of truth. When approached with curiosity and compassion, it becomes a source of power, creativity, and self-knowledge. To engage in shadow work is to move beyond spiritual bypassing and into an honest relationship with the full spectrum of who you are.

Apothecary for the Afflicted: Shadow Work for Invisible Wounds by Dr. Melissia Kim Corter with illustrations by Stephanie Wicker-Campbell is an engaging read to explore the shadow within. Rooted in Jungian psychology, Dr. Corter has created a guide for readers to learn about shadow work and then confront and heal their own psychological wounds that are unconscious, repressed, or difficult to articulate. She blends depth psychology, archetypal energies of fairy tales, and thoughtful writing prompts to lead readers through eight motifs while delving into the underworld of psyche.

The chapters are structured in a way that moves readers through learning about the type of situations that often lead to an aspect of oneself being shadowed, reading a fairy tale that highlights the aspect of shadow, and presenting reflective questions at the end. Dr. Corter lays out the underpinning psychology in a way that makes it accessible to readers, acknowledging things like coping strategies, trauma responses, Jungian terms like “projection,” while also considering a broader viewpoint of shamanism, anthropology, and somatic techniques as well.

“We cannot transmute what we are not willing to witness. Nightmares, resistance, and the body all point to the buried consciousness, darkness as a form of invisible light. We are suppressing by intentionally stifling unmet needs and unfelt feelings. The shadow contains these suppressed aspects until they are dealt with.”4

Shadow work is tough. Not only can it be mentally, emotionally, psychically, and spiritually draining, it also isn’t always easy to find an access point into our own internal darkness; we’re keeping it neatly tucked away and buried for a reason! However, Dr. Corter’s approach brings readers right to the threshold and then holds their hands as they take a brave step into the liminal space of their psyche. She’s done a wonderful job of synthesizing information about the shadow to give readers the background needed to understand the shadow work process, while also crafting a creative way for readers to engage with the material presented.

One thing I really enjoy about the book is how Dr. Corter blends her professional background in both depth psychology and as Certified Medicolegal Death Investigator. The names of the chapters (“Dismemebred”, “Poisoned”, “Decomposed”) reminded me of the reality of the physical aspects of death we often tend to look away from, just like it’s common to turn away from the darkness of the shadow. Thinking about how Dr. Corter has the courage to go into violent, tragic scenes somehow gave me the courage to face my own darkness, gruesome as that might be!

I also love the layout and illustrations done by Wicker-Campbell. The material can definitely get a bit heavy, bringing up past memories or fears held deep within, but the little skulls, candles, cobwebs and spiders throughout remind me that I’m wading into a realm of death in order to become more fully alive. The illustrations help ground abstract psychological work are an invitation to slow down, digest, and sit with complex emotional material. Additionally, the fairy tales being white text on a darker page helps me to switch my mindset when reading, making me more receptive to the story.

At the beginning of the book, Dr. Corter suggests creating a darkness journal to record your unfiltered, uncensored thoughts and feelings. While I journal a lot, specifically having a space for this writing feels like the invitation I needed to give more attention to what’s really going on within my psyche. And for those who aren’t ready to start their own darkness journal, there is plenty of space for journaling within the book itself in the section of writing prompts.

I was really moved by the “Numb: She Who Is Frozen”, which I happened to read in the midst of a blizzard (an apt reflection in nature). Sure, I would admit I’m not the most emotional person, but I often blame that on my Aquarian nature. But reading this chapter awoke a deeper part of me that realized it has been stuck in time, encased in ice, and unwilling to connect with others for fear of rejection. Dr. Corter’s identification of how this pattern often shows up, “these individuals are incredibly strong outwardly, yet the continued failed needs never being met and expressions never being honored wears them down, and they collapse within themselves”5 helped me to recognize these shadow traits.

The fairy tale for this section is Sleepy Beauty, and I resonated with Dr. Corter’s explanation for how this story is a reflection of the deeper wounding that occurs when we go numb, or put certain puts of ourselves to sleep for too long. After years of feeling silence was protecting me, I realized it was mostly a defense from acknowledging a deeper hurt. Dr. Corter’s words were a potent reminder of the need to speak out and honestly address where I’ve been hiding my true needs and feelings:

“Silence can be a form of numbness, a paralysis of the voice, the expression, and our authentic nature. The shadow of the things we could not, cannot, or refuse to express. Whether through force or choice, the restriction of the authentic voice is liberated as we reclaim what was silent or silenced.”6

This is definitely a book one can come back to time and again, as the form our shadow takes changes and there’s unexpected initiations that life presents sometimes that require having a tool kit to wade into the murkier parts of our inner world. I’m looking forward to exploring each chapter’s fairy tale more in-depth too, noticing ways they act as a mirror for the psyche to work with the shadow in a symbolic way and my reactions to the characters that disturb, enchant, or feel uncomfortably familiar, hinting at the part of myself seeking recognition.

Overall, Apothecary for the Afflicted for those looking for an entry point into shadow work. Dr. Corter’s background in Jungian psychology is a very grounding approach to a sensitive subject. Her approach invites creative, experiential engagement with the shadow rather than an analytical or clinical self-help methodology.  This grounded guide encourages deep, symbolic exploration of unconscious wounds and transformative self-reflection, serving as a meaningful companion for those ready to engage with inner darkness and reclaim hidden parts of the psyche.

I highly recommend this book to those drawn to Jungian psychology and symbolic interpretation of fairy tales, those pursuing deep psychological and emotional introspection, and those who are looking to excavate their psyche to discover more of their authentic nature. This book is sure to begin to uncover readers’ hidden beliefs, unmet needs, and buried strengths, in which reclaiming lost or fragmented parts of the self becomes not only possible, but transformative.

The Rosicrucian Counterculture, by Ronnie Pontiac

The Rosicrucian Counterculture: The Origins and Influence of the Invisible Society, by Ronnie Pontiac
Inner Tradition, 979-8888500354, 240 pages, December 2025

It’s tough to overstate the influence Rosicrucianism had on Western occultism, yet it’s hard to pinpoint the origins of the spiritual movement . Emerging in the early 17th-century, Rosicrucianism offered an integrative vision that fused Hermetic philosophy, alchemical symbolism, Christian mysticism, and natural science into a single spiritual worldview, reframing magic as a process of inner transformation rather than external power. At a time when alchemy was at its heights, the first Rosicrucian manuscripts emphasized spiritual alchemy, a transmutation of the soul rather than the production of gold.

Through its emphasis on moral refinement, symbolic initiation, and the myth of an invisible brotherhood working for humanity’s spiritual renewal, Rosicrucianism provided a conceptual template that later informed Freemasonry, the Golden Dawn, Theosophy, and modern psychological approaches to magic. Even where its historical structures remain elusive, its philosophical imprint endures, shaping Western occultism’s enduring focus on self-initiation, ethical responsibility, and the Great Work as an inward, regenerative path.

But just what was happening at the time when the first Rosicrucianism texts emerged? And who is responsible for writing them? Was there ever truly such an order? Ronnie Pontiac takes on these mystical mysteries in The Rosicrucian Counterculture: The Origins and Influence of the Invisible Society, sharing historical context in which these original Rosicucian manuscripts were published and tracing the influence of Rosicrucianism from the 17th century to modern era.

Approaching this topic as a storyteller, Pontiac delves right into the drama of the Early Modern Period. He looks at the esoteric culture around Holy Roman Emperor Rudolf II and his court, including Tycho Brahe and Johannese Kepler. Visitors, such as John Dee and Rabbi Loew, added to the discourse too, amid many other contributing figures to a significant period in history.

Next, Pontiac moves into the reign of Frederick V of Palatinate and Queen Elizabeth (Elizabeth Stuart of King James I of England), including the efforts to make Frederick the first Protestant Holy Roman Emperor, triggering the Thirty Years’ War. Though their story is one of Protestant resilience, it also highlights how mystical and reformist ideas intertwined with European politics. From their wedding, featuring alchemical symbols and celebrated Shakespeare plays to their incredible gardens and intellectual court, Pontiac goes into great detail surrounding the atmosphere of this time.

Other notable chapters include one about Robert Fludd, who wrote Tractatus apologeticus integritatem Societatis de Rosea Cruce (Treatist to defend the integrity of the Society of the Rosy Cross), and the aftermath of Frederick and Elizabeth’s rule, leading to the rise of their son Prince Rupert of Rhine.

There’s a lot of historical background here. Despite taking AP European history in high school, I will admit I was OFTEN having to look up family charts, paintings of the people, and maps. Until I read this book I hadn’t even known Bohemia existed (kind of embarrassing but it’s the truth), nor did I realize the level of the contention between the Protestant and Catholics during this time. As an American, it was quite eye-opening to explore the past of Europe in this depth. Another thing I learned? That Prince Rupert of the Rhine, son of King Frederick and Queen Elizabeth, had such a significant role in the slave trade as the founder, principal investor, and the first governor of the Royal African Company.

Though Pontiac doesn’t position himself as an academic historian, he nevertheless provides an impressively dense and illuminating historical framework that significantly deepened my understanding of the cultural, political, and religious conditions out of which Rosicrucianism emerged. For anyone interested in Western occultism, this context is genuinely valuable. Understanding how the esoteric movement developed alongside dynastic power struggles, religious persecution, and early scientific inquiry makes Rosicrucianism feel less like an abstract mystery and more like a living response to its moment in history.

That said, there were moments when the sheer weight of historical detail caused me to lose the plot. Sometimes the narrative veered so deeply into political history that I momentarily forgot I was reading a book about Rosicrucianism at all. Additionally, the structure can also feel somewhat nonlinear, with jumps across time periods and re-emergence of previously mentioned people (whom I definitely didn’t remember amidst the details), which occasionally made it difficult to maintain a clear perspective. While this factual density will likely delight readers with a strong appetite for early modern European history, it can challenge those approaching the text primarily from an occult or esoteric perspective, requiring patience to continually reorient and reconnect the historical material back to Rosicrucianism itself.

This said, I’m very glad to have learned about the origins of Rosicrucianism in this depth, even if there’s no definitive answer amid much speculation. The chapter “Three Little Books”, which focuses on Fama Fraternitatis, Confessio Fraternitatis, and The Chymical Wedding, gives a great overview of the zeitgeist of when these books were published. It’s one thing to look back on them from the perspective of hoping to receive the mystical insights of Rosicrucianism, it’s a whole other to contextualize their origins within the time period they emerged.

What struck me the most is how the true identity of the writer(s) of these books has remained secret for hundreds of years. There’s still debate about if the secret society even really existed. If anything, I now see that “Rosicrucianism became a popular hustle”7 with people claiming to be part of the mystical society to enhance their reputation, swindle others, or lend prestige to other evolving esoteric movements.

All in all, Pontiac is doing important work by bringing rigor, clarity, and historical grounding to occult subjects that are too easily romanticized or obscured by mystique. His willingness to explore uncertainty strengthens the study of Western occultism, reminding readers that esoteric traditions do not emerge in a vacuum. This book is part of a three-book series, including American Metaphysical Religion and The Magic of the Orphic Hymns, co-authored with Tamra Lucid, all of which reflect a consistent commitment to illuminating the philosophical, cultural, and historical roots of esoteric thought. Rather than offering tidy revelations, Pontiac invites readers into a more mature engagement with occult history, valuing context, discernment, and intellectual honesty as much as mystery itself. The Rosicrucian Counterculture is a wonderful resource for those seeking to better understand the historical underpinnings of this long-lasting esoteric movement.

Financial Sorcery, by Jason Miller

Financial Sorcery: Magical Strategies to Create Real and Lasting Wealth, by Jason Miller
Weiser Books, 1578639034, 256 pages, December 2025

Jason Miller’s Financial Sorcery: Magical Strategies to Create Real and Lasting Wealth (2012) completely shifted how I approached money when I read it in 2019. Among all the chatter about prosperity magic and abundance, this book got straight to the heart of things, combining practical, mundane financial advice with magical expertise. I saw results quickly. I credit the information in this original book as the starting point of my financial journey of paying off debts, building a buffer of savings, gaining new clients, and increasing hourly rate.

When I heard there is a revised and updated version coming out, Financial Sorcery: Magical Strategies to Create Real and Lasting Wealth (2025), I could not wait to delve in! For those new to Miller, his magical experience spans 35 years. Within this time he’s written six books, including well-known Protection and Reversal Magick. He currently teaches courses and classes online, such as Strategic Sorcery, Level Up, and The Sorcery of Hekate. I highly recommend checking out his website and joining his email list, as he sometimes does community magical ventures free of charge that I’ve always benefited (practically and experientially) from participating in.

One thing to note about Financial Sorcery is that Miller doesn’t teach magic as a way to escape the reality of our material world. A good portion of this book is pragmatic advice. This said, Miller also discusses the metaphysics of money too, making for an interesting opportunity to reflect on what money is and the way you relate to it. Readers get a well-rounded education in sensible strategies for navigating the market and magical underpinnings that help to support their financial foundation.

Chapter topics vary from mundane to magical with ease. To begin, Miller grounds this reading experience by encouraging readers to acknowledge perspective. Topics like rich vs. wealth and what financial magic can and cannot do are explored. Miller highlights why sometimes things don’t work, especially when relying on the lottery or emergency magic. In the next chapter, he explores the spirit of money, noting what money does and does not like. Then it’s onto a discussion of the four stages of financial circumstances most people find themselves in. These first chapters definitely set the stage for understanding your own financial situation and attitudes and behaviours you have in regard to money.

From here, the more magical aspects are covered. Miller shares core skills (meditation, breath, maintaining an altar) and dedicates a whole chapter on working with spirits, planetary powers, and deities. I personally loved that he focuses a whole chapter on Jupiter, as I’m in the midst of my Jupiter return and intentionally working more in-depth. This chapter features over a dozen sigils for a variety of purposes that are big and bold, making it easy to copy them onto a piece of paper or other material for ritual use.

Whole chapters are dedicated to getting rid of debt, managing money, finding a job, getting a promotion, entrepreneurial magic, emergency magic, and passive income. Many of these chapters include step-by-step guidance for fostering the results you wish to see, and not all of the steps are magical. From writing a simple thank-you card after a job interview to knowing when it’s time to fold an entrepreneurial venture, Miller provides grounded, meaningful advice.

There’s three appendices at the back of the book: “Meta Glyphs”, featuring glyphs for binding, distributing, manifesting, and a seal of power for a glyph table, “A Rite of Juno Moneta”, and “Helios for Solar Success”.

Miller has a way of keeping readers engaged in the content. He speaks candidly with the reader, often sharing his own experience, and never undermines the reader’s intellect. Rather than over-explaining or spoon-feeding conclusions, Miller trusts readers to connect the dots, absorb the guidance, and engage actively with the text; he writes with the assumption readers are capable. This respect for the audience creates a more rewarding experience that feels like a conversation between equals, never condescending and never reductive. While reading, Miller makes me feel like I’m in the driver’s seat, even as he pours all his wisdom into my mind via the text.

As mentioned before, this book is an updated edition of Miller’s previously published work. How does this compare to the first printing? Pretty much every chapter has new additional commentary at the end of the chapter. Honestly, it’s not too much more information–Miller sticks to tried and true financial acumen for the most part–but it does take into account modern financial trends, such as cryptocurrency, and adds more examples for greater clarity and depth.

Early on in the book, Miller writes “I am not saying it’s how things should work. I’m saying it’s how things do work.”8 For those seeking for a praxis that is soundly situated within the reality of the material world, Financial Sorcery is a fantastic resource.

Moving through the book is part financial therapy (an honest, grounding process of taking stock of your current beliefs and circumstances) and part magical enhancement, where intention, symbolism, and ritual are used to expand what feels possible. It asks you to tend both the practical roots and the energetic currents at the same time, so change happens not just in spreadsheets or plans, but in the way you feel when you claim abundance. The result is a recalibration where money becomes less fraught, more conscious, and quietly enchanted.

To me, the book remains as relevant and motivating as it was when I read it nearly seven years ago. The additional commentary is a real bonus and makes it well worth re-reading and including in my book collection. And for first time readers, this is the kind of book you read knowing it’s going to change you in the best way, rearranging how you think about money, power, and possibility while you’re busy enjoying the ride. Pick it up when you’re ready for things to shift, because once you do, life has a funny way of responding. That’s magic for you, right?

Tarot in Other Words, edited by Cassandra Snow

Tarot in Other Words: An Essential Anthology by Leading Queer Tarot Writers, edited by Cassandra Snow
Weiser Books, 1578638445, 208 pages, May 2025

As a professional tarot card reader and teacher, writer, and theatre maker, Cassandra Snow is well versed in the art of creating. In this book, Tarot in Other Words, Snow has pulled together well-known queer Tarot writers with a view to showcasing their unique perspectives on tarot through essays. 

The introduction is robust, with many pages devoted to Snow talking about the hows and whys of matching tarot with queerness and providing historical links between the two. She explains, saying:

“This isn’t a history book, but I do want to bring some lesser discussed history and trivia to the table that ties queerness and tarot. One of the biggest reasons I think of tarot and queerness together is this: for a lot of cultures, such as the Romani and other oppressed groups forced into nomadic lifestyles, fortune-telling using cards and other tools was and is to this day survival work… We take it up for survival, and to feel as free as we can while we earn money to survive.”9

Snow’s dedication to showcasing queer writers in the realm of tarot is both timely and necessary, as queer voices in any context are currently undergoing a type of censorship. I’m not going to delve into my personal feelings on that topic specifically as it has no place here, but one could take my writing a review about queer voices as a hint as to where my allegiance falls. 

The anthology separates essays into two sections: in part one, we read writings about “Finding Ourselves in the Tarot” and in the second part, the writings are focused on “Finding the Tarot in Ourselves”. Snow says that she found the essays received “…fell into one of two camps: personal storytelling that highlights the powerful ways tarot can move through and transform us, and instructional materials highlighting techniques and opportunities for you to look at tarot in new and inclusive ways… Even that attempt at classification and noticing the overlap plays with the theme of fluidity, being, and what we owe to each other that are so important in both queer and radical theory.”10

Nothing excites me more in the realm of tarot than learning how others use the cards and interpret them. Of the dozens of books I have on the subject, there are a few that I consistently reach for. Snow’s book, with this amazing collection of insights and personal experiences with the cards, has been added to that short list. “The High Priestess as Black Femme Memory” by Junauda Petrus is a beautifully sensual piece devoted to the High Priestess, one of my favorite cards, and after reading it, I don’t think I will look at that card the same way. *fans self*

There are spells, card spreads, recipes, and meditation prompts. There is an in-depth how-to on building altars and suggestions on what could be included on that altar. There is an essay by Maria Minnis that links lichens with tarot, specifically the suit of Cups, and uses the symbiotic nature of lichen as a focus to illustrate how everything is connected. This book is an absolute feast for the soul and opens the cards up to new ways of thinking and viewing ourselves, no matter who/what we identify as. I have never felt so seen as I was reading this book.

I love the variety of voices in this collection, and the different ways they approach the cards. The idea of reciprocity within the craft of reading tarot is something I haven’t seen discussed so thoroughly before. The essay “Queering the Numbers” by Meg Jones Wall is one of my favorites as she tackles the heteronormative system of numbers as applied to tarot. In this essay, Jones Wall takes the reader through the usual numerology meanings and expands on them, inviting the reader to look deeper and challenge the typical meanings of the numbers. This was definitely one of the more jarring parts of this book, as I realized I was still subscribing to the traditional numerological concepts as it refers to the minor arcana. This essay gave me an opportunity to explore what information I already possessed was still relevant for me as a reader in this context, while making space for new interpretations and meanings.

Whether you identify as queer or not, if you read tarot, pick up Tarot in Other Words. There is literally something for everyone in this collection of essays and the different viewpoints illustrated within make this a fascinating read.

The Ukrainian Tarot, by Tania Andrushko

The Ukrainian Tarot: Flower of the Magic Fern, by Tania Andrushko
REDFeather, 0764370170, 192 pages, 78 cards, September 2025

The Ukrainian Tarot: Flower of the Magic Fern by Tania Andrushko is a 78-card tarot deck and companion guidebook rooted in Ukrainian legend, myth, and cultural heritage. Created with the intention of inspiring peace and love for humanity, Andrusko has imbued this deck with the soul of Ukraine. The title highlights the Magic Fern is a metaphor for illumination emerging from darkness, a theme which is carried through the imagery and wisdom of the deck.

“This magical flower is said to bloom only once a year, on the shortest night of the year, bringing good fortune to whoever finds it. As the legend goes, this flower can be found only in the darkest of forests in Ukraine, and only if your heart and intentions are pure.”11

This deck follows the traditional tarot structure (22 Major Arcana and 56 Minor Arcana) but its imagery, themes, and storytelling are firmly grounded in Ukrainian culture, history, folk lore, ritual, mythological figures, and symbolic motifs. At the beginning of the guidebook, Andrushko shares her story about what inspired her to create this deck. While it is specifically focused on Ukraine, her intention is expansive: helping others remember who they are and the valuable role they have in the wider collective.

Andrushko then introduces readers to Svarog’s Circle, a circular calendar based on Slavic mythology. With solstices and equinoxes marking key points in the year, this cosmological system is much like the Wheel of the Year in modern Pagan traditions, yet it has a deeply rooted mythology and history that is incorporated into the deck. Andrushko explains how she has reflected the directions of Svarog’s Circle within the traditional elemental suits and provides a table of the themes for each numbered or Court Card in the Minor Arcana. There’s also guidance on how to do readings and three spread options shown.

After reading the introduction information in the guidebook, I felt I had an overall sense of the deck’s structure and energy, so I was ready to dive into doing a reading! I decided to keep my first one simple and do a one-card pull in regard to the energy I should focus on for the day: Hierophant. While the traditional version of this card features The Pope or a High Priest, Andrushko’s version is a homely crone, a Ukrainian healer. Instantly, I felt a deep connection to the woman on the card; her magically infused cottage in the background of the card feels warm and inviting, while her eyes shine with acceptance and wisdom. The guidebook reads:

“The Hierophant is one who reveals the sacred mysteries. She is a healer and a shaman. Drawing from the ancient skills of her ancestors, she can come to know the past, present, and future. She can interpret dreams about life and death, warn against evil people, and ward off misfortune. These are powerful women who know God’s will and know how to speak in God’s way.”12

First of all, I just LOVE how Andrushko hasn’t followed the typical script when it comes to portraying the tarot cards. Second, I appreciate how she blends in Ukraine culture to the tarot archetype while still making the overall message applicable to all readers.

It’s interesting how Andrushko doesn’t stick to the traditional cards, changing cards to better showcase the wonder and beauty of Ukraine. For instance, Wheel of Fortune is Fortune’s Wheel, The Devil becomes a Witch, and Judgement is Call. The traditional meanings of the cards take on a new dimension with Andrushko providing an infusion of spiritual and cultural insights from Ukrainian values too. It’s always refreshing to work with the tarot from a new perspective!

For each guidebook entry, there’s an image of the card, key words for the feeling of the card, a question to ask yourself, an action to take, and the essence of the card. At the bottom, there’s even a space for notes! How cool is that? You can write in this guidebook! Plus, it’s nice and big (5.63 x 7.63 inches), so there’s plenty of space for your own thoughts.

While Hierophant happened to be more spiritual, there are a variety of aspects of Ukrainian culture that come through in the guidebook descriptions. For instance, King of Fire tells the story of Ivan Mazepa, a hetman whose passion for science, art, and education lead to many cultural initiatives. There’s also insight on sacred embroidered clothes for 2 of Air, decorative Easter eggs (Pysanka) for 9 of Water, and the significance of horses in Ukrainian folklore for 8 of Fire. From textiles to holy days, the deck shares the full spectrum of what makes Ukraine special.

As for the artwork, there’s a peaceful and tranquil quality to the essence of this deck. There’s no specific symbol that represents the suits, rather each card has its own image. The effect of this is that readings become visual stories, allowing the readers to absorb the imagery, let it flow through them, and then see how all the artwork comes together to provide meaningful insight.

Furthermore, instead of drawing from the familiar tarot archetypes, the imagery reimagines the cards through the lenses of Ukrainian mythology, cosmology, customs, history, and more. Many of the cards do have people on them, whether this be a deity or symbolic figure, as well as featuring animals or trees, or simply items important to the culture. This image makes readings feel like a journey deeper into the heart of Ukraine’s spirituality rather than abstract divination.

Admittedly, I decided to work with The Ukranian Tarot purely out of curiosity. I have no Ukrainian ancestral connections, nor do I know anyone from this region. Nevertheless, this deck has immersed me in the tapestry of the rich soul of Ukraine, teaching me all about the cosmology, history, folklore, and more. I find the readings from this deck to be very illuminating; there’s a combination of spiritual protection as well as practical realism that comes through. It’s very interesting to get tidbits of cultural knowledge alongside a divinatory reading.

Andrushko has created something truly incredible. Whether you have Ukrainian heritage that you wish to strengthen through working with this deck, or you’re simply culturally curious, this deck has a lot to offer. The reframing of the traditional tarot energies make for powerful readings, as well as spiritually infused energy of Christianity, Svarog’s Circle, and Slavic deities. I recommend it for those looking to expand their tarot readings, bringing in new spiritual insights for guidance, reflection, and growth.

Lieselle’s Eternal Tarot, by Lieselle Elliot and Sean Frosali

Lieselle’s’ Eternal Tarot: Trust Your Voice and Then Learn to Trust the Journey, by Lieselle Elliot and Sean Frosali
REDFeather, 076436975X, 224 pages, 78 cards, September 2025

With countless tarot decks now in circulation, each offering new themes, artwork, and layers of symbolism, it can be easy to forget the quiet power of returning to the basics. There is something enduring about a deck that honors tarot’s foundational structure, where meanings are clear, imagery is intentional, and the essence of each card is distilled rather than overcomplicated. In this simplicity, readings often become sharper and more resonant, allowing intuition to speak without distraction. Lieselle’s Eternal Tarot: Trust Your Voice and Then Learn to Trust the Journey is just this type of deck, reminding readers that when the core of tarot is respected, its wisdom remains timeless and deeply effective.

Created by Lieselle Elliot, a tarot reader with over 20 years of experience reading for clients, this deck taps into the heart of tarot’s eternal nature. Likewise, Sean Frosali’s illustrations capture the essence of each card’s rich symbolism and history. Together, their intention for this classic deck is “empowering you and nurturing your intuitive abilities.”13

The first thing I enjoyed about this deck is the hardy box with a lid that gently folds back to reveal the cards inside. This is one of the best exterior deck designs I’ve ever seen. The cards are slim but sturdy, making it easy to shuffle. And the gilded edges certainly add a nice touch to the overall aesthetic.

The inspiration from the traditional Rider-Waite-Smith (RWS) deck in the Major Arcana is present, but each card is definitely imbued with the creators’ unique perspective on the cards. For instance, The Fool features a faceless jack-in-the-box floating in water, featuring a leashed dog and flowers as the design of the box. Above the sun illuminates the scene. Meanwhile, The Star shows a woman looking down into her cupped hands, which are submerged in water and holding a star. Above her seven other stars shine and there’s a vessel on each side at the top. With the imagery alone, readers familiar with the RWS would definitely be able to figure out the card. Though, each card is also labeled at the bottom and numbered at the time.

The Minor Arcana is designed in Pips style, only showing the suit symbols and no scenic artwork, with the name of the card at the bottom. To some degree, this design means the reader must know the interpretations of each card when doing a reading or be prepared to look it up in the guidebook, as there are no visual clues. However, there is a mantra at the top of each Minor Arcana card that does give some insight into the overall meaning of the card.

Reading in a Pip-style system definitely requires a different kind of engagement with the cards, and I appreciated the opportunity to try it out since it’s not my usual deck style. Without visual narratives to guide interpretation, I noticed I had to rely more on number, suit, elemental energy, and inner knowing to shape the message.

This absence of imagery strips the reading down to its basics, asking the reader to meet the cards halfway and participate actively in meaning-making rather than passively receiving it. While this approach can feel challenging at first, in the end, I felt it resulted in clearer, more precise readings, as the symbolism is distilled to its core and my own inner voice becomes an essential part of the divinatory process.

And this said, the guidebook is also a wonderful reference. It begins with a message from the creators, a brief history of tarot, and overview of numerology, sharing the numerology meaning and tarot application for numbers 1-14. There’s also a few pages on the elements of the four suits, covering the associated qualities and symbolism in tarot for each one. Initially, I was surprised there was no guidance about spreads, but later on I did find a few suggested ones at the very end of the guidebook. So take note, if you’re someone who likes to use the spread suggested by the author, that it’s in the back.

The guidebook information differs for the Major and Minor Arcana. For the Major Arcana, Elliot provides information on the card’s imagery, noting the key symbolism, and then shares the card’s meaning with a list of interpretations for its significance. There’s also an overview at the end as well as a reversed meaning provided. For the Minor Arcana, there’s the same style of providing the meaning with a list of interpretations, the numerological significance, and the overall meaning for both upright and reversed.

I really like how the guidebook is styled for the most part.  Elliot makes use of bold text to emphasize key interpretations and then further explains them. All of the explanations are pretty by-the-book common interpretations, but it’s formatted in a way that makes it easy to absorb the meaning of the card. It’s for this reason, I think the guidebook is PERFECT for tarot beginners. It lays out the message of each card with precision, making the esoteric very accessible.

The only downside of the guidebook’s format is each card entry begins on the page right where the other one left off. This makes it a bit tricky to look up the card as you kind of need to flip through to see where it’s at. I definitely prefer when an entry for a card begins on a new page, so this took some getting used to when reading.

Overall, Lieselle’s Eternal Tarot is a powerful tool for connecting with the foundations of tarot. The charcoal imagery lays the symbolism bare, allowing one’s attention to focus on the essentials. There’s no extra fluff in both the artistry and the guidebook definitions, making this a wonderful resource for those who are seeking sleek and refined readings.

I recommend working with this deck when seeking clarity. Just like the King of Swords, this deck “signifies authority, intellectual power, and the ability to lead with truth and integrity.”14 Those who enjoy the traditional RWS but are looking for a modern twist will most appreciate this deck.

Charm Casting, by Tina Hardt

Charm Casting: Divining with Trinkets, Trifles, Baubles, and Bits, by Tina Hardt
Weiser Books, 1578638720, 208 pages, November 2025

Charm Casting: Divining with Trinkets, Trifles, Baubles, and Bits by Tina Hardt is a great start to anyone’s charm casting journey. This form of divination is so much fun and it brings a lot of whimsy to your craft! If this sounds up your alley then this is the book for you, my dear friend!

This book was a very fun read. Hardt encourages developing your intuition through play, encouraging creative spiritual exploration. She teaches not only how to build your charm kit but also how to apply the wisdom of the reading to different areas of life. All throughout, I enjoyed the prompts, charts, and checklists. (I always love books that allow you to write in.)

Hardt really opened my eyes to the possibilities of what else I could be adding into my charm casting bag. She encourages readers to personalize their charm set by selecting objects that resonate uniquely with you She also gives very thoughtful tips, such as not adding glass items to your charm casting kit. I made this mistake with a small glass cat charm I had, and it ended up getting chipped in the process of my readings. We live and learn! But having Hardt’s warning prior would have been beneficial.

This said, the information covered will come in handy for beginners and for those who are way past the beginner stage of charm casting. You may find yourself reading and going “Why didn’t I think of that?!” because I sure was! This book is a very quick read too. It dives right in with all of the useful information you need to build up and read your kit, coming up with meanings, what charms you should add, how to store them, where to find these charms, how to read them and so on. I was very impressed with the knowledge Hardt has packed into this book.

I also found myself learning about other items that can be used for charm casting, such as Go stones. I wasn’t familiar with what those were until I read this book. But apparently the black and white pieces that make excellent yes and no charms! Hardt gives many great ideas for themed kits too, ranging from people, to themes (ex. love), and to even sports. All of the ideas for different themed kits really got my creative juices flowing on creating some different sets for myself. Currently, I only have two basic sets I use but the ideas given to me opened up a world of possibilities.

Another interesting concept presented by Hardt is to let the pieces you’re bonding with to “perform” for you. I have struggled to connect with some of my charms, but hard reminds readers, “You’re the director.”15 This helped me get clarity on some of my more elusive charms that I’ve been trying to understand their meaning for sometime. Letting them perform really helped me understand them more.

Overall, Charm Casting is a fun and engaging read. It helped me understand a lot more about charm casting, with Hardt going in depth and providing a lot of helpful advice and information. She has done a great job encouraging readers to trust their intuition and build their own personal relationship with their charms. Beginner or not, if you’re a charm caster you’ll appreciate Charm Casting, especially if you’re ready to jump in and practice right away as a hands-on approach is best suited for this book.

Road Show Wisdom, by Dreamopedia

Road Show Wisdom Oracle Deck, by Dreamopedia
Sacred Scribe Publishing, 979-8990956049, 180 pages, 41 cards, October 2025

Road Show Wisdom Oracle Deck by Dreamopedia is truly beautiful inside and out. These oracle cards were definitely built to entertain. This deck includes forty-one cards, all with beautiful watercolor portraits. Cards such as The Silt Walker, The Ticket Collector, The Fire Eater, The Magic Lantern, and many more bring to life the vivacious nature of a circus, providing a unique oracle energy.

I love the theme of this deck: old circus/roadshow aesthetics. This is all thanks to the book The Night Circus by Erin Morgenstern. (If you know what I’m talking about, excellent taste in books. If you don’t, I HIGHLY recommend this book. It was one of my favorite reads when I was in middle school, and I still love the book to this very day.)

These cards are so detailed and lovely. The box is small but the details inside are stunning, revealing a carnival scene once you take all the cards out of the box. The lid has a spider-like looking clown juggling; this artwork is of the card called Juggler.

This deck is full of life and whimsy, which I absolutely love. The cards are large but they shuffled with great ease. At first, they felt awkward in my hands, but I got used to the feel of them after a few uses. The illustrations are colorful and extremely detailed. I’m a sucker for a deck with lovely artwork, as I’m an artist myself. Each card was a new treasure for me to discover.

The guidebook it comes with was also awesome and very detailed. I loved the fancy font that was used. Each card has a story behind it with words written so wonderfully that it was easy to picture what was being read in my mind. Dreamopedia is not only a great artist but has a great knack for writing as well. The content is easy to read and it really fits the whole vibe of the deck itself.

At the beginning of the guidebook, Dreamopedia explains how the cards are divided into eight stages and explains how this “reflects different facets of personal development, encompassing observation, planning, growth, and reflection.”16 It is then explained how this structure provides additional guidance in regard to the progression of sequence, more generalized theme, guidance about where you’re at within the journey, and a creative metaphor for exploration.

For each card, there’s a rhyming poem, a bit of circus history that gives context to the card, and the card explanation. What’s unique about the explanation is that Dreamopedia uses numbered lists, so there’s more than one meaning, providing a multi-faceted insight to the question at hand, though they all blend together within the common theme. There’s also an invitation at the end of the entry, detailing what the presence of the card signifies and the opportunity available as a result.

I spent over three weeks with this deck and I’ve really fallen in love with it. This deck has brought a lot of excitement into my life with all of its charm and whimsy. My first reading with it I pulled out The Mermaid. The mermaid on the card is beautiful. The message of just simply following curiosity really did reveal things that were hidden beneath the surface. Curiosity killed me just a bit. Without going into detail with my personal experience, oh boy this card really was an eye opener, in the most over the top manner.

The three words that best describe the deck’s attitude: mysterious, moving, and free. I have to say out of all the decks I’ve reviewed, Road Show Wisdom Oracle Deck really got me. The first week I used this deck it wasn’t my typical lighting fast connection. This one had a bite to it. The more I used it and attuned with it, it became more friendly.

My second card I pulled was The Hot Air Balloon. This card stuck out to me because I have a huge fascination with hot air balloons, but the message hit me deeply. The need to release but also balance and control. I pulled this card at a significant time because I cut ties with my toxic mother. It was hard but I know this will be the best for me in the end. One of the card explanations reads:

“To rise, the balloon must shed weight. This suggests letting go of attractions or limitations to reach goals.”17

Overall, I really enjoyed bonding with Road Show Wisdom Oracle Deck, and I can’t wait to see how it helps me in the future. Dreamopedia has really brought to life the energy of the circus, bringing creativity and inspiration to divination.I recommend it for those who are looking for a bit of novelty and fun in their oracle readings. 

Plant Spirits Oracle, by Laura Aversano and Nadine Gordon-Taylor

Plant Spirits Oracle, by Laura Aversano and illustrated by Nadine Gordon-Taylor
Bear & Company, 9781591435303, 40 cards, 128 pages, November 2025

Plant Spirits Oracle by Laura Aversano with illustrations by Nadine Gorgon-Taylor is a captivating and spiritually rich oracle deck that invites users to connect deeply with the wisdom and healing energies of the plant kingdom. Combining beautifully illustrated cards with insightful guidebook messages, Aversano’s creation is a great companion to her book The Divine Nature of Plants.

Laura Aversano is a medium and medical intuitive who has studied plant medicine and worked with the spirit realm for more than thirty years.  She has written three books and lives in New York City with her cats. You can learn more about her on her website.

Nadine Gordon-Taylor is an intuitive artist who holds both MFA and doctorate degrees in art.  She has taught for more than 30 years through lectures and workshops.  Her artwork has been shown in galleries and collections around the world. She owns a gallery called Third Eye Arts in Peekskill, NY. She has created three oracle decks and contributed to several other decks. Learn more about Gordon-Taylor through her website.

This deck includes 40 full-color cards, including 30 plant spirit cards and 10 shamanic healing cards. Each card is a miniature art piece, depicting a plant or scene within a unique frame. The borders are also decorated with birds, moonscapes, wildflowers or angels. The back of the cards features a bright, yellow calendula flower.  At the bottom of the flower is the face and arms of a tiny green creature. (On the calendula card, you can see four plant spirits, including this one, which is being held aloft by one of his spirit friends!)

A visually striking deck, each card features mystical and ethereal illustrations that capture the essence of the plant spirit it represents. The artwork is both vibrant and subtle, balancing the physical characteristics of each plant with elements that suggest their spiritual qualities. The cards are of good quality, with a smooth finish that makes shuffling easy. The box and accompanying guidebook are sturdy and thoughtfully designed.

Aversano includes an introduction, how to work with the cards and a brief discussion of plant spirits and elementals:

“In healing with plants, we are working with the vibration as well as with the spirit. The spirit gives the plant its healing qualities and will also share with you, both verbally and nonverbally how to heal with it. Plant spirit medicine works vibrationally, both in your body and within the many layers of your auric field.”18

She also shares communication tips for working with plants and with these cards.  To further assist the reader, Aversano has included a prayer channeled from each plant’s spirit to help you discover your personal connection to the divine plant kingdom. 

The ten shamanic healing cards are included to guide you even deeper on your journey into sacred connection with Nature’s plant world. She includes topics such as Relationships, The Past and Gratitude within these special cards.  

The card called Creation really spoke to me, as I pulled it one morning during the holiday season.  The card features two people facing each other, holding hands.  Two parrots are shown at the bottom of the art piece. A beautiful pink flower adorns the top of the card, looking almost like a round, stained glass window. 

Aversano invites me to look deeply at all of my relationships, including those with my own “inner dialogue.”19 What strikes me as I look at the card now is the idea that the two beings could be mirror images. I welcome this invitation to meet myself and see another layer to this card. 

Laura Aversano’s guidebook is more than a simple set of card interpretations. Each plant spirit is accompanied by spiritual guidance and practical suggestions for integrating the card’s teachings into daily life. Aversano’s background as a medical intuitive and medium shines through in the depth and compassion of her writing. 

What truly sets Plant Spirits Oracle apart is its emphasis on the direct relationship between the user and the plant spirits. The interior of the guidebook reads “a journey through the magic, medicine and wisdom of the natural world.”20 Rather than focusing solely on traditional meanings or folklore, Aversano encourages personal reflection, meditation, and even ritual work with the cards. This makes the deck especially appealing to those interested in shamanic practices, herbalism, or plant-based spirituality.

This oracle deck is ideal for anyone seeking a deeper connection to nature, whether you are a seasoned intuitive, a beginner oracle reader, or a lover of plants. It can be used for daily draws, meditation, or as a companion to other divination practices. Its messages are gentle yet profound, offering guidance for personal growth, healing, and spiritual exploration.

Overall, Plant Spirits Oracle by Laura Aversano is a beautifully crafted tool for those wishing to engage with the plant spirits. Its combination of soft, ethereal art, heartfelt writing, and spiritual insight makes it a valuable addition to any oracle deck collection. Whether you are seeking inspiration, healing, or a new way to commune with nature, this deck offers a pathway to deeper understanding and connection. She shares this with the reader:

“The plant does not have to be in your actual physical space to give you its medicine. It might take a while for you to feel connected, but once you do, you will begin to notice a shift in your body. . . . Allow the plant spirit to take you on journeys into other worlds as well as deeply into yourself.”21