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The Heart Path Oracle Cards, by Nadine Gordon-Taylor

The Heart Path Oracle Cards, by Nadine Gordon-Taylor
Bear & Company, 1591433903, 53 cards, 128 pages, September 2020

The Heart Path Oracle Cards tell stunning, evocative stories through rich imagery. Nadine Gordon-Taylor, artist and author, offers us the beauty of the natural and the mythic world with incredible technical skill and a visceral understanding of color. Each of these 53 cards holds the galaxy within them.

Gordon-Taylor is able to render exquisite details in a surrealist landscape. Her intimate understanding of the natural world allows this vivid imagery to come alive. The images themselves are portals, offering an initiation into the energy they hold. Each card comes with text that aids you in understanding the transmission of the image if this visual way of understanding the universe is new to you. The visual depth of each card also allows you to put the book aside for your own journey and information to emerge. 

Gordon-Taylor holds an MFA and EdD. She is a classically-trained visual artist. She has a depth of knowledge of both the natural world and the mythological one. The accompanying book offers a vivid description of what is held within the card itself. She includes a channeled message of the card as well as an affirmation to anchor the energy of that card in your body. It is a helpful tool, particularly if you are a beginner in using oracle decks, to deepen your intimacy with yourself and with the more than human world.

I confess, I quickly put aside the booklet, more drawn to the imagery than the writing. As someone who sits with clients regularly, tarot or oracle deck in hand, I found that these cards deepen the divinatory and narrative arc of the reading. They are generous in how they invite you into the mysteries of yourself, of the natural world, of the cosmic and elemental energies swirling around us just waiting to be acknowledged. 

One thing I loved about this deck as I sat with clients is how deftly it moved from the mundane to the inner realms of the heart to the outer realms of the galactic. Each card holds the human-being experience, and how it is that we root into the earth and reach up to the stars. 

As a white person working with a variety of decks, I appreciate in this deck that there are different races and ethnicities as well as some variation in body size.

There are some cards that feel like initiations into the deeper mysteries. Some cards that remind you it gets better. These cards can be an instruction on your spiritual path. “Programming your Highest Intentions” is a card that invites you to use the power of intention to change the reality of your everyday life. There is a playful irreverence to some of the messages. This artist allows vitality and play as a through-line to her work. 

My favorite card, “The Connection” invites you to take deep breaths. A woman-tree at the center of a grove of trees is circled by lambs and her tree family. Above, helping guides offer peace and love. The trees themselves take the shape of a heart. The use of light and shadow brings both grace and soft intensity. It reminds you that you are always held in the nest of the universe. 

The guidebook is practical and accessible as it speaks to these great cosmic archetypes and energies. It is a tool that will meet you where you’re at and invite you to go deeper into what you are seeing and feeling with the imagery. There is a glossary at the back of the book to support you in your growth and learning, if you come to these cards as a beginner. I celebrate the work to take these profound energies and make them accessible. 

Each card is laid out so that the painting fills the majority of the frame. The text of the card gives both title and baseline instruction. Take deep breaths, setting boundaries, manifest your dreams, birthing a new life. In this way, you can be in imaginal space and communion with the card without having to refer to the book. The book will take you deeper if you desire it. For me, the style of writing didn’t land with how I receive and understand information. 

The Heart Path Oracle Cards are truly for anyone who wants help in deepening understanding the messages of love that are offered to us from the unseen world, from the natural world, from our own bodies and hearts. It is a fantastic beginner deck because it delves into profound concepts in accessible ways. For me, this deck inspires me to get outside, to breathe, and to remember my vital, small role in the great organism of the universe. 

The Chiron Effect, by Lisa Tahir

The Chiron Effect: Healing Our Core Wounds through Astrology, Empathy, and Self-Forgiveness, by Lisa Tahir, LCSW
Bear & Company, 1591433958, 208 pages, November 2020

We all have a wound within us that makes us say “ouch” when it’s touched. Chiron, an astronomical centaur, can illuminate where this pain may be showing up in our lives through looking at its placement in an astrology chart. The Chiron Effect: Healing Our Core Wounds through Astrology, Empathy, and Self-Forgiveness by Lisa Tahir, LCSW is a wonderful place to begin your journey in discovering your wounding and shifting it into a healed strength. Offering a comprehensive method of healing your core wounding, this book goes beyond explaining the meaning of Chiron in your astrology chart, and becomes your guide to transformation.

Tahir’s intention to facilitate a healing process is evident within her writing. Her unique approach to astrology stems from her background in clinical social work. She developed and trademarked the modality Psychastrology®, which combines personal psychology and natal astrology. The approach she takes in teaching the reader about Chiron is a cross between psychology techniques for healing and spiritual practices to facilitate mental, emotional, and spiritual wellness, such as meditation, affirmations, and energy healing through the chakras. This unique method really makes it so the reader can use The Chiron Effect as a guide for doing their own inner work to heal the wounding of their Chiron placement as they read Tahir’s insight.

The book slowly eases the reader into working with this sensitive energy. Tahir assures the reader that change is possible by highlighting her own personal journey. Throughout The Chiron Effect, she draws on the wisdom learned from taking on the challenge of overcoming her wounding, as indicated by her Chiron placement, and teaches the toolkit that was most effective. The first chapter, “Living Deeply In Each Moment,” is almost entirely a first-person account of experience in finding her voice, holding onto hope, and attaining enlightenment through forgiveness. Her process awoke the inner healer within her, and as she writes “My own experiences inspired me to investigate the power of this particular healing method.” 1

From here, Tahir guides the reader to discover the wounded healer within themselves through the energy of Chiron. She puts forth that learning unconditional love, empathy, and forgiveness has the power to undo the hurt of the past and change it into wisdom that can be used to heal yourself and others. As mentioned, Tahir uses a variety of psychological methods such as bringing awareness to coping mechanisms due to trauma, moving through emotionally triggering situations, and embracing change even if the ego mind struggles to accept it. She also draws upon teachings from A Course in Miracles, which has greatly impacted her personal work and spiritual journey.

“What I do know is that points of pain can expand us  beyond who we are now and enable us to grow into more beautiful people if we allow this to happen. We do this by tenderly holding onto our precious selves. We also continue our inner work of healing and tap into gratitude for the love that has broken us open to our core and given birth to many small miracles through us.” 2

Chapter five, “Finding Chiron In Your Chart,” then shifts into the astrology aspects of Chiron. Tahir uses a chart to guid the reader through finding the zodiac sign that Chiron was located in when they were born. Then there is a description of all twelve of the astrological houses. However, there isn’t much description about how one would find the house placement of their natal Chiron and it may be a bit over the head of someone who hasn’t ever seen their own astrology chart. This may be why there are only brief explanations of each house and much more emphasis on the sign placement of Chiron.

Chiron is then described through every zodiac sign in chapters six through seventeen. Every sign has key words for how wounded and healed Chiron feels, an overview of the wounding of this placement, takeaways to facilitate healing, and affirmations. Some signs seemed to have more information than others; I found myself wishing for a bit more information about my Chiron placement. The style of writing and Tahir’s tone changes from sign to sign, making some descriptions feel more relatable than others.

Reading through all the Chiron placements, it seems there were quite a few assumptions made about how a person would be based on the wounding of the sign. In the short description of my placement there was a plea to seek mental health counseling or call 911 for suicidal thoughts. I feel like perhaps Tahir’s background in social work and counseling is more pronounced in the interpretation of the Chiron placements than a professional astrological interpretation. This is worth noting because someone with an astrological background may find the description of the sign placements generic or presumptuous.

This is why I would recommend this book for a very beginner to astrology or someone with minimal astrology interest that is more seeking an alternative modality to facilitate spiritual healing. Tahir’s background in social work and counseling creates a safe container for one to begin to learn about the wounds of Chiron. While this is obviously a life-long journey, she successfully instills confidence in the reader that change is possible and beauty can emerge from the pain. Tahir has ventured into the archetype of wounded healer and emerged with the wisdom of this book to share with others.

My favorite part of The Chiron Effect actually came at the very end in the appendix, “Chiron and the Psychoastrology® of the United States of America.” Tahir discusses the natal astrology chart of America and things such as the impact of COVID-19, homelessness, public education, and a variety of other societal ills to be responded to in the near future. This appendix feels like it could be an insightful book and I do hope Tahir shares more of her insight on these topics.

All in all, The Chiron Effect is a guide for spiritual development and transformation. Through acknowledging our pain, weaknesses, and wounding based on Chiron in one’s astrology chart, Tahir teachers the reader that they can become their own healer. Filled with the love, faith, hope, and optimism that comes through Tahir’s writing, readers will be able to see themselves with a bit more clarity and use this awareness to facilitate inner peace.

Magdalene Mysteries, by Seren and Azra Bertrand

Magdalene Mysteries: The Left-Hand Path of the Feminine Christ, Seren Bertrand & Azra Bertrand, M.D.
Bear & Company, 978-1-59143-346-0, 525 pages, 2020

Magdalene Myserties: The Left-hand Path of the Feminine Christ by Seren Bertrand and Azra Bertrand is a deep dive into Mary Magdalene, viewing her from Biblical, historical, and mystical perspectives. This well-researched book invites the reader on a pilgrimage to the Rose by journeying through three portals: the Magdalene Chronicles, the Magdalene Codex, and the Magdalene Vision Quest. These portals form the basis of the sectioning of the book, with each portal offering in-depth exploration of the topic. The authors write that “a key to our journey into the Magdalene Mysteries is to understand the true left-hand path of the goddess; and that Mary Magdalene…was the lineage holder of this sacred tradition.”1

Before the reader enters the portals, the authors provide their “love letters,” each offering individual writings on their initiations/encounters with Mary Magdalene, with Sara writing of meeting Mary Magdalene and of the sacred masculine vision and Azra writing about the Holy Whore of Sophia. The book then proceeds to “explore a radical, forbidden version of Mary Magdalene as a priestess of the Womb mysteries.”2

I was drawn to this book to explore the multi-faceted Mary Magdalene. Having been raised a Catholic, I initially only knew of Mary Magdalene as the prostitute, carried into my teen years with watching Jesus Christ Superstar where she was again portrayed in this role. I later became an adjunct instructor of Art History, and again, my encounters with Mary Magdalene in painting and sculpture again had her portrayed as a prostitute. As I began reading sources other than the Catholic church (!) I was met by a powerful woman, a trusted apostle of Jesus. I needed to learn more, and this book provided a compendious accounting of Mary Magdalene. 

Portal One, the Magdalene Chronicles, details Mary Magdalene’s lineage, starting with the “ancient mothers” in Sumeria. The chronology includes mermaids and the primeval water dragons, Inanna, and Asherah. It was illuminating to read of this lineage of the powerful woman, the vessel, the womb. The authors then transition to Mary Magdalene’ story of the Feminine Christ, looking at the feminist ministry of Christ, whether or not Mary Magdalene and Jesus were married, and her place at the crucifixion and resurrection. The first portal concludes with churches linked to the growth of churches in Europe linked to Mary Magdalene. 

The main focus of Portal Two, the Magdalene Codex, is an in-depth study of the Ghent Altarpiece, created by Jan Van Eyck, from 1426 to 1432. The authors approach this work “as both a pilgrimage and Grail Quest.”3 I found this section fascinating. I was familiar with the Ghent Altarpiece and taught about it in my Art History classes from the typical perspective of the religious symbolism in the painting such as the lamb symbolizing the Lamb of God. I taught about perspective, the place of patrons present in the piece, the role of an altarpiece in a church, etc. The authors, however, offer a complex and compelling distillation of the altarpiece, focusing one’s attention on the positioning of images to create the “position of birthing and sacred sexuality.” (plate 15). I did need to sit a while with the intimation that Van Eyck inserted an heretical message in the work. 

The authors turned next to Leonardo da Vinci’s painting of the Last Supper. I will admit that I never “bought” the explanation that the feminine figure to the side of Jesus was John the Evangelist. I am in agreement that, after having read about the important place of Mary Magdalene in the life of Jesus, that this image was indeed that of Mary Magdalene. The authors write that da Vinci was also “connected to the underground streams of the feminine mysteries.” 4 I imagine that these artists kept the need of art patronage in the forefront as they created multi-dimensional works of art with levels of meaning. 

The belief that Mary Magdalene was seen as a “dangerous figure” threatening to usurp masculine power, led to her portrayal as a “less than,” a whore, non-starter. The second portal closes with a return to the Ghent Altarpiece, where the authors write that Van Eyck “presents an entirely new, and at the same time ancient, vision in which the feminine is restored.” 5 I found the second portal so very fascinating, given my background in Art History. It’s given me a desire to develop an art history course on Mary Magdalene. 

The Third Portal, Magdalene Vision Quest, focuses on the pilgrimage to the Rose through “stories, oracles, and personal rituals.” 6 In the chapter Honoring the Motherline, Mary Magdalene as the “spirit keeper of the womb” is investigated. Seren writes about her own opening up to the path of Mary Magdalene and the goddess path. A personal favorite of mine was her writing about her pilgrimage to Glastonbury in England, a place I was drawn to visit as well. It is hard to adequately describe the otherworldly feeling of Glastonbury, the multidimensional feeling of space and time. Sere writes about the chalice well and its red flowing water and Glastonbury Abbey built on the site of an ancient sacred site devoted to the divine feminine and “known in local lore as the ‘vagina of the birth goddess.’”7

Seren recounts how Magdalene directed her to visit Iona, a remote Scottish island in the Hebrides. I was beginning to feel a connection both to Magdalene and Seren as Iona is a place that I find myself constantly drawn to read about and to most definitely visit post-pandemic. She continues by writing about the ancestral wise witches and the death of her mother, the mother of her “birth womb.”8 She movingly describes the graveside service she led for her mother. “As my mother’s womb had birthed me into this world, now I midwived her back into the womb of Mother Earth, for her rebirth into the Spirit world.”9

The Third Portal section contains rituals that the reader can perform, such as a Rose Ritual or the Anointing of the Moon ritual, a Mermaid ritual, and a Black Rose rituals. The rituals all contain references to an element, a ministry (such as cleansing), archetypes (such as Aphrodite), colors, and sigils (like a chalice). I have not yet taken the time to participate in a ritual, though, but the moving descriptions accompanying each ritual will draw me in sooner rather than later.

The book concludes with an invitation to return to the “dynamic Wild Feminine” which is “not limited to the story of one person or priestess – it is a living, vibrant frequency within everyone, calling to be remembered and embodied.” 10 Seren’s prayers to Magdalene are the final pages of the book. 

The book contains numerous images and illustrations to support the writings, including prehistoric clay tablets and sculptures, rich reproductions of pre-Renaissance and Renaissance tapestries, painting, and sculptures, and 20th century art including the image of a stained glass window in Sheffield, England in which Mary Magdalene is depicted as holding her hands in the “womb mudra position.” 11

Magdalene Mysteries offers a perfect combination of historic information across millennia along with the personal interactions of the authors with Mary Magdalene. It is a book to be read over time, allowing the information to seep in. It reads as a pilgrimage, and like all pilgrimages, time should be taken to allow the path to reveal itself to you, to allow yourself to open to revelations and notice the changes that occur as a result of the pilgrimage. The book is a pilgrimage to the Rose, and as such, invites the reader to open up slowly to Mary Magdalene, much like a rose itself that slowly opens, moving from a bud to a flower in full bloom, layers of beautiful petals.  It is a comprehensive introduction to Mary Magdalene to those new to the subject and also a deep-dive for those wanting a deeper interaction with Mary Magdalene. I highly recommend this book and encourage the reader to walk the path of pilgrimage to the Rose with these highly informed and passionate authors.