Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

The Fashion Oracle, by Nieve Tierney

The Fashion Oracle: An Occult Guide to What to Wear Inspired by Chanel, by Nieve Tierney
Welbeck, 1035421933, 208 pages, May 2025

The Fashion Oracle: An Occult Guide to What to Wear Inspired by Chanel by Nieve Tierney is a fascinating blend of fashion history and mystical insight, offering a unique perspective on personal style and divination. Presenting over 70 designs by Coco Chanel, Tierney guides readers in the art of energy shape-shifting through their attire. Awakening the potential of our style has to tap us into new frequencies, and this book is perfect for both fashion aficionados and those new to the idea of clothing as spiritual empowerment.

“There is power in tapping into your vibration through the clothes you choose and clearly signaling an energy via your fashion choices.”1

Tierney begins with an introduction to the esoteric side of Chanel, who “wove in elements of numerology and astrology into her designs, infusing each creation with cosmic and personal significance – transforming her clothing into a true extension of her spirit.”2 Until reading this book, I had no idea that Chanel consulted astrologers and read Lenormand cards for personal and business guidance or that she was introduce to Theosophy and deeply inspired by Egyptian influences. Tierney’s insights cast Chanel’s designs in a new light for me, opening me up to the symbolism hidden in the layers.

Next, Tierney provides an overview of color alchemy, the psychological impact of certain colors and the emotions or behaviors they trigger. She applies this wisdom to Chanel’s signature fashion palette she was most known for (pearls, tweed, black/white contrast) to illuminate how color and patterns display certain energies. Then Tierney introduces readers to archetypes, which is the basis of how she translates the designs of Chanel into potent fashion templates that readers can draw upon for inspiration to call in the resonant energy.

Readers can absolutely browse for creative inspiration, but even better, Tierney has designed the book to also be used as an oracle too. She recommends focusing on a fashion question the reader needs guidance about and then flipping through the pages until one feels called to a certain page (her directions are more specific in the book!). The page landed on will have the divinatory answer to the question.

The archetypes are divided into five main chapters: “Rebel With a Cause”, “Boss Mode”, “Divine Feminine”, “The Original Influencer”, and “Power Dressing”. Within each chapter are the specific archetypes that Tierney has identified within Chanel’s designs. These archetypes are so creative, perspective, and inspiring.

For instance, The Alchemist, The Comet, and The Modern Woman are covered in “Rebel With a Cause”. “Boss Mode” introduces The Mermaid, The Phoenix, and The Visionary. The Lover, The Rainbow, and The Mystic are described in “Divine Feminine”. Then “The Original Influencer” includes The Icon, The Prophet, and The Celestial Being. Finally, “Power Dressing”  teaches how to bring in the archetypal energy of The High Priestess, The Dandy, The Devil, and The Queen.

All the entries are a little different, but Tierney’s writing style is informative and enlightening throughout. She blends insight into Chanel’s designs, background about Chanel’s personal life and career accomplishments, and esoteric wisdom and guidance. Many of the archetypes also include a way for readers to more deeply connect with the energy, such as a reflection, guidance, visualization, affirmation, or meditation. These mystical tips make the archetypal energy more accessible and are easily incorporated into the process of getting dressed.

Every archetype also includes absolutely gorgeous artwork, offering delightful visual stimulation for those who have an eye for piecing together their looks. This book would be perfect for a coffee table or keep by one’s bedside to browse when one is seeking creative inspiration or simply wants to clear their mind and find mental refreshment in the beauty of Chanel’s fashion designs. There’s also plenty of Chanel quotes throughout the book that foster boldness and confidence.

I have been using this book A LOT recently as I’m in the midst of a business rebrand. As someone who has no fashion sense—I’m still wearing clothes that are nearly a decade old and do not keep up with any fashion trend—this book has been incredibly useful for modifying my style to be more reflective of the woman I want to show up as in the world. I have really enjoyed the insight I’ve gained from asking the book what archetype I should embody in my business, as well as daily questions about the archetypal energy I need to make the most of the day.

Other times, I’ve gotten a lot out of the book by going through the table of contents and seeing which archetype calls to me. I then flip to the page to learn more about how I can embody it through my clothes or accessories and follow . Working with this book has bolstered my confidence in my style and also made me more intentional about connecting with the energy I am calling in as I get dressed.

What I also really like about the book is that the suggestions are general enough that you can find the right outfit in your own wardrobe at the moment; you don’t have to go shopping or purchase high-end clothing to embody the oracle guidance in the book. For instance, in the section on the Wild Woman archetype, Tierney writes:

“At Chanel, their use of raw edges, frayed hems and distressed leather speaks to the Wild Woman’s embrace of authenticity and rawness. These design elements defy conventional polish, celebrating natural imperfections and the enchantment of the unrefined.”3

Most people would have something with these design elements in their closet already. It’s just a matter of dressing up in them with the intention to consciously call forth the Wild Woman archetype, which Tierney explains “will reconnect you with the primal rhythms of your soul.”4

Overall, The Fashion Oracle combines the captivating timeless elegance of Chanel with the mysterious allure of the occult. Tierney weaves together fashion wisdom and spiritual guidance, suggesting that readers can be the architect of their own energy through what they wear, offering the world different reflections of their inner selves. Readers will discover the potency of their wardrobe choices as a form of self-expression and personal empowerment.

This book is a wonderful read for those interested in the intersection of fashion and spirituality. Its innovative approach to style and divination, which combined with practical advice and mystical insights, is a really unique way to tap into archetypal energy for manifestation, transformation, and personal reflection. Whether you are a Chanel enthusiast, a spiritual seeker, or simply looking for a fresh perspective on personal style, this book offers inspiration and guidance in abundance. I will definitely be referring to it often; it’s as timeless and classic as Chanel herself!

Magical AI Grimoire, by Davezilla

Magical AI Grimoire: A Book of Shadows for Contemporary Chaos, by Davezilla
Weiser Books, 157863847X, 288 pages, March 2025

Ready to take your magical practice to new technological heights? Introducing Magical AI Grimoire by Davezilla, an intriguing exploration of the intersection between artificial intelligence and the world of magic. This book offers a unique blend of technology and craft, drawing readers into a universe where the boundaries between the digital and the arcane blur beautifully.

“All across the globe, witches and magicians are finding that technology can have a spiritual essence and mind of its own, or rather, that the spirit world enjoys playing with tech as much as we do. The internet could be one more astral plane, for all we know.”2

Now, before diving in, I will acknowledge the common gripes about AI: environmental destruction, infringement on copyrights, artwork theft. There’s plenty of room for debate about AI ethics and the role it should have in our society. All I can say is that if you’re someone anti-AI, skip this read.

But for those who are curious about the fusion of AI with magical elements, which offers a fresh perspective on both fields, Davezilla encourages readers to ponder the possibilities that lie at this unique intersection and teaches how to make the most of the current AI tools available. I, personally, have thoroughly enjoyed the material and the subsequent workings I’ve been doing after absorbing Davezilla’s AI wisdom.

One of the best things about this book is Davezilla’s dedication to be extremely clear with his intentions, wording, and directions. In the introduction, he shares with readers the path that’s lead him to where he is today, which includes “initiations as an eclectic Gardnerian witch, a Nganglero in Palo Mayombe, a Discordian Pope”4 along with being a practicing Olocha within the Santero tradition. He then lists terms he uses throughout the text and provides his contextual meaning for words related to both spiritual/religious/magical traditions and technological lingo.

I was very grateful for his clarity because the way he weaves together magical concepts and AI definitely went beyond my current knowledge of the different systems he works within as well as the tech-terms. At the same time, this was one of the coolest aspects of the book. As Davezilla teaches how to use AI for magical purposes, he makes key points by crafting prompts specifically for different traditions and then shows the readers how the AI response will differ, reflecting practices common to the specific tradition the prompt was crafted to ask about.

For example, in explaining the art of promptcrafting, which is essentially knowing the best ways to phrase what you ask AI to get the most useful response, he asks AI to write a protection spell from the perspective of Wiccan high priestess, Santera elder, Chaos Magician elder, and Discordian Pope elder.

As a result, in addition to learning a ton about how to write better prompts to get the results I’m seeking, I also got to enjoy finding out more about the magical ways of magical systems I wasn’t familiar with. I found the AI answers for Discordian magic so fun that I ended up buying Principia Discordia by Malaclypse the Younger and Omar Khayyam Ravenhurst, the official “bible” of the Discordian religion.

And I have to say my promptcrafting feels NEXT LEVEL now after putting into use all the tips Davezilla shares in this book. It’s actually taken me weeks to even write this review because of all the creative ideas promptcrafting I’ve been pursuing, gathering pages and pages of new insights and ideas that seem to multiple the more I use ChatGPT. So far I’ve redesigned the branding for my astrology business, built a “starter’s guide” list for occult grimoires I want to study, designed countless spells and rituals, including one for the Sun-Venus cazimi in Aries, and planned out my magical feasts for Ostara and Beltane.

Some of the most useful promptcrafting tips Davezilla shares are utilizing tone of voice, directing the rhyme scheme for the response (good for chants), creating stories, and of course, designing rituals. He shares chapters on prompts for invocation rituals, banishing spells, protection spells, prosperity spells, healing spells, calling deities, and calling spirits–all done from multiple magical systems for readers to see the difference in both prompt and AI response.

After focusing on text-based AI chats, Davezilla moves into teaching readers how to use Midjourney, an AI-based visual creation app. For readers to use Midjourney requires a Discord account and to pay a subscription fee. However, once those barriers are hurdled, the world is your oyster when it comes to image generation.

Davezilla explains how to structure prompts specifically for this app along with terminology readers need to be familiar with. But once readers have the general format down, Davezilla teaches how to write image prompts to meet one’s guardian angel, find one’s familiar, discover one’s totem animal, and see elemental fairies. Along the way, he discusses stylization, image parameters, creating variation, panning/zooming, and using multiple prompts. These sections focusing on Midjourney definitely require more time to absorb, but the results are quite fulfilling.

The last chapters in the book offer even more possibilities for AI magical workings. Davezilla provides insight on using search engines as oracles, how to use AI for manifestation, sigil softwares for readers to download, virtual familiars, and the creation of software egregors. These are definitely more advanced and something readers can work towards with practice!

Throughout the book, Davezilla’s tone is light-hearted yet intellectually stimulating, striking a perfect balance between entertainment and education. He has a quick wit and great sense of humor, making this a very fun yet thought-provoking read. Plus, his experience and background in magic just shines through, along with his reverence for each tradition/system he includes in the book. Not only is the material fascinating, but there’s layers of enjoyment from Davezilla’s clever use of language that keeps readers invested and motivated to try out all the AI guidance shared. He definitely gives more than enough information to feel confident approaching AI, alleviating the potential for any frustrations with clear descriptions and directions to follow.

I love what Davezilla writes in the chapter “Final Thoughts”:

“Perhaps we should start thinking of it as IA–as in “intelligent assistance” rather than “artificial intelligence”. There is nothing artificial about the human hand and human brain and divine spark that have brought us to this future.”5

Overall, I’ve had an absolute blast reading Magical AI Grimoire. It has been by my side for over a month now and I’m still referencing it daily. This book is a must-read for anyone interested in the crossroads of technology and magic. AI is shaping the future, and the occult realms are just one of many arenas being transformed by this integration of AI.

Davezilla has done an exemplary job of distilling the basics of promptcrafting for rituals, images, and spellwork for magical practitioners to feel confident incorporating AI into their workings. If you’re ready to blend artificial information systems and magic, this is a wonderful starting point that will give you plenty of inspiration about what’s possible to create.

Loki, by L. Dean lee and The Saxon Storyteller

Loki: An Illustrated Guide to the Trickster God, by L. Dean Lee and illustrated by The Saxton Storyteller
Red Wheel, 1590035747, 128 pages, April 2025

Loki: An Illustrated Guide to the Trickster God is illustrated by The Saxon Storyteller and written by L. Dean Lee. First off, I have to say the illustrations are awesome. Page 68 is my favorite depiction of Loki in this book, the snakes for each chapter were very nice as well. I love how almost every page also has an illustration, from objects to creatures to more depictions of Loki. The Saxon Storyteller has done a truly amazing depicting Loki to life in these pages.

At the beginning of this book, Lee starts by teaching about how to define a god. We learn that the Norse gods are similar to us in certain ways and that instead of being the rulers of certain aspects, it’s just their personality. For example, Loki would rule over chaos and mischief, but that’s not the case for the Norse pantheon. After some more pre-reading knowledge, we are introduced to the first piece of lore on Loki, which is about where his parents are from, Jotunheim, the land of giants.

At the beginning of this book, Lee starts by teaching about how to define a god. We learn that the Norse gods are similar to us in certain ways and that instead of being the rulers of certain aspects, it’s just their personality. For example, Loki would rule over chaos and mischief, but that’s not the case for the Norse pantheon. After some more pre-reading knowledge, we are introduced to the first piece of lore on Loki, which is about where his parents are from, Jotunheim, the land of giants.

Lee has done an outstanding job with research because everything I read about Loki checks out (I have prior knowledge of Loki, as I have read the Poetic Edda and have done extensive research on the Norse pantheon). I haven’t found many books on the Norse pantheon that have been accurate, but I can happily say that you will get accurate knowledge on Loki from this book.

Moving forward to the end of chapter two, we learn about Loki’s decently large family. There’s an illustration that shows you Loki standing next to each family member, and there’s also a helpful family tree diagram.

In chapter three, Lee turns to the folklore and mythology that surrounds Loki: the story of when Loki stole Freyja’s necklace, the one time Loki cut Sif’s hair off, all of Loki and Thor’s adventures, when Loki saved the son of a farmer by hiding him, when Loki made Skadi laugh, and then to when Ragnarok breaks out.

That brings us to chapter four now, which is about Loki in the world. Lee covers Loki during the Viking age, his origins remaining a mystery. Loki in medieval times (from the 1000s to the 1700s), discussing Loki in the Prose Edda, which was created after the Christian Conversion. Then Lee shifts focus to Loki in modern times. Around the 1700s and 1900s, the interest in the occult grew, bringing back the Norse gods to mind. Then we move forward once more to Loki in Europe and America and then the pop culture surrounding Loki. Lastly, closing this chapter, Lee lists Loki’s kennings, which in Old Norse poetry is an indirect phrase referring to someone.

Chapter five covers venerating Loki and the different avenues you can take to worship and work with Loki. Lee writes:

“You do not need to be a Heathen or a Norse Pagan in order to venerate Loki.”6

I appreciated that this is explained first and foremost. In this chapter, Lee describes how to build an altar dedicated to Loki. He doesn’t specify what to put on Loki’s altar, but me personally, I have a pirate rubber duck that was randomly handed to me in a Sheetz while I was on vacation in Virginia a month after starting to work with Loki, a little packet of mistletoe, a few rubber snakes, pinecones, a small statue of him, a green candle, a couple joke books, and some spider themed jewelry.

Next we learn about Blót, which means offerings. Lee goes over how to make an offering as well as what to offer Loki. I can attest personally that Loki appreciates the junk food offerings. There’s also a great list of days to honor Loki on as well. Lee provides an amazing amount of information that tells you how to communicate with Loki and make sure you’re actually communicating with Loki, so if you are a beginner with deities I highly recommend giving this book a read. I’d like to pass on the best piece of advice that this book gives on Loki for those seeking to work with the trickster god:

“Just as we give fire a space in our lives, in the form of the hearth, the space we give for Loki must have a boundary.”7

Loki has overall been a very good and informative read. The information was correct to my knowledge, very well presented, and the illustrations were just so awesome and very fitting for the book. This is one of the best books I have read on Loki. I highly recommend this series of books to any who want to work with the Norse Pantheon.

Odin, by L. Dean Lee and The Saxon Storyteller

Odin: An Illustrated Guide to the Allfather, by L. Dean Lee with illustrations by The Saxon Storyteller
Red Wheel, 1590035755, 128 pages, April 2025

Odin: An Illustrated Guide to the Allfather is illustrated by The Saxon Storyteller and written by L. Dean Lee. This book is extremely beginner-friendly and very helpful for learning about Odin.

As I said in my other review on a book in this series, Loki, I absolutely loved and adored the illustrations by The Saxon Storyteller. This book is full of magnificent artwork ranging from Odin, to ravens and objects, as well as creatures representative of Odin, the rune-carver and chief of the Aesir. Every illustration in this book is just really too cool, especially all of the raven imagery; each chapter has a raven with the face of Odin drawn on their body. I just can’t get over how fitting The Saxton Storyteller’s artistic style is for these books. My favorite depiction of Odin has to be on page 94–he really, truly is giving cowboy vibes.

In chapter one, Lee gives us a solid introduction and a great description of who Odin is. The head of the gods is known by many names, but he is best known as Odin. The Norse people recognized Odin for war, leadership, wisdom, and honor. But he’s more than just that, and as you learn about him, you’ll recognize his other qualities more. Another part of Odin is the madman, and you will also come to find out more about this in the book too.

After the introduction, Lee teaches the purpose of folklore and mythology, which goes over the different sources of Norse mythology. Then we learn about how to define a “God” before diving into the Norse Cosmos and discussing the nine realms of the world tree Yggdrasil. Now that brings us to Valhalla and Asgard. Valhalla is Odin’s hall, located in the home of the gods, Asgard. Valhalla is where warriors who meet their fate in battle get carried off to by the valkyries. To end this chapter, Lee lists various Norse entities, explaining their significance.

Now this brings us to the nitty gritty of who exactly Odin is in chapter two. We first start by learning how he got the name he has along with his other known names and their meanings. We also learn more about Odin’s personality: curious, wise, fatherly, and duplicitous. These are most definitely very fitting for Odin. Lee also explains Odin’s characteristics, in which we learn he is a master of disguise and a wanderer. As for his appearance, Lee describes how Odin has two ravens as familiars known as Huginn and Muninn, which mean Thought and Memory, respectively. To note, there’s an awesome depiction of Odin hanging from Yggdrasil on page 27.

This chapter also covers Odin’s other associations. Yes, of course, ravens are one of the most popular and well-known associations, but some of my favorite associations of Odin are madness, magic, and poetry.

Next up on our knowledge quest of Odin, we now find ourselves at a marvelously illustrated depiction of Odin’s family tree. We get a brief description of each family member. Outside of the two ravens Odin has, thanks to this book, I now know that he has two wolves named Geri and Freiki, whose names mean “the greedy one” and “the ravenous one”.

Now we move on to chapter three, which is Odin in mythology and folklore. Lee dives into many stories: the Birth of Odin, the time Odin stole the Mead of Poetry, Odin sacrificing himself upon the World tree, and even the one time that Odin disguised himself as a ferryman to annoy his son Thor, all the way up to Ragnarok.

The next chapter brings us knowledge on Odin and his relationship to the world. First, Lee explores Odin during the Viking age. Then he moves into Odin in modern times, covering Europe and America specifically, along with his role in pop culture.

That now brings us to chapter five which talks about venerating Odin. Lee teaches how to establish a working relationship with Odin. He suggests building an altar for him and sharing Blót, or offerings. He even notes what Odin’s favorite offerings are.

Then we have a few pages that teach us about runes–Odin’s gift to humanity. There is a guide teaching you the meaning of each rune, which is awesome to have on hand, and it’s also accurate! Outside of the handy guide, you are also taught how to create a bind rune in this neat section as well. After this, we come to learn about Odin’s special days. Lastly, Lee teaches how to communicate with the Allfather via different methods of communication like divination, clairsenses, and through synchronicities.

For anyone seeking knowledge on the Norse gods and goddesses, Odin is definitely made for the beginner. To those who just want to brush up on their knowledge, this book is a quick and knowledgeable read. I recommend it for all of those looking to connect more with Odin, especially if you enjoy descriptive artwork and not just a bunch of text in a book.

A Witch’s Guide to Fetch Work, by Blake Malliway

A Witch’s Guide to Fetch Work: Rituals, Spells & Practices, by Blake Malliway
Crossed Crow Books,  1964537029, 200 pages, February 2025

A Witch’s Guide to Fetch Work: Rituals, Spells & Practices by Blake Malliway explores a lesser known aspect of witchcraft. Although historically creating and working with a fetch was common practice, there has been little written on both the methods of creation and the practical uses of a fetch. Malliway offers this most useful tool as one that can enhance the magical workings of those who commit to the study of this form of creation.

This book is organized into three parts: “Part I: Folklore & Theory”, “Part II: Beginning Magical Operations”, and “Part III: A Grimoire”. Additionally, there are twenty-five magical workings that address the needs for creating a fetch and how and what can be accomplished in its use. A robust bibliography and ever useful index round out the offerings of this title. 

“Chapter Two: Daimons, Fetches, Souls & Selves” clarifies for the reader the distinction between the semantics of these terms and the distinction between an actual fetch and daimon and the more complex nature of the Soul and division of self. Malliway has taken a very complex set of topics and dissected each in a fashion that is both logical and informative. 

“Chapter Three: The Fetch in Folklore” focuses on the Witch Folklore that has helped to form the foundations of how we practice the Craft today. These stories provided are those that hold the witch’s fetch, and its workings as an omen of death, a common theme of the past. Additionally, the frequency that the non-magical perceived a fetch as a corpse or other etheric spirit is a point of note in the writings Malliway shares of encounters that one would only associate with the skills of the witch. 

“Part II: Beginning Magical Operations” provides the reader with a ritual of calling and meeting your fetch and  exercises of engaging and tasking your fetch. “Chapter Four: First Steps in Fetch Work” sets the tone for a switch from the lore and academia of the fetch and hands on experience and workings. At the onset, Malliway pares down to three classifications of use for a fetch and their presentation:

“Fetch Beast: As a beast , the fetch serves as a mode of transportation, leading the Witch through the otherworldly landscape. Fetch Guide: As a guide , the fetch imparts unto the Witch certain knowledge and wisdom. . .Fetch Mate: As a mate, the fetch represents the complete coming together of two essences.”8

More detailed information is given for each in preparing the reader for the form that the fetch may take as it presents in the next steps of preparation. A ritual of calling ensures and is complete and easily used employing staples of magical exercise such as visualization, intent and quieting the mind’s chatter, creating the magical space of working and the actual calling and meeting of your fetch.

And, in the fashion of all successful magical working, “Chapter Five: Everyday Fetch Work” continues the work of ritual meeting and the reminder that sustaining what has been created is as important as the work of creation itself.   Malliway provides the reader with seven very sound exercises that build upon one another in exploring the many ways the fetch may be used, both priming the witch and the fetch for the necessary patterns of working. I especially enjoyed “Exercise Seven: Give Your Fetch A Break”:

“I know it’s exciting to see and experience the incredible works of magic you can create with your fetch, but don’t forget to give it-and consequently, yourself-a well-deserved break every now and then. Use this pause to reconnect with yourself.”9

This is a particularly useful reminder for any magical work, as burnout is real and sustaining a highly energetic level of practice such as this, requires recharging mundanely and magically. 

“Part III: A Grimoire” provides the reader with ample points of information and inspiration.

“Much of the work we’ve done up to this point has been focused on helping you learn some of the foundational techniques that will play into the more advanced methods of making magic. . .Now, as we move forward, we will shift from the exploratory phase into a more structured approach, where your foundational skills will be put to use in advanced and purposeful ways.”10

The chapters of this section cover topics such as divination, shapeshifting, spells, and rituals. “Chapter Eight: Fetch Spells and Rituals” returns to the three types of fetch introduced earlier (The Fetch-Beast, The Fetch Guide, and The Fetch Mate) and provides workings that are specific to each and their predispositions, as well as recommendations around making the best use of each. 

“The Conclusion: Go Boldly!” of this title and section offers the encouragement and wish that the work accomplished in creating your fetch will have only been a momentary project tied to the length of guidance contained in the reading of the entirety of the book. And, other important needs for successful magical work, inclusive of and beyond that of the fetch are highlighted as final reminders:

“The saying “practice makes perfect” is often tossed out as advice to those struggling with their efforts in both magical and mundane lives. While practice is certainly a  gateway to improvement, I believe there are other essential virtues that must be cultivated, especially in your work with your fetch-or any aspect of your Craft. These virtues are vulnerability, patience and perseverance.”11

Each of these “virtues” are discussed and given the attention required to apply to all of a magical practice. They are, in general, also excellent ways to proceed with the task of living as a powerful human being within the mundane experience. Malliway leaves the reader with one final exercise, “Remembering the Wins”, which says it all about staying mindful of your growth, offering gratitude for your progress, and using these traits to move you on towards greater goals.

Would I Recommend?

A Witch’s Guide to Fetch Work is an invaluable tool of resource and practice. It will deepen the understanding of the mechanisms of creation as well as broaden the perspective and enhance the workings of the modern witch. This is a smaller book in page count, but to fully understand the deeper nature of fetch work, it is dense with useful practice and information.

The index following the table of contents provides a quick reference point to return to the specific exercises you wish after having completed the title and then continuing to refine your practice. The bibliography provides ample material for the reader to explore, dissect, and come to their own conclusions about what the fetch is and how it may be used beyond the scope of this title. 

All in all, Malliway has crafted a title that opens the magical practitioner to the possibilities and potential of engaging ALL of yourself in workings. His writer’s voice creates a gentle tone of guidance and one could easily imagine the content as part of a treasured conversation of training.

About the Author: Blake Malliway 

“Blake Malliway, a Michigan native, has been a practicing witch since childhood. As a self-proclaimed oddball, Blake has always had an affinity for the other world and tends to incorporate his spirit allies into his practice whenever he can. When he’s not working magic, he can generally be found spending time at Malliway Bros., his Chicago-based witchcraft shop that he co-owns with his brother, Wycke. Blake lives in Highland Park, Illinois, with his spoiled black cat Feens.”12

Ending Unnecessary Suffering, by Peter Ralston

Ending Unnecessary Suffering: How to Create a Powerful, Complete, and Peaceful Life, by Peter Ralston
Park Street Press, 979-8888501184, 256 pages, March 2025

Ending Unnecessary Suffering by Peter Ralston is a book that makes you think; this book genuinely provokes the mind. Admittedly, I had to put down this book a few times to let sink in what I was reading. This book has made me think about my life more positively, and I also feel like I understand my brain and emotions a lot better now.

I have been through a great deal of struggle in my life, and I’ve dealt with a great deal of negativity for some time. I thought this book was a perfect fit to guide me on my journey. I have to say that this book has been extremely helpful and encouraging–it’s been a very insightful read. I’ve learned a lot from this book, and I wish I had found this book sooner, as I’ve been applying what I’ve been reading into my life, and I feel like I’ve been improving each day.

In this book, Ralston helps guide you through this journey of understanding concepts and emotions. He references his other work throughout; plus here and there, he throws in quotes from some exceptional individuals, from Albert Einstein to Nelson Mandela. What you’ll get out of this book is learning about the root of unnecessary suffering and how you can overcome the suffering in your daily life.

For example, dissatisfaction and shame are two forms of unnecessary suffering that Ralston teaches you how to combat. His writing is very raw, to the point, and straightforward. This book is truly realistic, and I appreciate how Ralston almost writes as if you are a friend in a way.

In the beginning of the book, Ralston brings up how essentially a three-legged dog isn’t affected negatively by this problem, it continues life as if nothing is wrong. This struck me because he is most utterly correct. He shed a lot of light on how to look at things from another perspective, things we don’t typically think about such as the three legged dog.

Ending Unnecessary Suffering will absolutely be a real eye-opener for some. The advice given in this book has been truly solid and helpful in so many ways. I feel like those who are struggling with a heavily negative mind will benefit greatly. He reminds us of how animals don’t think of these greater deals around them, they don’t contemplate like we do, and they don’t think of future events that may never happen like we do. He writes:

“These simpler creatures don’t worry or fret like we do, or fear the future, or crave anything not available. They don’t imagine that they are somehow flawed or less than they should be. Have you ever seen a three-legged dog? They don’t seem to have any disturbance at all because of it.”13

This book also gives great examples of dealing with and handling certain things emotionally. A good example Ralston gives is laughing at your own folly. Another favorite of mine that I learned from this book is switching between emotions. When you’re feeling one emotion, in that moment, you may not want to experience it, so you switch to another emotion, and then another, and maybe another emotion. I’ve been trying this one when I start to worry too much or when I’m angry.

Lastly, one more thing I took away from this book is the example of freeing experience from past connections. All of these have been insightful on how I can better control my emotions. As you continue to essentially reprogram your brain with these exercises, you find it getting easier and easier as you continue to utilize what you are being taught.

I learned a lot about conceptual thinking from this book, which I was very unfamiliar with, but Ralston explained it in a way that I could understand immediately. (If you don’t know what conceptual thinking is, conceptual thinking is the ability to understand complex ideas by identifying connections and patterns.) As I kept reading this book, it all just kept clicking for me. I appreciated how he worded and explained everything. He made it extremely easy to comprehend and understand.

Throughout the book there are a decent amount of exercises to try out, as well. Once again, a lot of these were easy to understand and fun to do. My favorite one is the mastering emotions exercise. What you do is feel whatever emotion you feel grabs your attention the most, and then you will question the emotion: why it’s there, why it exists, and so on. Once the purpose that drives the emotion is found, you essentially have a better shot at mastering it. I’ve been doing this in my free time, and it is a different and helpful way to fully understand your emotions.

In conclusion, I highly recommend giving Ending Unnecessary Suffering a read, even if you’re not even remotely interested in these types of books. I firmly believe that any reader can finish this book and walk away with something new, whether this be in terms of knowledge or in terms of attitude and mentality. But now, if you are genuinely seeking to end your unnecessary suffering, this book is a good start in reaching that point. This book will help guide you in reading a more peaceful life. I can personally attest that this book has helped me in ending my unnecessary suffering, so it is worth reading.

Crystals for Everyday Living, by Philip Permutt

Crystals for Everyday Living: Bring happiness to your home, achieve your goals, and enhance every element of your well-being, by Philip Permutt
CICO Books, 9781800653757, 144 pages, October 2024

In his introduction, Philip Permutt explains that the idea behind Crystals for Everyday Living was a simple one. By reading this book, he writes:

“You will see how consciously welcoming crystals and their helpful, healing energies into your life will bring happiness to your home, enable you to achieve your goals, and enhance every element of your energy and well-being, easily and effectively.”14

Permutt is based in England and has been described by the Daily Mail as “Britain’s leading crystal expert.”  He has been studying and working with crystals for more than 30 years. He discovered crystals and their healing properties after a severe illness and several surgeries put him in the hospital. When he started using crystals for healing, his condition improved and soon he was walking after his doctor told him he might never walk again. Permutt is a bestselling author, crystal teacher, and lecturer and runs a successful wholesale and retail crystal business.

Crystals for Everyday Living is meticulously organized, guiding the reader through various aspects of crystal usage. Permutt provides a thorough introduction to crystals, their history, and their energetic properties, setting a solid foundation for readers to build upon.

The book is divided into five chapters, each focusing on different applications of crystals in daily life. Permutt shares how to utilize the magic properties of crystals in your world, at home, and at work.  He goes further to feature what he calls “lifestyle crystals” and then includes his directory of over 101 crystals.

Permutt’s emphasis on practical applications sets this book apart from others. He provides step-by-step instructions on how to use crystals for various purposes, including meditation, energy healing, and enhancing one’s living space. He even includes two pages on how to use a crystal pendulum for dowsing. Each section is accompanied by beautiful, four-color photographs, ensuring that readers can easily follow along and implement the techniques in their own lives.

A significant portion of the book is dedicated to the use of crystals for health and well-being. Permutt explains how specific crystals can be used to enhance our lives, support emotional healing, and promote overall wellness. He also addresses the importance of cleansing and charging crystals, offering practical tips to ensure their optimal effectiveness.

Another noteworthy aspect of the book is its focus on integrating crystals into one’s living environment. Permutt explores how crystals can be strategically placed in different areas of the home to create a harmonious and energetically balanced space. Whether it’s enhancing the energy of a bedroom for better sleep or creating a calming atmosphere in a living room, Permutt’s guidance is both practical and insightful.

One of the standout features of the book is its detailed descriptions of a wide range of crystals. Permutt divides the gemstones by color and then delves into the unique properties of each crystal, offering insights into their healing potential and practical applications. He color-codes the pages, to make it an easy reference tool.  From the calming effects of amethyst to the protective qualities of black tourmaline, the book covers an extensive array of crystals, making it a valuable reference for anyone interested in crystals for your daily life.

Permutt focuses on the “lifestyle qualities” of each crystal in the directory. If you are interested in more details about crystal healing, you may want to pick up one of his other books, such as The Crystal Healer.

The book is a soft-bound book, with a cardstock cover that folds on each end to use as a type of bookmark.  The paper stock is a nice weight and has a matte finish, which allows the colored photos of gemstones and crystals to leap off the page. Permutt features a wide array of photos, including people interacting with crystals and representations of daily life. He accents the copy with colored sections to highlight important ideas. 

One of my favorite topics was the discussion of Feng Shui and how to use crystals in each of the nine areas of the Bagua Map. For example, you can place a piece of rose quartz in the love and marriage area of your home or a piece of jet in the career and life path area. Permutt goes on to share how to overlay the Bagua Map on your floor plan to diagram your home and add crystals for better balance and flowing energy.  It is a wonderful introduction to Feng Shui!

I also enjoyed the section on utilizing crystals for the workplace.  Did you know that you can hold or focus on a piece of fluorite to bring your mind back to the task at hand? Or that carrying turquoise or aquamarine can protect you when traveling to and from work? These are just two of the helpful tips Permutt includes in the section on work. 

In the chapter on lifestyle crystals, Permutt includes references to crystals for many subjects, such as relationships, children, dreams and stress. One of my favorite areas included crystals for grief. He discusses different crystals for heartache, loss and moving. For example, bowenite supports you as you move from one house to another, while “petrified wood can help you leave the past behind, making it easier for you to start your new life.”15

As support material, the author includes books for further reading, a list of resources and a glossary.  He also includes an index of crystals and a more general index. I appreciate how easy it is to find material later in this book!

Overall, Crystals for Everyday Living by Philip Permutt is a comprehensive and engaging guide that demystifies the world of crystal healing. Permutt’s expertise, combined with his approachable writing style, makes this book an invaluable resource for anyone interested in incorporating crystals into their daily life.

Whether you are a novice seeking to learn the basics or an experienced practitioner looking to deepen your knowledge, this book offers something for everyone. This remarkable guide provides an accessible yet profound exploration into crystals and gemstones. I highly recommend it for anyone looking to explore the magical world of crystals and their myriad benefits.

Celtic Hedge Witchery, by Joey Morris

Celtic Hedge Witchery―A Modern Approach, by Joey Morris
Weiser Books, 1578638674, 224 pages, March 2025

Celtic Hedge Witchery by Joey Morris is a compelling exploration of hedge witchcraft through the lens of Celtic tradition. Whether or not readers have a European background, Morris invites all to explore this type of witchcraft, noting “The path of the modern witch is personal and diverse, for there are many ways to walk the crooked path…”16 Her inclusive introduction made me excited to dive in even though I had limited prior knowledge and no ancestral connection; the reassurance that the pull to learn more was all that’s needed gave me the encourage to explore this pathway.

Within this book, Morris, who is known for her deep connection to nature and the spiritual realm, offers readers an insightful guide into a practice that is both enchantingly modern and rooted in historical tradition. She begins the book with a comprehensive explanation of her perspective of Celtic hedge witchery, taking the time to define Celtic, liminal space, sacred, intuition, and the soul within the context of the book and the wisdom she’s imparting. She also covers the Hermetic Principles that inform Celtic traditions, which I previously did not know were incorporated into this path.

Another aspect of Celtic hedge witchcraft that Morris takes the time to explain for readers is the spiritual ecosystem. She personally defines this as “energetic roots or threads that glow with a kind of spirit version of bioluminescence, viewable only with our “other eyes” (or our psychic senses) in the meditative process of journey work.”17 I just love this vivid imagery that Morris paints with her words!

In discussion of this spiritual ecosystem, Morris discusses the symbolism of hedgerows in both a physical and spiritual dimension. This was the first time I ever really understood the origins of the “hedge witch”, a term that is often used while lacking a broader context of meaning. Not familiar with hedgerows, I started Googling them and reflecting on Morris’s description, which turned out to be quite meditative. Morris really explains for readers what it means to be a hedge witch and practice Celtic witchcraft, honing in on the deep connection to spirit, specifically the Celtic Otherworld.

This is where the book really begins to delve into Celtic mythology. Drawing on the stories and symbols that have been passed down through the centuries, Morris provides a rich tapestry of concepts that are integral to the Celtic hedge witchcraft tradition. Topics covered are the cosmology of the three Celtic realms, three cauldrons (energy points), sacred groves, relationship of hedge witches to the Morrigan, and the myriad of spirits hedge witches work with with a focus on tree, plant and animal spirits.

A real treat in this book is the time Morris devotes to Ogham, the Druid tree alphabet. She writes:

“Each Ogham creates a magical and spiritual nexus with the tree to which it belongs; the inscribing and meditative exploration of its runic form is akin to activating an ethereal relationship with the essence of the All tree. The constant association of the energy of each tree with the Ogham symbol that belongs to it over centuries of magical practice creates a bond between them. They create energetic links to our subconscious, much akin to the brain firing neurons and creating new pathways, so that we instinctively tap into an energy source that is both independent of human creation and formulated by it at the same time.”18

Morris shares the meaning of each Ogham for hedge witches, as well as giving an overview of the trees represented in the Ogham. For each tree, she gives insight into their spiritual attributes and significance and shares a rite appropriate for each one. In true inclusivity, Morris also dedicates time to teaching readers about non-Ogham trees and plants too that are significant in Celtic hedge witchcraft, offering a wide range of spirit connections to explore. There’s also a wonderful pathworking included for connecting to the All tree to attune oneself before delving into the specific trees or plants.

I discovered a real focus on connection in Celtic hedge witchery, as Morris encourages readers to build their own networks and to engage with the spiritual energies around them. For those who feel ready and or called, she shares how to work with human spirits, specifically ancestors for shadow healing. There’s also sections on working with animal spirits and guidance on shapeshifting for travel between realms. I appreciated the level of detail Morris provides to ensure readers feel prepared and are protected when doing this type of journey work.

As someone who considers themselves an eclectic witch, I gained so much magical insight from Morris.  The thing I loved most about this book was how it inspired a deep reverence and reconnection to nature for me. I’ve been really focused on honing my magic through technology, as I am building a business website and expanding my marketing. However, this book absolutely recentered me back into the core of my beliefs centered on connection to the spiritual world and nature. In many ways, it restored my spiritual alignment, prompting me to spend more time outside and re-engage with my senses, attuning to the wide web of energy surrounding me. This is one quote that really stood out for me:

“As witches, we have to do away with separating the world of magic into black and white, which only reinforces the shadow within humanity that seeks to be dominant over others. If we are here to do the work that our soul calls us to do, we cannot hope to practice magic that gives breath to that work without the balance of all things, considering the heart and mind of both ourselves and all spirits that exist outside of the self.”19

One of the most thrilling parts of this book for me personally was recurring insight Morris provides into the concept of Awen, which is akin to creative and divine power. In 2024, a seer told me that I needed to study the concept of Awen as part of my spiritual journey, but up until reading this book, I had struggled to truly find material that fully explained the concept. The way Morris brings to life Celtic concepts through storytelling and insight into the Celtic worldview overall, such as Awen, provides so much wisdom–it’s astounding what I’ve integrated from her writing! This book is extremely holistic, mirroring the interconnected central Celtic hedge witchery itself!

Overall, Celtic Hedge Witchery is a beautiful and insightful guide that successfully bridges the gap between historical tradition and modern practice of Celtic witchcraft. I highly recommend this book for those seeking integration with the natural world around them, both physically and spiritually. Likewise, readers with an interest in Celtic mythology, folklore, and magic will also enjoy the topics covered. Morris’s emphasis on balance is a wonderful reminder for all readers to find a path that is sustainable and incorporates the counsel of spirits and nonhuman allies, such as deities, plants, and animals. This is truly a beautiful, soulful read.

Even if Celtic witchcraft is not your main path, there’s so much to integrate from exploring it, as the information gathered provides a more well-rounded perspective of your own craft. Morris’s ability to weave together practical advice with rich storytelling opens readers to this path in a way that is genuine, informative, and welcoming.

Enchanted Plants, by Varla A. Ventura

Enchanted Plants: A Treasury of Botanical Folklore and Magic, by Varla A. Ventura
Weiser Books, 1578638607, 288 pages, April 2025

Varla A. Ventura’s book Enchanted Plants: A Treasury of Botanical Folklore & Magic incorporates stories/legends, scientific/botanical information, folk information, magickal uses, and medicinal purposes for each selected plant.

First, let me start by commenting on the sheer beauty of this book:

1. The colors are rich and vibrant – from the spot gloss front and back cover to all the pages in between.

2. The art-nouveau-inspired illustrations are stunning. (The first thing I did was to flip through all the pictures, then go back through and really STUDY the artwork.) Each illustration magnificently enhances the experience.

3. The organization and layout is easy to follow and wonderfully presents the information in a visually appealing manner.

4. The gold gilded page edges are of collector’s quality which is additionally enhanced by the gold foiling on the front and back cover.

It is absolutely beautiful.

As a budding herbalist, my first stop was Chapter 4 “Among the Fields and Valleys: Wildflowers, Meadowlands, and Other Things to Gather – Dandelion.” After noting the botanical name, native locale, common names, medicinal properties, and magical properties, the Ventura provides general conceptions and/or personal insights for the plant, noting that it is and has always been considered a weed. She then recalls the story of Hans Christian Andersen’s “The Conceited Apple Branch” which plays with the theme of vanity and gratitude.

“Just then, the young countess who had placed the bough in the vase and her ladies came into the room. Cradled delicately in her hand was a flower of some kind. Carefully, the countess removed the leaves and then the apple branch saw it. [T]here appeared the feathery seed crown of the despised yellow dandelion… ’Isn’t it beautiful?’ the young lady exclaimed.”20

In organizing the information in such a way, Ventura creates a template for organic learning and teaching. Rather than simply providing factual information, the information is embedded and enhanced with modern traditions and folklore that can help with retention of information and practical applications.

Each chapter feels like a warm and inviting visit with my grandmother – full of wisdom, insight, stories, lessons, and love/respect for the natural/botanical world that is all around. My only regret is that there are not more chapters; however, it leaves room to hope for a second book!

I plan to use Enchanted Plants as a starting point and reference to teach, guide, and grow my children. With its mixture of stories, botany, general medicinal information (if applicable), and life lessons the possibilities are extensive! When teaching the chapter on the dandelion, I envision teaching my kids how to make daisy chains, the folklore of blowing seeds to the wind, how to make dandelion honey, and the benefits of dandelion tea.

And lastly, while this book does not provide specific recipes or spells, it pairs wonderfully with home apothecary guides (like Nicole Apelian’s, Forgotten Home Apothecary), herbalism books for magical purposes (like Scott Cunningham’s Encyclopedia of Magical Herbs), and tarot cards (like Michael Tierra and Candis Cantin’s The Herbal Tarot).

Enchanted Plants would be a valuable addition to both beginning and advanced herbalists looking to add additional insight to repertoire, magic users, plant enthusiasts, folk-lore lovers, and collectors of beautiful books. This book would also make a thoughtful gift for plant-loving bibliophiles.

What a gem of a book!

Voyages with the Celtic Saints, by John Matthews

Voyages with the Celtic Saints: Stories and Wisdom for Travelers in Search of Truth, by John Matthews with illustrations by Joe Machine
REDFeather, 0764368796, 224 pages, March 2025

Voyages with the Celtic Saints: Stories of Wisdom for Travelers in Search of Truth by John Matthews is an exploration of the extraordinary lives of 14 “ordinary” Celtic saints through a telling of their lives, their struggles and revelations, and ultimately their invitation for all of us to join them on a continuing voyage.

As Matthews writes, “the central theme of this book is voyaging. Voyaging of the soul, of the heart, voyages of the mind”.21  Voyages by their very nature are based on a desire to explore, to find the new, to uncover what is longing to be revealed. And in doing so, the personal voyage extends to a sharing of what was uncovered.

“The most wonderful and profound mystery that the Celts have to teach us is about our uniquely intimate relationship with the natural world.”22

Matthews focuses on 14 Celtic saints: Brendan of Clonfert, Kevin of Glendalough, Brighid of Kildare, Columba of Iona, Senan of Scattery, Mochua of Rahen, Samthann of Clonbroney, David of Wales, Gobnait of Ballyvourney, Ciaran of Clonmachnoise, Maedoc of Ferns, Berach of Connaught, Patrick of Armagh, and Kentigern of Scotland.

For each saint Matthews provides an overview of their place in Celtic history, their life and challenges, as well as what they offer to those who are willing to accept their gifts. Matthews offers meditation points on which to reflect how to incorporate these offerings into one’s life. Finally, he concludes each section with a poem on the saint or a prayer, some of which are translations from centuries past or attributed to the saint his/herself.

Some of these saints “makes it clear that Druids and Christians had far more in common than is generally understood, and that there were evident parallels in their approach to spirituality.”23 Brighid, for example, was one of the most important characters in the Celtic world who then was referred to as Saint Bridget by the Christians. Brighid, the goddess of the hearthfire, has a Christian feast day on February 1, the Celtic festival of Imbolc.

Some saints I was familiar with, others became new friends. On my most recent visit to Ireland, I met Saint Kevin when I serendipitously visited Glendolough. Naturally, I began my reading with him. Glendolough is in the Wicklow Mountains not far from Dublin. The remains of his monastery remain and can be visited. Although there was a communal setting for the monks, Kevin preferred a hermatic life surrounded by animals and birds.

As Matthews writes, “The importance of animals in everyday Celtic culture was considerable, and there are a number of stories that show that Kevin’s relationship with animals and birds was a not-uncommon tradition among older, pre-Christian figures.”24 The meditation points for Kevin’s chapter include thinking about your encounters with living things in nature and how you felt – awed, afraid, loving, angry.

I’ve been drawn to Iona for a long time. My rational side doesn’t understand how this Italian-American woman longs to visit this small, hard-to-reach island of the Inner Hebrides off the coast of Scotland. While my soul longs to visit Iona in person, my spirit travels there a lot, especially through readings such as the chapter on Columba.

Columba was known to be a seer and prophet. The chapter reveals extraordinary events in his life. Matthews reminds the reader that like Columba “our own sense of relationship with the cosmos may come only in flashes”25 but it is available to us nonetheless. The encouragement is to become aware of and embrace this inner knowing. For one of the meditation points on Columba, one is asked to “draw a ‘map’ of your spiritual journey, showing how certain key points are connected.”26

Brighid of Kildare exemplifies how to incorporate the feminine into one’s creative and spiritual life. Brighid is most associated with divine fire, in fact, she is most often depicted as a flaming redhead. The founder of a monastery in Kildare, Ireland, she is a crossover between the “pagan” and Christian worlds. She is the protector, the midwife, her mantle providing protection for one’s home and its occupants. One meditation point for this fiery spirit ask “what kind of fire illuminates your life, what inspires you and how can you find more of it in your day-to-day living?”27 This one also particularly resonated with me.

Illustrator Joe Machine truly brings his artistic gifts forward in this book. The illustrations are done in a stark, monochromatic woodcut style. There is such detail in each one; readers will certainly spend plenty of time completing the beauty of the companion illustrations for each text. My favorite image is Gobnait of Ballyvourney, Lady of the Bees, depicted holding her hand up as she connects with nature, a serene expression on her face and a swirl of bees surrounding her.

Overall, Voyages with Celtic Saints is a quiet meandering sail through time, perfectly suited for readers who appreciate subtlety, mystery, and the sacred rhythms of early Christian life. I highly recommend it for spiritual seekers, Celtic Christianity enthusiasts, and lovers of reflective travel writing. It’s a book that I feel one should spend time with, incorporating the lessons and meditations of these saints into your life.