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Tag Archives: llewellyn publications

Horary Astrology, by Anthony Louis

Horary Astrology: The Theory and Practice of Finding Lost Objects, by Anthony Louis
Llewellyn Publications, 0738766997, 424 pages, February 2021

We’ve all been there: frantically search for our lost keys, precious jewelry, or important document. Often we’ll start grumbling about how “it must be somewhere” or perhaps say a quick prayer to beloved St. Anthony, finder of lost objects. But did you know that you can also use astrology to find what’s been lost?

Horary astrology is the art of answering questions by casting a chart based on the exact time the astrologer receives the question. When you’ve run out of options and finally decided to ask for guidance by casting an astrological chart, it can reveal the answer if one knows the techniques to interpret the chart.

In his book Horary Astrology: The Theory and Practice of Finding Lost Objects, Anthony Louis takes readers into a deep dive of this ancient art and provides a wonderful foundation for budding learners. Loaded with real-life examples and extremely detailed explanations of how to read horary charts, Horary Astrology is a wonderful starting point for a seasoned astrologer who hopes to further their knowledge in this branch of astrology.

I do emphasize seasoned though, because this book would most likely be a bit overwhelming for the novice astrologer. Though Louis provides thorough explanations of all his material, I think it’s worth noting the first chart of the book is featured on page eight, which pretty much indicates Louis isn’t giving us the background on how to read charts and we’re going right into things.

You should absolutely be familiar with the houses, zodiac signs, and planetary significance before diving in, though Lous does further explain much of this in regard to reading the chart from a horary perspective. For instance, there is a chapter “Houses and the Human Body,” and another “The Twelve Signs and Associated Physical Locations.” The chapter “The Signs” provides the indoor location related to each zodiac sign, along with possible locations based on the element of the sign.

The majority of the book draws from seventeenth-century astrology William Lily, most noted for his work Christian Astrology. This would be a great read for someone who wants to learn the techniques of Lily without delving into his few-hundred-year old work, as Louis is constantly referring to Lily throughout the whole book. For instance, Louis writes about via combusta, “which, according to Lilly, is an unlucky region from 15 libra to 15 Scorpio where the two Luminaries pass through the signs of their “dejection” or “fall,” implying a deprivation of solar and lunar light…”1 This is just one example of how Louis imparts Lilly’s wisdom into his own work and informs the reader in the process that I found immensely useful.

As for the examples of horary Louis provides, they are varied and absolutely fascinating! From missing people to garage door openers, I felt like I was a detective on a search in reading what was missing, and then I was absolutely thrilled to read how Louis pieced together the clues within the horary chart to solve the case. It really gave me a clear understanding of the application of the techniques Louis writes about in the first half of the book. The examples provided do a wonderful job of explaining his chart interpretation to answer the proposed question or locate what’s missing that really lay out Louis’s thought process.

Another chapter I really enjoyed was “Plantary Keywords of  Vettius Valens (C. 175 CE) where Louis shares lists of planetary keywords based on the work of second-century Hellenistic astrologer Vettius Valens. I think for someone who wants to engage in this type of astrology work, these keyword lists are very influential in being able to decipher the messages of the chart. However, the keywords also bring up my personal dislike for outdated associations with all the planets.

For instances, keywords of Saturn are “self-deprecating,” “downcast,” “tears and grief,” “unemployment,” and “childlessness” to name a few. Maybe I’m too modern for Hellenistic astrology, but I feel the associates can be very outdated, keeping the planets trapped in stereotypes with little room to expand. This is useful in horary astrology perhaps, which uses these keywords to solve real world problems, but I think it can hinder the greater impact of the different planets’ role in our expression.

This isn’t a book I was able to digest easily, and I certainly had to take it piece by piece. It is something that one would absolutely refer to time and time again, making it a worthy investment for a serious student. However, if one is just looking for a brief introduction or beginner’s guide to horary, this is definitely beyond that scope.

The next time you’re struggling to find something that’s lost, hopefully you’ll remember Horary Astrology. Maybe you’ll learn to decipher if it’s possible to find what’s lost, and if so, where it might be located. Taking on this practice will definitely make you feel like a detective. Louis’s insightful writing will deepen your understanding of how our daily life and the stars are so intimately connected, as long as you can see the clues. Though it’s not a light study, the rewards seem rich, which has kept this ancient art a worthy pursuit all the way to modern times.

Of Blood and Bones, by Kate Freuler

Of Blood and Bones: Working with Shadow Magick and the Dark Moon, by Kate Freuler
Llewellyn Publications, 0738763637, 312 pages, July 2020

“… we all have a dark side. It’s part of who we are. Even the most peaceful of light workers casts a shadow. We all possess the ability to hate, to be angry, to be bitter, and to want revenge….if we can acknowledge our own darkness honestly, we can control it and channel it into something productive…”1

Of Blood and Bones: Working with Shadow Magick and the Dark Moon by Kate Freuler is a highly recommended title for any who want to deepen their practice of witchcraft and magick in a more balanced and polarized way. Much has been written about the power of moon magick in its more traditional phases; the dark moon always being cloaked in mystery and more of a one-sided stance on how to use its energies. Ms. Freuler faces the topic of dark moon magic head on and begins a dialogue of understanding of its subtleties in a way that leads the reader towards deeper exploration of the dark moon tides within oneself and its inherent support of shadow magick and workings.

As the title suggests, this is not your ordinary book about moon magick, traditional shadow work, or darker Deities. This is an exploration of calling forth the shadow that is cast from a brilliance of polarized light and learning to navigate the terrain as you claim your own dark nature as a source of power. The tools employed on this journey are literally of blood and bone, ashes, remains, rust, decay, debris and more. Their uses and many of the more maligned and misunderstood practices associated with the work of dark magick such as cursing, hexing, blood magick, and others is given the proper context for use. Freuler honors the ethics surrounding the choice and provides enough information to allow the reader to explore these practices using free will and holding the intention of seeing the bigger picture.

Of Blood and Bones is separated into five parts and fourteen chapters. It is written in a way that provides the reader with the tools to go about the work of inner reflection early on in the reading so that ultimately this more informed way can be carried into the outer expressions of that practitioner’s craft. A disclaimer section at the beginning of the book sets the appropriate tone for what follows and lends itself to the example of offering due diligence around the forthcoming subject matter, some of which involves the legality and proper obtaining of the ingredients used.

The spellwork contained in each chapter holds true to the intention of breaking through the hesitancy around workings of a darker nature. Materials used, the how, and the why are all very carefully outlined providing multiple layers of discernment to be developed by the practitioner about their use and when they would be needed. A Spell Index at the end of the book provides easy reference without the need to search through the chapters. Recommended Resources and an ample Bibliography conclude the book, pulling everything together in a user-friendly way from start to finish.

The introduction, “It’s Not All Love and Light,” prepares the reader to take a look at all of the aspects of witchcraft and magickal workings. The reader is reminded that there are aspects of light and dark in all endeavors and for a synthesized and whole practice to develop we have to embrace all of the polarities within our practice. Ethics takes center stage throughout the book and the encouragement to allow those darker aspects that we all possess to come forward to be dealt with and acknowledged is the underpinning of becoming more informed in our practice.

“To be truly connected to nature, the seasons and the cycles of life, we must be balanced; we must acknowledge, accept and embrace the darkness of our spirits as fully as the light parts. This doesn’t mean that we should indulge in negativity and harmful behavior but rather accept these traits as guides and teachers in our personal growth. From there we can transform our lives…”2

“Part 1: Shadow Work and the Dark Moon Current” and the chapters contained within give a very through overview of everything that is needed to begin this journey of dark magick. Listings of Deities aligned with dark magick, moon tides, incense recipes, altars and rituals of dedication provide the reader with ample information to proceed more informed than when starting, now knowing that this work is deeply transformational and to expect to emerge from the dark forever changed.

“Part II: Blood and Bones” exposes the reader to the old ways of the craft and the repurposing of objects for magick, knowing their inherent power. Body fluids such as blood, semen, urine, menstrual blood, and saliva carry powerful and potent magick. Additionally, living a life very close to nature, animal parts were often employed in spells and rituals; their power derived from the earth itself and the specific energy that a particular animal carried. There were no magick stores and everything was seen as sacred and holding its own mantle of power.

“These (subjects) that people find so terrifying make up our very life energy. Blood, semen, urine, menses, bones, and even saliva are literally at the core of survival. Their presence creates life, and their absence takes life away. So, while these topics can be gory, gritty and gross, they speak to people on a primitive level as old as the earth…”3

“Part III: The Forbidden Craft” hones in on some of the more controversial topics surrounding shadow magick. Had the strong component of ethics that flowed through the book not been abundantly present, misunderstanding of the intention and the ultimate categorizing of this book with others that are wholly about revenge, retribution, misplaced power, and harm could have become a lost moment in discernment around what is not so clearly black or white, good or bad, or able to be defined by any of the usual semantics used. Curses, hexes, bindings, death magick, and more are fully discussed from the perspective of when these methods would be appropriately used and the greater ramifications surrounding the intention and its greater energetic effects on both the practitioner and the recipient.

“Chapter 8: A Witch’s Curios” offers the reader an inside look at some of the tools such as broken mirrors, rusty nails, bullet casings, graveyard dirt, hair and nails, and more that typically are not incorporated into spellwork. These are the objects of magick that lay discarded or of fearsome touch: all that lay at the threshold of death and all that are the necessary unwanted reminders of something not entirely of the light. The use for these objects and energies they carry are outlined and spells using items such as these are included. The ethical and legal aspects of collecting graveyard dirt or obtaining some of the other items is thoroughly discussed for informed decision in acquiring and using these as part of your magick.

“In the dark witch’s cabinet there are some things that are repulsive, some things that smell yucky, some things that are frightening, and some things that society as a whole just wants you to ignore. Grab your hand sanitizer and come on in…”4

Of Blood and Bones is a book that will definitely evoke strong opinions about its content. Much of what is provided would be considered by some to be less than wholesome magick, while I suspect others will delight in adding new perspective and tools to a practice that is already dedicated to shadow magick. What cannot be denied is that the compilation of this work clearly shows knowledge by Freuler of all aspects of a balanced practice of magick and respect and reference for those less mainstream practices. We are part of the natural world that at times can be uninviting, messy, unforgiving, overtly blunt, and all together disruptive in its nature. And, this is what makes for a practice that is fully integrated into both the decay and the new life that are part of a continual cycle of being.

There is more that I could say about the details of this book, but it would be a disservice and muddy the intent. This is work (and reading) that must be absorbed through experience and claimed by trial and error. This is a power and way of working that is ancient in all of the ways of that simple word, and so the inroads and understands go deep and reach far. There is much to digest in this book, but with each doing and reading, another mystery within the reader will be revealed — another option for practice will be shown. A deepening of connection to the world and work as co-creator of that light and dark will become who you truly are as a witch.

“As you emerge from your shadow work, you may find that everything around you seems different. This is because you are different. Your perspective has deepened and expanded, balancing the light and the dark…”5

Meditations for the Soul, by Neale Lundgren

Meditations for the Soul: Pathways and Practices to Strengthen Your Soul for the Journey Ahead, by Neale Lundgren, PhD
Llewellyn Publications, 90738764306, 236 pages, December 2020

Meditations for the Soul: Pathways and Practices to Strengthen Your Soul for the Journey Ahead by Neale Lundgren, PhD is a beautiful little book that fits comfortably in your hands. The cover artwork is inviting and a soothing image of water colored birds on tree branches. Before you open the book, the heart, mind, and soul are engaged in its simplicity and inviting visual presentation. 

Everyone is a seeker. Everyone longs for a soulful purpose that sets the heart ablaze… We are seeking to make sense of life. But, we will find it difficult to make sense of life until we have made sense of the soul…1

These words are shared on the first page of the introduction and set a very clear path that Meditations for the Soul will offer more than your standard collection of thoughts and affirmations that make the reader “feel good” without addressing the beauty of cultivating a practice of deepening the connection to the gifts of the soul. The reader is guided towards a space of being both a student and a teacher of the soul’s lessons as a (or many) lifetime’s pursuit. The inclusion of a robust Recommended Reading list and a Glossary at the end of the book also support a tone of learning, exploring, and engaging in an active way. 

Meditations for the Soul is separated into thirty chapters that are further organized into three parts. Each chapter provides a bite-sized offering that includes an introduction to the purpose of its work and concludes with a “Soul Journey.” This begins as a brief guided meditation and flows into an “Awakening Exercise.” 

The content, although brief in words, speaks directly to the soul of the “seeker” as a tome of great wisdom. I appreciate the designation of “seeker” Lundgren uses throughout. It engages the reader in a deeper way and implies that awakening to our purpose at the level of the soul requires a commitment that extends well beyond doing a specific set of exercises or contemplative work. To be a “seeker” is to always be actively inquiring and doing in a way that is infinite in its possibilities.  

It is evident in the offerings throughout Meditations for the Soul that Lundgren brings a perspective of both analytical academia and practical experience. This is supported in his sharing of his personal journey to the soul from successful musician to time spent at a monastery as the result of a back packing trip through Europe and the eventual attainment of a degree as a psychotherapist. Lundgren addresses the needs of the soul for reflective and inward journey as well as the practical outward actions and exercises required to bridge the spiritual and the material expressions of the soul’s work. 

The purpose of this book is threefold; to provide you with ways to connect your body and mind to the senses of your soul; to give you strengthening practices and pathways for your soul’s journey through the material world; and to impart to you teachings based on ancient wisdom that will help you bring more soulfulness to your relationships with others…2

Each of the three parts of the book carefully aligns with one of the principles of Lundgren’s threefold purpose and builds one upon the other. “Part One: Awakening to Soul in the Material World” provides the reader with an introduction to the work of revealing and collaborating in awareness with the soul and its purpose in the realm of material and physical existence.  “Chapter 2: The Seeker Awakens” will definitely appeal to those drawn to the psychoanalytical process. 

The seeker’s journey proceeds in gradual awakenings, along with many stages and trials. These are questions you can ask yourself to help you figure out where you might be… Let these serve as useful indicators of the adventure of soul that lies ahead…3

The questionnaire that followed served both as an eye-opener and a space of claiming the journey as your own unique experience. Anything that allows you to know more about yourself will be an opportunity of growth wherever it is applied. I found this to be an insightful tool of first steps.

“Part Two: Strengthening Soul in the Material World” takes the reader through an exploration of the yogas Lundgren has identified as unifiers of soul and matter within the seeker. This “strengthening” is engaged through the overlay of each of the specific energies of a form of yoga. This approach also allows the reader to open to the awareness that what we as Westerners typically refer to as yoga is much more than the physical expression; but rather, a whole and unified way of being. I was particularly drawn to “Chapter 11: At the Threshold of the Paths,” the first chapter of this section.

Throughout the centuries, masters of the inward journey have provided a rich variety of practices called “yogas” for the purpose of strengthening the soul for its journey through the material world… The word itself comes from the Sanskrit juj meaning to “yoke” or to “unify”…4

This unification is expressed as the energies of the yogas of mind, heart, energy, action, integration, and more. I found this to be a powerful way of reinforcing the concept of all aspects of our being and soul are in alignment with one another, informing each in a connected and unified way.

Having built on the practices of personal revelation of and active participation in the soul’s journey, “Part Three: Bringing Soul to the Material World” engages the reader at a soul level as part of a collective of souls, each finding their own way. The encouragement here is one of continued personal work, now with the understanding that we all become the light for one another, an example and an inspiration of life as a fully integrated corporeal being of soul.

Many of the writings in this concluding section of chapters involve the pitfalls and the joys of realizing your soul’s nature. Chapter topics include stress, relationships, companionship, the language of the soul, and more. This section explores the practical nature of soul work reinforces the knowingness that soul and matter are not separate from one another. They are indeed collaborators and reflections of the other.

Meditations for the Soul is user friendly, but is not an easy read if you take the contemplatives and practices to heart and allow yourself to be open to the journey, from start to finish. I thoroughly enjoyed the first read through, but I will most definitely be starting at the beginning and allowing myself the space and time to fully digest the material and work with the recommendations and wisdom held between its covers. The statement below eloquently summarizes the intention of this book. They are words that should be accessed and contemplated routinely as each new journey unfolds. 

Wander, seek and find new treasures within your soul and within the souls of others. Aspire to expand your heart until it encompasses the universe. Through the refined soul senses of empathy, compassion and forgiveness, impart this healing balm to others in the world, beginning with yourself…5

Heal Your Ancestors to Heal Your Life, by Shelly Kaehr

Heal Your Ancestors to Heal Your Life: The Transformative Power of Genealogical Regression, by Shelly A. Kaehr, PhD
Llewellyn Publications, 0738764511, 191 pages, March 2021

How much power or influence do your ancestors have over your current life? Some people say that they got their talent for music from their great-grandfather, or their ability to cook from their maternal family of stellar cooks. We tend to easily attribute talents to our ancestors. But, can ancestors have a connection to a physical ailment that you have? How about a personality trait such as a tendency to worry?

In her book, Heal Your Ancestors to Heal Your Life: The Transformative Power of Genealogical Regression, Dr. Shelly Kaehr explores how working with your ancestors through past-life regression can help you heal your life. The book differs from others I’ve read on past-life regression because the focus of this book is not so much on one’s own past-life regression to one’s previous lives, but rather a past-life regression to experience what one’s ancestors experienced in their lives. “By sending healing light through the family tree, clients positively affected not only their own well-being but the lives and future happiness of everyone in their family.”1

Shelley has decades of experience as a past-life regressionist. A previously published author of Past Lives with Pets and Meet Your Karma: The Healing Power of Past Life Memories, she is well-poised to write on this topic. She developed her own method of past-life regression to connect with ancestors and to experience their “struggles and turmoil, triumphs and tragedies.”2 She writes on how we can take the knowledge gained from working with our ancestors to not only heal our current challenges, physical, mental, emotional, and even spiritual but also help our ancestors heal while also helping future generations in our families to feel a light of “loving kindness.”3 Remarkably, she also details how those who were adopted can connect with their blood ancestors. 

The book is divided into three parts: Genealogical Regression Overview, Case Studies, and Guided Journeys, which contains exercises. The book concludes with a bibliography and a list of genealogical and DNA resources.

Genealogical Regression Overview is the shortest section of the book, but it formed the basis of the remainder of the book. Shelley writes about Carl Jung and the collective consciousness as well as “behaviors that seem to be transmitted through the collective consciousness and DNA…”4 For me, this section melded college psychology course work that I had long forgotten about with ancestors and past-life regression — a connection that I hadn’t made until now. As Shelley writes, “We have energetic ties to the past, where we’re consciously aware of them or not. Every single soul who has come before us and all who will continue on when we’ve crossed over are part of our cells.”5

Part 2, Case Studies, provides just that – various case studies on which Shelley has worked over the years. What was unique to these case studies, compared to those I’ve read in other books on past-life regression, is how the outcomes were related to ancestral trauma, events, and even illness. The case studies focus on physical healing, emotional, and spiritual healing, plus curses and vows. While, as Shelley notes, the “past-life regression cannot alleviate illness,” it can become “a tool to help the cognitive aspect of the client to come to terms with what’s happened and gain the strength and acceptance to accept what is and to go forward with healing intentions.”6

Two case studies especially resonated with me. The first was that of Dana who worried constantly. It was a relief to read that “some people are genetically predisposed to worry.”7 I come from a family of worriers on my mother’s maternal side. “The undercurrent of fear is a quite prevalent emotion to pass down through the generations.”8 Dana regressed to visit a great-great-great-grandfather who suffered a violent act. Through the regression she was able to bring a healing light over the man, releasing him from his pain. 

The second case study that touched me was Eugene and the Evil Eye. Shelley writes that she became involved with helping people remove curses accidentally. As a woman whose ancestral family hails from southern Italy, namely Benevento, where the witches were thought to gather, I grew up quite familiar with the curse of the Evil Eye. In my family this was nothing to be scoffed at, especially for the generations to which my grandparents and great-grandparents belonged. Through Shelley’s past-life regression, Eugene was able to help remove a family curse, which whether real or perceived was affecting Eugene. 

The final section, Guided Journeys, allows the reader to participate in exercises for their own healing and that of their family and ancestors. Shelley writes that it’s best to do past-life regressions with a professional if one is able. However, the exercises that she included in the book can be done on one’s own. She recommends recording one’s regression to listen to later. I tried a few and found it helpful to record the words of exercise in my own voice to guide myself in the process. I also recorded what I had to say during the session. While not wanting to reveal details, I found the exercises illuminating and well worth the time to invest in journeying. 

This section has three parts. There is one on working with your mother and your maternal lineage and one on working with your father and your paternal lineage. She provides ways for an adoptee to connect with one’s birth mother and birth father and also ways for one to connect with ancestors of one’s adopted mother and adopted father. The last part deals with cord cutting and soul retrieval, as well as visiting future generations of one’s part.

What I liked most about this section is that one does not enter into a past-life regression alone; one is always accompanied by an angel who provides healing light and guidance. As Shelley reminds the reader, during these exercises one encounters the higher selves of our parents and ancestors – the “most evolved aspects of their souls.”9 It removed the judgement to read:

“The higher self (of one’s parent) is calm and neutral, loves you unconditionally, and has come to your soul journey in your current life for very real and meaningful reasons that always contribute to your highest and best, even if their real-life actions don’t ways seem that way.”10

I found Heal Your Ancestors to Heal Your Life very, very interesting. It introduced me to the concept of connecting with one’s ancestors through past-life regression to assist in present-day healing. The case studies were detailed, and the exercises covered a wide range of topics. There’s something for everyone in this book who wants to dip a toe into ancestral past-life regression. I highly recommend this book to those who are just being introduced to the concept of past-life regression as well as those who are familiar with the concept.

When We Die, by Kenneth J. Doka, PhD

When We Die: Extraordinary Experiences at Life’s End, by Kenneth J. Doka PhD 
Llewellyn Publications, 0738762937, 216 pages, November 2020

I never really thought of when my father might die (his father had died young in his sixties), but one special night a couple of years ago while I was walking in the snow in the forest, I heard a train and went towards it. A thought crossed my mind: perhaps the number of box cars on the train will be the age of my father when he dies.

I counted – it was 80 – and then I thought, he can live longer if I grant him extra years, so I added 8, to get 88. A couple of weeks later he said to me, out of the blue, I will be happy if I can live to 88. As he is now 80, we will have to wait and see if our shared premonitions of his death at 88 will prove to be true.

Have you had a premonition about someone’s death or communications from the deceased? Have you ever felt an invisible presence, seen a ghost, or received a prophetic dream with a message from a deceased loved one? What do you make of these experiences? What would you make of it if others have had similar experiences?

Kenneth J. Doka, PhD, a professor, minister, and counselor, who has written and edited numerous books on death, dying, and bereavement, offers a rich collection of unusual stories surrounding death, dying, and the dead in his book When We Die: Extraordinary Experiences at Life’s End. He recounts a plethora of paranormal experiences he has gathered during his half a century in the field of thanatology, including several stories of his own life. Doka invites us repeatedly to consider what gifts such experiences could bring to us.

The book is comprised of chapters that group stories into various categories, such as Premonitions of Death, Near-Death Experiences, Messages and Mediums, and Ghosts and Apparitions. The book concludes with an essay “We All Live at the Edge of Forever When We Die,” which explores his worldview about our very deep needs relating to death. “Edge of forever” is an evocative phrase threaded throughout the tapestry of this book, and I’m not quite sure what to make of it yet. For now, it is a koan, inviting active meditation into uncharted territory.

Here are two stories of the book that stand out for me. One is when Doka feels the presence of a dear friend by an experience that he remembers as feeling like “every cell in my body was being individually hugged.”1 Another tells of when all five children felt the kiss of their deceased father on their foreheads after his death, as he used to kiss them when they were children.2 These felt particularly poignant because they are experiences of a palpable experience of love from someone who has died. It matched my personal experience that consciousness, love, and even palpable experience survive physical death. I did not know I was so hungry for this validation until I received it. 

More broadly, what could be the gifts of sharing such stories of unusual experiences surrounding death, the dying, and the dead? One gift, as I mentioned already, might be validation of one’s own experience by learning that they are shared by others; another gift could be to invite one to be more open having such experiences. Yet another gift might be that having personal experiences or even just sharing stories of death somehow fosters us to live more deeply, happily, meaningfully.

 “Encounters with death inevitably affect the way survivor’s experience life.”3

Doka notes as he discusses near-death experiences (NDEs). He continues that such effects are also seen in survivors of disasters, illness, or accidents — even without NDEs. Intimacy with our own mortality or others’ often makes us re-greet our lives with more joy, gratitude, and commitment. Who doesn’t want more of that? 

I was drawn to read this book because I wanted to learn more about the possible range experiences related to death. What I discovered was much more than I expected in one way  (there is such a range of experiences!) and less than what I expected in another way (each story is described briefly, as a vignette, not an extended plot).

Because this book is such a rich repository of so many kinds of anecdotes, it would be a good introduction to those who wanted a survey of the range of paranormal experiences that could lead to more reading and exploration of whatever is of deeper interest. By reading this book, I got to narrow and articulate my deeper interest. That is, when younger, I used to wonder, “Is there life after death?” Now I realize my curiosity is about what kind of life or consciousness is there after physical death.

In contemplating the true gifts of When We Die for me, it is that one’s personal experience is the truest guide to what is real about death and that having an open heart and mind is crucial in navigating the mysterious territory of death and of life.

Mythology for a Magical Life, by Ember Grant

Mythology for a Magical Life: Stories, Rituals & Reflections to Inspire Your Craft, by Ember Grant
Llewellyn Publications, 0738763101, 240 pages, February 2021

If you enjoy magic spells, rituals, poetry, and good storytelling, have I got the book for you! From its gorgeous cover art to its lovely conclusion, Ember Grant’s Mythology for a Magical Life: Stories, Rituals & Reflections to Inspire Your Craft will leave you enchanted, challenged, inspired, soothed, and satisfied.

Grant has written several previous books on magical spells, including Magical Candle Crafting: Create Your Own Candles for Spells & Rituals and The Book of Crystal Spells: Magical Uses for Stones, Crystals, Minerals.. and Even Sand. She has also been a contributor to Llewellyn’s annuals series since 2003.

Perhaps knowing that Grant has been a longtime contributor to books with an annual format, I should not have been surprised by the third sentence of the introduction where Grant invites the reader to a year-long journey, but I did not recall seeing any mention of the book containing a “year-long” program of any sort while reading cover blurbs or promotional material for the book.

This was a bit unsettling at first. As a reviewer I had planned on reading the book in a week’s time and not spreading the material out over a calendar year. Happily, once I began diving in, I realized that the book is structured in a very open and inviting way. Yes, there are twelve chapters, but the author even suggests that they need not follow one right after the other and she encourages the reader that “it’s okay to jump around.”1

Also, as a fan of year-long programs and plans, I agree that this book would make an amazing year-long study, but the material it contains can also be taken in much smaller bites. 

The introduction gives us the author’s clear definitions for certain important terms used in the book, clarifying such things as myth, magic, meditation, visualization, affirmation, ritual, and spells. It concludes with several paragraphs titled “How to Use This Book.” 

Each of the twelve chapters follows a convenient format: first the telling of the specific myth (or occasionally myths) followed by an explanation of the story’s themes and their importance. Next, the chapters are divided into well-defined segments explaining magical skills, rituals, affirmations, actions, visualizations, and reflections in the form of journaling prompts.

The labeling of these sections is useful, especially if some ways of doing magic are not your cup of tea. The segments create an easy way to find the perfect activities for your own personal style and needs.

I found the myths and stories to be a brilliant mix of familiar favorites, such as the Descent of Inanna, the stories of Cupid and Psyche, and Eros and Venus, contrasted with delightful and interesting stories that were new to me, including Inari the Fox God and Sedna the Mistress of the Underworld.

If you are a fan of rhyming incantations like I am, this book overflows with beautiful little poetic spells for a myriad of concerns and magical workings. One of my favorites was called Spell for Magical Ink that includes a chant for charging the ink whether it be in a bottle or an ink cartridge for your computer printer (a wonderful way to make some modern magic!):

“This ink is reserved for magic intent, 
for no other purpose let it be spent. 
With each word I create, each form that I shape, 
let my goal be fulfilled 
as this ink is spilled.”2

Many of the activities in the book require nothing more than energy, intention, and breath (such as affirmations, breathwork, and visualizations), while others ask for a variety of ingredients and supplies such as crystals, candles, herbs, eggs, ink, a journal, and even white wine. There is a section on Storm Magic in which stormy weather is utilized as a vehicle for release. This was inspiring to me as someone who lives in a part of the country well acquainted with hurricanes!

I so appreciated one of the metaphors that Grant used in her Ritual for Rededication, which she begins by explaining:

“When the computer is locked up, you turn it off and back on again – you reboot. When your magical practice is similarly frozen or slow, it’s time to refresh it. One way to do this is by rededicating or reinitiating yourself to your path.”3

I think this simple and powerful analogy could pertain to the book as a whole, as the author mentions that the book came about because of her own personal quest to rekindle her own magic.

Even though my own magical practice is not in a time of waning, this book inspired me and gave me a multitude of ideas for adding beauty and power to my everyday magic, as well as encouraging me that the next time I am feeling a need for inspiration it can easily be found in these pages. 

I recommend Mythology for a Magical Life to anyone who loves stories, poetry, and magic. Whether you are just beginning (or even just considering) a magical practice or are a seasoned magic-maker, there is something beautiful here for every level of practice.

Winter, by Jo Graham

Winter: Rituals to Thrive in the Dark Cycle of the Saeculum, by Jo Graham
Llewellyn Publications, 0738763712, 211 pages, 2020

I was intrigued by the title of this book and looked forward to diving into it to familiarize myself with the saeculum in general — the season of Winter specifically. I had no knowledge of the concept of the saeculum, first mentioned by the Etruscans but also written about by the ancient Greeks and Romans. Saeculum roughly translates into the expected lifetime of an individual (80 years). It is based on the cycles of the Great Wheel that, if we live to 80 and beyond, we will experience during our life lifetime.  In Winter: Rituals to Thrive in the Dark Cycle of the Saeculum, Jo Graham does a marvelous job of detailing out the concept of saeculum and also explaining each season of the Great Wheel, including what to expect. She also goes back in time to what happened during each season in both recent and ancient history to help us understand the current time of Winter.

As Graham explains, the Romans called this 80-year cycle the Great Wheel, or the wheel of generations. The Great Wheel is aligned with the seasonal nature of all life. Each cycle of the Great Wheel lasts roughly 80 years, and each of the four seasons within the Great Wheel cycle lasts approximately 20 years. Each season is further divided into periods of 10 years, including Imbolc, Belatane, Lammas, and Samhain. Therefore, we are all born in a certain season in the cycle of the Great Wheel. Graham provides charts to determine in what season you were born. I was born in Spring of the current cycle. Therefore, I experienced my youth in Spring, adulthood in Summer, maturity in Autumn, and am now entering old age in Winter. I admit gasping at being categorized as being in Old Age, but in terms of the Great Wheel, we all get to live through each of the four seasons if we are blessed to live to 80 (at which point the cycle begins again). “Every eighty years we pass through what the Classical Greeks called ekpyrosis, a destruction by fire that then allows for rebirth and the growth of new things.” 1

Graham also breaks down how each of the so-called age groups (Millennials, Baby Boomers, Gen-Xers) are going to meet the Winter (the season in which we are living now) challenges in their own unique ways. According to the Great Wheel, we entered the season of Winter around 2010. In 2020, we are in Imbolc. Winter will be nearing an end in 2030. Graham goes into detail writing about how events that have occurred since 2010 are exemplary of things that happen in the season of Winter which, like anything natural, does not have a fixed start and end date. For example, the approach of Winter could be felt in the attacks of 9/11 and the stock market crash of 2008, which happened in Samhain in the Fall season.

Winter is divided into four sections: Introduction, The Crisis Approaches, The Storm Rages, and Aftermath. There is also an extensive bibliography at the end of the book. In each section, Graham describes what to expect in each phase of Winter, what happened in a Winter seasons in times past, and includes detailed rituals to help cope/survive and ultimately thrive during this season. In addition to explaining about the Great Wheel and the seasons, Graham also writes extensively in the Introduction about the last season of Winter, 1925 – 1945, which included the Great Depression and World War II. Definitely not good times for civilization. I shuddered to think that we are in this season again.

One ritual that Graham recommended in the Introduction was to help reconnect with ancestors who you know experienced the last Winter. Without going into too much detail, the ritual involved mask-making (how the Romans honored and invited in their ancestors) and also journaling to invoke our ancestors for counsel, wisdom, and ways to cope during Winter. I loved this ritual and was happy to receive guidance from grandparents and extended family who lived through this period. I was shown that while there was hardship, families worked together and everyone in the world was in the same boat – much like today’s Winter with COVID-19.

In the section titled “The Crisis Approaches,” Graham offers a broader picture of the last cycle of Winter. She also asks us to remember where we were when this current season of Winter began (around 2010), what we were experiencing in our life at that time, what our community, country, and the world at large was also was experiencing. She brings us back further in time through another journaling exercise to 2000, just before the start of the current Winter. When I sat quietly and journaled about this time, I realized that my 18-year marriage had come to a sudden end. As Graham writes, “Winter as a season is inevitable” and it always arrives. 2 

The first phase of Winter is what she describes as the “Gathering Storm,” 3 which is easy to dismiss as a gradual change in temperature, a few snowflakes. She encourages us to prepare for the Winter and not to be complacent and caught off guard. “We can get through Winter the same way our ancestors did: with planning, community, and faith.” 4 She also recommends journaling exercise with questions about our values. “Our values can help guide not just ourselves but those around us as we navigate this season.” 5 This exercise asks us to look at who we are now in this phase of Winter by answering questions on topics such as hospitality, honor, our relationship to the Earth, and how we feel about Pagan values. It was a very interesting exercise and I soon found out in the next section the relevance of the topics. As she cautions, “Remember, we cannot make good decisions about the events to come if we don’t realistically understand our own situation with its vulnerabilities and strengths and receive truthful information about events as they happen.” 6

In the section titled “The Storm Rages”, Graham helps us to prepare for the inevitable storm, including rituals to invoke Athena Strategos (for strength) and Hermes (for effective communication based on clarity and truth). She also asks us to choose what seeds we want to preserve through the Winter to plant in the Spring, not just for us personally but also for our country at large and includes a ritual to save these seeds. She also walks the reader through the process of creating a haven, once again not just for ourselves but also for others who might come to us seeking shelter from the Winter. There was a beautiful rite to Vesta to hallow the house, to protect it, and bless it, that I found quite moving. While the ritual is best done with a community, due to the pandemic I did this alone and found it equally as beautiful and beneficial. I especially like the direction to keep a candle burning (artificial) throughout the night.  

Heroes are needed to get through the Winter, and the final chapter in this section deals with different types of heroes. Graham offers an exercise to determine the type of hero we are based on our temperament. Ideally, we will want to be in a community of heroes who possess different skills and strengths: communicator, warrior, helper, and conservator. The exercise revealed that I am a helper warrior. Graham includes a ritual to make a bracelet to wear as a reminder of our hero skill-type; also recommended is a community-based ritual to help all of us carry out our unique roles depending on our hero-type. 

The final section is “Aftermath”. Jo includes a meditation to help us move from Winter into Spring. Included is a ritual to bring forth the seed we saved and preserved and how to decide how and when to plant it. There is also a ritual to welcome the returning Winter warriors and to honor the departed who did not survive the season. Graham concludes Winter with rituals for invoking Concordia, the daughter of Mars and Venus to “rule our interactions so that the world to come is the best we can make it” 7 and a ritual to banish Discoria, or lawlessness.

Do not expect Winter to be a quick read. I recommend reading each section slowly and engaging in the rituals, exercises, and meditations that call to you. It would have been personally helpful if I had read Graham’s first book, The Great Wheel, to have had an initial fuller understanding of the natural cycle of the Great Wheel. No doubt, the topics covered in the book are heavy, for Winter is not to be trifled with. At times, I found myself depressed, especially in reading that the coming years are those of cataclysm. But it also helped me put into perspective what is happening in the country today in terms of bad communication, unrest, a lack of empathy and civility, a pandemic, and governments turned on their heads. I very much enjoyed that Graham asked me to remember via a journaling exercise that my grandparents and extended family came through the Winter. It left me with hope that “in the early 2030s we will be charting new courses socially, economically, environmentally, and physically. Spring will be fully upon us.” 8

Cosmic Dancer Oracle, by Sedona Soulfire and Tess Whitehurst

Cosmic Dancer Oracle, by Sedona Soulfire and Tess Whitehurst, illustrated by Elinore Eaton
Llewellyn Publications, 0738767107, 44 cards, 148 pages, 2020 

The Cosmic Dancer Oracle by Sedona Soulfire and Tess Whitehurst perfectly captures the soulful integration of mind, body, and soul. This deck is a mixture of radiance and delight, as the cards beautifully show the flow of energy within the relationship between body and spirit. Elinore Eaton, the deck’s illustrator, has magnificently expressed the dynamic rhythm of the movement as a form of self-expression in this illuminating, brightly colored work of art. Working with this deck has been an exciting journey, as it’s invited my body to participate in the process of connecting with the unseen to glimpse the answer I seek and revitalize my spirit.

I’ve always enjoyed exploring my intuition through my body. I actually wrote my thesis on the importance of teaching in a way that promotes one’s kinesthetic intelligence, or the body’s knowing, as a learning tool. This project evolved into me dancing the principles of eco-psychology and documenting the self-reflection process. Countless hours were spent discovering my body’s intelligence, while also researching how impactful dance can be as a form of therapy. It is for this reason that I absolutely adore and appreciate Soulfire and Whitehurst’s intention in creating this deck.

As the introduction states, “Life really is a dance. Sometimes it’s time to sparkle and shine, and sometimes it’s time to retreat and recharge. Some days you’re called to lead, and others you’re called to follow. At times it’s appropriate to improvise, and others call for well-practiced choreography. What’s more, invisible currents of energy and vibration coalesce in ways that create and animate everyone and everything in the Universe (seen and unseen), even the passage of time.” 1 This deck has done a wonderful job of portraying this sentiment visually, while also providing guidance for the reader to use movement to anchor the oracle cards’ messages in their own body.

There are 44 cards in the Cosmic Dancer Oracle, and every single one is unique. The deck truly represents the range of emotions people are able to share through their bodies. Blending cosmic energy and elemental power, the cards offer the reader intuitive images that are sensational visual representations of dancers using movement to embody a sacred oracle message. Truthfully, the artwork on the cards is some of the best I’ve ever seen in an oracle deck. Looking through the deck, each card fills me with the excitement akin to going to a museum exhibition of my favorite artist. Eaton’s imagery activates my psyche and speaks directly to my soul. Some cards make me want to get up and dance, while others help me to honor the need to rest. As I look from card to card, each one’s energy activates both my body and intuition.

The accompanying guidebook is uplifting and straightforward in the guidance offered. Messages affirm the importance of ancestry, offerings, surrender, and creative flow. It feels as though I am receiving a gentle spiritual reminder when reading the message for the cards I’ve pulled that help me to shift my focus towards love, openness, and unity with the current situation I am inquiring about. The guidebook’s messages further help to facilitate connection to one’s body by offering a movement, pose, or dance for every message. I’ve really enjoyed following the guidance and doing this, as I feel like it imparts the cards within into my embody reality.

For instance, the card I pulled today was Clear The Vessel. This was very apt to how I was feeling, as I had just finished deleting emails back to 2018 to do a bit of techno-cleansing to prepare for the new year. The guidebook offered a breathing posture of moving into a stance with my feet shoulder-width apart, extending my arm upward, pressing together my index finger and thumb, and doing rapid breathing. As I did this pose, I instantly felt my energy becoming grounded and excess energy being released through  my body. It made me feel purified, relaxed, and ready to move onto my next task.

Overall, Cosmic Dancer Oracle is a wonderfully intuitive and well-integrated deck. I highly recommend it to anyone looking to add a bit of mystic movement to their life. The artwork is gorgeous and makes it so this deck can be used for oracle reads, meditative visualization, and altar creation. All my readings with the deck thus far have been just what I needed to hear in the moment. This is definitely a deck that’s not going to get dusty, as I’m sure it will be used it frequently.

Kinesic Magic, by Donald Tyson

Kinesic Magic: Channeling Energy with Postures & Gestures, by Donald Tyson
Llewellyn Publications, 0738764132, 272 pages, August 2020

Integrating our bodies with our magical practice — there’s nothing I love more! But sometimes it’s hard to find a systematic way to do this (aside from watching The Magicians and seeing how the characters use their hands to cast spells, which I absolutely have incorporated into my own workings). I’ve occasionally found books on mudras for the astrological signs, and I am also familiar with the correspondence between body parts and zodiac signs, but never had I discovered a method to blend it all together. This is why I absolutely love Kinesic Magic: Channeling Energy with Postures & Gestures, in which Donald Tyson has created a comprehensive guide that shifts the practice of magic from complex rituals in arcane grimoires to the bare essential of one’s body. The techniques, despite being surprisingly simple, are a powerful way to work the fundamental energies of Western magic.

Tyson is a prolific author and expert in Western occultism. During his studies, he noticed a gap between Eastern and Western practices due to the exclusion of the body in most occult systems in the West. Eastern traditions include the practice of yoga as a method of transforming energy and connecting to energy of the Universe. Therefore, Tyson, who had alluded to how one could use their hands in magical works in his previous book The New Magus 1, decided to create his own system. A reader should be aware this is something Tyson created on his own based on his extensive experience and knowledge, but in no way does this detract from the effectiveness of these practices.

For those of you who may not know, the definition of kinesic is, “the study of body movements, gestures, facial expressions, etc., as a means of communication.” 2 In Kinesic Magic, most of the focus is on body movement and gestures, rather than facial expressions. The first chapter, “The Twenty-Four Postures,” is the fundamental postures used in this system (the rest of the book focuses on hand-gestures). These postures are essentially the foundation of the workings one may be doing, including invoking, banishing, projecting, channeling, binding, and manifesting. Every posture has a hand-drawn image of a man in the posture along with a written description and information on how it can be used.

It’s worth spending time familiarizing yourself with these postures since they are the basis of all the workings in the book. I found it to be quite an informative experience to feel my body in these different postures. Purposely integrating my focus, will, and body was harder than I thought it would be, but with practice, the postures became more intuitive. It took me about a week to learn these foundation postures before continuing on with the book. One could absolutely keep on reading without them memorized, referring back to them when needed, but I wanted to have truly mastered the postures before I went more deeply into the following chapters.

There are three types of hand gestures covered in the book: elemental, planetary, and zodiac. Tyson believes these forces are at the heart of Western occultism and also the first teaching that initiates of the Hermetic Order of the Golden Dawn receive, which is one of the most influential systems of ceremonial magic. Every section is packed with information that offers the reader a thorough overview of these topics, in addition to the gestures of how to work with the energies.

Chapter two, “The Five Elements,” dives into the history of the five elements of the Universe: fire, air, water, earth, and spirit. Discussed is how philosophers Aristotle and Plato perceived the elements, including diagrams and vivid descriptions of the properties of the elements and how they interact with one another. Next, there is an overview of the Medieval medical concept of humours that asserted people’s disposition was dependent upon their dominant element. Then Tyson details the elemental spirits as well and includes workings you can do to connect with them.

This pattern of giving a detailed overview of the topic, going through each energy that has a gesture, then explaining the glyph of the energy is also done in the chapters “The Seven Planets” and “The Twelve Zodiac Signs.” These sections are filled with astrological information, and I found them to be more detailed than many beginner astrology books. I feel everyone will certainly get what they’re seeking due to the multiple angles Tyson uses to educate the reader about these energies, ranging form color and chakra correspondences of the zodiac signs to the works that fall under the domain of each planet. These sections are overflowing with creative ideas on how to work with these energies using postures and gestures, including meditations to simply connect with the energies without any elaborate working.

Though I have to tell you, there are SO MANY innovative workings Tyson offers to the readers. Here are some the ones I’ve personally practiced working: To Channel an Element3, The Planetary Spiral4, Meditation on Mars5, Ruling Planets6, Zodiac Squares7, and Invoking the Birth Sign8. I’ve filled up my notebooks journaling about the experience and meditations that have come from using the technique of working the postures and gestures for these purposes. For instance, using my body and mind to create a connection to the zodiac squares was a whole new perspective in understanding how the energy flows between each sign. It’s very neat to be able to embody these abstract concepts and relate to them through not just the wisdom of our intellect, but the wisdom of our bodies as well.

Overall, Kinesic Magic: Channeling Energy with Posture and Gestures is truly groundbreaking (trust me, I wrote my master’s thesis paper on the use of kinesthetic intelligence as a form of education, and the resources are few and far between on this method of learning). It’s a book brimming with exercises that can greatly enhance one’s magic working by including the body. There is so much information in it, one would be able to dedicate months, possibly even an entire year to experimenting with the workings. This is a must-have for anyone who has an interest in further integrating mind, body, and spirit. Tapping into the body’s wisdom has greatly expanded my awareness of possibility. Plus, all the workings in the book can be done without needing to collect or purchase anything at all. The simplicity is a reminder of the magic inherent within us, especially when we connect our will with our body.

Badass Ancestors, by Patti Wigington

Badass Ancestors: Finding Your Power with Ancestral Guides, by Patti Wigington
Llewellyn Publications, 9780738764986, 312 pages, 2020

Within minutes of picking up Badass Ancestors: Finding Your Power with Ancestral Guides by Patti Wigington, I felt compelled to reactivate my ancestry.com account. As someone interested in working with ancestors, I found this book to be helpful in clearing away the noise and getting down to it. Wigington’s book clearly outlines the process of researching personal genealogy as foundational work to learn about one’s ancestors in a meaningful way. Building on this, the research done in finding/naming dead relatives encourages one to honor and work with them in personal practice.

The author of several books on the topic of witchcraft and Wicca, Wigington includes examples of her own application of the processes described in the book using Pagan contexts. I have an appreciation for the depth of historical research Wigington included in the book — a nod to the author’s B.A. in History. She uses her background in history advantageously, as the chapters around veneration in world cultures is thoroughly detailed and well laid out. 

Wigington goes out of her way to make sure that the reader does not feel less than perfect if they don’t know their personal lineage. She understands the various challenges many people face while trying to discover their personal ancestral background and offers concrete resources and processes to help find answers. Her step-by-step process of using various websites to collect data and using charts and spreadsheets to keep track of it all might seem a bit daunting at first, but it quickly becomes clear that her suggestions work and make the task of discovering and cataloguing ancestors a bit less arduous.

She begins the journey by explaining various practices around the world, effectively linking different cultures to show how connected we are as a species. This leads beautifully into the chapters dealing with finding your own people and building an altar so you can work with them, and also contains various meditations and rituals for both honoring and working with the ancestors you choose to involve in your practice. I have to admit though, I jumped ahead of all of that to get to one chapter in particular: “Problem Ancestors – You Can’t Choose Your People. “

In this chapter, Wigington tackles the very delicate subject of ancestors who might be very powerful and well positioned to provide assistance, but due to their actions in life might not be welcome at your table. She is remarkably open when speaking about her own personal ancestors and the lasting effect their actions have taken on her family, which is encouraging for those who are curious about their lineage but might not be ready for what they find. On a personal note, I found this chapter to be one of the best as I have struggled with the ethics of working with ancestors based on what they have left behind as their legacy. It’s not always great, and Wigington reminds us that, much like how we can choose to deal with the living, engaging with the dead is a personal choice that we are each free to make for ourselves.

Throughout the book, Wigington provides a variety of sample rituals that could be used to call in ancestors, honor them, or just thank them for being part of the family. I subscribe to the belief that one person’s rituals might not work for another, but I could absolutely see how these would be effective in approaching ancestors with a view to building a relationship. Understanding that respect is key is helpful to those who might not be fully aware of what they are potentially getting themselves into.

While the book is appropriate for anyone who might be interested in contacting and working with ancestors, certain sections seem to be aimed towards those just beginning their journey, while others are clearly meant for those who have established solid relationships and want to deepen their connections. There is also a section of recipes that could be used when providing offerings to ancestors based on some rough cultural assumptions and time periods, which I highly appreciated as it gives a good starting point for those just entering into this practice. 

While ancestral work itself isn’t necessarily light and fluffy, the topic of personal legacy and arrangements to be made for our own demise is not usually discussed or included, and I firmly believe it should be. I was delighted to find the final chapter titled “Your Badass Legacy” deals with things like providing clear funeral instructions including a living will, keeping detailed journals, and things of that ilk to help your descendants understand your life. Subsections on knowledge sharing, family heirlooms, journals and diaries, and recipes and traditions all provide excellent suggestions on how to get started building a snapshot of your life for future generations. Wigington even includes a piece about digital legacy, something that anyone with a Facebook page or Twitter account needs to take into consideration when end of life planning. 

Wigington does a remarkable job of navigating the various levels of knowledge and provides an incredible amount of information in a way that is not overwhelming. I have been researching my family on and off again for some time and was happy to see that the resources cited pretty much matched what I’d discovered. Having said that, there is so much in this book that I didn’t know and I appreciated the opportunity to learn new things.

One thing in particular that leaped out at me was the idea of appealing to archetypes instead of actual ancestors when you can’t find your people. For me, the idea of substituting an idea of an ancestor in place of the actual ancestor was eye opening. I have been struggling for years to figure out how to fill in the gaps on my father’s side, since I have no contact with that side of my family and no way to get information. Using her suggestion of researching archetypes from my genetic heritage was brilliant and helped me to finally stop feeling like I’d failed by not being able to fill in those gaps on the tree. 

This book really introduced me to how I could work with my ancestors, despite not knowing who they are or where they might be from, and gave me a foundation upon which I can create my own ancestral practice moving forward. One of the better books on this topic, I would recommend Badass Ancestors for anyone wanting to start building relationships and connecting with their ancestors in a low stress and highly effective way.