Page 6 – Musing Mystical

Shadow Work for the Soul, by Mary Mueller Shutan

Shadow Work for the Soul: Seeing Beauty in the Dark, by Mary Mueller Shutan
Findhorn Press, 9798888500149, 288 pages, April 2024

Mary Mueller Shutan has written a comprehensive guide to the shadow and how to honor it for healing and transformation. Shadow Work for the Soul: Seeing Beauty in the Dark combines information, tools, and quotes from writers and thought leaders, both past and present, to not only explain how to identity, but also to reclaim and integrate shadow aspects.

“By the time we reach adulthood, much of our authentic self is shadow, and we no longer feel vibrant and enthusiastic about life. Yet the shadow is composed not only of the trauma and darkness we have experienced but also the light we have yet to absorb.”¹

As a teacher and healer who is trained in Chinese medicine, somatic bodywork and energy work, Shutan began her work as a massage therapist. She went on to study Reiki, Thai bodywork, CranioSacral Therapy, and Chinese Medicine. Her training also includes acupuncture and herbal medicine. In 2016, she closed her in-person practice and began to focus on distance healing, teaching, and writing. Shutan offers online classes and has written three other books, as well as her blogs. Read more about Shutan on her website.

After an introduction, in which the author uses the analogy of a lake to explain the shadow, Shutan dives into her four-part work:

“Part 1: Meeting the Shadow”
“Part 2: Working with the Shadow”
“Part 3: Collective Shadows”
“Part 4: Embracing the Other: Essays & Contradictions”

Within the 25 chapters of this book, Shutan presents the shadow, explains how to work with the shadow, shares her ideas on the collective shadow and closes with a series of essays regarding how we project our shadow parts.

Throughout the book, the author shares stories, myths, and analogies to help us better understand our shadow aspects. For example, she shares the story of the “Princess and the Dragon” to explain how we often become divided when faced with repeated trauma. One part of us is the “inner child” and the other part is the “fierce protector”, which is mythologically represented by the “princess and the dragon”. While part of us feels small and powerless, another part appears to be a type of protector. She writes, “This protector often shields itself by claiming superiority.”²

Shutan includes many healing tools for a type of self-directed healing process for shadow work. One of my favorite tools is called “Sitting with Emotions.”³ Here is one example of how to sit with grief:

“OK grief, “Let us have 5 minutes together.” Then allow yourself to feel. Keep good boundaries with yourself. It is not necessary to go overboard, which can sometimes be cathartic, but at other times be exhausting and unnecessary.

When you are finished sitting with your emotion, be sure to thank the emotion: “Thank you, grief, for processing a handful of grief with me.””⁴

She also includes another, longer meditative process for processing emotions that may be more “entrenched”⁵. In another section, she suggests that when a trigger arises, ask yourself, “What age am I?”⁶ This question can help us to gauge whether our reaction is current or from childhood.

Another helpful tool includes “questioning if your actions or thoughts are causing you to feel superior or inferior to someone else.”⁷ Shutan goes on to say that by catching ourselves in these situations, we can begin to stop the competitive judging of other people.

I also enjoyed learning the “Saying Something Nice”⁸ tool. When you find yourself triggered by someone or their actions, quickly find three things about that person that you like. The author advises that over time, this tool will help us integrate shadow aspects and “you will find that what you see reflected in the other person changes.”⁹ Finally, as we “notice the positive qualities in others, we are more open to seeing positive qualities within ourselves.”¹⁰

One of the longer chapters deals with the concept of “Loops.” With the tools in this chapter, you can begin to recognize repeating patterns, conversations and reactions. Shutan explains that these loops begin in childhood, many of which are established when we are preverbal. The steps to breaking down and healing these loops begins with awareness and asking this question: “But what happens before that?”¹¹ Her example is a person who has a migraine. The process involves dissecting everything that happened BEFORE the migraine, to see what triggered it, which is often more than one thing.

Shutan’s writing is easy to read and well structured. I like the fact that she includes the name of the section or part on the top left-hand page and the chapter title on the top right-hand page. This makes navigation easy. She also includes a section of book titles for further reading.

Shadow Work for the Soul would be great for anyone who is currently struggling with triggers, projections, or patterns that keep repeating in their lives. I plan to revisit many of the tools Shutan includes and keep it on hand to share with clients and friends. As she says in the foreword:

“The purpose of shadow work is not to become beings of light, but to revel in the dark. We can become a fully human being– accepting and allowing every aspect of ourselves to become a part of us again. Without our darkness we are only half a person, living a half-lived life. Our darkness is where our passions lie. . . By doing shadow work we can release the primal shame of the body and embrace ourselves exactly as we are.”¹²

Starlore Arcana, by Nitasia Roland

Starlore Arcana: Constellations for Tarot, Astrology, and Cartomancy, by Nitasia Roland
Weiser Books, 1578638488, 128 pages, 56 cards, September 2024

Starlore Arcana: Constellations for Tarot, Astrology, and Cartomancy by Nitasia Roland is an intriguing and imaginative fusion of ancient wisdom and modern mysticism. In this deck, Roland seamlessly weaves together the celestial themes of constellations with the practices of tarot, astrology, and cartomancy, creating a rich tapestry that invites readers to explore the cosmos both within and beyond.

“We see something of our souls in the heavens, and the use of images helps us connect with those beings that are the stars.”⁹

The design of this 56-card deck is based on Astronomical Playing Cards created by John Lenthall and published in 1717. Roland digitally optimized Lenthall’s deck and then added four Knight cards she created, as the original deck had the traditional structure for playing cards (Jack, Queen, and King). Playing card suits are used instead of the traditional tarot suits with Wands as Clubs, Cups as Hearts, Swords as Spades, and Pentacles as Diamonds.

The symbol for the suit and card number is at the top of each card, though the full name of the card is also written at the bottom. The image of the constellation is the focal point for each card. Then the French name is written in a beautiful font, while the English translation is written in cursive below. Some cards feature more hand-written insight such as “rises not” or “sets not” to give further information about the constellation.

The deck is beautifully illustrated, with enchanting images that bring the constellations to life. These visuals not only enhance the reader’s experience but also serve as a valuable tool for meditative and intuitive work. I love the rich colors used for the cards, which are a perfect contrast to the bold black lines of the imagery. For someone who loves both astrology and tarot, seeing the constellations come to life in the depictions and then further be illuminated by the structure of the tarot is a real treat. There’s so many layers in each card, and this is also reflected in the detailed guidebook entries.

Roland’s translation of the vastness of the night sky into personal and relatable insights in the guidebook is impressive. In the introduction, Roland shares the numerology meanings for Ace-10, quick descriptions of the suits and court cards, and guidance on how to consecrate, charge, and store one’s deck. Then for each card, she has written about the location of the constellation in the sky/times of the year when it’s present, the mythology or history of the constellation (star lore), cartomancy meaning, tarot meaning, and divination. Some cards also have a zodiac section too, if they have astrological significance.

For each entry, the longest section by far is the divination, providing a ton of insight about the card’s message for you. One of the standout features of this deck is Roland’s thorough research and deep understanding of the symbolic connections between the stars and divinatory messages. Each constellation is packed with details that offer historical context, mythological background, and practical guidance. Even as a seasoned tarot reader and astrologer, I find myself gaining plenty of new insights from how Roland ties all the aspects of each card together.

Plus, the guidebook is nice and big, making it easy to hold in one’s hand and read like a book. For someone studying the constellations, simply pursuing the guidebook will yield tons of insight, especially from the Star Lore section of each entry. And for those more drawn to divination, there’s something about the tandem reading of the cartomancy, tarot, and mythological significance of the constellation that illuminates so much within a reading. Truly, this deck is one of a kind in this regard.

One of my favorite cards in this deck is Ace of Spades (Swords), featuring the constellation Draco. The imagery looks like a mix of a dragon and snake, and on the card it reads “sets not” as this constellation never dips below the horizon. The lore describes how it is of Phonecian origins and also a Chaldaen figure. To the Babalonians, this constellation represented Tiamat, “the dragon goddess of chaos”.¹⁰ There’s also a Greek myth included too.

Cartomancy meanings include “Clarity”efn_note]page 65[/efn_note] and “Intellectual prowess.”¹¹ While some tarot meanings read “Cutting toxicity”efn_note]page 65[/efn_note] and “Breakthroughs”efn_note]page 65[/efn_note]. Roland writes as part of the divination:

“Balance street-smart cunning with levelheadedness and decisive action, know thyself, and declare your battle cry. It is time to claim the prize that your holy Daimon guards for you in the gard of your personal Eden, which is none other than the wondrous ability to understand the part you have to play in the grand scheme of life–a many-branched tree laden with meaningful synchronicities and deep gnosis that help cut through darkness, chaos, and clouds of ambiguity and welcome cathartic experiences to guide your personal mission along avenues of joy and prosperity.”efn_note]page 65[/efn_note]

How potent and poetic is that divination? And that’s only a part of what Roland has to say about Draco! This deck definitely isn’t just a lot of fluff; it’s packed with meaningful substance that takes readers deeper on their spiritual journey.

Overall, Starlore Arcana is a captivating and enlightening deck that offers a fresh perspective by blending cartomancy, tarot, astronomy, and mythology. Roland has created a valuable resource for anyone looking for thorough readings that have a multi-faceted approach to the divination. Roland provides a unique and inspiring way to connect with the cosmos; I’ve definitely been more inclined to go star-gazing when reading with this deck. Whether you are a seasoned practitioner or a curious newcomer, this deck is sure to spark your imagination and give you new insight to the interconnection of our night’s sky and the divinatory arts.

Encounters with Mermaids, by William R. Mistele

Encounters with Mermaids: Lessons from the Realm of the Water Elementals, by William R. Mistele
Destiny Books, 1644117428, 320 pages, August 2024

Encounters with Mermaids: Lessons from the Realm of the Water Elementals by William R. Mistele is a captivating dive into the mystical world of mermaids, enchanting readers from start to finish. Mistele, a well-known author in the field of esoteric studies, invites us into a realm where the boundaries between realms blur, offering profound reflections on the nature of existence and the mysteries of the ocean. Going beyond the the common perceptions of mermaids, Mistele leads the way to long-forgotten realm of powerful elemental beings, noting:

“The undines described in this book are not half fish and half human. They are not attached to any well, lake, river, or ocean. No religion, race, or ethnic group has an affiliation with them. They do not belong to mythology or to the past. They do not need to be protected or sentimentalized. They are neither inferior nor fragile. They are not an endangered species.

They are in the form of beautiful women and are masters of the magic of water and magnetism. They embody and guard the treasures of empathy, sensuality, and love that the human race has yet to discover. In this regard, they are our teachers.”¹³

The book is structured in three parts. “Part 1: Nature Spirits in Our World” provides an overview of the five elements (Akasha, Fire, Water, Earth, and Air) and then a deep-dive into Undines, elemental water beings. While connection with these realms is possible, Mistele does a wonderful job emphasizing the challenges that come from opening oneself to them, writing “When going beyond the normal modes of perception, there is always a danger of disorientation.”¹⁴

Mistele offers a lot of personal advice about working with elemental beings in the astral plane along with detailing the Franz Bardon approach for readers to develop their own form of elemental communication. He covers topics such as electric fluid and magnetic fluid, mediumship, types of alternative perceptions, and the hermetic roots of the Franz Bardon system, which feels a little heady, but sets a good foundation for moving forward in the book.

“Part II: Meetings with Undines” unfolds as a series of encounters between Mistele and various mermaids, though most of the focus is on one undine in particular: Istiphul. Istiphul is a very ancient water elemental being who has mastered “the magnetic fluid”¹⁵. Mistele has been dialoging with her since 1995, detailing his encounters in vivid and poetic language. There’s a strong emphasis on Istiphul’s beauty, but Mistele also describes her physical, etheric, astral, and mental body to paint a real picture for readers.

There’s also a chapter on other undines–Osipeh, Istiphil, and mermen Ermot–in which Mistele shares his dialogues with them as well. Mistele’s encounters are deeply spiritual experiences that challenge our conventional understanding of the natural world. The undines in Mistele’s narrative are not mere figments of folklore; they are complex, sentient, and ancient beings with their own wisdom and perspectives on life. Each mermaid or merman he meets imparts a lesson or insight, often related to themes of love, harmony, and the interconnectedness of all life. These interactions are not just whimsical tales but are imbued with philosophical and metaphysical significance, encouraging readers to reflect on their own beliefs and the unseen forces that shape our reality.

“Part III: Connecting to the Undine Realms” is packed with guidance to assist readers with opening their perceptions to the many forms water takes in our natural world. There’s meditations for a lake, stream, waterfall, river, ocean trench, mountain pool, and more. Then Mistele delves into the properties of water from an esoteric perspective, illuminating for readers the nature of this element. He offers ways to meet undines, ranging from psychic connection to creating art.

The additional appendices are also packed with interesting information. “Appendix A: Incarnated Mermaids” covers Misteles’ experience meeting incarnated undines, human women who embody the spirit of the mermaid. There’s many quotes from them about their personal experience living as an incarnated mermaid, providing insight into the nature of the undines. “Appendix B: Messages from Sylphs, Gnomes, and Salamanders” shares channeled messages from the other elemental realms. And finally, “Appendix C: Poems” is a compilation of beautiful poetry about mermaids and by the merman Ermot.

Overall, Encounters with Mermaids is more than just a book; it is a gateway to a world of wonder and introspection. Mistele’s approach is uniquely experiential; he does not merely write about undines but seeks to engage with them directly, offering readers a firsthand account of his spiritual journeys and insight on how to forge their own connections with these water elementals.

Mistele’s eloquent prose and profound insights make this a must-read for anyone fascinated by mermaids, spirituality, or the mysteries of water. Whether you come to the book as a skeptic or a believer, you will find yourself swept away by the beauty and depth of Mistele’s adventures in the realm of mermaids.

About the Author

William R. Mistele is an accomplished author and spiritual teacher known for his extensive work in the realms of magic, mysticism, and the study of elemental beings. With a background in both Western and Eastern esoteric traditions, Mistele has dedicated his life to exploring the hidden dimensions of reality and sharing his insights with a wider audience. His previous works include The Four Elements, The Hermetic Tree of Life, and Undines.

Witchcraft, by Raven Grimassi

Witchcraft: A Mystery Tradition, by Raven Grimassi
Crossed Crow Books, 978-1-959883-59-3, 270 pages, July 2024

Neo-Pagan scholar and witch Raven Grimassi (1951-2019) was the prolific author of several books on the Old Religion. Initiated into Wicca in 1970, he founded the Aridian tradition a decade later, which blended Wicca and Italian witchcraft. In 2006, he established the Ash, Birch and Willow tradition with his wife Stephanie, which emphasizes the primal roots of European witchcraft.

Crossed Crow Books, dedicated to preserving Grimassi’s legacy by republishing his out-of-print works, has rereleased Witchcraft: A Mystery Tradition. In this comprehensive work, Grimassi explores the myths and universal deity archetypes at the core of the Mysteries, which he says are “applicable to any system or tradition of Witchcraft.”¹⁶. This book was inspired by the Goddess of the Mysteries, Ceres, who Grimassi honored as his patroness because he was born on her festival day, April 12th. Before writing each chapter, Grimassi asked Ceres for her guidance.

For me, witchcraft is an ecstatic religious experience rooted in ancient practices, and Grimassi’s writings support that school of thought with meticulous research.

“It is my personal belief and experience that Witchcraft is a religion that has evolved over countless centuries (as opposed to a modern construction),”¹⁷ Grimassi says. “Historians and archaeologists spend a great deal of time and energy trying to separate magick and sorcery from Witchcraft as well as other things that the Witch as a practitioner knows to be inseparable.”¹⁸

Grimassi’s traditional perspective is so validating and refreshing to read, and I wholeheartedly agree with him. It’s become trendy for witches on social media to deny that witchcraft is a religion, and I can’t help but feel that they are serving their egos instead of the Goddess and the God.

Grimassi provides supporting historical evidence of Wiccan concepts and practices that have supposedly been debunked by historians like Ronald Hutton as modern inventions. He traces the ancient origins of ritual nudity, also known as being “skyclad,”¹⁹ citing seventeenth-century woodcuts and classical works, such as Ovid’s Fasti, as proof. He also validates the threefold nature of the goddess of witches, who is mentioned in classical sources like Lucan’s Pharsalia and Ovid’s Metamorphoses, as well as in “the ancient concept of the Three Fates,” in which “we see the classic Maiden, Mother, and Crone vision.”²⁰

One of the greatest strengths of this book is that Grimassi helps readers see the Mystery Tradition from the perspective of our prehistoric ancestors. For example, he suggests that the ancient belief in an afterlife may have stemmed from the observation that sleeping people resemble the dead and visit the spirit realm in dreams. He also notes that “the Sun and Moon appeared to arise from beneath the ground and return each day or night,”²¹ suggesting the presence of an Underworld beneath the earth.

“It is the work of a Witch, as a practitioner of Earth Religion, to be a steward of nature,”²² Grimassi says.

Witches align with nature through the seasonal rites of the Sabbats, which Grimassi explores in detail. He explains how the waxing and waning halves of the years are personified by the Holly King and Oak King, whose animal forms are the stag and the wolf, and he analyzes the symbolism associated with the myths and legends of each Sabbat.

“The Mystery Teachings are designed to bring humankind back to its original relationship with nature,”²³ Grimassi says. By studying these teachings, he believes we can reactivate dormant ancestral knowledge, which he refers to as “memory-chain associations.”²⁴ Memory-chain associations are energetic currents that Grimassi likens to quantum threads in a spider’s web of non-linear time, weaving together the simultaneously existing past, present, and future.

By aligning with a “core concept” that is received upon initiation into the Mysteries, “one can interface with the memory-chain associations.”²⁵ Once the memory-chain has been activated, the initiate can draw from the Underworld cauldron of ancestral memory hidden within the labyrinthine tangle of roots beneath the Tree of Knowledge. The wisdom that lies therein is meant to be shared, for the enlightenment of humanity, and “the cauldron will not offer its essence to those who serve only themselves.”²⁶

I believe Grimassi wrote this book in such a way that it activates those memory chains in the reader, stimulating initiatory insights, and this book is such a wellspring of information that it would take multiple readings to fully integrate what it has to offer. By shifting my mindset to the primal perspective of this work, I had a profound epiphany that deepened my understanding of the Horned God and my personal relationship with him.

I took the holy sacrament of psilocybin cubensis for the first time while reading Chapter Three, “The God of the Witches,” and it was a truly initiatory experience. Although Grimassi does not mention the use of psychedelic sacraments in this book, I felt guided to do so by my guardian spirits because the mushroom, with its phallic shape and ecstatic properties, is a sacred plant medicine of the Horned God. It was a fortuitous synchronicity that I received the sacrament from a church the day after I started reading this book. I was also given signs to take it by the presence of two large mushroom fairy rings at the local park.

After waiting several hours for something to happen, I was disappointed because I thought the sacrament wasn’t working. I gave up and watched an episode of the X-Files, in which Agent Scully was kidnapped and almost lobotomized by a serial killer who wanted to trepan out her demons. Before Mulder rescued her, I had an intense craving for Doritos. That’s when the magic mushrooms finally started to kick in.

I heard a spirit voice tell me that I was protected and it was safe for me to let my guard down and surrender to the experience. She told me I have a very strong mind, like barbed wire, and it took a long time for me to feel the effects of the sacrament because of my psychic barriers. I realized she was right. I was curious to see what would happen, but I was also afraid of being mind-raped by the mushroom, so I had a lot of subconscious resistance. Up until that point, I had been worried that I wasn’t feeling anything because I didn’t take enough, but she told me that the Universe had provided me with the exact dosage that was right for me to consume at that time. Left to my own devices, I could easily have overdosed and become Madame Psychosis. My guardian spirits know me all too well.

At the peak of my trip, Dionysos appeared to me in the form of a serpent crawling along the tiles of my floor. The serpent told me he knows me better than I know myself, and gave me a lot of insight into my own behavior. He revealed to me that he is like a chameleon, and if I try too hard to see him, I won’t find him at all. “Surprise!” he said. I am the Mushroom King. He was very playful and teased me for overlooking him when he’s all around me, giving me obvious signs of his presence.

On the eve of Lughnassadh, a few days prior to me consuming the sacrament, a catalpa tree fell in the backyard during a thunderstorm. Thankfully, no one was injured and there was minimal damage, but it was a really startling encroachment of nature. A forked stang was gifted to me from that fallen tree, and I learned from an internet search that catalpa wood encourages creative self-expression, embracing one’s uniqueness, and facilitates communication with spirits, including angels, fairies, and ancestors.

The garden has also been strangely wild and overgrown with monstrous weeds this summer, despite all my diligent efforts to tame them. The corn was mysteriously knocked over by some unseen force, which was a frustrating disappointment, but the berry bushes have been thriving. All of this excessive weedy vegetation has been the Horned God’s way of trying to get my attention. He confirmed that I am a maenad by giving me a vision of myself with green skin and wearing a flower crown, which aligned with me being born in May and the emerald being my birthstone. I reveled in this Dionysian ecstasy without worrying about whether or not these insights were real or a form of spiritual psychosis, and once it was over, I felt heightened creativity and wrote down everything I could remember and transformed my experience into a poem.

Dionysos taking the form of a serpent in my vision was significant because Grimassi writes that, according to Plutarch, during the waning half of the year, “Dionysos is lord of Delphi,”²⁷ while Apollo reigns during the waxing year. He likens Apollo and Dionysos to the Oak and Holly Kings of the waxing and waning and waning year who annually battle for regency. After re-reading this passage, I realized I had seen Dionysos in the form of the sacred python of the Delphic Oracle. This information was important for me to integrate because I’ve been wanting to incorporate Apollo into my practice as a complement to Dionysos, and seeing him as the king of the waxing year adds more depth to how I perceive his relationship with the Dionysian shadow.

I now see Apollo as the rational conscious mind, the Luciferian prince of dawn who wakes us in the morning and helps us remember and interpret the dreams and visions gifted to us in the Dionysian underworld of the subconscious mind. Light-bringing Apollo helps us make sense of it all and gives our visions deeper meaning by translating them into poetry, music, and other art forms. Apollo, the embodiment of reason, bestows the gift of discernment, enabling the mind to parse out delusions and fantasies from genuine prophecies and mystical experiences.

According to Grimassi, when the conscious mind attempts to digest illogical dream symbolism, “it discards what cannot be understood and retains what can be deciphered through logic and rational reasoning.”²⁸ “The discarded information falls back into the subconscious mind where it later reappears in another dream state,”²⁹ Grimassi says. This subconscious stew of dreams is symbolized in mythology as a magical cauldron, and as I read Grimassi’s words, I had a sudden epiphany that these dream fragments are reflected in the myth of the dismemberment of Dionysos, who was cooked in a cauldron and eaten by the Titans.

“The mystical theme of consuming is at the core of the Mystery Teaching associated with the Sacred King or Slain God,” Grimassi says. “The seed must go into the earth and the God must go into the soul. In essence, burial takes place in the soil and the stomach.”³⁰ Grimassi also points out that the hearth was seen “as an entrance to the Underworld.”³¹ “The cauldron,” he says, “is not only a cooking pot but also a womb symbol from which metaphorical children are born.”³²

Taking the sacrament while reading this chapter gave me a whole new perspective of the Horned God’s manifestation as the sacred serpent. The correlation between the Horned God and digestion got me thinking about how the human digestive tract is just one long snake.

“The serpent is a very old symbol of the forces of the Underworld and of transformation itself,”³³ Grimassi says.

Part of the Biblical serpent’s wisdom must have been instinctual discernment of what is safe and not safe to eat. Practicing Grimassi’s prehistoric way of thinking, I imagined the process of trial and error for hunters and gatherers learning which plants were safe for consumption and which ones were poisonous. To consume the sacrament is to metabolize plant wisdom. Perhaps being cursed to crawl on one’s belly metaphorically means that the will to survive is driven by the pangs of hunger. In order to stay alive, we are slaves to the dietary needs of our bodies.

Perhaps this is why so many Christian ascetics used fasting as a method of resisting the Devil. I have come to the conclusion that the Tree of Knowledge is the human body, and the serpent is the digestive system. The serpent rules the literal bowels of the Underworld, the digestive system that alchemizes food into energy. By honoring the wisdom of the serpent, we treat all food as sacred and become more mindful of what we consume.

Witchcraft: A Mystery Tradition has blessed me with initiatory revelations and I can’t praise this book enough. I came to this work seeking to know the God of Witches better, but of course, Grimassi devotes the same amount of attention to the Triple Goddess. In the past, my practice has been primarily goddess-centric, so this book initiated me into an aspect of the Horned God’s mysteries because that’s what I needed most for my personal spiritual journey. I have no doubt that multiple readings will take me in new directions, and every reader’s initiatory experience will be different, depending on where they are on their spiritual path.

Living Conjure, by Mama Starr Casas

Living Conjure: The Practice of Southern Folk Magic, by Starr Casas
Weiser Books, 1578638240, 208 pages, August 2024

Living Conjure: The Practice of Southern Folk Magic by Mama Starr Casas, a Conjure woman with over forty years of experience, is a comprehensive guide to traditional Southern Conjure that’s accessible to all skill levels, from beginner to seasoned practitioner. A native Kentuckian, Mama Starr’s voice is like a warm hearth fire crackling with wisdom and laced with the sweet smoke of magic. Her writing style emulates the way she was taught: through word of mouth, from her elders. This enchanting prose, delivered with the down-to-earth charm of a beloved granny, immerses readers in a legacy of time-honored Southern secrets. It’s clear that Mama Starr poured her heart and soul into preserving and sharing this invaluable knowledge.

“Don’t forget your roots,”²⁴ Appalachian Conjure man Jake Richards says in the foreword, and those words lingered with me like the whisper of a ghost. I’ve tried running from the South, where I was born, and I’ve rejected the Christian faith in which I was raised. When I lived in New York, some people projected negative Southern stereotypes onto me and wrongly assumed that I voted in a certain way, so I came to realize that I couldn’t run from the South. Wherever I go, she follows me, a phantom belle perfumed with magnolias, and when fate forced me to come back, she reclaimed me. Trying to escape my roots just buried them deep in my shadow. Studying Conjure and incorporating some elements of Southern folk magic into my personal practice has been a therapeutic way for me to reconcile with my roots by digging them up and putting them to good use.

Mama Starr honors the tradition of her elders by teaching Conjure through the lens of children’s folktales, like “Brer Rabbit and the Tar Baby,”²⁹ and the rhythms of old spirituals. These weathered yarns weave a rich tapestry of magic. “The ancestors of this work learned to hide the work in plain sight—that is why this work is called tricks,”³⁴ she explains. This emphasis on subtlety and clever disguise is a core principle of Conjure.

“Conjure, Hoodoo, and Rootwork are all the same thing,” Mama Starr explains. “When I was growing up, I never heard Hoodoo being used as the name for this work. Hoodoo was a question: “Hoodoo you?” Meaning, “Who put roots on you?”³⁵

These terms have evolved over time and their usage can vary depending on the region and the practitioner. However, they all refer to the same tradition of folk magic that has been passed down through generations in the Southern United States.

“Sometimes folks get upset with me because I share so much,” Mama Starr says. “I share it because if I don’t, when I’m gone what’s in my head is going to be gone.”³⁶ She hopes to keep the work alive and honor the memory of the ancestors through her writing.

One chapter explores the use of “The Arms of the Cross”³⁷ in Conjure, associating each arm with a cardinal direction and element. Mama Starr counsels caution when doing this type of work, because one could accidently nail themselves down with a crossed condition if performed incorrectly. In the sample workings she provides, a candle or a petition is placed on one of the cross arms.

“I’m what folks call a two-headed worker, which means that I will do what folks call ‘light’ or ‘dark’ work just as long as the work is justified,”³⁸ Mama Starr says. She emphasizes the importance of performing divination before a working to ensure it is warranted and to take responsibility for your actions.

Most of the workings are very simple and require few tools. Mama Starr teaches how to work Conjure with objects most people already have lying around the house, such as scissors, keys, bottles, and jars. The use of blue bottles in Conjure held the most fascination for me because I’ve always loved decorating with cobalt blue glass bottles and I used to keep them in my kitchen window. It turns out they can be magically charged to keep ghosts away.

“Haunts can’t cross over water,” Mama Starr says, “and it is believed they don’t know the difference between the blue in the paint or bottles and the blue of the water, so they stay away from the homes that have the ceiling of the porch painted blue or have blue bottles hanging in the trees.”³⁹

Before reading this book, I had no idea that blue bottles were used in Southern folk magic to ward off spirits, so I must have had an intuitive instinct to decorate my window with them.

Mama Starr teaches how to honor one’s personal ancestors by tending graves, creating an ancestor altar, and making offerings. However, ancestors need not be limited to blood kin. She also emphasizes the importance of honoring the ancestors of Conjure, “the folks who were brought over here during the time of slavery.”⁴⁰ “Conjure was born out of slavery, from folks trying to survive during a time when white folks felt they had the right to own another person like they were cattle,”⁴¹ Mama Starr says. She admires their courage, wisdom, and cunning intelligence in the face of oppression and hardship.

The shadow of slavery looms large over the South, and it was one of the reasons why I tried to escape my Southern roots. Instead of being ashamed of being a white Southerner and trying to push the horrors of slavery out of my mind, Living Conjure has shifted my perspective to thinking about how I can honor the ancestors of Conjure in my personal practice. Mama Starr writes about them and keeps them in her prayers.

Mama Starr talks about the magical properties of animal curios, such as bird feet and alligator paws, and explains that the use of animal parts in magic can be discerned by observing the animal’s natural behavior. I have a flock of egg-laying hens, so her insights into using eggs and chicken feet in Conjure were especially significant for me. She points out that chickens are resourceful and scratch around in the dirt all day looking for food, so their claws can symbolically rake in money. Their feet are also protective because their claws are sharp enough to draw blood. She gives detailed instructions for multiple workings with the feet, as well as how to perform an egg cleansing.

The chapter on “Dirts and Powders” was also very insightful. Mama Starr points out that the virtues of various dirts can be like a double-edged sword. For example, bank dirt can bring prosperity, but one should keep in mind that banks also repossess property, and so the energy of loss and poverty may be mingling in that dirt. I recently started working with bank dirt this year, and this passage enriched my understanding of how to use it.

Mama Starr’s website claims that “she has tried to keep the work as pure as possible,”⁴² and for her, that means you can’t take the Bible out of Conjure. If you do, it’s not Conjure. However, in this book, she adopts a more lenient approach, teaching the role the Bible plays in Conjure and leaving it up to readers to decide whether or not they want to use it.

I’ve had a complicated relationship with the Bible. Being raised in a conservative Christian household, I had a little pink Bible that I used to read in bed as a child. When my mother disciplined me, one of her favorite punishments was for me to hand copy Proverbs three times each. As an adolescent, I lost faith, read more critically, and became jaded with the misogyny I found in the scriptures. I’m against burning books, so I’ve done my best to make peace with the Bible. College taught me to read it as a work of literature, and Living Conjure is helping me reconnect with it as a powerful grimoire, rather than a source of judgment and condemnation.

“Since the ancestors were forced to become Christian, they put the Bible to good use,”⁴³ Mama Starr says. This passage spoke to my soul because my mother put the fear of God into me when I was a small child, and like it or not, that indoctrination is a major theme in the first chapter of my origin story, and a part of who I am. If you try to take the Bible out of Conjure, Mama Starr says it’s like throwing the baby out with the bathwater, and “you are weakening the foundation that the ancestors built through their blood, sweat, and tears.”⁴⁴

Mama Starr emphasizes that Conjure is a magical practice, not a religion. The Bible is a religious text, but it is also a spellbook. It can be used for divination in a practice called bibliomancy, and Mama Starr teaches how to receive messages from Spirit using this method. While many Christians believe that divination is a sin, Mama Starr cites biblical passages to the contrary, which describe divinatory practices and claim that the gift of prophecy comes from God. “Men of the churches have tried to remove God’s gift out of the churches, but you can’t take away what God has given,”⁴⁵ Mama Starr says.

About five years ago, I had a dream that I was in an underground chapel with my mom, and a big black goat of the Witches’ Sabbath was standing on its hind legs in front of her, holding the Bible open like a living lectern. She was so spellbound by the Word that she didn’t even realize the Devil was the one holding the book. I woke up from that dream thinking of the Bible as the Devil’s Black Book, and from then on I recognized it as a powerful tool for witchcraft. Living Conjure has given me deeper insight into putting it to good use.

I may not like some of my roots, but I’ve chosen to own them. After all, if you want to find your power, it’s in your shadow. It’s in those potent roots you keep buried deep, the ones that don’t ever want to see the light of day. If Southern folk magic is part of your heritage, then Living Conjure is a valuable guide that can help you reclaim your roots and tap into that subterranean current of power.

Icelandic Folk Magic, by Albert Björn

Icelandic Folk Magic: Witchcraft of the North, Albert Björn
Crossed Crow Books, 978-1-959883-28-9, 338 pages, August 2024

Albert Björn’s Icelandic Folk Magic: Witchcraft of the North is a deep dive into the magic that has its basis in the folklore, forests, fjords, and glaciers of this enigmatic place called Iceland. The book is encyclopedic in the information that is availed to the reader with the goal of imparting the “tools they need to add elements of Icelandic folk magic and witchcraft (Fjolknngi) to their own practice, to connect or reconnect with the magic of the island, and to build upon their own craft with magic taken from both folklore and living practice.”³⁶

Author Albert Björn currently lives in Reykjavik and focuses his research on the magic of Iceland and his homeland Sussex, England. His other publication is Icelandic Plant Magic: Folk Herbalism of the North. For more information, you can check out his Patreon.

As with most magic, elements are influenced by the environment in which it’s practiced and in the case of Iceland, the extreme seasons and harsh weather play a large role. The long winters are noted for ice and darkness and creatures such as the trolls that live underground. Summer brings rituals for fertility and foraging. As Björn explains, “winter in Iceland is very much aligned with the time of women… Winter is ruled by the disir, or female forces of fate and often death.”³⁷

He goes into detail about the powerful giantesses such as Skaoi and Gryla, who is accompanied by her cat, Jolakotturinn, or the Yule Cat. The flip to summer is where Freyr reigns and his life-giving forces are evidenced. There is no hiding in the 24 hours of sunshine. Energy brought from the sun inspires luck and fertility. If desired, one can partake in the energies of both summer and winter forces; Björn invites the reader to choose which aspects of Icelandic magic they are most drawn to.

Björn comments that the magic traditions of Iceland differ from those of the rest of Europe. Covens, witches sabbat, and places where witches gather are not found in Icelandic lore. However, there is a common belief in the huldifolkio, or the hidden people, who are to be both feared and respected. Bonfires and specific festival days are related to the hidden folk, believed to be the original children of Adam and Eve.

The largest section of the book titled “Folk Belief” delves into a multitude of topics such as planetary timings, trolls, dragons, giants, ghosts, spirits, dream magic, foreseeing and far-seeing, shapeshifting, weather working magic, tools of Icelandic magic, stones, and Mary, Freyja, saints, and sinners. For example, the magic of dreams is important to the Icelandic, including the dream visitors, or draumvitjanir, be they in the forms of humans, animals, or elves. They bring warnings and important information. He also gives tidbits of information that showcase the uniqueness of Icelandic energies, such as that ghosts in Iceland behave differently than how one normally attributes ghost behavior as they are forced to follow rules.

Another part of this section is about how to work with the Wheel of the Year, which differs from seasonally-inspired Wiccan wheels because Iceland basically has two seasons, summer and winter. He writes about special days of which the reader might be familiar such as Candlemas and Paskar (Easter) but also those such as Harpa, Goa, and Porri and the meaning of the day and related rituals. As I read this book in August I focused on the special days of this month, Mariumessa (August 15) which focuses on the Christian Mary and Tvimanudur (August 22 – 28) which focuses on harvest.

The other large section of the book is “Galdranök: Grimoire” which covers staves for farmers, fishermen, and luck. It also includes topics such as birthing spirits, healing and helping, curses, magical alphabets, and incense, oils, brews, and blends. For stave-making, Björn reminds the reader that it is an art and that practice does make perfect. If this topic interests you, Björn gives very detailed methods for creating magical staves.

I was particularly drawn to the section on healing and helping and was surprised to read that “healing works in Iceland had long been a mix of magic and medicine. With herbalism being illegal in Iceland until recent times, the use of herbs has long been held as mystical.”³⁸ Björn shares healing chants and a cleansing prayer which is in Icelandic. More doable, at least for me, are using the recipes included in the book to create planetary oils and incense blends. The blends can also be used to anoint candles.

The book closes with an appendix that contains prayers and words and names of Norse deities. There is also a glossary and a section on Icelandic pronunciation, as well as a bibliography for further reference and reading.

Icelandic Folk Magic is an excellent resource for anyone interested in the mystical traditions of Iceland. Björn’s passion for the subject shines through, making this book a valuable addition to the library of any aspiring witch or student of folklore. Whether you’re a seasoned practitioner or a curious newcomer, this book offers a captivating journey into the enchanting world of Icelandic magic. It’s by far one of the best books I’ve read on the topic.

Mastering Candle Magic, by Patricia Telesco

Mastering Candle Magic: Advanced Spells and Charms for Every Rite, by Patricia Telesco
Crossed Crow Books, 1959883518, 220 pages, August 2024

One of the most appealing aspects of candle magic is its simplicity and accessibility. You don’t need elaborate tools or extensive training to begin practicing; a single candle and a clear intention are often enough. Yet for those who are seeking to learn more about candle magic, leaping from beginner to expert, Patricia Telesco provides wonderful guidance in Mastering Candle Magic: Advanced Spells and Charms for Every Rite.

Patricia Telesco is a prolific American author, herbalist, poet, lecturer, priestess, and folk magician. She has penned over 60 books covering topics such as self-help, cookery, magic, folklore. She is deeply involved in the metaphysical community, serving as a trustee for the Universal Federation of Pagans. You can see all her experience shine through in the pages of this book, which is filled with creative ideas and unique practical magical advice.

“The whole purpose behind Mastering Candle Magic is one of exploring ways to add in, personalize, or enhance your candle-lighting efforts for any ritual, spell, charm, meditation, or other metaphysical process.”⁴⁰

Divided into two parts, this book begins with “Part 1: The Next Step”, which as the title confers is filled with the wisdom needed to advance one’s candle magic practice. In this section, Telesco encourages readers to begin to create, test, and refine their own candle magic spells, noting this is a step of spiritual growth in one’s practice. This might look like modifying prefabricated spells in a way that feels intuitive right or simply based on the items one has available to utilize in that moment to fully crafting a spell from scratch based on an understanding of correspondences.

Telesco offers ideas for both modifying and personalizing prefabricated spells as well as sharing a step-by-step process for creating one’s own candle magic spells. While the process might seem a bit like an introduction to candle magic for those who have practiced for some time, the foundation of it serves to reconnect readers with the basics that make a spell flourish. Telesco writes: “How much focus you give the spell, how much support you provide afterward, how much you trust in your magic–all of these things influence the results.”⁴³

Ironically, even though the first part focuses on developing one’s own practice, “Part Two: Putting Match to Wick” is filled with tons of candle magic ideas for a wide variety of topics. For me, the greatest challenge is not simply using the prefabricated spells Telesco has provided and continuing to try to craft my own because all the ones in the book are so interesting and unique. But in an effort to focus on personalizing my spells, the ideas Telesco provides are fantastic starting points that have truly become a creative guide for me.

One thing that inspired me is the range of things candle magic can be used for. Prior to reading Mastering Candle Magic, I never thought to do spellwork to find lost objects, support my conscious mind, handle a haunting, or for organization. Yet these are just some of the types of candle magic Telesco offers spells for in addition to the most common ones like relationship needs, abundance, healing, divination, fertility, justice, power, opportunity, and more.

For each topic, Telesco describes why one might want to use that type of magic. She then shares a list that includes the best timing for the spell (moon phase, day of the week, type of weather, etc.), aromas, candle color, and other symbolic components (tarot card, crystal, household item, etc.). And following this, she offers two prefabricated spells that have plenty of room for personalizing but can also be used without modification.

In some cases, as with entries for Relationships and Hauntings, there’s more information that can be discerned from the way in which the flame burns or candle melts. For these, Telesco provides additional information about the meaning for readers to yield more insight from their process. For instance, a flame that quickly smolders means the relationship might be soon fading away if significant enough is not put in. This information helps the reader to better understand the subtleties of candle magic.

Finally, a real bonus of this book is the appendices at the end. “Appendix A: Historical Tidbits, Folk Beliefs, and Helpful Hints” further expand one’s knowledge of candles through time, from what they’ve been made of to how to best care for them. “Appendix B: Useful Correspondences” is very helpful for those ready to craft their own spells or modify an existing one by making a substitution. The content includes color associations (zodiac sign, general energy), numerology, energetic properties of stones, symbolism of shapes and images that can be carved into candles, aromatics and herbs, and significance of timing (weekdays, moon phases, seasons).

I have really enjoyed every spell, in particular how Telesco shares the words to recite for them amid detailed directions. While I do like the practice of creating my own, sometimes it’s just easier to apply what’s already ready to go! So far, I’ve noticed a big shift in my energy after doing the spell for Focus (I declined invitations that would have distracted me from getting what needed to be done, and then I relished my time, proud of how I honored my commitment to myself to focus on work.) and Organization (My thoughts are so much more clear and aligned – as is my wardrobe!) I plan on doing two more of Telesco’s spells for the full moon in Aquarius coming up: Freedom and Inspiration.

Overall, Mastering Candle Magic is suitable for any level of candle magic experience. It’s by far one of the most customizable candle magic books that beginners will have a lot of fun experimenting with as they gain the confidence to craft their own spells, while those looking to advance their practice will gain a lot of wisdom and creative initiative. Telesco’s originality is sure to open new pathways for readers’ to advance their own candle magic practice.

Your Dream Handbook, by Marc J. Gian

Your Dream Handbook: Unlock the Meaning of Your Dreams to Change Your Life, by Marc J. Gian
CICO Books, 9781800653399, 144 pages, June 2024

Author Marc. J. Gian shares his “dream toolbox” with readers in his book entitled Your Dream Handbook: Unlock the Meaning of Your Dreams to Change Your Life. I love that he is offering to support us as we “prepare for dreaming, remember dreams more easily, use a dream journal, and unlock your dream images to change your waking hours for the better.”¹ What draws me to this book is the opportunity to learn about my recurring dreams and transform this information into guidance for my life.

Gian is a massage therapist, licensed acupuncturist and teacher, who has been in practice for more than 25 years. He works with clients in Manhattan and Brooklyn, utilizing massage, acupuncture, essential oils, Chinese medicine, and hypnosis. He also teaches classes on dreams and aromatherapy at the New York Open Center and other venues. For more information about Gian, check out his website.

Gian breaks the book into five chapters:

“Foundations for working with night dreams”
“Your dream toolbox: Getting ready to dream”
“Waking from the dream and mining the diamond”
“Challenging dreams”
“Waking life as a dream”

On the first page of each chapter, he also shares section titles and the respective page numbers for the information he will cover. At the bottom of the left-hand page Gian features the chapter title and on the right-hand page he lists the section title. This is so helpful!!!

In his brief introduction, Gian shares:

“This book is about using your dreams to achieve self-mastery and walk the path of truth. It outlines the integrated mental tools in specific mind body principles that are needed to immerse yourself in the pictorial language of dreams.”²

Gian provides lots of exercises for the dreamer, including many meditations for dreamwork. Gian covers common themes, as well as therapeutic steps you can take to read a dream or change a dream. For example, he shares how to write down your dream, ask three basic questions and then follow up with more questions regarding the elements in the dream. He also shares how important it is to work with just a “blip”⁴⁶ of a dream and not discount its importance.

It is important to note that Gian cautions against analyzing dreams:

“Throughout this book I have been careful not to use the word “analyze.” Dreams are real and happen of their own accord. When we dream, we are not analyzing waking life. When we wake and read the dream receptively, we are not analyzing the dream, we are seeing analogies in waking life.”⁴⁷

My favorite section is the one on nightmares. Gian provides a thorough explanation of nightmares and explains that these usually come “in order to alert you.”⁴⁸ He also talks about night terrors and the difference between the two. Did you know that it is totally possible to transform our nightmares? I particularly love Gian’s wisdom on this:

“In order to disown something, first you need to own it, instead of stuffing it down…. Once you have discovered the meaning of the dream, corrected it, and created a new blueprint, it is likely the feelings associated with the dream will no longer be present.”⁴⁹

I really enjoyed the list of numbers and potential meanings. For example, twelve may mean “wisdom or discernment”⁵⁰, while nineteen may represent “grace”⁵¹. I also enjoyed the list of colors and their meanings, such as pale blue representing “detachment”, or “shiny black” referencing “rebirth, life, transcendence.”⁵²

In addition to dreams and dreaming, Gian also shares exercise or meditations that can help in our waking life, such as one that can help you to reframe your day. With his six-step process, you can “examine your entire day in reverse” and prevent stuffing emotions and allow yourself to release “feelings of frustration, anger and resentment.”⁵³ I’ve recorded this meditation to use later this week to let go of a busy or problematic day.

The book is accented by beautiful, four-color art that captures dream images, as well as aspects of daily life. Gain also peppers the prose with quotes from mentors and spiritual masters. At the end of the book, he includes four pages on the different types of dreams, an eight-page dream journal, a three-page index and a short list for additional reading on dreams and spirituality. Although I don’t like to write in my books, I can see myself copying the colorful journal pages and using them for my own dream work.

The book features a heavy, card-stock cover with fold-over pieces, so that you can mark your reading progress in the book. Gian’s prose is easy to read, easy to navigate and easy to retrace for information you want to review. I can tell that Gian carefully planned out the structure and layout of this book with the reader in mind.

Your Dream Handbook will be great for anyone who is interested in learning more about their dreams and how the information can add meaning to their waking life. It will make a nice gift for anyone from a high school or college graduate to an adult who is searching for answers to the dreams that sometimes keep us up at night. I plan to recommend this book to clients and friends alike.

Lumina Tarot, by Lauren Aletta

Lumina Tarot: Let your intuition guide you, by Lauren Aletta and illustrated by Tegan Swyny
Rockpool Publishing, 1922786284, 184 pages, 78 cards, September 2024

Lumina Tarot is a captivating and visually stunning deck that blends classical and modern stylistic elements. Created by psychic and spirit science teacher Lauren Aletta, this deck is infused with mystical wisdom brought to life by the illustrations of Tegan Swyny. Aletta’s approach to tarot is deeply personal and spiritual, encouraging users to explore within, overcome limiting beliefs, and allow the mystery to flow through them.

“This isn’t a tarot deck that tells you who you are; rather, it will inspire you to believe in yourself and be the hero of your own life.”¹

Each card is thoughtfully illustrated with vibrant colors and intricate details, making it not only a tool for divination but also a piece of art that invites contemplation. Swyny has laced the imagery with spiritual symbolism, layering meaning within the cards. For instance, there’s a glyph of Mars on the Tower card, while the Knight of Cups features an ouroboros creating what appears to be a vivid full moon.

The deviation from the traditional tarot imagery allows the imagination to take flight. The blend of crystals, flowers, animals, and people on the cards make it feel vibrant and coursing with life. There’s a dynamism within the imagery; you can see the movement of energy taking place and it flows from the card into the readers.

And while there’s so much to intuit from the cards themselves, the guidebook further connects readers with their inner wisdom. I absolutely love the size of the guidebook (about 4.5 by 6.5 inches) because it’s easy to hold in one’s hand and read like a book. The text is nice and big, and the colorful imagery make it easy to find the card entry you’re looking for.

Aletta begins by providing general guidance for working with these cards and offering spreads that can be used. She then does a brief overview of the major and minor arcana and each element and suit with a quick note on reversals.

For each card, there’s a short summary of the meaning along with Aletta’s insightful interpretation for both the upright and reversed position. The descriptions are a blend of traditional tarot meanings with her unique spiritual perspective, written in a way that feels both accessible and profound.

The 2nd person writing style makes the reader the center of the guidebook description. I like how they read in this style because it’s similar to when one gets a reader from someone else; the reader can sit back and integrate the information without having to piece it all together using keywords or general descriptions other tarot guides often draw upon. Here’s a snippet from the Seven of Wands:

“You may be being called to back yourself and trust your own inner source of light. Your passion and resolve are being tested and, despite feeling uncertain, you welcome the occasion! You can feel the energy and vitality of what you stand for burning within you. You are being called to stand tall, to light the way for others.”²

One of my favorite cards in the deck is Wheel of Fortune. I am obsessed with how Swyny has illustrated it with a woman with eight arms standing on the sun and reaching up to touch the moon. In between her many arms is the moon in its different phases from waxing to waning. The grace and beauty of the card along with the sense of flow and movement instantly remind me of the ever-changing nature of life. There’s also the glyph of Jupiter etched into the moon, which reminds me of the expansiveness of life. Aletta’s guidebook entry for this card reads:

“Do not simply stand still and accept what life delivers. You are far more powerful than that. Be the course creator! Intentionally move the spinning wheel to the beat of your own heart’s guidance.”³

Overall, Lumina Tarot is a remarkable addition to the world of tarot cards. Its artistic beauty and depth of meaning make it a powerful tool for self-discovery and spiritual growth. Whether you’re new to tarot or a seasoned reader, this deck offers a rich and rewarding experience that can help you tap into your inner wisdom to live your life with greater clarity and insight. The vibrant energy of this deck coupled with a guidebook that speaks directly to me has quickly made this one of my favorite decks.

Spinning Spells, Weaving Wonders, by Patricia Telesco

Spinning Spells, Weaving Wonders: Modern Magick for Everyday Life, by Patricia Telesco
Crossed Crow Books, 1959883526, 220 pages, August 2024

Ever feel like you need a boost to get your magic moving? I certainly do! In the hustle of the day, roadblocks like limited time and lack of inspiration leave me feeling disconnected, especially from the magic and wonder in the world. Reading Spinning Spells, Weaving Wonders: Modern Magick for Everyday Life by Patricia Telesco has been the boost I needed to spur on my creativity and reconnect with my magic practice. This book is a one-stop shop for all the spell inspiration one might need!

“Keeping magic uncomplicated provides more time to focus on our goals instead of on the procedures used. By so doing, we reclaim the freedom to get inspired and empowered by the simplest things. Our hearts become the helms for our lives and our paths, and our environments become the stimuli for originality.”¹

“Part 1: A Spellcraft Primer” provides a historical foundation of spellwork, covering what magic is and is not and offering general guidelines for using magic responsibility. Telesco describes for readers various common components of spells–music, aromas, herbs, repetition, timing, and more–to prepare them for what lies ahead in the book. She then goes on to give a ten-step method for creating personalized spells from start to finish. This section does a great job of teaching the basics for those new to magic while providing a refresher for advanced practitioners.

“Part 2: Spells by Topic” is where this book gets very fun! For over 100 magical intentions, ranging alphabetically from Abundance to Zeal, Telesco shares information for readers to draw upon so that their “vision of magic can be shaped, assembled, and woven together.”⁴⁹ This information includes general uses for the spell type, optimal timing, props or focal points to work with, secondary listing (related types of spell work shared in the book one can look up), and sample spells.

What I love about each entry is how there’s so much room for improvisation yet also straight-forward spells you can use directly from the book too. So far I’ve tried both ways, creating my own spell from the information Telesco provides as well as utilizing the spell she shares without modification, and both methods have been successful. I also really enjoy the variety of spell intentions she covers and how the sample spells are always unique.

Here are some examples that highlight the variety of the content:

• For Goals spellwork, she explains how to do a magical form of Pin the Tail on the Donkey by writing your goals on strips of paper, coating them with ginger, repeating a mantra, blindfolding yourself, focusing on visualizing your goals, and then trying to get them on a piece of construction paper representing the sacred space for them to grow and manifest. If you’re missing the paper, she recommends trying again every day until you’re hitting the work.

• For Joy spellwork, she suggests preparing a box of gelatin dessert and adding berries or peaches then imbuing the positive emotions in each bite to take them in.

• For Passion spellwork, she offers a candle magic ritual where two candles are lit to represent each person in the union and then a third candle remains unlit until the mood is just right. At this point, both people take their candle to light the third one and whisper the magical words to unite them.

• For Jobs, she writes you can find job advertisements of interest that you’re qualified for, anoint it with patchouli oil, and then ignite it while speaking out loud your intention. From there, you can keep the ashes as a charm or bury them with a plant to grow.

• For Zeal, she describes creating confetti and then throwing it in the air over oneself while doing visualizations of colors and sensations rising within, reaching a pinnacle, then vigorously pouring down on you.

And this is just a small sampling of all of Telesco’s ideas, as each spell intention usually has two or three spell samples to choose from.

“Appendix A: Components, Symbols, and Common Magical Associations” is an alphabetized list of item associations usually used in folk magic. Once again, readers are given tons of guidance useful in crafting their own spells. Within the list, Telesco goes through the meaning of numbers, runes, flowers, and hundreds of household items. The association for a food processor? “Diverse energy blending, transformations.”⁵⁰ Doorbells? “Guests, messages, news, welcome[/efn_note]page 206[/efn_note] Baking Soda/Power? “Increasing energy or hopeful expectations.”⁵¹ I learned so much going through the list and will absolutely be referencing it often!

“Appendix B: Gods, Goddesses, Spirits, and Heroes for Spellcraft” offers lists of deities or spirits that can assist with specific spell intentions. Telesco’s suggestions span a range of pantheons and cultures–Polynesian, Chaldaen, Slavic, Hindu, Mayan, and Teutonic–and for each one, their gender and cultural origin is listed. I love the diversity! I’m sure this list will come in handy not just for spellwork but also for personal research.

Then “Appendix C: Handcrafting Magical Compounds” is a real bonus for those who like to get crafty. In this section, Telesco shares the how-to for many magical items that can be handmade: candles, herb bundles, masks, incense, poppets, wreaths, and more. While there’s only a few paragraphs for each one, there’s enough information to once again get the creative wheels spinning and prompt ideas for what one might want to make for their magical practice.

All in all, Spinning Spells, Weaving Wonders is the perfect book for those looking for versatility, creativity, and flexibility in their spellwork. Telesco is an absolutely wonderful teacher, drawing upon her thirty plus years of experience to make the readers feel confident in their spellwork. There’s so many directions one can go with this book and the possibilities are truly endless. I highly recommend it to magical practitioners of all levels as it’s bound to get the magic inspiration flowing and point you in the right direction when you need a creative boost.

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