Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Tag Archives: folk magic

The Witch of the Woods, by Kiley Mann

The Witch of The Woods: Spells, Charms, Divination, Remedies, and Folklore, by Kiley Mann
CICO Books, 1800651694, 144 pages, October 2022

Your relationship to your landscape is bound to influence and guide your magical practice, especially in witchcraft. In The Witch of the Woods: Spells, Charms, Divination, Remedies, and Folklore, Kiley Mann highlights this special connection to place by sharing her experiences in the northern region of Michigan. Leading readers through the seasons, folk magic, herbs and omens of this land, Mann takes the reader on a journey into the wilderness of witchcraft.

Witchcraft takes many forms, from witch wounds on the east coast from fiery trails that led to a more fierce practice in the centuries to follow to the more glitzy, New-Age “manifest” witchcraft style of the west coast, but sometimes in the process the essence of being connected deeply to nature and one’s own local folklore gets lost. Mann perfectly revitalizes this connection for readers in this beautiful grimoire that is uniquely centered upon her lived experiences. The unification of witch and land is by far what stands out the most in this book.

“These lands have lessons to teach us, unique in their own characteristics and being. You must walk the land to know it.  You cannot know her if you do not let your feet touch the ground and wander aimlessly as you please. These lessons are taught directly through the land itself.”1

There’s a reverence for the long line of witches that have come before Mann, along with a desire to know the bodies of water, plants, and spirits that share the space with her for their own inherent power, without placing upon them desires or expectations. Sometimes this connection to one’s surroundings and traditions, which is a vital part of witchcraft, can be hard to translate; it tends to be more of a lived, embodied awareness that comes from walking this path overtime. Yet there’s something in Mann’s descriptions of ancient practices, remedies, and folklore, along with her illustrations that awaken this awareness in the reading, prompting them to reflect on their own connection to the local traditions of their homeland.

The book is divided into two parts. The first focuses on folklore, including stories of the trolls, land spirits, ancestral spirits, and omens of the land and animals. The second part is the folk magic, or the how-to remedies, rituals, and divinations that have evolved from life in this region. Mann helps the reader to familiarize themselves with the properties of different herbs and crystals before delving into spell work. She offers spells to alleviate common troubles, such as releasing worry, banishing nightmares, and romantic resolution, along with ones to gain success, luck, self-love, and protection.

I found this book really interesting from the perspective of place because I rarely hear about the folklore of the midwest region. Even though I can only imagine what the energy of a swamp feels like energetically or how it might inform my practice, reading about Mann’s revelations and observations made me start thinking about the natural landscape of where I am currently living, both physically and psychologically. While someone from Mann’s locality of the midwest might naturally connect more with the grimoire, I still feel there’s so much value in exploring her process and learning about methods she’s come across to thrive as a witch in the woods even having never visited the lands she explores in this book. At its heart, nature is nature, and there’s still plenty of overlap and insight to gain no matter what region you’re from, especially in regard to the use of herbs in spellwork and divination.

Another aspect of this book that makes it a real special gem is that Mann illustrated it herself. The symbolism of the imagery boosts her power, as the images themselves convey messages beyond words alone. Flipping through the pages, noticing what your eyes are drawn to and how the colors impart feelings or sensations, makes for an engaging read. The Witch of the Woods is less of a how-to manual and more of an invitation to step inside the creativity of Mann’s own witchcraft practice while learning ways to enhance your own.

Overall, The Witch of the Woods is an insightful, earthy exploration of witchcraft that will guide others to become the witch of their own woods. Mann has done an impressive job of weaving together the elements of her craft to present readers with a beautiful grimoire of knowledge about remedies, folklore, spiritwork, and divination. From brewing your own magical tea to crafting your own wild medicine, this book reminds readers of the unity between nature and oneself – the center of all witchcraft.

The Ancestral Power of Amulets, Talismans, and Mascots, by Nigel Pennick

The Ancestral Power of Amulets, Talismans, and Mascots: Folk Magic in Witchcraft & Religion, by Nigel Pennick
Destiny Books, 9781644112205 , 352 pages, May 2021

Nigel Pennick is the author of over 50 books on various esoteric topics and an authority on ancient belief systems, traditions, runes, and geomancy. His latest book, The Ancestral Power of Amulets, Talismans, and Mascots: Folk Magic in Witchcraft & Religion, doesn’t disappoint: this weighty tome is an absolute must have for anyone even remotely interested in those topics.

This book seems a bit intimidating at first due to its size, but please do not let that deter you from picking it up. Anything, and I mean anything, you ever wanted to know about talismans and amulets is in this book. Pennick provides a visual narrative as well as a written one, and that additional information is invaluable.

The amount of information in this book is staggering and thoughtfully presented. The table of contents clearly lists the various topics being covered and provides the reader with an opportunity to jump right into whatever strikes their fancy. For me, that chapter was “Animals and Their Images”. In this chapter, Pennick states:

“Animal amulets and mascots take three forms. There are amulets made from part of the actual animal, like a rabbit’s foot or toad bone; there are amulets made in the shape of a lucky animal, such as a pig or cat; and there are live animals that serve as mascots, especially for military units.”1

Pennick goes on to explain the significance of the pig, ram, cat, fox, dog, bear, elephant, and tiger. Not only is the information in this section incredibly useful, it’s also very current. There is a photo (Fig 23.4) of the mascot of Motörhead, War Pig which according to Pennick, is “an emblem of resistance”2.

This differs from the usual interpretation of the pig symbolizing luck and fecundity, and with the inclusion of War Pig, Pennick is able to capture the entirety of the symbolism behind the pig. This kind of well-roundedness is what makes this book so fascinating; it doesn’t just focus on one area that might be more relevant in today’s society. Pennick drills down into the very core of the subjects in this book and provides a vast array of uses, both past and present, that are more relevant than one might think.

Another chapter that truly resonated with me was Chapter 21: “Trees, Plants, and Seeds”. Having grown up on a farm surrounded by forests and growing our own food for part of the year, I found this section to be particularly relevant to me personally. Our forest was mainly cedar and oak trees and as children, my brother and I would quite often spend the majority of our time outside up in the boughs of one of the larger oaks. I’ve always felt an affinity for oak trees and still collect acorns for use in my own magic.

Pennick distills the essence of the mighty oak into knowledgeable bites that present the leafy giant in a very magical light, saying, “In the European tradition, the oak (Quercus robur) is the most powerful tree of them all, sacred to the sky god variously called Zeus, Jupiter, Taranis, Ziu, Thunor, Thor, Perun, and Perkunas”3

To me, this is a perfect example of what this book is: a reference tome to be pulled down and used when exact information is required. Honestly, I can’t think of another book that does this so well and with such precision. I’ve never heard of Perun or Perkunas until this book. #alwayslearning

While the actual structure of the writing might throw some people off due to its clinical directness, I find it to be in line with the information presented. This isn’t a how-to book: you will not find spells or meditations or any sort of magical direction here. This is a research book of magical items and while there is some information on how specific items have been used magically over the centuries, that isn’t the point.

Some people pickup books such as this with a view to bypassing some of the work they need to do to strengthen their own magic. This book won’t do that, as it is not meant to be a supplement to personal practice. The multiple page bibliography at the back of the book is a clear indicator that this is a reference book and not a practical magic volume. While there are some charms and incantations included in the various chapters, they are not meant as actual spells but as examples of what would be done or said at the time of the amulet being created or activated. This distinction is important.

This book is meant for those who have a genuine interest in the history around amulets, talismans, and mascots and who are willing to spend a bit of time in the investigative space. I found that I went down many a rabbit hole while reading this book, in that I would turn to the extensive bibliography at the back and be drawn into another book on the same topic and then all of a sudden it’s five hours later and my cats is squawking at me to be fed. That is the sort of book this is — beautiful and mind-opening.

I have made amulets and talismans my whole life; as a child I wasn’t aware of what I was doing until much later and now I’ve refined my practice. In reading this book, I understand more clearly why I make the things I do and why I am drawn to specific materials time and again. As Pennick says:

“The amulet is more than a mere “object” or “artwork”. It’s a transcendent communication between human beings and the powers of the natural world that manifest in myriad ways.”4

As witches, we have an innate need to create a symbol of our will: be it for protection, wealth, love, health, or any other reason. Having a tangible object to imbue with our will is how many of us ‘do’ magic. I will be keeping The Ancestral Power of Amulets, Talismans, and Mascots handy as a reference tool for many years to come.

Doctoring the Devil, by Jake Richards

Doctoring the Devil: Notebooks of an Appalachian Conjure Man, by Jake Richards
Weiser Books, 1578637333, 288 pages, April 2021

Growing up in a family that has practiced Appalachian folk magic and conjure for generations, Doctoring the Devil: Notebooks of an Appalachian conjure Man author Jake Richards has a depth of knowledge about these topics that transcend his decade of personal practice. His official bio also states that he teaches classes on the subject in Jonesborough, Tennessee, where he owns Little Chicago Conjure, a supplier of Appalachian folk magic supplies and ingredients.

The book begins with an introduction which briefly describes the author’s upbringing in Tennessee. From the very beginning of the book it is apparent how thoroughly Appalachian folk magic and conjure were interwoven through every part of Richards’ life, community, and heritage. And to be sure, he makes a distinction between folk magic and conjure – I found this distinction to be very interesting.

The first chapter contains descriptions of the many and varied types of “workers” are involved in this work, such as faith healers, root and yarb doctors, cow and horse doctors (people who mainly worked on livestock), witchdoctors, conjurers, root workers, hex doctors, witch finders, and love doctors. Before reading this book, I’ll admit that I was under the impression that most of these words were synonyms – a group of names that all described the same people. But the author points out the many differences between one type of worker and another – and to make things even more complex, many of them practice several types of work, so there are many crossovers and layers. 

As mentioned previously, Richards makes a distinction between folk magic and conjure. Folk magic or root work is described as follows:

“The magical act of using roots and things to influence, incapacitate, attract, avert, or change a situation in the present or future in some manner. This includes superstitions like tossing salt over your left shoulder…or turning your pockets inside out to avert bad luck. Folk magic is any superstitious action taken without an appeal or prayer to a higher spirit or divinity that is alleged to cause a supernatural result.”1

Richards says that folk magic works by belief, and that these things are picked up from the old folks without question — because they work.

He goes on to describe the difference between folk magic and conjure. Conjure is the “direct and intentional employment of spirits, whether they be spirits of the graveyard, the ancestors, simple spirits of the land you live on, or some other presence, to work on your behalf. This also includes angels and God.”2. Descriptions of the different degrees of practice follow.

I found particularly fascinating the section on timing and weather, including moon phases, and what types of workings are done best in certain types of weather. Specific information on exactly the type of weather conditions that work best for using candles, powders, washes and oils, etc.

A section with stories about a handful of practitioners gives a good idea of the type of work these people did, and the reputations they had for doing it. One story tells of a woman called Witch McGaha of the Great Smoky Mountains, who once found someone stealing from her and “cursed her, sending Devils in the form of squirrels after her.”3 According to the story, the woman tried to run from the squirrels but the number of squirrels kept doubling. She tried to make it safely to her home but the squirrels tormented her to death and she died on her porch. 

Chapter 4 begins with somewhat of a warning — “You’re in for a long run if you consider this work.”4 — before listing some “Precaution Rituals”, such as always making sure your head is covered, having a strong, unwavering will and a cunning mind, along with some very good general advice like “Listen more than you speak.” 

Richards then begins to get to the meat of the book: actual instructions for a wide variety of workings. Over the next few chapters he details topics such as how to watch for signs and omens, throwing the bones, spiritual bathing, head and foot washing, sweeping and washing (a “general sweep” as well as a “sweep to remove witchcraft” and a “sweep to remove haints”.)

There is also a section on Egg Cleansing. Although I thought I knew a bit about this type of work, I had never heard of using an egg in this way. All of these workings are presented along with particular verses from the Christian bible to use alongside. There is a section on protection magic, and a section on money magic. Many different items are used in these workings, none of them too precious and most of them readily available, such as tobacco, candles, hair or nail clippings, red string, baby powder and various liquids including water, whiskey, and urine.

A spell for conceiving a baby requires boiling chickpeas, bathing in the water they were boiled in, and then sewing the dried chickpeas into the mattress the baby is to be conceived upon. This particular chapter also contains spells for reducing labor pains, curing the condition that brings miscarriage and stillbirths, a spell to end a pregnancy, and a whole list of spells to predict a child’s future as well as to ensure a baby’s future success.

The book rounds out these ideas with some workings for healing, as well as an entire chapter called Run Devil Run, that contains many workings to remove evil spirits, curses, and hexes from a person, place or thing. The book concludes with two appendixes with lists of correspondences and ingredients, along with a lengthy bibliography.

Overall, Doctoring the Devil contains encyclopedic knowledge of the subject matter presented by someone who has grown up around these practices and practiced them himself for over a decade. If you are interested in learning about and/or practicing conjure and Appalachian folk magic this is the book for you.

Conjure Cards, by Jake Richards

Conjure Cards: Fortune Telling Deck and Guidebook, by Jake Richards
Weiser Books, 1578637449, 64 Pages, 52 cards, May 2021

Reading fortunes using playing cards has a history as long as the history of playing cards themselves. Fortunes began to be told using playing cards soon after the cards were invented in the 14th century. This tradition has made its way into many different belief systems and practices, including Appalachian folk magic and conjure. Hence the name of the deck, Conjure Cards: Fortune Telling Deck and Guidebook, created by Jake Richards, a native of Tennessee and an expert in Appalachian conjure magic. 

I was interested in this deck because I’ve been reading playing cards for over a decade myself and I enjoy collecting playing card decks for this purpose. I had also recently read Richards’ book Doctoring the Devil.

What I did not expect was the dream interpretation aspect present in this deck. The author has melded Appalachian dream interpretations into the card meanings – an interesting addition that will probably create a bit of a learning curve for anyone that is familiar with reading playing cards but not familiar with Appalachian dream symbols.

One traditional and popular method of divining with playing cards is to generally read the red cards (diamonds and hearts) as “good” and the black cards (spades and clubs) as “bad”. I wouldn’t say that this deck’s official card meanings follow that rule in a strict way, but there are more than a few hints of it such as the Ace of Spades being the “death” card (this is a very traditional meaning), many of the diamond cards heralding good fortune, and some heart cards suggesting love and romance.

Knowing that these cards were based on playing cards, I’ll admit I was a little disappointed when I opened the box to find cards much larger than traditional playing cards. The cards measure 4.25” x 3”, which is not huge compared to most tarot or oracle decks, but they definitely aren’t as easy to move in the hands as a poker deck. Nor do they have a typical playing card finish that helps a traditional poker or bridge deck shuffle so well. The card-stock is sturdy without being overly thick and has a smooth finish.

However, the box is one of the best deck boxes I have ever seen. It is a paper box that has the look and feel of wood and a hinged top. The accompanying book is the same size as the cards and has 60 pages of card meanings along with a few spreads. 

There is a 3-card past-present-future spread, a relationship spread called The Jusem Sweet — a 9-card spread for showing “the thoughts, feelings, and stance of each person in the relationship”1Conjure Cards Guidebook2, and a 36-card spread for general readings aptly called The Bullfrog because once the cards are down you “hop” to every seventh card to read the cards in a specific order. 

I decided that to really understand the deck I would use The BullFrog spread to do a reading for a client. This was a time-consuming endeavor, but I’m attributing that to having to learn a new deck and a new spread, along with the sheer number of cards laid down. 

Several things in the spread came to light within 24 hours of the reading, and some of the things that my client has marked as goals showed up in the spread as future events that will take place in a few months. So, I counted this reading as very accurate and noticed that it had a variety of good news and a few uncomfortable items (such is life!). My client felt strongly that the reading had a few very specific items that rang true for what was happening in her life at the time. 

The addition of Appalachian dream symbol imagery creates some unique card meanings that differ from some other traditional playing card divination meanings but seeing that this author has such a deep knowledge of conjure and folk magic Conjure Cards might be exactly what some conjure magicians are looking for.  I would recommend this deck for anyone who has an interest in conjure/Appalachian folk magic or divining with playing cards.