Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Making the Ordinary Extraordinary, by Tamra Lucid

Making the Ordinary Extraordinary: My Seven Years in Occult Los Angeles with Manly Palmer Hall, by Tamra Lucid
Inner Traditions, 9781644113752, 160 pages, December 2021

I have quite the collection of Manly P. Hall books, which I have amassed because I live about two hours outside of LA and can score incredible finds at used book stores. From The Secret Teaching of All Ages to Man: Grand Symbols of the Mysteries, Hall’s books are what I am most proud to display on my bookshelf.

While recently I’ve been reading Hall’s The Secret Destiny of America to better understand the USA’s Pluto return this year, I will admit the aforementioned books haven’t been delved too far into yet. Most of the time, I’m intimidated by the sheer amount of history, knowledge, and occult wisdom stored in the books and feel like they’re not relics rather than learning manuals. I refer to them in dribs and drabs, taking what I need and then quickly shutting it again, almost afraid to unleash the power.

However, reading Making the Ordinary Extraordinary: My Seven Years in Occult Los Angeles with Manly Palmer Hall by Tamra Lucid has completely changed my perception of Hall – in a very good way! Lucid has painted a new picture of Hall for me, granting unique access into his life that reveals so much about his final years.

I love reading fiction books about people in history that I admire. Learning about their personality, daily life, and close association always puts their achievements in perspective for me. It’s easy to deify those we admire, but remembering they are an ordinary person helps to better understand their motivation behind their success.

Lucid and her boyfriend Ronnie, a troubled yet insightful man determined to make some changes in life, discovered The Secret Teaching of All Ages in the early 1980s. The content was life-changing, and they were surprised to find out the author, Hall, was not only still alive but gave talks regularly every Sunday morning. For over 50 years, every Sunday at 11am, Hall would give a lecture at his Philosophical Research Society (PRS) headquarters on various topics. Curious about the content of the book, Lucid and Ronnie decided to attend one.

Ronnie experienced a life-changing moment where it felt as though Hall was speaking directly to him, which many people in Hall’s life claim he had an uncanny way of doing. Following the lecture, Ronnie was eager to make a contribution to PRS, so he and Lucid decided to volunteer.

Ronnie wasn’t sure what he could contribute and was plagued by self doubt. Therefore, when Hall picked Ronnie to edit the bibliography of his alchemical books, he was honored yet doubtful he could fulfill the role. In fact, he told Hall no at first, but Hall insisted. And just like that, Lucid and Ronnie became a part of Hall’s inner circle, ushering in a whole host of characters in their lives.

There were tons of regulars at PRS; each there for their own reasons and the atmosphere was very open to ideas, research, and general philosophical questioning of the Universe. People from all walks of life from gurus to musicians gathered around the hall, making PRS an eclectic, thriving community.

Lucid describes Edith, a hip old woman that taught the couple astrology,  musicians Arthur and Lynn who called their home “New Temple of Freedom”1, Mr. Louis, who’d visit their house and go silently meditate in the corner, and many more! Reading about the variety of people, each on their own spiritual quest, coming together through the PRS community made me see how a sense of belonging can help one to flourish.

And this question of, “What brought you here?” is something that Lucid explores throughout the book for everyone she writes about. This makes the book interesting that she’s not merely just describing people, places, and events; she’s painting a picture of this time period, capturing the atmosphere and highlighting the deeper motivations and personal journey of everyone she writes about.

“We asked Steven what brought him to PRS. A dream. Dreams had been guiding him on an epic journey to gather information from all around the world about alternative and unusual methods of healing involving color, electricity, herbs, elixirs, the recipes of medieval sages like Paracelsus, and the advice of psychics like Edgar Cayce.”2

Meanwhile, Lucid and Ronnie are on their own spiritual journey. For instance, they begin visiting the Seer of the Sunbelt, Reverend Edward A. Monroe, “who would be answering questions about earth change.”3 through his Scottish spirit guide Jock. Another time, Ronnie was having trouble overcoming an illness, so Hall took him to Dr. Sabia to have a session with The Electro Stimulating Machine.

If you try to Google these things, no information comes up. And this is why Making the Ordinary Extraordinary is such a value book for one’s occult collection. There’s little to no records of these things that were happening. And reading about them opens so many doors of perception, as well as topics of research to further inquire about. When you consider this was all happening pre-Internet, you begin to see how unique of a scene this must have been. Reading Lucid’s story helps me to understand what occult Los Angeles was like in the 1980s, and oh how I wish I had been there!

In time, Ronnie began rising in rank at PRS, even delivering his own lectures on Sundays. There’s a really, kind of crazy story too at how Lucid and Ronnie wound up married because of the Halls, with Manly P. Hall as the officiant! Quite abruptly though, Hall subtly forced Lucid and Ronnie out of the PRS community. Things were changing, and Hall knew it.

What ended up happening to the community PRS, splintering and fracturing, was a heartbreaking story. For some reason, even with the great admiration and reverence I have for Manly P. Hall, I had never heard about the sketchy circumstances of his death. Lucid’s experience of leaving PRS and even warning Hall about the people he was surrounding himself with absolutely cast his death in a new light for me.

Hall did at least guide Lucid and Ronnie to this next endeavor: music. Their band Lucid Nation rocks. I totally went and listened to their music after I finished the book. Plus, I was inspired to check out all of Lucid’s other work including writing for Newtopia Magazine and documentaries Exile Nation: The Plastic People, End of the Line: The Women of Standing Rock, and Viva Cuba Libre: Rap is War. Totally, totally amazing stuff!

But there’s just one more person I have to write about, which I saved for last intentionally because she’s been all I’ve wanted to talk about: Marie Bauer Hall. Lucid delves into Marie’s fascinating theory that Sir Francis Bacon (and his contemporaries) was Shakespeare, detailing how she went to the Burton Church in Virginia to try to dig up his tomb. Marie’s cosmology also involved the Space Mother.

Lucid describes how “In her magnum opus, Inquiry Into the Nature of Space and of Life in Space, Marie expressed optimism that it would be the mother of humanity whose conscience and consciousness would first awaken.”4 I’ve gotten so into researching more about Marie that I even bought God as Mother by Victoria Jennings, who organized and shares Marie’s work in the book. I really hope that more occult historians focus on Marie, from her life as Manly’s wife for decades to her own cosmologies – there is so much to uncover! A real treat is that Lucid includes the recipe for Marie’s zucchini pancakes at the end of the book!

All in all, Making the Ordinary Extraordinary is a must-read for anyone interested in occult history. Manly P. Hall is one of the most well-known modern occultists of our times, and Lucid’s up close and personal stories of working for Hall and being immersed in the PRS is fascinating insider information. Lucid does a wonderful job of sharing her personal experience with objectivity and genuine insight and reflection about the past. While it focuses on time-passed, it opened so many new doors for me to explore going forward; occult Los Angeles lives on through Lucid and Making the Ordinary Extraordinary.

Payback’s a Witch, by Lana Harper

Payback’s a Witch (The Witches of Thistle Grove), by Lana Harper
Berkley, 0593336062, 352 pages, October 2021

New year, same me reading witch lit 🙂 And my latest book, which I discovered when cleaning out my garage – a perk of the effort, is Payback’s a Witch by Lana Harper. As someone who’s read a lot of books, particularly in this genre, I can say with confidence Harper is one of the best writers I’ve ever come across. Payback’s a Witch takes the quality of this genre to a whole ‘nother level!

The premise of the story is that Emmaline Harlow (otherwise known as Emmy or Harlow) has come back to her hometown of Thistle Grove. As a scion of the one of the four magical founders of the town, obligation compels her to return to town in order to fulfill her role as arbitrator in the Gauntlet tournament, which is held every 50 years between the founder’s families to determine who will safeguard the magical wreath and benefit from its power.

But Emmy isn’t super pumped to be back home. Her first night back, she runs into her ex-beau, Gareth Blackmoore, who descends from the family of the most powerful witches in town. He’s a textbook narcissist who never really seems to get what he deserves. The same night though, Emmy also has a reconnect with Talia Avramov, another scion of the founding family most practiced in the dark arts. After quite a few drinks Emmy feels a bit better about running into Gareth and definitely notices a few sensual feelings budding towards Talia.

At breakfast the next morning with her longtime BFF, Linden Thorn, the fourth founder family’s descendent, Emmy is surprised to have Talia join them. Turns out, Emmy isn’t the only one who received the short-end of the stick of Gareth’s arrogance and schemes. He also two-timed Linden with Talia – or vice versa – point is, he was seeing them at the same time when both thought they were exclusive. Now, Liden and Talia want revenge, specifically at the Gauntlet tournament, and they are looking for Harlow to help out.

Harlow is well-aware of her duties to arbitrate without bias, and at first she’s a bit reluctant. She fled the town wanting to forget Gareth, and suddenly the whole time home seemed to be becoming all about him. However, when Talia and Linden point out this goes beyond petty revenge; the balance between the families has become skewed by the Blackmoores repeatedly winning, gaining magical advantage, winning again, and so on in a repetitive cycle.

This has led to them building a giant castle structure of Camelot akin to a Ren Faire that has drawn all the tourists away from more local shops, such as the Thorn’s farm and Aramov’s emporium. If balance is not restored, the unequal distribution of power could see foreclosure in the future for the Aramovs and Thorns. Understanding the greater balance of power among the founding families at risk, Emmy decides she’ll assist, and obviously, foresees some personal enjoyment in bringing down Gareth as well.

What takes Emmy by surprise is how happy she feels to be home. As her magic returns after her long departure from Thistle Grove, she starts to recall all the small joys of the town. Adding to her inner confusion is the romantic sparks between her and Talia. Talia can’t imagine a life away from their hometown, while Emmy is very proud of the life she’s built for herself.

As the Gauntlet plays out, in very twisted and unexpected ways, Emmy discovers there is more to her family’s lineage than she previously realized. Ultimately, she must reckon with the consequences of leaving her family and close friends behind, forgoing her claim to magic, and newly discovered feelings towards Talia to decide what her next step will be.

Luckily, the story doesn’t end here – there is a sequel coming in March! I am very pleased about this because I absolutely adored all the characters. I think there’s so much room for the story to grow. Plus, Harper really knows her stuff when it comes to magic. There’s plenty of diversity among the different types of magic practiced, and reading how they blend together or repel one another is an intriguing part of the story.

This was a fun read with surprising depth. There is the perfect amount of banter, tension, and love between the characters, with plenty of emotion balanced by humor and quirk. I loved reading it as a leisure book to relieve the stress of the day and tap into some magic.

The pace of the book is perfect with one chapter effortlessly flowing into the next, often on a cliff-hanger that compels you to keep reading. There’s also a great blend of fantasy with modernity, which gives the story very relevant magical realism. I love when this happens because I enjoy believing somewhere in Illinois a town like this might just really exist.

My favorite character was Talia since she practices the dark arts, particularly necromancy. Throughout the book, she chats with ghosts and summons her ancestor for guidance. The magical families that lean more towards “life-magic”, specifically the Thorns, are put off by the spookiness of the Avramov family, as Emmy is eager to see their magic, which is usually kept hidden.

Plus, Talia has a deeply caring and compassionate side, wanting to cook for and tend to the needs of those she loves. The relationship between Talia and Emmy is just beautiful to watch unfold. I absolutely love having some lesbian protagonists in a witch lit book! What’s better than two witches falling madly in love? THE ULTIMATE ENDING of the Gauntlet challenge, which is all I will say for now! 🙂

All in all, Payback’s a Witch is a 10/10 from me. Harper is one of the best writers I’ve read in a long time. The story has the perfect flow; the characters are very relatable; and the plot is enticing. I am very excited for the book in The Witches of Thistle Grove series!

A Guide of Spirits, by Chris Allaun

A Guide of Spirits: A Psychopomp’s Manual For Transitioning The Dead To The Afterlife, by Chris Allaun
Moon Books, 9781789046601, 224 pages, October 2021

“Death is a final rite of passage of our physical life. As we know, death is not the end. There is a spiritual journey ahead for each person. Each of us must walk our own path of death and into the realm of the afterlife. Walking our spiritual path of death can be difficult and we may need the help of a guide. The psychopomp has the sacred duty of guiding the spirits of the dead back home to be with their beloved ancestors.”3 

It seemed fitting to begin this review of A Guide of Spirits: A Psychopomp’s Manual For Transitioning The Dead To The Afterlife by Chris Allaun with a quote from the first paragraph of the conclusion, as the quote beautifully states what appears to be an ending is actually a beginning in a new fashion and form. Allaun has done a marvelous job of honoring and explaining the role of those individuals who selflessly give of themselves to serve as guides for those transitioning beyond the veils of death: the psychopomp.

A Guide of Spirits is separated into nine chapters that provide the reader with an inside perspective of what being a psychopomp entails, the journeys of the spirits they guide, and practical recommendation for self-care and psychic defense. The bibliography is extensive in its diversity of source, ranging from Carl Jung to Bullfinch’s Mythology to Virgil and the work of occultist Israel Regardie to name just a few. These also included religious and spiritual texts such as The Tibetan Book of the Dead and Greek and Roman Necromancy, which are often referenced when speaking of cultural attitudes and customs regarding death. 

Allaun gives a beautiful introduction in chapter one, “The Psychopomp”, about what a psychopomp is and the service that one who takes up this calling provides:

“A psychopomp is a special type of healer. Not only do they escort the spirit of the dead to the realm of their ancestors, they also send the spirit healing energy to aid in letting go of earthly attachments that may keep them bound to the physical world. The word itself comes from the Greek language which roughly translates to “conductor” or “guide of the soul.”5

The reader is given the perspective of the psychopomp as a healer, not dissimilar to what the usual definitions of a healer may be, but in this case, one who assists the healing of release of corporeal existence so the real journey can begin.  We learn that the work of a psychopomp is not readily taken up because of its close association with death, something that many still fear. 

A Guide of Spirits is nicely balanced with theory, practical application, and exercises to develop both the reader’s psychic abilities and pathways towards communing with Spirits and the ancestors. I found these to be very useful in a variety of ways beyond whether one chooses to take up the work of becoming a psychopomp. There is a lot of general information that could serve to deepen the readers connection to their own ancestors and departed beloveds that would offer comfort and healing as death approaches or has occurred. 

Allaun provides the reader with many opportunities of encouragement in trusting and believing in the inherent skills he believes everyone possesses…

“As I said, I believe we all have the ability to see the spirits. Yes, some magical people are natural seers and do not have to try hard to see the spirits, while the rest of us have to practice daily in order to get just a little hint that the spirits are there. I want to make something very clear; just because it may be difficult for you to see spirits now, does not mean you will not grow into a powerful seer.”6

I truly found this running theme within the book to be truly empowering. Confidence builds as the reader moves through each of the chapters, practices the exercises, and deepens their awareness of perception “outside of the box”.

Chapter five, “Helping the Dying to Transition” takes the reader through the steps of death’s process and what may occur for both the individual preparing for transition and any who are assisting or witnessing that crossing. The importance of surrounding the individual with compassion and love is stressed throughout the book as a requisite for those acting as psychopomp. Through the tools of “Death Midwifery”, a term used to describe the work of the psychopomp, an energetic space of love is created for the dying to draw upon as manifest life recedes.

“The art of death midwifery is a profound and intuitive way of communing with the dying, of lending support and guidance to those making the greatest of transitions. Committing to deep spiritual work. The death midwife becomes a strong, clear conduit who directs the flow of divine love to the dying.”7

Overall, A Guide of Spirits provides a clear and thorough text of how we may become better supports for those who are in all stages of the process of death. Whether reading out of curiosity or for the purpose of serious consideration of how to assist those souls embarking on the next grand journey, the reader will come away from this reading with tools that may be applied to any spiritual pursuits. This title is rich with ritual, moments for reflection, exercises to strengthen greater self-awareness and much more. This is a book I am excited to continue working with and exploring the profound nature of death and those who support a loving transition. Perhaps it will provide you with a new perspective of death, as well.

Pagan Portals – Scrying, by Lucya Starza

Pagan Portals – Scrying: Divination Using Crystals, Mirrors, Water and Fire, by Lucya Starza
Moon Books, 9781789047158, 104 pages, February 2022

Writing about subjective topics such as scrying is not an easy task. There needs to be an innate understanding of the topic as well as a personal link in order for the reader to feel connected to the author. Thankfully, Lucya Starza is no stranger to writing about things that are hard to pin down and define. As the author of quite a few books on such subjects as poppets, candle magic, and others, Starza is well positioned to offer her perspective on scrying in Pagan Portals – Scrying: Divination Using Crystals, Mirrors, Water and Fire.

Scrying has been difficult for me personally, as I just can’t seem to sit still long enough to allow images to form in the crystal ball, to visualize signs within flickering flames, or to see things come forth from the inner depths of a scrying mirror or pool of water. Picking up this book made me a bit nervous; I wondered how I would be able to use the content effectively. Starza says that’s completely normal, as “Scrying requires us to use our psychic senses and intuition to the full. But don’t worry if that seems a tough task, this book will teach you how to do that. It’s also okay to feel nervous at your first attempts.”8

Starza’s writing reminds you of a loving aunt who has tons of advice that actually is helpful. When scrying, she stresses the importance of not reacting immediately to whatever information is picked up and adds that there are things to do before you even think of starting to scry. Foundational advice is always welcome, and Starza offers a few pearls of wisdom in the context of scrying to help the reader understand that what they might see is completely subjective and open to interpretation. She says:

“Often what we see offers insights about ourselves that may help us with the problems we face or what is yet to come. Do not act hastily after scrying. Make notes and think about what you’ve experienced; let the meaning of any visions become clearer with time. But we’re getting ahead of ourselves; thinking about what to do after scrying. Before we even begin there’s some background to understand and preparations to do…”9

This is an important quote because not all books that discuss topics such as this actually delve into the beforehand preparations. They detail a number of pre-done how-to scenarios that aren’t based in the reality of how people might use the information being presented and wash their hands of it. This book does not do that: Starza goes out of her way to ensure that the reader is fully versed in the foundations of scrying before even getting into the art itself. There’s even a gentle suggestion of speaking with a counselor or GP prior to beginning any sort of magical work if there is a concern regarding mental health. Wonderful to read that, as some books don’t mention it at all, and I personally feel it’s vital to offer that caveat when offering esoteric information.

The introduction of the book is full of useful background information that delves into the history of scrying and where it was used. Starza gives full descriptions of various cultures using scrying for their purposes which not only builds credibility in the art but also gives an anchor in terms of who used it and why. Personally, I find that information valuable, and I love introductions, so this was a pleasure to read.

Starza writes with a practiced hand and her prose is easy to understand and approachable. For me, I would rather have a book written in a clear way without extraneous text getting in the way of the information. I have read books where I have felt that the author has fluffed up their sentences and paragraphs in an effort to pad their word count and I can say that I don’t see this here. Starza writes from the heart and it shows in the words chosen and the way the book is laid out.

My favorite chapter is the last one titled “Problem Solving and Frequently Asked Questions” because it clearly telegraphs that Starza knows her audience. She understands that not everything readers want to know will be in the book, (how could it all fit in this slim volume? Impossible.) so she cleverly has a section devoted to everything she couldn’t fit into the rest of the chapters. Brilliant.

The questions in this section include topics such as seeing scary images, how to scry for others, and what to do if you can’t scry no matter how hard you are trying. (I might have flipped to that last one first.) What I love about this chapter is that Starza repeatedly reinforces ethics, mental health, being gentle with yourself, and writing everything down to reflect back on.

These are also basic witchcraft principles that she has woven into this book, and, personally, I love seeing the overlap. Not all who scry identify as witches and not all witches scry, so seeing these cornerstones repeated throughout was refreshing. Starza’s answers to the FAQ’s are thorough and crafted to make the reader feel good about having the question to begin with, something I’ve not seen for some time in books such as these.

Scrying is difficult under the best circumstances, and if you don’t have the right mindset or the right information you can end up being very confused and feeling like you’ve failed. If you are interested at all in scrying or tea leaf readings or any other type of interpretive art this book would be an asset. Not only is it full of useful information on the actual types of readings themselves, there’s also an extensive listing of symbols and colors that relate not only to scrying but also to Tarot and other divination types. I found myself jotting down notes in my personal book on various symbols as Starza’s interpretations seemed more fulsome than some other resource material I have. 

Pick up Pagan Portals – Scrying if you are even remotely interested in scrying. Even if you never see anything in whatever medium you choose to explore in your scrying, you will have a remarkable resource book that can be used across a variety of disciplines.

The Enchanted Moon, by Stacey DeMarco

The Enchanted Moon: The Ultimate Book of Lunar Magic, by Stacey DeMarco
Rockpool Publishing, 9781925946147, 247 pages, November 2021

Moonstruck. Dance by the light of the moon. Lunacy. Tides. Prehistoric cave drawing. Ahh – the Moon! She has always been a guiding force. 

Stacey DeMarco’s book, The Enchanted Moon: The Ultimate Book of Lunar Magic, is chock-full of valuable information on developing a relationship with the Moon to assist with living our lives in a magical way. I avoided saying “working” with the Moon because the book is rife with ways for us to play with the Moon, dance under the Moon, grow with the Moon – you know, have fun with the Moon, while deepening our relationship with our inner goddess/god and La Bella Luna. As DeMarco explains, “this is the witches’ way – practical and magical.”10

I was so excited to get the book that I dove right in. Yet there was so much information and great suggestions, coupled with an abundance of invocations, rituals, and spells, that I soon realized I needed to honor DeMarco’s work by then slowing down and picking and choosing what sections to focus on for my own work. I began to use the various sections to do deep dives into actually working with the power of the Moon. 

DeMarco begins by writing about the Moon scientifically: its gravitational force, tides, and even the light of the Moon and how it’s been used from the beginning of time. She then flows into the lunar rhythms and cycles, describing waxing and waning moons, new and full moons, eclipses, and blue moons – and the influences of each phase. As I write this, the Moon is in a waxing phase – a good time to set intentions for growth and for prosperity spells.

In the “Inner Cycles” chapter, I found it interesting to read that “the moon phase upon (one’s) birth triggered the beginning of life and remained as a person’s peak time energetically throughout life.”11 I began to pay attention to when the Moon’s phase was returning to where it was on the day of my birth and used this knowledge as guidance. It’s easy to look up the phase for your birthday, if you’re interested in doing the same.

DeMarco then delves into how one can start to practice lunar magic. She writes about three vital skills that are needed, noting:

“This is how I begin with my students who are serious about working with earth elements and lunar energies, and for all of them, you need nothing but yourself… YOU are the weaver of magic and magic starts with you. That is more than enough.”12

How empowering! The first skill is Observation – noticing the moon for a lunar cycle, observing the light, the star and planets, the moon’s surface.

The second skill is Sitting Out – Utiseta. “The practice of purposeful ‘sitting out,’ called utiseta was a meditative and somewhat shamanic activity.”13 She recommends as a start that one sits or lays in one’s garden (if you have one) for at least three hours for each lunar cycle, connecting with the earth and the moon.

The third skill is Casting Circles.  “In lunar magic, it is a reflection of the shape of that big moon above you and is a way to capture the energy.”14 The book delves into lunar rituals for both solo work and working with a group. 

For the 28 moons of the month, each magical in its own way, she offers “profiles of the energy, as well as a spell, ritual, and invocation or meditation…for the feel of the phase’s opportunity.”15

For instance, I loved the ritual of grounding and protection done under a dark moon. It was powerful to feel rooted in the earth, receiving goddess-given power from the earth knowing that the power was unlimited and protective. Admittedly, I felt more comfortable and less noticeable to my neighbors by doing my first ritual in the cover of darkness.

The next ritual I feel called to do is on the waxing crescent, with the intention of making our home a sanctuary for ourselves. I love working with my home at the beginning of the year, and will call on the friendly fires of Vesta, so this lunar work feels very aligned right now.

The book also details gardening “more successfully and magically”16 using the moon cycle. She also explains plants that can be used in lunar magic and shares about the wisdom of each plant. Coincidentally (I say that tongue in cheek), I’ve been wanting to buy eucalyptus, and now read that Stacey recommends it for clarity and strength, which are much needed right now! 

As DeMarco writes, “Almost every culture has a lunar goddess or god.”17, so the book also explores deities such as Hekate and Artemis. She also details working with animals of the moon, such as the hare that is often seen in the waxing moon.

The book concludes with working with crystals and potions, herbs, and baths. “The Never-Ending Learning” chapter offers resources such as DeMarco’s website and that of NASA. What I found to be a really amazing gift was that DeMarco included universal dark, new, and full moon charts for the next 15 years: 2022 – 2036. This is an amazing resource!

DeMarco is a sharer of her knowledge of lunar magic. Her work is remarkable; I use her Moon Magick: Deep Moon Messages mini-cards daily for a quick pull. I highly recommend her work, but especially The Enchanted Moon. It’s a resource, it’s a starter, it’s a guide – it’s all good things in relation to lunar magic rolled into one!

Confessions of an Egyptologist, by Erich von Daniken

Confessions of an Egyptologist: Lost Libraries, Vanished Labyrinths & the Astonishing Truth Under the Saqqara Pyramids, by Erich von Daniken
New Page Books, 1632651912, 208 pages, September 2021

Doesn’t it sometimes seem like Egypt holds all the secrets to the Universe? It’s easy to get lost in the ancient history of such a vast, expansive empire. I had previously read Erich von Daniken’s book Chariots of the Gods, and was curious what other hidden history might be revealed in Confessions of an Egyptologist: Lost Libraries, Vanished Labyrinths, & the Astonishing Truth Under the Saqqara Pyramids.

The book starts off with a very violent act of terrorism, but this sets the stage for the story of Adel H. to unfold, who was tragically murdered in the rampage. When the company Adel was working for needed a guide for von Daniken’s group, Adel volunteered, despite von Daniken’s notoriety for asserting his own information. Adel had read von Daniken’s work and was eager to have the opportunity to speak with him, sparking a decade-long friendship.

Throughout their relationship, Adel shares tons of insider information, having come from a family of grave robbers, with von Daniken. Confession of an Egyptologist‘s  primary focus is on one particular experience that Adel had in the Saqqara Pyramids, which changed his life forever and reveals fascinating information about what might still be hidden beneath the pyramids.

Adel had claimed that his family knew of underground structures that dated back even further than we could comprehend – tens of thousands of years at least. This sparked von Daniken’s interest, as he had written about books written longer than 2,000 years ago hidden in underground labyrinths. His own knowledge, plus what Adel shared sparked von Daniken’s curiosity.

“And I could help but wonder under which deserts, settlements, or sanctuaries these labyrinths must be hidden. Where were these lost, underground worlds from distant times? Had they been excavated and then covered up again? If so, by whom? Had these long-forgotten structures become inaccessible due to natural disasters?

And where are the millions of books that were written in the distant past? Were they burned? Damaged? Deliberately destroyed? And if so, again, why? Is the little that we see today all that there is? Or do secret libraries exist, accessible only to hooded guards or members of obscured orders? Who actually had an interest in writing, hoarding, and then hiding books for millenia? Who wanted to make these books disappear again?”15

Suddenly, I became curious about these questions, right along with von Daniken, and this made me eager to continue reading. It is of von Daniken’s opinion that the Egyptians hid these books because they feared a flood. However, humanity has also proven to be just as destructive of knowledge, from Caesar trying to burn down the Great Library of Alexandria to Pope Gregory IX burning Jewish books in the Talmud burning. (For more on the topic of book burning, I highly recommend Burning the Books: A History of the Deliberate Destruction of Knowledge by Richard Ovenden, which I’ve been reading this week too.)

As the different theories of why books would be hidden and where they might be, different theories come up between Adel and von Daniken based on their cumulative knowledge. One that was especially interesting was the concept of books being inscribed in precious stones hidden in the artwork on the underground walls. Von Daniken brought up the ancient text The Life of Adam and Eve, which describes how Adam learned how to communicate with a sapphire stone and learned all about astronomy and the earthly calendar.18 Adel had his own experience related to this:

“I saw a sculpture of the goddess Hathor carved into the wall in addition to the strange, tubular objects I described before. Between her eyes, in the middle of her forehead, was something like a precious stone. I clearly remember the indescribable awe I felt that prevented me from prying out the stone.”19

Is it possible that precious stones can communicate knowledge spanning millennia? If so, this would point to an advanced technology of the Egyptians, which might be hard to explain for some, but not for von Daniken. He asserts time is relative, and in both the past and present Earth has had visitors from the skies. Citing multiple witnesses of UFOs, von Dankien ultimately concludes the extraterrestrial intelligence that has come before is now present again on earth. 

To be honest, this felt like a stretch to me, but it was an intriguing concept nevertheless. I just wish it had been substantiated a little better than the assortment of testimonies von Daniken put together, leading to a kind of smorgasbord of ideas trying to pass as a credible theory. So while I wasn’t sold on the ultimately conclusion about alien life present on Earth, I did enjoy another focus of the book: the search for historical labyrinths and the experience Adel confided in von Daniken.

Before proceeding to discuss my thoughts on that content, it’s worth noting that the greatest flaw in the book is the lack of organization and skipping from one subject to the next without any clarity about how they are related. It feels like there could be some loose, easily broken thread connecting the different topics covered, but the book lacked a strong thesis, which made it hard for me to follow along with how one part of the book led to another. It felt like a mis-mash of information, which is often what makes me dubious of the veracity of the content.

As mentioned, the highlight of the book was Adel’s personal story of being stuck in the underground labyrinth of the Saqqara pyramids. While accompanying his father and uncle in a grave robbing expedition, he ended up getting stuck in the pyramid when a rock blocked his path back out.

Noticing a stairway that led downward led to mystical experience for him, filled with intimate relationships with a beautiful young woman and discovery of a mechanical throne, possibly linked to King Solomon’s. He was able to survive and escape with the help of a falcon that guided him to an exit. This is a quick summary, and his experience is recounted in much more detail by von Daniken, but it sounds incredible. It makes one wonder about what’s hidden in the unexplored tunnels underneath the pyramids.

Overall, I got some entertainment from reading Confessions of an Egyptologist. It was interesting to imagine the scenery and experiences of Adel, and I did learn some new information about Egypt from von Daniken. Just like many “conspiracy theory”-esque or outlandish ideas, the book has enough factual information to make it seem plausible, but it is simultaneously riddled with loopholes of confusion and inconsistency. So while I am not full subscribing to the tenets of the book, I am at least glad that I read it for consideration.

Sacred Symbol Magic, by Sarah Bartlett

Sacred Symbol Magic: Harness Their Power for Mind, Body, and Soul, by Sarah Bartlett
Weiser Books, 9781578637386, 128 pages, April 2021

Working with any form of magic requires not only belief in what you are doing and why, but also harnessing the power of the corresponding energies to amplify and set out the pathway to the ultimate goal or intention. After all, if you just stick a photograph of a yin-yang symbol on the wall, it will not have any true meaning in the context of your need…unless you actually engage in the process of the magic itself.19

Sacred Symbol Magic: Harness Their Power for Mind, Body, and Soul, by Sarah Bartlett is a compact hardcover title that is dense with information and visual inspiration. As humans, a large aspect of our interaction with anything relies on the visual components provided: their artistry, color, line, shape, etc. This organically arises even before we begin to analyze their origins and meanings. And, no less so in magickal pursuits, we deepen our connections to our work and practice through the symbology that serves to create and decode the mysteries. 

Depending on our culture and beliefs, symbols not only give us meaning in life, but also connect us to the divine nature of the universe.20

Bartlett gives due diligence to the inclusion of a variety of fifty symbols that span diverse spiritual practices and cultures. This holds in keeping with the understanding that no one culture claims the “one” symbol that is the key to the universe. Instead, it presupposes that all symbols are inherently divine and connected in a universal way that may be tapped into regardless of religion or spiritual persuasion. I believe this is an important realization in cultivating a more unified approach to our magical and spiritual workings — inclusion, power, and strength in your beliefs that have been formed by many beliefs. 

Sacred Symbol Magic is separated into six sections, including the Introduction, with each section containing those symbols relating to a specific type of energy the practitioner wishes to work with. These include: Blessing the Home, Self-Empowerment, Spiritual Growth, Joyful Relating and Emotional Healing. The topics themselves leave an open-ended feel making them all the more flexible in the specificity of their use beyond the obvious suggestions. This makes the book very user-friendly from the get-go without having to wade through various symbols and then back track to find exactly what you are looking for. 

Each symbol is presented with information relevant to its cultural/spiritual origins, keywords, related symbols and a simple how to use. The image of the symbol is beautifully and carefully illustrated in a size that could easily be photocopied and pasted onto a flashcard or altar object and used as a contemplative focus or sigil. A suggestion for magical use/ritual is included with each symbol as well, giving the reader immediate application and trial.

Although the intention of Sacred Symbol Magic was not one of guiding the reader in the creation of sigils, there is enough inspiration contained between its covers to pique the interest in those who are so inclined. One of the basic premises of sigil creation is that of being familiar with the components of the sigil desired that its construction allows for energy to flow through it and the visual product stimulates within the practitioner growth. Incorporating and overlaying some of these symbols in a specific way, and having the benefits of the information provided by Bartlettt would definitely serve the purpose of creation of personal symbols, sigils or talisman. 

I was particularly interested in the section containing symbols for spiritual growth…

…. In times of uncertainty, loss, or a change in lifestyle, we all need a belief system or some form of spiritual guidance to know that we are not alone. To access the spiritual power deep within yourself, or to connect to the universe, use these symbols to set you on a positive pathway for your quest.21

Perhaps I was drawn to this chapter given the challenges we have all been facing these past years and months. Regardless, we could all use self-empowerment and a bolster to our goals of spiritual merit. Many of the symbols included in this section would be easily recognizable to most: the all-seeing eye, the pentagram, bee, labyrinth, lotus, om, and more. These affirm the power of symbols in mainstream society and the meanings that are derived in their use, mundane and magical alike. 

Sacred Symbol Magic concludes with its last symbol, that of a cat. Perhaps happenstance or intention, I thought it a wonderful symbol of selection as the closure for a journey through the myriad of visual magic. 

Cats have long been the harbingers of mystery, power, mischief and those of nine lives who could overcome untimely death. They are walkers between the worlds and familiars who guard, ward and teach. They have been worshipped, maligned, treasured, and feared. Much like the many interpretations for the symbols contained in this title. Each has had its fair share of glory and grief throughout history and all are subject to personal and collective interpretation. 

KEYWORDS: Self-esteem, independence, confidence…22

Sacred Symbol Magic brings to light and life the power of symbols and their application to a sustainable and growth-filled magical and spiritual practice. The subtle reminder is that magic is all around us in what we see and what we allow ourselves to explore more deeply in its hidden meanings. The overt intention of one of cultivating and integrating the many paths and the power held in their imagery to connect and unite us at a deeper level. I will be enjoying this book for years to come. 

Archetypal Tarot, by Mary K. Greer

Archetypal Tarot: What Your Birth Card Reveals About Your Personality, Path and Potential, by
Mary K. Greer
Weiser Books, 978578637485, 288 pages, June 2021

When I saw this book, Archetypal Tarot: What Your Birth Card Reveals About Your Personality, Path, and Potential, I was reminded of the time I had the chance to meet Mary K. Greer at a LATS convention in 2007. Greer is not only very knowledgeable and experienced in the tarot world, she is also very approachable and generous.

Greer has an MA in English Literature and been teaching about Tarot since 1974. She has written eleven books on tarot and magic. She first wrote about some of the concepts in this book in 1987, then updated those concepts and published another book in 2011, which was titled Who Are You in the Tarot?. This book is an updated version of the 2011 book.

I jumped right into Archetypal Tarot, having a general knowledge of Birth Cards from a class I took on Greer’s techniques earlier in 2007. She writes in an easy-to-read style and gives the reader simple steps to utilize the techniques. Her first important suggestion was:

“You are your own teacher. All rules given here are made to be broken. Question everything I say and accept nothing until it brings you results you can perceive. As you go through this book, clarify for yourself your intentions in working with the Tarot: what do you want to learn from it?”1

From here, she gives a simple explanation of what tarot cards are, how they are comprised, and the importance of the number sequence. Then she gives a little background on what she calls the Lifetime Cards and what these can mean for you.

“Lifetime Cards seem to describe the kind of life lessons with which individuals are continually confronted and the kinds of subtle inner urges that motivate their choices and actions.”23

She also discusses the concept of “Constellations,” which she attributes to another one of my favorite teachers, Angeles Arrien. This relates to how the cards of the major arcana and minor arcana form relationships, by way of the numbers. For example, The Magician is number 1 and relates to the Aces in the minor arcana. The Hierophant is number 5 and ties to the 5’s in all four suits of the minors, and so on.

Next, Greer gives basic information on how to read with a tarot deck, including how to interview a deck to get to know it and allow it to become a trusted source of guidance for you.

Only after sharing all of this background information, does Greer introduce how to discern your own Lifetime Cards, which are a combination of your Birth Card (determined by the date of your birth) and Name Card (based on the name given to you at birth).

I quickly figured out my Birth Card, including all of the numbers in the sequence. When I had been taught this technique earlier in my tarot studies, I was only taught to focus on my Birth Card, which is the end result of 3, or The Empress. However, with the techniques in this book, I am also to focus on the double-digit number that precedes the final number, which in my case is 21. Therefore, The Universe card is also of significance to me.

Greer calls the first number, 21 in my case, your Personality Card and the single digit number, 3 for me, your Soul Card.

She now takes this exercise a step further and invites you to see the “other” number, which is a 12 in my case. This becomes your Hidden Factor or Teacher Card. This makes the Hanged Man my Hidden Factor or Teacher Card.

“Your hidden factor card indicates aspects of yourself that you fear, reject, or don’t see, and thus it can also be called the shadow card.”24

When I reviewed the section that further shares information on the card in the “Hidden Factor” slot, I learned even more about myself. It’s as if the Hanged Man exposes my “hang-ups,” “turning upside down any habits that limit you from realizing your highest Self.”25

Next, I looked at the minor arcana cards that represent my lessons and opportunities and those are found in the 3’s of each suit.

There is one more minor arcana card to review and that’s the Zodiacal Lesson and Opportunity Card, which in my case is the 8 of Wands. She derives this from a chart of the 36 Pip cards (Aces are not included) divided into 36 sections on the 360° Zodiac Wheel. This was derived by Aleister Crowley for the Golden Dawn.

The 8 of Wands is a wonderful card that chronicles lots of energy and enthusiasm. However: “Your challenge is to maintain your direction and intent while taking sudden infatuations and new ideas in stride.”26

My goal for the next few days is to plot my “Name Cards”, which is an entirely different project in itself! Once I have that information, where I will have a card for every consonant and every vowel in my birth name, I can create a mandala of the cards on the floor or a table and place a mirror inside. Then I can do a breathing exercise that Greer shares on page 237.

I was really surprised at how much I learned from Archetypal Tarot. And, with the Name Card exercise, I have even more to learn. I enjoyed the exercises and also figured the birthday cards for my husband and share some information with him.

Greer writes very clearly and step-by-step. She is quick to credit other teachers or scholars who contributed information or ideas. She has an entire page of “Endnotes” that highlight this information and a Bibliography. There is a three-part Appendix with even more information. The Table of Contents is quite extensive and makes it easy to find key passages or parts of the recipe for finding the different cards you want to isolate. She also features several charts that you can copy and fill in with your own information. Greer also includes a few spreads for learning even more about yourself.

This book is probably best for someone who has a basic knowledge of tarot cards, and knows basic symbols from a Rider Waite Smith or Thoth deck. Her information is very detailed and if you follow carefully, it provides a wealth of knowledge about yourself and others.

I am looking forward to working with the techniques in this book in the future and offering the information to coaching clients for better understanding and better navigation of their Soul journey. I realize that working with my Birth Card back in 2007 was just like peeking in the window of a shop with beautiful, magical toys. With Greer’s latest book, Archetypal Tarot, I get to go into the shop, look around and then play with all of the toys!

Pagan Portals – Baba Yaga, by Natalia Clarke

Pagan Portals – Baba Yaga, Slavic Earth Goddess, by Natalia Clarke
Moon Books, 1789048788, 104 pages, January 2022

I recently finished season two of the Witcher, which had a prominent focus on the Deathless Mother. The chant to call her goes, “Behold the mother of forests, the Deathless Mother, nesting in dreams. Turn your back to the forest, hut, hut. Turn your front to me, hut, hut.” As I watched, the Deathless Mother started to remind me of Baba Yaga.

I had first encountered (figuratively) at Philadelphia’s der Geischderschtrutz (Parade of Spirits) annually held in dark days of winter. The purpose of the Parade of Spirits is “observance of the shadow side of the self, of the murky times in shortest days of the year, and of shady entities and liminal deities.’27 My first year there, I was challenged to enter the hut of Baba Yaga, but unsure of whether she’d want to eat me alive or provide timeless wisdom, I kept my distance. Even if it was just a custom, the energy was potent and I felt a shiver of fear every time I looked in that direction.

It’s been years since that experience, and though I continued to respect Baba Yaga (my coven’s primary focus is the Sacred Hag, of which one might say Baba Yaga is a archetypal representation of), I had yet to muster the courage to embrace Her in personal life or magical practice. But Pagan Portals – Baba Yaga, Slavic Earth Goddess by Natalia Clarke has changed my perception a bit, and I feel like I now view Baba Yaga with a new lens.

Clarke invites the reader to get to know Baba Yaga that goes beyond folklore knowledge. The book is filled with Clarke’s journal entries through the years as she established a connection with Baba Yaga and incorporated this relationship into her own spiritual practice. This presentation style of wisdom is less of a “how-to”, though some suggestions are provided for working with Baba Yaga, and more of a journey into possibility filled with rich, descriptive writing that sets the scene for the magic of this book to unfold.

I appreciated how the book integrated Clarke’s revelations and creative writing with information about Baba Yaga, as it provided a bridge towards Baba Yaga, who otherwise can feel very intimidating to connect with. I am a big fan of Clarke’s intuitive approach to spirituality as described in her book Pagan Portals – Intuitive Magic Practice. In this book, it’s as though she translates her natural intuitions about Baba Yaga into a reference for those wishing to walk Her path.

One of the most unique features of Clarke’s approach to Baba Yaga is her intention to explore Baba Yaga in the context of Earth-based spirituality, rather than fitting Her into “literary, cultural, or societal concepts and beliefs.”28 I find this approach extremely valuable, as my spiritual practice is deeply connected to nature.

In this passage, Clarke illuminates how Baba Yaga feels to her:

“She doesn’t feel like a grandmother or an old Crone with terrifying features. She’s a master shapeshifter, and her essence is that of nature itself. She’s the changing seasons, the leaves in the forest in the autumn and a smell of the coming snow storm. She’s footsteps on the ice and a cold mountain brook. She is like the wind as she flies and in the whooshing sound of a breeze she’s gone. She’s the smoke in the dark and she can be found in animal bones. She is in the smallest insect and the highest tree, the snake hiding in the undergrowth. Illusive, unobtrusive, hardly ever visible and fiercely private. Her dwelling is her own and, on her terms, where everything is just so. It is for no else to make sense of.”29

These words make me feel a spiritually tangible and embodied connection to Baba Yaga, as my senses are opened through envisioning these words. Clarke is able to convey Her essence in this book, which is no easy feat considering Baba Yaga is a deity that prefers to not bother with human affairs, preferring solitude over interruption. I think this is one of the things that in the end draws me towards Baba Yaga, based on Clarke’s experience and description of Her though.

I like that Baba Yaga isn’t for everyone, doesn’t directly answer one’s pleas for answers, and can’t be summoned on-demand. Working with Baba Yaga seems to take determination, self-awareness, and a bit of grit. There’s a chapter called “Bones, Skulls, and Skin Magic” about how incorporating Animal Magic, using bones, skulls, and skins of animals, can strengthen one’s relationship with Baba Yaga. These items aren’t just your typical herbs or crystals, and I think it speaks to the nature of Baba Yaga as a deity.

My favorite chapter in the Book was “Baba Yaga’s Apprenticeship” where Clarke prompts the reader with the question: “How well do you know nature and how you relate to it from within?”30 I thought this was a profound question, and Clarke encourages taking one’s time to find the answer. Meanwhile, to connect with Baba Yaga, Clarke details the necessity of awareness of the elements, seasons, one’s psychology, and one’s spiritual self. Clarke provides prompts on how to work within these areas to become an apprentice of Baba Yaga, leaving the reader with hope that they too can eventually be initiated into Her wisdom.

Another really interesting chapter was “Baba Yaga and Motherhood” where Clarke suggests working with Baba Yaga for “integrating your birth mother or your own inner mother when birthing and mothering you own children.”31 Baba Yaga is not a deity I would have ever considered working with for this purpose, but Clarke’s reasoning that it’s important to accept both the good and bad aspects of ourselves as mother and our own mothers was interesting. For this particular reason, I am feeling more drawn to working with Baba Yaga.

And the last thing I’ll say is that I really think The Witcher is drawing from Baba Yaga’s folklore, and especially even more so after reading the chapter “The Three Horsemen and the Masculine”. In this chapter, Clarke describes how Baba Yaga has three horsemen (red, white, and black) that “represent an archetype of the sacred masculine , in service to the sacred feminine/the Earth.”32 She then describes how the color of The Three Horsemen correspond to different stages of the alchemical process and how working with the cyclical nature of their energy can help to strength one’s bond with Baba Yaga. But red, white, and black as the colors of them? For anyone who’s watched The Witcher Season 2, this is very significant and something I thought was totally cool.

While initiating a relationship with Baba Yaga requires patience and willingness to accept hard truths, Clarke showcases the value of working with Her over time. Pagan Portals – Baba Yaga, Slavic Earth Goddess is a wonderful book to learn more about Baba Yaga for anyone considering deity work with Her. And even if Baba Yaga doesn’t seem aligned for a personal deity relationship, there’s still a lot of value in learning more about Her in general, especially if one is interested in nature-based spirituality.

Hoodoo Justice Magic, by Miss Aida

Hoodoo Justice Magic: Spells for Power, Protection and Righteous Vindication, by Miss Aida
Weiser Books, 1578637562, 288 pages, November 2021

Why do so many magical practitioners shy away from getting their hands dirty with messy spellwork – the spellwork meant to curse, hex, harm, and eliminate those who perpetuate injustice? I am not a Hoodoo practitioner, nor do I lean towards baneful magic, but Hoodoo Justice Magic: Spells for Power, Protection, and Righteous Vindication by Miss Aida was calling to me. I felt the need to add some protection to my arsenal of magic, and by selecting this book, I was given an entire army of spells, metaphorically speaking, to fight for and defend myself.

Reading the contents of this book made me feel tough as nails. And this armor was probably necessary, as it can get pretty gruesome. Miss Aida is fierce, and she doesn’t pamper her readers with gentle counsel. You really need to be ready to delve into gritty topics of body fluids and revenge, but with her guidance you’ll have enough know-how to implement successful spellwork.

But what gives grounds for the use of justice magic? Miss Aida explains:

“Sadly, not everyone is guided by moral principles but instead may value power, status, wealth, notoriety, and/or gratifying their own desires. These people believe they are entitled to whatever they wish without having to work for it, and they can and will act out that belief at any cost and without regard for others. They are immoral people.”1

Therefore, those who suffer the consequences of these people need to have their own means of defense and protection. Reading this introduction to the text was a reminder to me that sometimes magical means are necessary to combat injustice, and I appreciated the list of “Immortal Tactics” that describes how this injustice is perpetuated, ranging from deception to theft to physical and emotional abuse.

However, even though I’d come to see the necessity of justice magic, I will admit opening to the concept and spellwork took a bit of de-conditioning. The idea of the meek inheriting the earth and turning the other cheek seems to run deep in my psyche, and though some might deny it, I believe this is true for many magical practitioners.

Miss Aida turned these notions upside for me by including many psalms and prayers, such as The Apostle’s Creed and Hail Mary as part of the spellwork. She notes that retributive Psalm 109 is estimated by historians to date back to 1060 BC, and therefore concludes “The proof of magical payback is right in our very own Holy Bible.”2

Despite being raised Catholic, as I read these verses through a justice magic perspective, for the first time I began to feel the strength and agency within the words. There’s even a section in the chapter “Spells for Justified Curing and Hexing of Your Enemies” that describes how to curse through prayer!

These aren’t the only tools Miss Aidea provides for justice magic though – oh no, this book is filled with tips and techniques ranging from candle magic to insect magic. (Yes, insect magic! I had never realized the power ants have to destroy relationships with the proper spellwork.) Her advice on candle magic is some of the best that I’ve ever read, and the book is honestly worth reading for that chapter alone.

Constantly while reading, I was reminded of the necessity of working with what’s available as a foundation in Hoodoo tradition. While some spells require a bit more preparatory work or specific ingredients, Miss Aida gives tons and tons of options for achieving one’s means quickly and with what is on hand. However, this doesn’t mean this type of magic should be performed willy nilly or immediately just because one feels slighted.

Miss Aida gives plenty of caution about how spells can misfire, including situations where her own spellwork has led to unintended outcomes. With the nature of this type of justice magic, permanent physical damage, even death, can result. Miss Aida reminds practitioners the retaliation should always be equal to what is being done by the perpetrator, and that it is best to wait while deciding if the magic is worth one’s time, energy, and supplies before casting any spells.

These bits of guidance from Miss Adia, along with detailed advice on how to prepare one’s magical space for the work and clear energy afterwards, go a long way in keeping practitioners safe while engaging in this work. I particularly enjoyed the chapter “What’s Your Strategy?” where she lays out seven steps for this work, which help one to discern how and when to pursue justice magic.

Miss Aida covers a lot in these steps, from proper timing to do’s and don’ts of summoning entities. She also does a great job conveying the importance of intention and provides prompts for one to consider when crafting their petition or request to make it as specific as possible, leaving little room for unintended consequences.

I don’t think of myself as a very spiteful person, but reading through some of the spells, such as “Gag the Gossip” and “Dog Doom”, which includes dog poop as a spell ingredient, got me thinking about some people I’d like to try these out on. Honestly, I probably won’t perform them in the near-future, but just knowing I can always pull from this book makes me feel more confident that I can take care of myself through magical means if necessary.

Hoodoo Justice Magic seriously seems to have a spell for just about every defensive, protective, and vengeful aim one might want to pursue. Chapter topic includes sending enemies away, binding enemies, cursing and hexing, and breaking up relationships. But it’s not a “how-to” manual. Miss Aida writes as though she’s right there next to you, giving you small tips and reminders from her personal experience.

One example of this is when writing about a sweetening spell, she describes how it might make one have positive feelings or thoughts towards you, but it doesn’t necessarily promote action and therefore additional spellwork may be required. That little gem of wisdom is valuable to know if one chooses to do that type of spellwork.

Where her expertise really shines in the area of using ingredients for spellwork that are often considered taboo, such as bodily fluids or excrements. From vomit to semen, Miss Aida teaches how these can be potent facilitators of energy for magic. And she really ensures, to the best of her ability as an author, that a practitioner will not harm themselves in the process of performing justice magic.

When discussing gathering items that contain the DNA of one’s target of the spellwork, she reminds the reader to never let the item also have their own DNA on it. Other practical tips include how to obtain, refrigerate, and store secretions. It’s all quite interesting, especially the section on dominating others through your own urine. There’s even a good deal of information on how to gather graveyard dirt.

While all these items are common for Miss Aida’s Hoodoo practice, for me this opened up a whole new world. While at times I felt a bit icky about things, reading about how to use natural waste and human fluids in my magic actually made me feel more at ease with my own human nature. I found myself saying “Yuck!” less and instead wondering, “How could I use this as a magical ingredient?” It’s really eye-opening to see how much goes to waste that holds magical potency. Miss Aida has a way of shining light on the magic within the mundane.

All in all, Hoodoo Justice Magic is a book I am thrilled to add to my collection. It’s out of my comfort zone in so many ways, but Miss Aida has done a wonderful job of making the spellwork accessible to all levels. I feel like I will be less scared to shy away from needed confrontation and more willing to take justice in my own hands when necessary because of the knowledge this book has given me. It’s by far the best book on defensive and protective magic that I’ve ever read, and I highly recommend it to those seeking to expand their repertoire of spellwork.