Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Sacramental Theurgy for Witches, by Frater Barrabbas

Sacramental Theurgy for Witches: Advanced Liturgy Revealed, by Frater Barrabbas
Crossed Crow Books, 1959883267, 250 pages, February 2024

In the Digital Age, witchcraft has become more popular and accessible to the public than ever before. Social media is a hot conduit for witches to spread information and personal gnosis through posts and video shorts, leading to the rise of practitioners who are sometimes referred to by the derogatory term “Tiktok witches,” because the quality and validity of this bite-sized content is often questionable. These days, it seems that witchcraft can be whatever a person who identifies as a witch believes it to be. A lot of witches, perhaps due to religious trauma from monotheism, are squeamish about applying the word religion to their craft, and many focus on self-deification, with a tendency to see spirits as archetypal forces they can activate within their psyches rather than as real, conscious entities with personal agendas of their own. If every person who identifies as a witch gets to make up their own definition of what witchcraft is, claim godhood by their own right, and discard the foundational teachings just for the sake of rebellion, then I feel there is a risk of clashing egos compromising the structural integrity of witchcraft as a spiritual path.

In this era of self-serving pop culture witchcraft, it’s refreshing to come across a book that both grounds readers with the religious roots of modern witchcraft and advances them to the next level. In Sacramental Theurgy for Witches: Advanced Liturgy Revealed, author Frater Barrabbas, who has over forty years of experience as a practicing ritual magician and is “an elder and lineage holder in the Alexandrian tradition of Witchcraft,”1 offers a solid foundation, taking readers back to basics while still leaving plenty of wiggle room for creativity, personal gnosis, and experimentation.

His lore blends the theurgical practices of pagan magicians and Neoplatonic philosophers with the magical rites of Catholicism, which feels deliciously blasphemous, and brings to mind the myth of witches attending Black Mass, even though no sacraments are stolen from the Church or defiled. Frater Barrabbas claims that he has “appropriated what is no longer sanctioned or used by the Catholic church,” such as the Tridentine Mass, “and resurrected and transformed them to the service of Witchcraft liturgy and magic.”2 He proposes “that Witches and Pagans can repurpose the tools and beliefs that were once an important part of the Catholic faith from a completely modern Pagan magical perspective.”3

I love Frater Barrabbas’s incorporation of Catholic elements because I see the vast pantheon of saints as thinly veiled paganism, and I occasionally work with saints that I believe were originally pagan deities appropriated by the Church. I also take mischievous delight in rewording phrases from Christian prayers in blasphemous ways. For example, I might bless a ritual implement on my altar with the menstrual blood of Lilith instead of the blood of Jesus. I feel that a little bit of inversion and blasphemy in one’s witchcraft can be a wonderful way to break the chains of traumatic religious programming from childhood.

I was raised by a charismatic Christian, and have found that incorporating Judeo-Christian elements into my practice has helped heal my own religious trauma. By disowning monotheism, it became a part of my shadow self, so to deny that aspect of my spiritual heritage did not bring me to a place of wholeness. Initially, I wanted nothing to do with anything even remotely Christian and focused only on working with pagan spirits. But over the years (and it has taken many years of conscious effort to work through my religious trauma), I have gradually welcomed a few angels, saints, and even the Devil into my practice.

I was initially drawn to Sacramental Theurgy for Witches because I prefer a traditional approach to witchcraft. While I don’t strictly follow any specific tradition, my current practice is more strongly influenced by Robert Cochrane’s Traditional Witchcraft than Gardnerian or Alexandrian Wicca, and I love that Frater Barrabbas incorporates the use of traditional ritual tools, such as the besom of spirit flight and the stang, a forked staff that is iron-shod like a steed for Otherworld travels, which is an implement derived specifically from Cochrane’s craft.

Theurgy is a crucial element of this book, which Frater Barrabbas defines as “a magical operation that induces the Deity to perform a paranormal operation to benefit an individual or a group or to refrain or block an occurrence that would cause harm.”4

“Witchcraft Theurgy consists of two distinct categories,” Frater Barrabbas says, which are “sacramental magic and magical Mystery rites,” and the book is divided into two parts to cover these practices.5

Sacramental magic encompasses workings that bring the witch into union with a chosen deity, such as rites of transubstantiation, statue animation, and godhead personification. Magical mystery rites align the witch with the cycles of nature through the observation of lunar phases and seasonal rituals. In the chapter on “Lunar Mystery and Moon Magic,”6 I appreciate that Frater Barrabbas emphasizes the uniqueness of each Full Moon from an astrological perspective. There is also a chapter on establishing a sacred grove outside, if one is blessed with a private outdoor space that can be dedicated to the gods. The theme of honoring divinity made manifest in nature is complemented by beautiful illustrations, many of which depict the various guises of the Horned God as naked men with horned animal heads.

Frater Barrabbas analyzes the theurgic practice of godhead assumption in witchcraft, in which a priestess or priest becomes a vessel, or medium, for a deity. The most well-known example of this practice is the classic rite of Drawing Down the Moon. One of the potential risks of godhead assumption is ego inflation, in which the vessel over-identifies with the deity beyond the scope of the rite, and Frater Barrabbas suggests that this can be prevented by working with a specific deity with a very distinct personality rather than being vague and calling upon an amorphous archetypal figure. He refers to the vessel as a medium, emphasizing the fact that they are channeling a specific spirit, not an aspect of themselves. I appreciate him addressing this hazard of divine possession because I’ve noticed there is a tendency to obsess over personal power and self-deification in the occult community, which I consider to be dangerously delusional. I have the traditional perspective that a witch’s power comes from spirit allies, not the ego. I feel like this attitude keeps me grounded and protects my sanity.

In one’s personal practice, godhead assumption can be used to work magic by channeling the power of the deity through oneself. For example, when the witch temporarily becomes the embodiment of a deity during a ritual, they become a mouthpiece for that deity, granting the witch greater authority, because it is not the witch speaking the spells, but the higher power of the channeled deity speaking through them. In Chapter Six, titled “Art and Ordeal of Deity Personification,” Frater Barrabbas instructs the reader on how to proceed with the “Witch’s Ordeal of Godhead Union.”7 Godhead assumption requires intense dedication and an intimate relationship with a specific deity. The devotional practices of sacramental theurgy create alchemical transformations within the witch that lead to “union with the One,”8 a choice of words reminiscent of the language people use when talking about coming into union with their true love, soul mate, twin flame, or whatever term of endearment they have for their ideal romantic partner.

“This ordeal is a magical love spell that you are going to cast on your God, and it will powerfully affect both you and your deity,”9 Frater Barrabbas says.

Self-love is an important part of this process. Just as one would take good care of themselves to attract a mate, the witch is instructed to become an object of desire for their deity by bathing often and beautifying themselves with fine clothes, jewelry, makeup, and sweet perfumes.
I love this approach to godhead assumption because I’m fascinated with the biblical story of the Watchers descending from heaven and mating with mortal women, which can be interpreted as symbolizing the Holy Guardian Angel uniting with the witch as a divine lover. This also brings to mind the ancient concept of having a God Spouse, in which a priest or priestess becomes symbolically wedded to the god they serve. One of my favorite examples of this comes from Greek mythology, in which the Cretan princess Ariadne, the Lady of the Labyrinth and half-sister of the Minotaur, marries the bull-headed god Dionysos. After helping the hero Theseus slay the Minotaur, Ariadne flees Crete with him, but he abandons her on the island of Naxos, where she is rescued by the god Dionysos and made immortal through her union with him.

I personally believe that the New Age concept of going on a Twin Flame journey, which entails seeking union with one’s Divine Masculine or Divine Feminine counterpart embodied in an unavailable human partner, is a corruption of the idea of a God Spouse. Before Ariadne married Dionysos, she was heartbroken and left deserted on an island by the hero Theseus, and heartbreak can be a major catalyst for inner transformation and seeking a higher love with a divine counterpart.

Frater Barrabbas explores the possibility of “a sexual encounter with an embodied deity”10 in rituals of sacred sexuality, such as the Great Rite, which “is used to confer upon an initiate the third degree of a consecrated priest or priestess,”11 which is the highest degree in British Traditional Witchcraft. He also conscientiously addresses the importance of taking precautions regarding the safety and well-being of those practicing sacred sexuality, which must always honor mutual consent.

I appreciated the occasional personal anecdotes Frater Barrabbas shares that humanize the experience of being a witch. For example, before revealing a ritual titled “Erotic Mass of the Fourfold Goddess,”12 he tells the story behind it, and it really impacted me emotionally. He relates how this rite was revealed to him by deceptive coven leaders who claimed it was an ancient secret ritual. “What I found out later was that this beautiful and supposedly ancient ritual had been completely made up by the leaders of my group and passed off as legitimate lore to the members,” he says. “Since those times, these same leaders left the Craft in the early 80s and became ardent fundamentalist Christians who targeted Witches and Pagans, telling the public that we were merely dupes of Satan.”13 He shares this ritual with readers because he doesn’t feel oath-bound to keep it secret, considering its true origins.

I’m a solitary practitioner and I’ve never been in a coven, so the group rituals he shares in the book are beautifully written and inspiring, but will not be of practical use for me. One reason why I’ve never been in a coven is that most of the people I’ve met who have shown an interest in witchcraft lack commitment and sincerity. It’s a passing phase to them, and they can easily turn back to monotheism. It’s even more astounding to me, that in the author’s experience, these traitors were elders in his tradition.

I really resonated with this passage because it reminded me of times in my life when I felt betrayed by romantic partners, friends, and family, who either pretended to be accepting of my practice, or once identified as witches themselves, and then went back to Christianity and completely turned on me, condemning me as a devil worshiper and calling my gods demons. It hurt me deeply, but I think these experiences can be blessings in disguise, because tests of faith can deepen commitment.

In an initiatory vision I received well over a decade ago, I had a sexual encounter with the Horned God in the guise of Cernunnos. I remember vividly that it happened on a Winter Solstice. That night, I felt a strong calling from the spirit world to cast a circle and go into a trance, though I didn’t know why. During this impromptu ritual, I had a vivid vision of being in a vibrant green forest drenched in sunlight, and an erect Cernunnos approached me. I was so surprised by what was happening that it shocked me out of trance, and I immediately became afraid that the Christians were right, and witches really do have sex with the Devil. I identified as Wiccan at the time and up until that point I had denied the existence of the Devil, as did most, if not all Wiccans, probably due to the Satanic Panic, but this experience shifted my perspective and caused me to reevaluate my entire belief system. I had reached a dead end with Wicca, and my spirit allies were guiding me to Traditional Witchcraft. It took me several years to unravel the
religious conditioning of my childhood and I gradually understood that this experience was an initiation into the mysteries of the Horned God as the folkloric Devil, who is a shapeshifting spirit of nature, and not the personification of absolute evil. Embracing the title of devil worshipper helped me to do necessary shadow work for my personal and spiritual growth.

Sacramental Theurgy for Witches is not for the faint of heart or those who think of witchcraft as a passing phase. It’s for serious devotees who have established their own consistent practice over the course of many years and wish to deepen their relationship with the divine by not only becoming a medium for their chosen deity, but by elevating their relationship with their god to a sacred romance, and love is the greatest mystery of all. By weaving together the seemingly disparate threads of multiple traditions, and integrating their wisdom into his own lore, Frater Barrabbas promotes a sense of wholeness, rather than separation, in witchcraft. This book will be a wonderful resource for those looking to reconcile Christianity and other traditions with their practice.

Sock Monkey Oracle, by Shannon Grissom

Sock Monkey Oracle, by Shannon Grissom
Beyond Words,1582708592,  46 cards, 128 pages, April 2022

Looking for a fun and silly oracle deck to put a smile on your face? Sock Monkey Oracle by Shannon Grissom is sure to do the trick! Grissom shows us sock monkeys, a beloved toy handmade from socks, are more than cherished gifts or keepsakes; they can be a source for inspiration and guidance too. 

The history of the sock monkey is an interesting one. They became popular during the Great Depression when crafty people were looking for ingenious ways to make toys for their children. Now, sock monkeys are a reminder that even with the limited materials on hand during tough times, we can find color and joy to uplift our spirits.

Grissom describes how she was inspired to make this deck after she created a sock monkey painting in honor of her loving mother who had passed away. In sorting through her mother’s belongings, she found her mother’s sock monkey, and later decided it was the perfect symbol to paint in tribute to her loving mother. After this first painting, she continued to create 45 more through the years, leading to 46 paintings in total for this oracle. It took some time, but eventually the messages for each painting came to Grissom, finally completing the deck!

There are four spreads that Grissom shares that readers can choose from (my favorite is the seven-card Messy Sock Drawer Spread!), but she also assures readers there is no wrong way to use the deck. She encourages paying extra attention to jumping and revered cards, noting “these lively sock monkeys are merely trying to get you to pay special attention to their guidance.”14

For every card, Grissom offers a main message, symbolic frolic, and affirmation. The symbolic frolic are symbols that you can reflect on, or as Grissom describes play with, to effect change. The messages are overall positive, but not to the extent of ignoring setbacks or unpleasant feelings. Some of the cards do denote a challenge or obstacle to overcome, but the messages always provide uplifting guidance and solutions to help readers gain perspective about how they can preserve.

The cards themselves are very bright and colorful! There is such a cheerfulness to the sock monkeys; their big red lips with pleasant smiles immediately makes me want to smile right back! Grissom has really given life to the sock monkeys, making them feel lively and never static; Some images are more relaxed, while others are dynamic, but you feel their presence in every card. The full-range of colors in the deck add to its vivid, animated energy.

Every card is numbered and the name of the card is written in a very big font at the bottom, making it easy to find the card’s corresponding message in the guidebook. You can sense that each sock monkey has its own personality, and the guidebook messages perfectly align with the image on the card. If you’re more of an intuitive reader, the name of the card and the imagery is more than enough detail to gather insight and answer your questions that way.

Twice in a row I have pulled the same card: Make Music. The card depicted the sock monkey hanging out with an accordion, as though about to play it. When I followed up by reading the guidebook, which stated:

“Making music has so many benefits. First and foremost, it’s fun! It also helps you be more alert, lowers your blood pressure, and calms anxiety. Music gets the good jujus going and keeps them going.”15

And guess what happened not too long after I pulled this card? My husband asked if I wanted to go sing karaoke for a date that night! I clearly, immediately said “Yes!”, and then I told him about how I had just pulled a sock monkey oracle card encouraging me to make music and use my voice. What are the chances?!

We had a wonderful time belting out tunes together. Then when I pulled it again the next day, my husband said, “I guess you have some more kaoroke-ing to do!”. He made me laugh, but it did feel as though the sock monkeys were saying to keep the momentum going and continue to find my rhythm and voice. Having the courage to sing aloud, without worry about how I sound, gives more confidence to more freely express my opinion and thoughts with others – something I could definitely use some work on!

All in all, Sock Monkey Oracle is a fun, lighthearted deck that is exciting to use. The messages are meaningful without being too bogged down with over-elaboration. The sock monkeys absolutely have a special essence that Grissom has done a truly wonderful job communicating for readers through her artwork and guidebook messages. Whether you’re a sock puppet enthusiast or simply enjoy their uplifting energy, this deck will assist you in embodying their sweet, playful spirit in your life.

The Torch of Brighid, by Erin Aurelia

The Torch of Brighid: Flametending for Transformation, by Erin Aurelia
Moon Books, 178904281X, 144 pages, June 2023

As someone not too familiar with the tradition of flametending, my ideas around what I thought it was versus what it actually is was both surprising and enlightening. In The Torch of Brighid: Flametending for Transformation, author Erin Aurelia takes us into the realm of the Goddess and shows us precisely what it means to be a flametender.

As an author, poet, spoken word performer, editor, and book coach, Aurelia has tended Brighid’s Perpetual Fire for 20 years and is the founder of the Daughters of Brighid flametending order. Author of numerous books on the subject, Aurelia also runs an editorial services and book coaching business where she offers her services to authors in a variety of self-help and spiritual areas that focus on women writers and voices in the heart-centered and spiritual coaching space.

If you’ve read any of my previous reviews, you will know that I love introductions as I feel they set the tone for the entire book and also impart the flavor of the author’s tone. In this book, Aurelia provides both a preface and an introduction and I couldn’t be happier.

The preface sets the tone for the book, clearly setting out the author’s goals and direction. It’s explained here that this book is not “reconstructing a past pagan practice, as there is no known pre-Christian flametending practice to Brighid which can be reconstructed”16.Aurelia is very clear that this book is not making any direct connection between any sort of mystical links that might have been suggested previously by other authors’ works, and instead chooses to focus on “presenting an inspired practice, like spiritual poetry.”17

At first blush, this whole book feels like a poetic love letter from the author to the Goddess Herself. It’s well written in a style that is approachable for those not familiar with this specific realm of spirituality yet doesn’t feel dumbed down for those who are seasoned. The concepts presented resonated deeply with me personally, and I was a bit surprised at the depth of my feelings as I read through it. This practice feels like coming home to oneself in the context of using deity as a conduit, which is of course what the purpose of this book is. It’s empowering and fulfilling and inspirational and I am so glad I picked it up.

The topics discussed in the book range from the history of the practice to an in depth transformational journey through the seasons. While it sounds like a lot of time needs to be invested, the book states that the reader can experience the sensation of flametending through a twenty-night period. Considering how often we subject ourselves to fad diets and other modes of “bettering” ourselves, I would respectfully offer that twenty nights of this practice could be far more beneficial than counting calories or fasting. But I digress: we each walk our own path.

The introduction gives the reader some background on how Aurelia first came to know Brighid. I find these origins fascinating as we have all walked our own paths to the various deities that we work with. Aurelia’s story resonates not because of the deity she observes but of the way she has integrated the lessons into her personal journey. She states:

“Her burning torch lit and guided my way, and where she led, I followed. I followed her from being one who burned myself out for others to one who learned to tend her flame from within. I followed her in my spiritual practices from celebration to devotion to contemplation to transformation.”18

This path described by Aurelia is precisely the one laid out in the book. I would humbly offer that burnout is often something experienced by those in caregiving or mothering roles, whether or not they have additional responsibilities outside the home or facility in which they provide care. Speaking personally, I often find myself in positions where I give too much of myself and then have nothing left for myself. This book is instrumental in discovering why that happens, and, more importantly, how to identify when it’s happening so that the energy can be shifted inward to where it’s needed most.

One of the most powerful concepts in this book is the idea that spiritual exploration and growth need not be done using external methods. While helpful at times, it’s also easy to become lost in a sea of voices and practices that might not be what’s needed. This is a personal practice and while you could share this journey with others at some point along the path, this feels very much like a task for one.

The practices in this book are presented in an easy to understand way with various supporting modalities, including runes. Aurelia says that the book is geared towards devotees of Brighid and those curious about the practice, stating:

“The depths can be dark, but her torch ever shines to illuminate a way for us toward our own illumination, healing, and growth. The practice in these pages is an invitation to follow this lit path through the forest of ogham trees in search of your true self, your unbreakable and remarkable soul hiding behind and beneath your fears.”19

If you are at all interested in any of the concepts presented here, pick The Torch of Brighid up. In fact, even if you aren’t interested, pick it up anyway and thumb through it. I guarantee something in these pages will leap out and whisper to you as it did to me.

Theurgy: Theory & Practice, by P.D. Newman

Theurgy: Theory & Practice: The Mysteries of the Ascent to the Divine, by P.D. Newman
Inner Tradition, 164411836X, 224 pages, December 2023

Theurgy is a Neoplatonic form of ritual magic in which the practitioner seeks mystical union with a divine being. The term theurgy, which means “to work with deity”1 in Greek, was first coined in the Chaldæan Oracles, a fragmented collection of dactylic hexameter verses, written in Homeric Greek, that were believed to have been channeled directly from the gods by either Julian the Chaldæan, or his son, Julian the Theurgist, during the late second century CE.

In Theurgy: Theory & Practice: The Mysteries of the Ascent to the Divine, author P.D. Newman, who has practiced theurgy for over two decades and is also a member of both the Masonic Fraternity and the Society of Rosicrucians, supplies a solid scholarly background on the development of theurgical practices. Even though the Chaldæan Oracles are the fundamental text on theurgy, he argues that the practice itself can be traced all the way back to Homeric times. 

In Part I, he demonstrates how the ancient Greek version of shamans, called iatromanteia (“healer-seers”), and the Presocratic philosophers laid the foundation for theurgical practices.

“Theurgy,” Newman explains, “is a process of anabasis or magical ascent whereby practitioners, such as the Neoplatonists…achieved henosis or mystical union with a deity, the Demiurge or the One,” while katabasis is “a dreamy descent to the domain of the dead and to the dark goddess who rules over that realm.”17

Plato and his followers aspired to ascend through the planetary spheres and unite with the One, the paternal Monad, using theurgical practices, while their predecessors, the iatromanteia (“healer-seers”) and Presocratic philosophers, sought Underworld descent, or katabasis, and union with the terrifying goddess that ruled there.

“For the Platonists, katabasis was understood as the descent of the soul into a body upon incarnation,” Newman says. “Hades, additionally, was allegorized and viewed as the very world that we, as embodied beings, inhabit.”19

In Plato’s teachings, the body (soma) is a grave (sema), and a prison for the soul. Plato’s famous “Allegory of the Cave” in the Republic demonstrates how the focus of theurgical practices shifted from the Underworld to the heavens. “The goal of the theurgist is not unlike that of the prisoner in the cave—to escape the sensible world of duality and penetrate the realm of ultimate, unitive reality above,” Newman says.20

I was fascinated to learn that the Sicilian stratovolcano Mount Etna was believed to be an entrance to Hades, and sacrifices to the goddess of the Underworld were thrown into the mouth of this fiery cauldron. According to legend, the iatromantis (healer-seer) Empedocles threw himself into the volcano to prove his divinity, and it erupted, vomiting out a single bronze sandal. Through self-immolation, Empedocles achieved henosis (mystical union) with the goddess Hecate. A single bronze sandal is one of her attributes as the Lady of Tartaros in the Papyri Graecae Magicae, and the Greeks associated bronze with the Underworld. This was a profound insight for me because I didn’t know that Hecate was associated with volcanoes, and this explains her fiery epithets. 

Part II explores possible theurgic elements in Homer’s Odyssey and Iliad. In Chapter 6, titled “Porphyry’s On the Cave of the Nymphs,” Newman demonstrates how philosophers often saw Odysseus as a spiritual hero, on a path of return to his celestial abode. For example, he says the Pythagoreans interpreted the song of the sirens to be the music of the celestial spheres, which is so beautiful it has the power to “lift the soul in its theurgic ascent to the Good,”21 and the Neopythagorean philosopher Numenius of Apamea saw “Odysseus as escaping genesis, the realm of ‘becoming,’ symbolized by the waters of Poseidon.”22

I loved this chapter, and the passages about Witch Queen Circe really blew my mind. According to the Neoplatonic philosopher Porphyry of Tyre, Circe symbolizes the cycle of metensomatosis, or reincarnation, in which eternal souls change bodies like clothes. Aiaia, the island over which she rules, is part of the land of the dead. Bewitched by the pleasures of the flesh, Odysseus’s men drink the witch’s brew and are reborn as beasts. Only Odysseus himself, who is on a path of ascension, is immune to her powers. Now that my perspective has been shifted to view the Odyssey as the tale of a hero’s apotheosis, I will never read it the same way again. 

Part III, titled “Theurgic Telestikē,” analyzes the practice of animating cult statues. This section was the most relevant for me because I have written my own rituals to awaken my deity statues in the past and I am looking to incorporate more traditional methods of doing so in order to infuse my rituals with historical authenticity. I also recently wrote a ritual to enliven a scrying mirror for Lilith, because in Jewish folklore she was believed to inhabit mirrors. One passage in particular really resonated with my intention, in which Newman quotes Plotinus, who compared the consecrated cult statue to “a mirror able to catch some image of it.”23 

In order to animate the statue, a sympathetic link is created with “theurgic talismans called synthēmata (tokens) and symbola (symbols),”24 which are similar to the planetary correspondences assigned to plants, animals, and minerals in natural magic. However, there is more to statue vivification than simply following a list of correspondences recognized by the intellect. Rather, the tokens and symbols help the theurgist align with the deity by making their divine essence become conscious, or awakened, within themselves, especially if they have psychoactive properties that alter one’s consciousness. For example, in fragment 224 of the Chaldæan Oracles, the goddess Hecate instructs the theurgist to animate her statue with wild rue, or Syrian rue, an entheogenic plant that the Roman naturalist Pliny the Elder associated with vision, which is still burned today in the Middle East to repel the evil eye.

My devotion to Hecate inspired me to learn more about theurgy because of her exalted status in the Chaldæan Oracles, in which she is referred to as the World Soul, or at least she is according to my copy, translated by Ruth Majercik. Before reading this book, I wasn’t aware that there is conflicting scholarship about whether or not this epithet applies to her, and I was surprised to find that Newman presents the argument that Hecate is not herself the anima mundi, or World Soul, because her position in the Chaldæan hierarchy is too elevated.

“Indeed…in the Oracles, Hecate is said to be the cause of soul—but not soul itself, “Newman says. “Rather, Hecate is acknowledged as a goddess of liminality who exists in the space between two realms, such as she served when acting in the role of psychopomp for Persephone in the Eleusinian mysteries.”25

In an initiatory dream I received over a decade ago, Hecate stabbed me in my right side with her dagger and pomegranate juice flowed from the wound. “You are Persephone,” she said. Several years later, the dream made more sense to me when I read Fragment 51 of The Chaldean Oracles: “Around the hollow of her right flank a great stream of the primordially-generated Soul gushes forth in abundance, totally ensouling light, fire, ether, worlds.”26 If Hecate is so elevated that she transcends the epithet of World Soul, then I wonder if perhaps her lowest aspect, the maiden Persephone, should in fact hold that title.

Theurgy: Theory & Practice is an astounding work that combines shamanism, various schools of Greek philosophy, and theurgical praxis that can be integrated by modern occultists. The many branches of Greek philosophy can be an overwhelming topic to explore, but Newman does an excellent job of diluting the common theurgical elements, and a wealth of information is condensed into under 200 pages. Both modern theurgists and devotees of Hecate will appreciate this work, especially if they are interested in learning more about her significance in the Chaldæan Oracles.

Witching Hour Oracle, by Lorraine Anderson

Witching Hour Oracle: Awaken Your Inner Magic, by Lorraine Anderson and illustrated by Olivia Bürki
Rockpool Publishing, 1922785008, 112 pages, 44 cards, October 2023

Spiritual transformation, especially through witchcraft, involves the shedding of old patterns and beliefs that no longer serve the individual and the embracing of new perspectives and ways of being. Lorraine Anderson perfectly encapsulated the steps in the process of metamorphosis in the Witching Hour Oracle: Awaken Your Inner Magic. Channeling the highs and lows of her own spiritual journey, this deck guides readers in tapping into their innate power and shifting from the inside out.

“Each card in this deck represents a step on the journey back to your truest self (Deep Being).”24

Anderson explains in the guidebook how this deck came to her “in a time of extreme transformation.”25 In the midst of things falling apart, her priorities were skewed, valuing material gain over spiritual practice and neglecting self-care. Finding herself at a low point, Anderson decided to dismantle what was no longer working and face her shadow head-on. From her journey of being spiritual led through both  lows and highs, she gleaned insight to share with others on their own path, finding joy and magic along the way.

This deck consists of forty-four cards that are filled with glistening and luminous energy brought to life through the illustrations of Olivia Bürki. Nearly every card features the twinkling shine of magic, highlighting the invisible undercurrent constantly flowing around us. There’s a darker tone to the cards, yet there’s still plenty of vibrant colors that awaken the spirit within the imagery, prompting revelation for the readers as they gaze at the messages coming through. Bürki’s illustrations are truly magical, offering visual portals through the imagery of this deck.

While these cards can absolutely be intuitively read using the card’s name, imagery, and the word or sentence at the bottom, the guidebook adds interesting depth. Anderson provides guidance on how to read with companion cards. She describes how a card’s meaning changes depending on the other cards it’s pulled alongside. Using this concept, she has provided companion card descriptions for every card in the deck, which the reader can use to find further meaning in the cards they pulled.

What I like most about the companion card system is how Anderson pairs a companion tarot card for each card in the deck. I normally wouldn’t think to pull both an oracle and tarot card together. Yet I enjoyed this method and felt that working with two decks in tandem added a new flavor to my readings. Also reading the tarot companion card for each card in the deck helped me understand its energy more too.

The entry for each card in the guidebook features keywords, the tarot companion, description of the card’s meaning, and further description of significant companion cards within the deck that may have appeared in the reader together.

As an example, the card I pulled today was Invocation. The keywords are “power of words; kindness matters; criticism”27 and the tarot companion is the Page of Swords. The card’s description talks about how our words have power and so critical thoughts can be harmful both to ourselves and others. This one hit home for me since my husband just pointed out how critical I had been recently, often aiming my sharp words at him to the detriment of the quality of our relationship. Ever since he mentioned this to me I’ve been trying to be more mindful of the way I share my thoughts, and Anderson’s words “with practice you’ll learn to choose love-filled communication and your entire vibration and and situation will shift”28 was quite reassuring.

While I read this card singularly, the companion cards are High Priestess and Salt. Looking for further guidance on how I might better communicate with my husband, I went on to read each one of these cards in the guidebook too. And for those like myself who need some ideas when it comes to doing spreads, Anderson provides a ton to choose from! She provides spreads for getting to know the deck, a weekly self-care check in, discovering resources available to you, seeing the bigger picture, and more! I appreciate how these spreads are ones I can do regularly to stay attuned to my inner knowing.

Overall, Witching Hour Oracle is a wonderful deck for the witch interested in spiritual transformation, self-care, and deepening their connection to their intuition. Anderson has done a wonderful job of illuminating aspects of the spiritual path of the witch, including initiation and all the change that usually accompanies major leaps in spiritual and personal growth. I recommend this deck for everyone who walks the path of the witch, as we all need a little guidance sometimes, and the wisdom of this deck is one that has the power to usher in lasting manifestations and potent change.

Censored Angels, by Zara West

Censored Angel: Anthony Comstock’s Nemesis, by Zara West
Tidal Waters Press, 1959318128, 350 pages, June 2023

Censored Angel: Anthony Comstock’s Nemesis by Zara West, the second book in her Forgotten Women series, is a historical fiction novel about the life of Ida Craddock, a mystical marriage counselor and advocate for free speech. West tells Craddock’s tale in first-person narrative form, opening a doorway for reader’s to enter Craddock’s fascinating inner world.

The story begins with Craddock as a teenager in 1875, highlighting her trying relationship with her mother, who continually undermines her career ambition and spiritual pursuits. Craddock’s one place of peace is her Quaker school where she excels academically. Upon learning her beloved teacher has passed away, after she had come to Craddock for advice about the pain she feels during material relations, Craddock is devastated. She was too late to save her teacher, but is now determined to help other women in similar situations.

This sets her on a path of study focused on the religious history of sex worship, along the way gaining knowledge from doctors, activists, and spiritualists who share her mission. She also has the divine support of her angels, most notably her spirit husband Soph, who guides her in the art of heavenly love. Her rebellious, unconventional ways continue to put Craddock at odds with her mother, who is a staunch Christian temperance member.

Craddock yearns to gain some independence. Working as a typist and escaping her mother’s roof, she begins to cultivate her own dreams. Even though Craddock had dreams of becoming a scholar, to stay afloat, she resorts to publishing her instruction manuals about human sexuality and the correct way to have appropriate, respectful sexual relations between husband and wife. Her most famous works include Heavenly Bridegrooms, Psychic Wedlock, Spiritual Joys, Letter To A Prospective Bride, The Wedding Night, and Right Marital Living. These publications soon become the focus of Anthony Comstock, the notorious Anti-Obscenity PostMaster General known for his staunch laws about what was and was not appropriate to send through the mail.

Craddock’s continual effort to prove herself as an intellectual comes up against sexism, censorship, and ill-will from Comstock who see her as a deviant. But she doesn’t allow her mother or Comstock to stand in her way. Pinching pennies to pursue her path, she moves from city to city to have the freedom to continue her studies. The book covers her time in England, California, Chicago, and her home city of Philadelphia. Finally, in New York City, Craddock stands her ground against Comstock. She advertises her services as a marriage counselor and proclaims herself High Priestess of the Church of Yoga. She openly sees clients and hands out her work, baiting Comstock to come after her.

Eventually, Comstock does bring charges against her. And this time, unlike her previous arrest where she took a plea deal, Craddock refuses to back down and uses the trials as an opportunity to take a stand for what she believes in. With the assistance of other open-minded reformers and activists, Craddock used her publicity to advocate for free speech. Ultimately though, facing serious jail time, Craddock decided to end her life as a free woman, writing in a letter to her mother, “I maintain my right to die as I have lived, a free woman, not cowed into silence by any other human being.”

Personally, I absolutely loved this book and think Kosher did an incredible job of portraying Craddock. I first learned about Craddock when reading the work of Emma Goldman, who really looked up to Craddock and sung her praises. I then read The Man Who Hated Women: Sex, Censorship, and Civil Liberties in the Gilded Age when it was released in 2021. That book gave me insight into Craddock’s significant role in advocating for women’s rights and free speech.

However, even with all this information I had read about Craddock, she never really became someone I connected with personally until West’s writing in Censored Angels. Kosher drew from Craddock’s letters, diaries, published work, as well as first hand material such as newspaper and magazine articles and court records to create this narrative. Even though this book is historical fiction, the way Kosher weaves in actual quotes provides the readers with insight into Craddock’s inner world.

Kosher also does a very good job of setting readers within the time and place of Craddock’s life. Small details about the way people dressed or the current trends ground readers in the historical period of Craddock’s life, further situating the significance of her work in comparison to the repressed Victorian values that dominated the Gilded Age.

I also was simply blown away by how well Kosher seemed to understand Craddock. The level of commitment she must have put into this research, the time truly contemplating Craddock’s motives and what she was trying to do, along with respect for her spiritual truth, most notably her angelic husband Soph, demonstrate considerable talent on West’s part. It’s one thing to write a biography, it’s a whole other thing to tell the fictional autobiography through a first-person narrative and make it feel so real.

All in all, I highly recommend Censored Angel to those interested in spiritualism and feminism. Craddock is not given enough recognition for her life’s work, which truly paved the way for others to advocate for women’s rights to have knowledge about their own bodies and agency over their sexual and marital affairs. West’s writing is sure to keep you amused (I was hooked from the first chapter!) and make you feel admiration for the sacrifices Craddock made to share her divine wisdom with the general public to ensure Americans maintained their freedom of speech.

Spiritual Revelations from Beyond the Veil, by Douglas Charles Hodgson

Spiritual Revelations from Beyond the Veil: What Humanity Can Learn from the Near Death Experience, by Douglas Charles Hodgson
O-Books, 1803413409, 152 pages, January 2024

In his beautiful tribute to life on the Other Side, Douglas Charles Hodgson highlights experiences from people who have had near death experiences (NDEs) in Spiritual Revelations from Beyond the Veil: What Humanity Can Learn from the Near Death Experience. This book not only recaps these experiences, but also catalogs what he learned from over 500 interviews from the International Association for Near-Death Studies and its website.

Douglas Charles Hodgson is a retired lawyer, dean, and professor of law, who has focused on human rights, religious discrimination, and religious fundamentalism. Following his forty-year legal career in Canada, England, Australia, and New Zealand, he began a study of twelve religions, as he searched for the meaning of life. After this exploration, he wrote a book called Transcendental Spirituality, Wisdom and Virtue. Hodgson has also written four other books.  Born in Canada, Hodgson now lives in Perth, Australia and has dual citizenship.

In his preface, Hodgson presents the concept for his book and how he came to be interested in NDE experiences, following the publication of his book on transcendental spirituality. He made use of information from the International Association for Near-Death Studies (IANDS) and the hundreds of accounts from people who experienced NDEs. He asserts that he “decouples spirituality from a religious context”1: 

“Indeed, numerous IANDS authors declared that before their near-death experience, they had no religion and did not believe in the existence of God or an afterlife, while others who were adherents to a particular religion or faith declared that after their experience, their particular religion was of less importance to them and henceforth aspired to be more spiritual in their outlook on life and in their dealings with others in the natural environment.”2

He hopes that this book will “provide comfort and assurance to those who have fear or uncertainty about the eventual demise of their physical bodies. It is to reassure them that their souls are eternal and that there is a beautiful afterlife to be enjoyed within the higher spiritual realms (our true home).”29

Hodgson takes care to let the reader know that all accounts were anonymous, and that no identifying information is shared. He also points out that while no two NDEs are the same, there are similarities and accounts that “tend to corroborate one another.”30 Within this book, Hodgson takes the accounts from people who have experienced an NDE and arranges the comments into nineteen categories.  

Starting each chapter with the name of the topic, Hodgson provides a brief explanation of the NDE information that he will include.  Then, he lists the comments or experiential narrative from each NDE that fits in this category. 

For example, the first chapter is entitled “God/The Source”, and it includes what various NDE authors “have described concerning their encounters with God and God’s supra-human qualities and attributes as well as any messages or revelations which were imparted to them either by God or higher spiritual beings.”31

Here are just a few of these comments:

“God exists as well as an afterlife beyond our earthly life.”32

“God is our creator and our soul returns to him.”33

“God is the center, and we are all spokes of the universal wheel.”34

My favorite chapter was one entitled “Loving Yourself”.  In this chapter, Hodgson shares the importance of loving oneself, “not in a narcissistic sense but in a compassionate sense.”35 He goes on to share revelations on self-love from those who experienced an NDE, including the following comment:

“My life review taught me that before we can let God’s light and love in,  we must forgive ourselves.”36

Hodgson’s book is written in a very conversational, clear style. The information is presented in a very open and objective way, and one that does not include any bias or religious connotations. I am impressed by the time and work that went into researching, cataloging, and writing this chronicle of NDEs. The organization of all of this material, from over 500 accounts of NDEs, is truly remarkable. He also includes a few sources for learning more about NDEs. 

What I like best about Hodgson’s book is the way that I can use this information for daily encouragement or journal prompts.  For example, in the chapter called “Our Earthly Life Purpose and Meaning”, I saw these thought-provoking prompts that I want to use for daily affirmations:

“Life is meant to be lived in abundance.”

“Do not be concerned over what others may think of you. “

“There is meaning in everything.”

Spiritual Revelations from Beyond the Veil would be great for all interested in what happens after we pass on, including anyone who needs encouragement after a loss, someone at a crossroads or someone asking “why?” in a general context.  In Hodgson’s own words:

“For those who are grieving the loss of a loved one and for those who feel lost and confused about the meaning and purpose to their lives and what lies ahead of them, it is hoped that this book will provide comfort, peace, solace, assurance and direction.”37

My husband and I work with grieving people, giving mediumship readings, and providing resources for life after a loss. Hodgson’s book will provide us with even more information to share with our clients, family and friends.

Bones & Honey, by Danielle Dulsky

Bones & Honey: A Heathen Prayer Book, by Danielle Dulsky
New World Library, 1608688925, 208 pages, November 2023

While prayer comes from the heart, oftentimes we still long for the words to express ourselves. Bones and Honey: A Heathen Prayer Book by Danielle Dulsky gives voice to prayers we didn’t even know we needed—those secret whispers of the heart we can only hear when we slow down to listen. Dulsky’s words in this book are the balm to our weary soul in trying times, the catharsis that brings sweet release, to usher in a new vision.

“To pray is not to submit but to cast a spell, to speak our imaginations aloud and make manifest our most earnest requests. No spell comes to fruition without the confluence of innumerable sources, and every Witch knows this well. By extension, every spell is, in part, a prayer.”1

As a little girl, I devoutly learned to say my Christian prayers each night. Decades later, I will still find myself saying a quick Hail Mary at times, but that’s about the only prayer I can remember that feels resonant after wading through the wounds the Catholic Church inflicted on my spirit. I’ve yearned to have new prayers woven into my body and soul’s memory to call forth when needed, especially words to encapsulate what I’m feeling in the midst of troubling modern times featuring pandemics, ecological collapse, and war.

My path in witchcraft has unleashed unforeseen desires, teaching me the value of integrating all aspects of myself. Yet, it still remains a challenge to feel prayer deeply within my body, rather than as though I am being forced to prostrate myself to the limited gods available in modern religion, with hopes of calling into being my visions. Dulsky captures my sentiment perfectly in the introduction to this book, writing:

“As the veil continues to life, as the curtain rises to reveal far more sacred actors than the few famed gods whose names we all know well, we still need prayer. We have our own “earn requests,” not for forgiveness or redemption but for all beings, ourselves included, to be whole, well, and free.”2

What words are left when we cast our guilt, shame, and falsehood aside to reveal what’s left at the core (bones), instead opening up to be a channel for goodness and sweetness (honey) in the world?  Whether you read these prayers aloud or quietly to yourself, the potent force of these prayers is bound to have a ripple effect.

Now, it’s worth noting that the term “prayer” in this book might be different from what one has come to associate with the term. Dulsky’s prayers include blessings, songs, and even short stories. And they are  organized into thirteen books, each one an archetype that she believes is an important medicine for the world right now. Then every book consists of thirteen prayers related to the theme of the archetype.

Some examples of the books are “Book of Wild Lovers: Prayers for Lust, Seduction, and Majestic Relatedness”,  “Book of the Nameless Grandmothers: Prayers for Ancestral healing, Lineage Exploration, and Forgiveness”, “Book of the Botanical Babe: Prayers for Innocents, Beginnings, and Wild Children”, and “Book of Shape-Shifters: Prayers for Time Weavers, Human Evolution, and Strange Futures”

These archetypal themes are just the general essence of each chapter, and Dulsky provides an overview of the significance of the archetype and why it’s relevant to healing in modern times. And if this is all feeling a bit heady now, as archetypes can sometimes be given their expansiveness, the organization of the book makes it VERY easy to find exactly the prayer you need at any point in time.

Skimming through the table of contents, one is easily able to find the right prayer for them. The prayers are all numbered and within the title is the circumstance to say the prayer. For instance, if I was looking for “6.2 In Praise of our Wild Stories: To Sing When the Moon is New” to do a ritual, I would immediately know to go to the second prayer in chapter six.

Admittedly, I’ve mostly read the book in bits and pieces as I feel called to by prayer, rather than moving through all the archetypes sequentially. But I think there’s value in delving into each archetype and moving through the prayers to understand the archetype’s energy more.

As for Dulsky’s writing, it’s lyrical, raw, and potent. It has a boldness that cuts deep, even in the tenderest of times. I’ve been reading the words aloud and often feel I become infused with a greater power; my voice shifts as I feel the emotion run through me. The brilliance of this book quickly becomes a channel, and I have no doubt the prayers I am reciting are reverberating to create change.

I’d like to say I picked a favorite poem to share, but every one I read stirs something within me that I can hardly set one above another. Some that have felt especially potent though are “9.2 See Our Joy: To Giggle-Spit at the False Prophets”, which reads in part:

“See our joy and be on your way, preacher. We repent nothing, and you can’t sell our own belonging back to us. We’ll find our own redemption in the forest and take our communion from the  mountain stream, thank you very much.”32

I also have really been vibing with “6.1 The Old Haunted Skin: The Snake’s Dark Moon Energy”, which begins:

“Shedding this too-small skin, I am, for this serpentine queen makes herself ready for what comes.”33

Finally, the tender prayers of motherhood and wild children call to me, such as this snippet of “13.4 Love, Innocence, and Climate Change: A Prayer for Young Families”:

“Our strange souls chose each other to share a home in this time of great unraveling, in these wild moments of war, heat, disease, and rising waters. Fools might call it coincidence, the coming together of our peculiar family, the knowing ones understand the nature of fate.”34

All in all, Bones & Honey fills the reader with world-shifting, world-building, and world-sustaining words. Dulskey’s prayers defy time, connecting us to the past, present, and future, while anchoring us in our bodies. These prayers are much-needed medicine for our time, and I truly am excited to know I’ll be chanting them heart to heart with a powerful collective of heathens and witches.

2024 Lunar and Seasonal Diary, by Stacey Demarco

2024 Lunar and Seasonal Diary – Northern Hemisphere, by Stacey Demarco
Rockpool Publishing, 978-1925946666, 216 pages, June 2023

I am really looking forward to using my 2024 Lunar and Seasonal Diary – Northern Hemisphere by Stacey Demarco. This diary is beautifully illustrated and the contents on lunar and seasonal energies make it much more than a simple day planner. Each page is an invitation to reflect, plan, and take away some new bit of wisdom that would have otherwise gone unfound. A diary is of no use if it is something more than just a place to count off the days; this diary is so much more than that and then some!

Due diligence has been given by Demarco in creating not only a functional planner but also a source of teachings about lunar workings, correspondences, spell craft, ritual, and introductory astrology. Her writing makes the 2024 Lunar and Seasonal Diary accessible to the aficionados of lunar-forward planning and the witches who wants to incorporate powerful magick in their daily life.

The first 20+ pages are dedicated to the lunar arts and topics include elements and directions, spell timings and moon cycles, lunar energies and crystals, and the wheel of the year. The wheel of the year section is a very robust overview of the sabbats that is packed with readily-applied information on how the month’s energy supported the myriad ways of celebration.

The 2024 Lunar and Seasonal Diary is organized into the standard twelve-month, weekly format common to most planners. Additionally, each month offers a double page section highlighting a specific deity aligned with that month’s energy and an accompanying spell or ritual guiding how to call that energy into the month’s work. Beautiful graphics herald each month and a quick goal starter introduces the weekly pages. For those who are visually stimulated with the tasks of thinking out your goals, what’s and when’s will be happily committed to paper. The paper itself is strong, heavy stock with no bleed through. 

Would I Recommend?

What I omitted in the beginning of this review is that I am highly selective when it comes to my yearly planner. In fact, so much so that it is not unusual for me to have 5-6 different types and formats of these and still not settle on any one just because it doesn’t hit all my checkboxes.

With that being said, 2024 Lunar and Seasonal Diary by Stacey Demarco checks all of the boxes for anyone wanting a beautiful, functional, educational and “just feels right” 2024 diary.  This is a keeper and I am confident that I will be using it for the entirety of the year. 

About the Author Stacey Demarco

Stacey Demarco is The Modern Witch. Passionate about bringing practical magic to everyone and inspiring people to have a deeper connection with nature, she has been teaching witchcraft and mythos for many decades. This diary is now in its 14th edition and is published in both the southern and northern hemispheres. She is the author of The Enchanted Moon and The Priestess Path, which have been translated into other languages. Her oracle card decks include the bestselling Queen of the Moon, Divine Animals, Moon Magick, Elemental Oracle, Oracle of the Universe, and Deep, Dark and Dangerous. An animal activist, ethical beekeeper and dedicated adventure traveler, she lives in Sydney, Australia on a cliff by the beach with her husband and furry companions. Stacey provides private consults as well as teaching workshops, and leads the popular Wild Souls Retreats nationally and internationally.

Soul Journey through the Tarot, by John Sandbach

Soul Journey through the Tarot: Key to a Complete Spiritual Practice, by John Sandbach
Destiny Books, 1644117096, 384 pages, November 2023

I’ve been studying tarot for almost 27 years, but these magical cards contain so much wisdom that there is always something new to learn, and I often feel like I’ve barely scratched the surface. Most tarot books on the market tend to be geared towards beginners, rehashing the same sets of keywords and interpretations, so I get excited when I find a text that delves deeper into the esoteric teachings of the cards.

In Soul Journey through the Tarot: Key to a Complete Spiritual Practice, author John Sandbach shares his own unique magical system, co-created with his spirit guides and inspired by over 50 years of studying tarot. Sandbach first channeled these oracles in 1976, and wrote this updated edition with the intention that it will be used as “a tool for vibrational healing.”37

He has named the Major Arcana cards depicted in this book the Azoth Deck, and the illustrations were created by South Korean artist Daehee Son.

“Azoth,” Sandbach says, “refers to the spirit and energy of the planet Mercury, who in Egypt was the god Thoth, who was the inventor of the alphabet—the tarot being an alphabet of spiritual forces.”38

Sandbach has changed some of the traditional names of the Major Arcana. For example, as a departure from the final reckoning of Christianity, Sandbach calls the Judgment card “The Awakening,” a title that he feels more accurately captures the core meaning of Arcanum XX. The Devil, Arcanum XV, has been renamed “The Musician,” to avoid the negative connotations of the original title and shift the focus of the card to the inner harmony or discord of the seeker.

The book’s cover claims that this text integrates “numerology, astrology, Kabbalah, and the contemplative life.”39 I wanted to read this book to get a better grasp of the Kabbalistic Tree of Life and Hebrew letters in relation to tarot, as well as deepen my understanding of the astrological tarot correspondences. However, I was surprised to find that many of Sandbach’s astrological and elemental associations are completely different from the Golden Dawn attributions I currently use, which I learned from The Complete Golden Dawn System of Magic (1984) by Israel Regardie (1907-1985).

Sandbach associates The High Priestess, titled “The Guardian of the Gate (Veiled Isis)”, with Virgo instead of the Moon; The Hermit, titled “The Seeker (The Sage)”, with Aquarius instead of Virgo; The Star, “The Light”, with Gemini instead of Aquarius; and so on.40 The Suit of Coins is assigned the element of Air instead of Earth, and Swords are Earth instead of Air.41 Even though most of these associations don’t resonate with me, I decided to keep an open mind and shift my perspective to include them, at least for the duration of time it took me to read this book.

Sandbach justifies the association of Coins with Air by explaining that exchanging currency for goods is an abstract concept created by the mind, and “the air element resonates with concepts and systems formed through the mental activity of humans.”42 Swords, on the other hand, are practical instruments made of metal, which penetrate the density of matter. These elemental associations have Vedic origins, and relate to the Hindu tattwa system. He borrowed his elemental and astrological associations from The Sacred Tarot by astrologer and occultist C.C. Zain (1882-1951), a work that was a major influence on his approach to tarot.43 Sandbach acknowledges that these are less popular tarot associations, and advises the reader to use whatever correspondences make the most sense to them, because all systems are valid.

“Ultimately,” he says, “we must realize that the four physical elements are not four distinctly different things, but the same thing in different states.”44

This is an excellent point, and it made me more receptive to his alternative elemental associations. 

While I had a hard time connecting with many of these correspondences, the Virgo association with The High Priestess, titled “The Guardian of the Gate (Veiled Isis)” was compelling to me, particularly in how it influenced Sandbach’s interpretation of the card. Virgo rules the digestive system, and the message of the High Priestess is to “be watchful of what you ‘eat,’ whether it be food, thoughts, emotions, concepts, or vibrations.”45 I personally associate The High Priestess with Persephone, whose fast was broken by pomegranate seeds while she was in the Underworld, so the digestion message really spoke to me. The Moon, which is usually the planetary association for this card, is considered to be the ruler of Virgo in esoteric astrology, and knowing this reinforces the validity of Virgo as an alternative astrological association for the High Priestess.

The most unique tarot associations Sandbach gives are spirit names in the intergalactic Language of Space. “This universal constructed language, known as aUI,” Sandbach says, “was originally received from extraterrestrial beings by psychologist and linguist Dr. John Weilgart (1913-1981) in the early 1950s.”46 aUI (pronounced “ah-OO-ee”) is a sound-based language, and the aliens who transmitted it to Dr. Weilgart told him that it had been spoken by Adam and Eve in the Garden of Eden.47

Sandbach gives a spirit name in aUI for each major arcana card and supplies the correct pronunciations for the reader. For example, the spirit name for the High Priestess (Veiled Isis) is ytlUkU (pronounced “yit-LOO-koo”).48 Sandbach says these spirit names were channeled by him and belong to entities associated with the cards.

“The letters of aUI and their sounds can be used for contemplation and to make up your own magical words,” Sandbach says.49

What a fascinating concept! Even if a reader doesn’t agree with Sandbach’s tarot associations, the chapter on the Language of Space is intriguing.

I draw a daily tarot card for myself almost every morning, and I decided to apply Sandbach’s interpretations while reading his book. One of the cards I drew was Strength from The Bones Arcana.

Sandbach calls Strength “Arcanum XI: The Maiden (The Enchantress)” and associates her with the planet Neptune. I love the title “The Enchantress,” which brings to mind the Greek witch goddess Circe, daughter of the sun god Helios, who was accompanied by lions in the Odyssey and transformed Odysseus’s crew into pigs. I tend to prefer numbering this card 8 instead of 11 because I associate it with Leo, and the eighth month of August. Sandbach’s Neptune association aligns with the belief of some modern astrologers that Neptune is exalted in Leo.

Sandbach says of “The Enchantress” that “she has gained ascendancy over one of nature’s most powerful creatures, and she has accomplished this through the actualization of her psychic power, as well as through her love.”50 Sandbach’s description of Strength as “the arcanum of psychic power,”51 reminded me again of Witch Queen Circe. In the Odyssey, she was a loner who lived on the uncharted island of Aeaea. She was a master of illusion magic, involving shapeshifting and crafting potions, and she revealed the bestial natures of those who invaded her privacy by transforming them into animals.

All of these skills have a very Neptunian quality to them. Neptune is the hypnotic and bewitching planet of dreams, fantasies, glamor, illusions, mysticism, and drugs (or potions, in Circe’s case). Circe was the daughter of the sun god Helios, and Sandbach says the Sun is the root ruler of this card, while Neptune is the “therapeutic agent.”52 After exploring the Circe connection I made to the Strength card, I appreciate Sandbach’s Neptune association much more. 

Sandbach’s system is a radical departure from what most tarot students are probably familiar with, and this reminds me of the differences between tropical (Western) astrology and sidereal (Vedic) astrology. Western astrology is more popular, but both systems are equally valid. Tarot readers influenced by occultist C.C. Zain will likely resonate with Sandbach’s system, while those who have memorized the Golden Dawn’s tarot associations may find these correspondences a bit more difficult to integrate.

Sandbach claims that the system he uses, which is modeled after Zain’s work, “is a therapeutic or healing system,” while the more common associations, which he says are based on the Kabbalistic text titled the Sepher Yetzirah (the “Book of Formation,” or  the “Book of Creation”), encompass “the root, or actual system.”53 Approaching his associations as a complementary healing system may help readers blend Sandbach’s method with the one they currently use.

Initially I was resistant to the teachings in this book because I was hoping to expand my understanding of the Golden Dawn associations, not learn a completely new system. However, being receptive to correspondences I didn’t agree with and exploring them with open-minded curiosity helped me glean new insights about the cards. I think any experienced tarot reader will benefit from questioning and reevaluating the associations they have memorized by being open to alternative ones or intuitively assigning their own. After all, when used as a tool for spiritual growth, tarot expands consciousness and opens our minds to new possibilities, so the archetypal images have infinite layers of interpretation. In this light, Soul Journey through the Tarot can help seasoned readers rediscover tarot and tap into new ways of relating to the cards.