Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Author Archives: Alanna Kali

About Alanna Kali

Alanna Kali is an astrologer, numerologist, and pioneer spirit that loves to explore life through the lens of depth psychology. She has a passion for studying the humanities and social trends. Her academic work is centered upon reuniting body, mind, and spirit through eco-psychology. She loves reading, spending time in nature, and travel.

Initiates Oracle, by Marcella Kroll and Adam Smith

Initiates Oracle: Occult Hermetic- and Egyptian-Inspired Rituals for Profound Transformation, by Marcella Kroll with illustrations by Adam Smith
Weiser Books, 1578639255, 128 pages, 40 cards, May 2026

Looking for a deck filled with esoteric symbols, Hermetic motifs, and Egyptian mysticism? Introducing Initiates Oracle: Occult Hermetic- and Egyptian-Inspired Rituals for Profound Transformation, by Marcella Kroll with illustrations by Adam Smith. Inspired by the creators’ travels through Egypt, this deck emerged as “a tool for healing, guidance, and spiritual growth.”1

The first thing I felt when I shuffled this deck and looked at the images was a sense of awe AND relief. While the imagery definitely has an air of mystery, there’s nothing pretentious or overly complex in the symbolism. The bold colors drew me in, making me want to look closer and study the cards rather than skim over them for the sake of jumping right to the guidebook meaning. Instead of dark, moody mysticism (the kind intent on showing JUST how exclusive and elusive this sacred knowledge is – ugh!), this deck leans into something much more graphic and symbolic.

I appreciated the aesthetics of the deck even more when I discovered illustrator Adam Smith has decades of tattoo artistry experience. The colors are intense and unapologetically bright—turquoise skies, golden yellows, fire reds, electric blues. Everything is outlined in thick black lines, giving it a very crisp, legible look. There’s very little shading or gradient. The look of the cards feels closer to screen-printed art or tattoo flash than painterly illustration. Shapes are simplified; figures are stylized rather than realistic.

This style aligns with the Smith’s background in tattooing, where crispness and boldness matter. The distilled symbolic imagery to create impact rather than subtlety. The imagery comes across as clear, symbolic, and declarative. And the balanced layouts, either featuring a central focal point or mirrored elements, make for a well constructed deck. The overall style is a blend of traditional occult symbolism, modern vector illustration, and retro animation simplicity–definitely something that looks great on an altar!

As for the accompanying guidebook, the content is kept pretty short and sweet. Surprisingly, there’s not too much shared about the deck’s creation process and the only advice for using the cards details is setting an intention, pulling a card, contemplating the meaning, and journaling. There aren’t any spreads offered, nor much contextual information that sets the stage for the card’s imagery and messages.

In the guidebook, for each card Kroll provides keywords, symbolism, and a divinatory meaning. Unlike many other oracle decks, there’s no key words written on the cards themselves, so the keywords are definitely helpful when getting acquainted with the deck. The symbolism is also useful because it puts the card into perspective by highlighting the illustration, further providing meaning readers can draw upon.

As for the divinatory meaning, Kroll discusses the symbolism and weaves it into the card’s meaning. Each message is pretty short overall, but so far, I’ve gotten exactly what I needed from every draw. For instance, when I questioned whether the path I was following was the right one, I pulled the card Initiation, which reads “Ultimately the Initiation card is a powerful reminder of the sacred journey you are on, calling for commitment, discipline, and the willingness to face trials with courage and wisdom.”2

Then this morning when I was quarreling with my husband about parenting styles, I decided to take a moment to pause, collect myself, and pull a card. Asking what could bring an end to our disagreement, I pulled the card Union! This card represents the alchemical marriage and “the merging of microcosm and macrocosm, reflecting cosmic unity.”3 I particularly resonated with the additional description that read “this card signifies deep connections and partnership based on mutual respect and understanding.”4 This helped me to re-approach my husband in a better mindset, ready to listen and be more receptive to his point of view.

Given my experience so far, I’d say this deck is very much attuned to the greater spiritual picture. And I think that’s due to the universal symbolism contained within it. It’s less about the little details and more about those overarching concepts that have quietly shifted and shaped our reality, and have been for as long as humanity has been around. While not intentional, it’s as though the deck quiets the ego concerns and hones in on what’s really happening in the soulful ether, offering both guidance for the conscious mind and symbols for the unconscious, bridging the two for clarity.

While the concepts in the deck might seem like advanced esoteric knowledge, Kroll’s writing and Smith’s illustrations make it accessible for readers of all levels. It’s actually kind of refreshing how the deck doesn’t try to go too deep into complex topics, leaving plenty of room for the intuition of the reader to be heard and space for further synchronicities and exploration.

Overall, Initiates Oracle offers a compelling balance between depth and accessibility, offering a visually bold and symbolically rich experience without overwhelming the reader. It’s a deck that trusts you—your intuition, your lived experience, and your ability to sit with meaning as it unfolds—rather than over-explaining or prescribing rigid interpretations.

While those seeking extensive background or structured spreads may find the guidebook a bit sparse, others will appreciate the openness it creates, allowing each draw to feel personal and alive. For readers drawn to esoteric themes, specifically Hermetic and Egyptian, but wary of gatekeeping or unnecessary complexity, this deck is a perfect bridge. Initiates Oracle honors ancient wisdom while remaining grounded, usable, and refreshingly clear for the modern reader.

New Moon Life Design, by Yesbelt Fernandez

New Moon Life Design: Manifest the Life You Want Using Lunar Cycles, Tarot, and Astrology, by Yesbelt Fernandez
Weiser Books, 1578638747, 256 pages, April 2026

Syncing with lunar cycles, astrology, AND tarot? Talk about a powerhouse of manifestation. New Moon Life Design: Manifest the Life You Want Using Lunar Cycles, Tarot, and Astrology, by Yesbelt Fernandez covers the trifecta for those seeking to align with ever-changing energies of the universe to set intentions and see them through to fulfillment.

“This system weaves lunar cycles, tarot, and astrology into a rhythm you can actually live by. A rhythm that helps you reflect, choose, act, and grow–with clarity and meaning.”4

Following a heartfelt introduction in which Fernandez shares her background and encourages readers to have the confidence and courage to live the life they desire, the book begins with “Part One: The Big Three: Lunar Cycles, Astrology, and Tarot”. Each modality has its own chapter in which Fernandez gives an overview of the basics. While it’s a condensed version of each modality, as they can take years to study and learn on their own, Fernandez distills the most important aspects and shares enough for readers to understand the system being presented in subsequent chapters. She covers topics such as key phases of the moon and seasons; planets, zodiac signs, and houses; and the different types of cards in the tarot (Major Arcana, Minor Arcana, Court Cards, Aces).

It is within the first part of the book she also introduces us to a core concept in this tri-system: moonths. Fernandez explains these are “twenty-nine-and-a-half-day lunar cycles that offer us a cosmic way to measure time.”5 The main premise of the book is how to attune to the energy of each moonth by considering astrologically the zodiac sign, modality, element, house ruler, area of life in one’s chart, and energy of the placement, along with the corresponding tarot card.

While it seems like a lot to integrate, the way Fernandez breaks it all down in “Part Two: Synchronicity: Tools for the Spiritual Journey” grounds the wisdom of these modalities into a format that makes it streamlined to learn and apply to one’s life. She even discusses how she specifically designed this method with SMART goals in mind–specific, measurable, achievable, relevant, and time-bound.

Within four chapters based on the seasons, Fernandez guides readers through all the moonths. She associated the seasons with the four moon phases too–winter is akin to a new moon, spring the waxing moon, summer a full moon, and autumn the waning moon–once again embedding layers within layers of this spiral pathway.

At the start of each seasonal chapter, Fernandez provides an overview of this time of the year , noting the general energy, meaning of the solstice or equinox that heralds its arrival, and the corresponding tarot cards. Next, the three zodiac signs are covered that comprise the season. Each zodiac profile is very detailed, featuring a message from the sign,information about the planetary ruler, overall themes of the moon, keywords, moon progression through the cycle, meaning of the moon in each house, and tarot profiles for the sign, also featuring directives for each phase of the moon.

Throughout, there were a few times I felt the text could have used a bit more information. For instance, the system is designed based on 12 moonths, but sometimes a new moon or full moon can happen in the same sign twice in a year. While there’s only one new moon in each zodiac sign in 2026, in 2027 there’s two new moons in the sign of Virgo happening on August 2nd and August 31st. Since there wasn’t much guidance on how to accurately track the moon, readers might get confused with the placement of the moon for each moonth.

Similarly, for each zodiac sign, Fernandez describes the transits of the moon cycle with words such as “Aries Waxing Moon” and “Aries Full Moon” and this was very confusing for me as an astrologer. This wording is so off-base from an astrological point of view because the full moon is most of the time in the opposite sign as the new moon, while the waxing and waning moon also occur when the moon is in a different sign. For instance following an Aries new moon, the waxing moon would be in Cancer, full moon in Libra, and waning moon in Capricorn. However, Fernandez moves through the moon phase by describing it as “Aries Waxing Moon”, “Aries Full Moon”, and “Aries Waning Moon”, which I ultimately presumed meant the phases of the moon that occur in that particular moonth but don’t actually correspond to the astrology.

It’s for this reason that I think the book is best suited for those whose tarot and astrology knowledge is between a beginner and intermediate level. When I first learned to manifest with the moon, I only worked with the new moon sign and the phases, so there’s a lot to be gained from Fernandez’s methodology. But those who already have an astrological practice might be confused by the presentation of the information, as it’s definitely geared towards those who are new to the modality.

The final section “Part Three: The Spiritual Practice: Weaving Intentions into Life’s Cycles” is where the real exploration of manifestation occurs. Focusing on the spiral path, Fernandez discusses the eight dimensions of wellness, encouraging readers to check in and see how fulfilled they feel in each area. Then she once again moves through the phases of the moon, teaching which aligned actions to take throughout the course of each moonth, utilizing tools such as tracking the zodiac energy, setting meaningful intentions, tarot spreads, and journaling. The final part focuses on making this a group process with ideas for structuring gatherings to share in this work with others.

Overall, New Moon Life Design is a structured spiritual practice that honors the ebbs and flows of the moon cycles and seasons. Blending lunar cycles, astrology, and tarot into a cyclical system for manifestation and self-reflection, Fenandez centers on the idea that growth is not linear but spiral in nature. Instead of treating astrology, tarot, and lunar timing as separate systems, Fernandez shows how they overlap and reinforce each other, creating a cohesive framework. What’s best about it, throughout, is that it’s less about quick manifestation and more about building a relationship with time, cycles, and self-awareness, creating a meaningful practice that can truly reoriented your life.

Pagan Portals – Áine, by Kelle BanDea

Pagan Portals – Áine: Goddess of the Sun, Fairy Queen of Ireland, by Kelle BanDea
Moon Books, 1803419423, 104 pages, December 2025

A while back, I was at a hostel in Kalispell, Montana when another traveller offered to give me a psychic reading in exchange for reading her tarot cards. Out of all the things she told me, what stuck with me the most was how one day I would go to Ireland and deeply connect with a powerful red-haired goddess, changing my life forever. Well, I’ve yet to get myself to Ireland, nor have I pursued getting to know any Irish goddesses.

But when I first saw the cover for Pagan Portals – Áine: Goddess of the Sun, Fairy Queen of Ireland by Kelle BanDea, I was immediately drawn to the cover’s image. Who was this goddess with the flaming hair? Certainly one I’ve never heard of before! I’m so glad I followed my curiosity to read this book, as BanDea has done a wonderful job depicting Áine through stories and offering readers a multitude of ways to get to know her.

BanDea begins this book with an insightful introduction about Irish deities and fairies. Topics covered include the Tuatha Dé Danann, Fairy Faith, Irish Fire Festivals, the Celtic Revival, and Irish Travellers. This introduction is vital for someone new to Irish history, mythology, and folklore, as it situates what BanDea shares about Áine in the wider context. From cultural feelings towards fairies to understanding the Sidhe, this section attunes readers to the collective wisdom of Irish culture those on the outside might not otherwise be aware of.

“Part I – Áine in Myth and Folklore” is divided into two chapters. The first chapter, “Sun Goddess of the Tuatha de Danann”, focuses on Áine’s popular depiction as a love goddess associated with the sun. BanDea explores references to Áine in the Book of Invasions as well as mythology within Tuatha Dé Danann. What I found interesting was BanDea explaining how Áine’s name and the rituals associated with her, particularly at her hill in KnockÁiney, Ireland, highlight her association to Midsummer and land fertility.

Within this chapter BanDea also explores the associations of Áine as a Mother Goddess, Fertility Goddess, and Land Goddess. All of the information BanDea shares is well researched and provides a multifaceted approach to Áine, taking into consideration both the folklore as well as scholarly sources. She even covers her darker attributes, which potentially link her to the Morrigan and god Crom Cruach.

The second chapter, “Fairy Queen of Munster”, delves more specifically into the Áine’s folklore of being raped and then taking revenge through either murder or cutting off the man’s ear thus making him maimed and unable to be king, depending on the version. BanDea does a great job explaining how these stories of Áine, as well as countless other goddesses, were changed based on who is telling them, writing:

“Feminist theologians, noting this phenomenon of reducing goddesses to sinister spirits in many cultures, often frame this is a mythological parallel to how women’s ability to hold power in general was degraded over time, and how, under the Christian world in particular, women came to be seen as dangerously seductive; a natural temptation.”6

Therefore, she takes a measured approach in exploring Áine as a banshee and mermaid. I found these topics fascinating, especially BanDea’s exploration of the “magic wife” motif.

“Part II: Áine in Neopagan Practice” is where BanDea shifts towards offering ideas for working with Áine. First, she includes a guided journey to establish a connection. From here, BanDea shares Áine’s correspondences and folklore tips, reminding readers to use proper caution as she is a fairy. BanDea also offers insight on how Áine can support ancestral work, including a ritual to ask for her blessing on ancestral endeavours.

The next chapter focuses on Áine and seasonal workings, which is very fitting given her association with natural cycles, fertility, and abundance. BanDea shares magical workings that can be done at Midsummer, Lughnasadh, and Samhain. These range from a protection ritual to an abundance spell jar. I particularly appreciated the eco-spirituality consideration given in BanDea’s suggestion to adapt Áine’s rites “to bless the land with her protection, while making a commitment to do what you can to help both the Earth and those who will be most affected by man-made climate change.”7

Yet the chapter that stood out the most to me was “Áine in Ritual, Archetype, and Story”. As someone who has studied depth psychology for nearly a decade, it was a thrill to see BanDea include a whole chapter dedicated to working with the archetype of Áine. While I believe it’s important to not reduce deities to archetypes, this has always been how I personally connect the most with the stories and energies they hold. BanDea offers a guided journey to meet Áine as the Dark Maiden as well as meaningful questions that one might ponder or journal after working with one of Áine’s stories that resonates with them. In this context, Áine becomes a potent goddess those working through trauma can call on during their healing process.

My favorite thing overall about this book was BanDea’s perspective. She’s a feminist theologian and this shows in how she depicts Áine and offers insight into establishing a relationship with her. The mixture of healthy skepticism and honesty about the supernatural and spellwork make her a grounded voice for the subjects of such a mysterious goddess. While the content is rooted in primary sources and Irish culture, BanDea’s personal anecdotes and experience give shape to the text to make for an engaging read.

I also appreciated how BanDea acknowledges the different Neopagan approaches to working with deities. She has an appreciation for the wide variety of spiritual paths, and in turn makes the content she shares accessible without it becoming generalized, all the while encouraging respect for the culture from which Áine arises. BanDea is thoughtful as an author and guide, a wonderful attribute in someone offering an invitation to connect with a new deity.

All in all, while Pagan Portals – Áine is a quick read (I finished it front to back within the span of my daughter’s nap!), it is packed with the stories of an enigmatic goddess. BanDea’s exploration of Áine presents a well-rounded introduction for getting to know this goddess, leaving it up to the readers to discover her in her many forms: sun goddess, fairy queen, banshee, or even mermaid. The deep connection Áine has with the land of Ireland is sure to speak to those interested in eco-spirituality, while those who are seeking a protector as they heal trauma may also find solace in relationship with her.

The Beauty Apothecary, by Lorraine Anderson

The Beauty Apothecary: Soulful Remedities to Foster Beauty Inside and Out, by Lorraine Anderson
Rockpool Publishing, 1923208012, 224 pages, March 2026

Beauty brings a quiet but powerful richness to life, shaping how we experience the world and ourselves within it by fostering presence and inviting us to slow down, notice, and connect more deeply. The Beauty Apothecary: Soulful Remedies to Foster Beauty Inside and Out by Lorraine Anderson highlights the value of fostering beauty in one’s life and presents a multitude of ways to enhance it day to day. Anderson shows that beauty is not a luxury, but a form of nourishment that restores, inspires, and reminds us that there is something worth savoring.

This sacred beauty bible invites readers to embrace beauty inside and out, blending self-care, spirituality, and ritual into a holistic approach to beauty. Rather than focusing on external aesthetics alone, the book emphasizes inner nourishment—mind, heart, and soul—as the true foundation of radiance. Anderson explores themes like self-love, self-awareness, and self-soverignty, while also offering recipes for more tangible beauty products for everyday use.

“It’s a metaphorical apothecary if you will, meant to address both a tangible sense of beauty through your physical body and environment, as well as an intangible sense of beauty through your emotions and spiritual connection.”8

Divided into three parts, the book begins with an exploration of beauty archetypes. Anderson has designed a quiz for readers to discover which of ten beauty archetypes they embody. The multiple choice questions get you reflecting upon things like what self-care means to you and when you feel most beautiful. I was quite surprised to realize how  much I enjoyed sharing beauty with others by my answer choices, revealing the Lover archetype as my most dominant!

For each of the archetypes, Anderson provides a whole profile. She details how each archetype fosters beauty as well as what drains their beauty. She provides insight into their approach to both inner and outer beauty, offering the best beauty strategies, restoration methods, and remedies for them. I gained a lot from my Lover profile, and I also really enjoyed reading through the different archetype profiles to learn about their essence and explore the many ways beauty shines in others. I’m sure my archetype might change, so I appreciate having this quiz and profiles handy to check in from time to time.

The other chapter in “Part I: The foundation of beauty” is an introduction to the items used for natural beauty products: plants and herbs, fragrance oils, essential oils, carrier oils, extracts, creams and lotions, salts and sugars, waters, and alcohols and witch hazel. While there are whole books written on these topics, Anderson gives enough information to make readers feel knowledgeable enough about these products to feel comfortable trying out the recipes later in the book.

“Part II: Nurturing Inner Beauty” has three chapters focusing on mind, heart, and soul. For each aspect of inner beauty, Anderson provides an overview, three aspects of “self” related to the principle (ex. Self-compassion for heart, self-awareness for mind), a chart of natural allies (essential oils, plants, and carrier oils), and rituals and recipes. From special Venusian candles to bath scrubs, yummy moon milk to grounding bed sheet powder, there’s so many neat DIY possibilities offered for fostering inner beauty.

In the last section, “Part III: Nurturing Outer Beauty”, Anderson offers a balanced approach to beauty, sharing her best beauty tips while also cultivating a grounded spiritual aspect to her approach too. Suggestions like building a beauty altar and performing a sacred adornment ritual set the stage for the wide variety of recipes to follow.

The chapters focus on everyday beauty and then beauty for hair, body, and fragrances. In this part, the recipes are a bit more elaborate, guiding readers to work with base products (carrier oils, lotions), specific ingredients (herbs, essential oils), and tools (double broiler or crock pot, the right containers for the items). These acts of cultivating beauty often require time and intention, asking us to pause in a world that rewards speed, but the investment is a worthwhile one.

All throughout, Anderson’s writing tone is gentle, affirming, and spiritually infused. Her style imparts wisdom while also engaging the intuitive, emotional side of readers too. While informative, Anderson presents content that is calming and reflective, reading less like a manual and more like a guided self-devotional text. Her holistic approach to beauty is refreshing, opening up readers to the energetic state of beauty in addition to the physical appreciation of it.

And given the topics covered, it only makes sense the book itself is balanced, beautiful, and visually alluring. Different texts and fonts, bullet points, and soft color tones make the content easy to absorb. The illustrations infuse the text with the beauty of the natural world and provide a place for your eyes to rest while your mind wanders.

So far, I’ve mostly focused on bath salts and sugars–my favorite type of beauty care. But I am looking forward to branching out to try more of the recipes this summer when I have a bit more time on my hands. For now, the reflective questions in the inner beauty sections are serving as guides for my spirit, inviting me to explore more deeply what beauty means to me and how I can cultivate it in my life.

Overall, I highly recommend The Beauty Apothecary for those seeking a bridge between beauty rituals and spiritual practice. Anderson’s approach honors and highlights beauty in ways that feel interactive rather than just conceptual. Readers who view self-care as sacred or who want to deepen that perspective are sure to appreciate the blend of embodied practices, recipes, and inner exploration, making for a variety of ways to connect with the material. The integration of emotional well-being, spiritual alignment, and self-perception into the concept of beauty is a welcomed approach to wellness.

About the Author

Lorriane Anderson is a tarot reader, astrologer, spiritual teacher, and entrepreneur whose work centers on intentional living and spiritual transformation. She is best known for her Seasons of the Witch oracle series, though her other titles are amazing too, such as Moon Apothecary and Witching Hour Oracle. Anderson also operates spiritual education and product-based businesses, including Spirit Element and Made with Stardust. Her writing is deeply informed by ancestral practices and modern spiritual frameworks, aiming to make ritual and energetic work accessible in everyday life.

Tarot and the Psychology of the Soul, by Mariana Louis

Tarot and the Psychology of the Soul: Exploring the Archetypal Mirrors of the Psyche, by Mariana Louis
Weiser Books, 1578638984, 320 pages, March 2026

People are drawn to tarot cards for all kinds of reasons. Some come to tarot out of curiosity or a desire for guidance during uncertain moments, while others are pulled in by the imagery, symbolism, or a deeper spiritual calling. That range of motivations is exactly what makes tarot such a versatile tool, and Tarot and the Psychology of the Soul by Mariana Louis takes this a step further by redefining what the cards can offer.

In Tarot and the Psychology of the Soul, Louis  does not position tarot as an oracular tool, but rather as a mirror of the inner world. Coming from the lens of depth psychology, she frames the cards as archetypal symbols that reflect both conscious patterns and unconscious material, inviting readers into ongoing inner work rather than one-off readings.

“In this approach, which you will be guided through in this book, we do not read the cards for predictive divination or even encouraging self-care, but as a tool to support our individuation, the psych-spiritual process of self-becoming.”9

Following an engaging introduction that establishes the foundation of the book, the content is divided into four parts. “Part 1: Depth Psychology and the Analytical Approach” covers the basics of depth psychology: individuation, the strata of psyche, and archetypes, synchronicity. Louis also presents the framework for working with the cards archetypally, teaching readers how to build a relationship with the cards, strengthen their intuition, and form questions that draw the best response. Techniques shared, such as active imagination and shadow work, are portals for deeper self-excavation. Louis has a knack for making these complex topics approachable, ensuring concepts are well defined and clear to readers before building on the information she’s presenting.

“Part 2: The Minor Arcana” begins to get deeper into the cards themselves. Louis explains, “the Minor Arcana show us the dynamics of our psyches, revealing its inner conflicts, strengths, processes, and neuroses.”10 She draws a parallel between the four suits and Carl Jung’s theory of personality which focuses on the four functions we all possess (thinking, feeling, sensation, and intuition). She then proceeds to delve into archetypal numerology and applies Joseph Campbell’s hero’s journey to the Pips, which was totally fascinating in my opinion and one of my favorite sections!

From here, Louis moves through both the Minor Arcana and Court Cards, providing insights of the traditional meanings from the perspective of depth psychology. She moves suit by suit, she covers both the upright and reversed guidance the cards have to offer. As mentioned prior, Louis’ insights are not predictive, so the focus is on the inner workings of the reader. For instance, part of the Five of Wands entry reads:

“We often find ourselves involved in a battle between our contrary drives, perspectives, and complexes. One part of us fights to focus on career, while another demands we face our self-doubt, while yet another begs for relaxation. Rather than be riled to the point of explosive frustration, we must make room for each of the voices within us to speak and release its energy.”11

Before covering the Court Cards, the chapter “The Many Faces of the Tarot Court” covers additional depth psychological concepts, such as projection, persona, typological maturity, and complexes. Whereas the interpretations for the Minor Arcana cards are written in the first-person “we” form, the Court Card descriptions are in third person, presenting each one as an individual to be identified as a part of our whole self. Louis uses mythology and fairy tales to highlight the nature of the Court Cards, further providing a way for readers to connect with each card’s archetypal energy.

In “Part 3: The Major Arcana”, Louis shows readers how the Major Arcana reflects the entire journey of individuation. Beginning with the Magician and ending with the Fool (such an illuminating layout), she guides readers through the archetypal tarot framework. For each card, she gives an overview of the symbolism, often relating it to alchemy, mythology, and even pop culture (Yoda and Gandalf energy comes through!) as well as including insights from well known depth psychologists (James Hillman, Marion Woodman).

The whole archetypal journey moves from the primordial powers to the birth of the Self through the emergence of the shadow to finally arrive at wholeness. Simply reading this section is very inspiring, introducing a deeply meaningful philosophy of life as mirrored in the Major Arcana. The interpretations Louis provides for the card appearing in a reading–both upright and reverse–shed light on the parts of yourself and life journey that are calling for acknowledgement, pointing the way towards integration of the energy.

Louis’ presentation of each card from a psychological lens really hits home. She perfectly captures the balance between esoteric and mundane, honoring the liminal spaces where the psyche speaks. I could feel the messages in the heart as I read them, and some even brought me to tears. Here’s a few lines from one of my favorite cards, the Star, when it appears in a reading:

“The Star comes to remind us of our potential and higher purpose. Now is the moment to claim–without a word of rebuttal–I am special and I have meaning in this world. With the Star risen before us, we are invited to develop the security that only comes when we are at peace with ourselves.”12

The final part, “Reading with a Psycho-Spiritual Lens”, guides readers through the ritual of reading tarot and offers archetypal spreads. Louis lists steps for preparing for a reading and then interpreting the cards. The spreads offered focus on synthesizing this content in the book thus far, offering card placements that reflect depth psychology themes: tension of opposites, inner work, and unconscious/conscious/higher calling. While there’s many directions one could build from with this book, this section is a great starting point for the journey.

Overall, Tarot and the Psychology of the Soul is just a true gem for cultivating a relationship with the psyche. Rather than teaching how to memorize rigid meanings or predict the future, Louis teaches readers how to use tarot as an access point into the on-going, life-long work of becoming whole. She gives structure to inner work practices that can often be abstract, helping readers engage with their psyche in a tangible way.

As someone who spent many years studying both depth psychology and tarot, I was genuinely impressed by the scope and content of this book. Louis’ insightful intelligence shines through every page. The time she’s dedicated to cultivating this approach, bridging these two potent systems for self-reflection, is evident.

Those with an interest in psychology, particularly archetypal studies, will find a wonderful introduction to the tarot cards, while people with a tarot background are in for a real treat with the comprehensive approach Louis offers, sure to enhance anyone’s reading style. By grounding tarot in archetypal and depth psychology concepts, Louis offers a language that will resonate with modern spiritual seekers who want to explore their inner workings more fully. This style of working with the tarot is perfect for self-guided healing and introspection.

About the Author

Mariana Louis is a contemporary tarot teacher and scholar known for her psychologically oriented approach to the cards. She transitioned from a background in musical theater into the world of tarot, eventually becoming a recognized voice in the space, with a strong online following and teaching presence. Her work is deeply influenced by depth psychology and archetypal studies. Beyond this book, Louis shares offerings through her platform Persephone’s Sister and spreads her wisdom on her podcast Soror Mystica, co-hosted with Cristina Farella. I definitely recommend checking it out if you’re interested in this topic. I did a deep dive into the podcast and loved it!

Crystal Keys Tarot, by Dina Rosenberg and Amalia Drewes

Crystal Keys Tarot, by Dina Rosenberg with artwork by Amalia Drewes
Weiser Books, 1578639050, 176 pages, 78 cards, April 2026

If you’ve spent any time working with both tarot and crystals, you already know how naturally those two energy systems speak to each other. Crystal Keys Tarot by Dina Rosenberg with artwork by Amalia Drewes leans fully into that intersection, offering a tarot deck that doesn’t just reference crystal energy, but builds its entire interpretive structure around it. The result is an oracle system that feels familiar on the surface, yet slightly refracted, like looking at classic tarot through a mineral lens. I love it!!

Creator Dina Rosenberg brings decades of tarot experience to this deck, along with a strong grounding in metaphysical practices as the co-owner of Amityville Apothecary and The Anenaeum of Amityville Apothecary in Long Island, New York. Amalia Drewes, an illustrator inspired by nature, spirituality, and myth, contributes artwork that aligns closely with themes of energetic resonance and transformation . Her artistic voice plays a major role in shaping the deck’s identity, especially in how the cards visually embody crystal forms and textures.

The deck follows the traditional Rider–Waite-Smith (RWS) tarot framework, making it immediately readable for most tarot users. Each of the 78 cards is paired with a specific crystal energy that aligns with the card’s energy, adding an extra symbolic layer to interpretations. However, the crystal for each card isn’t reflective of traditional correspondences for the cards; rather, Rosenberg spent an entire year feeling into the energy and channeling each card’s crystal. The deck integrates the crystal into the identity of each card, making for an intuitive symbiosis that brings new facets of the tarot archetypes to light. Rosenberg explains:

“You will see that our focus is about the energy and feeling of the cards, infusing the tarot archetype with the crystal, and vice versa, more so than fitting all the traditional symbols, colors, and images into each card. The goal is to distill each of the seventy-eight cards into a feeling that is truly relatable and pair that feeling with a crystal that supports the specific energy.”13

The cards are standard playing card size, allowing them to fit nicely in your hands while shuffling, with gilded purple edges. Each card leans heavily into a single dominant color family, mirroring the crystal it represents: cool aqua blues (Amazonite), golden yellows (Golden Labradorite), warm orange ambers (Tangerine Quartz). The tone variation within each color gives a dynamic feel to the imagery, making the imagery look slightly hypnotic.

While some cards have a non-descript figure, most feature animals, crystals, or simply the card symbol (Swords, Pentacles, Wands, and Cups). There’s a dreamlike, slightly surreal quality, but it’s not chaotic or symbolic-heavy like some decks. Rather, edges are softened, forms blend into each other, and perspective feels fluid rather than fixed. It gives me the fantastic feeling of entering the crystal realm, as the imagery seems like it has emerged from the crystal itself, emphasizing texture, aura, and energetic presence rather than narrative scenes.

Figures, symbols, and landscapes are etched in crystal, shifting the reading style from story-based interpretation to something more vibrational and intuitive. I would liken the cards more to  energetic imprints than “scenes” being depicted in more traditional tarot such as RWS deck. I personally love how it de-centers human representation and taps into the energy of the natural world instead. I can see how Drewes is portraying the essence of each crystal in the card while also capturing the card’s meaning as well; it’s truly spectacular artwork.

As for the guidebook, it’s nice and big (about 4 x 5 inches), easy to keep open to read, and has full-color illustrations. For each card, Rosenberg provides an overall description of the card, covering both the tarot meaning and the energy of the crystal plus how they come together, an affirmation, and a few-word summary of what pulling the card meanings in a reading.

I really like her voice in the guidebook, as she sometimes shares her own experiences in life, ranging from the heartbreak of divorce to opening and running her shop, while also explaining what the card is asking of the reader and how the crystal energy can be used for support. I appreciate the infusion of her energy into the wisdom in the guidebook. While Drewes’ imagery is quite dreamy, Rosenberg’s perspective is much more “tell it like it is”, which I always appreciate when it comes to spiritual matters and divination (it’s the East Coaster in me – made sense when I saw that Rosenberg lives in New York!). I’m not left with more questions and an invitation for more reflection when I come seeking guidance; I get a clear answer, practical advice, and affirmation, and a crystal energy to work with further.

Here’s an example of how Rosenberg blends both tarot wisdom and crystal energy in the guidebook:


“The Eight of Cups is confirmation that you’re right–the vibes are off. Maybe on the outside everything looks fine. And sure, you could ignore that whisper inside, push it down, keep going. But you know. Deep down, you know. This phase of your life has run its course. . . .

Pink Opal assists in following the whispers of the heart towards your true, authentic path. As a crystal of renewal, it reconnects you with yourself and what you truly want on a soul level. While it reminds you of who you are, it brings peace, soothing calm, and relaxation so as to not overwhelm the nervous system when difficult choices must be made.”14

I just love how Rosenberg speaks to the reader in the guidebook, dialoguing directly with their spirit instead of just reciting a generic message for the tarot. This guidebook is truly one of a kind in how she blends different energies into something meaningful, potent, and insightful for the reader. More than a route interpretation, a living exchange unfolds on the page—one that invites reflection and personal resonance rather than passive consumption. It feels less like being told what a card means and more like being guided toward discovering how that meaning already exists within you.

Overall, Crystal Keys Tarot is less about reinventing tarot and more about reframing it. This deck takes a familiar system and filters it through the language of crystals, creating a deck that feels grounded, intentional, and energetically focused. Drewes’ artwork brings the crystal world to life, perfect for readers who are seeking an intuitive deck that taps into an energy that goes beyond the personification of court cards and the major aracana cards with people on them. There’s plenty of room for intuition to piece together the story with these cards.

Similarly, those drawn to working with crystals will also really appreciate the aesthetic and guidance from this deck too. Rosenberg has done such a wonderful job weaving together the energies of tarot and crystals in this deck, aptly capturing the unique wisdom this combination brings for the message of each card. So far, this has been my favorite deck of 2026 and I look forward to continuing to work with it!

A Grimoire of Italian Witchcraft, by Raven Grimassi

A Grimoire of Italian Witchcraft: Practical Spells & Rituals of the Old Religion, by Raven Grimassi
Crossed Crow Books, 1964537584, 276 pages, February 2026

My ancestors were from Italy. And while it appears I belong to a longtime staunchly Catholic family–while reading this book, my 89-year old Italian-American Grandmother picked it up and said, “What the hell is this?”–I can’t help but (wishfully) believe there is some lingering Italian folk magic within my veins. This has led me on a quest to learn more about neo-Pagan Italian witchcraft, or Stregheria. Having read other books by author Raven Grimassi, I was drawn to A Grimoire of Italian Witchcraft because it offers lore, spells, rituals, and teachings intended to bring this tradition into everyday magical practice.

As someone looking to build a foundation from the ground up, this book was a great starting point. Grimassi covers a variety of topics in this book, providing a structural overview of Italian spirituality, folklore, and ritual practices for those interested in the Old Religion. The book begins with a synopsis of Italian witchcraft and offers a ritual of dedication to begin one’s journey on this path. Grimassi also discusses Lasa and Lare, spirits who protect the Old Ways, encouraging readers to build a shrine as part of this work.

Chapters four through seven–”Making Contact”, “Sign and Symbol”, “Raising and Drawing Power”, and “The Art of Magick”–focus on core magical concepts but from the perspective of Italian witchcraft. For instance, there’s illustrations of physical poses to connect with the Grigori, “the entities that guard the ritual circle’s portals”15, as well as tables for symbols important in this tradition (Eight-Fold Path, Tanus (light), The Spirit of Aradia, and many more). Grimassi covers God and Goddess currents, explaining how energy flows through the body and teaching how to raise this power and move it accordingly. He also covers different types of magic and mechanisms of magic, noting the overlap between witchcraft and magical energy and components of ritual magic.

Chapter eight “Aradia, Woman of Power” and chapter nine “Moon Tree” delve more into the folklore of this path. The story of Aradia, popularized by Charles Leland, and her relevance to Italian witchcraft are explained. The symbol of the Moon tree and its ancient and esoteric meaning are also discussed, providing fascinating coverage of this lore.

The final four chapters– “Magickal and Ritual Gestures”, “Italian Folk Magic”, “The Ritual Tools”, and The Rituals”–are the practical “how-to” of the book. Readers learn the gestures and poses associated with Italian witchcraft, including “Calling Down the Goddess”16. Then there’s guidance about the saints and archangels to work with along with traditional spells and enchantments (silencing gossip, gambling, blessings). Additionally, all the tools needed are covered, including how to prepare them for use.

As for the rituals, they are varied but written out in full, so the reader can easily follow the script. Grimassi includes a ritual for a full moon and then all eight of the tregenda, or sabbats (Shadowfest, Winter Solstice, Lupercus, Spring Equinox, Diana’s Day, Summer Solstice, Cornucopia, and Autumn Equinox). To me, they were very traditional rituals, reminding me a lot of traditional Wicca, so I would probably adapt them, but they still serve as a good starting point.

The Appendices are also filled with a ton of additional information about Strega. Grimassi provides a history of the Old Religion, overview of the main deities, lists important plants and their uses, shares some Italian lore, an overview of palmistry, and more! It’s almost like all the neat other stuff that didn’t fit neatly into the structure of the book got put in the appendices, and I enjoyed it very much!

Compared to other books on this subject by Grimassi, A Grimoire of Italian Witchcraft functions much like a structured magical handbook (hence it’s name!). More than focusing solely on theory, the book is organized around practical application, presenting spells, rituals, and devotional practices that draw from the imagery and mythology associated with Italian witchcraft to make for a year-round meaningful practice. From workings related to seasonal observances to the ritual tools used, this book lays out an entire Stregheria practice that is accessible to modern practitioners.

What’s nice about the book as a whole though is that it also includes history that bridges past and present. Grimassi explains how this magic has evolved through time, dating back to the cult of Diana referenced as early as 30 BC, situating readers in the lineage and offering a connection to the origins of this magic. I really enjoyed the table of Old Gods of Tuscany and their Roman correspondences in “Chapter 3: Between Worlds”, as I previously hadn’t heard of any of these deities before.  Tapping into the historical roots of Italian spirituality made me feel like a portal was opening to all those who walked this path before me, even if it wasn’t technically Strega. There’s still this deep connection I felt towards those who honored nature and the old gods and goddesses in this way.

Overall, A Grimoire of Italian Witchcraft continues the legacy of Raven Grimassi’s work by presenting Italian-inspired witchcraft as a living and accessible tradition. The book emphasizes practice over theory, offering readers a collection of rituals and magical exercises rooted in Italian history and Pagan spirituality. In this way, the grimoire attempts to serve both as a reference text and as a working manual for those interested in exploring the path of the Strega. I definitely plan to continue to refer to it as a I connect with my Italian ancestors.

About the Author

Raven Grimassi (1951–2019) was a prolific American writer on witchcraft, Wicca, and Neopagan spirituality, publishing more than twenty books throughout his career. He is particularly known for popularizing Stregheria, a form of Italian-inspired witchcraft that blends folklore, historical research, and modern Pagan ritual practice. Grimassi was also a practicing Wiccan priest and a teacher within Pagan communities for decades, shaping the way many modern practitioners encountered Italian magical traditions.

Ogham, by Jane Matthews

Ogham: Divining in the Celtic Way, by Jane Matthews
Weiser Books, 1578638909, 192 pages, 25 cards, March 2026

Ogham: Divining in the Celtic Way by Jane Matthews is a beautiful way to connect with powerful Celtic knowledge. Based on the earliest Irish written script, Ogham is rooted in the Celtic belief system. While most associate Ogham with corresponding trees–Matthews notes these correspondences were added later for Druids and Bards to remember the meanings of each letter–there’s plenty of wisdom within the letters themselves. She writes of the Ogham:

“The meanings all bring a duality with them. There is light and dark in each, and this makes them truly unique in how they present themselves.”17

This 25-card oracle deck is divided into four “families” called aicme, which are similar to the Futharks in the runes system for reference. Within each aicme is five fedha, or characters of the Ogham alphabet. At the start of each section, Matthews describes what each aicme deals with, illuminating the overall theme of the fedha in that section. The other five cards in the deck are the forfeda, which are the “additional letters”18.

Each one is color-coded, so once a reader is familiar with the deck, they will be quickly able to discern which aicme the card is from. The fedha cards are dark blue, violet, indigo, and dark, while the forfeda cards are a contrasting bright white. All the cards have the same layered botanical pattern in the background, making the focus the golden Ogham glyph in the center and name at the bottom of the card.

Aside from the shift in color and Ogham glyph, there’s not much variation in the visuals of the cards, giving a clean and simple aesthetic. It’s a restrained design overall, but it works well for a system like Ogham where the power of the symbol is meant to stand on its own. It makes me imagine how these symbols would have appeared carved into wood or stone.

There are no corresponding numbers, so when first working with the deck, readers will most likely have to reference the table of contents in the guidebook to find the page of entry.

As for the guidebook entries, for each fedha card listed is the associated tree, keyword, letter, stroke bearing, and pronunciation. Matthews then gives insight about the Ogham’s particular message, providing further specific information within the context of a relationship, work, and health. I really enjoy all of Matthew’s insights, particularly into health, an area of life that I had never considered to engage with the Ogham’s energy. All of the advice she provides is very grounded, acknowledging the energies in play with clarity and directness.

What surprised me the most was how the messages did not at all focus on the aspects of the trees associated with each Ogham. I actually really enjoyed this because all I’ve read about Ogham previously is specifically focused on the spiritual properties of the corresponding tree, rather than the symbols themselves. Getting to know the symbols on their own has been quite illuminating, particularly Matthew’s insight into the brush strokes that highlight the pathways to the Underworld, World, and Otherworld.

“When you’re looking at the fews in this way, it is easy to see how all paths come through our world, and that means that we have the answers to all that has been and all that will be–it is all at our fingertips, in this world for us to seek and understand. This world is a portal to all worlds and all the information that all worlds possess.”19

I also really enjoyed learning about the forfedha, which Matthews describes as “important on an esoteric point as they provide cosmological and directional signs.”20 They provide a map of the cosmos that can be then arranged as a casting mat or placement holder for reading with the deck. Matthews shares quite a bit about working with the forfedha, including using them in spreads (What Am I Spread, Spiral Spread, The Four Directions, and Celtic Cross) and in casting one’s own Ogham set.

Additional sections in the guidebook focus on using Ogham for magical purposes and a meditative framework for understanding Ogham, which provides a journey through The Underworld, This World, and The Otherworld. I definitely would recommend doing these meditations before working with the deck, as it really helps to center oneself within the belief system from which the Ogham emerged.

My only gripe with this deck is the guidebook is very tiny and hard to hold open and read. I kept trying to reference the spreads, but the book would close and then I’d have to flip it open again and try to keep the pages open. And whenever I use some force to do this, the binding then gets a bit messed up, creating a gap in those pages.

Overall though, Matthews has provided a wonderful resource for those who are seeking to connect with the Ogham, especially in a way that goes beyond the nature-based perspective that all too often focuses exclusively on the tree associations. The content in the guidebook offers both spiritual reflection and practical direction, providing a great balance for wisdom seekers. And, quite notably, the additional information about the forfedha is a real bonus for deepening one’s work with the Ogham.

Coven Oracle, by Fiona Horne and Miriam Ocaña Pérez-Cerdá

Coven Oracle, by Fiona Horne with illustrations by Miriam Ocaña Pérez-Cerdá
Rockpool Publishing, 1922468010, 160 pages, 36 cards, March 2026

Group dynamics are tricky–both finding your own place within one and the overall holistic functioning of the group as a whole. It gets even more energetically complex when you add a magical dimension in too, such as the case with a coven. Coven Oracle by Fiona Horne with illustrations by Miriam Ocaña Pérez-Cerdá is the first group-centered oracle deck that I’ve ever seen. Emphasizing collective magic and relational spirituality, this deck reveals valuable insights for group dynamics and the individual practitioner.

Horne’s 36-card deck aims to support harmony, respect, and shared power, reflecting “what it takes to truly create and tend a coven – not as a rigid hierarchy, but as a living, evolving magickal ecosystem.”1 However, the deck doesn’t lose sight of the individual reader too, also providing guidance for the group dynamics showing up for them and serving as an energetic bridge to connect with others in the astral or spiritual realm.

Ocaña Pérez-Cerdá’s card design brings a mystical energy to this deck, making it feel less like a casual divination and more like stepping into a sacred current. While gilded with green edges, the black and white illustrations give the deck a timeless occult quality. The contrast of light and dark adds an intensity, reminding readers that we contain all parts of the spectrum within ourselves.

The card images often feature plants, animals, and women in their full spiritual glory. The cosmic symbolism, elemental forces, and archetypal feminine power activates magical consciousness. There’s a feeling of movement and fluidity in the images, a twisting eternal connection that binds us all together. And this strong thread of interconnectedness running through the imagery (celestial constellations, roots, flames, bodies merging with the landscape) reinforces themes of relationship, cohesion, and energetic exchange. The theme of nature as a weaver and foundation for connection comes through in all the illustrations.

As for the guide book, Horne shares how to use the cards, information for consecrating and cleansing the deck (including blessings that can be said), and spread suggestions. For each card entry, there’s the image and name of the card along with key words, an oracle message for the coven, and an oracle message for the individual reader. This style gives the deck a lot of versatility, allowing for the messages to be received on both a personal and collective level.

For this reason, I feel like it’s an incredible tool for working in a group. While a coven could use any deck to attune to the energies, Coven Oracle is so specific and relevant, speaking directly to those in the circle, that it unifies the intent and energy to deliver a clear message. Oftentimes, Horne infuses the divinationtory message with questions too, offering a place for meaningful conversation to emerge within the group. Here’s an example from the card Art of Balance:

“This card invites your coven to check in and take a closer look at the unspoken energy dynamics in your group. Is someone always leading while others fall back? Is everyone being heard? Had someone gone quiet while others take up space? Has someone been quietly picking up the slack while others drift? Sometimes imbalance isn’t obvious – it builds over time in small silences, quiet assumptions, and unequal giving.”19

Horne demonstrates a clear understanding of the different dynamics that arise in group situations, and the different cards offer acknowledgment of the energies, giving them space to be acknowledged and handled in order to keep the magical essence of the group thriving. In the course of my practice, I cannot tell you how many covens I’ve seen split up or become infused with resentment, disagreement, and jealousies. Using this deck regularly in a circle has enormous potential to open up necessary dialogue, find inspiration about what’s best for the collective, and unify intentions to keep the group in a good space.

Similarly, the deck offers a wonderful way for individuals to see their own role or place within a group, which is also challenging to do on one’s own sometimes. While I am not currently in a coven, I have been using this deck to discern more information about my energy in relation to my family–a coven of sorts that you’re born into for better or worse!

After a period of feeling a bit disconnected from my family where I was feeling outcasted, I decided to pull a card to inquire about the situation. The card I received was Return to the Coven. I was extremely moved to read Horne’s wisdom in the guidebook:

“Whether you’re in a formal coven or simply rejoining a group, community, or circle you once stepped away from (or were cast out of), this card reminds you that returning is not weakness – it is strength. To walk back in with an open heart, or to hold the door open for another, is an act of power, humility, humanity, and powerful love.”20

This card gave me the courage to mend the relationships and be more participatory in a family event that I was originally thinking of bailing on. I ended up having a great time, feeling seen and appreciated by the group now that I had opened myself up to being included once again.

Overall, Coven Oracle is a tool not only for individual readings but also for group dynamics and spiritual communities, making it somewhat unusual among oracle decks. The deck’s core framework centers on working magic together, offering the oracle guidance to strengthening relationships, building aligned spiritual groups, maintaining energetic containers, and revealing where shifts might need to take place. By encouraging reflection not just on the self but on the collective, Coven Oracle supports the kind of intentional, reciprocal relationships where deeper and more resilient magic can take root.

This deck is ideal for covens or magical study groups, magical practitioners seeking spiritual communities or wondering if certain groups are a good fit for them, and witches interested in collaborative rituals that might not be a full-time coven situation but still require group effort. As mentioned, readers might also enjoy it for furthering understanding dynamics in their family too.

I’ve really been enjoying working with this deck and very much appreciate how it can be used for both group and individual readings. Horne has done a wonderful job capturing the multi-faceted energies of coven dynamics and created a deck that reflects these energies for reflection, growth, discernment, and harmony. Meanwhile, Ocaña Pérez-Cerdá’s illustrations deeply honor the wild feminine divine, visually reconnecting readers to the natural world and the many sacred relationships that make all ecosystems thrive.

A real bonus is an optional companion book, Coven: Where Witches Gather, by Horne is also available as a grimoire for covens. If you are interested in creating a coven or already leading one, interested in witchcraft, and hoping to deepen your practice, this book is the perfect companion to Coven Oracle.

The Sacred Biodiversity Oracle, by Angela Manno

The Sacred Biodiversity Oracle: A 36-Card Deck and Guidebook, by Angela Manno
Bear & Company, 159143503X, 160 pages, 36 cards, January 2026

Our planet is experiencing an unprecedented loss of biodiversity, with countless species disappearing at a rate that threatens the delicate balance of ecosystems worldwide. In The Sacred Biodiversity Oracle by Angela Manno, sacred art and contemplative practice converge to draw attention to the animals and habitats most at risk. Through reflection, education, and direct links to conservation efforts, this deck gently transforms awareness into meaningful action.

“The current biodiversity crisis is nothing less than a holocaust of Nature. According to the Center for Biological Diversity, more than 8,000 species are going extinct every year–that’s twenty-two species per day, about one species every hour–one thousand times the natural rate.”1

Manno’s artistic rendering of 36 full-color cards serve to honor threatened and endangered species with the aim of using her artwork to produce an emotional response that inspires readers to evaluate and hopefully transform their relationship to “the planet and all its life forms from one of exploitation to one of mutual enhancement and respectful coexistence.”20 The cards are huge ( 5.25 inches by 7.5 inches),  which allows for them to be prominently displayed.

Within the guidebook, Manno details how she came to create this deck after studying the traditional Byzantine iconography style, in which divinity comes through contemplation of the image. She chose to use this style to frame each species in this deck as a sacred being worthy of reverence, not merely statistical information, in order to illuminate their value and special spirit. A key practice in this guidebook is visio divina (sacred seeing), which allows for the spiritual nature of reality to emerge from contemplation of the image. Manno writes:

“Anyone who fervently opens themselves up to the power of these images–both in Nature and in art–can rest in and be nourished by their wisdom and beauty.”21

The artwork is gorgeous. Manno has painted each threatened or endangered species in a style inspired by sacred iconography, evoking reverence and stillness through tones are relatively simple yet illuminating. The clean backgrounds showcase the brilliant detailing of each species, clearly rendering and centering each one in a way that invites focus. Manno has given each species a quiet presence on the card that transforms them from overlooked or imperiled beings into holy ones worthy of contemplation, protection, and awe.

The exercises in the guidebook further assist readers with this process. For each card, Manno shares information about the species depicted (traits, habitat, role in the larger ecosystem, current plight), offers the opportunity to connect with the animal through visio divina, encourages stream of consciousness writing, and then shares a way for readers to take action on behalf of the species. There’s even a QR code in each entry, as well as on the card itself, in order to be immediately linked to a website of an organization working on conservation for the species.

The species are divided into six types: mammals, birds, fish, reptiles and amphibians, invertebrates, and plants. I appreciated how Manno spans the natural world when it comes to representing the threatened or endangered species. This highlights how each species, big and small, from the Gray Wolf to the Firefly, has a vital and important role to play within both the local and larger ecosystem.

As previously mentioned, there is no applicable spiritual guidance shared in the guidebook, which I think is important to note given the word “oracle” in the title. The Sacred Biodiversity Oracle is designed not for divination, but for contemplation, connection, and ecological awareness. The cards intend to foster insight, empathy, and ecological responsibility within the readers and are best used as a more educational and spiritual tool than predictive oracle. This made me reflect on how often we turn to other beings as spiritual allies, hoping their wisdom comes through to answer our questions in oracle decks, but it’s rare we are given the chance to assist them. This deck is unique in that regard, as the card pulls are not to provide insights related to your own personal journey, but rather an opportunity to use your agency to assist these species in need.

Almost all entries are exactly the same, with the main focus being performing the visio divina with the card and journaling to the question “Allow yourself to be enveloped by empathy for this living being. How does its plight impact your life?”22 Therefore, I think it’s important to brace yourself when working with this deck. It’s a delicate balance choosing to open to the animal’s sacred energy only to then be presented with wisdom that makes you feel a bit helpless. While the immediate vetted nonprofit groups accessible through the QR codes is very useful, it’s important to also take time to engage in self-care when doing this meaningful environmental work.

While many of us wish we could give limitlessly to help these species, there’s only so much time, energy, and financial resources we have available, making it a bit sad to think of all the animals that need assistance. This blue feeling for me only was amplified by the description of just how terribly the species are doing in the natural world. It was hard to cherish the beauty of the cards only to be hit with the stark reality of the situation, as described in the guidebook. Nevertheless, honoring these species and doing our part is the only way forward, even when the process brings up eco-grief.

I would most recommend this deck to those interested in a meditative or devotional practice, especially one focused on planetary healing and connection with nature. Individually, the cards are great for focusing on a species in need of care and attention, which one can then direct their healing and loving energies towards. Within a group, the cards are a wonderful focus for shared contemplation and discussion about threatened or endangered species and the key roles they play in ecology. There’s plenty of creative ways to work with the deck that certainly can inspire, raise awareness, and make a meaningful change on behalf of these species’ well-being.

All in all, The Sacred Biodiversity Oracle is a thoughtful and contemplative deck that stands out for its ecological purpose and artistic depth. Manno’s background in icon painting infused with ecological philosophy gives the deck a ritualistic and reverent quality, making it more like a devotional tool than a standard oracle deck.

For those called to foster empathy for the natural world, this deck invites sacred contemplation and serves as a bridge between spiritual practice and environmental awareness. The deck beautifully emphasizes the interconnectedness between species and ecosystems, reminding us that no life exists in isolation. Through action-oriented reflection, including QR codes that connect directly to real-world conservation efforts, it transforms insight into tangible support for the planet.