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Author Archives: PJ Spur

About PJ Spur

PJ Spur is an author, intuitive, spiritual mentor, astrologer, and hypnotist.  She does tarot & oracle card readings, natal chart readings, grief coaching, and relationship healing. She also has hosted a weekly “Coffee & Cards” event with her Soul Compass Community for the past four years. Her book Navigating Grief with Grace is available on Amazon. Learn more at www.dearpj.com

Plant Spirits Oracle, by Laura Aversano and Nadine Gordon-Taylor

Plant Spirits Oracle, by Laura Aversano and illustrated by Nadine Gordon-Taylor
Bear & Company, 9781591435303, 40 cards, 128 pages, November 2025

Plant Spirits Oracle by Laura Aversano with illustrations by Nadine Gorgon-Taylor is a captivating and spiritually rich oracle deck that invites users to connect deeply with the wisdom and healing energies of the plant kingdom. Combining beautifully illustrated cards with insightful guidebook messages, Aversano’s creation is a great companion to her book The Divine Nature of Plants.

Laura Aversano is a medium and medical intuitive who has studied plant medicine and worked with the spirit realm for more than thirty years.  She has written three books and lives in New York City with her cats. You can learn more about her on her website.

Nadine Gordon-Taylor is an intuitive artist who holds both MFA and doctorate degrees in art.  She has taught for more than 30 years through lectures and workshops.  Her artwork has been shown in galleries and collections around the world. She owns a gallery called Third Eye Arts in Peekskill, NY. She has created three oracle decks and contributed to several other decks. Learn more about Gordon-Taylor through her website.

This deck includes 40 full-color cards, including 30 plant spirit cards and 10 shamanic healing cards. Each card is a miniature art piece, depicting a plant or scene within a unique frame. The borders are also decorated with birds, moonscapes, wildflowers or angels. The back of the cards features a bright, yellow calendula flower.  At the bottom of the flower is the face and arms of a tiny green creature. (On the calendula card, you can see four plant spirits, including this one, which is being held aloft by one of his spirit friends!)

A visually striking deck, each card features mystical and ethereal illustrations that capture the essence of the plant spirit it represents. The artwork is both vibrant and subtle, balancing the physical characteristics of each plant with elements that suggest their spiritual qualities. The cards are of good quality, with a smooth finish that makes shuffling easy. The box and accompanying guidebook are sturdy and thoughtfully designed.

Aversano includes an introduction, how to work with the cards and a brief discussion of plant spirits and elementals:

“In healing with plants, we are working with the vibration as well as with the spirit. The spirit gives the plant its healing qualities and will also share with you, both verbally and nonverbally how to heal with it. Plant spirit medicine works vibrationally, both in your body and within the many layers of your auric field.”1

She also shares communication tips for working with plants and with these cards.  To further assist the reader, Aversano has included a prayer channeled from each plant’s spirit to help you discover your personal connection to the divine plant kingdom. 

The ten shamanic healing cards are included to guide you even deeper on your journey into sacred connection with Nature’s plant world. She includes topics such as Relationships, The Past and Gratitude within these special cards.  

The card called Creation really spoke to me, as I pulled it one morning during the holiday season.  The card features two people facing each other, holding hands.  Two parrots are shown at the bottom of the art piece. A beautiful pink flower adorns the top of the card, looking almost like a round, stained glass window. 

Aversano invites me to look deeply at all of my relationships, including those with my own “inner dialogue.”2 What strikes me as I look at the card now is the idea that the two beings could be mirror images. I welcome this invitation to meet myself and see another layer to this card. 

Laura Aversano’s guidebook is more than a simple set of card interpretations. Each plant spirit is accompanied by spiritual guidance and practical suggestions for integrating the card’s teachings into daily life. Aversano’s background as a medical intuitive and medium shines through in the depth and compassion of her writing. 

What truly sets Plant Spirits Oracle apart is its emphasis on the direct relationship between the user and the plant spirits. The interior of the guidebook reads “a journey through the magic, medicine and wisdom of the natural world.”3 Rather than focusing solely on traditional meanings or folklore, Aversano encourages personal reflection, meditation, and even ritual work with the cards. This makes the deck especially appealing to those interested in shamanic practices, herbalism, or plant-based spirituality.

This oracle deck is ideal for anyone seeking a deeper connection to nature, whether you are a seasoned intuitive, a beginner oracle reader, or a lover of plants. It can be used for daily draws, meditation, or as a companion to other divination practices. Its messages are gentle yet profound, offering guidance for personal growth, healing, and spiritual exploration.

Overall, Plant Spirits Oracle by Laura Aversano is a beautifully crafted tool for those wishing to engage with the plant spirits. Its combination of soft, ethereal art, heartfelt writing, and spiritual insight makes it a valuable addition to any oracle deck collection. Whether you are seeking inspiration, healing, or a new way to commune with nature, this deck offers a pathway to deeper understanding and connection. She shares this with the reader:

“The plant does not have to be in your actual physical space to give you its medicine. It might take a while for you to feel connected, but once you do, you will begin to notice a shift in your body. . . . Allow the plant spirit to take you on journeys into other worlds as well as deeply into yourself.”4

The Modern Fortune-Teller’s Field Guide, by Tom Benjamin

The Modern Fortune-Teller’s Field Guide, by Tom Benjamin
Crossed Crow Books, 9781964537450, 306 pages, October 2025

The Modern Fortune-Teller’s Field Guide by Tom Benjamin is a comprehensive manual designed for both aspiring and seasoned fortune tellers. Blending traditional wisdom with contemporary practices, the book aims to equip readers with the tools, techniques, and ethical considerations necessary for navigating the world of divination today.

Tom Benjamin has more than twenty years of experience as a tarot reader and teacher. From his popular YouTube channel (TheFoolsJournal) to his online workshops, Benjamin loves to share his tarot knowledge. He has written two workbooks for tarot students: Tarot on Earth and Your Tarot Toolkit. Learn more about Benjamin on his website.

The guide is thoughtfully organized, beginning with a brief history of fortune telling and its cultural significance. Benjamin then discusses fortune telling today and how it has changed over time. Step-by-step instructions, sample readings, and troubleshooting guidance make the book accessible to novices, while deeper insights and advanced techniques will appeal to experienced practitioners.

Benjamin explains that this is not a “how to book”, but rather a book about himself as a fortune teller or tarot reader. He shares his own experiences and teaches us about reading tarot along the way. His classes are based on this same type of strategy. He says that there are lots of basic tarot classes online and he doesn’t want to compete with those. 

The book is set up as a field guide and even looks like an old tome that has been weathered and used over time. The font he uses for headlines is like an old newspaper linotype and each chapter starts with a page printed in white type on black. I enjoy these black pages for each chapter, because it makes it easy to find chapters!  However, the white type is set in a serif typeface that is a little light and hard to read on the black background.

I was drawn to this book because of the reference to fortune telling and I decided to jump right in. The chapter called “Kill Your Darlings” really captured my interest.  In this section, Benjamin discusses ideas and beliefs you may hold dear about reading cards.  He dissects them and invites the reader to ponder these questions:

“What are things you fundamentally hold to be true about divination? What would happen if you change them — even just for an experiment. You might find it alarming, but you also might find it freeing…. What things do you have to have for your readings to be successful? A certain crystal? A particular cloth or incense blend? What would happen if you changed it up or tried not using your usual thing at all?”5

In the chapter “Seeing like a Fortune Teller”, Benjamin talks about how he “started his YouTube channel by doing readings for fictional and historical figures.”6 What a great and novel approach! He then invites the reader to grab a tarot deck and play solitaire with the deck for 5 minutes. Then read the cards in front of you when the timer goes off.  Again, what a wonderful exercise!

The chapter entitled “Learn Me Something” is a great treatise on learning in general and how we can all be more like little kids by being totally open to new information and new tools and techniques. To demonstrate, he takes a deck of playing cards, makes up an entirely new spread and shares his take on numbers and suits. At the end of the chapter, he has the audacity to say that “you are capable of doing the same thing!”7

Benjamin also includes a chapter on putting your own thoughts together for workshops, including how to create it, how to share your own wisdom, and how to use visual aids. He shares a basic outline for a four-part class that is structurally sound and looks interesting.

The chapter on advice is priceless. He talks about taking on the problems of the people for whom we read and offering “advice,” even when most people aren’t going to listen or act on it.  As Benjamin says: 

“A lot of times, people just want to vent. They don’t need a list of instructions; They want to be heard. Giving unwanted advice is a sure way to cause moderate to severe rage among our friends. Again, I know because I’ve done it. A lot.”8

He ends the book with his chapter “How I Read”, and he saved the best for last! Rather than giving keywords and brief card descriptions, he provides lots of information about the history of each Major Arcana card, some myths about the card and its symbolism, and his own interpretations or feelings about each card. Benjamin then discusses the Minor Arcana suits and the meanings for numbers. He sums up how he works with the Minor Arcana:

“It’s worth knowing the primary tool I work with is its element and number. Everything else (artwork, keywords, impulse) comes after I consider the element and the number. This isn’t right or wrong, good or bad; It’s just how I do it.”9

The writing style is engaging and easy to follow, making complex concepts approachable for beginners. The book emphasizes the importance of ethical practice, personal boundaries, and adapting ancient arts for contemporary audiences. I love the sample spreads and footnotes he adds to some chapters. This guide acknowledges diverse cultural traditions and encourages respect for different backgrounds and belief systems. Benjamin adds a section for further reading and reference at the back of the book, as well. 

Overall, The Modern Fortune Teller’s Field Guide is an excellent resource for anyone interested in the art of divination with tarot cards. Its blend of historical context, practical guidance, and modern sensibilities makes it a valuable addition to any reader’s library. Whether you’re just starting out or seeking to refine your craft, this book offers thoughtful instruction and inspiration for your journey.

I plan to keep this book on hand for classes I teach as well as recommending it to new students for their own personal library. The information Benjamin shares is like the culmination of an afternoon spent at a coffee shop, going over his life story, getting a reading and making a new friend.

Seeds of Light Oracle Deck, by Danielle Venables and Stephanie Wicker-Campbell

Seeds of Light Oracle Deck, by Danielle Venables with artwork by Stephanie Wicker-Campbell
Muse Oracle Press, 9780645885095, 140 pages, 48 cards, November 2025

Seeds of Light Oracle Deck by Danielle Venables with artwork by Stephanie Wicker-Campbell is a colorful deck that invites users to connect with their intuition and cultivate personal growth through its evocative imagery and thoughtful guidance.

Danielle Venables is an author, mentor, akashic guide, and mother. As a spiritual midwife, Venables’ work focuses on soul purpose, holistic success, conscious leadership, and motherhood initiations. She has guided hundreds of women on their journey of empowerment since the birth of her daughter in 2019. She feels that this personal event ignited her own spiritual awakening. With this deck, she wants to “plant seeds of light.”10 You can learn more about her on her website.

“It is her goal, and soul mission, to plant seeds of light across the planet and activate the remembering of the divine light within every soul here at this time and to ultimately see the very fabric of society shift into more peace and harmony.”11

Stephanie Wicker-Campbell is a gifted illustrator and artist who combines artwork in a way that is simply out of this world. She has illustrated numerous oracle decks, journals, and book covers in rich hues and beautiful renderings. Here are some of her other publications reviewed previously.

What interested me about this deck was the name and the idea that we are all planting and harvesting “seeds of light.” As a lightworker in a modern world, I can use this special oracle for tapping into divine wisdom, and so can you!

To test the deck, I took it to my Friday Coffee & Cards group and my friends loved it!  Here is a short recap of a few of the cards drawn by the ladies in the group and their response to the guidance:

TB had a question about a relationship.
She drew the card Let Go. She smiled when she read “Trust that what’s meant to stay in your life will stay, without you trying to control and hold it together.”12

KS wanted to know how to best support her daughter, who is struggling.
This is her card: Sovereignty. The guidance included a note to be mindful of being overly generous or overextending yourself. She knew exactly what that meant and thanked me (and Venables) for the guidance.

LK asked a question about a financial matter.
Her card was Integrity. She was really challenged by the questions posed in the guidebook and the admonition to “consider whether your actions align with your values and vision.”13

The guidebook is carefully structured to make finding the guidance for each card easy, as Venables lists each card in alphabetical order in the Table of Contents.  For each card, she features a full-color photo of the card, lists the name of the card, a few key words, and then guidance.

She wraps up the written wisdom with what she calls “Integration” and lists two or three questions for more insight. I really love these questions, as it takes the guidance to a more personal level. You can journal your answers to the questions or just ponder the ideas presented.

Venables includes several spreads as well as a section on how to work with the cards. She covers the basics of setting the scene, shuffling, and allowing the cards to speak to you. Venables also presents the concept of reversed cards, how to read them, and gives several examples of interpretations of reversed cards.

In the back of the guidebook, she includes a short appendix, which lists the types of senses or “clairs” that everyone uses to tap into spiritual wisdom. This is one of the best descriptions of this topic that I have seen. 

One of the most striking features of the Seeds of Light Oracle Deck is its vibrant, uplifting artwork. Wicker-Campbell masterfully blends gentle pastels and radiant colors to convey a sense of hope, healing, and possibility on each card. The illustrations are modern yet timeless, with symbolic elements that encourage contemplation and connection. The back of the cards features a decorated frame that feels like a portal to higher guidance. One can use this image for meditation or gazing for more wisdom.

The card stock is of high quality with a smooth, matte finish, making shuffling easy and enjoyable. The deck is packaged in a two-part box that is both sturdy and beautifully designed, reflecting the care and intention behind this divination tool. The inside of the deck box reads:

“When you move in unwavering devotion to the desires of your heart, you can move mountains with faith alone.”14

Overall, Seeds of Light Oracle Deck is a heartfelt, radiant companion for anyone seeking guidance, inspiration, or a deeper connection with their own inner wisdom. Its combination of beautiful artistry and thoughtful messaging makes it a valuable addition to any spiritual toolkit.

Venables’ words are positive, encouraging, and compassionate.  Yet, the questions she poses invite introspection and accountability. Whether used for a daily card draw, in-depth spreads, or creative journaling, this deck truly plants seeds of light for personal and spiritual growth.

I plan to keep this deck on hand for my own daily card adventures and utilize it to close out client readings. The thoughtful questions Venables poses will be a great addition to my readings and discussions with clients and friends.

The Witching Stones, by Nicholas Pearson

The Witching Stones: The Lore and Craft of the Essential Crystals, Gemstones, and Minerals to Empower Your Magic, by Nicholas Pearson
Weiser Books, 157863833X, 288 pages, October 2025

The Witching Stones by Nicholas Pearson is a captivating journey into the world of folklore, magic, and the sacred significance of stones. Known for his expertise in the field of crystals and their metaphysical properties, Pearson takes the reader into the historical, cultural, and spiritual roles that stones have played in the traditions of witchcraft and magic. Pearson offers readers a comprehensive blend of knowledge and practical guidance, making it an essential addition for those intrigued by both the mystical and the historical aspects of stone lore.

Nicholas Pearson has studied and worked with minerals and crystals for almost thirty years. His relationship with gems and crystals began when he was a small child. Pearson is an author, teacher, Reiki master and energy healer, who uses magic and flower essences in his practice.  He loves to show how crystals can change lives and believes he serves as a bridge between science and spirituality. Pearson appears on numerous podcasts and workshops around the country, including a tarot and divination workshop in Dallas which I attended a few years ago. Learn more about Nicholas Pearson on his website.

In this extensive work on witching stones, Nicholas Pierson has put together a guide to the 14 stones which he attests are integral to witchcraft. What follows are thirteen chapters, each one devoted to one magical stone, with the exception of amber and jet, which he combines into one chapter. He explains this pairing:

“Two particular stones that were prized by magicians and priests of prehistory, amber and jet are both organic gems of fossil origin. Because of their similar luster, comparable weight, and being found in the same kinds of environments they have developed parallel imagery as complementary stones. At several points in history, they were regarded as the same or remarkably similar substances.Today these stones have come to be known as the gemstones of the high priestess, priest, or priestess.”15

Pearson structures The Witching Stones in a way that is both accessible to newcomers and enriching for seasoned practitioners. The book begins with an exploration of the mythology and history surrounding stones, tracing their importance from ancient times through modern practices. Pearson weaves together stories from various cultures, showcasing the universal reverence for stones as sources of power, wisdom, and protection.

Next, Pearson provides detailed descriptions of individual stones, their mythology, their properties, and their traditional uses in magical and healing practices. Each chapter is well-organized, often including practical exercises, meditations, and rituals that readers can apply in their own spiritual work. This information comes under a heading that the author calls “Craft.”

Near the end of the book, Pearson recommends that the reader enjoy the book in the order in which he wrote it:

“Working through the chapters in order represents a symbolic journey of crafting the witch’s soul, of embodying magic inside and out. . . The role of the witch is to stand at the threshold of the material and the magical, learning from and partnering with the spirits of place. Let the landscape reveal its magic to you and surely you will know the witching stones residing there.”16

My favorite chapter was “Lodestone: Stone of Attraction and Direction”. Like all curious students, learning about stones and their properties is interesting, entertaining fun.  I was unaware that lodestone had magnetic properties. Pearson explains, “The earliest evidence of magnetite comes from Mesopotamia, where it was used alongside other iron ores to fashion weights and cylinder seals more than 4000 years ago.”17 Because of its magnetic qualities, lodestone has been used in magic and medicine for millennia. This stone is useful for “attracting” all types of desires:  love, money, health and happiness.

Pearson includes a lodestone manifestation and attraction spell, as well as a spell to reverse or stop unwanted attractions. He also includes a spell for when you may have lost your way and want direction or inspiration.  All of the spells are easy to conduct and most include simple ingredients.

I also really enjoyed the chapter on Jet and Amber, as I have been a fan of amber for many years. Did you know that you can create a necklace of amber and jet, representing the ultimate power of the witch? Pearson shares the history of this claim in both myth and literature.

Pearson writes in a clear and inviting style and makes complex concepts understandable, without oversimplification. His prose is educational and entertaining.  He includes five pages of notes that include references to each chapter, as well as a four-page bibliography.

The cover is beautifully designed with embossed, varnished letters and photos of three stones. On the back cover, his author photo is varnished and embossed. Inside the cover pages, the book features beautiful four-color photos of all fourteen stones. Each is shown in chapter order, which makes these photos a great reference tool. 

Overall, The Witching Stones by Nicholas Pearson is an enlightening and practical resource for anyone interested in the intersection of stones, folklore, and magic. Pearson’s expertise, combined with his passion for the subject, shines through in every chapter, making this book a valuable companion for both study and practice. Whether you are a seasoned practitioner or a curious newcomer, this book invites you to discover the ancient mysteries and enduring power of the stones beneath your feet.

“The witching stones are magic embodied. They are the tools for casting spells and carrying out rituals to commune with gods and spirits. They are part and parcel of the witch’s cabinet, the materia magica of the secret art.”18

I’ll be sure to keep The Witching Stones on hand for reference for client readings and follow up notes. I can see myself using and recommending many of the spells and potions he describes. I often recommend specific crystals or stones to clients and this book will be a valuable resource to share.

The Original Zodiac, by Graham Phillips

The Original Zodiac: What Ancient Astrology Reveals About You, by Graham Phillips
Bear & Company, 9781591435419, 208 pages, October 2025

The Original Zodiac by Graham Phillips is a fascinating exploration into the origins of astrology, delving deep into the ancient roots of the zodiac signs and their historical significance. Known for his investigative approach to historical mysteries, Phillips brings readers on a journey to uncover the beginnings of the zodiac as we know it today. In this book, he takes us back to Mesopotamia to unearth eighteen signs of the zodiac. 

Phillips is one-part historical detective and one-part adventurer, as he weaves together thought-provoking works on some of the greatest myths and legends of all time. He has penned books on King Arthur, Mother Mary, and the origins of Judaism, among others. Once a reporter for BBC radio, he also appeared in numerous TV documentaries and mini-series on similar topics. He lives in the Midlands of England. Learn more about him on his website.

Phillips sets out to challenge conventional wisdom about the zodiac, proposing that its origins lie not in Babylonian or Greek tradition as commonly believed, but much further back in time and in different cultures. The book is meticulously researched, drawing on archaeological findings, ancient texts, and astronomical observations to build a compelling case for a much older and, perhaps, more mysterious origin of astrological symbolism.

Instead of the well-known zodiac signs, Phillips “uncovers the original 18-sign zodiac, an ancient system that predates the familiar 12-sign zodiac by millennia.”1 In doing his research, Phillips finds and presents evidence that our birth date and time reveal much about each of us. While the Greeks created the 12-sign system we use today, the ancient ones in Mesopotamia used 20 degrees for each sign, thus eighteen symbols. They also assigned an animal to each sign.

“So, this 18-sign zodiac is thousands of years older than the one we are familiar with today. We don’t know what specific stars were incorporated into constellations to represent each of those ancient signs. Still, we know that the list began at the spring equinox and that the subsequent year was divided into 18 divisions of some 20 days each. These, therefore, appear to be the sacred creatures of the original Mesopotamian zodiac, with the dates covered by each birth sign.”19

Phillips writes how the oldest description of this 18-sign zodiac is on a clay tablet dating back to 686 BCE. Found in Mosul, an area in Northern Iraq once the ancient city of Nineveh, this artifact now resides in the British Museum. Basing his date calculator on this artifact and axis progression, Phillips was able to calculate the birth dates each sign falls within. While no artifacts or records exist detailing this original zodiac, Phillips recreated it based on his extensive research.

Over the course of several years, Phillips used his list of eighteen signs and collected tons of data. He writes how he “compiled an in-depth survey, recording people’s attitudes, opinions, likes, dislikes, hobbies, pastimes, employment, health, and many other factors, and found that those born in each sign did appear to share common traits well beyond what should be expected by chance.”20 He used this information to create his own interpretations of the 18-sign original zodiac. This approach is quite fascinating and reading the entries for each sign was insightful.

Instead of a Sagittarius Sun, as I am in the traditional zodiac, I am a Goat in this system. I read the section and agree with most of the qualities and characteristics Phillips presents. However, he makes several comments about physical qualities that didn’t fit.

Since my birthday is close to a cusp, or dividing line, chosen by Phillips, I decided to look at the sign prior to Goat, which is Horse. As I read the qualities of Horse, I began to see that I was a mix of both signs. The adventurous spirit of the Horse and the dedication of the Goat combine with other traits to create me!

Next, I read the section on Serpent to check the characteristics and qualities for my husband. For the most part, Phillips was accurate in his assessment. The only thing I found incorrect was the reference to “few suffer from digestive complaints.”21 My husband has a series of digestive problems and has struggled with these most of his life. The author’s reference to “intuition, imagination and versatility”22 for those born under the sign of the Serpent though is accurate for my husband. 

Phillips brings his book together with notes that cover sources for much of his research as well as a two-page bibliography with even more information for those who would be interested in further study. The book is well researched; his dedication to the multi-year data collection project of numerous people and their lives is impressive. Phillips has created something to give modern day astrology students and practitioners a new way to view the zodiac signs and their meaning. 

Overall, The Original Zodiac is a thought-provoking and ambitious work that will appeal to anyone interested in ancient history, mythology, and astrology. Phillips offers a compelling argument for re-examining the roots of the zodiac, combining meticulous research with an engaging narrative style. While some of his conclusions may be open to debate, the book succeeds in sparking curiosity and offering new perspectives on an ancient topic that continues to fascinate people today.

By questioning established beliefs, Phillips encourages readers to think critically about the history of astrology and its cultural impact. If you are intrigued by the mysteries of the past and enjoy books that challenge conventional wisdom, this book is certainly worth reading.

Telepathic Tales, by Daniel Bourke

Telepathic Tales: Precognition and Clairvoyance in Legend, Lyric and Lore, by Daniel Bourke
Destiny Books, 9798888501733, 320 pages, 2025

Across cultures and centuries, stories of extrasensory perception have surfaced like whispers from the unseen world. From the visions of ancient Greek oracles to the ancestral wisdom carried in Indigenous traditions across the world, humanity has always grappled with the possibility that our senses extend far beyond what can be measured or explained. In Telepathic Tales: Precognition and Clairvoyance in Legend, Lyric and Lore, Daniel Bourke takes readers on a cross-cultural voyage through these extraordinary experiences, documenting accounts both mythical and lived. With care and curiosity, he invites us to view them as meaningful parts of the human story.

Daniel Bourke is an Irish poet, songwriter and author. He has published articles in a number of journals and magazines, as well as Apparitions at the Moment of Death in 2024. He is expected to publish Déjà Rêvé and Love at Second Sight: The Experience of Meeting in Dreams before Meeting in Life in 2026.

Beginning each chapter with a provocative quote, Bourke dives into the material with the first few pages. There is no preamble or explanation, just a thorough presentation of clairvoyance and examples of intuition and foresight. From this discussion, he moves into visions; visions where people said, “I knew you were in trouble.”22

“The unconscious helps us by communicating things, or making figurative illusions. It has other ways, too, of informing us of things which by all logic we could not possibly know.  -Carl Gustav Jung”23

Burke shares several stories about people in the medical industry who received messages or visions regarding patients and were able to get to them in time to render lifesaving aid. In fact, he notes a book that shares many examples of “nonverbal and potentially telepathic Interactions between therapists and their patients.”24 This is something I had never considered, although I have experienced telepathic messages from my husband and other family members and friends.  

Next, Bourke takes us on a journey to learn more about deathbed visions, telepathic messages, and unusual phenomena. This subject is covered in two different chapters and relates to “nearing death awareness”25 and “dreams of the dying”26.

“That the mortally afflicted person might attain a prophetical or divinatory ability is an idea as old, as we have seen, as are the deathbed visions of Gilgamesh.”27

My favorite story in this chapter relates to a man in his seventies, who passed away on a Tuesday in Connecticut, only a day after his sister passed away in Ohio. Before his passing, he mentioned seeing his sister Mary in the hospital. At this time, no one knew that Mary had died. He and Mary had been very close. There were other stories of people looking up to the ceiling and carrying on conversations with people who had gone on before them. In my own life, when my aunt was passing, she said that she could see her mother standing by her bed. My grandmother had died about 30 years prior.

In subsequent chapters, Bourke discusses zombies and vampires as well as “cross cultural ESP”28, the origins of plant cures, and the idea of shared visions or dreams. He includes stories and research from many countries, different cultures, and varied spiritual traditions. For example, He discusses the South American Tukano and their medicine men. The Tukano believe that the creator of the Universe gave them a special plant known as curare. They also believe that “their botanical knowledge was derived from plant-induced hallucinations.”29

Bourke also includes many other tales of cures and medical aid. One story involves the Cherokee Indians who believe that “the spirit of the appropriate plant will suggest the proper remedy in a dream.”30 I love this!  My family can trace its lineage to a Cherokee woman in the 1800’s.

Bourke has structured this book as a patchwork of short stories, vignettes, and interludes. Some stories are starkly realistic, set in familiar neighborhoods and workplaces; others are more surreal, evoking a dreamlike feel. This narrative mosaic allows Bourke to explore the concept of telepathy and dreams through a variety of lenses (social, psychological, philosophical) without ever letting the book feel repetitive or preachy.

Stylistically, Bourke is a master of restraint and suggestion. He can describe the most fantastic phenomena in prose that is understated and elegant. His character sketches are insightful and compassionate. And, as a careful researcher, each story and each example is documented in the exhaustive notes and bibliography sections.  He even includes a lengthy index to allow the reader to find and review information or stories in the book.

Beyond its carefully researched myths, tales, and stories, Telepathic Tales is a book of ideas. Bourke is clearly fascinated by the philosophical and spiritual implications of telepathy, not only as a type of futuristic communication, but as a metaphor for empathy, compassion and understanding. Throughout the collection, he engages playfully but seriously with questions of consciousness: Are we truly ourselves if our thoughts are never private? How might empathy lead to harmony, or can perfect understanding breed new forms of conflict?

The stories do not provide easy answers, instead inviting the reader to grapple with ambiguity and uncertainty. In this way, his book belongs to the best tradition of spiritual non-fiction, which use the tools of imagination to work within his framework of research and storytelling. Bourke is truly an anthropologist of dreams, telepathy, and near-death experiences. I enjoyed his writing style and the stories he shares so that we can better understand the spirit world and our part within it.

Telepathic Tales would be enjoyed by a person who is newly awakening or newly learning about spirit communication, as well as someone who has been studying telepathy and dreams for a long time. I will be recommending this book to my clients and mentoring students. The real-world examples of spirit communication and telepathy will be supportive and empowering to those who are traveling on a spiritual path. 

“What we do know is that a large minority of people all over the world commonly experience contact with their dead – sometimes regularly, sometimes as one-offs – and that there is both an academic and a personal need to know why. -Alan Kellehear”31

LightWeb Oracle Deck, by Joanna Hunter, Anna Babich, and Stephanie Wicker-Campbell

LightWeb® Oracle Deck: Soul Technology, by Joanna Hunter with illustrations by Anna Babich and Stephanie Wicker-Campbell
Muse Oracle Press, 1763586928, 140 pages, 44 cards, October 2025 

The world of oracle cards is brimming with decks that promise to guide, inspire, and deepen our understanding of ourselves and the universe. LightWeb® Oracle Deck: Soul Technology by Joanna Hunter with illustrations by Anna Babich and Stephanie Wicker-Campbell is a standout set, one that takes you on a journey and invites you into the realm of the LightWeb.

“Glimmering in the astral plane is the LightWeb, a glittering web of infinite possibilities and consciousness, where all is connected and everything is possible. A place where we remember our galactic origins and connect with our shared cosmic soul.”23

LightWeb Oracle Deck is designed to help users tap into a type of interconnected web, an energetic framework that connects all beings and possibilities. Hunter calls this structure a LightWeb. Here, the reader may access higher wisdom and foster a deeper relationship with their own intuition. Hunter’s background in energy work and spiritual mentorship is evident in the design of each card and its meaning.

The cards, illustrated by Babich and Wicker-Campbell, are adorned with luminous, ethereal designs that evoke a sense of tranquility. Soft gradients of light blues, violets, and pinks create a radiant effect, inviting the user into a space of reflection. The imagery, a blend of feminine forms, geometric patterns, and cosmic symbols, is both modern and mystical.

The deck is well-crafted, with a sturdy yet flexible card stock that will stand up to repeated shuffling. The glossy finish enhances the colors, making each draw a delight for the senses. The deck is a comfortable size for shuffling and reading, suitable for hands of all sizes. A sturdy box houses the cards and guidebook, echoing the aesthetic of the glimmering artwork

Hunter begins with a card that features a beautiful request for Divine support as the reader works with the cards. This prayer is short, but powerful and will make a nice way to open readings each time. 

After a brief introduction, Hunter shares the four LightWeb Principles: Self-love, Self-mastery, Self-leadership, and Self-empowerment. Next, she provides several good ways to activate your deck. My favorite of her tips is one I have used myself: sleep with the deck next to your bed. You can also add a quartz crystal on top.

After including a brief “How to Use this Deck,” Hunter reveals several spreads and then goes into the card guidance.  At the end of the guidebook, she includes a glossary of terms, as well as information on her “LightWeb Soul Technology and Course.”27

The deck consists of 44 cards, each designed to represent a specific aspect of the LightWeb philosophy. The cards are numbered, to make finding the complementary guidance easy. Themes range from self-empowerment and spiritual awakening to grounding and manifesting. Each card bears one word or phrase, such as “Akashic Records”, “Spirit Guide”, “Light Language”, or “Priestess”, accompanied by a few key words.

For each card in the deck, Hunter uses a very structured approach to the guidance. Each card has a title, key words and information from the LightWeb, as well as clues from the ShadowWeb. She also shares a Transmission of Light, which explains some of the card’s symbology.

Next, she includes a section on Going Deeper, which is the heart of the guidance.  Hunter ends with the LightTool of the Card. This device can be a simple statement, an energy healing tool, or a suggestion for better living. Each one is unique.

The deck’s structure makes it versatile, able to be used for daily single-card draws, more elaborate spreads, or even as a supplement to meditation and journaling practices. The cards offer guidance that feels both specific and open-ended, and I saw this over the seven days I worked with the cards. The themes are universal enough to resonate with a wide audience, but not so broad as to lose their impact. Each card feels like a gentle nudge toward introspection and connection to Divine Source. As I worked my way through the cards, I felt a deepening into myself and a newer form of connection to Divine Source.

My favorite card in the deck is Freedom. The artwork features a carefree woman smiling and enjoying life. The guidance speaks of “Choices. Being free. Self-acceptance. Having fun. Lightest of energies. Joy. Being in the moment.”32

The guidance asks me to journal about freedom and what it means to me. Finally, Hunter suggests that I play some music, move my body, and enjoy freedom. This message was just what I needed for the day after my husband had an accident that landed us in the ER. I was reminded that I WAS free and now both of us were safe and surrounded by the love of our angels and guides.

I plan to add this deck to the stack I have on hand for client readings. The guidance Hunter shares will be a perfect way to end intuitive readings. I will also enjoy using this deck for my daily card readings over the next few months. 

LightWeb Oracle Deck stands out as a luminous guide for those seeking clarity, empowerment, and connection. Its harmonious blend of art, wisdom, and practical tools makes it a joy to use, whether for quick insights or a deeper dive. The deck invites users to step into their own light, trust their intuition, and explore the interconnected web of possibility that surrounds them.  The guidebook’s practical suggestions and gentle tone make it accessible to beginners and advanced practitioners alike.

For anyone drawn to the world of oracle cards, the LightWeb Oracle Deck is a beautiful addition to any collection. It promises not only guidance, but a gentle reminder that we are all connected through the LightWeb, and that our journey is illuminated from within.

 About the Creators

Joanna Hunter is a teacher, author, speaker, podcast host and intuitive life and business coach. She is also High Priestess of the transformative group she calls LightWeb®. Hunter transitioned from marketing executive to spiritual coach after a major health scare several years ago. She channels a group of beings she calls Skyler and carries the sacred Codex of Light™ teachings. She serves as a spiritual guide for transformation and ascension. Hunter has written four other books and published two other oracle decks. Learn more about her at www.JoannaHunter.com.

Anna Babich is an illustrator and designer, who loves to create magical and celestial artwork.  Over her career, she has illustrated everything from clip art to oracle decks. Her style is very intuitive and ethereal, and she feels that she infuses a type of healing magic into each piece of art. See more of her work on her website.

Stephanie Wicker-Campbell is a gifted illustrator and designer, who has illustrated oracle decks, journals, and book covers. She is also a keynote speaker and author in her own right. In a recent post, she expresses that she is stepping back from design work and focusing more on her publishing house, Muse Oracle Press. Learn more at https://museoraclepress.com.

The Butterfly Wisdom Tarot, by Starla Yilmaz

The Butterfly Wisdom Tarot: Guiding Wings for Your Journey, by Starla Yilmaz
RedFeather, 9780764369230, 144 pages, 78 cards, June 2025

With her beautiful deck, The Butterfly Wisdom Tarot: Guiding Wings for Your Journey, Starla Yilmaz draws inspiration from the butterfly. An ancient symbol of metamorphosis and the soul, and offers readers of all experience levels a vibrant tool for reflection, guidance, and growth.

Starla Yilmaz is a fiction writer, tarot reader, and cross-stitch creator. Tarot and cross-stitch have been an important part of her healing journey and her life for more than 20 years. While her work in romantic fiction has won two awards, this is her first deck. You can learn more about Yilmaz on her website.

After what Yilmaz calls an “intense healing period of my life”1, she had a vision of “butterflies cross-stitched onto white canvas, each one the focus of a tarot card, forming one giant tapestry.”2 She laughed and put away the idea until a later time when she decided to begin one simple pattern. As the designing and sewing healed her, she created another and another. When she started writing the guidebook, she began to draft little stories to accompany each card, including key ideas and thoughts or questions for deeper contemplation.

Each card is edged in black with a distinct color for the inner border, showing tiny threads on white fabric. She uses matching thread colors for the Major Arcana and again for each suit of the Minor Arcana. All the cards feature an uncomplicated design with a butterfly and crisp black stitching representing a very basic part of the symbolism from Rider-Waite-Smith.

For example, The Moon card features a moth with a crescent moon and a full moon, adorned at the top with the symbol for Pisces. When readers go to the guidebook, her story brings out the tale of the dog barking at the moon because he fears the mirror image of the moon on the water; her thoughtful questions encourage the reader to inspect fears, dreams and reflections.

Within the guidebook, Yilmaz features full-color illustrations for the Major Arcana cards. She includes an introduction to her story, notes on how to use this deck, and several one, three, and four-card spreads. At the end of the guidebook, she includes “Healing Patterns and Prompts”33 for the reader to copy and stitch (pg. 129-141) She shares three designs, offering a beginner pattern and an advanced pattern for each. Yilmaz also includes a list of tarot resources.

The heart of this deck lies in its artwork. Each card is adorned with illustrations that intertwine the world of butterflies with the archetypes and stories of tarot. The Butterfly Wisdom Tarot arrives in a box of royal hues and elegant details, calling to mind the fragile beauty and bold colors of butterfly wings. The box is sturdy and well-constructed, with a magnetic closure that protects the cards while adding a sense of ceremony to every reading. She has designed a deep well for the cards with thumb holes for easy removal.

The symbolism in these cards is simple, subtle, and brilliant. Each black stitch has been carefully designed and sewn to represent the timeless archetypes of the 78 cards of Rider-Waite-Smith deck. From the two cups pouring water in the Temperance card to the tiny tools of the Magician, Yilmaz has artfully selected the best symbols for each card and carefully stitched them onto her fabric canvas.

And the butterflies! Each butterfly is a mini masterpiece! Whether it is a classic monarch on the Emperor card or a chrysalis on the Hanged Man, Yilmaz uses all the colors of the rainbow to present her butterfly parade. 

The cards themselves are printed on high-quality, matte-finish stock that feels silky to the touch yet substantial enough for everyday use. The deck is standard size, shuffling smoothly whether you prefer riffle or overhand methods. The matte finish reduces glare and makes the cards easy to photograph—a boon for those who share their readings online.

Card backs feature an elegant, symmetrical design that looks like stained glass and butterfly wings in flight, making the deck reversible for those who read with reversed cards.

From the outset, the deck exudes an energy of gentleness and support. It is approachable for those new to tarot and a delight for seasoned practitioners. I love the thoughtful questions that Yilmaz poses for each card, so that the reader can go deeper into self-reflection. 

I presented the cards to a Zoom group that I attend monthly. Here are a few comments from attendees:

LC – The Lovers: “I’ve been flirting with this guy online. I now know I need to decide whether to meet him or move on. I love the question: ‘What quality do I need to work on to be a better partner?’  That really makes me stop and think.”

TW – 4 of Cups: “OMG! I see how I have been a Debbie Downer lately! I may need to contact my old therapist and have a few sessions to put myself right. Am I depressed or just bored? These questions really help!”

As for me, I really resonated with the artwork and guidance for the 6 of Wands. I loved the simple garland of victory and the 6 wands cheering me on to success. Another favorite card is the Strength card. Yilmaz features a gorgeous orange butterfly resting on the gaping mouth of a lion. Simply stunning!

I plan to share The Butterfly Wisdom Tarot with my Friday Coffee & Cards group and other Zoom groups I attend. I will keep the guidebook close by for my personal card readings, as I consider the questions for deeper reflection. Yilmaz provides this note:

“I hope that readers find themselves supported and uplifted during life’s toughest moments with my deck and guidebook.”34

Boadicea’s Tarot of Earthly Delights, by Caroline Kenner and Paula Millet

Boadicea’s Tarot of Earthly Delights, by Caroline Kenner with illustrations by Paula Millet
REDFeather, 9780764369087, 216 pages, 80 cards, June 2025

Boadicea’s Tarot of Earthly Delights is a beautiful, vivid celebration of both the mystical and the material, seamlessly weaving together the pleasures of the physical world and the wisdom of spirit. In a crowded field of modern tarot decks—each vying to reinterpret the archetypes and traditions of the cards—Caroline Kenner and illustrator Paula Millet have created a deck of stunning images and poetic wisdom.

Caroline Kenner is a priestess, a tarot expert, a shamanic healer, and a witch. She has read tarot cards for five decades and has studied and honored Boadicea “as a Sacred Ancestress for more than 50 years.”35 Kenner is co-founder of the Fool’s Dog tarot app company, and this is her first book.

Paula Millet has enjoyed a lifelong study of art and science and loves this opportunity to create a deck inspired by her experiences. She is an artist, graphic designer and deck creator and has also worked in several museums in the US, including the Smithsonian.  Millet has contributed to the creation of three other tarot decks.

The first thing I noticed about this deck is the use of vibrant colors and beautiful artwork. In her unique style, Millet has combined hundreds of classical art pieces in very unique ways. For example, the Knight of Fungi (Pentacles) features a knight wearing a snail helmet, brandishing a mushroom, riding atop a donkey. The collage designs that Millet creates are brilliantly stitched together to appear as one piece of art. The visuals are impressive and dazzling. 

“Technically, I work in Adobe Photoshop, sampling, manipulating, and blending select bits from at least 5 or 6 or up to more than a dozen images to create each digital illustration.”36

The Major Arcana cards follow traditional names and Rider-Waite-Smith symbolism, although the duo created two extra cards: Boadicea the Queen and Perspicacious Platypus. 

At this point, I’d like to share a little information about Boadicea from the guidebook:

“Boadicea was a queen of the Iceni, a tribe that occupied the territory of present-day Norfolk and Suffolk, during the Roman occupation of England in the 1st century of the common era. After her husband died, Boadicea and her daughters expected to inherit his throne under Roman law. Instead, her sovereignty was ignored.”37

She led an army of her people against the Romans, not once but three times. Although the Romans finally defeated her, Boadicea and her army killed almost 80,000 Romans. This deck is a testament to her “wisdom, assertiveness and courage.”38  

In addition to the two extra cards, Millet and Kenner also renamed each of the Minor Arcana suits as follows:

Cups – Tentacles
Wands – Combustion
Swords – Aether
Pentacles – Fungi

The cards with tentacles amused me and the mini art collages with fungi tickled me even more.  The way Millet combines tentacles with people and artifacts is delightful! Figures of varying ages, body types, and backgrounds populate the cards, reflecting a vision of humanity that is as diverse as the flora and fauna that surround them. (For any art lover who is interested in the source of Millet’s artwork, she includes a comprehensive appendix with all the information listed.)

In the guidebook, Kenner really shines, sharing a description of each card, a brief interpretation, and upright and reversed meanings and symbols. She includes a bit about the history of tarot, divination, and reading cards. Kenner also presents twelve spreads, as well as several pages on reading tarot. I found her meanings like what I’ve come to know as traditional RWS and appreciated how Kenner and Millet collaborated to create the poetic verse and artistic renderings for each card. I also resonated with this note about reading with only Major Arcana cards:

“Majors only readings can sharpen our focus on life’s most essential issues.”39 

The cards are printed with a velvety, matte finish, edged in gold and further adorned with a colored border that matches each Minor Arcana suit or crimson for the Major Arcana. The cards are a bit oversized and were a little hard to shuffle with my small hands. However, the size allows the artwork to really shine. The cards are housed in a beautiful box that is decorated on the interior as if it held the finest map in the world. A deep well with a scarlet ribbon holds the cards, with ample room for the large guidebook. The box closes with a magnetic flap.

I took the cards to my Friday “Coffee & Cards” group, and my friends loved the deck!  Here is a sample of comments:

JS drew the 2 of Aether “I can’t believe this card is telling me it’s time to make up my mind.”
She went on to say that she was battling with herself over a complex question and now knew that it was long past time to choose and move on. 

LL drew the Perspicacious Platypus card and, after we all laughed at the absurdity of this card, she drew a breath, read the guidance and shared this:

“This very strange card has shown me a new way to look at my life. It’s time for me to look at what I want to embrace and what I want to leave behind. I can’t ask others to help me with this, because it’s my own decision to make.”

This deck would be appreciated by any level of tarot reader, although someone with a little knowledge of RWS would probably enjoy working with the deck more than a novice. Those looking for a deck to support healing, self-acceptance, and the exploration of personal pleasure will find much to love. Through its rich artwork, innovative symbolism and beautiful prose, Boadicea’s Tarot invites us to savor the delights—and the lessons—of our world.  

I plan to keep the deck on hand for client readings and refer to the guidebook for additional wisdom for my own personal readings. As Kenner shares at the end of the guidebook: 

“Tarot is a wisdom tool designed as a game. Working with Tarot can help you understand yourself, refine your goals, and achieve success and happiness. Tarot deepens compassion for self and others. Tarot enhances life.”40

The Oracle of Rewildling, by Sherry Salman and Alexandra Eldridge

The Oracle of Rewilding: Pathways to Renewing Our Kinship with All Things, by Sherry Salman and illustrated by Alexandra Eldridge
Red Wheel Weiser, 9781578638239, 176 pages, 44 cards, June 2025

In Sherry Salman’s new deck, The Oracle of Rewilding: Pathways to Renewing Our Kinship with All Things, she pays homage to the transformative power of rewilding—both as a practice and as a mindset. The author intertwines fairy tales, ecological insights, and spiritual messages to craft a narrative that is insightful and inspiring. Rewilding, as presented in this deck, is not solely about returning to untamed landscapes but also about rediscovering the instinctive, untamed animal essence within each of us.

Sherry Salman, PhD, LP, is a Jungian psychoanalyst, who teaches and writes for the Jungian Psychoanalytic Association. She also consults for the Archive for Research in Archetypal Symbolism in NYC. Known internationally as a speaker on “the creative imagination in postmodern culture and psychological life”36, Salman’s work has been published in numerous books and journals.  Her book, Dreams of Totality, discusses symbolism and imagination and our struggle with modern living.  You can learn more about Salman on her website.

Eldridge says this about her work:

“My paintings emerge from a place where contradictions are allowed, paradox reigns and reason is abandoned. My search is for the inherent radiance in all things… the extraordinary in the ordinary.”37

The Oracle of Rewilding is a collection of 44 cards and a guidebook that shares a rare glimpse into the kinship between man and the animal kingdom:

“Although we will never really know what it’s like to be a stag or a rabbit, a wolf or a bird, we can still imagine it. In fact, as humans, we have always done so-in art, in story, and in myth.”41

Eldridge uses a combination of the glass plate negatives and the addition of artistic elements to create these windows into the heart and soul of this kinship. The glass plate negatives hail from 1880-1920 and the author explains that this time frame was selected purposefully:

“It was an era when there was excitement about Charles Darwin’s findings that emotions exist in both humans and animals; it was the beginning of land conservation and wildlife preservation, the emergence of modernism in the arts, the invention of photography and the X-ray. Simultaneous with these developments, there was an enthusiasm for peering into the ethereal beyond.”42

Although the glass plate negatives are used as a base for Eldridge’s art, these are only a starting point. For example, Eldridge paints bird, lioness or wolf heads on ladies and fox, stag and goat heads on gentlemen.  She adds angel wings to children and lots of birds and flying insects throughout the deck. Fish, octopus, and other water creatures also come to play.

Although the glass plate negatives would create black and white images, Eldridge has skillfully colorized the images.  Sometimes, she highlights the eyes, sometimes the clothing and other times the background. The colors are soft pastels, reminiscent of colorized versions of these photos from another time. 

To fully explore this deck, I pulled a daily card for seven days.  The cards never failed to mesmerize and bolster me with the guidance and symbolism shared. One of my favorite cards is called Forgiveness. It features a woman in a blue dress with a crisp, white collar and the head of a dove. She is shown handing a rose to a cat on a table. The guidance recommends “it may be time to come home to the tranquility and peace that forgiveness offers.”43

Salman presents a unique way to welcome and honor forgiveness:

“Start with just cultivating the feeling and tangible scent of forgiveness itself. Then let that feeling radiate outward. This takes a lot of practice and includes the soothing of vengeful impulses that persist.”44

I love and appreciate the softness of this type of forgiveness, as well as Salman’s narrative of the myth of the dove in literature and history. Including this information provides a backstory that grounds the reader in preparation for the wisdom that is shared at the end of each section.

One of the best aspects of The Oracle of Rewilding is its lyrical yet accessible prose. The author’s voice is filled with passion and clarity, a rare combination that makes complex ecological and spiritual concepts understandable for a wide audience. The deliberate pacing and vivid descriptions evoke a sense of wonder, pulling readers into a world where each animal, insect, and natural habitat holds a story.

The guidebook is designed for easy navigation with the cards arranged in alphabetical order along with a Table of Contents. Salman explains that she has done so only for the reader’s convenience, and she invites us to use them in a “nonprescribed order.”45 Salman includes a lengthy introduction to the concept behind the cards, including some history, notes about Jung and a discussion of shapeshifting. She also includes two ideas for card spreads.

The guidebook includes a four-color copy of each card, a brief description of the card images, keywords, and the background of the card.  The final entry is guidance or wisdom. At the back of the book, Salman includes a list of books for further reading. 

The cards are standard card size and are printed on good quality card stock. The edges are dipped in silver and the back of the cards features a soft mauve background and a white bird. The cards also feature a matte finish, which blends well with the feel of the artwork.  The kit is housed in a beautiful two-part box with an indentation for the cards. The box color is also mauve.

The inside of the box features a frog; the box lid highlights a jackrabbit and the back showcases four of the cards.  On the cover, Eldridge has chosen to feature two women wearing the heads of crows, paying homage to the card entitled Divination. While the box cover is printed with a matte finish, Eldridge has added stamped, silver type for the title, corner accents and other bits of type around the edges of the box lid. The effect is quite striking.

Whether you are an environmentalist, a mystic, or simply a seeker yearning for a deeper connection to the natural world, The Oracle of Rewildling holds profound messages and guidance.  The images will awaken new insights and whisper magical words of hope and inspiration. I recommend this deck for any level of oracle or tarot reader.  For those who might get lost in some of Salman’s Jungian prose and mythology, you can go directly to the section called “When this card appears” and enjoy the wisdom she shares.

Every card I pulled left me with significant guidance to ponder or a new view of my world.  The interplay of poetry, prose, and evocative imagery ensures that every page delivers a beautiful experience and allows individuals to seek wisdom tailored to their unique journey.