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Stars and Stones, by Peter Stockinger

Stars and Stones: An Astro-Magical Lapidary, by Peter Stockinger
Mandrake, 1906958734, 164 pages, May 2016

I recently began a medical astrology herbalism course with Judith Hill and Matthew Wood. As I learn about the physicians of the Renaissance, specifically the way they were all master astrologers, I just discovered in addition to plant remedies, they knew how to use the properties of gemstones to facilitate healing and create magical talismans.

Seeking more information, I turned to Hill’s book Astrology and Your Vital Forces, however the Jyotish description of the use of gemstones wasn’t fulfilling enough for me, as I was hoping to not only to remedy the chart but also use the talismans in my magical workings. Luckily, Stars and Stones: An Astro-Magical Lapidary by Peter Stockinger fills in all the missing gaps I’ve been curious about and truly fits my needs for learning more about this subject.

Written in the introduction, Stockinger’s main reason for writing this book “was to reintroduce the reader to the idea of correspondences and correlations between planets and gemstones.”1 And let me tell you, Stockinger does just this with thorough detail and enough clarification to not overwhelm someone new to this topic.

To begin, Stockinger delves into the planets and their elemental constitutions, which are the foundation of the Universe. Each planet corresponds to one element, and Stockinger provides detail for the attributes of the planet and their element. For instance, Mars is hot and dry, which is attributed to the element of fire.2

The four elements are each associated with a temperament: choleric (fire), melancholic (earth), sanguine (air), and phlegmatic (water). While there have been various methods of calculating a person’s temperament, Stockinger draws from Ferdinand Resberger’s astrological textbook Astronomia Teutsch to teach the reader how to find their own.

This wasn’t the easier endeavour, but after about a half an hour of calculations, I determined all of my temperaments were almost equal, with choleric and phlegmatic having a score of just one higher than melancholic and sanguine. Stockinger made the calculations accessible by clearly starting which zodiac signs correspond to the element or temperament for each stage of the process so one is not having to memorize it all before or consistently reference back to the previous material.

The next chapters are detailed explanations of the planets, zodiac signs, and astrological houses respectively. All the information is the traditional descriptions from Renaissance astrology. I especially enjoyed Stockinger including the diseases associated with the planets and the illnesses associated with the signs of the zodiac. There also are images for all the planets and signs too, which are nice visuals to break-up the dense material.

Additionally, Stockinger includes a list of the body parts associated with every sign and tables of essential dignities and accident dignities according to William Lilly’s Christian Astrology. This introduction concludes Part 1.

Part 2 of the book “Planets, Crystals, Gemstones & Metals” was exactly what I had been looking for in my quest for information. Stockinger sets the stage with a history of the healing properties of crystals and different works about them, such as Abbess Hildegard von Bingen’s Physica and Al Biruni’s Book of the Instructions in the Elements of the Art of Astrology, both published in the 11th century.

“Since the dawn of time, gemstones and crystals have fascinated humans, by their mysterious sparkle, their beautiful colours and their intriguing shapes and symmetries.”3

There is also ample information about the planets and their corresponding metals. Based on the idea that everything emits light when heated, there is a table that shows the wavelengths of color in the visible spectrum. The metals’s emissions spectrum is how the corresponding color is determined. There is ample detail about the correspondence of the seven visible planets, corresponding color, and corresponding metal.

For instance, for the Sun, whose corresponding metal is gold, Stockinger states, “On the physical level, gold helps the body to maintain circulation and it is responsible for the regulation of the impulses in the nervous system.”4 Once again, there is the inclusion of some medical astrology too.

The next chapter, “Planets & Gemstone Remedies,” was my favorite. In this section, Stockinger goes planet by planet giving an extensive overview of each planet (diseases associated with them, corresponding body parts, dignities and disabilities, and more!) and provides gemstones to remedy their effects. For instance, jet and black onyx are recommended to remedy Saturn, while carelin, garnet, haematite, and jasper are prescribed for Mars.

Stockinger provides a detailed history of each crystal and gemstone, along with information about it’s color and hardness. He explains in detail what aspect of the planet the crystal or gemstone remedies and it’s most effective uses. One example is selenite for working with the moon, for it is considered a “holy stone” that helps cleanse and purify emotions.5 It also provides protection against epilepsy and insanity, while repelling negative energies.

Reading through all the crystals of each planet has been immensely useful when deciding which stones to work with in order to produce certain effects. Reading through the case studies in the book helped me to further understand how gemstone can be used to enhance or counter certain energies at play in my astrological chart.

I am looking forward to creating a talisman too from the information I’ve gleaned from this book. Stockinger shares his knowledge on fifteen fortunate fixed stars along with their corresponding sigil (so immensely helpful!), and he shares how to create a fixed star ring for success. He also shares images of the planets and constellations that can be used to enhance a gemstone’s effect, such as a swan for the Cygus constellation and a whale for the Cetus constellation.

Finally, the appendices have a wealth of well-organized content that is immensely useful. There is a Therapeutic Index that has a disease, illness, or circumstance one might want to remedy and a corresponding gemstone, a table of fixed star correspondences, and Agrippa’s planetary glyphs.

All in all, Stars and Stones is a wonderful resource for those interested in learning more about the relationship between astrological energies and crystals, gemstones, and metals. I love how it perfectly blends the stars and earth to facilitate integral healing through one’s chart. I haven’t ever found a book as comprehensive, accessible, or useful as this one on this topic. For those who are looking to incorporate a new dimension into their astrological practice, or perhaps even expand their knowledge of crystals and their healing properties, this is absolutely a book to check out.

Dreams, by Mary Phelan

Dreams: Exploring uncharted depths of consciousness, by Mary Phelan
Mandrake of Oxford, 1906958985, 240 pages, November 2020

I decided to read Dreams: Exploring uncharted depths of consciousness by Mary Phelan because I’m in the midst of an 8-week course with Robert Moss, a pioneer writer in the field of dreams, and am finding myself seeking other perspectives to supplement what I’m learning. I figured Phelan, who has documented all her dreams for 11 years, might have the insider perspective I was seeking! Reading Dreams, it became very evident that her dedication to analyzing her dreams has yielded impactful information that has assisted her in navigating life’s twists and turns. Luckily, this book offers methodologies for readers to effectively understand the messages of their dreams and the great wisdom they hold for us. It was a wonderful complement to the exercises, activities, and dream-timing I am doing these days.

What stands out most about the content of Dreams is the way Phelan recounts her personal experiences to assist the reader with making their own connections to their internal world. Discussing the content of dreams isn’t alway easy, as it calls for a different type of thinking: the mythic, poetic, and creative side of our brain. Phelan helps the reader to get into this state of mind by referring to the great works of Shakespeare and other artists to awaken this mindset for us. She also refers to the work of Sigmund Freud and Carl Jung to illuminate the connection between our subconscious and conscious mind. There is quite a bit of focus on the concept of archetypes and the individuation process, especially as it pertains to fairy tales.

Drawing on examples of ingenuity that were prompted by dreams, such as the invention of the sewing machine, Phelan asserts that success in life comes to those who nurture their ability to discern the subtle prompts of their subconscious. A dream isn’t simply random images that appear in your slumber, it’s a jam-packed reel of scenes, feelings, encounters that when examined can lead to revelations about your waking life. Phelan devotes a good portion of the book to describing imagery, settings, and relationships that occur in dreams to explain their web of possible meanings. She has a wealth of experience to share about how she would interpret a dream and, as a result, was able to capitalize on something in her waking life.

A strong sentiment that Phelan conveys in the book is that one must take action in order for this process of working with dreams to be effective. Yes, most people naturally dream every night, but there’s a whole slew of ways to improve one’s ability to have dreams and successfully recall them. Some examples are getting enough sleep, not eating or exercising too close to bedtime, having an evening routine. It is also vital for one to put in the effort of tracking their dreams, both big and small, in order to be able to track on-going patterns. One way she suggests doing this is by having a dream notebook.

Then the most important step follows: taking action on what the dreams reveal! As much as you are prompted and prodded in your dreams, nothing will actually change or manifest without acting on the knowledge that has come through the dreams. I enjoy this reminder because sometimes I do not take the time to reflect on my dreams, especially on a busy morning. By taking the time to slow down and create an intentional practice, I have already started to be more aware of the content of my dreams and piece together the bits of information I receive while asleep.

The other point Phelan repeatedly brings up in the book, truly more of a warning than assertion, is about keeping one’s dreams secret and only revealing them to a trusted few. I was intrigued by this because I’d never heard any other dream practitioner offer this caution to the dreamer. From what I’ve studied, in certain cultures, such as the Australian Aboriginal, discussing dreams is part of the social bonding. Families will discuss dreams every morning to piece together the information they are receiving to assist the community as a whole by connecting the dots to see a bigger picture, or sometimes messages are sent through the dreamer to share a message with a relative or friend. 1

However, Phelan takes the approach that because dreams contain such sensitive subconscious information, one must be careful who they are shared with. Before sharing your dreams with another, it is worth reflecting on how much of your personal life you are comfortable with this person knowing, and whether they are truly someone you can trust to hold space and respect the content of your dreams. Furthermore, Phelan brings up a wonderful point about how speaking your dreams too soon – before you’ve fully figured out their meaning – can make them confounded with someone else’s interpretation. Above all, Dreams helps the reader to value their own ability to decode the messages of their dreams and respect just how valuable the insight contained within them can be. Thanks to Phelan’s insight, I now can respect and value the aspect of silence regarding dreams and hope to better sense when it is appropriate to share and when it is not.

My only reservation about this book is that at times it can feel a bit scattered. Phelan has packed in so many topics, ranging from the science behind why we dream to the effectiveness of dream catchers to an analysis of the story “Aladdin” that it becomes hard to fully follow along with ease. Sometimes it felt like the book was here, there, and everywhere, with very abrupt transitions from one focus to the next. This may be because I prefer to go deeper into one topic, rather than explore a variety of topics quickly. For instance, there’s a chapter titled “Cosmic Dreams,” which delves into astrology, astral bodies, and aliens, that is followed by “Sleep Disorders and Nightmares,” which describes the phenomenon of sleep paralysis and other sleep disorders. The smorgasbord of it all can feel a bit overwhelming when not in the right headspace to be integrating so much knowledge at once. For those who like to move slowly and really dive into a subject, this book may be too much to handle.

Additionally, although Dreams is meant to empower readers to discern their own meaning of dreams, Phelan shares a lot of personal examples about how she’s interpreted things and not as much insight on how someone can do this for themselves. The amount of archetypal explanations of possible meanings for situations, scenes, and objects in dream described in the book seems like it could steer a reader away from figuring out their own interpretation. I hope new readers are able to use her personal experience as a model without resorting to it in order to draw upon her pre-made associations to interpret their dreams. There is a chart at the end with all types of objects, places, and situations that may appear in one’s dreams. While this tool may be a good starting place, it also seems contradictory to Phelan’s advice to figure out your own personal interpretations because every symbol will have its own meaning based on your personal experience and mindset.

Overall, Dreams: Exploring uncharted depths of consciousness is a candid depiction of Phelan’s journey and process of working with dreams that is a suitable read for beginner or advanced dreamers. It is well-sourced and packed with scientific data, psychology knowledge, and personal experience that offers a strong framework for someone who is seeking to develop their own practice of working with dreams. Phelan effectively conveys how this work can be used for deepening one’s self-knowledge and empowering oneself by getting in touch with the internal guidance of dreams. If you want an overview of all the different facets of dream exploration, this is a good choice because it spans many topics in an introductory fashion that will help you get started in doing your own dream analysis.

Egyptian Magick, by Mogg Morgan

Egyptian Magick: A Spirited Guide, by Mogg Morgan
Mandrake of Oxford, 1906958992, 432 pages, November 2020

The influence of ancient Egypt has remained strong in the imagination of Western magic through the Hebrew and Greek traditions and was popularized again in its revival during the Enlightenment. While this energy is still potent centuries later, it is often molded into the one-size-fits-all, easy-to-digest books that make this type of magickal practice easily accessible to the reader. This is wonderful for those who do not intend to delve into a full practice, but it often leaves those who seek to deepen their magick wanting. Cue Egyptian Magick: A Spirited Guide by Mogg Morgan, which is just the book for those who truly wish to expand their practice into a working system.

Morgan is both a practitioner and scholar of the occult. The level of detail described in Egyptian Magick duly reflects this combination, which clearly showcases the relationship between scholarship to inform practice and practice contextualizing scholarship. He has authored quite a few other titles, the most notable being Isis: Goddess of Egypt & India, Supernatural Assault in Ancient Egypt: Seth, Renpet & Moon Magick, The Ritual Year in Ancient Egypt: Lunar and Solar Calendars and Liturgy, and Seth & The Two Ways: Ways of Seeing the Demon God of Egypt. His area of focus is “the connections between the popular magick of ancient Egypt and its continuation/crossover with the living magical traditions of the middle East, and the Kaula/witchcraft of south Asia and beyond.”1

Egyptian Magick is Morgan’s compilation of the core ideas from his previous books all brought together to create one authoritative guide. And let me tell you, it is PACKED with information. I will admit, I was a bit intimidated when I began reading this book. With only a novice level of knowledge about Egyptian Magick, I instantly felt like I was in over my head. At first I did my best to find my footing in the book by dutifully going through it page by page, but quickly I realized I could jump around a bit within each chapter and slowly weave together the tapestry of information. This method helped me to not feel overwhelmed and discover my own method of working with the book rather than becoming inundated (and stuck!).

There are eight chapters in the book that are all filled with sub-sections and even more small headers with information. At times this can feel a bit choppy, but I also believe this style offers as much information as possible within the framework of the book. The book begins with an invocation and then delves into Heka & Hekau. This section really stands out because it describes all types of Egyptian magick: sleep magick, image magick, human sacrifice, funeral rites, and more! So often, scholarship wants to overlook these gruesome details within occult practices, but Morgan does not shy away from topics such as decapitation and reversals or cannibalism. It’s a bit gruesome, but at the same time enlightening, and almost liberating, to be able to delve into such taboo topics.

Reading on, Morgan expands on his reasoning for the basis for this work with contextual references to the Hermetic Order of the Golden Dawn and Aliester Crowley. He writes, “I have come to believe that the real ‘Golden Dawn’ is an experience rather than an organization.”2. He then encourages the reader to “try to put aside what you know and approach the surviving records of ancient Egyptian magick with a fresh mind.”3 This sentiment really stuck with me, as many of the techniques and practices I’ve learned thus far have stemmed from the Golden Dawn. Some of the fascinating topics that resonated with me most were the correspondences of Greek vowels with elements, secret languages of magicians, the relationship between sigils and hieroglyphs, Egyptian numerology, and an impressive array of seals.

Chapter four, “The Temple of Imaginarium,” was probably my favorite in the entire book. Ever since I learned about this mind-mapping technique in Masonic Magician by Philipa Faulks and Robert L.D. Cooper, I’ve been fascinated but haven’t been able to learn more. Morgan explains it well in writing:

“What else is a temple but a representation, in material, of the cosmology of the people who built it? The temple represents the archeology of gnosis, the sequences of a journal through the temple represent the initiatory journey to the ‘holy mountain’.4 It can be an imaginarium or House of all Possibilities, a theatre in which to locate one’s magick.”5

Morgan offers a guided visualization to move through this temple to discover your own magical potency. You gain the ability to move through and access the energy of Egyptian deities, performing the role of a priest. I’ve only tried this once, but found it quite impactful. I plan on familiarizing myself with this exercise when I have time to truly dedicate to experimenting with the technique.

The following chapters detail the rites of initiation, lead the reader through the underworld, and then go into the longest chapter about the ritual year of the Egyptians. These chapters are the real key to opening oneself into this working system of Egyptian Magick. The rituals can be performed at the start of each month and help to orient the practitioner to the time of year and energy available. Since I prefer attuning to the spirit of the place where I physically am, I haven’t tried any of the rituals. However, for a reader who wishes to fully work this system, everything that is needed is within this chapter.

What strikes me the most about Egyptian Magick is the level of insight that Morgan has accumulated. I would guess this isn’t his last book, but in many ways it feels like a magnum opus. Without hesitancy, Morgan clearly elucidated occult practices with objectivity, reverence, and awe. The book is clearly shaped by Morgan’s unique perception, but in no way does it feel contrived to push a practice. Rather, it clearly lays it all out for the reader, from the taboo to the mundane aspects of this work, and offers an all-encompassing guide to Egyptian magick.

Overall, Egyptian Magick is a trustworthy source for expanding one’s knowledge of the Egyptian occult and how this magick can be practiced today. It beautifully blends scholarship with experience to offer a compendium of information. I hesitate to recommend it to a novice practitioner, but I do believe that is a must-have for anyone working with Egyptian deities or is interested in learning more about Egyptian practices. Within these pages is a year-round system of Egyptian magick that utilizes techniques that have amply survived the test of time.

As Morgan writes, “Ideally this becomes part of a practical theology by which the practitioner becomes, through ‘dynamic resonance’ the image of the gods or divine forces he or she emulates.”6 I feel putting this book into effect could absolutely achieve these results. It certainly is not for everyone, but Egyptian Magick is a reliable resource for those who are ready to take their practices to the next level.

Mystical Vampire, by Kim Farnell

Mystical Vampire: The Life and Works of Mabel Collins, by Kim Farnell
Mandrake, 1869928858, 240 pages, June 2005

There’s something about exploring the past through a biography that takes you on a stimulating journey. While nonfiction is entertaining, I’ve always enjoyed being immersed in the ups and downs of a person’s life and reading about the way things unfolded for them. Recently, I’ve been extremely into reading about occultists of the past — it’s as though these older texts are now my illumination for a future path. Spiritualism and Theosophy have been front and center in my current studies, but I’ve been seeking more beyond just the popularized figures, such as Helena Petrovna Blavatsky (HPB). Therefore, I was absolutely delighted to read Mystical Vampire: The Life and Works of Mabel Collins by Kim Farnell. 

Mabel Collins, who lived from 1851 to 1927, was quite a dynamic woman, especially for living in England during the Victorian era. From being a popular novel writer to a well known Theosophist (for a time!), Collins made her mark on the occultists of this time period. Her story The Blossom and the Fruit was an influence on the young Aleister Crowley, and she personally organized and edited HPB’s The Secret Doctrine. She even potentially dated Jack the Ripper, who ravaged London committing gruesome murders of women!

In this book, Farnell has done a brilliant job piecing together information to gift readers with a well-sourced biography detailing the escapades of Collins’ extraordinary life. I can only imagine the research Farnell put into writing this because it is so well-rounded, as though she saw all the possible questions a reader might have and filled in the gaps to precede them before they arise. This is most evident in the way she describes the historical background, providing ample context for what it was like in this time-period, to draw the reader fully into an engrossing experience. One is able to slip out of modernity and step right into this era, feeling as though they are within the dynamics of the Theosophists at the time.

And oh goddess, it is thrilling to read about the drama, gossip, and relationships among the “who’s who” in Theosophy at the time. The cast of characters that passed through Collins’ life include William Butler Yeats, Annie Besant, Robert Donston Stephenson, who she believed to be Jack the Ripper, and a very influential relationship with HPB. It’s one thing to read a biography about HPB, the founder of the Theosophical Society – who was supposedly the most “enlightened” and connected to the ascended masters – but it’s an entirely different experience to hear about her from Collins’ point of view, who in many ways was a foil for HPB, though still an ardent supporter and collaborator.

For a time, Collins hosted HPB at her home and attended to the variety of guests that came calling. Eventually, Collins and HPB even worked together to create the magazine Lucifer, which ran from 1889 to 1897. However, HPB ultimately expelled Collins from the Theosophical Society, citing improper sexual conduct, or more specifically, black magic Tantric rituals. Also documented in great detail by Farnell is Collins’ writing of Light on the Path, which is the book she is most well-known for among Theosophists, and the ultimate fall out between her and HPB in regard to the source of this channeled book. And I’m only giving you the basic lowdown of this all because my mind is still reeling from all that Farnell has shared in Mystic Vampire, and what I’ve included thus far is hardly the whole of Collins’ life.

What I am most excited about now that I’ve finished reading the book is going back through my multiple sticky tabs of reference to further research the writings of others during this time. For instance, right now on my desktop I have a downloaded PDF of Geometrical Psychology or The Science of Representation: An Abstract of the Theories and Diagrams of B.W. Betts by Louisa S. Cook, who was Collins’ sister-in-law. Additionally, I have found PDF copies of Collins’ Light on the Path, Idyll of the White Lotus, and The Blossom and the Fruit. Now that I’ve read her story, I am eager to delve into her writing.

Like I said, I’ve been very into researching prior occult texts recently because there is something rich about what was going on during this time with the rise of Spiritualism and then later Theosophy. Luckily, Farnell has provided detailed references for all the information in the book with a very thorough list of footnotes and pages of sources, including books, periodicals, and online sites. I always deeply appreciate this level of scholarship and the way it aids me in discovering new things to read, research, and explore.

I feel like I’ve gotten to know Collins through this biography, and I can say she definitely has become one of my spiritual role models. Her role in Theosophy has been overshadowed by more popular names, but she contributed much to the movement, while also succeeding in other areas of life as well, such as writing romantic fiction and fashion columns for decades. Given the Victorian time period, her ambition is all the more impressive. Farnell has done an exquisite service in writing this book and keeping her memory alive.

Mystic Vampire is a must-read for anyone interested in occult history and seeking to learn more about the happenings in the late 19th century. Collins seems to me a feminist icon in her own right, dabbling in the occult arts and making her way in the world through her writing and activism. Farnell has brought her back to life in these pages, reclaiming her legacy and opening a channel for her spirit to carry on into the 21st century. Due to Farnell’s diligent research and writing, over a hundred years beyond her lifetime, Collins continues to inspire and guide those on a spiritual path.