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Pagan Portals – Mestra the Shapeshifter, by Dianna Ryan

Pagan Portals – Mestra the Shapeshifter: Ancient Heroine of the Sacred Grove, by Dianna Rhyan
Moon Books, 1803415290, 144 pages, November 2024

Dianna Rhyan has re-animated a lesser-known, inspirational woman in Pagan Portals – Mestra the Shapeshifter: Ancient Heroine of the Sacred Grove. Often overshadowed by more famous mythological figures, Mestra was a one-of-a-kind ancient heroine, the only woman to ever figure out how to transform into different beings on her own. In this book, Rhyan opens the door to the world of Mestra through a composition of ancient texts and creative story-telling, highlighting her skills as a shapeshifter, her role within the sacred groves, her ability to defy conventional standards, and ultimately, her happy ending of freedom to come and go as she pleases.

“Mestra represents the outermost and innermost limits of human experience, a fertile capacity for radical change, that is always emergent in our psyche, even if it is something dormant or hidden away.”1

Rhyan’s writing is unique in that it weaves in historical and cultural insights that enrich the reader’s understanding of ancient Greek spirituality as it tells the tale of Mestra. Written like a literary collage, Rhyan uses text from ancient Greek and Latin sources, such as hymns to different deities, Women of Trachis by Sophocles, Metamorphoses by Ovid, and Illiad by Homer, alongside her own improvisation of the texts about Mestra to tell a story attuned to the heart of Greek zeitgeist.

Beyond being a brilliant composition of sources skillfully brought together to create an illuminating narrative, there’s also a sense of cohesion and union reflected in Mestra’s story as a whole. Rhyan shows the many separate parts of a greater whole within Mestra’s story, finding the themes and threads that unite them to give a cohesive insider look at her the forces that shaped her destiny. From the consequences of her greedy father Erysichthon cutting down Demeter’s sacred groove to the trickster suitors who pursued Mestra for marriage, there’s a web of influential forces that Mestra had to outmaneuver with her cunningness.

During a time when women’s roles were very much confined by social structure, her ability to remain in the driver seat of her life was quite a feat. And while this book is about her, Mestra seems to flee in and out of the pages as other aspects of her story offer center stage to her contemporaries. Rhyan explores Zeus’s sacred grove at Dodona, shares stories of other women (Io, Penelope, Ariadne, Arachne, Circe and more) who also mirror Mestra’s tale, and examines what it was like to be a woman of this time.

All the while, Rhyan describes divine presence, the natural beauty of the Earth, and the sensations of transformation with vivid language that makes the reader feel immersed within the story. The sacred grove, a recurring motif in the narrative, serves as both a physical and metaphysical space for readers to explore. Meanwhile, the salty sea becomes her place of refuge and transcendence. The dual natures of land and sea, male and female, human and wild animal, are integrated within Mestra’s polymorphic essence.

Rhyan skillfully brings Mestra’s shapeshifting abilities to life, portraying her as a dynamic character capable of transformation not only in form but also in spirit. This theme of transformation resonates throughout the book, inviting readers to consider the power of change and adaptation in their own lives. This was one of the most stimulating books I’ve read in a while, and there’s even journal questions at the end for readers to further reflect on.

“We have heard of the hero with a thousand faces; she is a heroine who gathers that tradition into her manifold self. . . No longer is she voiceless or shackled or by fate.”2

Overall, Rhyan provides a fresh take on Greek mythology, offering readers a chance to explore a less celebrated heroine in Pagan Portals – Mestra the Shapeshifter. Filled with historical and cultural details that enhance the reader’s understanding of ancient Greek practices and beliefs, Rhyan’s ability to blend storytelling with factual information keeps the reader engaged from start to finish. This is a compelling read for anyone interested in mythology, spirituality, or ancient cultures, as well as those who feel ready for a transformation and seeking the inspiration.

Pagan Portals – Dragon Magic, by Rachel Patterson

Pagan Portals – Dragon Magic, by Rachel Patterson
Moon Books, 1803414448, 128 pages, June 2024

In the ancient realms where myths intertwine with reality, dragon magic remains a force of unparalleled power, shimmering with the wisdom of ages and the mystique of untamed fire. Could these potent beings truly become one’s spiritual ally? Pagan Portals – Dragon Magic by Rachel Patterson, a fascinating exploration into the world of dragons, is a portal for those seeking to discover this realm for themselves.

As part of the Pagan Portals series, this book is designed to be an accessible introduction for those new to the concept of dragon magic, as well as a practical guide for seasoned practitioners seeking to deepen their connection with these ancient and powerful entities.

Patterson, a well-respected author and experienced witch, brings a wealth of knowledge and personal experience to the subject. She presents dragons not just as a mythological curiosity, but as ancient beings who can become our guardians in good time, assisting us on our path and looking out for us; connecting with dragons becomes a tangible and transformative practice.

The book is divided into four parts and also includes a prologue with information about what to know before beginning to connect with dragons along with Patterson’s personal relationship to dragons. All throughout Patterson’s writing is both engaging and informative, making complex concepts approachable without diluting their essence. Her emphasis on personal experience and intuition encourages readers to trust their instincts and develop their unique relationship with dragon energy.

“You cannot force a dragon to come to you, you cannot make one work for you. If a dragon feels you are worthy and can be trusted, then and only then will they even consider making a first introduction.”3

In “Part 1: Dragon Beginnings”, Patterson delves into the origins of dragons and then gives readers the basics of dragon 101, describing their habitat, feeding patterns, and offspring. She also covers topics such as the dragon constellation, Draco, in the stars and dragon lines, more commonly known as ley lines, on the Earth.

“Part 2: Myths, Legends and Stories” lays out for readers dragons well known in fiction and mythology. Fictional dragons include Smaug from The Hobbit, Jabberwocky from Through the Looking Glass, and the ones that appear in Harry Potter, along with a few others. Meanwhile, the mythology section is nearly triple in length and covers dragons from all over the globe: Mayan Quetzalcoatl, Hindu Vritra, St Michael and the Dragon, the Chinese Long Dragon, Old Norse Sigurd and Fáfnir, plus more. This section demonstrates how dragons are universal to cultures worldwide.

Next, Patterson moves into “Part 3: Dragonology”, teaching readers the many types of dragons. I appreciate how she candidly notes this topic could be a book on its own and shares her process of reading the myths and legends to “look at the stories and what the main themes are”4 within them. She says, “I look at the landscapes, the habitat and appear of each dragon”5 to get a feel for the “characteristics and magical energies of each one”6

While I plan on doing my own research, as Patterson suggests, I am amply grateful for the way she describes all she has learned about each dragon type. I had absolutely no idea there were so many kinds! To name a few, there’s serpent dragons with wings, Gwiber, whose magical characteristics are wisdom and transformation; the Nāga in India who is known for “Underworld connection, water magic, prosperity, Otherworld portals, protection”8 All of them are so awesome! I had a great time looking each one up online to see artistic renderings of them.

But my favorite part of this book is Patterson’s magic guidance in “Part IV: Dragon Magic”. Here Patterson shares with readers her work with dragons as a starting point for their own journey.  She writes:

“My experience with dragons and dragon magic is one of power, strength and hard work. Dragons are ancient, they are primordial and do not tolerate being summoned nor do they appreciate any half-hearted lack of commitment.”9

She really emphasizes the need for respect and manners when forming a relationship with dragons, as noted in the above quote. I appreciate her honesty, as it honors the sanctity of the bonds between human and dragon, if the dragon so deems us worthy.

To first establish contact, Patterson offers meditations to bring readers into the realm of dragons. Then she goes into setting up an altar, creating a dragon candle and oil blend, and offerings to provide. Depending on the elemental nature of the dragon one is working with, Patterson goes into more detail about their qualities, color of candle one might use, and specific incense blends.

The remaining chapter covers dragon sigils, spells, rituals, energetic techniques (grounding, protecting, cleansing), crystals, herbs, and other miscellaneous wisdom Patterson has picked up over the years. I really enjoyed how she mentions readers can connect with a different dragon for each season or sabbat, noting dragons “do seem to recognise the changing of the seasons and the flow of energy that comes with the sabbats.”10 My plan is to do one of the meditations for Lammas coming up soon to see if there’s any dragons that are interested in connecting with me until Mabon.

Overall, Pagan Portals – Dragon Magic is a valuable resource for anyone interested in strengthening their connection with dragons. Whether you’re seeking to incorporate dragon magic into your daily life or seeking to perform more elaborate rituals, Patterson provides a sturdy framework to get started, structuring the guidance to accommodate different levels of magical experience levels. Soon enough you’ll be able to tell legendary tales as someone who has dared to seek the counsel of dragons.

Sacred Bones, Magic Bones, by Ness Bosch

Sacred Bones, Magic Bones: Stories from the Path of the Bones, by Ness Bosch
Moon Books, 1803412127, 208 pages, June 2024

Sacred Bones, Magic Bones: Stories from the Path of the Bones by Ness Bosch is a captivating journey into the world of bone magic, a topic that often remains shrouded in mystery and intrigue. Bosch, an experienced shamaness and priestess, skillfully bridges the gap between ancient traditions and contemporary practice. The book is not just a guide; it’s an immersive experience that invites readers to explore the spiritual and magical significance of bones, offering a fresh perspective on a practice that dates back to prehistoric times.

Bosch has done a great job of making this book both education and engaging. She’s clearly done thorough research into the topic, while the inclusion of personal anecdotes and real-life experiences of her own spiritual path adds an authentic touch. The content is multicultural, sharing stories from around the world, and this broad perspective invites readers to go beyond the normal divisions that keep us separated and to discover the holistic Path of the Bones.

“In a world full of barriers, ones we have to jump to relate one another, bones speak a universal language that connect us.”5

The book is nicely organized into two parts. Part I focuses on stories of the bones. Bosch begins with stories of some of the oldest bones found to date and the stories archeologists have gathered based on their remains, such as the cave Atapuerca in Iberia and the bones of Neve’s, a baby who lived about 10,000 years ago.

She then moves onto bones in folklore, teaching how certain bones are considered lucky or can be used to make ceremonial musical instruments. The wide-range of bone usages is bolstered by the folk stories that have upheld their significance throughout time. Hence why people will travel to see someone’s grave or religious relics and the Hand of Glory spell continues to captivate people’s imagination.

The next chapter focuses on ancient deities with a connection to bones, often through ritual sacrifices. The goddess and goddesses mentioned are Kali, Triton, Bau, Hel, Chamunda, Baba Yaga, and more. It’s very interesting to see how bones are an intersection between all these various deities from different cultures and pantheons.

Bosch then turns her attention to currently practiced, also known as living, traditions. She teaches how necromancy goes back to prehistoric times, writing:

“At some point in the line, the need arose to communicate with the dead and establish a communication bridge with the underworld or the other side of the veil.”6

And through time, bones have always had an important role in necromancy, linking them from past to present in on-going traditions. This chapter also includes stories from people currently working with bones in their spiritual path, ranging from Druidry to witchcraft to Hoodoo to Inuit, which is insightful to read about firsthand.

In Part II, Bosch really delves into the Path of the Bones, which she describes “belongs to all of us, is not something strange or foreign to us.”11 She shares the visions and initiations that called her towards the Path of the Bones and introduces readers to La Huesera, The Bone Mother. Bosch shares stories and songs of The Bone Mother, offering readers a doorway into establishing their own relationship with Her.

Within this section, Bosch also shares how to incorporate bones into one’s spiritual practice. Bosch covers everything from the ethical sourcing of bones to the various rituals and spells that can be performed using them. Her directions for cleaning bones, both physically and energetically, is very helpful guidance. The deep respect for the subject matter is evident throughout the text, as Bosch emphasizes the importance of intention, respect, and ethical considerations when working with bones. This thoughtful approach ensures that readers understand the gravity and sanctity of the practice, rather than treating it as a mere novelty.

This section also really gets into the heart of working with ancestors. Bosch assures readers it’s easier than one thing to establish a connection with our ancestors and suggests ideas like building an ancestor altar and shamaic journey to start or deepen one’s relationship with them. There’s also plenty of spells offered for a variety of desires: binding, protection, abundance, achievement. What I enjoyed most about reading through the spells is that each one uses different types of bones–seagull bones for achieving a goal, badger bones for protection. There’s also guidance for creating amulets and incense with bones too.

Whether you are a seasoned practitioner or a curious novice, Sacred Bones, Magic Bones serves as a comprehensive and enlightening guide to the world of bone magic, encouraging readers to explore their own spiritual paths with reverence and confidence. I would especially recommend this book for those interested in ancestor work, as Bosch really delves into the connection bones establish between ourselves and our predecessors. One of my favorite parts of the book is the ancestor songs included at the end.

And for those looking to expand their bone magic practice further, absolutely check out Bosch’s website. She offers services such as training and consultations for shamanic tattooing, a wide range of spiritual retreats, and remote shamanic healing services. She also is a pagan celebrant–the first Spanish-speaking one ever registered in Scotland!

In addition to these services, Bosch also has her own priestess schools and spiritual training programs, including Goddess Temple Alba (a Pagan Temple in Scotland), The Covenant of the Waters (Sea Priestess training), Priesthood of Astarte, and Fellowship of Isis trainings. There’s also a website dedicated specifically to the Path of the Bones.

Overall, in Sacred Bones, Magic Bones, Bosch does a wonderful job blending historical context with practical advice. She provides readers with a rich tapestry of folklore, mythology, and practices for them to cultivate their own connection with bones and the deities associated with them, in particular The Bone Mother. The exploration of bone magic offers a unique pathway to connect with the profound mysteries of life, death, and the ever-present spirit world, reminding us of the intricate web of connections that bind all living beings.

Energy Magick, by Mark NeCamp Jr.

Energy Magick: A Basic and Advanced Guide for Witches & Pagans, by Mark NeCamp Jr.
Moon Books, 978- 1803414546, 264 pages, April 2024

“Energy magick is a way of practicing magick without physical tools by directly manipulating the energy that connects all things, and it is the basis for reality. The aim of this book is to work directly with the sources of magickal and psychic energy with our hands, minds, and will to affect reality directly.”12

Energy Magick: A Basic and Advanced Guide for Witches & Pagans, by Mark NeCamp Jr.  is a book that lives up to its title of being both a primer for the novice as well as having enough meat for the more advanced practitioner. It is also specific to witches and pagan semantics and fundamental uses without having to interpret and adapt the more traditional uses in an Eastern practice. The book  is organized into three parts and thirteen chapters, plus a “Final Note” and who’s who in the bibliography. 

The introduction gives an overview of sourcing used for the contents and the fusion and adapting of Western, New Age, Tibetan, and Mexican Folk Sorcery to name a few. Additionally, NeCamp advises the reader that the only tool of use for these practices is you. The intention is one of the reader recognizing the innate magickal power contained within self. Description of the contents of the organizational style used and a note to the reader of the way in which NeCamp is hoping to connect with readers, making the book feel more like a conversation than lecture. 

“Part 1 – Chapter 1: Basic Energy Work” is replete with the core practices that every magickal worker should be familiar with or have mastered. These begin appropriately with grounding, centering, and cycling practices. Each topic has a specific exercise related to its mastery and a variety of cross references and connecting pieces to make it usable at first try. I especially enjoyed the pages in this chapter about cycling your energy:

“Most writings on centering and rounding end there and only refer to the relationship between the practitioner and the Earth. My training in energy healing has taught me that  cycling your personal energy is just as important…. When we cycle energy, we are merely paying attention to the dynamic process that is happening all the time. The only difference is that we do it consciously.13

“Chapter 2: Aura and Energetic Bodies” takes the reader through the “tools” of the energetic self that support energetic workings. This chapter gives a thorough overview of the energetic anatomy, common connections, and uses  and the traditional as well as hermetic assignments of chakras, subtle bodies, and more. “Chapter 3: Fundamentals of Energy Work” incorporate the basics of the five alchemical elements and their relationship to energy magick. A nice addition to this chapter was an explanation of the four stages of alchemy and their application to manipulating and creating from your energetic magick. 

“Chapter 4: Meditation and Trance States” reminds the reader that control over one’s self begins with a calm and well-disciplined space of mind and capacity to focus and pay attention. The contemplative nature of energy work is easily grasped as the reader progresses through exercises of breath, hand positions (mudras) and more. This awakening of a new point of focus flows nicely into the work of “Chapters 5: Sigils” and “Chapter 6: Sacred and Ceremonial Space”. Each of these chapters draws the reader into a space of the visual and its impact as we create sacred symbols and do the work of celebrating our magick. Exercises to practice Banishment by Word or Tone (#41), Energetic Waste Disposal (#44), and energetically Creating the Zodiac Wheel (#46) provide the reader with active tools of self-creation to bolster and enhance the potency of the desired energetic outcome. 

“Part 2- Chapter 7: Advanced Energy Healing” provides the reader with lots of food for thought around the practice of energy healing, the ethics of energy work, and the amount of self-knowledge and expertise is required. 

“I view energy healing very seriously. Manipulating your own energy is one thing but working with someone else’s energy is a different matter. I think the best metaphor for energy work on another person is to think of it like going into an operating room. Everything needs to be sterile energetically-everything from the space you are in, to your personal energy, to the energy of any tools you may use.”14

I appreciated that NeCamp begins with this admonition that serves as a reminder that although the energy work may be well-intended, care, caution, and ethics are foremost in the equation of energy healing. He offers examples of the steps/protocols he engages to prepare his personal energy and the why’s behind:


“1. Meditation
2. Purification
3. Condense  aura
4. Put on an energetic suit of armor to protect”15

All sound and necessary strategies and none of which should be skipped. Several energetic healing modalities are addressed in this chapter including chakra healing, sound healing, psychic surgery, distance healing, boosting the energetic immune system, and physical healing. 

“Chapters 8: Cord Cutting” and “Chapter 9: Advanced Protection Magick” expand on the foundations of energy healing and offer the specifics of some of the more challenging forms of energetic dis-ease. This emphasizes the need for regular maintenance of self and energetic streams and what can encroach upon them and cause damage throughout the subtle as well as physical bodies. “Chapter 9: Advanced Protection Magick” builds on previous practices offered in creating shields and expands the basics to more complex constructs of shielding practice. Advanced warding constructs, portals, banishings, and thoughtforms are woven into the pages of training, their uses, and the how-to.

I particularly enjoyed “Chapter 10: Trance Journeying”. This section was filled with practical ways to move beyond meditation/contemplation and arrive in a more active state of engagement of time, place, and intention. A discussion of consciousness and its development and the application of awareness of where the journeying is intended to have a destination serves as fertile ground for experimentation and exploration. 

“One should have a purpose to their journeying, even if that purpose is exploration.”16

A caveat being the reminder given that even if journeying for the purpose of exploring, safety measures should be set in place such as purification and protection, and having set in place a “map”, which NeCamp describes as “a means to travel and a purpose”17. Exercise #71 is focused on finding “guides” to aid as protectors as you journey and perhaps open doorways that you would not otherwise have access to. Having been appropriately prepared, the remainder of this chapter offers exercises and explanation of journeying to the underworld, the astral realm, using the root chakra as destination and an interesting end practice of shape shifting. 

“Chapters 11: Evocation  and Invocation”  and “Chapter 12: Spellwork and Ritual” bring all that has been considered previously into practical application and enhancements that may be used to deepen the energetic experience. Methods of attracting and bringing the energetic signatures of Deity and other magickal forms are suggested as well as the purposes and uses of each. Differentiation between how much of that Deity may be called or embodies are shown in examples, along with the energetic requirements of the individual serving as a conduit. Then NeCamp breaks down how power-filled spellwork can become when infused with the equation of energetic magick that is applied and directed appropriately and effectively. Additionally, the Anatomy of a Ritual drives home the need for intention and planning as well as skill and adeptness in energetic flow.

NeCamp integrates everything provided from the basics to the more advanced uses in “Part III: The Energy Magick Grimoire”. Although it may seem to occupy only a small portion of the book, readers will take from it the degree of understanding that has been carefully tried and tested that is only accomplished in the disciplined approach of allowing new (or old) information to settle in with an approach of patience. This may not have been the intent of NeCamp, but I feel it is a key take-away from this title, and something that is often overlooked in our “hurry to get there” approach to the study of magick.

These pages are filled with ways to use your new found skills. Healing, love, self-empowerment, shadow work, and spiritual evolution are just a few of the topics with accompanying exercises and magickal workings to employ. Each of these draw from some specific component within the book–sigils, cord cutting, warding, and more–and in many cases represent a layered approach since no action/energy is enacted alone. 

Would I Recommend?

Energy Magick: A Basic and Advanced Guide for Witches & Pagans is a timely read in providing information that is relevant to every magickal practitioner as we expose ourselves more and more to the chaos of the world. Relying on our innate tools to manage our energetic state of being as well as being able to effectively harness and direct that flow towards the desired goal, is paramount to maintaining healthy boundaries, protection and awareness of our impact on our surroundings, and its impact on us. To this end, there are several very user-friendly styles employed throughout the book. One of these is a summary header for each chapter and its contents. This is a very nice touch in organizing the flow and mental patterns created in doing energy work. Additionally there are 81+ exercises and multiple suggestions of experimentation throughout the chapters, allowing for an active participation in the teachings and opportunities to experience firsthand.

Although the tendency for those readers more familiar with the basics of energy may be to skip ahead to “Part 2: Advanced Energy Work”, I would advise not to. Going back to and strengthening your foundational knowledge is never wasted. Moreover, what often comes to light is that you may not know everything there is to know, or your general understanding of that topic has evolved and changed in scope. I heeded this wisdom long ago, when as a professional ballet dancer, I was eager to go to the more basic classes and refine what I was already adept at. This paid off so that when I stepped onto the stage, heard the first notes of music, and took a breath, movement, energy, and time flowed into one seamless expression  of what those notes were expressing. I will be keeping this on my bookshelf as both a resource and reminder that we have all that we need to work powerful magick and change the course of our evolution.

About the Author: Mark NeCamp, Jr.

Mark NeCamp, Jr. is a tarot reader, healer, writer, teacher, spiritual alchemist, modern day practitioner, and forever student of the Art. He teaches classes using magic as a tool for personal growth. He is passionate about how, through the alchemical process, we can turn our spiritual lead into gold as individuals and as a global tribe. He has led many community groups in the Midwest and taught at major Pagan events and festivals around the US and Canada. He lives in Muskegon, MI. Soul School, an online educational community offering classes in personal empowerment, ancestral connection, self-initiation, and ritual practice.

Pagan Portals – Artemis, by Irisanya Moon

Pagan Portals – Artemis: Goddess of the Wild Hunt & Sovereign Heart, by Irisanya Moon
Moon Books, 1803413212, 112 pages, March 2024

I have been lacking a clear direction lately. Seeking clarity, I did a meditation for guidance, during which I felt a call to get to know the goddess Artemis. Intrigued by her lore and the promise of empowerment she symbolizes, I turned to Pagan Portals – Artemis: Goddess of the Wild Hunt & Sovereign Heart by Irisanya Moon in hopes of learning more about how to connect with Artemis in order to discern where to point my own bow and arrow. This book promised not just background knowledge, but an introduction to a path that could potentially align me with the strength and independence epitomized by Artemis herself.

“I believe Artemis is being called into these times, like a friend and trusted ally. She can call us back to the wild hunt and claim our sovereignty (the ability to self-govern and be self-possessed). Artemis is not one of just play and delight, though She is that too, She is a being of action and alignment. She knows Her values and acts on them.”15

Moon is a seasoned Pagan Portals author whose previous titles covered Aphrodite, Iris, The Norns, Gaia, and the Reclaiming witchcraft tradition. In this book, she turns her attention towards the goddess Artemis, teaching readers Her family lineage, stories, myths, symbols, and offerings, as well as guidance on how to create and sustain a relationship with Her.

What I appreciate about Moon’s approach to Artemis is that she leaves a lot of room open for readers to cultivate their own relationship. She does not present herself as the end-all-be-all authority on Her; rather she comes across as someone who sincerely wishes to share what she has learned through her own journey alongside historical sources to reveal the many facets of this goddess. She shares references, quotes other sources, and provides a detailed bibliography at the end for readers to use as a springboard for their own research.

What Moon does do that aids readers, especially those new to working with Artemis, is call upon her experience as a witch, priestess, and teacher to guide readers in opening the pathway to cultivate a relationship with Artemis and embark on a journey of self-empowerment along the way. For instance, Moon begins the book by assuring readers there’s no right or wrong way to proceed, and that the most important thing is to cultivate self-trust. She writes:

“When you trust yourself, you build a relationship that can face all that the wild has to teach you. There is no time in the hunt to go back and forth about every decision. Claim yourself as the wise one you need when it is time to aim.”18

This was just the advice I needed to hear to get me in the right frame of mind to more deeply connect with Artemis, as well as understand on a more personal level what I had been lacking recently–determination, focus, and confidence in my vision. Moon then offers a meditation to meet Artemis in the forest to begin the journey. This is the first of many “magickal practices” that are offered at the end of each chapter for the readers to perform.

Moon’s coverage of Artemis’s birth and family helped me to situate her within my knowledge of Greek mythology. It also introduced me to new goddesses, such as Diktyanna and Eileithya, who Artemis has been linked with at times. Reading direct translation of her mythology (Hymn 3 to Artemis by Callimachus) gave me insight into her personality as someone who knows what they want from life and has the courage to ask for it directly, once again a trait that could use some cultivation in myself.

The many ways Aretmis shows up are described by Moon–nature, the moon, protection, hunting and wild beasts, maidens, sacrifice, and Amazons–painted a well-round picture. Artemis is simultaneously a provider of life and death, birthing and killing, healing and sacrificing all simultaneously. The mythological stories of Artemis further illuminate the wrath of her punishment when transgressed alongside the blessings bestowed to those devoted to her.

Chapters covering Artemis’s symbols and offerings, devotional practices, and cultivating a relationship with the wild and Artemis are perfect for beginners to become acquainted. Moon encourages readers to reflect on what they can give to Artemis beyond the traditional offerings too, suggesting readers provide service and action towards what is important to Her (nature, protecting women) to facilitate a relationship. As Goddess of the Hunt, action is important to building the trust of Artemis for those who wish to be devoted to Her for any length of time.

The chapter on devotional practices goes into detail about cults of Artemis and festivals held in Her honor. Moon also offers chants and epithets too. I particularly liked the magickal practice for this chapter where Moon leads readers through envisioning Artemis in the hunt and then moving their own bodies in the same way, infusing the wild energy in one’s own limbs.

“She knows what it takes to come back into your being. To come back to the wild from which you have been born and created and made. To come back to the sacred hunt that needs you and knows you.”19

For those ready to formalize their relationship with Artemis, Moon shares a full dedication ritual. Meanwhile, she also gives plenty of practical advice for working with a deity, Artemis in particular, for those who are new to it in their spiritual practice. Moon explains how having patience, sitting with one’s fears, and embracing the unknown, are important for readers as they cultivate their connection to Artemis. Once again, Moon’s comforting wisdom comes across as caring and friendly, lacking any hint of pretension or judgment. It’s clear Moon’s aim is to guide readers towards trusting their own instincts as a pathway to better relate to Artemis.

Overall, Pagan Portals – Artemis: Goddess of the Wild Hunt & Sovereign Heart takes readers on  a journey toward fostering a spiritual connection with the goddess Artemis by traversing ancient myths, embracing the wilderness within and without, and seeking the empowerment that comes from aligning with her fierce independence and nurturing care. Moon guides readers to not only discover Artemis in the world around us but also find pieces of Her within themselves too, recognizing our strength, our capacity for growth, and our intrinsic value as protectors of the natural world and each other.

Readers who are ready to step into the role of the hunter, listen to the wisdom of the forest, attune to the cyclic rhythm of the moon, and turn their hearts to the wild will highly enjoy getting to know the untamed spirit of Artemis through Moon’s thoughtful writing. Since finishing this book, I’ve noticed my self-trust has grown, and I am feeling more confident stating my own needs. I do feel like Artemis’s energy comes through quite well in this book, and I hope other readers find it as empowering too! In Artemis, we find not just a deity to admire, but a reflection of our deepest, most powerful selves, calling us to live with authenticity, courage, and compassion in every aspect of our lives.

The Medicine Wheel, by Barry Goddard

The Medicine Wheel: Maps of Transformation, Wholeness and Balance, by Barry Goddard
Moon Books, 1785359673, 320 pages, October 2022

“This book is not just another ‘self-help’ guide, but rather an exploration of an ancient map that shows how human beings and the world work..”20

The quote above expresses the intention of The Medicine Wheel: Maps of Transformation, Wholeness and Balance by Barry Goddard and is a reminder for humanity of the intimate connection we have with nature and the cosmos. I had the privilege of reviewing Goddard’s other title, Surfing the Galactic Highways: Adventures in Divinatory Astrology, and as a result, I had a deep interest in seeing the approach he would take to this topic. I was not disappointed.

The Medicine Wheel is divided into eight chapters and provides the reader with information that is readily accessible and usable. The acknowledgments in the beginning of the book hold a special meaning in the sincerity and care given to how this topic is presented:

“I would like to express my gratitude to the indigenous peoples everywhere for hanging on to their ancient ways and teachings, despite our modern attempts to eradicate them.21

“Chapter 1: Introducing the Wheel” provides a bit of background around how Goddard encountered the Medicine Wheel and shares his transition from the perspective of Buddhist practice and the new pathways opened in his studies of Shamanism. He writes:

“Shamanism with its foundation in the sense of being part of a world that is alive and to be cherished, provided the remedy for myself, and I believe can do so for the same imbalance in the culture at large.22

Additionally, Goddard also addresses the concerns around “cultural appropriation” that have evolved around many wisdom practices. He offers the reminder that everything of value has a point of origin that may not be of the individual’s heritage but how that content is represented and shared is the more important way of approach and enables the wisdom contained within to be brought into the world more broadly.

As you move through each of the chapters, there is a sense of being part of a grand exploration of revealing the nature of the worlds surrounding as well as the inner landscape that holds the Medicine Wheel organically within. And, although there are many ways in which the Medicine Wheel may be used and inclusive of additional components, Goddard offers use of the Wheel in its four simplified aspects aligning with the elements and cardinal directions of East, South, West and North.

“It is somewhat artificial to talk about each direction on its own, because they are inter-related, and no direction can be grasped without the light shed on it by the other directions. At the same time, the Wheel does have a movement  that gathers momentum and wisdom as it rotates on its path from East through South and West to North, and back to East again. This turning describes the whole arc of our life, as well as the many turnings on different levels within the course of our lives.23

Each of the subsequent chapters devotes its entirety to one of these elements. One can find the subtle references to his knowledge of astrological concepts in these chapters which are robust with varying correlates and fresh perspectives on what the composition of each of the elements may be beyond any tradition’s approach. “Chapter 2: The East-Initiation” provides discussion of this place of the rising sun and new beginnings as also a place of the magical child, courage and a space of major transformative change; “Chapter 3: The South-Emotional Awakening” deepens down into innocence, trust and the shadow nature; “Chapter 4: The West-Incarnation” opens the reader to relationships, gender and transgender and relationships; and “Chapter 5: The North-Perspective” carries the reader to the place of their own legacy and how that is affected by concepts of ageism, becoming the teacher and community.

For those readers who wish to add more of the complexity of the Medicine Wheel, “Chapter 6: The Non-Cardinal Directions” fills that desire. We now find a Wheel of eight directions corresponding to those directional spaces between the established E – S – W – N.  These tell more of the chronology associated with the Wheel moving from the East of the Child and coming finally to the North of the Elder and soon to be Ancestor. Although one of the shorter chapters, it is rich with enhancements.

“Chapter 7: Using the Wheel” brings the reader now to the point of actualizing all that gained of knowledge from the previous chapters. If not skipped ahead to, this very brief few pages provides the final integration to begin effective and meaningful personal work with the Wheel.

The concluding “Chapter 8: Correlations-Jung’s Typology, Archetypes, Astrology and the Mandorla” is the finishing touch meant to further whet the appetite of those wishing to extract more from working with the Medicine Wheel. 

The Bibliography includes some great recommendations, as well as relevant films and documentaries. Overall, The Medicine Wheel hits multiple checkboxes well beyond the traditional writings about the Medicine Wheel and its applications in spiritual practice.

Would I Recommend?

One of the many things I love about Goddard’s writing style is the vastness of interwoven disciplines that are evident in his works. The Medicine Wheel is another title that offers the reader multiple paths of established resonance, as well as new avenues to claim and explore.

There is a wonderfully integrated underpinning of psychological basis for this work with the Medicine Wheel and in this way, this book becomes a deep dive into revealing the nuances and complexities of the individual’s psyche and aligning it with spiritual growth and personal practice. And, most importantly, the clear message is that of our interconnectedness to each other and the world we have chosen for this incarnation’s lessons.

About the Author: Barry Goddard

In his twenties and thirties Barry was engaged in Buddhist practice, but for the last 25 years the main currents have been astrology and shamanism. He regularly writes blogs and Facebook posts about both shamanism and astrology, to which he brings a fresh and sometimes controversial perspective. He also does astrology readings and runs courses on Shamanism. He has recently written a book about astrology, Surfing The Galactic Highways Adventures in Divinatory Astrology. Barry lives on Dartmoor in Devon, UK.

The Torch of Brighid, by Erin Aurelia

The Torch of Brighid: Flametending for Transformation, by Erin Aurelia
Moon Books, 178904281X, 144 pages, June 2023

As someone not too familiar with the tradition of flametending, my ideas around what I thought it was versus what it actually is was both surprising and enlightening. In The Torch of Brighid: Flametending for Transformation, author Erin Aurelia takes us into the realm of the Goddess and shows us precisely what it means to be a flametender.

As an author, poet, spoken word performer, editor, and book coach, Aurelia has tended Brighid’s Perpetual Fire for 20 years and is the founder of the Daughters of Brighid flametending order. Author of numerous books on the subject, Aurelia also runs an editorial services and book coaching business where she offers her services to authors in a variety of self-help and spiritual areas that focus on women writers and voices in the heart-centered and spiritual coaching space.

If you’ve read any of my previous reviews, you will know that I love introductions as I feel they set the tone for the entire book and also impart the flavor of the author’s tone. In this book, Aurelia provides both a preface and an introduction and I couldn’t be happier.

The preface sets the tone for the book, clearly setting out the author’s goals and direction. It’s explained here that this book is not “reconstructing a past pagan practice, as there is no known pre-Christian flametending practice to Brighid which can be reconstructed”21.Aurelia is very clear that this book is not making any direct connection between any sort of mystical links that might have been suggested previously by other authors’ works, and instead chooses to focus on “presenting an inspired practice, like spiritual poetry.”22

At first blush, this whole book feels like a poetic love letter from the author to the Goddess Herself. It’s well written in a style that is approachable for those not familiar with this specific realm of spirituality yet doesn’t feel dumbed down for those who are seasoned. The concepts presented resonated deeply with me personally, and I was a bit surprised at the depth of my feelings as I read through it. This practice feels like coming home to oneself in the context of using deity as a conduit, which is of course what the purpose of this book is. It’s empowering and fulfilling and inspirational and I am so glad I picked it up.

The topics discussed in the book range from the history of the practice to an in depth transformational journey through the seasons. While it sounds like a lot of time needs to be invested, the book states that the reader can experience the sensation of flametending through a twenty-night period. Considering how often we subject ourselves to fad diets and other modes of “bettering” ourselves, I would respectfully offer that twenty nights of this practice could be far more beneficial than counting calories or fasting. But I digress: we each walk our own path.

The introduction gives the reader some background on how Aurelia first came to know Brighid. I find these origins fascinating as we have all walked our own paths to the various deities that we work with. Aurelia’s story resonates not because of the deity she observes but of the way she has integrated the lessons into her personal journey. She states:

“Her burning torch lit and guided my way, and where she led, I followed. I followed her from being one who burned myself out for others to one who learned to tend her flame from within. I followed her in my spiritual practices from celebration to devotion to contemplation to transformation.”23

This path described by Aurelia is precisely the one laid out in the book. I would humbly offer that burnout is often something experienced by those in caregiving or mothering roles, whether or not they have additional responsibilities outside the home or facility in which they provide care. Speaking personally, I often find myself in positions where I give too much of myself and then have nothing left for myself. This book is instrumental in discovering why that happens, and, more importantly, how to identify when it’s happening so that the energy can be shifted inward to where it’s needed most.

One of the most powerful concepts in this book is the idea that spiritual exploration and growth need not be done using external methods. While helpful at times, it’s also easy to become lost in a sea of voices and practices that might not be what’s needed. This is a personal practice and while you could share this journey with others at some point along the path, this feels very much like a task for one.

The practices in this book are presented in an easy to understand way with various supporting modalities, including runes. Aurelia says that the book is geared towards devotees of Brighid and those curious about the practice, stating:

“The depths can be dark, but her torch ever shines to illuminate a way for us toward our own illumination, healing, and growth. The practice in these pages is an invitation to follow this lit path through the forest of ogham trees in search of your true self, your unbreakable and remarkable soul hiding behind and beneath your fears.”24

If you are at all interested in any of the concepts presented here, pick The Torch of Brighid up. In fact, even if you aren’t interested, pick it up anyway and thumb through it. I guarantee something in these pages will leap out and whisper to you as it did to me.

Conjuring Dirt, by Taren S

Conjuring Dirt: Magick of Footprints, Crossroads & Graveyards, by Taren S
Moon Books, 1803413328, 176 pages, October 2023

I love dirt. My father is a ceramic artist, so unlike other kids whose parents might have tried to keep them tidy, I was always encouraged to play in the mud and eventually learn how to shape clay into bowls and mugs. From there, my enjoyment of dirt, and nature in general, led me down a path of environmental science; I’ve studied the microbes in dirt and learned how soil’s nutrients are vital for the growth of plants, which keep us alive through a balanced ecosystem.

But beyond the mind-blowing scientific study of interconnectedness through the ground beneath our feet, I’d never realized the potency of dirt from a magical perspective prior to reading Conjuring Dirt: Magick of Footprints, Crossroads & Graveyards by Taren S. This book has opened a whole new realm of magic to me, which I’ve been eager to embrace!

Taren is a seasoned magical practitioner with roots in the Carolinas, though she now lives in California. For over a decade she’s worked as a spiritual counselor and tarot card reader at a Haitian Voodoo Doctor’s botanica. She is initiated as a High Priestess within American Witchcraft and as a Mama Bridget within American Voodoo/Hoodoo. In Conjuring Dirt, she shares a lot about her personal path, giving readers perspective into how she’s learned this craft as well as the traditions behind the content of the book.

“We all have sacred and special dirt specifically to us. When we go back through memories we can ground into the land, and we can build new memories through the land. This in itself is a magical spiritual journey.”24

In this book, Taren teaches readers about three categories of dirt: Graveyard, Crossroads, and Purposeful (Footprint). She dedicates lengthy chapters to each one, giving the reader a full sense of the powerful energy held within the dirt and the many ways each one can be utilized in magickal workings.

She starts with Purposeful Dirt, noting that it’s the “most common and easily accessible”25 kind. Since it’s very versatile, Taren describes ways this dirt can be used for cleansing, banishing, and spellwork. She teaches about the types of spirit of place, such as Ancestral spirits and Land spirits, and how to connect and work with these spirits. Then she covers “spirit of the root” and how to unite with plants as allies. The list of plants and herbs and the way they can be used, which spans a whole ten pages, is immensely valuable to all practitioners, especially those new to working with plants and herbs.

Reading over parts of this section made me think of the land in a new way; did you know you can use the dirt from banks, casinos, and libraries for magickal purposes such as prosperity spells, amulets, and building knowledge?! Prior to this, I wouldn’t have thought twice about the dirt or spirit of these places. Now everywhere I go, I’m thinking about the energy of my surroundings, taking time to pause and attune to the spirit of the place, and think creatively about how the dirt might be utilized.

Crossroads Dirt comes from the liminal spaces where “two different environments meet or intersect but is technically neither extreme.”26 At these intersections, boundaries are thinner; it can feel like stepping out of time as multiple directions become available, prompting initiated action before the moment passes by.

“The meaning of crossroads is all about liminal space. Liminal space is that in-between point that means both we are neither here, nor there. Liminal space as represented by crossroads points to 100% potential and opportunity. It is the place where magick happens because it is that slight crack when/where anything can happen.”27

In this section, Taren provides an overview of the global lore about crossroads, revealing similarities between cultures while also highlighting each one’s unique lore. She also covers crossroads and witches, crossroads in dreams and modern magic, the significance of ley lines, and offers a crossroads tarot spread.

After sharing about crossroad magic in general, Taren goes more in-depth about Crossroad Dirt specifically. She teaches readers about the different types of crossroads one might gather dirt from and the significance of soil from each one. She covers how best to collect the dirt, petition the crossroads, and offers a ritual to open the crossroads. Other workings Taren provides are for propensity, a spell to forget, and banishing.

Last but not least, the section on Graveyard Dirt. Taren explains Graveyard Dirt “is used to employ the spirit of the one buried for your intentions.”28 Taren covers so much in this section, from symbols on grave markers to gathering dirt from the roots of cemetery trees, and it completely opens new doors for readers. This section alone could be a whole book! But one emphasis that comes through strongly is showing respect for the deceased. I like how Taren always reminds readers to mind their manners above all else!

While reading the section on Graveyard Dirt, I’ve decided it’s high time I go visit my ancestor’s graves and leave an offering. I don’t plan on taking any dirt this time, but I would like to begin cultivating a relationship with them, learning more about who they were in life and how I can maintain a relationship with them in their afterlife. To start, my dad and I decided we are going to begin purchasing grave markers for the family member’s burial sites he’s found that do not have them.

All in all, Conjuring Dirt is a wonderful resource for all spiritual practitioners. I would go as far to say it’s been my favorite magical book I’ve read in 2023! Taren does such a wonderful job sharing all she knows to help readers begin to incorporate dirt in their workings. Her style of talking straight makes readers feel she really has their best interest at heart, ensuring they’re doing things the right way and not making trouble for themselves down the line. This book is sure to reshape your perception of the land beneath your feet and give a deeper appreciation for the magic held within the dirt we often take for granted or overlook.

Bogowie, by T.D. Kokoszka

Bogowie: A Study of Eastern Europe’s Ancient Gods, by T.D. Kokoszka
Moon Books, 1803412852, 448 pages, September 2023

Without a doubt, the most famous Slavic deity is the child-eating hag goddess Baba Yaga. Thanks to her memorable mobile home on chicken legs, she has achieved mainstream recognition through children’s books, and she even lends her name as an alias to the eponymous assassin played by Keanu Reeves in the John Wick film series (2014). Aside from everyone’s favorite chicken witch, Slavic mythology has inadequate representation in pop culture and western scholarship. In Bogowie: A Study of Eastern Europe’s Ancient Gods, author T.D. Kokoszka seeks to remedy this deficiency. The book’s title, Bogowie (pronounced “BO-GOV-YEH”), is Polish for “Gods,”29 and in this work, Kokoszka uses “comparative analysis to interpret Slavic folklore”30 and reconstruct Slavic paganism.

It may come as a surprise that the author, who has a Bachelor’s degree in Microbiology from Texas State, would choose to write a book on a topic that digresses so far from his field of expertise. While microbiology may seem unrelated to comparative mythology on the surface, the study of ancient genetics intersects with the reconstruction of ancient Slavic culture. The author recognizes the inherent dangers of investigating the Proto-Indo-European “Aryan” identity, and approaches this topic with sensitivity. As a half Jewish and half Polish-American man, Kokoszka is disturbed by the appropriation of Slavic paganism by far-right nationalist groups, such as Russian and Ukrainian Neo-Nazis, and seeks to reconstruct traditional Slavic faith from a non-biased scholarly perspective.

Kokoszka felt compelled to write this book because the study of pre-Christian Slavic culture and mythology has been neglected by modern scholarship, and he was frustrated and disappointed by the dearth of quality research in this field. However, his target audience is not scholars (he doubts they would take him seriously), but those who are interested in Slavic paganism. Being a Slavic pagan himself, he hopes this work will be a valuable resource for both curious readers and devoted practitioners attempting to reconstruct the pre-Christian Slavic faith.

I fall into the curious camp, and Baba Yaga’s chicken foot hut led me through a dark forest to the unfurling leaves of this book. Earlier this year, I read Baba Yaga’s Book of Witchcraft: Slavic Magic of the Woods by Ukrainian diaspora witch Madame Pamita, which piqued my interest in Slavic mythology, a topic I shamefully knew little to nothing about up until that point. Bogowie proved to be the nitty-gritty, in-depth scholarly analysis I enjoy as a mythology buff.

While the author humbly refers to himself as an “amateur,”31 the depth of his comparative mythology analysis is impressive and reminiscent of the works of Joseph Campbell. Kokoszka explores parallels between the Slavic pantheon and other world mythologies, with an emphasis on major deities such as Mokosh, the goddess of fate and the personification of Mother Earth; Perun, the thunder god; Volos, the god of cattle and Lord of the Underworld; the Zoryas, sea maidens of the dawn; and the solar deity Dazhbog. Several chapters end with a sample tale, including one of my personal favorites, called “Baba Yaga and Vasilissa the Fair.”32 

In Chapter 2, titled “Baba Yaga and Mokosh the Great Mother,” Kokoszka’s exploration of the widespread European folk tradition of saving the last sheaf of grain for a deity is fascinating. In the Ukranian folk tale of “The Snake Wife,” a farmer is advised by a talking serpent in the forest to ask for the last sheaf of corn as payment after he harvests his master’s fields. Then he throws the last sheaf into a fire and a beautiful woman leaps like a spark from the flames. They get married, and his new bride warns him to never call her a serpent, or else she will leave him. Inevitably, he does so anyway, and she turns into a snake. Before she slithers away, he kisses her thrice, and is blessed with knowledge each time. She tells him to go to the Tsar, who will reward him for his wisdom by giving him a princess for a bride.

“Why does the peasant burn the last sheaf of grain to summon the snake wife?”33 Kokoszka asks. He reveals that the last sheaf is associated with an old woman or hag throughout Europe. In Scotland, the last sheaf of grain was dressed as a woman and devoted to the Cailleach, a hag goddess. In German folklore, the last sheaf is called “the corn mother” or “wheat-bride,” and “some Dutch stories portray the Ruggenmoeder (Rye Mother) as an old hag with red eyes and a black nose who carries a whip and pursues children.”34 Meanwhile, in Russia, “sometimes a small patch of rye stalks were left in the corner of the field, and braided for Baba Yaga,” who “feeds the world, but is herself hungry.”35 Perhaps this is why she eats naughty children! “Another tradition which intersects with this is found in Central Europe, where one can find narratives about an old hag getting ground up by a mill and coming out as a maiden, with her youth restored,”36 says Kokoszka.

The last sheaf may also be personified as “The Old Man,”37 and in some parts of Russia, Kokoszka says, “the last sheaf of grain was called ‘The Beard of Volos.’” 38 While it may seem strange to connect an agrarian fertility tradition with the god of death, Kokoszka believes there is evidence that this practice is rooted in ancestral cult worship, as illustrated by the Ukrainian Didukh, another ceremonial last sheaf representing a grandfather spirit. The Didukh was believed to be a spirit house for deceased family members, and was brought into the home for winter festivities.

“The Didukh was given a place of honor during Christmas in many Ukrainian households,” Kokoszka says. “Finally, in early January, it was taken to the field and burned to free the spirits.”39

I found it even more intriguing that the pagan Volos was syncretized with the Christian Saint Nicholas. In some parts of Russia, the “Beard of Volos” was also known as the “Beard of Nicholas,”40 and a bull was sacrificed to him on his feast day on December 6th, an obviously pagan practice that hearkens back to the ancient association of Volos with cattle. Kokoszka says that “the bull to be sacrificed was named mikolets, after the Saint himself.”41

Bogowie is jam-packed with nutritious tidbits like this. I loved following the little bread crumbs about Baba Yaga the most because I have been fascinated with her ever since I first saw an image of her chicken foot hut in a computer game as a child. I was delighted to learn that, in Slavic mythology, there is also a female house spirit with chicken legs called a kikimora who lives behind the stove. In the middle of the night, she will tangle unspun thread or unravel needlework that has not been put away or sained (blessed with the sign of the cross).

Now that I have my own little coven of seven Easter Egger hens I call the Chicken Foot Clan, I like to think of myself as a chicken witch, and I want to be known as Baba Yaga to my grandchildren. I made a feather duster/chicken feather besom for ritual use with a bundle of naturally-shed tail feathers and a branch from the chaste tree growing in my backyard. According to Kokoszka, “witches of Carpatho-Ukrainian folk belief often have chicken feet.”42 I don’t have chicken feet yet, but after the ladies pass away of natural causes, I plan on harvesting theirs, mummifying them, and painting their toenails so they look like little hag hands. In witchcraft, dried chicken feet have protective powers, and it will also be a way for me to memorialize my hens.

Bogowie will be an engrossing read for chicken witches, Slavic pagans, and anyone who enjoys studying comparative mythology. Kokoszka’s thorough investigation of Eastern European folklore is formidable, and this book is destined to be an essential text on Slavic mythology.

Pagan Portals – Gods & Goddesses of England, by Rachel Patterson

Pagan Portals –  Gods & Goddesses of England, by Rachael Patterson
Moon Books, 1789046629, 128 pages, July 2023

I was drawn to Pagan Portals – God & Goddesses of England by Rachel Patterson because as the wife of an Englishman, I’ve traveled there quite a bit. What I love about my travels is that we don’t visit as tourists, we settle in as family and then branch out and explore the countryside. It’s a place that shares its land with small villages, larger cities such as York and Bath, and also ancient markers, all of which cohabitate beautifully. Thanks to Patterson, my knowledge of the deities of England has greatly expanded. I’m looking forward to seeing the sights with the lens of the gods and goddesses next time we visit!

Pattern is the perfect guide for this trip through the landscape of England’s deities. Her website titles her an “English kitchen witch and author” 34 Her list of other published works is impressive, including Pagan Portals – Kitchen Witchcraft, Pagan Portals – Moon Magic, and A Witch for Every Season. She is listed as one of the 100 Most Spiritually Influential Living People in Watkins Mind Body Spirit magazine.

Now, diving in, this book is divided into two broad sections: “Part I, The History of Humans” and “Part II, Gods & Goddesses”. To start the book, Patterson presents what she describes as a “very brief outline” of Britain’s timeline from Paleolithic Britain (700,000 B.C.) through the Noman conquest of 1066 A.D. She also introduces the reader to the various invading forces who settled in Britain and put their stamps on the people and the land – from the Romans to the Germanic tribes, to the Vikings. This laid the foundation for delving into the deities of England in this book. 

In Part II, before recommending how to connect with the deities, Rachel profiles numerous deities, referencing whether they were a god or a goddess, and the location where reference to these deities was found. For some she is able to share a lot of information, while for others all that remains is a reference to their name on an inscription or relic or reference in a manuscript. She covers the whole of England, though, in a concise manner. 

Of course, Britannia shows up. This time inscribed on a statue base in York. Britannia eventually became the symbol of Britain and of the resiliency of its people. She provides a lot of information on Sulis, a goddess found in Bath. As she writes, “a great number of altars, dedications and curse tablets have been found in Bath along with a large temple dedicated to her.”36 While worshiped during the Roman times as a goddess with whom they equated their goddess Minerva, Sulis seems to have been a local goddess long before the Romans invaded.

I was intrigued by the curse tablets that had been thrown into a spring. Each was made of metal and mostly all rolled up before being thrown into the spring. “All of them seem to be requesting return of stolen items, asking for revenge, or the righting of wrongs. Most of them involved what would seem to be today small items such as a stolen towel.”42 In all fairness, though, one needs their towel in Bath.

She offers ways to engage with the deities, whether one is local to you or whether you were drawn to one in the book. Ways include researching the deity, setting up an altar, connecting with the land, and, one of her favorite ways, researching food local to the area. She feels that these local recipes help her “align with the energies of the area”43 while also providing good food. 

Rachel also writes extensively as to how she connects with specific deities, Belisama, the Three Mothers/Matres, and Sabrina.  For each, she writes on myths and origins, invocations, rituals, meditations, and of course, recipes including chorley cakes (Belisama), Gloucester pancakes (The Three Mothers/Matres) and shearing cake (Sabrina). She concludes with offering further readings, if interested. 

I highly recommend Pagan Portals – Gods and Goddesses of England. It encourages one to connect with the deities rather than just providing copious amounts of information on each, helping readers to create their own relationship with these gods and goddesses. Realizing that all might not be able to visit England to connect with these deities, Patternson offers ways to do so if one feels drawn to a particular deity. I loved her final recommendation as she sent me on my way:

“What I would recommend you do is to connect with the energy of the land you live on. Research the history for your own area and get to know the land beneath your feet.”44