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Twist Your Fate, Theresa Reed

Twist Your Fate: Manifest Success with Astrology and Tarot, by Theresa Reed
Weiser Books, 1578637686, 272 pages, August 2022

Astrology and tarot go hand-in-hand if you ask me, but prior to Twist Your Fate: Manifest Success with Astrology and Tarot by Theresa Reed, I had never seen a book that combined the two. Twist Your Fate does a wonderful job of synthesizing the intricacies of these two mystical systems into easy to practice exercises and inquiries that are sure to have a lasting impact on one’s spiritual journey. Beginners and experts alike have something to gain from this book, which is bound to call in the magic that happens when you align will with the forces at play.

Reed, also known as The Tarot Lady, has formerly published books on both tarot and astrology, including Tarot No Questions Asked: The Art of Intuitive Reading and Astrology for Real Life: A Workbook for Beginners, making her the perfect writer to introduce readers to the dual-system of using astrology and tarot in combination. Her other works include Tarot for Troubled Times, The Tarot Coloring Book, and Create Your Own Tarot Cards for those who are inclined to get creative with the tarot.

It often seems the amount of studying and dedication that goes into learning tarot and astrology make people pick one or the other to focus on. It’s common for expert astrologers to only have a basic knowledge of the tarot, and vice versa with skilled tarot readers only knowing their Sun sign. Plus, even for those who are drawn to both, there’s little information about how to use the two in combination. But with Twist Your Fate, Reed helps readers go beyond the either/or and do a deep-dive into both astrology and tarot before integrating the two together, opening a whole new world of possibilities.

Divided into four parts, Reed leads readers through lessons on astrology, tarot, listening to their intuition, and bringing it all together in the end. The longest section of the book is the first one, humorously named “Part One: Cover Your Ass-trology”. I was pleasantly surprised with the range of astrology topics Reed included: the midheaven, nodes, transits, retrogrades, influence of the moon, and even vocation and life calling. She did a wonderful job of making these astrological concepts approachable, and it’s for this reason this has become the book I would recommend to beginners to astrology above all other books on the topic.

Even if the astrological terms or process of reading the chart feels intimidating, Reed’s gently direct approach helps readers to gain their own footing. She provides her own interpretations for all the different astrological placements, feeding reader’s insight about their own chart, but also leaves plenty of room for everyone to connect with the chart in their own way and form interpretations from within. Throughout the chapters there are plenty of “astrocises” which are exercises intended to help the reader examine their chart further to facilitate integration of the chapter topic.

These astrocises are quite creative and are good for creatively engaging with one’s astrological chart. I’ve been a professional astrologer for many years, and sometimes I’m tempted to gloss over others’ interpretations of the houses, signs, or different planetary energies. But Reed caught my attention and kept it through and through. Even though the astrological topics covered are something I am quite familiar with, her approach was novel and engaging. The way she presents the material was an invitation for me to do a check in and truly deep dive into my astrological chart, which I honestly hadn’t done for quite some time. As I worked through the astrocises, certain patterns coming up for me right now were illuminated, and I felt like I gained a better perspective about the blessings and challenges emerging in my life at this time.

Then the tarot section was just pure gold because Reed has been reading cards for over 30 years! She shares her interpretation of the 22nd Major Arcana cards and the 56 Minor Arcana cards – both upright and reversed. Additionally included is the numerology and planetary correspondence of each card. The images used are the traditional Rider-Waite-Smith deck, which I think helps readers, especially beginners, to see all the subtleties of the cards since it’s a very popular deck that many other decks are based on.

My favorite chapter in the tarot section was “Taking Your Cards to Work” where Reed guides readers through asking the right questions and using spreads to get the most out of one’s reading. Some of the spreads she shares are The Astrological Wheel, The Horseshoe Spread, and The Options Spread, which I found to be great for decision-making! A real perk of the chapter is how Reed uses sample readings so the reader gains an understanding of how she puts it all together to come to an interpretation of the cards. Plus, along the way there’s plenty of “tarotcises” that once again facilitate an opportunity to connect with the lessons of the chapter.

“I have always said that astrology creates the map; Tarot shows you the detours. But there is one more crucial element – your intuition.”1

Before the culminating section, Reed binds astrology and tarot together with insight on how to discover, develop, and trust one’s intuition. This section is essential for all readers, as astrology and tarot both ask you to learn to have confidence in the answers you receive, both from your chart, cards, and most of all, from within. I appreciate that in this section Reed doesn’t sugarcoat the intuitive journey though, making it all “love and light”, rather she provides advice about what to do if your intuition is wrong or if there’s no meaningful insight coming through in a reading. This section definitely helps readers to feel better about the bumps in the road on their intuitive journey, while providing guidance and advice about how to make it a bit smoother.

The final section invites the reader to grab their chart, get their cards, and use their intuition to divine insight into a present situation. Reed aptly calls it an “astro-tarot-intui-cise”2 To be honest, I haven’t worked my way up to this fully comprehensive spread yet! I wouldn’t say I’m intimidated, as Reed has prepared me well, but I feel like this is going to be a meaningful reading, so I want to give it the time and space it deserves to truly delve into the reading. I like knowing I can pull out the “big guns” aka this thorough reading when it’s needed most, and I’m trusting the time to use it will present itself sometime down the line!

All in all, Twist Your Fate is a fantastic resource for deepening one’s connection to astrology, tarot, and intuition. Reed’s experience and wisdom shines through the text as she guides readers on the journey of learning how to manifest success, which many agree is no easy feat! Without even realizing it’s happening, readers will start to gain confidence in themselves as they reveal new facets of their astrological make-up and gain the ability to interpret what life presents through a lens of empowerment, rather than discouragement. The tools taught in this book are sure to have life-long value, especially the more you practice and trust the messages you receive.

Hearth & Home Witchcraft, by Jennie Blonde

Hearth & Home Witchcraft: Rituals and Recipes to Nourish Home and Spirit, by Jennie Blonde
Weiser Books, 1578637737, 211 pages, September 2022

A balm. A comfortable chair that offers you the ability to relax in order to dream, to conjure, to recharge. A friend, a companion, a motivator. This is what Hearth & Home Witchcraft: Rituals and Recipes to Nourish Home and Spirit by Jennie Blonde, the self-proclaimed “Comfy Cozy Witch”, was to me. I’m sure it will be the same for you.

Blonde succeeds in combining witchcraft for the hearth and home with hygge, the Danish and Norwegian lifestyle concept that translates loosely into “hug.” I’ve often written on the topic of hygge, so it was a quite “coincidence” to begin the book by reading how Jennie incorporated hygge into her practice to create something “comfy, cozy, and witchy.”1

This wonderful, informative book guides the reader into finding and practicing comforting and nourishing hearth and home magic for every season. As with hygge in general, one is asked to keep in mind that what is comforting and cozy to you may not be the same to another person. You are called to create a home and hearth that reflects you, that nourishes you, and comforts you. Jennie also reminds the reader that “everyone’s idea of comfort within witchcraft differs.”2

Blonde has been practicing witchcraft for over two decades. In addition to this book, she has a podcast called… you guessed it: Comfy Cozy Witch. She writes in a way that is both informative and casual; she writes as if we are sitting in her kitchen talking over a cup of tea. The book is “a blend of story-telling, witchcraft, and warmth…accessible to any witch, at any point of their journey. A book filled with information, personal anecdotes, rituals, spell work, and recipes to nourish yourself, nourish your home, nourish your spirit.”3

Hearth & Home Witchcraft is divided into seven sections, each focusing on places (hearth and home, kitchen, garden and nature), one’s self, and everyday rituals. Also included is a reference to the book’s rituals and recipes as well as a glossary of terms and references for future reading. The Wheel of the Year is detailed with corresponding delicious, easy to make recipes including mini bread loaves (Lughnasadh), honey butter (Imbolc), and sangria (Litha). The recipes ensure this is a book to keep out year-round.

Readers are introduced to the concept of choosing a household deity (if one feels so inclined) to work with. Blonde offers a few suggestions for household deities, such as Hestia, Vesta, and Brigid but leaves open to choice what resonates with the reader, noting it could also be a spirit of local lands of an animistic deity. There is a corresponding house goddess ritual too. 

There are also suggestions on ways to make one’s home both magical and homey, inviting and nourishing. There are magical cleaning tips, everyday magical items with which to “work,” and suggestions for making areas of your home both reflect and sustain you. Here Blonde focuses on the basic tenants of the home of a hearth witch:

“Hearth craft begins and ends in the home, there is a focus on cleanliness, there is positive nurturing energy with subtle touches of magic, and there is a respect for all of nature.”4

In turning one’s attention to the hearth, or kitchen, Jennie writes about the kitchen altar, herb and tea magic, as well as kitchen rituals for meditation and balance. There is a large focus on food and recipes, for as she writes, “the kitchen of a home is a place of gathering. Food, in and of itself, is magic.”5 Some of the ones I’ve tried so far are the pumpkin chocolate muffins and herby biscuits, which were both delicious.

Imagine tales in which the witches toil over a cauldron to create magic – Blonde helps the reader create similar magic in a modern kitchen with tried and true items such as tea, cinnamon, honey, and mint. There are sprays and rituals for things such as energy cleansing and lessening anxiety, which I made for one of my daughters. It was simple to make, yet I felt the potency of the mixture as I blended it together. So far, she’s loved the calming effects.

Blonde encourages the reader to set up one’s own sacred space – be it in the home itself or on the property surrounding the home. “A sacred space is personal in nature and the location varies depending on who you talk to.”6 One can engage in “witchy self-care” in these sacred spaces – ways to ground, relax, recharge, and reconnect. For extending the interior space to the natural world, there are tips for setting up a witch’s garden, and working with Fairies. I am especially looking forward to trying out the Ancestor Honoring Ritual for Samhain.

Overall, Blonde helps the reader identify ways to find “magic in the everyday things, no matter how big or small.”7 The biggest suggestion is to find time – no matter how small – to participate in one’s rituals. She reminds us to find the magic that surrounds us, and that “It isn’t the length of a ritual that matters, it’s the quality.”8  To settle into the magic so that it supports us, comforts us, grounds us and activates us, Hearth & Home Witchcraft is the book to read. It’s the small things we do with meaning that matter. I highly recommend this book to settle into the comfy, cozy routines of your life that make it magic.

The Big Book of Candle Magic, by Jacki Smith

The Big Book of Candle Magic, by Jacki Smith
Weiser Books, 9781578637638, 309 pages, July 2022

Jacki Smith, founder of Coventry Creations, the largest magical candle company in North America, has written the most enlightening (!) book on candle magic, aptly titled The Big Book of Candle Magic. Described as a “comprehensive, in-depth guide including instructions for casting your own spells”1, this book opens with the most important question to consider before delving into the material: Do I really need a spell?

I loved being challenged by this question at the opening, as it made me sit up and take notice. I was no longer a passive reader, I was a participant. “Aunt Jacki”, as she refers to herself throughout the book, creates a conversational atmosphere in which she engages the reader and guides them through candle magic. How can you be intimidated into delving into this topic when Aunt Jacki is right there beside you?

She provides guidance on defining what a spell is – a “shifting of energy toward an intended goal.”2 She continues by writing that “the impact of that spell depends on your prep work, your intention, and your commitment to a shift in energy”3, while reminds the reader that “magic at its core is healing.”4 To help you answer her original question as to whether you need a spell, she writes that “if you are ready to manifest a change and heal a need both in yourself and in the wider world, then yes!”5

The book is divided into four sections, all providing guidance, tools, suggestions, and exercises including, most importantly, getting clear on whether you need a spell or a reality check. Again, your Aunt Jacki is going to lovingly help set you straight.

“Law of Attraction and magic. Is there a difference? If so, what is it? When you add the ritual of magic to your intent…your intent will manifest faster and cleaner. And that is where candle magic comes in. Candles provide an easy, powerful ritual within themselves.”6

Section One, The Magic Hour is Now”, provides exercises such as the “Why is That?” exercise. She encourages the reader to start and maintain a Candle Magic Journal, again with instructions provided. She details the difference between basic candle magic of lighting a candle versus advanced candle magic that includes casting a spell. Other topics included in the section include setting intent and casting for guidance.

Section Two, “Joy of Spellcrafting”, provides guidance on choosing a candle, prepping your candle for magic, and accessorizing your spell. Jacki delves into different types of candles (such as pillars, votive, and tea lights), blessed and dressed candles, sigils, color, and casting. I tend to not speak my spells out loud, but Jacki writes that a candle spell needs words to activate it and these words must be spoken out loud. She provides different phrasings of a spell, showing how one way is more valuable than another. Jacki prompts the reader to include boundaries of a time frame in the spell with an attainable due date, or else the spell is just a wish. 

Section Three, “Art of Cocreation”, focuses on inviting in the divine energies in the Universe. She encourages the reader to co-create with the spiritual realm. There is focus on setting up an altar and the types of altars such as an ancestor altar (my favorite), a purpose altar, nature altars, garden altars, divinity altars, and big magic altars – whatever you’re drawn to. She provides information on lighting the candle and ceromancy, the spiritual language of candles. Wondering how to “read” a candle? It’s in the book! And again, in this section she prompts the reader to return to their Candle Magic Journal with a list of questions on which to focus. 

Section Four, “Index of Inspiration”, is the reference section of the book. It provides a sample candle spell index (prosperity, love and relationships, protection, and clearing) that includes candle colors, candle types, dressing oils, and accessories such as stones or photographs.  There is a moon sign index as well as a color index, a magic herb index, a crystal and stone index, a tarot index, and a Magic 5 index of ingredients. While the first three sections are more conversational and action-oriented, this section is more informational and one that you’ll turn for reference as you delve into candle magic. 

Plus this book contains guidance, exercises, prompts, and recommendations on things such as creating a spell (the best spells rhyme!), different types of spells, use of color, stones, and tarot. Encyclopedic in the best way to describe some of the chapters.

In addition to its wealth of information, what is also unique about the book is its conversational tone, with craft projects, confessions, clarification, musing, and tips from our Aunt Jacki. What I most valued about Jacki’s writing was that it challenged me through prompts, journaling, and exercises to commune with the candles.

I was invited to set intentions, get clear about what I was calling into my life and why. Aunt Jackie helped me to define what I want and what I’m willing to do to get clear, as well as helping me to tune into if I was truly ready to act when I cast a spell. All of this was new terrain for me. To be honest, I never gave these questions much thought. But as Aunt Jackie reminds the reader, spells are actualized by my action. “Build your spell with clear intent and then pay attention to the outcomes. And there is always an outcome.”7 

“The goal of candle magic – or any magic of that matter – is to move your own limitations, fears, blocks, and beliefs out of the way so your intention can become real. “8

After reading The Big Book of Candle Magic, I continue to carry with me Aunt Jackie’s words that magic demands change. She reminds us if there is no need for change, there is no need for magic. I highly recommend this book if you are ready and willing to change. It will light the way for a new way of living with the magic of candles for years to come!

Becoming a Garment of Isis, by Naomi Ozaneic

Becoming a Garment of Isis: A Nine-Stage Initiatory Path of Egyptian Spirituality, by Naomi Ozaneic
Inner Traditions, 9781644113936, 352 pages, May 2022

“What passes for an ancient Egyptian religion and is often described as such is within the temple tradition, theurgy, the divine work of being and becoming. This is essentially a mystical endeavor quite unlike modern religion.”1

Becoming a Garment of Isis: A Nine-Stage Initiatory Path of Egyptian Spirituality by Naomi Ozaneic is one of those rare reads that emanates its energy and power simply by the calling of its title and the first few words on introduction offered. When you encounter a title of that sort, the reader knows that this will be an extraordinary read with much that is held between the words on the page and how these resonate within the consciousness of the reader by way of inner transformation. 

The book begins with “Preface: Preliminary Thoughts” that speaks to the evolution of its title and includes a powerful retelling of the author’s calling by Isis to take up Her mantle of heart and illumination to better serve the world’s needs in these modern times…

“Do you hear my voice? Do you rise upon a new path? Do you desire to be among my service with all the powers of your heart? Do you turn to me with outstretched hands as a child reaches out to a mother? Do you know the love of my heart? Then come. I am not distant but nearby. I am not locked in the past but I am ever present. I am as close as your next breath.”2

“Introduction: Kemetic Sacred Science” provides the reader with context and a thorough foundation of the Kemetic philosophies and application as a very specific mindset inclusive of science, religion and art…

“The Kemetic Sacred Science is an initiatory schema not a faith, it is a gnosis not a belief, it is a technology of consciousness not a religion. Its conceptual foundation is in a cosmology and theology that embraced all of nature from stone to star as a living presence mediated through a hierarchy stretching from the Above to the Below and completing in the human person as an embodiment of the divine.”3

The rest of the book is separated into four parts and takes the reader through the minds of the heart, spirit, and soul. As the reader moves through the heart of its content the incorporation of magical practice is evident in every aspect of this title and none more so than in the way in which it is organized beyond the preface and introduction. Ozaneic makes use of the enneagram and the number nine that corresponds to its structure in the crafting of nine sections of praxis designed to encourage the application of its content. 

“Nine is the highest digit. It symbolizes comprehensiveness and culmination. The enneagram is a fusion. It’s used for the pursuit of knowledge and in the quest for cosmic deities.4

The first three parts each contain three praxis sections (for the total of nine) and are entitled “Temenos I: The Heartmind”, “Temenos II: The Spiritmind”, and “Temenos III: The Soulmind”. I was intrigued by the use of the word “Temenos” and looked at the definitions given, all of which are telling in the creation of another layer of magic that holds the words of each section as sacred sanctuaries where the reader may explore and step into the power of their Divine nature.

  1. (noun) In Greek antiquity, a sacred enclosure or precinct; a piece of land marked off from common uses and dedicated to a god; a precinct, usually surrounded by a barrier, allotted to a temple or sanctuary, or consecrated for any other reason5
  2. (noun) A sacred circle where one can be himself without fear6

Of note in “(Part 1) Temenos I: The Heartmind” are the Twelve Attitudes of Mind for Spiritual Intelligence, which are part of Praxis 1: The Power of Intelligence.  These key attitudes are taken from the book Spiritual Intelligence by Dana Zohar and Ian Marshall and form the “SQ” or Soul’s Intelligence, an integral concept in the ancient Egyptian’s life’s purpose. These twelve keys encourage the reader to cultivate self-awareness, vision, resiliency, compassion, a diverse mindset, curiosity and humility to name a few. The inclusion of the keys by Ozanaeic offers the reader another path to explore as the Kemetic principles and worldview become interwoven with modern practices of spiritual awakening.

The concluding section, “Part IV: the Star of Mysteries”, refers to the nine-pointed star and each of the praxis sections that have carried the reader to the door of becoming and initiation in the ways of the Goddess, Isis and Egyptian cosmology and spirituality. In the same way that the preface shared the author’s experience in being called to writing this title, the concluding sections provide a detailed recounting of Ozaneic’s experience of embodying the Goddess Isis for her own workings as well as in attendance at the “Parliament of the Worlds”, a multifaith convention that brings together some of the most revered spiritual leaders of the world.

This chapter is an invitation to the reader to give consideration to the service and greater work of offering oneself up to devotion and expression of the ancient Kemetic ways. And, in the sharing of the author’s journey on that path, the reality of such a commitment is presented in a way that maintains the power of self-awareness and accountability and the evolution of spirit through sacrifice and service. 

This whole book is rich in history, theory, practical application and a concluding chapter “Guidance” that offers the reader a contemplative practice to deepen the work of the material offered by each praxis. I found these to prove that powerful contemplatives do not have to be lengthy and filled with unnecessary verbiage to affect the synthesis and change desired.  It is a dense read, as should be any title that takes on the task of reaching out to the most ancient of deities. Its writing is infused with the devotion and illumination of Ozaneic and, thus, exemplifies the gifts and challenges of pledging spiritual service to the Egyptian goddess, Isis. 

The primary take-away from this title is the comfort (or perhaps for some fear) that although many feel far removed from the unity and cosmological understanding of the Egyptian culture and their divine Neter (Gods/Goddesses) there is a re-awakening of the need for their universal connections. The cycles of time and events have merged and interwoven with similar events that caused the downfall and laying aside of the truths held in the Ancient Civilizations.

Becoming a Garment of Isis is a reminder that there is much value to be had in connecting to some of the elder philosophies, calling out to the Deities that held the understanding of creation within their forms and living in accord with the natural order of the world(s) and humanity’s place within it. 

“My journey into the Kemetic landscape has been a personal revelation; all journeys bring discoveries and this has been no exception. I have seen the abyss in perspective between this ancient view of life and our own. Silenced by an inability to read any symbolic language and made unconscious by glittering consumer distractions, we stand deaf, dumb and blind in a world singing to us clothed in the raiment of glory and inviting us to engage and enter into partnership.”7

The Creative Pendulum, by Joan Rose Staffen

The Creative Pendulum: Keys to Unlock Your Innovative Spirit, by Joan Rose Staffen
Red Wheel Weiser, 9781578637515, 288 pages, June 2022

The Creative Pendulum: Keys to Unlock Your Innovative Spirit by Joan Rose Staffen got me out of a creative rut in the most fun way. It had been a while since I’d used my pendulum, but after a quick dust-off, I remembered how much insight I used to get from this method of divination. It seems I had forgotten the myriad of possibilities that came from tuning into my higher consciousness in order to figure out what was needed in my life.

Until reading this book though, I had never thought to practically weave together my creativity and work life by dowsing with my pendulum. But Staffen provided me with a marvelous gift of ingenuity in this book that inspired a renewed interest in the pendulum as a divination tool while also relighting my spiritual spark.

I will say right off the bat what I liked most about this book is Staffen’s openness, humor, and willingness to think outside the box that pours through every page. This pendulum technique is so unique and quickly ignites new insights. And I feel this technique works because Staffen has pulled from her life experience to create a method that is practical, creative, and spiritual all in one.

Anecdote after anecdote showcases how Staffen deepned her creative practice and expanded her wisdom through trusting the process. For instance, how she once “spent a year asking God/Goddess for my right, perfect place, opportunity, and company”1 before launching her business venture. Reading her stories is not only amusing, but also reaffirms that we always have the opportunity to try new things, learn, and grow; this has helped her navigate through plenty of career changes and shifts in life circumstances. Through the ups and downs in life, Staffen reminds us that the Muse is always present – all we need to do is tune into the energy at hand.

But even though this book is wonderfully infused with Staffen’s spirit, the focus remains centered on readers expanding their life, overcoming roadblocks, and connecting with their own creativity. Staffen has created Intuitive Creativity Charts that the reader can use their pendulum to gain a deeper understanding of what is being called for in their life right now. The technique she teaches in this book involves dowsing with the pendulum over the Intuitive Creativity Charts for guidance that goes beyond simply “yes/no” answers, the more simple and commonly used method of working with a pendulum.

For those of you who might not know how pendulums work through the process of dowsing, Staffen provides a great description:

“Dowsing has both scientific and mystical elements that help us tap into both our subconscious and super-conscious minds. Using the pendulum can help us to center emotionally and spiritually, and we can more easily open to a meditative state, where we become calm, relaxed, and receptive to the suggestions presented by the pendulum and charts.”2

Chapter two, “Learn to Dowse with the Pendulum,” provides all the information needed to get started, even if you’re completely new to this method of divination. Staffen provides details such as where and when to use one’s pendulum, how to center yourself for accurate results, and what to do if your dowsing isn’t working. She also shares with readers step-by-step instructions for how to dowse, which is very easy to follow along with. As with anything, practice is important, so even if at first you’re a bit skeptical or unsure, I recommend keep going!

Now, while the main premise of the book is teaching readers how to use the Intuitive Creativity Charts, it includes a heap of creative life-coaching. Staffen goes chapter by chapter explaining the significance of each chart, illuminating how it can be used for insight, as well as explaining all of the potential chart pendulum answers to clarify the messages that might come through. But these aren’t static explanations, such as “If your pendulum lands on this then it means xyz..” Rather, it’s almost like Staffen is coaching you through understanding the answers revealed. 

Oftentimes there are exercises to do, like meditations and journal prompts, to ground the insight and find out what it means for you personally. And it’s this delivery from Staffen, focused on process more than result, that makes the book so creatively stimulating. Dowsing with the Intuitive Creative Charts is not meant to be a one-size fits all approach! And I was amazed at all the guidance available using the charts. Staffen has done a great job of charting questions you might not even have ever thought to ask.

There’s a chart for answering questions about one’s creative process (“What literary/performing/visual art should I pursue?” and “What artistic needs do I have?”), timing (“When’s the best time to take action?”), energy work (“How can I clear my chakras?” and “How can I overcome negative beliefs?”), business strategy (“How can I market my art?” and “What is the best income stream for me?”), plus so much more! I honestly have spent hours trying out different charts and am always so surprised by the accuracy of the pendulum responses.

And this guidance is tailored to recognize a multitude of paths, rather than a prescriptive “it has to be this way to work” model, that opens new doorways, especially when one starts to layer and sift through all the insight they’re getting from the perspective of each chart.

Once you’re comfortable with the technique, I’ve found it’s useful to use charts in combination. For instance, I use my pendulum to dowse for questions related to my creative identity and how to improve my income stream. (I try not to ask too many questions at once, even though I want to!) Quickly, I saw how the answers were interrelated and urging me in a new direction.

One really neat thing about The Creative Pendulum is how Staffen shared two chapters on using the pendulum and Intuitive Creativity Charts to coach yourself and others. She offers tips for coaching oneself with a reading and includes two personal assessments worksheets that help you to clarify the issue you’re working on and hone in solutions.

Then there’s also an entire chapter on coaching others by discovering their talents and motivating them to take action. Staffen offers guidance about preparing for a session with clients, along with client assessment forms that can be used when working with them. I so deeply respect Staffen’s choice to so transparently share her Intuitive Creativity Charts method with others and teach them how they can use it to coach others. 

And it gets better – Staffen saved some of the best material for last, such as the chapter “Paint on Your Hands: Art Prompts” that are “fun exercises…to help beginners spark their own brave, intuitive creative within.”3 As a creative at heart that often needs a nudge to indulge, I loved the prompts to draw, create collages, play with finger paints, and more! It got me motivated to actually take out my art supplies and enjoy/explore myself.

In the final chapter, Staffen suggests starting a “creativity cluster” of “like-minded people who want to learn to dowse, journal, and play together!”4 Now I’m certainly wanting to do this, and I’m thinking about starting a Meet-Up group once I relocate next month. 

Overall, The Creative Pendulum has been such a breath of fresh air! I highly recommend this book for those seeking to expand their horizons. When read with curiosity and an open-mind, the possibilities of what you might discover about yourself through the process of dowsing with Staffen’s Intuitive Creativity Charts are endless.

From discovering your creative identity to figuring out what business steps you should take next, this book is useful on so many levels, which opens doors for readers to make their dreams a reality through the aid of their pendulum. It’s certainly a book one can come back to time and time again, whenever you are feeling called to use the guidance of the charts for both yourself and teaching others.

Pagan Portals – The Temple Priestesses of Antiquity, by Lady Haight-Ashton

Pagan Portals – The Temple Priestesses of Antiquity, by Lady Haight-Ashton
Moon Books, 128 pages, 1803410280, August 2022

I think it’s very common for modern witches and priestesses to feel a connection to our predecessors, at least this is true for me. Reading about the lives of priestesses, oracles, and healers of the past builds a bridge between past and present, reminding me of the timelessness of the Goddess. Pagan Portals – The Temple Priestesses of Antiquity by Lady Haight-Aston was a very interesting read that took me through the cultures of priestess traditions dating back to 12,000 B.C.E. in Mesopotamia all the way to the present age.

“Whether Oracles, Seers, Psychics, and Sibyls, or Sacred Dancers and Healers, the ancient Temple Priestesses wove a narrative of both realism and mythology. They held court in every ancient civilization with their mysterious and mystical powers. These empowered women enthralled those who sought their advice while always serving the Goddess they revered.”1

Lady Haight-Aston’s resume is quite impressive. She is a Third Degree High Priestess of both Gardnerian and Cabot Hermetic Tradition, as well as High Priestess of Sacred Moon Coven and the Iseum of the Graceful Goddess. She is also a professional psychic, trance medium, Sacred Dancer, teacher, and tarot reader. In 2019, Lady Haight-Aston published Pagan Portals – The First Sisters: Lilith and Eve. The vastness of her knowledge of different traditions and forms of Goddess worship shine through every page of this book.

The most prominent priestess cultures covered in this book are those of ancient Egypt, Greece, and Rome, including Goddess cults of Isis and Hathor, the Oracle of Delphi, and the Vestal Virgins. But I was surprised to learn about other traditions that I had previously not heard of before, such as The Ank Priestesses of the Isle of Iona and the Cumaean Sibyl that presided over the Oracle of the Dead in Baia, Italy.

I will admit each section is short; this isn’t a full deep dive into any one priestess tradition, but rather a small sample of each one. But there is still plenty to learn from this book, and I found it valuable to read about all the different priestess cultures side by side. I noticed similarities and differences stand out more than when I study one priestess culture on its own. And as someone who has studied different priestess cultures previously, devouring any piece of literature I could get my hands on, Lady Haight-Aston still provided me with plenty of new revelations.

As she weaves her way through periods of the past, Lady Haight-Aston notes different speculations of academics and clearly informs readers where there is a lack of archeological evidence to make assured claims. But simultaneously, she adds her own perspective as an initiated priestess to share missing links of herstory. I deeply appreciated her point of view and am always glad for a feminist version of history, but for those who this might not be appealing, there is ample reference sources provided at the end of each chapter for readers to investigate themselves and draw their own conclusions.

I mean, if we’re being honest, priestess cultures have hardly been given the academic recognition they deserve, especially in comparison to the study of different priesthoods. To this day, putting together the pieces to better understand these cultures is still quite a challenge. As much as I value the efforts of historians and anthropologists, I feel there is value in having a modern-day Priestess share her thoughts on the significant findings too, providing an experiential interpretation of the artifacts and records.

One of my favorite chapters was “The Modern-Day Oracle Priestess” where Lady Haight-Ashton discussed prominent women that have helped to keep the Priestess tradition alive in recent times, such as Helena Petrovna Blavatsky and Sybil Leek. In this section, Lady Haight-Ashton also shares more about friends of hers that have created different communities. I was thrilled to learn about these, especially Woolston-Steene Theological Seminary (the only degree program in the United States for Wiccan ministry) and the Aquarian Tabernacle Church International.

All in all, Pagan Portals – Temple Priestesses of Antiquity was a fantastic read that expanded my knowledge of the influence Priestesses had on cultures of the past. Lady Haight-Aston’s personal path of Priestesshood helps to shine light on what the experience of these devout women of the past might have been within the context of their unique cultures. This book serves as a reminder of the spiritual and political influence women have had through time, and it inspires hope that the way of the Goddess will someday thrive again. For those interested in the pathway of the Priestess, Lady Haight-Aston provides many resources to explore as one finds their own path towards serving the Goddess in the modern world.

Pagan Portals – Aos Sidhe, Meeting the Irish Fairy Folk of Ireland, by Morgan Daimler

Pagan Portals – Aos Sidhe: Meeting the Irish Fairy Folk of Ireland, by Morgan Daimler
Moon Books, 9781789049374, 85 pages, August 2022

Journeys have not been easy to come by for me this summer. However, although the pandemic kept my physical travel plans on hold, I was able to journey to the Emerald Isle with Morgan Daimler to visit the land of the Fair Folk through the pages of Pagan Portals – Aos Sidhe: Meeting the Irish Fairy Folk of Ireland.

Ireland is one of my favorite places to visit but I do remember being warned not to disturb the places where the fair folk dwelled. I was surprised by this warning as we are living in the 21st century. Did people still believe in the fair folk? This book answered my question with a resounding “Yes!”

In the Author’s Note, Daimler indicates that she is “writing this book because of an aisling, a vision, I had and because I feel like this book is a necessary thing to help people sort out Irish folk belief from pop culture and fiction.”1

Aos Sidhe (pronounced Ace Shee) means “people of the fairy hills” or people of the Otherworld. According to Daimler, “They are the beings who interact with our world but exist in and come from a place that is foreign to our world, and that is the realm of the sidhe, beneath the earth, also called an Saol Eile, the Otherworld.”2 The English term for Aos Sidhe is fairy. 

Although short in length, the book is packed with various sources of information on what Morgan refers to throughout as the Good Folk or Fairy Folk which “do not exist within one cohesive grouping.”3

The book is divided into six chapters. Chapter One investigates just who the Aos Sidhe are by looking at folklore and myth. Chapter Two, “Across Belief”, provides sources of accounts with the Fairy Folk, including anecdotes of people who have had experiences with the Aos Sidhe over the last hundred years or so that they have chosen to share.

There are certain times and places, liminal points, where one could have a greater chance of encountering these beings or as Morgan writes “running afoul of the Fair Folk.”4 Samhain, the month of November, and Beltane are the strongest times. Various traditions grew around these times to appease or avoid bothering the Fairy Folk through offerings or ways to protect one’s self from the Fairy Folk. To make matters worse for us humans, the Fairy Folk cannot be seen except by choice, only manifesting in physical form if they so desire. 

Chapter Three focuses on Changelings, “a fairy surreptitiously put in the place of a human being.”5 Typically, those taken are infants, young children, newly married adults, and new mothers. They are taken to increase the number of the Fairy Folk, or for entertainment, or on a whim. She recounts four cases from 1826 – 1895 of people who were accused of being changelings and the treatments they suffered at the hands of friends and family, all of which ended in death. To aid in protecting against being taken, iron and Christian holy items were used, such as pinning a safety pin to a baby’s clothing or by the sacrament of Baptism. 

Descriptions of the types of Fair Folk are covered in Chapter 4. A few favorites stand out in this chapter for me. Having grown up watching the movie Darby O’Gill and the Little People. I was scared at a young age by the screams of the Bean Sidhe (banshee) in the movie.  This “woman of the fairy hills” is probably one of the best-known of the Fair Folk, as being one who predicts death. I was surprised to learn that there are Cat Sidhe and Dobharchu or water dogs. Other Fairy Folk include Maighdeana Mhara, or “sea maidens” or mermaids, Puce or goblins and sprites, and Ronata, seal folks who the Scottish refer to as Selkies.  The Ronata use seal skins to transform themselves. 

Of course, everyone has heard of Leprechauns whose name is thought to come from the Old Irish word, luchorpan which means a very small body6. According to Daimler, there remains debate as to whether Leprechauns are part of the ranking order of Aos Sidhe or are separate, distinct beings.

Chapter 5 is titled “Safe Dealings with the Fairy Folk or Good People” to ensure people responsibly interact with these folks. As Morgan warns:

“Throughout recorded accounts of the Aos Sidhe there have always been humans who have encountered or interacted with these beings, sometimes with good results and sometimes with bad results.”7

She cautions that there are rules to interacting with the Good People in order to promote safety but that there are “real risks of encountering or dealing with these beings.”8 The chapter covers etiquette, offerings, and protections that include things to carry on one’s person in those liminal times (such as salt or a red thread) or hanging an iron horseshoe above one’s door. 

Chapter 6 and the Conclusion deal with common misconceptions of the Good Folk. Morgan reminds us that “stories of these beings have been woven into Ireland’s very earth for well over a thousand years.”9 Daimler notes that the book is meant to be an introduction not a tome. 

Also included at the end of the book is a much-appreciated Terms and Pronunciation Guide. Though, I would have liked to see this at the beginning of the book, as I spent the entire book mispronouncing the Irish terms. 

I highly recommend this book by Daimler, an author with many books on subjects such as Fairies, Brigid, and Irish Paganism to her credit. I learned a lot in reading Pagan Portals – Aos Sidhe: Meeting the Irish Fairy Folk of Ireland, but I have to admit that it left me with an uneasy feeling. I do not want to cross these beings, or inadvertently encounter them. I avoid conjuring them up. I recently resisted the temptation of staring too long at a fairy garden because as Morgan reminds the reader,  the Aos Sidhe are “always leaving but never gone.”10

Flower Essences from the Witch’s Garden, by Nicholas Pearson

Flower Essences from the Witch’s Garden: Plant Spirits in Magickal Herbalism, by Nicholas Pearson
Destiny Books, 1644113007, 512 pages, April 2022

While doing a chakra meditation, I discovered that my heart chakra was calling for me to deepen my relationship with flowers, which surprised me. I appreciate the beauty of flowers, but aside from my herbalist astrology teacher’s reference to the properties of different flowers, I hadn’t really ever delved into flowers or their potent magical essence before. Luckily, Flower Essences from the Witch’s Garden: Plant Spirits in Magickal Herbalism by Nicholas Pearson had just been released, and I decided this book might be a good starting point.

This book is packed full of valuable information! I feel like I received my beginner’s introduction that steadily progressed to expert-level advice as I continued reading. Pearson makes flower essences approachable for all, while simultaneously sharing patiently accumulated wisdom and knowledge that will benefit all who work with flower essences.

Pearson begins by sharing his journey to working with flower essences and then dives into a very thorough explanation of what exactly is a flower essence. Right off the bat, this description of what flower essences are and are not was very helpful in clearly understanding how the essence, or vibration, of the flowers can be used for one’s magical practice. Plus, the chapter “The History of Flower Essences” provided great insight into how the use of flower essences has evolved over time, situating the information being shared within a larger historical context.

“Flower essences are indeed magickal, because magick is medicine for the soul. Essences are infused with the life force, healing virtues, and consciousness of the plant kingdom. They offer safe, economical, and environmentally friendly ways to connect with plant spirits and add their blessings and powers to your magickal practice.”1

Another way that Pearson lays a good foundation for the use of flower essence is teaching about spirits of nature, including devas, plant spirits, and green familiars. He notes the similarities between a green witch that works with plant intelligence and the practice of using flower essences, both of which draw upon the spiritual force of the “guardian consciousness of the plant itself”2

Exploring the realms of “green intelligence” makes it so readers of the both have access to greater range of understanding the consciousness of plants. And included exercises, such as Plant Spirit Attunement and Seed-to-Flower Meditation, further help the reader to connect with the spirit essence of plants before getting started with flower essences. My favorite exercise was Journey to Hecate’s Garden, where one is guided to explore the plants of poison and power there.

It’s not until nearly 100 pages in that Pearson gets into the making of flower essences, and let me say, he does not skip one step! It’s like every question I could have asked about the process was being answered as I read on. He covers materials needed to get started, making the essences, bottling the essences, dosages, and so much more!

And with the practical “how-to” clearly laid out, Pearson turns to the subtle art of creating flower essences. He writes about the significance of the number of petals of a flower, planetary correspondences, elemental signatures of flowers, and the meaning of different colors. This information is the foundation for someone to really start getting creative with their flower essences, fine-tuning them to their specific intention. And for those who are unsure, he offers methods such as dowsing, kinesthetic intelligence, and communing with plant spirits to discover what one needs.

It is at this point that Pearson moves into writing about flower essences in one’s magical practice. Topics include anointing candles with flower essences, flower essence charms and amulets, incense, bottle magic, and even potions, which he provides ample formulas for things such as making flying blends, love, and even countermagic. I personally really liked the sabbat formulas shared to create essences that bolster and balance the energy of each one.

Pearson even goes into spagyrics in the chapter “Plant Spirit Alchemy”, at which point you know you’ve really advanced in your flower essence education!  He shares how to make an alchemical plant tincture, as well as flower essence spagyrics. This part was very interesting because I love alchemy, but for the time being a little too beyond my skill set. It does motivate me to practice creating and working with flower essences enough to get to that level though, plus it’s very valuable alchemical knowledge for those who also share an interest in the topic.

The final chapter, “Dictionary of One Hundred Flower Essences”, spans over 200 pages and is so handy to have at one’s fingertips! For each one, Pearson provides elemental, planetary, and zodiac signature, corresponding chakra, magical use, and therapeutic indications, along with multiple paragraphs of additional information to provide readers with a full understanding of the flower. I’ve both read through the chapter, just to learn more about each essence, and turned to it when trying to decide what type of essence to create; in all cases, the dictionary has been immensely helpful. For example, in regard to Hawthorn, Pearson writes:

“Hawthorn lore teeters between light and dark. The more pleasant tales of hawthorn depict it as a tree of healing, love, and connection to other worlds. Hawthorn fruit and flowers were sometimes used in divination, especially to dream of your future while, while their thorns have been used to defend again malice and harm, to break curses, and to cast out spirits and other malevolent beings.”3

I also really appreciated a list of flower essences suppliers, including their websites, in the Appendix. Just in case I’m not up for making my own, it’s good to know where I can purchase high quality flower essences.

All in all, Flower Essences from the Witch’s Garden has been a very insightful read. I’m deeply impressed with how Pearson laid out the book so perfectly, thoroughly educating the reader from the ground up, to give a full-spectrum education into flower essences. The level of detail is astounding, from the history and lore included to the charts and tables that help one to visually understand different properties of the flowers–everything you need to know is covered. This book is a one-stop-shop for those hoping to delve more into flower essences.

I highly recommend it for beginners and experts alike, as so much is covered within these pages that it’s well worth having nearby for reference. I feel like a whole new layer of magical working has opened for me after reading this book. I plan on making my own flower essence and then using it for candle magic. I’m excited to see how the results unfold!

Consorting with Spirits, by Jason Miller

Consorting with Spirits: Your Guide to Working with Invisible Allies, by Jason Miller
Weiser Books, 9781578637546, 216 pages, May 2022

Within minutes of reading the introduction to Consorting with Spirits: Your Guide to Working with Invisible Allies by Jason Miller, I went online and bought two additional books by the author, Protection & Reversal Magick and The Sorcerer’s Secrets. I was so impressed with the writing style and information offered in the introduction, that more books from this author were needed immediately. 

With this book, Miller has written a manual that assists the reader in creating or strengthening bonds with dwellers of another realm, such as angels, spirit allies, or deities, and he does it in a way that feels completely accessible to everyone who is willing to put time into the effort. A devotee to practical magic for over 35 years, Miller is well versed in the occult and the various ways of application, yet trying to assign a specific path that he follows is near impossible. The author of six books and a variety of courses, Miller regularly shares his knowledge through emails to his subscriber list, of which I am part of. Full disclosure here: I am a fan of this writer.

Miller is clear and to the point and states that habitual company with spirits is the key to working with them. He says:

“…it’s the relationship that really matters, not whether the spirit is in the correct column for the planet or whether the description in the book fits your needs. Those things matter for choosing spirits to make initial contact with, but that’s just the starting point.”1

What I love about this book is the way it’s written: clear, easy to understand, with ideas presented that could be challenging for some. For me, the notion that once you do the research into which spirit you want to build a relationship with and set the stage for that relationship, you are then free to work with them whenever is mind blowing. I don’t know where I got the idea that there needs to be a high ceremony each time I wanted to interact with spirits, but I know that idea prevented me from contacting spirits doing so as I thought it would be unsafe without all the trappings.

While there is no warning attached to this book, Miller does have a caution to those who choose to pick it up. Miller writes in bold: ‘THIS SHOULD NOT BE YOUR FIRST BOOK ON MAGIC’ and I appreciate that. He explains:

“…this should probably not be your first book on magic. It’s not that this is an advanced book, I plan on making things as simple and as straightforward as possible. It’s simply that knowing some methods of protection, some basics of spellcraft, and having some competency at divination will make the work presented go a lot smoother.”2

I love the fact that Miller calls out that there needs to be basic understanding prior to picking up this book. In fact, that was the line that drove my impulsive purchases. When you set the foundation and ask that those participating have a working knowledge of basic concepts and practices, it makes for a much easier read. I’ve always thought that some books need to have some sort of paragraph explaining what you need to know before you start, and this book does just that.

The fact that Miller calls upon all sorts of spirits, including angels and demons, might seem a bit shocking to those who have had unpleasant experiences with organized religion. As a cult survivor, I completely identify with these people and understand that references to angels and demons might be triggering. I will be honest, I thought that I would stumble on that part but Miller’s openness and honesty about his experiences completely negates those feelings and instills a sense of wonder. That might not be what everyone experiences, but for me I was surprised to find myself contemplating contacting an angel for help.

The book is divided into twelve chapters ranging in topics from “What is a Spirit?” to “Relationships and Pacts” and everything in between. One of my favorite parts of the book deals with local spirits and how to contact them. This chapter is about how most sorcery is local. Miller explains: 

“…most Sorcery and Witchcraft are local. There are vast and ancient Gods and Goddesses contactable from anywhere in the world, as well as saints and all manner of spirits, but when it comes to getting stuff done, it’s not always who is the most powerful, but who is the most local.”3

Miller says that making a map that details important locations for magic is useful and provides a clear connection to spirits in that area. Researching the natural geography of the land is also helpful, as certain aspects lend themselves to amplifying magical activities. Finding specific places that feel more magical provides an extra layer of help when contacting local spirits, especially when it comes time to sit in communion with them and listen. Miller also suggests doing research on the history of the land as well, as that could potentially provide more information on who the local spirits are and how to contact them. So many great ideas for establishing contact with local spirits, and I can’t wait to try it out.

One of the best parts of this book is the blending of Christianity, Paganism, and Luciferianism in the rituals presented. Miller does this flawlessly and explains that to him, magic is magic. On the reasoning behind including three different perspectives he says, “These three approaches – The Christian, the Pagan, and the Luciferian – represent major streams of thought in the occult world that would benefit from a book like this. Other streams exist… the magic in this book could be adapted to those lines of practice if one were clever.”4

I would absolutely recommend Consorting with Spirits to anyone who is looking to establish a relationship or deepen an existing connection with spirit. Personally, I have used the information to strengthen my bond between myself and my ancestors with great success. This is not a book for someone who is dabbling though. This is a blueprint for finding and connecting to spirit in a careful and respectful manner. If that resonates, I urge you to pick it up. 

Witch Queens, Voodoo Spirits, and Hoodoo Saints, by Denise Alvarado

Witch Queens, Voodoo Spirits, and  Hoodoo Saints: A Guide to Magical New Orleans, by Denise Alvarado
Weiser Books, 1578636744,  276 pages, February 2022

My spirit longs to visit New Orleans, but alas the time has not yet come. So I decided to delve into Witch Queens, Voodoo Spirits, and Hoodoo Saints: A Guide to Magical New Orleans by Denise Alvarado, letting her words transport me to the “sacred supernatural geography of the city”1. I’ve been completely absorbed in this book; Alvarado has done such a wonderful job illuminating the spirits and folk saints of this beloved city with a rich cultural history that I’ve hardly put it down.

Alvarado is a New Orleans native, who has been studying the indigenous healing traditions of the area for more than four decades. She teaches South conjure at Crossroads University and is also a rootworker in the Louisiana folk magic tradition. Alvarado has written quite a few other related books, including The Conjurer’s Guide to St. Expedite, The Magic of Marie Laveau, The Voodoo Hoodoo Spellbook, and The Voodoo Doll Spellbook. She also has an online shop at creolemoon.com with plenty of magical items for sale.

“As anyone who has been to the Crescent City will tell you, you get a feeling when you are there that screams “elusive and mysterious.” It’s a gut-level feeling–you know there is more to it, but you just can’t put your finger on it. All you know is that you want to see more, know more, and ultimately, feel more–more of that good old N’awlins supernatural vibe.”2

This is definitely how I’m feeling! But after having read Witch Queens, Voodoo Spirits, and Hoodoo Saints, I feel like I know the potent visible and invisible world of New Orleans a bit more. In this book, Alvarado shares her research and experience about twenty influential Louisiana spiritual figures. With such a rich tradition, being as New Orleans is a merging place for multiple cultures, it’s hard to put all the people and spirits covered into one category. From folktale hero Annie Christmas, warrior-for-the-people Black Hawk, Voudou Saint Jean St. Malo, African Diaspora god Papa Legba, and even Catholic Saint Joseph, Alvarado delves into adoption of these figures into the spiritual tapestry of New Orleans.

Chapter by chapter, with each one focusing on one character, Alvarado shares all she knows, which I am positive is more than even locals know because of her studious research. It’s very clear that Alvarado has put dedicated time and effort into finding out all she can about these figures. And what I really appreciate is that she sticks to source material, which range from oral stories of New Orleans residence that were documented, old newspaper clippings, or even original source documents. If there’s a story that Alvarado can’t find source material for, she shares it but also lets the reader know she hasn’t found information to back it up, keeping the reader fully informed.

Alvarado also sometimes presents different views, offering the reader diverse perspectives on the figure she’s describing. This might be the different ways certain religious traditions portray a certain spirit, or differing versions of folktales. Alvarado lays it all out for the reader to truly see the full picture. And this made for a very interesting read because that’s how real life, and even more so spirituality and magic, tends to be – there’s no definitive answers and we’re doing our best to piece together information based on sources, experience, and stories from others.

Oh, but each story Alvarado shares is just so interesting! And her writing style is very conversational; her colloquial way of writing really draws the reader in! Alvarado successfully engages the heart, soul, and imagination all in one with these stories. You feel the pain of the spiritual figures, or those in need praying to them; you can taste the offerings being laid out; you can feel the culture the figure’s life took place in; you can see the Voodoo queen going about their daily lives. The weaving together of so many stories is tantalizing and will certainly have your mind wandering, hoping you get the chance to see these places in real life soon. And just in case you don’t get to right away, there’s plenty of pictures included throughout to provide visuals of what Alvarado describes.

This book is also beneficial for those who are hoping to expand their magical practice. If you’ve felt drawn to work with some of these figures, Alvarado provides useful insights. Now, I don’t mean you’ll suddenly be able to create your whole Voodoo or Hoodoo practice based on this book. That would require a much more in-depth study, obviously! But there’s plenty of information about what to offer certain spirits, what they like on their altars, and basic prayers or spellwork that can be done. For instance, burying an upside down statue of St. Joseph to sell one’s home or creating lucky garters to attract a generous man of means based on Lala Hopkins’ grimoire.

For each figure, Alvarado does a wonderful job describing who they were (their life story, spiritual origins), the impact they had in their life, why one might call on them, and what offerings are best to make if one does decide to create a relationship with them. Plus, there’s plenty of information about how different New Orleans spiritual practitioners or traditions work with these figures too for broader context.

Overall, Alvarado does a wonderful job teaching readers about the supernatural element of folklore vibrant in the city, opening them up to the multifaceted magic of New Orleans as an introduction to this very special place. Story after story, filled with historical information and practice magical how-tos, make this a very interesting book to read. Alvarado has skillfully pieced together tons of information to give the readers a fascinating guidebook about the figures that remain present in New Orleans folklore and culture, offering both blessings and curses depending on how they’re called upon.

If you’ve ever felt the pull of New Orleans, Witch Queens, Voodoo Spirits, and  Hoodoo Saints is perfect for learning more about the spiritual roots of the unique city; there’s so much insight and knowledge packed into these pages, you’re bound to learn plenty and have quite a few laughs along the way with these tales!