Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

A Tea Witch’s Grimoire, by S.M. Harlow

A Tea Witch’s Grimoire: Magickal Recipes for Your Tea Time, by S.M. Harlow
Weiser Books, 1578638216, 208 pages, October 2023

I read the most delightful book recently: Afternoon Tea Is the New Happy Hour by Gail Greco. This book gave me plenty of tantalizing ideas for teas, small plates, and other sweet treats to enjoy, BUT it didn’t venture into the magical aspects of tea, which is what I’m always looking to include in my daily routine. Luckily, A Tea Witch’s Grimoire: Magickal Recipes for Your Tea Time by S.M. Harlow has amply provided the mystical wisdom of tea that I’ve been craving.

“In the daily practice of the magical arts, the spirit desires enlightenment but also seeks nourishment and comfort. By our hands, we create earthly substances of vast power, and by our hearts, we tend to the fires of our soul.”1

Tea witch Harlow infuses this whole book with love for her craft. She shares how her grandmother, “a true Wise Woman”2, was constantly healing family and friends with her unique conceptions, seeming to just know what remedy was needed. In the same spirit of generosity and warmth, Harlow carries on the tradition of passing along knowledge by sharing what she’s learned in her on-going journey of mastering tea magic with readers.

The book starts right at square one, providing a description of tea, guidance on how to prepare and store herbs, covering the tea tools needed for this practice. I remember when I first got into drinking loose-leaf tea that I didn’t have the right items to steep it in, nor did I have a proper tea cup. So it’s worth reviewing the basics just to make sure you’re ready for the endeavor, especially if you’ll be preparing your own herbs too.

As for the teas Harlow shares, where do I start?! Well, she beings with remedies, which includes things such as happiness tea and purification tea, but also psychic protection and astral travel tea. I see this section as having all the tea rituals for what people would usually cast a spell for (binding, courage, friendship are just a few more teas covered!). She then covers teas for the moon phases and esbats (full moon each month), tea for every zodiac energy, and sabbat teas (Imbolc, Mabon, and so on). There’s even a section on creating blossoming tea, where the leaves unfurl when put in water.

For all of these teas, not only does Harlow provide the exact recipe, she also leads readers through the entire ritual, from what items are needed, how and when to prepare the tea, and what to focus on when drinking the tea. Some tea rituals are a bit more elaborate than others. It can vary from Harlow simply recommends a certain color mug to drink it from to  a long list of specific items such as crystals, candles, salts, honey, and more.

For instance the items called for November’s Yarrow Moon Tea Esbat include “a black altar cloth, 1 white candle, heat-safe plate, 8 snowflake obsidians, an oil burner, Wisteria and lilac with a base oil, 1 bay leaf, a black and white mug, strainer.”3 I have no doubt all of these items blend together to truly create magic, but I certainly wouldn’t have these things lying around! Therefore it’s important to plan ahead and make sure you have time to gather all the ingredients and items needed for your tea ritual.

As for the ritual, Harlow guides readers to do a variety of things to enhance their spells. There’s the usual visualizations and chants, but at times she encourages readers to spit into their tea (break hexes), salute the energies around you, or speak aloud your intentions. Harlow also provides an entire section on reading tea leaves for divination, known as tasseography, where a list of symbols helps readers to know the messages coming through.

Beyond the specific rituals, Harlow provides a plethora of information about tea magic in general, including tea sigils, properties of various crystals, and uses of tea remnants in spellwork. Additionally, there’s an entire chapter on potions, as well as guidance for creating aromatic oils and vinegar, alcohol and milk tinctures, and moon water.

Finally, the chapter “Tables and Correspondences” is worth its weight in reference gold. It includes a table of brewing times based on tea type and a table of measurement conversions. There’s also a list of intentions/goals and the herbal correspondences, along with a sections on the elemental attributes of herbs and herbal substitutions  o further help readers learn how to successfully create their own tea blends or alter the recipes she’s provided based on what one has available.

The book itself is a sturdy hardcover, which makes me feel it will be resistant to the spills that will ultimately happen as I am trying to turn a page while brewing my tea! There’s a whimsical quality to the illustrations, and they really provide an aesthetically pleasing browse through the text.

For those just learning about the magical aspects of tea, A Tea Witch’s Grimoire is a great place to start, though experienced tea witches certainly will also appreciate the compendium of recipes and rituals. Readers can reference this book year-round to trying out the different tea rituals as the seasons change, establishing their own relationship with the herbs. Or they can use the guidance of Harlow to manifest their will through the tea rituals, attracting or banishing what they want from their worlds, while also looking to the leaves for messages about the future. Harlow has created a true treasure trove of tea wisdom, and I for one am excited to start crafting my next brew!

Unlocking the Secret Language of Tarot, by Ruth Ann and Wald Amberstone

Unlocking the Secret Language of Tarot: 22 Keys to Understanding Its Symbolic Imagery, by Ruth Ann and Wald Amberstone
Weiser Books, 1578638186, 304 pages, November 2023

As tarot pioneers in America, Ruth Ann and Wald Amberstone founded The Tarot School in 1995 and first published this material in 2008. Unlocking the Secret Language of Tarot: 22 Keys to Understanding Its Symbolic Imagery combines the curriculum of many classes that they taught to thousands of students. This book presents a treatise on many of the symbols in the popular Rider-Waite-Smith deck. It is arranged in a series of seven chapters, each of which shares information on three or four of twenty-two symbols from the deck. You can learn more about the Amberstones and their school at www.tarotschool.com.

The Amberstones state the following about this material in this book:  

“We’ll be using the Rider-Waite-Smith imagery as our benchmark, but the information in this course should be transferable to any deck you care to use. We think it will also give your intuition a lot of additional material to work on.”4

The Rider-Waite-Smith deck was my first tarot deck, and I was excited to investigate this book by these master teachers. In addition to sharing imagery for the twenty-two symbols, they also share exercises and spreads throughout the book to make the most of the information. 

I decided to peruse the book, get myself familiar with the symbols, and then put it to the test.  I looked back at a three-card reading I did for myself to see how the enhanced symbology would inform or accentuate the message. I chose a reading I did a few months ago with the general question:  “What do I need to know today?”

I drew the King of Pentacles, Three of Swords, and Six of Wands.  My own guidance from the reading can be summarized as:  Although I may mourn losses, I use patience and determination to achieve my goals and meet victory and success.

After reviewing the Amberstones’ information for each card, I learned the following:

  1. King of Pentacles: “The armored foot of the king of pentacles is a hint of the full armor hidden from sight by his robes. It is a symbol of the public servant who guards the well-being of his Kingdom despite his apparent personal opulence.”5 Next, the authors take the reader on a “Contemplation of the Symbol of Armor.”6 This simple exercise invited me to ponder a question regarding how I might use armor to defend myself and was quite revealing.
  2. Three of Swords: For this card, I investigated the symbol of clouds. First, I had never noticed that there are three clouds on this card. Second, the authors share that clouds are “potent symbols of change.”7 Also, clouds can bring obscurity, depression and disaster, as well as divine support and potential.8
  3. Six of Wands: One of the cards that features a horse or horses, the Six of Wands has always represented success to me. Once again, the authors shared an exercise, “The Journey of the Horse.”9 This mythical meditation invited me to experience the world as a horse and it was truly magical!!! Then, the authors share the message of this card:

“Here again, we have the white terrestrial horse that carries his rider from the past into the present and toward the future in the world of human events. Because the intent of this card is to picture victory, the horse is white to symbolize nobility, triumph, and the mildness of perfect surrender to the rider’s will.”10

I have never seen the Six of Wands in quite this way!

With the additional symbology from the Amberstones, I now summarize the guidance from my previous reading as follows: Even though disaster might come, I have Divine support and take good care of myself as I transcend my past and travel to the sweet success of my future.

I really love the extra layer that the imagery provides! 

Next, I reviewed all of the information on my favorite card in the Rider-Waite-Smith deck: The Star. I learned that “the simple lesson of the eight-pointed star is the feeling of beauty and perfection that rewards the completion of an inner journey.”11 Did you know that the eight-pointed star is found on only two cards in the deck?  The Fool and The Star. The authors also share information on the pool, which in the case of The Star, represents “the great pool of spiritual awareness that we explore by meditation.”12

Throughout this chapter, the authors share information on the other types of stars on cards in the Rider-Waite-Smith deck, as well as ideas for spreads and meditations. I will return to the spread called “The Pool, Moon, and Star”13 later for guidance.  

The book is very well constructed, with information on the symbols and then representative cards that feature the symbols. They worked with the original printing plates of the Rider-Waite-Smith deck, and Ruth Ann highlighted a different part or parts of each card to call attention to the specific symbol being discussed. This technique is very helpful!

In the Appendix, the authors lay out exercises and spreads for each of the seven chapters.  This enables the reader to find a particular spread, meditation, or practice, without going page by page through the book. They also include an eight-page Index where you can find everything from every mention of angels (or archangels!) to every Major Arcana or Minor Arcana card mentioned in the book. These tools are very helpful for the novice and experienced tarot professional alike. For this reason, as well as the conversational style in which the authors share the information, I feel that this book would benefit any level of tarot reader. In fact, for the new reader, this book is a great textbook for learning more about the esoteric symbols of tarot.

I plan to use many of the spreads for work with my clients, as well as utilizing the information on imagery to add depth to my own daily readings.

Perhaps Tarot Master Rachel Pollack said it best on the back cover of Unlocking the Secret Language of Tarot:

“For years, Wald and Ruth Ann Amberstone’s deep work on the symbols and esoteric traditions of the Rider-Waite-Smith cards has been a legend, the learning and inspiration available only to their students. This book is useful in the deepest possible sense.”14

Bogowie, by T.D. Kokoszka

Bogowie: A Study of Eastern Europe’s Ancient Gods, by T.D. Kokoszka
Moon Books, 1803412852, 448 pages, September 2023

Without a doubt, the most famous Slavic deity is the child-eating hag goddess Baba Yaga. Thanks to her memorable mobile home on chicken legs, she has achieved mainstream recognition through children’s books, and she even lends her name as an alias to the eponymous assassin played by Keanu Reeves in the John Wick film series (2014). Aside from everyone’s favorite chicken witch, Slavic mythology has inadequate representation in pop culture and western scholarship. In Bogowie: A Study of Eastern Europe’s Ancient Gods, author T.D. Kokoszka seeks to remedy this deficiency. The book’s title, Bogowie (pronounced “BO-GOV-YEH”), is Polish for “Gods,”15 and in this work, Kokoszka uses “comparative analysis to interpret Slavic folklore”16 and reconstruct Slavic paganism.

It may come as a surprise that the author, who has a Bachelor’s degree in Microbiology from Texas State, would choose to write a book on a topic that digresses so far from his field of expertise. While microbiology may seem unrelated to comparative mythology on the surface, the study of ancient genetics intersects with the reconstruction of ancient Slavic culture. The author recognizes the inherent dangers of investigating the Proto-Indo-European “Aryan” identity, and approaches this topic with sensitivity. As a half Jewish and half Polish-American man, Kokoszka is disturbed by the appropriation of Slavic paganism by far-right nationalist groups, such as Russian and Ukrainian Neo-Nazis, and seeks to reconstruct traditional Slavic faith from a non-biased scholarly perspective.

Kokoszka felt compelled to write this book because the study of pre-Christian Slavic culture and mythology has been neglected by modern scholarship, and he was frustrated and disappointed by the dearth of quality research in this field. However, his target audience is not scholars (he doubts they would take him seriously), but those who are interested in Slavic paganism. Being a Slavic pagan himself, he hopes this work will be a valuable resource for both curious readers and devoted practitioners attempting to reconstruct the pre-Christian Slavic faith.

I fall into the curious camp, and Baba Yaga’s chicken foot hut led me through a dark forest to the unfurling leaves of this book. Earlier this year, I read Baba Yaga’s Book of Witchcraft: Slavic Magic of the Woods by Ukrainian diaspora witch Madame Pamita, which piqued my interest in Slavic mythology, a topic I shamefully knew little to nothing about up until that point. Bogowie proved to be the nitty-gritty, in-depth scholarly analysis I enjoy as a mythology buff.

While the author humbly refers to himself as an “amateur,”17 the depth of his comparative mythology analysis is impressive and reminiscent of the works of Joseph Campbell. Kokoszka explores parallels between the Slavic pantheon and other world mythologies, with an emphasis on major deities such as Mokosh, the goddess of fate and the personification of Mother Earth; Perun, the thunder god; Volos, the god of cattle and Lord of the Underworld; the Zoryas, sea maidens of the dawn; and the solar deity Dazhbog. Several chapters end with a sample tale, including one of my personal favorites, called “Baba Yaga and Vasilissa the Fair.”18 

In Chapter 2, titled “Baba Yaga and Mokosh the Great Mother,” Kokoszka’s exploration of the widespread European folk tradition of saving the last sheaf of grain for a deity is fascinating. In the Ukranian folk tale of “The Snake Wife,” a farmer is advised by a talking serpent in the forest to ask for the last sheaf of corn as payment after he harvests his master’s fields. Then he throws the last sheaf into a fire and a beautiful woman leaps like a spark from the flames. They get married, and his new bride warns him to never call her a serpent, or else she will leave him. Inevitably, he does so anyway, and she turns into a snake. Before she slithers away, he kisses her thrice, and is blessed with knowledge each time. She tells him to go to the Tsar, who will reward him for his wisdom by giving him a princess for a bride.

“Why does the peasant burn the last sheaf of grain to summon the snake wife?”19 Kokoszka asks. He reveals that the last sheaf is associated with an old woman or hag throughout Europe. In Scotland, the last sheaf of grain was dressed as a woman and devoted to the Cailleach, a hag goddess. In German folklore, the last sheaf is called “the corn mother” or “wheat-bride,” and “some Dutch stories portray the Ruggenmoeder (Rye Mother) as an old hag with red eyes and a black nose who carries a whip and pursues children.”20 Meanwhile, in Russia, “sometimes a small patch of rye stalks were left in the corner of the field, and braided for Baba Yaga,” who “feeds the world, but is herself hungry.”21 Perhaps this is why she eats naughty children! “Another tradition which intersects with this is found in Central Europe, where one can find narratives about an old hag getting ground up by a mill and coming out as a maiden, with her youth restored,”22 says Kokoszka.

The last sheaf may also be personified as “The Old Man,”23 and in some parts of Russia, Kokoszka says, “the last sheaf of grain was called ‘The Beard of Volos.’” 24 While it may seem strange to connect an agrarian fertility tradition with the god of death, Kokoszka believes there is evidence that this practice is rooted in ancestral cult worship, as illustrated by the Ukrainian Didukh, another ceremonial last sheaf representing a grandfather spirit. The Didukh was believed to be a spirit house for deceased family members, and was brought into the home for winter festivities.

“The Didukh was given a place of honor during Christmas in many Ukrainian households,” Kokoszka says. “Finally, in early January, it was taken to the field and burned to free the spirits.”25

I found it even more intriguing that the pagan Volos was syncretized with the Christian Saint Nicholas. In some parts of Russia, the “Beard of Volos” was also known as the “Beard of Nicholas,”26 and a bull was sacrificed to him on his feast day on December 6th, an obviously pagan practice that hearkens back to the ancient association of Volos with cattle. Kokoszka says that “the bull to be sacrificed was named mikolets, after the Saint himself.”27

Bogowie is jam-packed with nutritious tidbits like this. I loved following the little bread crumbs about Baba Yaga the most because I have been fascinated with her ever since I first saw an image of her chicken foot hut in a computer game as a child. I was delighted to learn that, in Slavic mythology, there is also a female house spirit with chicken legs called a kikimora who lives behind the stove. In the middle of the night, she will tangle unspun thread or unravel needlework that has not been put away or sained (blessed with the sign of the cross).

Now that I have my own little coven of seven Easter Egger hens I call the Chicken Foot Clan, I like to think of myself as a chicken witch, and I want to be known as Baba Yaga to my grandchildren. I made a feather duster/chicken feather besom for ritual use with a bundle of naturally-shed tail feathers and a branch from the chaste tree growing in my backyard. According to Kokoszka, “witches of Carpatho-Ukrainian folk belief often have chicken feet.”28 I don’t have chicken feet yet, but after the ladies pass away of natural causes, I plan on harvesting theirs, mummifying them, and painting their toenails so they look like little hag hands. In witchcraft, dried chicken feet have protective powers, and it will also be a way for me to memorialize my hens.

Bogowie will be an engrossing read for chicken witches, Slavic pagans, and anyone who enjoys studying comparative mythology. Kokoszka’s thorough investigation of Eastern European folklore is formidable, and this book is destined to be an essential text on Slavic mythology.

Pagan Portals – Gods & Goddesses of England, by Rachel Patterson

Pagan Portals –  Gods & Goddesses of England, by Rachael Patterson
Moon Books, 1789046629, 128 pages, July 2023

I was drawn to Pagan Portals – God & Goddesses of England by Rachel Patterson because as the wife of an Englishman, I’ve traveled there quite a bit. What I love about my travels is that we don’t visit as tourists, we settle in as family and then branch out and explore the countryside. It’s a place that shares its land with small villages, larger cities such as York and Bath, and also ancient markers, all of which cohabitate beautifully. Thanks to Patterson, my knowledge of the deities of England has greatly expanded. I’m looking forward to seeing the sights with the lens of the gods and goddesses next time we visit!

Pattern is the perfect guide for this trip through the landscape of England’s deities. Her website titles her an “English kitchen witch and author” 20 Her list of other published works is impressive, including Pagan Portals – Kitchen Witchcraft, Pagan Portals – Moon Magic, and A Witch for Every Season. She is listed as one of the 100 Most Spiritually Influential Living People in Watkins Mind Body Spirit magazine.

Now, diving in, this book is divided into two broad sections: “Part I, The History of Humans” and “Part II, Gods & Goddesses”. To start the book, Patterson presents what she describes as a “very brief outline” of Britain’s timeline from Paleolithic Britain (700,000 B.C.) through the Noman conquest of 1066 A.D. She also introduces the reader to the various invading forces who settled in Britain and put their stamps on the people and the land – from the Romans to the Germanic tribes, to the Vikings. This laid the foundation for delving into the deities of England in this book. 

In Part II, before recommending how to connect with the deities, Rachel profiles numerous deities, referencing whether they were a god or a goddess, and the location where reference to these deities was found. For some she is able to share a lot of information, while for others all that remains is a reference to their name on an inscription or relic or reference in a manuscript. She covers the whole of England, though, in a concise manner. 

Of course, Britannia shows up. This time inscribed on a statue base in York. Britannia eventually became the symbol of Britain and of the resiliency of its people. She provides a lot of information on Sulis, a goddess found in Bath. As she writes, “a great number of altars, dedications and curse tablets have been found in Bath along with a large temple dedicated to her.”21 While worshiped during the Roman times as a goddess with whom they equated their goddess Minerva, Sulis seems to have been a local goddess long before the Romans invaded.

I was intrigued by the curse tablets that had been thrown into a spring. Each was made of metal and mostly all rolled up before being thrown into the spring. “All of them seem to be requesting return of stolen items, asking for revenge, or the righting of wrongs. Most of them involved what would seem to be today small items such as a stolen towel.”22 In all fairness, though, one needs their towel in Bath.

She offers ways to engage with the deities, whether one is local to you or whether you were drawn to one in the book. Ways include researching the deity, setting up an altar, connecting with the land, and, one of her favorite ways, researching food local to the area. She feels that these local recipes help her “align with the energies of the area”29 while also providing good food. 

Rachel also writes extensively as to how she connects with specific deities, Belisama, the Three Mothers/Matres, and Sabrina.  For each, she writes on myths and origins, invocations, rituals, meditations, and of course, recipes including chorley cakes (Belisama), Gloucester pancakes (The Three Mothers/Matres) and shearing cake (Sabrina). She concludes with offering further readings, if interested. 

I highly recommend Pagan Portals – Gods and Goddesses of England. It encourages one to connect with the deities rather than just providing copious amounts of information on each, helping readers to create their own relationship with these gods and goddesses. Realizing that all might not be able to visit England to connect with these deities, Patternson offers ways to do so if one feels drawn to a particular deity. I loved her final recommendation as she sent me on my way:

“What I would recommend you do is to connect with the energy of the land you live on. Research the history for your own area and get to know the land beneath your feet.”30

The Language of Lenormand, by Erika Robinson

The Language of Lenormand: A Practical Guide for Everyday Divination, by Erika Robinson
Weiser Books, 1578638054, 208 pages, October 2023

As both a book lover and a collector of Lenormand oracles, I was very excited to have the opportunity to review The Language of Lenormand: A Practical Guide for Everyday Divination by Erika Robinson.

Robinson’s skills as a seasoned card reader and a highly trained educator shine brightly throughout this delightful guide – her Harvard education and years of teaching English evidenced on every page.

The book’s beautiful cover caught my eye, and I was somewhat surprised and a bit disappointed that there was no deck accompanying this book (more on that later though because there is good news after all for us deck collectors).

Rightly named a “Practical Guide”, Robinson is actively teaching from the start. Set up like a workbook with questions and brainstorming activities winding up each chapter, the student has an opportunity to be fully engaged, helping make the learning process even smoother.

The Lenormand Oracle is comprised of 36 cards, with some decks having a few extra cards so that the sibyl and/or sitter may choose between different representations of specific cards. The cards are always read in combination with each other (no single card pulls as is often done with Tarot and other oracles). Memorizing the meanings of the cards is first and foremost to learning to read with them in combinations.

Chapter One begins by introducing the first three cards to us, explaining the images and their meanings as you might expect, but the chapter continues with something fresh by immediately teaching us how to read those three cards in several different combinations. Robinson also asks us to come up with some meanings on our own, and right away we are learning, thinking, and reading the cards ourselves. Brilliant!

The next six cards are described and added to our repertoire in Chapters Two and Three, and then for the following chapter we take a little break from learning new cards to talk about significators and different ways of using them. We learn this easily by playing with the cards we’ve studied so far. Then, we move on to learning a few more new cards in Chapter Five.  

I really enjoyed Robinson’s take on significators, so I was excited when she returned with more ideas about them in chapter six along with a technique called “mirroring” and our first “spreads” – using configurations of five cards and seven cards. 

The book continues in this fashion, teaching three cards per chapter and then layering our newfound learning with actual card reading in combinations along with additional techniques for determining what the cards are saying to us by using more cards in combination. These layers and combinations provide more and more clarity and detail. 

Robinson teaches a range of traditional spreads (also called “vignettes” in Lenormand parlance) using the Nine Box (a spread using 9 cards) for multiple examples as we work our way through learning the entire deck. Her use of the Nine Box reminded me of just how much information you can find using just nine cards. 

By the time we reach Chapter Eighteen we know the meanings of each card and how they work together in combinations. And now we are ready to take a crack at the biggest spread of all – the one that uses the entire deck – a giant spread famously known as The Grand Tableau.

When I was first learning to use the Lenormand oracle, I remember feeling equal amounts of excitement and dread about approaching such a huge spread. You may feel the same way, but fear not! Robinson provides us with lovely instructions on how to navigate the Grand Tableau walking us step-by-step through her entire process. The Grand Tableau can be quite an undertaking but with such clear instruction you can be sure to fully enjoy it!

Moving forward, we learn some new and original spreads including a twenty-three-card spread called Erika’s Reading that I used immediately and loved, and happily it was much appreciated by my sitter as well, as it validated quite a few details for them. Among the original ideas in this book, this is my favorite and one I plan on using a lot. It’s quicker than the Grand Tableau while still giving a wealth of information.  

I mentioned earlier that I was a bit disappointed that this book was not the guidebook for a new deck, but my disappointment vanished once I discovered that Robinson does have her own deck coming out. I peeked on Instagram and the cards are gorgeous. Unfortunately, the deck was a Kickstarter project that had closed by the time I went to investigate it. 

Hopefully, the deck will be available to those of us who were late to the party and missed the backer deadline. The deck is called Erika’s Lenormand of Hope and as thoughtful as her book is, I can only imagine that the same care went into producing her beautiful deck.

As someone who has been reading the Lenormand for almost a decade, I learned quite a few new things from The Language of Lenormand, and with personal stories and lots of reading examples it was fun and easy to read. This book is for anyone wanting to learn about the Lenormand oracle whether a beginner or a seasoned reader. There are new and original ideas here along with traditional Lenormand teachings and they are all presented in a very comprehensive way. A beautiful addition to any cartomancy library, highly recommended.

Ho’oponopono, by Ulrich E. Duprée

Ho’oponopono: The Hawaiian Ritual of Forgiveness, by Ulrich E. Duprée
Earthdancer Books, 978-1644118801, 112 pages, September 2023

“Ho’oponopono is a simple way to regain unity, inner peace, and harmony.”31

The quote above is a deceptively simple statement about a practice that in application is difficult for one to embrace, particularly in a society that is hyper-vigilant about who has done what to me. How can I retaliate when forgiveness is not part of the equation. Ho’oponopono: The Hawaiian Ritual of Forgiveness by Ulrich E. Duprée is a small, yet powerful book of self-healing and forgiveness so that we may offer the same state of grace to others.

“Ho’oponopono is a way of solving and resolving internal and external problems and conflicts while at the same time healing relationships: your relationship with yourself, with other people, and with your environment.”32

Ho’oponopono is separated into four main sections with an introductory portion entitled, “The Adventure Begins”. The reader immediately is drawn into the concept that the practice of Ho-oponopono is more than simply reciting special words, offering up specific emotions, and then going about your daily activities until the next “flare up” that needs forgiveness arises. It is indeed an adventure that requires self-reflection, honesty, and most importantly a continued stance of SELF love and forgiveness. Duprée gently reminds the reader throughout that the reconciliation at the level of self is first and foremost in the deeper meaning and success of the Ho-oponopono practices. 

The subsequent sections–“What is Ho-oponopono?”, “The Spiritual Laws-Ho’oponopono in Practice”, and “The Desire For Peace”– take the reader through the nuts and bolts of the history and evolution of the Ho’oponopono ritual and its application within any culture’s beliefs. Duprée also masterfully weaves core principles of living in harmony with all life, respect for all life, and the interconnectedness of all life.

I especially took note of the section, “The Core of the Simplified Ho’oponopono”. This core has been rendered down by Duprée into four statements:

As soon as something annoys you, whenever you feel like turning around and running away from a situation, and especially whenever someone is “pushing your buttons”, please join me in first saying to yourself:
I’m sorry.
Please forgive me.
I love you.
Thank you.33

He discusses each at length, and although the initial response of many would be that of feeling a contradiction to forgiveness towards the situation/individual that you feel victimized by, this speaks volumes to the verbiage of we are all connected and the actual implementation of recognizing that in the heat of the moment.

There are many exercises throughout Ho’oponopono that are brief in what is asked, but if used wisely, reveal and transform the reader’s perspective and view of themself, others, and our collective place in the world. 

Duprée covers multiple aspects of humanity’s existence and these are woven into the Ho-oponopono practices of restoring health, balance in work and home, global implications, and challenges and ultimately the desire for peace and everyone’s role in that aspiration.

Would I recommend?

Ho’oponopono is one of those rare books that looks by appearance to be a “light” read, suited more to those who have interest or personal resonance with Hawaiian practice and spirituality. But there is nothing “light” about this book, other than perhaps the enlightened state that is possible for those who take the time to read, self-reflect, and then apply. This should be a required read for everyone who has felt victimized, who desires harmony, who seeks to be the “change” we often speak of, who wants to remember that regardless of race, ethnicity, religion or geographical location, we all want to acknowledged, heard, loved and feel safe in giving love and forgiveness. Ho’oponopono is absolutely point-on for these troubling times. It’s definitely a keeper and a life-long lesson to be referenced frequently. 

About the Author:

Ulrich Emil Duprée is a spiritual seeker, visionary, and seminar leader. He has studied both Western and Eastern philosophy and lived in a Hindu monastery for four years. He has taught Ho‘oponopono, the ritual of forgiveness, since his mystical initiation by a Hawaiian Kahuna priest in 2009. The is also the author of Family Constellations. He currently lives in Germany.

The Madonna Secret, by Sophie Strand

The Madonna Secret, by Sophie Strand
Bear & Company, 159143467X, 608 pages, August 2023

A tale as old as time, the tragic story of lovers parted by fate, is what one might expect for a Shakesphere play, but the roots of Christianity? Not so much. Yet the tale artfully woven together in The Madonna Secret by Sophie Strand is by far the most epic love story I have read to date.

Strand is an enticing writer, drawing the reader slowly into the stories with descriptive words that bring the setting to life. Her website describes how her work “focuses on the intersection of spirituality, storytelling, and ecology” 34 These themes clearly come through in The Madonna Secret, which is a historic fictional novel based on the gospel through a feminist lens.

The story is centered upon Miriam of Bethany and her family, including siblings Lazaros (Lazarus), known for his resurrection by Jesus, and Marta (Martha). The family dynamics are centerfold for this story, highlighting gender inequalities and “norms” in both religious and social context. Miriam dances to the beat of her own heart, but struggles with finding her place when she doesn’t fit in with the women and yearns for the knowledge of scripture limited to men’s access only.

Through attending births with her housemaid Kemet, who is from Egypt, Miriam learns the secrets of herbal healing and that she, surprisingly, has the ability to heal people with her touch. However, she is also prone to fits and fainting, which others believe is from demon possession. Her ability and episodes sparks many questions as she seeks to know more about her healing ability – why can she heal some and not others? Is this a power from God or could it be used for harm too? How is she even able to perform such feats?

Despite her deep internal quest, Miriam’s life as a young woman of this time continues forward, and she becomes betrothed to a wealthy spice merchant. Yet when she suffers another episode, her family decides it’s in her best interest to seek healing. Miriam and Lazoros set out on a quest, and soon enough, they find themselves at the camp of Yochanan. Yochanan is not the only healer here though; much of the community also revels in the stories of Yeshua around the campfire. There’s a subtle undercurrent of a growing divide between the two men.

At this juncture, Miriam and Yeshua both feel the inexplicable pull of destiny as their paths cross more. However, now that she’s been healed, Miriam returns to her life in Bethany. Without giving too many spoilers into the twists and turns of their love story, I will say the rest of the story follows the passionate romance between Miriam and Yeshua. Their similarities and contrasts both, pulling them together and repelling them at the same time, shaping the fate of the world in the meanwhile.

Now that the general premise is outlined, and keeping in mind this is a 600-page book filled to the brim with details, textures, and revelation that my short synopsis hardly covers, I need to share my own feelings about the text: I have been permanently internally shifted, turned around, and rearranged after reading this book on the deepest level. The profound places Strand’s writing was able to take me within myself, uncovering buried parts of my psyche and cracking open my heart, has left me a new person. I know this might sound dramatic or perhaps an embellishment, but it truly is not.

Thus far in my life, as an avid reader, I have never experienced the afterglow I’ve been basking in from this book. All the sorrow, grief, and love bundled within have been pouring through me and silently working their magic. It’s been over a week now and I haven’t been able to move onto a new book yet because everything else feels shallow in comparison. The Madonna Secret has hold on me; the message of the story has sunk deep into my bones, activating my consciousness, allowing me to perceive the evolution of Christianity in a new light.

As someone who has studied Christianity through a feminist lens, nothing has tied pieces together for me more than this book. And I think it’s the power of narrative, which Strand has mastered, that is what propels shifts in consciousness. It’s one thing to read the actual gospel, another to read feminist theologian’s perspectives based on their academic research, but to take the source material and transform it into such a profound story is brilliance and talent beyond comprehension. I’m so thoroughly impressed by Strand’s writing ability and keen insight into how all these pieces fit together.

The Madonna Secret is a story that will continue to live on in my heart forever. Upon reading the last sentence, I quietly – and completely unconsciously – whispered to myself, “This is the best book ever…”. I had no words; the activation of my soul was in motion. I’ve done my best to string together cohesive thoughts in this review, yet even as I’m writing, all I’m feeling is the love within my body that has taken residence since bearing witness to Miriam’s journey. 

Strand has truly rewritten the narrative of Christianity in a way that makes sense and heals. I hope to see the activation of this book spread far and wide, which is why I have already gifted copies of it to those I know will be open to its message. Little by little these shifts in consciousness, which reconnect the material and spiritual, realigning humanity and nature, masculine and feminine, and the mundane and divine, is what will create a new world view. Strand is a pioneer voice, reshaping the mythos and landscape to give voice for those who need it most: the land, the animals, the outcasts, and the women!

As Miriam says:

“I am here for the trees. The women. The children. The birds. I am not here for the men who would hurt them all.”35

The Book of Nordic Self-Care, by Elisabeth Carlsson

The Book of Nordic Self-Care: Find Peace and Balance Through Seasonal Rituals, Connecting with Nature, Mindfulness Practices, and More, by Elisabeth Carlsson
CICO Books, 9781800652668, 144 pages, October 2023

Beauty, peace, balance, nourishment – this and so much more is what you’ll encounter when you hold The Book of Nordic Self-Care: Find Peace and Balance Through Seasonal Rituals, Connecting with Nature, Mindfulness Practices, and More by Elisabeth Carlsson in your hands. I guarantee you that the experience of engaging with the recommendations and inspiring photographs will seep into your heart and your daily experiences.

Carlsson is a master at bringing to life how to engage in self-care the Nordic way. For those geographically challenged as I sometimes am, the Nordic countries include Denmark, Finland, Norway, Sweden, Aland, the Faroe Islands and Greenland. These are countries with extreme weather and fluctuations in the amount of sunlight that residents experience annually, yet, “the Nordic countries usually come in the top five happiest countries of the World Happiness Report.”36 

The approach to Nordic self-care moves beyond getting cozy with hygge. Yes, it embraces comfort, serenity, friends, and relaxation. But it expands to a holistic way to find balance in a world that is often out of balance. As Elisabeth writes, “self-care is often about balance…”37. It’s about finding joy in everyday things, nourishing one’s self from the inside out, being mindful about what you put into your body and into your head. The Nordic way of living encourages the individual to feel safe  and if you feel safe, you can thrive.

There are five focuses in the book: natural health and beauty, nourishing food for all seasons, nature and forest, the home and seasonal living, and a balanced life. Encompassed within these sections is all the reader needs to know to embrace the Nordic way of life. There are recipes for food and beauty regimes. There is a knitting pattern for those who are interested in making a Fair Isle pompom hat! Elisabeth writes of nature foraging – and even includes ways to engage in this in the city. Friluftsliv, or free open-air life? There are many ways to experience this.

Carlsson reminds us that balance (lagom in Swedish) is a key. Balance the rat race with encounters with nature, balance the darkness with light, balance the need to do things quickly with a slowed down coffee break with friends. You get the idea.

Choice is another key. Choose to take care of yourself. This is not selfish, it’s life-affirming. Choose to eat seasonally. Choose nature-based products for make-up and lotions. Notice what you feed your body. Be mindful of the habits you do perpetuate. For those who are seeking a simplified way of life, The Book of the Nordic Self becomes a guide.

One of the sections that resonated with me was on dostadning, or the Swedish art of decluttering that has come to be known as Swedish death cleaning. I am learning to embrace dostadning, as I am now “of a certain age” I look around my house and wonder if my daughters will know why I cherish certain items. Do they know the history and significance of these things? At other times I look around and wonder why I still have items in my life that no longer have to do with who I am now. Dostadning encourages one to “imagine someone else having to clear up your house.”38 It’s not really about death and dying but more about you purging your things before it’s left to someone else. You’ll feel lighter and you’ll save friends and loved ones the challenge of a massive clean out. I’ll focus on doing this to feel lighter and uncluttered and table the death part. 

The information in this book is not sugar-coated. Carlsson writes about burnout and the high use of antidepressants in Nordic countries, as well as the Law of Jante, or need to conform or be part of the collective. As she writes, “despite all the benefits of the Nordic countries it’s clear that there are still some things that aren’t perfect, but maybe because of this, we can gain wisdom from how the Nordics manage stress and overwhelm.”39 I appreciate her approach because it introduce readers to the Nordic lifestyle without idealizing it, providing an honest look at the benefits without turning a blind eye to where improvements can be made. 

Additionally, this whole book is very visual, and the photographs are amazing – think Ikea on steroids. I became calm just by looking at them. As someone who has yet to visit the Nordic countries, the photos gave me a better understanding of the area’s aesthetic.

Overall, The Book of Nordic Self-Care is a treasure. I highly recommend that you read this book if you are on a self-care. Exploring the practices of another culture is a great way to gain insight into your own life, bringing inspiration about how you might cultivate more self-care in your life. Allow the messages to seep into your life and I’m certain you’ll feel the warmth of the Nordic culture infusing your soul.

Surfing the Galactic Highways, by Barry Goddard

Surfing the Galactic Highways: Adventures in Divinatory Astrology, by Barry Goddard
Moon Books, 978-1803410104, 216 pages, January 2023

“This book is aimed at anyone who has a little bit of knowledge of astrology upwards. Astrology is one of those subjects that enters your bones, and if it is there, then it is there, however much or however little you know. It is a primordial connection to the sky that many of us feel.”38

The quote above succinctly expresses the intention of Surfing the Galactic Highways: Adventures in Divinatory Astrology by Barry Goddard. The twenty-one (21) chapters cover an expansive and fresh perspective that differs from the usual books on astrology and often a more mechanical approach that forms a less intuitive structure for the reader. The visual appeal draws the reader in simply in the cover art work and the colors used and imagery, which exude a playful approach. It is reminiscent of the required dioramas that we crafted as children in elementary school. 

Lest, this playful first encounter set the tone for frivolity in the content, there is an abundance of practical and very relatable information within the pages of this title. To that point, “Chapter 1: The Power of Astrology” begins with the First Vaccination Chart reflecting the date when Margaret Keenan (UK), received the first dose of the COVID vaccine on December 8th, 2020. Using this as a starting point for the innate power of astrology as a predictive tool grounded in the present celestial events, Goddard creates the fertile space of return to inclusion of a sentient and accessible Universe as a tool of free will and intention…. 

“Astrology enchants the universe in an age when that enchantment has been replaced by the notion of a dead universe, that the universe is just a thing and we are just one more thing in it. We are the first people in history to entirely forget our roots in spirit, in the sense that consciousness is fundamental.”39

As you move through the chapters of this book, there is a sense of being part of an adventure in exploration of the astrological basics versus the academia of the subject matter. “Chapter 2: Keeping it Simple” exemplifies this approach beautifully. Goddard provides the reader and novice with just enough astrological information to make sense of the deeper explorations of the components of astrological practice. 

“I like to keep astrology simple, because it is then easier to remain close to the symbolism. When you are close to the symbolism, when you feel it strongly, it can speak through you. Anyone can learn the set of meanings of the planets and signs and put them together to read a chart. A computer can do that. But that is not astrology, because it is not the gods speaking through you, but the intellect, which needs to be the servant, not the master.”40

This simple approach is sampled in the reading of Barack Obama’s chart – only containing the Sun, Moon and Rising signs. The lesson here is one of using the highlights (Sun, Moon, and Rising) information as the starting points for analysis of an individual chart. The reader is reminded of the deep, albeit for many unconscious, knowing we have of the two largest celestial bodies of reference we have access to directly: the Sun and the Moon. This concept follows the idea of connection and symbolism and allows those very common things to speak through the astrological reading by way of what is already established as a connection to the reader’s ideology of what the Sun and Moon mean to them beyond astrological purposes. 

Goddard provides all of the usual information sought after by those looking to astrology with specific intentions. “Prediction, Political Astrology and Bad Astrology” (Chapter 3), “Relationships” (Chapter 4), “Astrology, Divination and Science” (Chapter 10) and “The Elemental Balance” (Chapter 11) are just a few of the highlights that would satisfy the more traditional approach.  But, the more interesting perspectives can be found in chapters such as these: “Trusting in Death” (Chapter 8), “Tweaking Our Creation Mythologies” (Chapter 12), “The Geography of the Underworld” (Chapter 21) and others that pique the reader’s curiosity about entwining astrological concepts into more expansive areas of consideration. 

Throughout Surfing the Galactic Highways, the underpinnings of a scientific approach to astrology are woven with the mythos of sign and planet and the symbolism becomes one infused with reality and intuitive creativity. Each chapter is primed with visual examples of charts that have been simplified in how much is contained within, allowing the reader to properly digest the concepts presented and create new pathways of understanding that can at a later date be expanded upon. 

Would I Recommend?

In Surfing the Galactic Highways, Goddard has successfully taken some very dry and often challenging principles of astrology and crafted them in such a way that makes them relatable to everyone at all layers of knowledge base. Goddard’s writing style is one that elicits an ease of reading that is similar to that of sitting and discussing a complicated subject with a patient and enthusiastic friend whose only goal is one of wanting to share their passion for that topic. All in all, this book is an excellent resource for those who wish to explore the many uses of astrological application and enjoy the journey of new awakenings. 

About the Author: Barry Goddard

In his twenties and thirties, Goddard was engaged in Buddhist practice, but for the last 25 years the main currents have been astrology and shamanism. He regularly writes blogs and Facebook posts about both shamanism and astrology, to which he brings a fresh and sometimes controversial perspective.

The Magic of the Orphic Hymns, by Tamra Lucid and Ronnie Pontiac

The Magic of the Orphic Hymns: A New Translation for the Modern Mystic, by Tamra Lucid and Ronnie Pontiac
Inner Traditions, 1644117207, 288 pages, August 2023

The mythical musician Orpheus charmed fish, sirens, and weary heroes with his songs while sailing with Jason and the Argonauts in pursuit of the Golden Fleece, but he is best known for his doomed love affair with Eurydice, who died after she was bitten by a snake while fleeing a rapist on their wedding day. Orpheus was so distraught that he descended into the Underworld and convinced Persephone, the Queen of the Dead, to resurrect his wife, on the condition that he not look back while leading her out of Hades.

However, in his eagerness to reunite with her, he couldn’t resist the urge to turn around, and she slipped away from him once again. Upon returning to the surface without his beloved wife, he founded the mystery religion that bears his name and the maenads tore him apart, mirroring the dismemberment of Dionysus by the Titans. A collection of 87 religious poems, known as the Orphic Hymns, were attributed to this cult hero, though the true origin and authorship of them is shrouded in mystery. 

In The Magic of the Orphic Hymns: A New Translation for the Modern Mystic, co-authors Tamra Lucid and Ronnie Pontiac revitalize the traditional hymns with fresh new poetic renderings in contemporary English. Like Orpheus, the husband and wife duo are mystical musicians themselves, who founded the experimental rock band Lucid Nation. Both were initiated into the underground music and occult scene of Los Angeles, and Pontiac apprenticed under the metaphysical scholar Manly Palmer Hall. Lucid wrote about their experiences in Making the Ordinary Extraordinary: My Seven Years in Occult Los Angeles with Manly Palmer Hall (2021).

The authors first began working with the hymns in the 1980s, when Pontiac assisted members of Hall’s Philosophical Research Society with a republication of Thomas Taylor’s eighteenth-century translation titled The Mystical Hymns of Orpheus. Pontiac, who was studying ancient Greek in college at the time, was inspired to write his own translation, and Lucid researched the ritual correspondences. Together, they produced the poetic renditions of the traditional hymns contained within this book. 

My go-to translation for the past decade has been The Orphic Hymns by Apostolos N. Athanassakis (2013), which is an excellent scholarly resource with extensive footnotes. I was drawn to Lucid and Pontiac’s more flexible poetic interpretations because I’m always looking for beautiful prayers to incorporate into my personal rituals and I thought this book might move me to craft my own hymns as well. However, The Magic of the Orphic Hymns is more than just a divinely inspired poetry collection, and I was impressed by the comprehensive historical background information the authors provide. 

In the first half of the book, Lucid and Pontiac explore the origins of Orphism from a well-researched, scholarly perspective, and the influence of Orpheus, “the first rock star,”40 on great minds throughout history. Through their engaging narrative voices, they have a knack for making what might otherwise be dry history entertaining, and this work is peppered with fascinating anecdotes about philosophers and Roman emperors. The far-reaching spiritual influence of Orphism interested me the most, and I was intrigued to learn that the early Christians saw Orpheus’s underworld journey to rescue his beloved wife as mirroring Christ’s harrowing of hell and the liberation of the virtuous souls trapped there.41 

Defining the religion of Orphism is tricky, and scholars have debated if it even existed at all.

“Orphic may have been a catch-all phrase in ancient Greece for anything neither Homeric nor Olympian,” writes Lucid and Pontiac. “The phrase could be a generic category for a cluster of related interests, like New Age in our own culture.”42

According to the Neoplatonist philosopher Olympiodorus, Orphics believed that human beings were created when Zeus struck the Titans by lightning after they cannibalized Dionysus. Humanity is therefore like an electrified Frankenstein monster composed of heavenly Dionysian spirit and corrupt Titanic flesh. Through the cycle of reincarnation, the Orphics supposedly taught that humans could purge themselves of their Titanic impurities over the course of multiple lifetimes and liberate their Dionysian divinity.

Followers of the Orphic mysteries led austere lives and restricted their diets by abstaining from meat and beans. However, authors Lucid and Pontiac state that Olympiodorus is the only source for the Titanic origin myth of humanity being Orphic and the Italian scholar Domenico Comparetti concluded that the Orphics believed in reincarnation based on his writings, so this is an educated guess supported by scant evidence. 43

Lucid and Pontiac’s exploration of Orpheus’s wife in a chapter titled, “The Evolution of Eurydice” was especially compelling to me. In the earliest sources, Eurydice is nameless, faceless, and voiceless. She is a shadow projection of Orpheus’s mourning and yearning to possess the woman who was stolen from him by death. She is an ancient victim of the male gaze, doomed to serve as muse for a famous musician while having no true identity of her own. 

Her elusive character acquired more substance in retellings. I was fascinated to learn that a name for Eurydice in some early versions of the myth was Agriope, which means “Wild-Eyed.”44 This caught my attention because Agriope is also an epithet for Hekate, the goddess of ghosts and witchcraft, in her capacity as leader of the restless dead. Under the name Agriope, Orpheus’s wife appears to be a hungry ghost sent by the Queen of the Underworld to haunt him. 

The authors suggest that Eurydice, whose name means “Wide Justice,”45 sounds more like an epithet for the goddess Persephone in her role as judge of souls than the name of a mortal wife. I’m inclined to agree, because I find the parallels between Persephone and Eurydice to be striking. Eurydice died of a snake bite after a shepherd or satyr attempted to rape her on the day of her wedding to Orpheus, and according to the Orphic Hymn to Persephone, Zeus raped Persephone in the form of a serpent. The fruit of that unspeakable union was Dionysus. Through her untimely death, Eurydice was, in a sense, abducted by Hades, and through Orpheus’s descent into the Underworld, he was reborn as a Dionysian mystic.

Persephone herself is a key figure in the myth for taking pity upon Orpheus and permitting Eurydice’s return to the land of the living, on the condition that he not look back, lest he lose her forever. Yet, despite this warning, he could not resist the urge to do so. In medieval times, Orpheus’s backward glance “was a symbol of human weakness, illustrating the way even the most dedicated among us, the holiest, cannot escape those moments of desire for material pleasures.”46

Carl Jung interpreted Orpheus’s “backward glance” as “a symbol of individuation and the achievement of autonomy.”47 Orpheus was fated to lose the love of his life so he would become the renowned mystic and musician he was destined to be. Sometimes the obligations of a relationship can limit one’s ability to pursue the soul’s true calling, and so Orpheus’s romantic hindrance was removed by the force of death, while simultaneously being used as a guiding light to propel him forward.

This poignant insight resonated deeply with me because I have observed in my own life that love lost or unrequited can be a powerful catalyst for personal growth and transformation. Limerence, or romantic obsession for someone unattainable, can serve a higher purpose when it is sublimated into artistic and spiritual pursuits. When I think back on it, it seems that heartbreak was the catalyst for every major breakthrough and turning point in my life, as if the Universe was redirecting me towards something greater, even though I felt devastated at the time. 

The second half of this book contains the “Orphic Charms and the Sacred Songs of Orpheus.” The authors have taken creative liberties with their loose translations of the Orphic Hymns, creating “a poetic work, not a scholarly translation.”48

The charms consist of the cryptic messages that were inscribed on the Orphic golden leaves, which were buried with the deceased as “passwords for the dead, messages to avert forgetfulness.”49 My favorite charm tells the departed initiate what words they must speak to the guardians of the lake of memory in order to drink from it:

“I am a child of earth/and of starry heaven,/but my race is of heaven./This you know./I am parched/and perishing./Give me cold water/from the lake of memory.”50

One of my favorite hymns is addressed to Hermes, who is cleverly described with homophones as the “lover of prophets/and profits”.51 I also adore the hymn to Persephone, in which she is honored as “the star/at the core of the apple.”52 The beautiful aquatic imagery of “The Nereids” reminds me of Hans Christian Andersen’s fairy tale “The Little Mermaid”: “Daughters of Nereus,/you live in the golden castle/at the bottom of the sea./Your steeds are Tritons,/the mermen with wings./You delight in the creatures/of the billowing brine.”53

The Magic of the Orphic Hymns is a poetic odyssey through the history and mystery of Orphism that makes the traditional hymns more accessible to contemporary mystics by rendering them in vivid modern English. Anyone who is curious about the Orphic tradition or interested in revitalizing the hymns in their personal practice will benefit from reading this book. These pages want to be perfumed in incense and awakened with whispered incantations.