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Healing Plants of Renaissance Florence, by Angela Paine

Healing Plants of Renaissance Florence: The Development of Herbal Medicine in Florence, by Angela Paine
Moon Books, 1803413115, 296 pages, January 2025

Healing Plants of Renaissance Florence: The Development of Herbal Medicine in Florence by Angela Paine offers a fascinating exploration into the world of botany during the Renaissance period in Florence. Paine’s work is an intricate blend of history, science, and herbalism, which provides readers with both an educational and captivating journey into the past. Whether you’re a lover of ancient history or herbalism, this book is packed with fascinating details about plant medicine during one of Italy’s most interesting times.

In “Part 1: Introduction”, Paine introduces readers to this topic by events that spurred her own interest in healing plants of Renaissance Florence: her time working at the National Library restoring ancient books, the exhibit The Botany of Leonardo da Vinci, and discovering the Medici family grew medicinal plants in gardens to make their own medicine.

From here, Paine sets the scene for readers with a vivid depiction of Florence during the Renaissance. She shares overviews of the members of the Medici family lineage that promoted medicinal herbs: Giovanni di Bucci, Cosimo the Elder, Lorenzo the Magnificent, Cosimo I de’ Medici, Francesco de’ Medici, and Ferdinando de’ Medici. It was absolutely fascinating to learn about Cosimo I de’ Medici’s interest in alchemy, which consumed his son Francesco de’ Medici much to the city’s dismay. I also loved how Paine shares the socio-cultural events during the lives of these Medici family members, including the plague beginning in 1478 and banking developments like the double entry system.

“This was a time when the whole world was changing, due to numerous voyages of exploration. Medicinal, food and decorative plants were being transported across the world and transplanted into countries where they had never grown before. The Medici were as excited as everyone else by the new plants, and they had the means to acquire them and grow them in their botanic gardens.”1

In “Part 2: Healing Plants of the Renaissance” Paine details the plants most used during this time based on the research of Cristina Bellorini. Bellorini authored Speziale al Giglio, which is “a detailed study of the account books of the apothecary shops.”2 Drawing from Bellorini’s writing, Paine covers the twenty-two most commonly used healing plants during this time, which include Aloe, Dill, Ivy, Lemon, Mustard, Rose, Sage, and more.

For each plant, Paine provides an introduction and sketch, botanical description, list of healing properties, chemistry of the plant, modern research about the plant’s use, how to use the plant, and contraindications (when not to use the plant). Some plant entries also include guidance on dosage. Herbalists will absolutely love this section, likewise those interested in learning more about how to incorporate plants into their healing work will benefit from the information on the medicinal properties. I found it very cool to think about the connection between myself and those in Renaissance Florence using these plants for the same purposes!

“Part 3: Exotic Healing Plants Used in Renaissance Florence” covers the imported plants Cosimo I was able to cultivate in his garden and use for healing purposes. Paine gives these plants the same thorough description as the common plants. Some of the plants covered in this section are Cinnamon, Dragon’s Blood Tree, Liquorice, and Nutmeg.

Finally, Paine concludes with “Part 4: Poisonous Plants in Renaissance Florence”. While she doesn’t provide full-detailed descriptions of the plants, she shares about the widespread use of poison during this time, detailing how the Medici were especially aware of dangers and took  measures to protect themselves. From soldiers coating their knives with poison to a few drops being put in a wine glass, the uses of poisons were extensive and Paine gives a great overview of the common poisons present at this time. Nevertheless, these plants were also used for medical purposes, albeit not without their risks.

Overall, Healing Plants of Renaissance Florence is a well-researched book that will appeal to history enthusiasts, herbalists, and anyone interested in the intersection of medicine, alchemy, and botany. Paine successfully brings to life the rich tapestry of Renaissance botanical practices, offering readers a unique glimpse into a world where the properties of plants were just being discovered for use in rapidly changing times. Her coverage of the influence of the Medici family in cultivating plant medicine and recording the process through their writings is a captivating piece of history, one I had never before known about. For those interested in further research, Paine has included a thorough reference list that is sure to lead readers to other insightful discoveries of Renaissance plants.

Pagan Portals – Maman Brigitte, by Pauline Green

Pagan Portals – Maman Brigitte: Dark Goddess of Africa and Ireland, by Pauline Breen
Moon Books, 1803417366, 112 pages, December 2024

I was unexpectedly and pleasantly surprised while reading Pagan Portals – Maman Brigitte: Dark Goddess of Africa and Ireland by Pauline Breen. While I’ve always been drawn to learning more about Saint Brigid from Ireland, I was previously unaware of Maman Brigitte and Brigid’s possible connection to the Lwa of Vodou.

Breen masterfully traces Brigid’s influence from Ireland to Haiti and, astoundingly, even to New Orleans in Louisiana, where I currently reside. Her research is conducted with evident respect for each culture she explores. It is profoundly interesting to observe how a goddess from Celtic culture has traversed such vast distances and touched the lives of people from completely different backgrounds, especially women who clearly needed her presence in their darkest times.

This book proved to be a truly fascinating read, resonating with me on a deeply personal level. As a woman of Irish descent, born and raised in Louisiana, and a mother currently navigating the recent loss of an infant, I felt a strong connection to Maman Brigitte. The book reveals that Maman Brigitte can be called upon for numerous purposes, but I was particularly drawn to her role as a protector of mothers, especially pregnant mothers, and children, as well as her assistance to souls transitioning from life to death.

I firmly believe that all things happen for a reason and that experiences come to us when we need them most, which is precisely how I feel about encountering this book. Unlocking knowledge of a goddess who aligns so closely with my current path has been an incredibly enlightening and humbling experience. I found myself deeply moved by the sample invocation and prayer included within the pages, which inspired me to write my own. Connecting to her energy was surprisingly effortless; I simply asked for her assistance, and I felt her presence with me. She provided me with strength and enveloped me in love, reassuring me that I would, and could, get through this challenging time.

Breen’s writing style is both engaging and accessible, making the book’s topics easy to understand. Her obvious passion for her subject matter shines through, and her dedication to her studies is evident on every page. Breen’s explanations of the historical and cultural contexts surrounding both Brigid and Maman Brigitte were clear and informative. The book is well-organized, with each chapter building upon the previous one, creating a cohesive and compelling narrative.

While I thoroughly enjoyed this book, I did find myself yearning for more in-depth exploration. Each chapter left me with a desire to delve further into the histories and struggles of women in each of the regions discussed. I would have loved for the author to have traveled to Haiti to gain more firsthand experience and speak with more practitioners and women who have a direct relationship with Maman Brigitte. While Breen does include references and quotes from other books that can guide further exploration, which I will be seeking those out to add to my library, her writing is so engaging that I found myself preferring to continue learning from her experiences and perspective.

Pagan Portals – Mama Brigitte serves as an excellent introduction to both Maman Brigitte and Saint Brigid. It is a highly informative work, and Pauline Breen demonstrates an impressive level of knowledge and devotion to her subject. I am very interested in learning and reading more from her in the future and even beginning my own research into the duality of gods and goddesses across various cultures.

This book offers a truly unique perspective that many might not connect on their own. It is a valuable read for all women, offering historical insights and a source of personal empowerment. The exploration of the connection between these two powerful figures is both fascinating and thought-provoking, and the book’s exploration of their shared aspects and their individual qualities is well-balanced.

In conclusion, Pagan Portals – Maman Brigitte is a compelling and enlightening book that offers a fresh perspective on the interconnectedness of cultures and the enduring power of feminine spirituality. It is a must-read for anyone interested in goddesses, Celtic traditions, Vodou, or the history of women’s spirituality. I highly recommend this book to anyone seeking a deeper understanding of these subjects or looking for inspiration and empowerment in their own lives. I eagerly await Breen’s future works and will continue to explore the themes and ideas presented in this captivating book.

Bog Witch, by Mab Jones

Bog Witch, by Mab Jones
Moon Books, 1803411872, 96 pages, June 2024

Bog Witch by Mab Jones is a poetic and beautifully weaved piece of work that blends memoir, environmental awareness, and folklore. Jones’ story begins in a deeply personal setting exploring her working-class upbringing in Europe, which touches on a larger discussion of nature, feminism and capitalism’s harmful hold on both the environment and people.

Initially Bog Witch drew me in because of the interesting cover—a woman with a face mostly hidden with long hair which gave me the impression that this was going to be a scary book filled with mystical stories of myths of a witch that lives in the bog with creatures. However, this book is far from my guess, and despite that fact, I still enjoyed this piece. Diving into this book I have found that it is geared more towards weaving the author’s personal life, folklore, and deep analogies of the environment to raise awareness before it is too late to care for and save the earth. This focus in itself made a lasting impression and left me with deep thoughts inspiring more love for the nature that surrounds us.

When I started reading this book my very first thoughts were, “Gosh this author sure knows how to write visually and relate to her audience.” Even though my experiences were not exactly the same, I had similar experiences throughout my life and relating to the author made me feel relieved because there were not that many authors I could relate to. In a way this book touched my heart and I felt inspired realizing this could be me writing my heartfelt experiences on paper and sharing it with my audience as well. All of my passions, life experiences, and desires to get through to humanity is a task I have been uncomfortable to take on until now. Books like Bog Witch inspire not just a call to action but creativity as well because the words woven on paper have been well put together.

I enjoyed the foretelling of Jones’ childhood and experiences in nature:

“My interactions with nature were few and far between, and restricted to things found in or on hedges as we walked the short route to school. This included ladybirds, caterpillars, and, once, a hedgehog.”3

Experiences like this took me back to my memories of childhood and all the times I was outside in nature and unaware of all its beautiful mysteries. When I was young just like the author I too was “Blind to the beauties of nature.”4

The style of Jones’ writing at first was a bit difficult for me to understand, as she uses a lot of analogies and descriptive storytelling throughout the entire book. However, when I started getting further into my reading journey, it was as if I slowly started to ease into Jones’ world and relax. Bog Witch is a book that will catch you off guard and disarm your overly critical thinking mind (as it has done to me). Understanding the point and mission of the book became apparent to me when I started relaxing into the author’s words: Change yourself first, notice the beauty of nature, and protect nature. 

Each chapter like “Fenny,” “Tongue of dog”, “In the cauldron”, and so on talk about a different type of particular bog. Bogs are described as mucky, icky, and gross but Jones showed a different perspective and way of thinking which I enjoyed reading. In chapter two,  the title named “Fenny” came from a story of three witches and their incantation using the word “fenny” to describe an ingredient. The way the author connected the name of her chapters to storytelling is creative. And the use of folklore from Welsh, English, Hindu, and other cultures creates a unique and diverse atmosphere for readers.

Other than the folklore there is also a bit of education on water spirits which I did not have much knowledge of prior. Water spirits are not talked about that much in the witchy community, and I was hoping that the author would touch more on the subject but a little bit of information was definitely better than nothing.

Further in the book on page 29, I learn that dragonflies have other folk names such as the flying dragon which made me curious and want to research the subject further. Commonly dragonflies are known as Devil’s Darning Needle or Snake Doctor which seems to barely scratch the surface and requires more research on my end.

From beginners to advanced in knowledge, this book has a little something for everybody to take a piece of and walk away with. Even if you don’t learn something new, it is still a great book to sit down with a cup of tea and read to raise awareness of our environment and make you think about how you might be treating nature. What people fail to realize is that not only do we have one planet but change starts with us because too many people are not wanting to take accountability and just leave future problems to future generations. The author sees this happening and does a great job translating her words on paper to sway audiences and beg for change.

Overall even with the shaky start of starting Bog Witch, I finished strong with confidence and longing for another volume. Raising awareness of nature with a mix of storytelling, folklore, and knowledge is the perfect blend to a piece of writing that isn’t boring and preachy. Jones knows how to relate to her audience, entice, and educate. I can definitely see myself influenced by her words even though I have started my journey of caring for the earth a while back.

Her knowledge on bogs has taught me to appreciate and respect their space. Bogs are sacred, beautiful, and have environmental purposes. My other witchy friends that love nature or want to learn more about nature are the ones I would definitely recommend this book to. People that are not witches would still enjoy this book because it doesn’t particularly get into witchcraft and therefore they would not feel a conflict in their beliefs.

Pagan Portals – The Fallen Women of Mythology, by Lady Haight-Ashton

Pagan Portals – The Fallen Women of Mythology: Goddesses, Saints, and Sinners, by Lady Haight-Ashton
Moon Books, 180341636X, 112 pages, October 2024

Pagan Portals – The Fallen Women of Mythology: Goddesses, Saints, and Sinners by Lady Haight-Ashton is a fascinating exploration into the lives and legends of women who have been labeled as “fallen”. This book delves into the complexities and dualities of these figures, offering a nuanced perspective that challenges traditional narratives, challenging stereotypes that have boxed them into these disempowering labels. Seeking to present these women in a new light, acknowledging their strength and agency, Haight-Ashton reclaims the stories of those often misunderstood or misrepresented.

Haight-Ashton covers quite a range of women in this book, from accused witches to Greek and Hindu goddesses, along with Christian saints and women in the Bible. There’s a good mixture of mortal and divine women, sharing insight into the historical background of some, which earned them a sort of mythology based on their so-called “deviance”, and classical mythological figures who have aspects of the feminine that have been denounced, feared, or condemned.

“Using the power of the word, I have chosen a diverse cross section of remarkable women with compelling stories. Some are obscured and others known, but all of their stories are worthy of our notice.”4

The information given about each woman is relatively short. Some entries are only a few paragraphs, while others might span a page. For those looking to go deeper, additional research would be necessary. 

This book is more a compendium to honor the fallen women and introduce them to readers, commemorating their stories and offering a new perspective about their life.

There’s something sacred about taking the time to remember these women. This book might appear to be a quick read, as it’s only 112 pages, but I often found myself pausing to reflect on the women, the time period she lived, and the challenges she faced. I started to realize how connected all women are, throughout time and space, and the necessity to avoid judgement, criticism, and putting blame on others who don’t fall into our own conception of “good”.

I also started to reflect on the portrayal of women in the Bible while reading this book. I turned my back on my Christian upbringing quite some time ago, but reading about all the women classified as prostitutes, given no other reference to their personhood or character, made me angry at the sexual discrimination. Haight-Ashton does a great job showing their misrepresentation, indicating how they were misunderstood and then villainized for centuries to come.

The final chapter is filled with odes to the fallen women. There’s a liturgy, in memories, multiple odes to sinners, and three hymns to goddesses. For those also feeling the collective rage or grief that can be stirred up by this material, this chapter presents an opportunity to actively commemorate all the women who have befallen the fate of having their name smeared, lives ruined, and precious memories distorted.

Overall, I feel Pagan Portals – The Fallen Women of Mythology would be great for women who want a reminder of what has been collectively endured and put upon them throughout time. For those facing similar challenges now, such as discrimination or sexism, there will absolutely be stories of solidarity to remind you that we’ll keep on fighting no matter what. Remembering these fallen women is a testament to the strength of spirit we all have within. Honoring these women by reading their story is a wonderful way to show love to the rebel and fighter within ourselves! Lady Haight-Ashton offers a fresh perspective on well-known myths, encouraging readers to question and explore beyond traditional narratives.

Pagan Portals – A Guide to Pilgrimage, by Thea Prothero

Pagan Portals – A Guide to Pilgrimage, by Thea Prothero
Moon Books, 1803416866, 104 pages, November 2024

Pagan Portals – A Guide to Pilgrimage by Thea Prothero offers an insightful exploration into the spiritual journey of pilgrimage. Presenting pilgrimage as not only a physical journey but also a transformative spiritual experience, this book is a starting point for those who feel the calling to travel. Whether you have a specific plan in mind or simply have a longing to discover a new place, Prothero will guide you through the process of planning and undergoing your own pilgrimage with helpful advice and wisdom from her travels.

“We feel a need to find something within ourselves but aren’t sure what exactly. You have grown weary of the our lives are now and want to have new experiences to enable us to find a change in outlook or gain a new perspective. You are in a conundrum and are looking for clarity. In short, a pilgrimage maybe the key to transformation, or inner growth you are looking for.”5

The engaging and informative writing style of Porthero has an expansiveness within it that invites readers from all backgrounds to explore the benefits of pilgrimage, not only Pagan readers. People from various spiritual paths will be able to relate to her insights and adapt them to their own journey. The blend of historical context, practical advice, and spiritual insight makes it an excellent starting point for those looking to discover where their soul is calling them to visit and have the courage to take the steps to get there.

Prothero begins by sharing with readers the historical and cultural significance of pilgrimage, offering readers an understanding of its place within different spiritual paths.  She explains how humans have been taking pilgrimages for thousands of years and it still continues to be a vital practice for many, from ancient Egyptians venturing to Abydos to honor Osiris to modern Muslims traveling to Mecca once in their lifetime. Pilgrimage is a pathway for deepening one’s personal growth and spiritual experiences that is adaptable to all belief systems yet also personalized and unique to every traveler.

Adaptability and flexibility are important for any journey, especially once you get further out of your comfort zone. But there’s still plenty of ways one can prepare to undertake their pilgrimage that Prothero shines light on. These include exploring the spiritual connection with the place you intend to visit through inner reflection and journaling to research and planning to feel prepared to handle the logistics of your trip. Choosing a destination, planning the journey, and preparing mentally and spiritually for the experience are all covered by Prothero, who shares her own process as an inspiration for others.

But what to do once one gets to their destination? Prothero also shares insights on how to make the most of the moment and then integrate all that you’ve undergone once you return home again. She draws from own experience of traveling to Iona, Scotland, a place that had been calling to her for decades. The description of her journey made me feel like I was there witnessing the beauty of Iona with her, a liminal space opened just by talking about pilgrimage. It makes me crave the feeling of being an explorer in an unknown land!

“On your pilgrimage, you will be crossing from the familiar into the unknown. Liminal space is one of the most important constituents of any spiritual quest or journey. It is here that we are challenged. Everything we are familiar with and our understanding of the everyday, the normal, collapses. We are free to explore the unexplored and what exists beyond our normal human experience and understanding.”6

Overall, Pagan Portals – A Guide to Pilgrimage is a great primer for anyone interested in exploring the concept of pilgrimage. The book’s practical advice makes it a useful guide for anyone considering a pilgrimage, regardless of their level of experience with travel. As an introductory text, it’s sure to stir your spirit to new lands.

The world awaits!

Pagan Portals – Mestra the Shapeshifter, by Dianna Ryan

Pagan Portals – Mestra the Shapeshifter: Ancient Heroine of the Sacred Grove, by Dianna Rhyan
Moon Books, 1803415290, 144 pages, November 2024

Dianna Rhyan has re-animated a lesser-known, inspirational woman in Pagan Portals – Mestra the Shapeshifter: Ancient Heroine of the Sacred Grove. Often overshadowed by more famous mythological figures, Mestra was a one-of-a-kind ancient heroine, the only woman to ever figure out how to transform into different beings on her own. In this book, Rhyan opens the door to the world of Mestra through a composition of ancient texts and creative story-telling, highlighting her skills as a shapeshifter, her role within the sacred groves, her ability to defy conventional standards, and ultimately, her happy ending of freedom to come and go as she pleases.

“Mestra represents the outermost and innermost limits of human experience, a fertile capacity for radical change, that is always emergent in our psyche, even if it is something dormant or hidden away.”7

Rhyan’s writing is unique in that it weaves in historical and cultural insights that enrich the reader’s understanding of ancient Greek spirituality as it tells the tale of Mestra. Written like a literary collage, Rhyan uses text from ancient Greek and Latin sources, such as hymns to different deities, Women of Trachis by Sophocles, Metamorphoses by Ovid, and Illiad by Homer, alongside her own improvisation of the texts about Mestra to tell a story attuned to the heart of Greek zeitgeist.

Beyond being a brilliant composition of sources skillfully brought together to create an illuminating narrative, there’s also a sense of cohesion and union reflected in Mestra’s story as a whole. Rhyan shows the many separate parts of a greater whole within Mestra’s story, finding the themes and threads that unite them to give a cohesive insider look at her the forces that shaped her destiny. From the consequences of her greedy father Erysichthon cutting down Demeter’s sacred groove to the trickster suitors who pursued Mestra for marriage, there’s a web of influential forces that Mestra had to outmaneuver with her cunningness.

During a time when women’s roles were very much confined by social structure, her ability to remain in the driver seat of her life was quite a feat. And while this book is about her, Mestra seems to flee in and out of the pages as other aspects of her story offer center stage to her contemporaries. Rhyan explores Zeus’s sacred grove at Dodona, shares stories of other women (Io, Penelope, Ariadne, Arachne, Circe and more) who also mirror Mestra’s tale, and examines what it was like to be a woman of this time.

All the while, Rhyan describes divine presence, the natural beauty of the Earth, and the sensations of transformation with vivid language that makes the reader feel immersed within the story. The sacred grove, a recurring motif in the narrative, serves as both a physical and metaphysical space for readers to explore. Meanwhile, the salty sea becomes her place of refuge and transcendence. The dual natures of land and sea, male and female, human and wild animal, are integrated within Mestra’s polymorphic essence.

Rhyan skillfully brings Mestra’s shapeshifting abilities to life, portraying her as a dynamic character capable of transformation not only in form but also in spirit. This theme of transformation resonates throughout the book, inviting readers to consider the power of change and adaptation in their own lives. This was one of the most stimulating books I’ve read in a while, and there’s even journal questions at the end for readers to further reflect on.

“We have heard of the hero with a thousand faces; she is a heroine who gathers that tradition into her manifold self. . . No longer is she voiceless or shackled or by fate.”8

Overall, Rhyan provides a fresh take on Greek mythology, offering readers a chance to explore a less celebrated heroine in Pagan Portals – Mestra the Shapeshifter. Filled with historical and cultural details that enhance the reader’s understanding of ancient Greek practices and beliefs, Rhyan’s ability to blend storytelling with factual information keeps the reader engaged from start to finish. This is a compelling read for anyone interested in mythology, spirituality, or ancient cultures, as well as those who feel ready for a transformation and seeking the inspiration.

Pagan Portals – Dragon Magic, by Rachel Patterson

Pagan Portals – Dragon Magic, by Rachel Patterson
Moon Books, 1803414448, 128 pages, June 2024

In the ancient realms where myths intertwine with reality, dragon magic remains a force of unparalleled power, shimmering with the wisdom of ages and the mystique of untamed fire. Could these potent beings truly become one’s spiritual ally? Pagan Portals – Dragon Magic by Rachel Patterson, a fascinating exploration into the world of dragons, is a portal for those seeking to discover this realm for themselves.

As part of the Pagan Portals series, this book is designed to be an accessible introduction for those new to the concept of dragon magic, as well as a practical guide for seasoned practitioners seeking to deepen their connection with these ancient and powerful entities.

Patterson, a well-respected author and experienced witch, brings a wealth of knowledge and personal experience to the subject. She presents dragons not just as a mythological curiosity, but as ancient beings who can become our guardians in good time, assisting us on our path and looking out for us; connecting with dragons becomes a tangible and transformative practice.

The book is divided into four parts and also includes a prologue with information about what to know before beginning to connect with dragons along with Patterson’s personal relationship to dragons. All throughout Patterson’s writing is both engaging and informative, making complex concepts approachable without diluting their essence. Her emphasis on personal experience and intuition encourages readers to trust their instincts and develop their unique relationship with dragon energy.

“You cannot force a dragon to come to you, you cannot make one work for you. If a dragon feels you are worthy and can be trusted, then and only then will they even consider making a first introduction.”9

In “Part 1: Dragon Beginnings”, Patterson delves into the origins of dragons and then gives readers the basics of dragon 101, describing their habitat, feeding patterns, and offspring. She also covers topics such as the dragon constellation, Draco, in the stars and dragon lines, more commonly known as ley lines, on the Earth.

“Part 2: Myths, Legends and Stories” lays out for readers dragons well known in fiction and mythology. Fictional dragons include Smaug from The Hobbit, Jabberwocky from Through the Looking Glass, and the ones that appear in Harry Potter, along with a few others. Meanwhile, the mythology section is nearly triple in length and covers dragons from all over the globe: Mayan Quetzalcoatl, Hindu Vritra, St Michael and the Dragon, the Chinese Long Dragon, Old Norse Sigurd and Fáfnir, plus more. This section demonstrates how dragons are universal to cultures worldwide.

Next, Patterson moves into “Part 3: Dragonology”, teaching readers the many types of dragons. I appreciate how she candidly notes this topic could be a book on its own and shares her process of reading the myths and legends to “look at the stories and what the main themes are”10 within them. She says, “I look at the landscapes, the habitat and appear of each dragon”11 to get a feel for the “characteristics and magical energies of each one”12

While I plan on doing my own research, as Patterson suggests, I am amply grateful for the way she describes all she has learned about each dragon type. I had absolutely no idea there were so many kinds! To name a few, there’s serpent dragons with wings, Gwiber, whose magical characteristics are wisdom and transformation; the Nāga in India who is known for “Underworld connection, water magic, prosperity, Otherworld portals, protection”14 All of them are so awesome! I had a great time looking each one up online to see artistic renderings of them.

But my favorite part of this book is Patterson’s magic guidance in “Part IV: Dragon Magic”. Here Patterson shares with readers her work with dragons as a starting point for their own journey.  She writes:

“My experience with dragons and dragon magic is one of power, strength and hard work. Dragons are ancient, they are primordial and do not tolerate being summoned nor do they appreciate any half-hearted lack of commitment.”15

She really emphasizes the need for respect and manners when forming a relationship with dragons, as noted in the above quote. I appreciate her honesty, as it honors the sanctity of the bonds between human and dragon, if the dragon so deems us worthy.

To first establish contact, Patterson offers meditations to bring readers into the realm of dragons. Then she goes into setting up an altar, creating a dragon candle and oil blend, and offerings to provide. Depending on the elemental nature of the dragon one is working with, Patterson goes into more detail about their qualities, color of candle one might use, and specific incense blends.

The remaining chapter covers dragon sigils, spells, rituals, energetic techniques (grounding, protecting, cleansing), crystals, herbs, and other miscellaneous wisdom Patterson has picked up over the years. I really enjoyed how she mentions readers can connect with a different dragon for each season or sabbat, noting dragons “do seem to recognise the changing of the seasons and the flow of energy that comes with the sabbats.”16 My plan is to do one of the meditations for Lammas coming up soon to see if there’s any dragons that are interested in connecting with me until Mabon.

Overall, Pagan Portals – Dragon Magic is a valuable resource for anyone interested in strengthening their connection with dragons. Whether you’re seeking to incorporate dragon magic into your daily life or seeking to perform more elaborate rituals, Patterson provides a sturdy framework to get started, structuring the guidance to accommodate different levels of magical experience levels. Soon enough you’ll be able to tell legendary tales as someone who has dared to seek the counsel of dragons.

Sacred Bones, Magic Bones, by Ness Bosch

Sacred Bones, Magic Bones: Stories from the Path of the Bones, by Ness Bosch
Moon Books, 1803412127, 208 pages, June 2024

Sacred Bones, Magic Bones: Stories from the Path of the Bones by Ness Bosch is a captivating journey into the world of bone magic, a topic that often remains shrouded in mystery and intrigue. Bosch, an experienced shamaness and priestess, skillfully bridges the gap between ancient traditions and contemporary practice. The book is not just a guide; it’s an immersive experience that invites readers to explore the spiritual and magical significance of bones, offering a fresh perspective on a practice that dates back to prehistoric times.

Bosch has done a great job of making this book both education and engaging. She’s clearly done thorough research into the topic, while the inclusion of personal anecdotes and real-life experiences of her own spiritual path adds an authentic touch. The content is multicultural, sharing stories from around the world, and this broad perspective invites readers to go beyond the normal divisions that keep us separated and to discover the holistic Path of the Bones.

“In a world full of barriers, ones we have to jump to relate one another, bones speak a universal language that connect us.”11

The book is nicely organized into two parts. Part I focuses on stories of the bones. Bosch begins with stories of some of the oldest bones found to date and the stories archeologists have gathered based on their remains, such as the cave Atapuerca in Iberia and the bones of Neve’s, a baby who lived about 10,000 years ago.

She then moves onto bones in folklore, teaching how certain bones are considered lucky or can be used to make ceremonial musical instruments. The wide-range of bone usages is bolstered by the folk stories that have upheld their significance throughout time. Hence why people will travel to see someone’s grave or religious relics and the Hand of Glory spell continues to captivate people’s imagination.

The next chapter focuses on ancient deities with a connection to bones, often through ritual sacrifices. The goddess and goddesses mentioned are Kali, Triton, Bau, Hel, Chamunda, Baba Yaga, and more. It’s very interesting to see how bones are an intersection between all these various deities from different cultures and pantheons.

Bosch then turns her attention to currently practiced, also known as living, traditions. She teaches how necromancy goes back to prehistoric times, writing:

“At some point in the line, the need arose to communicate with the dead and establish a communication bridge with the underworld or the other side of the veil.”12

And through time, bones have always had an important role in necromancy, linking them from past to present in on-going traditions. This chapter also includes stories from people currently working with bones in their spiritual path, ranging from Druidry to witchcraft to Hoodoo to Inuit, which is insightful to read about firsthand.

In Part II, Bosch really delves into the Path of the Bones, which she describes “belongs to all of us, is not something strange or foreign to us.”17 She shares the visions and initiations that called her towards the Path of the Bones and introduces readers to La Huesera, The Bone Mother. Bosch shares stories and songs of The Bone Mother, offering readers a doorway into establishing their own relationship with Her.

Within this section, Bosch also shares how to incorporate bones into one’s spiritual practice. Bosch covers everything from the ethical sourcing of bones to the various rituals and spells that can be performed using them. Her directions for cleaning bones, both physically and energetically, is very helpful guidance. The deep respect for the subject matter is evident throughout the text, as Bosch emphasizes the importance of intention, respect, and ethical considerations when working with bones. This thoughtful approach ensures that readers understand the gravity and sanctity of the practice, rather than treating it as a mere novelty.

This section also really gets into the heart of working with ancestors. Bosch assures readers it’s easier than one thing to establish a connection with our ancestors and suggests ideas like building an ancestor altar and shamaic journey to start or deepen one’s relationship with them. There’s also plenty of spells offered for a variety of desires: binding, protection, abundance, achievement. What I enjoyed most about reading through the spells is that each one uses different types of bones–seagull bones for achieving a goal, badger bones for protection. There’s also guidance for creating amulets and incense with bones too.

Whether you are a seasoned practitioner or a curious novice, Sacred Bones, Magic Bones serves as a comprehensive and enlightening guide to the world of bone magic, encouraging readers to explore their own spiritual paths with reverence and confidence. I would especially recommend this book for those interested in ancestor work, as Bosch really delves into the connection bones establish between ourselves and our predecessors. One of my favorite parts of the book is the ancestor songs included at the end.

And for those looking to expand their bone magic practice further, absolutely check out Bosch’s website. She offers services such as training and consultations for shamanic tattooing, a wide range of spiritual retreats, and remote shamanic healing services. She also is a pagan celebrant–the first Spanish-speaking one ever registered in Scotland!

In addition to these services, Bosch also has her own priestess schools and spiritual training programs, including Goddess Temple Alba (a Pagan Temple in Scotland), The Covenant of the Waters (Sea Priestess training), Priesthood of Astarte, and Fellowship of Isis trainings. There’s also a website dedicated specifically to the Path of the Bones.

Overall, in Sacred Bones, Magic Bones, Bosch does a wonderful job blending historical context with practical advice. She provides readers with a rich tapestry of folklore, mythology, and practices for them to cultivate their own connection with bones and the deities associated with them, in particular The Bone Mother. The exploration of bone magic offers a unique pathway to connect with the profound mysteries of life, death, and the ever-present spirit world, reminding us of the intricate web of connections that bind all living beings.

Energy Magick, by Mark NeCamp Jr.

Energy Magick: A Basic and Advanced Guide for Witches & Pagans, by Mark NeCamp Jr.
Moon Books, 978- 1803414546, 264 pages, April 2024

“Energy magick is a way of practicing magick without physical tools by directly manipulating the energy that connects all things, and it is the basis for reality. The aim of this book is to work directly with the sources of magickal and psychic energy with our hands, minds, and will to affect reality directly.”1

Energy Magick: A Basic and Advanced Guide for Witches & Pagans, by Mark NeCamp Jr.  is a book that lives up to its title of being both a primer for the novice as well as having enough meat for the more advanced practitioner. It is also specific to witches and pagan semantics and fundamental uses without having to interpret and adapt the more traditional uses in an Eastern practice. The book  is organized into three parts and thirteen chapters, plus a “Final Note” and who’s who in the bibliography. 

The introduction gives an overview of sourcing used for the contents and the fusion and adapting of Western, New Age, Tibetan, and Mexican Folk Sorcery to name a few. Additionally, NeCamp advises the reader that the only tool of use for these practices is you. The intention is one of the reader recognizing the innate magickal power contained within self. Description of the contents of the organizational style used and a note to the reader of the way in which NeCamp is hoping to connect with readers, making the book feel more like a conversation than lecture. 

“Part 1 – Chapter 1: Basic Energy Work” is replete with the core practices that every magickal worker should be familiar with or have mastered. These begin appropriately with grounding, centering, and cycling practices. Each topic has a specific exercise related to its mastery and a variety of cross references and connecting pieces to make it usable at first try. I especially enjoyed the pages in this chapter about cycling your energy:

“Most writings on centering and rounding end there and only refer to the relationship between the practitioner and the Earth. My training in energy healing has taught me that  cycling your personal energy is just as important…. When we cycle energy, we are merely paying attention to the dynamic process that is happening all the time. The only difference is that we do it consciously.18

“Chapter 2: Aura and Energetic Bodies” takes the reader through the “tools” of the energetic self that support energetic workings. This chapter gives a thorough overview of the energetic anatomy, common connections, and uses  and the traditional as well as hermetic assignments of chakras, subtle bodies, and more. “Chapter 3: Fundamentals of Energy Work” incorporate the basics of the five alchemical elements and their relationship to energy magick. A nice addition to this chapter was an explanation of the four stages of alchemy and their application to manipulating and creating from your energetic magick. 

“Chapter 4: Meditation and Trance States” reminds the reader that control over one’s self begins with a calm and well-disciplined space of mind and capacity to focus and pay attention. The contemplative nature of energy work is easily grasped as the reader progresses through exercises of breath, hand positions (mudras) and more. This awakening of a new point of focus flows nicely into the work of “Chapters 5: Sigils” and “Chapter 6: Sacred and Ceremonial Space”. Each of these chapters draws the reader into a space of the visual and its impact as we create sacred symbols and do the work of celebrating our magick. Exercises to practice Banishment by Word or Tone (#41), Energetic Waste Disposal (#44), and energetically Creating the Zodiac Wheel (#46) provide the reader with active tools of self-creation to bolster and enhance the potency of the desired energetic outcome. 

“Part 2- Chapter 7: Advanced Energy Healing” provides the reader with lots of food for thought around the practice of energy healing, the ethics of energy work, and the amount of self-knowledge and expertise is required. 

“I view energy healing very seriously. Manipulating your own energy is one thing but working with someone else’s energy is a different matter. I think the best metaphor for energy work on another person is to think of it like going into an operating room. Everything needs to be sterile energetically-everything from the space you are in, to your personal energy, to the energy of any tools you may use.”19

I appreciated that NeCamp begins with this admonition that serves as a reminder that although the energy work may be well-intended, care, caution, and ethics are foremost in the equation of energy healing. He offers examples of the steps/protocols he engages to prepare his personal energy and the why’s behind:


“1. Meditation
2. Purification
3. Condense  aura
4. Put on an energetic suit of armor to protect”20

All sound and necessary strategies and none of which should be skipped. Several energetic healing modalities are addressed in this chapter including chakra healing, sound healing, psychic surgery, distance healing, boosting the energetic immune system, and physical healing. 

“Chapters 8: Cord Cutting” and “Chapter 9: Advanced Protection Magick” expand on the foundations of energy healing and offer the specifics of some of the more challenging forms of energetic dis-ease. This emphasizes the need for regular maintenance of self and energetic streams and what can encroach upon them and cause damage throughout the subtle as well as physical bodies. “Chapter 9: Advanced Protection Magick” builds on previous practices offered in creating shields and expands the basics to more complex constructs of shielding practice. Advanced warding constructs, portals, banishings, and thoughtforms are woven into the pages of training, their uses, and the how-to.

I particularly enjoyed “Chapter 10: Trance Journeying”. This section was filled with practical ways to move beyond meditation/contemplation and arrive in a more active state of engagement of time, place, and intention. A discussion of consciousness and its development and the application of awareness of where the journeying is intended to have a destination serves as fertile ground for experimentation and exploration. 

“One should have a purpose to their journeying, even if that purpose is exploration.”21

A caveat being the reminder given that even if journeying for the purpose of exploring, safety measures should be set in place such as purification and protection, and having set in place a “map”, which NeCamp describes as “a means to travel and a purpose”22. Exercise #71 is focused on finding “guides” to aid as protectors as you journey and perhaps open doorways that you would not otherwise have access to. Having been appropriately prepared, the remainder of this chapter offers exercises and explanation of journeying to the underworld, the astral realm, using the root chakra as destination and an interesting end practice of shape shifting. 

“Chapters 11: Evocation  and Invocation”  and “Chapter 12: Spellwork and Ritual” bring all that has been considered previously into practical application and enhancements that may be used to deepen the energetic experience. Methods of attracting and bringing the energetic signatures of Deity and other magickal forms are suggested as well as the purposes and uses of each. Differentiation between how much of that Deity may be called or embodies are shown in examples, along with the energetic requirements of the individual serving as a conduit. Then NeCamp breaks down how power-filled spellwork can become when infused with the equation of energetic magick that is applied and directed appropriately and effectively. Additionally, the Anatomy of a Ritual drives home the need for intention and planning as well as skill and adeptness in energetic flow.

NeCamp integrates everything provided from the basics to the more advanced uses in “Part III: The Energy Magick Grimoire”. Although it may seem to occupy only a small portion of the book, readers will take from it the degree of understanding that has been carefully tried and tested that is only accomplished in the disciplined approach of allowing new (or old) information to settle in with an approach of patience. This may not have been the intent of NeCamp, but I feel it is a key take-away from this title, and something that is often overlooked in our “hurry to get there” approach to the study of magick.

These pages are filled with ways to use your new found skills. Healing, love, self-empowerment, shadow work, and spiritual evolution are just a few of the topics with accompanying exercises and magickal workings to employ. Each of these draw from some specific component within the book–sigils, cord cutting, warding, and more–and in many cases represent a layered approach since no action/energy is enacted alone. 

Would I Recommend?

Energy Magick: A Basic and Advanced Guide for Witches & Pagans is a timely read in providing information that is relevant to every magickal practitioner as we expose ourselves more and more to the chaos of the world. Relying on our innate tools to manage our energetic state of being as well as being able to effectively harness and direct that flow towards the desired goal, is paramount to maintaining healthy boundaries, protection and awareness of our impact on our surroundings, and its impact on us. To this end, there are several very user-friendly styles employed throughout the book. One of these is a summary header for each chapter and its contents. This is a very nice touch in organizing the flow and mental patterns created in doing energy work. Additionally there are 81+ exercises and multiple suggestions of experimentation throughout the chapters, allowing for an active participation in the teachings and opportunities to experience firsthand.

Although the tendency for those readers more familiar with the basics of energy may be to skip ahead to “Part 2: Advanced Energy Work”, I would advise not to. Going back to and strengthening your foundational knowledge is never wasted. Moreover, what often comes to light is that you may not know everything there is to know, or your general understanding of that topic has evolved and changed in scope. I heeded this wisdom long ago, when as a professional ballet dancer, I was eager to go to the more basic classes and refine what I was already adept at. This paid off so that when I stepped onto the stage, heard the first notes of music, and took a breath, movement, energy, and time flowed into one seamless expression  of what those notes were expressing. I will be keeping this on my bookshelf as both a resource and reminder that we have all that we need to work powerful magick and change the course of our evolution.

About the Author: Mark NeCamp, Jr.

Mark NeCamp, Jr. is a tarot reader, healer, writer, teacher, spiritual alchemist, modern day practitioner, and forever student of the Art. He teaches classes using magic as a tool for personal growth. He is passionate about how, through the alchemical process, we can turn our spiritual lead into gold as individuals and as a global tribe. He has led many community groups in the Midwest and taught at major Pagan events and festivals around the US and Canada. He lives in Muskegon, MI. Soul School, an online educational community offering classes in personal empowerment, ancestral connection, self-initiation, and ritual practice.

Pagan Portals – Artemis, by Irisanya Moon

Pagan Portals – Artemis: Goddess of the Wild Hunt & Sovereign Heart, by Irisanya Moon
Moon Books, 1803413212, 112 pages, March 2024

I have been lacking a clear direction lately. Seeking clarity, I did a meditation for guidance, during which I felt a call to get to know the goddess Artemis. Intrigued by her lore and the promise of empowerment she symbolizes, I turned to Pagan Portals – Artemis: Goddess of the Wild Hunt & Sovereign Heart by Irisanya Moon in hopes of learning more about how to connect with Artemis in order to discern where to point my own bow and arrow. This book promised not just background knowledge, but an introduction to a path that could potentially align me with the strength and independence epitomized by Artemis herself.

“I believe Artemis is being called into these times, like a friend and trusted ally. She can call us back to the wild hunt and claim our sovereignty (the ability to self-govern and be self-possessed). Artemis is not one of just play and delight, though She is that too, She is a being of action and alignment. She knows Her values and acts on them.”20

Moon is a seasoned Pagan Portals author whose previous titles covered Aphrodite, Iris, The Norns, Gaia, and the Reclaiming witchcraft tradition. In this book, she turns her attention towards the goddess Artemis, teaching readers Her family lineage, stories, myths, symbols, and offerings, as well as guidance on how to create and sustain a relationship with Her.

What I appreciate about Moon’s approach to Artemis is that she leaves a lot of room open for readers to cultivate their own relationship. She does not present herself as the end-all-be-all authority on Her; rather she comes across as someone who sincerely wishes to share what she has learned through her own journey alongside historical sources to reveal the many facets of this goddess. She shares references, quotes other sources, and provides a detailed bibliography at the end for readers to use as a springboard for their own research.

What Moon does do that aids readers, especially those new to working with Artemis, is call upon her experience as a witch, priestess, and teacher to guide readers in opening the pathway to cultivate a relationship with Artemis and embark on a journey of self-empowerment along the way. For instance, Moon begins the book by assuring readers there’s no right or wrong way to proceed, and that the most important thing is to cultivate self-trust. She writes:

“When you trust yourself, you build a relationship that can face all that the wild has to teach you. There is no time in the hunt to go back and forth about every decision. Claim yourself as the wise one you need when it is time to aim.”23

This was just the advice I needed to hear to get me in the right frame of mind to more deeply connect with Artemis, as well as understand on a more personal level what I had been lacking recently–determination, focus, and confidence in my vision. Moon then offers a meditation to meet Artemis in the forest to begin the journey. This is the first of many “magickal practices” that are offered at the end of each chapter for the readers to perform.

Moon’s coverage of Artemis’s birth and family helped me to situate her within my knowledge of Greek mythology. It also introduced me to new goddesses, such as Diktyanna and Eileithya, who Artemis has been linked with at times. Reading direct translation of her mythology (Hymn 3 to Artemis by Callimachus) gave me insight into her personality as someone who knows what they want from life and has the courage to ask for it directly, once again a trait that could use some cultivation in myself.

The many ways Aretmis shows up are described by Moon–nature, the moon, protection, hunting and wild beasts, maidens, sacrifice, and Amazons–painted a well-round picture. Artemis is simultaneously a provider of life and death, birthing and killing, healing and sacrificing all simultaneously. The mythological stories of Artemis further illuminate the wrath of her punishment when transgressed alongside the blessings bestowed to those devoted to her.

Chapters covering Artemis’s symbols and offerings, devotional practices, and cultivating a relationship with the wild and Artemis are perfect for beginners to become acquainted. Moon encourages readers to reflect on what they can give to Artemis beyond the traditional offerings too, suggesting readers provide service and action towards what is important to Her (nature, protecting women) to facilitate a relationship. As Goddess of the Hunt, action is important to building the trust of Artemis for those who wish to be devoted to Her for any length of time.

The chapter on devotional practices goes into detail about cults of Artemis and festivals held in Her honor. Moon also offers chants and epithets too. I particularly liked the magickal practice for this chapter where Moon leads readers through envisioning Artemis in the hunt and then moving their own bodies in the same way, infusing the wild energy in one’s own limbs.

“She knows what it takes to come back into your being. To come back to the wild from which you have been born and created and made. To come back to the sacred hunt that needs you and knows you.”24

For those ready to formalize their relationship with Artemis, Moon shares a full dedication ritual. Meanwhile, she also gives plenty of practical advice for working with a deity, Artemis in particular, for those who are new to it in their spiritual practice. Moon explains how having patience, sitting with one’s fears, and embracing the unknown, are important for readers as they cultivate their connection to Artemis. Once again, Moon’s comforting wisdom comes across as caring and friendly, lacking any hint of pretension or judgment. It’s clear Moon’s aim is to guide readers towards trusting their own instincts as a pathway to better relate to Artemis.

Overall, Pagan Portals – Artemis: Goddess of the Wild Hunt & Sovereign Heart takes readers on  a journey toward fostering a spiritual connection with the goddess Artemis by traversing ancient myths, embracing the wilderness within and without, and seeking the empowerment that comes from aligning with her fierce independence and nurturing care. Moon guides readers to not only discover Artemis in the world around us but also find pieces of Her within themselves too, recognizing our strength, our capacity for growth, and our intrinsic value as protectors of the natural world and each other.

Readers who are ready to step into the role of the hunter, listen to the wisdom of the forest, attune to the cyclic rhythm of the moon, and turn their hearts to the wild will highly enjoy getting to know the untamed spirit of Artemis through Moon’s thoughtful writing. Since finishing this book, I’ve noticed my self-trust has grown, and I am feeling more confident stating my own needs. I do feel like Artemis’s energy comes through quite well in this book, and I hope other readers find it as empowering too! In Artemis, we find not just a deity to admire, but a reflection of our deepest, most powerful selves, calling us to live with authenticity, courage, and compassion in every aspect of our lives.