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The Magic of Birds, by Mabh Savage

The Magic of Birds, by Mabh Savage
Moon Books, 1803410604, 120 pages, January 2026

Four decades of working with the symbolism and correspondences of the natural world through traditional astrology will do something to you — you start paying attention to things most people walk right past. Birds are one of them. Omens, augury, messages from the gods — these ideas run through nearly every spiritual tradition I’ve encountered. So when I came across The Magic of Birds by Mabh Savage, published by Moon Books, it felt overdue.

Savage is a pagan author and musician with a particular interest in the magic of animals and plants, and a lifelong fascination for Irish legends, Paganism, and spirituality. She’s previously written A Modern Celt and Pagan Portals: Celtic Witchcraft, so she comes to this material with both scholarly grounding and lived practice. My initial thought? This felt like it would be a quick, pleasant read. It turned out to be considerably more than that.

Savage’s writing style is warm, conversational, and personal in a way that doesn’t feel performed. She has a way of weaving together academic folklore references with moments from her own life that makes even the most obscure mythology feel immediate. You can tell she’s not just compiling information from books — she’s actually out there watching blackbirds at twilight and getting scolded by wrens in her garden. The book is organized thematically by type of bird: songbirds, carrion eaters, birds of prey, water birds, and then a chapter on famous mythological birds, followed by a practical chapter on seasonal and everyday magic. Each section builds naturally, and the structure makes it easy to either read straight through or use as a reference when a particular bird crosses your path.

What sets this book apart is the range of cultural traditions she draws from. Celtic and Irish mythology are clearly her home territory, and the depth there is impressive — the sections on Rhiannon’s mystical birds, the Mabinogi, and the Irish goddess Badb as the battle crow are rich with detail. But she doesn’t stop there. Norse mythology, Greek tales, First Nations traditions from North America, Australian Aboriginal dreamtime stories, and even Zulu folklore all make appearances.

What I appreciated was her explicit caution about Indigenous practices, which she places right in the Eagles section when discussing First Nations traditions: “Please don’t reproduce these unless you have genuine associations with a tribe or permission from those peoples”1. That showed real integrity, something you don’t always see in books that touch on cross-cultural spiritual material.

The personal anecdotes are what really elevate this book above a standard reference. Savage tells a story about a raven at an animal rescue centre that tricked her into stepping close, then deftly tipped her cup of duck food onto the floor and hopped down to enjoy her prize. “She knew, within seconds, that tipping the cup would give her the greatest prize. Remarkable animals”2. These moments bring the correspondences to life in a way that a simple list never could.

Similarly, her account of watching redwings arrive on a winter Solstice morning — “Beautiful redwings, probably just arrived from Scandinavia, resting after a long, cold night in the chilled winter air”3 — captures that feeling of witnessing something genuinely magical in the ordinary world.

For each bird, Savage provides correspondences and associations, folklore snippets, and practical magical applications. The corvid sections are perhaps the strongest — the magpies, ravens, jackdaws, and crows each get thorough treatment. Her retelling of the Lenape tale of the Rainbow Crow, who sacrificed his beautiful plumage to bring fire to the freezing animals, is genuinely moving. And her exploration of jackdaws as communicators who “use their eyes to communicate, and study the eyes of other animals in order to ascertain their intent”4 gave me a whole new appreciation for those noisy little birds.

The four seasonal rituals in the final chapter were an unexpected bonus. They’re well-written and adaptable — Savage explicitly encourages readers to change the birds to ones more familiar to them and to adapt the rituals to their own needs. The guided visualization for working with birds is thoughtfully designed, and she takes care to note that not everyone can visualize — something most magical authors never bother to mention. Her debunking of meditation myths, particularly that your mind must be blank, was refreshing. As someone who uses meditation in my own astrological practice, I found the woodland pathworking exercise genuinely useful and plan to incorporate elements of it into my own work.

Savage’s original poetry is scattered throughout the text, and while not all of it resonated equally with me, the pieces about blackbirds and curlews were evocative. The illustrations by Kay Savage add a lovely visual dimension to the book as well. If I had one minor observation, it’s that some birds get considerably more attention than others — the blackbird and wren sections are wonderfully deep, while some later entries feel more like sketches. But Savage is upfront about this being an introduction only, and she consistently points toward further reading, so that feels like an honest trade-off rather than a shortcoming.

Overall, The Magic of Birds is warm, thorough, and honest about what it is — an introduction, not an encyclopedia. There’s enough folklore depth to satisfy experienced practitioners, and enough plain language to not lose beginners. I’d recommend it to anyone on a pagan or nature-based spiritual path, any witch interested in expanding their practice with animal correspondences, or honestly, anyone who has ever felt that strange pull when a blackbird sings at dusk or a crow watches you from a rooftop.

This book has made me pay closer attention to the birds in my own neighborhood here in Southern California — different species than Savage’s birds, perhaps, but carrying their own magic nonetheless. As she writes in her preface, birds have been “chirping, squawking, tweeting, and flapping their way around my brain until there had to be an outlet”5. After reading this book, they’ve started doing the same in mine.

Word Witchery, by Katie Ness

Word Witchery: Walking the Path of the Poetry Priestess, by Katie Ness
Moon Books, 1803417064, 304 pages, November 2025

Does writing or reading make you feel inspired? Have you ever felt an immense relief, joy, or catharsis from penning your feelings? Or perhaps you’ve artfully woven together your sentences to create a soulful tale that took on a life of its own? Well then, you might just be a word witch! Part spiritual history, part poetic grimoire, Word Witchery: Walking the Path of the Poetry Priestess by Katie Ness explores the ancient power of the spoken and written word as a form of magic, inviting modern readers to reclaim the tradition of “word witchery” as a mystical art.

“Poetry and the written word as a vessel of devotion is a universal act of worship around the world that helps us not only make sense of the signature of all things and commune with the elements within it, but to make the intangible tangible and to recognise how sacred it all is.”6

Divided into three parts, this book is a great mixture of theoretical and historical material and hands-on suggestions for magical workings. “Part 1” begins with an introduction to Ness’s path as a word witch. She then delves into the power of the spoken word, highlighting the importance of storytelling and word craft through time. Ness shares her insights on what it means to be a poet and word witch who weaves magic through text., words as spells, and poetry as alchemy. There’s even an invitation to connect with Minevera through ritual.

In this first part, she also takes readers on an excavation of magical poetry, showing how the use of language to “invoke or manifest an outcome in a magical way”7 has been done for thousands of years. The longest section, “The Lost Voices of the Feminine Divine”, highlights lesser known women with a talent for word craft: Bullutsa-rabi from first millennium BCE in Babylon, Anyte of Tegea from 3rd century Arcadia, Gangasati from 13th century western India, Zhou Xuanjing from 12th century China, Gwerful Mechain from 15th century Wales, and many, many more. There’s a fluidity to “Part 1”, as it roams through time and space, as Ness guides readers through different cultures who have used this form of magic.

“The writing of poems is an alchemical process. Concrete words can frame more ephemeral thoughts and emotions.”8

“Part 2” is dedicated to readers creating their own word witchery practice. Ness covers a wide range of poetry-inspired topics readers might be called to write about: devotionals to deities, to celebrate sabbats, connecting with the phases of the moon, spellwork (love, healing, protection, abundance), shadow work, dream work, and even magical crafting (talismans, stitching, and more!). For all the chapters, Ness provides directions to follow, including ingredients and tools needed, which I felt gives readers more freedom to then just focus their creative energy on creating their poetry rather than having to come up with the entire spell or ritual from scratch.

My favorite type of poetry Ness suggests in “Part 2” was tarot poetry. I’ve been on a huge tarot kick recently, so this was a very neat way to further integrate the tarot wisdom I’ve been absorbing. I decided to do the “Five Card Tarot Poetry” exercise Ness shares where you do a reading and then write one sentence for each card, creating a short poem. I decided to do this, pulling five cards to divine what the rest of 2025 holds for me.

Card 1 – Judgement
Card 2 – Ten of Pentacles
Card 3 – King of Pentacles
Card 4 – Queen of Swords
Card 5 – Knight of Pentacles

I release the burden of self-blame,
rising anew in a fiery blaze.
My family bonds are deeply rooted,
I am building my legacy.
Fortified by my strength and resources,
I am recognized for my abundance.
What stands between me and fulfillment is easily sliced away,
while boundaries safeguard my peace.
A time for methodical new beginnings,
I move ahead strategically.

Okay, so it turned out more like an empowering poetic affirmation, but the process of creating this poem was quite fun and tapped me deeper into my creativity, affirming my reading in a new way. And this just goes to show that you don’t necessarily need to be an incredible word smith to embrace the process of using language, word, and speech for magical purposes. Whether it’s manifestation or divination, honoring a sacred deity or tuning into the Wheel of the Year, it’s much more about the process than the final product. Ness teaches readers how to discover their unique expression.

“Poetry and spell casting exist in the liminal realms, they are gatekeepers to portals within our subconscious mind, space, time and the aether; heightened ways to harness and manifest our seeds of potential.”9

In the final section, “Part 3”, Ness brings the book full circle by closing with a ritual honoring Brigid. She also shares writing prompts for further exploration.

One thing I really appreciate about this book is how Ness reinforces that word-based magic was once a living spiritual practice, and that it’s still possible for us to tap into this for ourselves. The history she shares, particularly the forgotten ancestry of women who wielded language as their wand, made this path of word crafting feel grounded for me. Ness shows the power of language is not just mystical lore, but a real, ancient tradition that can be reclaimed within our own spiritual practice. There’s a long lineage of female voices in magical traditions, and accepting Ness’s invitation to reconnect with this path is aiding me in finding my own voice as a source of power.

Overall, Word Witchery is an inspiring read for anyone who senses that writing, poetry, or spoken word is a magical practice in itself. Ness offers a bridge between ancient traditions and contemporary spirituality, reclaiming the role of the word witch and poetry priestess through thoughtful research and practical ritual readers can do. If you’re someone who loves diving into the power of language, healing through creative expression, or working with feminine spiritual energy, this book is perfect for learning how to weave your own worlds with words.

Pagan Portals: Hestia, by Irisanya Moon

Pagan Portals: Hestia: Goddess of Hearth, Home & Community, by Irisanya Moon
Moon Books, 1803415894, 120 pages, April 2025

Pagan Portals: Hestia: Goddess of Hearth, Home & Community by Irisanya Moon is an exploration of the often overlooked Greek goddess, Hestia. Known as the deity of the hearth, home, and communal harmony, Hestia’s influence is both subtle and profound. Moon’s book seeks to illuminate Hestia’s role in Ancient Greece and integrate Her into modern pagan spirituality for those seeking to connect with her. The book is part of the Pagan Portals series, which aims to provide accessible introductions to various pagan deities and practices.

Moon begins this book by delving into Hestia’s mythology, exploring her characteristics and the role she played in Greek culture. Unlike other deities, Hestia is not often depicted in grandiose myths but is revered for her quiet strength and the stability she brings to both domestic and communal spheres; she has no temples dedicated to her and it’s believed she didn’t taken human form the way the other gods and goddesses did. In the little bits of recorded history about Hestia, it appears she avoided the drama and power-grabs of her Olympian brothers and sisters, preferring to stay out of the squabbles. In return, Zeus granted her wish to remain an eternal virgin. 

Despite her lack of public worship spots, Hestia remains present in the most important part of the household: the hearth. Moon writes:

“The heart was designated as a palace for practical and spiritual connection. This was a place where people would gather to celebrate, but also to tend to the complexities of community. A hearth was the heart, and a place where things could be broken and fixed. Again and again. To me, this is the holiness of Hestia, the magick and the mystery of fire.”10

While modern homes are no longer usually centered around the hearth, this doesn’t mean we can’t still invite Hestia into our home and lives. Moon shares plenty of ways to connect with Hestia from embracing her spirit of community to creating one’s own hearth, whether on an altar space or within their heart. There’s a whole chapter dedicated to ways one can worship her, as well as one on her symbols and ideas for offerings.

One thing Moon emphasizes in this book that I found really interesting is how creating sacred space and fostering community is part of the worship of Hestia, or at least something she can assist you with once you form a relationship. Most books I’ve read on deities focus on establishing an individual relationship with them. Yet in this book, Moon offers suggestions for nurturing community such as agreeing on community values, group practices and rituals that can be done together, and navigating conflict and transitions

I really feel like Moon’s background in the Reclaiming tradition shines through when she discusses these things! In all my personal exploration, Reclaiming seems to give the most attention to tending community and fostering sustainable group relations. It’s evident from the way Moon writes that plenty of thought and reflection have been put into the concept of group worship, which I found so unique and necessary in the modern times where individualism is eroding the sacred bonds of community.

Moon also integrates her Reclaiming background into the practices she offers for readers to try. For instance, to create an initiation connection with Hestia, Moon invites readers to do a trance meditation journey to meet her. Later in the book, Moon shares a group trance to travel to the hearth of community. Other practices to connect with Hestia include cleaning, cooking, acts of service, and volunteering, all of which Moon offers specific suggestions for doing. Unlike more demanding deities, it seems simpler to incorporate Hestia’s essence into daily life.

The final chapter before the conclusion titled “Cultivating a Modern Relationship with Hestia” is where Moon really ties everything together, offering readers details about how to create their own relationship with Hestia. From initially making contact with her to building a relationship where expectations are clear, Moon teaches how to include Hestia in one’s day to day life with worship practices, hearth rituals, and gratitude workings. She even covers what to do if you are currently working with other deities. There’s a dedication ritual included too for those ready to take that next step.

Throughout the book, Moon balances academic sources with personal insights, making the content both informative and relatable. The beginning of the book really focuses on defining Hestia through historical sources, while the latter part of the book is more of Moon’s guidance on working with Hestia. Both are interesting, but I personally love Moon’s insights the most!

Overall, Pagan Portals: Hestia Is a thoughtful and enlightening exploration of a goddess who embodies stability and domestic peace. This book is ideal for those new to Hestia or seeking to deepen their understanding of Her influence. By highlighting Hestia’s role in fostering community, Moon underscores a timeless and universal need for connection and unity. This is a great read for anyone interested in connecting with Hestia as part of their spiritual practice to invite her dedicated values of home and community into their lives.

Healing Plants of Renaissance Florence, by Angela Paine

Healing Plants of Renaissance Florence: The Development of Herbal Medicine in Florence, by Angela Paine
Moon Books, 1803413115, 296 pages, January 2025

Healing Plants of Renaissance Florence: The Development of Herbal Medicine in Florence by Angela Paine offers a fascinating exploration into the world of botany during the Renaissance period in Florence. Paine’s work is an intricate blend of history, science, and herbalism, which provides readers with both an educational and captivating journey into the past. Whether you’re a lover of ancient history or herbalism, this book is packed with fascinating details about plant medicine during one of Italy’s most interesting times.

In “Part 1: Introduction”, Paine introduces readers to this topic by events that spurred her own interest in healing plants of Renaissance Florence: her time working at the National Library restoring ancient books, the exhibit The Botany of Leonardo da Vinci, and discovering the Medici family grew medicinal plants in gardens to make their own medicine.

From here, Paine sets the scene for readers with a vivid depiction of Florence during the Renaissance. She shares overviews of the members of the Medici family lineage that promoted medicinal herbs: Giovanni di Bucci, Cosimo the Elder, Lorenzo the Magnificent, Cosimo I de’ Medici, Francesco de’ Medici, and Ferdinando de’ Medici. It was absolutely fascinating to learn about Cosimo I de’ Medici’s interest in alchemy, which consumed his son Francesco de’ Medici much to the city’s dismay. I also loved how Paine shares the socio-cultural events during the lives of these Medici family members, including the plague beginning in 1478 and banking developments like the double entry system.

“This was a time when the whole world was changing, due to numerous voyages of exploration. Medicinal, food and decorative plants were being transported across the world and transplanted into countries where they had never grown before. The Medici were as excited as everyone else by the new plants, and they had the means to acquire them and grow them in their botanic gardens.”11

In “Part 2: Healing Plants of the Renaissance” Paine details the plants most used during this time based on the research of Cristina Bellorini. Bellorini authored Speziale al Giglio, which is “a detailed study of the account books of the apothecary shops.”12 Drawing from Bellorini’s writing, Paine covers the twenty-two most commonly used healing plants during this time, which include Aloe, Dill, Ivy, Lemon, Mustard, Rose, Sage, and more.

For each plant, Paine provides an introduction and sketch, botanical description, list of healing properties, chemistry of the plant, modern research about the plant’s use, how to use the plant, and contraindications (when not to use the plant). Some plant entries also include guidance on dosage. Herbalists will absolutely love this section, likewise those interested in learning more about how to incorporate plants into their healing work will benefit from the information on the medicinal properties. I found it very cool to think about the connection between myself and those in Renaissance Florence using these plants for the same purposes!

“Part 3: Exotic Healing Plants Used in Renaissance Florence” covers the imported plants Cosimo I was able to cultivate in his garden and use for healing purposes. Paine gives these plants the same thorough description as the common plants. Some of the plants covered in this section are Cinnamon, Dragon’s Blood Tree, Liquorice, and Nutmeg.

Finally, Paine concludes with “Part 4: Poisonous Plants in Renaissance Florence”. While she doesn’t provide full-detailed descriptions of the plants, she shares about the widespread use of poison during this time, detailing how the Medici were especially aware of dangers and took  measures to protect themselves. From soldiers coating their knives with poison to a few drops being put in a wine glass, the uses of poisons were extensive and Paine gives a great overview of the common poisons present at this time. Nevertheless, these plants were also used for medical purposes, albeit not without their risks.

Overall, Healing Plants of Renaissance Florence is a well-researched book that will appeal to history enthusiasts, herbalists, and anyone interested in the intersection of medicine, alchemy, and botany. Paine successfully brings to life the rich tapestry of Renaissance botanical practices, offering readers a unique glimpse into a world where the properties of plants were just being discovered for use in rapidly changing times. Her coverage of the influence of the Medici family in cultivating plant medicine and recording the process through their writings is a captivating piece of history, one I had never before known about. For those interested in further research, Paine has included a thorough reference list that is sure to lead readers to other insightful discoveries of Renaissance plants.

Pagan Portals – Maman Brigitte, by Pauline Green

Pagan Portals – Maman Brigitte: Dark Goddess of Africa and Ireland, by Pauline Breen
Moon Books, 1803417366, 112 pages, December 2024

I was unexpectedly and pleasantly surprised while reading Pagan Portals – Maman Brigitte: Dark Goddess of Africa and Ireland by Pauline Breen. While I’ve always been drawn to learning more about Saint Brigid from Ireland, I was previously unaware of Maman Brigitte and Brigid’s possible connection to the Lwa of Vodou.

Breen masterfully traces Brigid’s influence from Ireland to Haiti and, astoundingly, even to New Orleans in Louisiana, where I currently reside. Her research is conducted with evident respect for each culture she explores. It is profoundly interesting to observe how a goddess from Celtic culture has traversed such vast distances and touched the lives of people from completely different backgrounds, especially women who clearly needed her presence in their darkest times.

This book proved to be a truly fascinating read, resonating with me on a deeply personal level. As a woman of Irish descent, born and raised in Louisiana, and a mother currently navigating the recent loss of an infant, I felt a strong connection to Maman Brigitte. The book reveals that Maman Brigitte can be called upon for numerous purposes, but I was particularly drawn to her role as a protector of mothers, especially pregnant mothers, and children, as well as her assistance to souls transitioning from life to death.

I firmly believe that all things happen for a reason and that experiences come to us when we need them most, which is precisely how I feel about encountering this book. Unlocking knowledge of a goddess who aligns so closely with my current path has been an incredibly enlightening and humbling experience. I found myself deeply moved by the sample invocation and prayer included within the pages, which inspired me to write my own. Connecting to her energy was surprisingly effortless; I simply asked for her assistance, and I felt her presence with me. She provided me with strength and enveloped me in love, reassuring me that I would, and could, get through this challenging time.

Breen’s writing style is both engaging and accessible, making the book’s topics easy to understand. Her obvious passion for her subject matter shines through, and her dedication to her studies is evident on every page. Breen’s explanations of the historical and cultural contexts surrounding both Brigid and Maman Brigitte were clear and informative. The book is well-organized, with each chapter building upon the previous one, creating a cohesive and compelling narrative.

While I thoroughly enjoyed this book, I did find myself yearning for more in-depth exploration. Each chapter left me with a desire to delve further into the histories and struggles of women in each of the regions discussed. I would have loved for the author to have traveled to Haiti to gain more firsthand experience and speak with more practitioners and women who have a direct relationship with Maman Brigitte. While Breen does include references and quotes from other books that can guide further exploration, which I will be seeking those out to add to my library, her writing is so engaging that I found myself preferring to continue learning from her experiences and perspective.

Pagan Portals – Mama Brigitte serves as an excellent introduction to both Maman Brigitte and Saint Brigid. It is a highly informative work, and Pauline Breen demonstrates an impressive level of knowledge and devotion to her subject. I am very interested in learning and reading more from her in the future and even beginning my own research into the duality of gods and goddesses across various cultures.

This book offers a truly unique perspective that many might not connect on their own. It is a valuable read for all women, offering historical insights and a source of personal empowerment. The exploration of the connection between these two powerful figures is both fascinating and thought-provoking, and the book’s exploration of their shared aspects and their individual qualities is well-balanced.

In conclusion, Pagan Portals – Maman Brigitte is a compelling and enlightening book that offers a fresh perspective on the interconnectedness of cultures and the enduring power of feminine spirituality. It is a must-read for anyone interested in goddesses, Celtic traditions, Vodou, or the history of women’s spirituality. I highly recommend this book to anyone seeking a deeper understanding of these subjects or looking for inspiration and empowerment in their own lives. I eagerly await Breen’s future works and will continue to explore the themes and ideas presented in this captivating book.

Bog Witch, by Mab Jones

Bog Witch, by Mab Jones
Moon Books, 1803411872, 96 pages, June 2024

Bog Witch by Mab Jones is a poetic and beautifully weaved piece of work that blends memoir, environmental awareness, and folklore. Jones’ story begins in a deeply personal setting exploring her working-class upbringing in Europe, which touches on a larger discussion of nature, feminism and capitalism’s harmful hold on both the environment and people.

Initially Bog Witch drew me in because of the interesting cover—a woman with a face mostly hidden with long hair which gave me the impression that this was going to be a scary book filled with mystical stories of myths of a witch that lives in the bog with creatures. However, this book is far from my guess, and despite that fact, I still enjoyed this piece. Diving into this book I have found that it is geared more towards weaving the author’s personal life, folklore, and deep analogies of the environment to raise awareness before it is too late to care for and save the earth. This focus in itself made a lasting impression and left me with deep thoughts inspiring more love for the nature that surrounds us.

When I started reading this book my very first thoughts were, “Gosh this author sure knows how to write visually and relate to her audience.” Even though my experiences were not exactly the same, I had similar experiences throughout my life and relating to the author made me feel relieved because there were not that many authors I could relate to. In a way this book touched my heart and I felt inspired realizing this could be me writing my heartfelt experiences on paper and sharing it with my audience as well. All of my passions, life experiences, and desires to get through to humanity is a task I have been uncomfortable to take on until now. Books like Bog Witch inspire not just a call to action but creativity as well because the words woven on paper have been well put together.

I enjoyed the foretelling of Jones’ childhood and experiences in nature:

“My interactions with nature were few and far between, and restricted to things found in or on hedges as we walked the short route to school. This included ladybirds, caterpillars, and, once, a hedgehog.”13

Experiences like this took me back to my memories of childhood and all the times I was outside in nature and unaware of all its beautiful mysteries. When I was young just like the author I too was “Blind to the beauties of nature.”14

The style of Jones’ writing at first was a bit difficult for me to understand, as she uses a lot of analogies and descriptive storytelling throughout the entire book. However, when I started getting further into my reading journey, it was as if I slowly started to ease into Jones’ world and relax. Bog Witch is a book that will catch you off guard and disarm your overly critical thinking mind (as it has done to me). Understanding the point and mission of the book became apparent to me when I started relaxing into the author’s words: Change yourself first, notice the beauty of nature, and protect nature. 

Each chapter like “Fenny,” “Tongue of dog”, “In the cauldron”, and so on talk about a different type of particular bog. Bogs are described as mucky, icky, and gross but Jones showed a different perspective and way of thinking which I enjoyed reading. In chapter two,  the title named “Fenny” came from a story of three witches and their incantation using the word “fenny” to describe an ingredient. The way the author connected the name of her chapters to storytelling is creative. And the use of folklore from Welsh, English, Hindu, and other cultures creates a unique and diverse atmosphere for readers.

Other than the folklore there is also a bit of education on water spirits which I did not have much knowledge of prior. Water spirits are not talked about that much in the witchy community, and I was hoping that the author would touch more on the subject but a little bit of information was definitely better than nothing.

Further in the book on page 29, I learn that dragonflies have other folk names such as the flying dragon which made me curious and want to research the subject further. Commonly dragonflies are known as Devil’s Darning Needle or Snake Doctor which seems to barely scratch the surface and requires more research on my end.

From beginners to advanced in knowledge, this book has a little something for everybody to take a piece of and walk away with. Even if you don’t learn something new, it is still a great book to sit down with a cup of tea and read to raise awareness of our environment and make you think about how you might be treating nature. What people fail to realize is that not only do we have one planet but change starts with us because too many people are not wanting to take accountability and just leave future problems to future generations. The author sees this happening and does a great job translating her words on paper to sway audiences and beg for change.

Overall even with the shaky start of starting Bog Witch, I finished strong with confidence and longing for another volume. Raising awareness of nature with a mix of storytelling, folklore, and knowledge is the perfect blend to a piece of writing that isn’t boring and preachy. Jones knows how to relate to her audience, entice, and educate. I can definitely see myself influenced by her words even though I have started my journey of caring for the earth a while back.

Her knowledge on bogs has taught me to appreciate and respect their space. Bogs are sacred, beautiful, and have environmental purposes. My other witchy friends that love nature or want to learn more about nature are the ones I would definitely recommend this book to. People that are not witches would still enjoy this book because it doesn’t particularly get into witchcraft and therefore they would not feel a conflict in their beliefs.

Pagan Portals – The Fallen Women of Mythology, by Lady Haight-Ashton

Pagan Portals – The Fallen Women of Mythology: Goddesses, Saints, and Sinners, by Lady Haight-Ashton
Moon Books, 180341636X, 112 pages, October 2024

Pagan Portals – The Fallen Women of Mythology: Goddesses, Saints, and Sinners by Lady Haight-Ashton is a fascinating exploration into the lives and legends of women who have been labeled as “fallen”. This book delves into the complexities and dualities of these figures, offering a nuanced perspective that challenges traditional narratives, challenging stereotypes that have boxed them into these disempowering labels. Seeking to present these women in a new light, acknowledging their strength and agency, Haight-Ashton reclaims the stories of those often misunderstood or misrepresented.

Haight-Ashton covers quite a range of women in this book, from accused witches to Greek and Hindu goddesses, along with Christian saints and women in the Bible. There’s a good mixture of mortal and divine women, sharing insight into the historical background of some, which earned them a sort of mythology based on their so-called “deviance”, and classical mythological figures who have aspects of the feminine that have been denounced, feared, or condemned.

“Using the power of the word, I have chosen a diverse cross section of remarkable women with compelling stories. Some are obscured and others known, but all of their stories are worthy of our notice.”14

The information given about each woman is relatively short. Some entries are only a few paragraphs, while others might span a page. For those looking to go deeper, additional research would be necessary. 

This book is more a compendium to honor the fallen women and introduce them to readers, commemorating their stories and offering a new perspective about their life.

There’s something sacred about taking the time to remember these women. This book might appear to be a quick read, as it’s only 112 pages, but I often found myself pausing to reflect on the women, the time period she lived, and the challenges she faced. I started to realize how connected all women are, throughout time and space, and the necessity to avoid judgement, criticism, and putting blame on others who don’t fall into our own conception of “good”.

I also started to reflect on the portrayal of women in the Bible while reading this book. I turned my back on my Christian upbringing quite some time ago, but reading about all the women classified as prostitutes, given no other reference to their personhood or character, made me angry at the sexual discrimination. Haight-Ashton does a great job showing their misrepresentation, indicating how they were misunderstood and then villainized for centuries to come.

The final chapter is filled with odes to the fallen women. There’s a liturgy, in memories, multiple odes to sinners, and three hymns to goddesses. For those also feeling the collective rage or grief that can be stirred up by this material, this chapter presents an opportunity to actively commemorate all the women who have befallen the fate of having their name smeared, lives ruined, and precious memories distorted.

Overall, I feel Pagan Portals – The Fallen Women of Mythology would be great for women who want a reminder of what has been collectively endured and put upon them throughout time. For those facing similar challenges now, such as discrimination or sexism, there will absolutely be stories of solidarity to remind you that we’ll keep on fighting no matter what. Remembering these fallen women is a testament to the strength of spirit we all have within. Honoring these women by reading their story is a wonderful way to show love to the rebel and fighter within ourselves! Lady Haight-Ashton offers a fresh perspective on well-known myths, encouraging readers to question and explore beyond traditional narratives.

Pagan Portals – A Guide to Pilgrimage, by Thea Prothero

Pagan Portals – A Guide to Pilgrimage, by Thea Prothero
Moon Books, 1803416866, 104 pages, November 2024

Pagan Portals – A Guide to Pilgrimage by Thea Prothero offers an insightful exploration into the spiritual journey of pilgrimage. Presenting pilgrimage as not only a physical journey but also a transformative spiritual experience, this book is a starting point for those who feel the calling to travel. Whether you have a specific plan in mind or simply have a longing to discover a new place, Prothero will guide you through the process of planning and undergoing your own pilgrimage with helpful advice and wisdom from her travels.

“We feel a need to find something within ourselves but aren’t sure what exactly. You have grown weary of the our lives are now and want to have new experiences to enable us to find a change in outlook or gain a new perspective. You are in a conundrum and are looking for clarity. In short, a pilgrimage maybe the key to transformation, or inner growth you are looking for.”15

The engaging and informative writing style of Porthero has an expansiveness within it that invites readers from all backgrounds to explore the benefits of pilgrimage, not only Pagan readers. People from various spiritual paths will be able to relate to her insights and adapt them to their own journey. The blend of historical context, practical advice, and spiritual insight makes it an excellent starting point for those looking to discover where their soul is calling them to visit and have the courage to take the steps to get there.

Prothero begins by sharing with readers the historical and cultural significance of pilgrimage, offering readers an understanding of its place within different spiritual paths.  She explains how humans have been taking pilgrimages for thousands of years and it still continues to be a vital practice for many, from ancient Egyptians venturing to Abydos to honor Osiris to modern Muslims traveling to Mecca once in their lifetime. Pilgrimage is a pathway for deepening one’s personal growth and spiritual experiences that is adaptable to all belief systems yet also personalized and unique to every traveler.

Adaptability and flexibility are important for any journey, especially once you get further out of your comfort zone. But there’s still plenty of ways one can prepare to undertake their pilgrimage that Prothero shines light on. These include exploring the spiritual connection with the place you intend to visit through inner reflection and journaling to research and planning to feel prepared to handle the logistics of your trip. Choosing a destination, planning the journey, and preparing mentally and spiritually for the experience are all covered by Prothero, who shares her own process as an inspiration for others.

But what to do once one gets to their destination? Prothero also shares insights on how to make the most of the moment and then integrate all that you’ve undergone once you return home again. She draws from own experience of traveling to Iona, Scotland, a place that had been calling to her for decades. The description of her journey made me feel like I was there witnessing the beauty of Iona with her, a liminal space opened just by talking about pilgrimage. It makes me crave the feeling of being an explorer in an unknown land!

“On your pilgrimage, you will be crossing from the familiar into the unknown. Liminal space is one of the most important constituents of any spiritual quest or journey. It is here that we are challenged. Everything we are familiar with and our understanding of the everyday, the normal, collapses. We are free to explore the unexplored and what exists beyond our normal human experience and understanding.”16

Overall, Pagan Portals – A Guide to Pilgrimage is a great primer for anyone interested in exploring the concept of pilgrimage. The book’s practical advice makes it a useful guide for anyone considering a pilgrimage, regardless of their level of experience with travel. As an introductory text, it’s sure to stir your spirit to new lands.

The world awaits!

Pagan Portals – Mestra the Shapeshifter, by Dianna Ryan

Pagan Portals – Mestra the Shapeshifter: Ancient Heroine of the Sacred Grove, by Dianna Rhyan
Moon Books, 1803415290, 144 pages, November 2024

Dianna Rhyan has re-animated a lesser-known, inspirational woman in Pagan Portals – Mestra the Shapeshifter: Ancient Heroine of the Sacred Grove. Often overshadowed by more famous mythological figures, Mestra was a one-of-a-kind ancient heroine, the only woman to ever figure out how to transform into different beings on her own. In this book, Rhyan opens the door to the world of Mestra through a composition of ancient texts and creative story-telling, highlighting her skills as a shapeshifter, her role within the sacred groves, her ability to defy conventional standards, and ultimately, her happy ending of freedom to come and go as she pleases.

“Mestra represents the outermost and innermost limits of human experience, a fertile capacity for radical change, that is always emergent in our psyche, even if it is something dormant or hidden away.”17

Rhyan’s writing is unique in that it weaves in historical and cultural insights that enrich the reader’s understanding of ancient Greek spirituality as it tells the tale of Mestra. Written like a literary collage, Rhyan uses text from ancient Greek and Latin sources, such as hymns to different deities, Women of Trachis by Sophocles, Metamorphoses by Ovid, and Illiad by Homer, alongside her own improvisation of the texts about Mestra to tell a story attuned to the heart of Greek zeitgeist.

Beyond being a brilliant composition of sources skillfully brought together to create an illuminating narrative, there’s also a sense of cohesion and union reflected in Mestra’s story as a whole. Rhyan shows the many separate parts of a greater whole within Mestra’s story, finding the themes and threads that unite them to give a cohesive insider look at her the forces that shaped her destiny. From the consequences of her greedy father Erysichthon cutting down Demeter’s sacred groove to the trickster suitors who pursued Mestra for marriage, there’s a web of influential forces that Mestra had to outmaneuver with her cunningness.

During a time when women’s roles were very much confined by social structure, her ability to remain in the driver seat of her life was quite a feat. And while this book is about her, Mestra seems to flee in and out of the pages as other aspects of her story offer center stage to her contemporaries. Rhyan explores Zeus’s sacred grove at Dodona, shares stories of other women (Io, Penelope, Ariadne, Arachne, Circe and more) who also mirror Mestra’s tale, and examines what it was like to be a woman of this time.

All the while, Rhyan describes divine presence, the natural beauty of the Earth, and the sensations of transformation with vivid language that makes the reader feel immersed within the story. The sacred grove, a recurring motif in the narrative, serves as both a physical and metaphysical space for readers to explore. Meanwhile, the salty sea becomes her place of refuge and transcendence. The dual natures of land and sea, male and female, human and wild animal, are integrated within Mestra’s polymorphic essence.

Rhyan skillfully brings Mestra’s shapeshifting abilities to life, portraying her as a dynamic character capable of transformation not only in form but also in spirit. This theme of transformation resonates throughout the book, inviting readers to consider the power of change and adaptation in their own lives. This was one of the most stimulating books I’ve read in a while, and there’s even journal questions at the end for readers to further reflect on.

“We have heard of the hero with a thousand faces; she is a heroine who gathers that tradition into her manifold self. . . No longer is she voiceless or shackled or by fate.”18

Overall, Rhyan provides a fresh take on Greek mythology, offering readers a chance to explore a less celebrated heroine in Pagan Portals – Mestra the Shapeshifter. Filled with historical and cultural details that enhance the reader’s understanding of ancient Greek practices and beliefs, Rhyan’s ability to blend storytelling with factual information keeps the reader engaged from start to finish. This is a compelling read for anyone interested in mythology, spirituality, or ancient cultures, as well as those who feel ready for a transformation and seeking the inspiration.

Pagan Portals – Dragon Magic, by Rachel Patterson

Pagan Portals – Dragon Magic, by Rachel Patterson
Moon Books, 1803414448, 128 pages, June 2024

In the ancient realms where myths intertwine with reality, dragon magic remains a force of unparalleled power, shimmering with the wisdom of ages and the mystique of untamed fire. Could these potent beings truly become one’s spiritual ally? Pagan Portals – Dragon Magic by Rachel Patterson, a fascinating exploration into the world of dragons, is a portal for those seeking to discover this realm for themselves.

As part of the Pagan Portals series, this book is designed to be an accessible introduction for those new to the concept of dragon magic, as well as a practical guide for seasoned practitioners seeking to deepen their connection with these ancient and powerful entities.

Patterson, a well-respected author and experienced witch, brings a wealth of knowledge and personal experience to the subject. She presents dragons not just as a mythological curiosity, but as ancient beings who can become our guardians in good time, assisting us on our path and looking out for us; connecting with dragons becomes a tangible and transformative practice.

The book is divided into four parts and also includes a prologue with information about what to know before beginning to connect with dragons along with Patterson’s personal relationship to dragons. All throughout Patterson’s writing is both engaging and informative, making complex concepts approachable without diluting their essence. Her emphasis on personal experience and intuition encourages readers to trust their instincts and develop their unique relationship with dragon energy.

“You cannot force a dragon to come to you, you cannot make one work for you. If a dragon feels you are worthy and can be trusted, then and only then will they even consider making a first introduction.”19

In “Part 1: Dragon Beginnings”, Patterson delves into the origins of dragons and then gives readers the basics of dragon 101, describing their habitat, feeding patterns, and offspring. She also covers topics such as the dragon constellation, Draco, in the stars and dragon lines, more commonly known as ley lines, on the Earth.

“Part 2: Myths, Legends and Stories” lays out for readers dragons well known in fiction and mythology. Fictional dragons include Smaug from The Hobbit, Jabberwocky from Through the Looking Glass, and the ones that appear in Harry Potter, along with a few others. Meanwhile, the mythology section is nearly triple in length and covers dragons from all over the globe: Mayan Quetzalcoatl, Hindu Vritra, St Michael and the Dragon, the Chinese Long Dragon, Old Norse Sigurd and Fáfnir, plus more. This section demonstrates how dragons are universal to cultures worldwide.

Next, Patterson moves into “Part 3: Dragonology”, teaching readers the many types of dragons. I appreciate how she candidly notes this topic could be a book on its own and shares her process of reading the myths and legends to “look at the stories and what the main themes are”20 within them. She says, “I look at the landscapes, the habitat and appear of each dragon”21 to get a feel for the “characteristics and magical energies of each one”22

While I plan on doing my own research, as Patterson suggests, I am amply grateful for the way she describes all she has learned about each dragon type. I had absolutely no idea there were so many kinds! To name a few, there’s serpent dragons with wings, Gwiber, whose magical characteristics are wisdom and transformation; the Nāga in India who is known for “Underworld connection, water magic, prosperity, Otherworld portals, protection”24 All of them are so awesome! I had a great time looking each one up online to see artistic renderings of them.

But my favorite part of this book is Patterson’s magic guidance in “Part IV: Dragon Magic”. Here Patterson shares with readers her work with dragons as a starting point for their own journey.  She writes:

“My experience with dragons and dragon magic is one of power, strength and hard work. Dragons are ancient, they are primordial and do not tolerate being summoned nor do they appreciate any half-hearted lack of commitment.”25

She really emphasizes the need for respect and manners when forming a relationship with dragons, as noted in the above quote. I appreciate her honesty, as it honors the sanctity of the bonds between human and dragon, if the dragon so deems us worthy.

To first establish contact, Patterson offers meditations to bring readers into the realm of dragons. Then she goes into setting up an altar, creating a dragon candle and oil blend, and offerings to provide. Depending on the elemental nature of the dragon one is working with, Patterson goes into more detail about their qualities, color of candle one might use, and specific incense blends.

The remaining chapter covers dragon sigils, spells, rituals, energetic techniques (grounding, protecting, cleansing), crystals, herbs, and other miscellaneous wisdom Patterson has picked up over the years. I really enjoyed how she mentions readers can connect with a different dragon for each season or sabbat, noting dragons “do seem to recognise the changing of the seasons and the flow of energy that comes with the sabbats.”26 My plan is to do one of the meditations for Lammas coming up soon to see if there’s any dragons that are interested in connecting with me until Mabon.

Overall, Pagan Portals – Dragon Magic is a valuable resource for anyone interested in strengthening their connection with dragons. Whether you’re seeking to incorporate dragon magic into your daily life or seeking to perform more elaborate rituals, Patterson provides a sturdy framework to get started, structuring the guidance to accommodate different levels of magical experience levels. Soon enough you’ll be able to tell legendary tales as someone who has dared to seek the counsel of dragons.