Page 21 – Musing Mystical

Magic for Change, by Cerridwen Greenleaf

Magic for Change: Spells and Rituals for Social Transformation, by Cerridwen Greenleaf
CICO Books, 1800652623, 144 pages, October 2023

When I first started reading Cerridwen Greenleaf’s Magic for Change: Spells and Rituals for Social Transformation, I wasn’t fully sure what to expect. I had read other books with similar themes in the past, so I wasn’t completely unfamiliar with the concepts that were going to be introduced; however, I know that there are some methods of discussing social justice and social change from a (very) narrow perspective, so I didn’t necessarily have high hopes that this book would be different.

I was pleasantly surprised. Greenleaf discussed several different manners and topics for activism, including chapters on climate change; peace, which featured not only country-level conflicts but also gun violence as a whole; ending hunger, not only in the world, but also in your local community; witchcraft for feminists; and ways to manifest money and other material gains for the benefit of all. According to Greenleaf:

“This book stems from my years of activism and is based on the magical intention to provide practitioners with the tools, ideas, and inspiration to make this a better world.”¹

Out of everything in their book, I was particularly interested in some of the concepts and practices that Greenleaf discusses in their chapter about feminist witchcraft. Their section on Solidarity Shrines was especially interesting to me because I can’t always have an obvious shrine set up in my space; their suggestions for small things to use in place of a full altar that will still attract like minded people motivated me to set up a small Solidarity Shrine of my own! (And if you’re curious, I think it has worked so far; I’ve met several more writer friends both in-person and online, and have even found a local group to go play trivia at bars, which is something I’ve never been able to do before!)

Greenleaf’s discussions about tea were also some of my favorite parts of Magic for Change. I’m a huge tea drinker, so it seemed natural that I would gravitate toward these recipes, especially since I could very easily translate them into my morning or nighttime rituals. Most of the herbal teas that they discussed were equal parts magical and delicious, with their herbal money brew being one of my favorite new recipes that I tried. As to whether I’ve been able to manifest more money, that remains to be seen… but I have found money in unexpected places that I must’ve stored away and forgotten about, so if that counts, then the herbal money brew works quite well!

Throughout the book, Greenleaf’s writing style was very approachable and accessible for all levels of practitioner, from beginners to those who are more advanced in their craft; the content seems to be more geared toward beginners and early-intermediate practitioners, though. If you’ve been practicing witchcraft for years, you most likely will know a lot of the information that they discuss already, though you may not know exactly how to apply it in the context of creating social change, which could make this book an interesting addition to any witch’s bookshelf.

Another aspect of Magic for Change that made the book very accessible to read was the fact that it wasn’t all simply blocks of text; rather, there were a lot of illustrations included, many in what would be considered the borders or margins of the page, but that served to break the text into easily digestible pages.

It seems that they have a very strong understanding of kitchen and home/hearth styles of witchcraft, which is what a majority of this book focuses on; I would have appreciated if they included some material on more diverse forms of magic that could also be used for change, protest, and resistance, but it did not impact my enjoyment of the book in any way. It’s probably just a personal preference, but if you’re like me and something like divination or ancestor worship are at the forefront of your practice, you might find it a little difficult to fully immerse yourself .

I also would not recommend this book for anyone who is unable to practice openly or who doesn’t have any safe spaces to practice, also known as being “in the broom closet.” A lot of the rituals Greenleaf suggests will leave physical evidence or will require the practitioner to acquire supplies that may raise some red flags for nosy individuals in their life.

However, if you’re looking to expand your knowledge of magical practices that can very easily be adapted to activism, Magic for Change would be a good choice. There were a lot of examples of rituals that I had never thought to apply to the context of activism; if you have a coven, this book will give you ideas of how you can all work together to manifest change, but there are also plenty of rituals and ideas for a solo practitioner to develop their craft.

Secrets of Santa Muerte, by Cressida Stone

Secrets of Santa Muerte: A Guide to the Prayers, Spells, Rituals, and Hexes, by Cressida Stone
Weiser Books, 1578637724, 256 pages, August 2022

The inevitability of death haunts the living. Ancient Roman philosophers valued daily contemplation of their mortality as a source of inspiration, a motivation to live with integrity, and an incentive to prioritize what truly matters with the Latin motto memento mori: remember that you must die. Motivational speakers today still use this phrase to inspire their audiences to follow their dreams and lead authentic lives.

While mortality motivation honors death in a philosophical and abstract sense, there are those in the contemporary occult community who personify and worship death as a powerful spiritual ally who blesses them with love, prosperity, and good health. This vibrant and alluring modern day personification of death is Santa Muerte, the Mexican folk saint who takes the form of a female Grim Reaper. Her name means “Holy Death”² in Spanish, and a vast underground cult is dedicated to her honor. She holds a scythe in her right hand and a globe or the scales of justice in her left, and an owl sits at her feet. Her iconography was no doubt derived from the saturnine skeletal figure of the more popular Grim Reaper, who emerged in fourteenth century Europe during the Black Death, and blended with the Aztec goddess of death, Mictecacihuatl, the Queen of Mictlan, the Aztec underworld.

Secrets of Santa Muerte: A Guide to the Prayers, Spells, Rituals, and Hexes by Cressida Stone is a comprehensive guide to working with the skeleton saint. In lucid prose, with simple yet potent rituals and prayers, this work focuses on authentic Mexican praxis, and includes several orisons Stone collected from native practitioners while conducting research in Mexico. A doctor of religious studies and a devotee of Holy Death herself, Stone spent six years in Mexico studying with Santa Muerte curanderos and compiling this work.

Stone had a close encounter with death that initiated her into the mysteries of Santa Muerte:

“I was living in Mexico when one night, on a full moon, I had a near-death experience,” she writes in the preface. “I literally stared death in the face when my car crashed off a ridge. I survived miraculously with zero injuries. As I walked away from the wreck, I realized that my accident had taken place right by a shrine to Santa Muerte.”³

When Stone entered the chapel, a bruja (witch) approached her, saying that she had been expecting her, as Santa Muerte had foretold her arrival in a dream. The bruja introduced Stone to an underground community of Holy Death devotees across the country. Stone’s informants wanted her to record and share their tradition for posterity and to spread true knowledge of the cult of Death beyond Mexico. Nine months later, on the night of a full moon, Santa Muerte herself visited Stone in a dream and gave her the task of writing a book devoted to her mysteries. Secrets of Santa Muerte is the fruition of Stone’s dedicated research and spiritual devotion.

I have felt drawn to Santa Muerte for years but resisted the call because I am not of Mexican descent, and I was also wary of her due to her reputation for being venerated by drug lords. However, Stone reveals that the cult of Santa Muerte is not a closed tradition, and people from all walks of life honor her.

“Death does not judge, as she comes to us all,”⁴ Stone writes. “It does not matter your color, your age, your origins, your class status, your sexuality, your lifestyle choices, or your nationality.”⁵

A few months ago, as I reflected upon my hesitation to work with her, Santa Muerte communicated a similar message to me in spirit, which inspired me to learn more about her by reading this book. I realized that my primary concern was that people might shame me for cultural appropriation if I followed my calling to work with her, and she made it clear to me that race and ethnicity do not matter to her. When her scythe rends our garments of flesh, we are all bare bones underneath. She will strip us clean of our illusions, and reveal the truth of who we really are. Since she was reaching out to me and communicating with me telepathically, I felt I was being given a direct invitation to begin building a relationship with her.

When this book came into my possession, I had a vision of a ghostly female figure floating in the air, dressed in white, and when I asked her who she was, she turned to face me and revealed she had a skull for a face beneath her long white veil. That’s when I realized that the white aspect of Santa Muerte was communicating with me. I picked up the book and flipped through the pages to the following passage: “In her white gown, Santa Muerte is caring and maternal, and she gifts great blessings of health, cleansing, and well-being.”⁶ In this guise, she “is known as la Niña Blanca (the White Girl).”⁷

Santa Muerte has three primary manifestations: white, black, and red. “This book instructs you on how to work with all three of these key attributes of Santa Muerte,” Stone says. “It also teaches you how to use other colors, such as amber, yellow, green, silver, gold, bone, brown, pink, and purple; to combine colors; and to use specific Mexican candles to reap financial, spiritual, and intellectual success.”⁸

Setting up a sacred devotional space dedicated to Santa Muerte is a crucial first step in working with her, and Stone offers detailed guidance on how to create an altar. She tells readers everything they need to know about selecting a statue, and details what all the different colors mean, as well as the symbolism and various postures of the statues. Ideally, the devotee will invest in a statue for Holy Death to embody, but a picture will suffice. For those who can’t afford anything more than a simple candle and a heartfelt prayer, Santa Muerte will understand and one can begin working with her anyway.

“The folk saint needs to have items representing the four elements on her altar,”⁹ Stone says. One of the simplest and most important offerings is water, and “daily refreshment allows energies to flow through your shrine.”¹⁰ Fire will enliven the altar in the form of candle flames, air is represented by tobacco smoke or incense, and earth is symbolized by flowers, stones, and items made from wood or clay. “She advised me that wooden statues and those made of stone, such as obsidian, are among the most powerful, because although Saint Death is celestial, she also is deeply chthonic,”¹¹ Stone writes.

Another reason I hesitated to work with Santa Muerte is because she enjoys offerings of tobacco, marijuana, and alcohol. I quit drinking and smoking a few years ago, and avoid being around it because of my addictive personality. However, Stone points out that, while Santa Muerte does not judge those who engage in these practices and will party right along with them, she also helps people overcome their bad habits if they so desire. For those who wish to break addictions to tobacco or alcohol, these may be offered up to her as something belonging only to her, and thus off limits to the devotee. By sacrificing your vices to her, she can alchemize them into positive energy.

I love this advice, as I was intuitively guided to do this in my own practice after I quit drinking. Once a few months had passed and my cravings had subsided, I made offerings of my favorite whiskey to the Devil for this very reason. I think this approach is effective because instead of repressing and denying the addiction, which was once used to escape life and avoid dealing with painful emotions, it is made sacred and set apart for Spirit. Substance abuse profanes entheogens that should be held sacred, and victims of soul loss are most likely to abuse them to escape their pain. I know in my case this was certainly the reason, and once I engaged in deep shadow work and addressed the underlying reasons for my substance abuse, I was able to release it.

Daily devotion is essential when working with the skeleton saint. “Holy Death does not like to be ignored,” Stone says. “You must be willing to stop by and speak to her daily, as well as pray to her frequently, for her to take care of your petitions and miracles.”¹² Stone also shares a few cautionary tales, in which devotees are punished for offending the Grim Reaperess. The moral of these tales is quite simple: don’t make a promise to Santa Muerte that you can’t keep. Finally, Stone shares an unbonding ritual to “break up with Death,”¹³ in the event that one decides this spiritual path is not right for them.

I believe that when we start thinking about a spirit and imagining what it will be like to work with them, we are already bonding with them by sending them that psychic energy. I realized that in my fear of initiating a working relationship with her, I was ignoring the fact that she was already reaching out to me and communicating with me in spirit, so I decided it was time to plunge right in and officially begin my Santa Muerte practice. While I had already acquired a framed picture of Holy Death a few months ago, I had decided to read this book first, and I was reluctant to begin working with her because I didn’t have any free space to devote an altar solely to her (the top of my chest of drawers is cluttered with statuary devoted to several other spirits already).

However, while I was reading, I felt guided to make space for her. My current altar is on a small night stand beside my bed that I cleared for her and it’s very simple, with a framed picture of the skeleton saint and four elemental representations, including a glass for water (and an occasional shot glass of tequila), a candle for fire, a tumbled piece of Mexican crazy lace agate for earth, and a stick of palo santo and copal resin incense for air.

In the “Ritual to Awaken Your Statues and Cleansing Ritual,” Stone recommends using the “three sisters of cleansing: rosemary, rue, and basil,” which “can be boiled together for cleansing and awakening any statue and for cleansing yourself.”¹⁴ Garlic boiled in water is another potent cleanser. While Stone believes homemade herbal waters are the most powerful, devotees may also use store bought flower waters and colognes, such as rose water, orange blossom water, and Florida water. She also recommends bathing statues in moonlight because “Santa Muerte is deeply connected to the moon, which is her planet.”¹⁵

I always have fresh garlic cloves on hand, so to consecrate her image, I made a garlic wash and cleansed the black and white framed picture I have, which depicts Santa Muerte as a bride. Then I fumigated the image with white copal incense while reciting one of the prayers given in the book. As the silky veil of smoke wrapped around the frame, her skeletal face appeared to glow with an inner light. I visualized her inhaling the smoke through her nose cavity and being enlivened by it.

I appreciated the sections Stone wrote on divinatory practices with Santa Muerte, which include “Insect and Animal Omens,”¹⁶ the meaning of various candle flame movements during spell work, and ceromancy, which is the art of interpreting symbols formed by drippings of candle wax. This inspired me to incorporate Santa Muerte into my tarot practice, and I put a tarot deck called The Bones Arcana on her altar so I can channel messages from her using it. This particular deck has skeletal figures on each card and the color scheme is monochromatic with splashes of red, so it’s perfect because it honors her primary colors of black, white, and red.

The first message I received from her was the King of Wands. She was telling me to take the lead, be confident, have faith in my abilities, and trust my intuition. This message was quite fitting because I delayed beginning a relationship with her due to self-doubt and questioning my worthiness to approach her.

Before beginning spell work with Santa Muerte, Stone advises readers to light a candle and pray to the skeleton saint for nine consecutive days, which is a devotional practice called a novena. Over the course of my novena, I experienced moments of severe depression, and I realized that by asking her to “rid me of my sorrows,”¹⁷ as the daily prayer beseeches, she was bringing deep pain to the surface for me to release. One night, about midway through the novena, I couldn’t sleep and sat up in bed crying. I felt her holding me in her bony embrace as tears streamed down my face, as if she was urging me to let it all out.

The nine days of devotion got me into the habit of reciting a prayer to her each day, and I think of my daily devotion to Holy Death as a form of memento mori: remember that you must die. Facing the inevitability of my death each time I look at her skeletal visage reminds me that I fear mediocrity. I want my life to be sacred and meaningful, and Holy Death’s ethereal presence is a daily reminder to stay aligned with my soul’s true purpose.

Secrets of Santa Muerte is an excellent guide for those who want to work with the skeleton saint, but don’t know where to start, and experienced devotees may learn something new as well. This book is filled with practical information that can be applied to spirit work in general. Even if the reader doesn’t feel called to devote themselves to the folk saint, all the advice Stone gives on providing regular offerings and keeping the altar clean are good practices to follow when working with any spirit. There are also spells and prayers for pretty much any need or desire you can imagine.

This book is so detailed that one could probably build their whole Santa Muerte practice around it without needing to read any other book. Stone has done a great service to Santa Muerte and her followers, and as a neophyte of Holy Death, I am grateful for all the hard work and dedication she invested in this guide. This is one book I will be keeping on Santa Muerte’s altar for daily reference.

Divine Codes Oracle, by Leah Shoman

Divine Codes Oracle, by Leah Shoman
Sacred Scribe Publishing, 9798218092085,46 cards, 80 pages, February 2024

From the shining, metallic type on the deck box to the rich colors of the floral and pop culture collage graphics, Divine Codes Oracle by Leah Shoman is truly a work of art. Within the deck, Shoman combines photos of roses with pianos and Buddhist monks with clouds. Landscapes pair with sky divers and children from the 1960’s play in the stratosphere. Her goal is simple with this deck: share love in all forms and with all people. She tells the reader on the inner lining of the deck’s box:

“I Love you, Sweet One. Pass this love on to all those you encounter, for you are the connection point. You are the point which tips the scales of balance between love and hate.”

Shoman is a crystal energy healer, author, and deck creator, who brings guidance from Spirit to her clients and readers. She has published numerous decks and books. She also has an online crystal shop where she offers crystals sourced from around the world. Learn more about her offerings on her Instagram.

For my first visit with the Divine Codes Oracle, I chose card #33 Sacred Realm. The card features a surfer and orca whales against the backdrop of a Buddhist temple and an eclipse in the sky. Unusual graphics for a message about the importance of tuning into your heart, but Shoman reminds us that we do not need a temple or church, just solitude and a connection to our inner self. In the guidebook, she marries the graphics and lines on the card with a suggestion to “feel the interconnectedness of it all.”⁶

I took the deck to my Friday Coffee & Cards group and asked each friend to pull a card. Everyone loved the deck! They complimented the colors and rich graphics. However, most of all, they appreciated the messages from Spirit that Shoman reveals.

My friend Paula drew a card that talks about self-acceptance. It highlights a heart that breaks open and then a Divine love that is “finding its way to fill crevices with pure golden light. Repairing, resolving, renewing.”¹¹ Paula said, “I think I can feel that happening in my life right now!”

Another friend drew a card that suggested she start moving her body. It features two dancers and several butterflies. “Step out of your mind and into your heart. Move your body to shift your vibration and release any stagnant energy currently present,”¹⁸ the message says. She said that the message really hit home for her.

I really enjoyed working with this deck. I sent card messages to a few friends via text and each one really resonated with the message and the graphics. It seems to me that these cards are truly sourced from Divine wisdom and Shoman has a real way with words that focus on encouragement and healing. My favorite card in the deck is # 30 Bigger Picture:

“Zoom out. A shift in perspective is needed in this moment to gain clarity around a current situation you feel stuck in. You will never be free until you free yourself from the prison of your own false thoughts.”¹⁹

Shoman includes a table of contents, brief introduction, how to use the cards, and three different kinds of spreads. For the three-card spread, she presents five different ways to do a three-card spread. Her five-card spread presented a bit of a twist on what I’ve worked with in the past: “current overall energy; current concerns and complications; hidden factors; new ideas, people or things that can help you grow further; what you need to be more aware of within yourself.”²⁰

This deck is a standard size for oracle decks and the card stock is a good weight. The cards are numbered and shuffle nicely, and I can tell they’ll hold up to frequent use. Along with the metallic imprint on the flip box that holds the set, the cards have a lavender metallic edge. The guidebook messages are clear and concise, in that Shoman keeps the guidance for most cards to a one-page limit. There are a few instances where she features a poem or other channeled guidance on the facing page.

I really like that the guidebook is printed in full color. The pages feature either a full-color thumbnail of the card and guidance or graphics that she has pulled from the cards. For the pages that feature her poems or prose, she prints on top of muted graphics. The paper stock for the guidebook is a nice weight and has a satin finish.

Divine Codes Oracle would be great for any level of oracle or tarot card reader. The guidance is simple to read and understand and you can even use the cards as a stand-alone message–the heart of the message is printed on each card. I plan to add this deck to my collection to use after an intuitive reading or natal chart reading for clients. It will make a nice way to close the session.
Shoman has created a beautiful deck that focuses on love and radiates the importance of self-love and self-acceptance. She sums it up in the introduction:

“Divine Codes Oracle is a deck about LOVE. You are called to hold the frequency of love. You are called to be the embodiment of love and anchor it into the Earth Plane. This deck is bringing forth pure love consciousness, for we as a collective need it now more than ever. It will attune to your energy when you hold it and it will tell you exactly what you need to hear in that moment”²¹

Walking with the Seasons, by Alice Peck

Walking with the Seasons: The Wonder of Being in Step with Nature, by Alice Peck
CICO Books, 9781800652958, 128 pages, February 2024

Now that spring is here, I was really interested in learning more about how to get in tune with the cycles of nature. In her book Walking with the Seasons, Alice Peck provides lots of activities and suggestions for getting out in nature. As I flipped through the book and saw the beautiful photographs and different practices that she shares, I was excited to learn more!

Peck is a writer and editor, having written more than six books on herbs, trees, and meditation, including Tree Wisdom. She has also edited numerous books on various metaphysical and meditation topics. She lives with her husband in Brooklyn, New York, and photos of New York City figure prominently in this work. You may follow her on Instagram @BeMoreTree.

What I love most about Walking with the Seasons is the structure, which makes it easy to navigate. It’s like a calendar to a year of walking. She starts the book in the Spring, which is the beginning of the astrological New Year and devotes a chapter to each season. The Table of Contents shares the nuggets in each chapter, making it easy to retrace your steps and find the practices or activities that you might want to enjoy later.

I decided to jump right into the chapter on Spring–both the verbiage and the photos had me craving more of the green in nature that is starting to bud and bloom in my area. Peck reminds us that we don’t have to find anything special in nature to benefit from a walk:

“A green space doesn’t have to be a forest or a hiking trail. Seek out the unexpected–even in cities you can find “secret” green spaces like church yards, botanic gardens, or areas near train stations.”²¹

Did you know that walking in nature for about an hour and a half can lessen depression, stress, and anxiety, as well as quieting negative mind chatter? She goes on to share that a research team from Stanford University confirmed this, as well as stating that spending the same amount of time in areas with concrete and traffic had no impact on depression.²²

For one of the exercises in this chapter, Peck invites the reader to walk outdoors for at least 15 minutes a day “in the greenest place you have access to.”²³ Do this every day for a week and monitor the changes in your mood.

She also includes what she calls a “Joyful Walking Meditation” and the value of walking with your dog. I particularly enjoyed how she shared the “5 ways of liberation” from the Buddhist path and how dogs embody these qualities: perfect faith, energy or persistence, mindfulness or memory, stillness or concentration, and wisdom. She invites us to “walk with your dog, just as you walk with the seasons.”²⁴

Peck weaves beautiful quotes from thought leaders, athletes, and other dignitaries into the prose and photos, such as this one on trees:

“Trees are literally greater than ourselves … trees connect us directly to the life of more than human nature. -Rupert Sheldrake, Science and Spiritual Practices”²⁵

Eager to learn more about walking in nature, I turned to the next chapter on Summer. Here I was treated to beautiful photos of beaches, rivers, lakes and ponds, in addition to hiking trails and mountain vistas. The practice that caught my eye utilized the concept of “nowscape.”

“Everything then unfolds, unfolds now and so might be said to unfold in the nowscape. Psychologist Jon Kabat-Zinn incorporates the nowscape into a practice he teaches called choiceless awareness or the state of unpremeditated, complete presence without preference, judgment, effort, or compulsion. We can apply this understanding of the nowscape to walking with the seasons. As you wander do not just be with the place you are walking –be the walk itself…. Abide fully in the nowscape.”²⁶

In the chapter on Autumn, I found what may be my favorite story or passage, which was one on grief. A woman had lost her lover and best friend of 18 years. She was encouraged to go on a hike in the Catskills with a group of people and a grief doula. She shared this about her experience:

“The biggest tragedy of my life had led me to one of the most beautiful days I’d ever experienced. It felt healing, it felt like something positive. Gave me the strength to go on. The forest and the mountains welcome you; they hear you and if you let them in, they can help to heal you, too. – Danielle Davis”²⁷

I was so encouraged by this story and the healing power of nature that I plan to add the suggestion of this practice to my grief work with clients. In fact, this book contains many helpful and healing exercises that I plan to incorporate in my coaching practice.

I love great bibliographies and Peck does not disappoint! She includes four full pages of her reference material for everything from “How much sunshine do I need for enough Vitamin D?” to “Inside of a Dog: What Dogs See, Smell and Know.”²⁸ She follows the bibliography with a two-page index, which further helps the reader to find information, such as a passage on calorie burning, forest bathing or wishing stones.

She also includes photo credits for all of the beautiful images in the book. I love the flaps she included in this paperback version. The flaps make it easy to mark your place, as you read the prose or peruse the beautiful photos. The book is a nice size to tuck into a handbag or backpack and I can see myself keeping it in the car to re-read while waiting for my granddaughter to get out of school. Here’s another one of my favorite passages, where she talks about the meaning of walking a labyrinth:

“The labyrinth is a metaphor for the journey of life… a path of self-discovery, a journey into the center of our own hearts. – John Mitchell, Sacred England”

Walking with the Seasons would be enjoyed by just about everyone. I can see someone who is new to meditation benefiting from the practices and tips, as well as a more seasoned meditator. I can also envision someone who is a gardener or hiker or birdwatcher picking up this book. By utilizing the tips and practices, this person may add another layer to their enjoyment of the great outdoors.

The Shining Tribe Tarot, by Rachel Pollack

The Shining Tribe Tarot, by Rachel Pollack
Weiser Books, 9781578638178, 83 cards, 247 pages, April 2024

As a tarot enthusiast and reader for twenty years, I was excited to learn about the publication of Rachel Pollack’s revised deck The Shining Tribe Tarot. Initially published in 1992 by Aquarian Press, the deck was called The Shining Woman Tarot. In 2001 she changed some of the art on some of the cards and the deck was published by Llewellyn. The title was also changed to The Shining Tribe, which she felt better reflected the community of people drawn to tarot for divination and personal growth:

“The name was a kind of invocation, a hope that the deck would shine for others, especially in reading, and light the way for travelers on their own sacred journeys.”²²

For this 2024 edition, Pollack created five new cards: one for each of the minor arcana suits and one to represent the major arcana. Although the deck was published after Pollack’s death in 2023, she was able to complete the revisions and supervise the creation of the deck before her death. It is also important to point out that Pollack created the artwork herself for all of the cards.

Rachel Pollack (1945-2023) was a giant mentor in the field of tarot. In addition to writing the bestselling book Seventy-Eight Degrees of Wisdom, she wrote the guidebooks for several tarot decks, as well as many fiction and nonfiction books. She taught at The Omega Institute for over thirty years and was a frequent panelist at tarot workshops around the world. I was blessed to meet her at a tarot workshop in Los Angeles in 2007. She was brilliant, generous, and very friendly. A group of us went to lunch during the workshop where I visited with her and Mary K. Greer!

In addition to her interest in tarot, Pollack also created the first transgender superhero in several issues of the comic book Doom Patrol. She was also known as a trailblazer within the transgender community.

“Welcome to the definitive edition of the Shining Tribe Tarot. It’s the equivalent of a director’s cut of a film. It’s the creator’s cut, Rachel Pollock’s cut. Published for the first time with all 83 color corrected cards, it also includes a full colored guidebook in which Rachel discusses the evolution of the deck, offering insights into each card and how to read them. More than merely an accompanying book, this guidebook stands as another of Rachel’s landmark Tarot guides.”²⁹ – Judika Illes, Editor

With this Introduction, the editor opens a door into the special world of Pollack. In the next few pages, Pollack gives us a history of this deck, including the inspiration for the tribal images and artwork that she created. She talks a great deal about symbols and colors and the different cultures on which her images are based. She makes it a point to say that she wants to honor and respect the “history and living power”³⁰ of the symbols.

The structure for this set of cards is fairly traditional, although she has adopted her own names for the suits of the minor arcana: Trees (Fire/Wands), Rivers (Water/Cups), Birds (Air/Swords), and Stones (Earth/Pentacles). She has also renamed the court cards as “Vision” cards: Place (Page), Knowers (Knight), Gifts (Queen), Speakers (King).

Pollack also shares this:

“One difference is that the Vision cards in general do not signify actual people the way the Court cards sometimes do in traditional tarot. Nor do they represent character types in quite the same way. Instead, they take us into an experience of ourselves. They give us a chance to discover and use the power of the elements.”³¹

The cards are a nice size, a little larger than playing cards. The card stock is a nice weight, and the matte finish is great for the ancient symbols and bright colors of the deck. Each card has a white border, and the name of the card is shown at the bottom in black type. The set comes in a beautiful box with a cut-out portion and ribbon for the cards, as well as ample room for the hefty guidebook.

These cards are easy to shuffle, and I enjoyed using them for my week of daily readings. For the first day, I drew one card: Three of Trees, which is the Three of Wands in a traditional deck. This card is always a celebration for me and I was interested to see what Pollack shares:

“This card is a celebration, filled with the laughter of the Grandfather. He welcomes and protects us with his open arms.”³²

She also includes the story of the artwork, which features “a spirit image formed from a tree by the Ojibwe people of Canada.”³³ The image is based on a photograph of this type of tree, which has been carved to represent a person.

The next day, I did a three-card spread and drew these cards: Knower of Birds, Six of Trees, and The Sun. With Pollack’s guidebook and my own intuition, I created this affirmation, based on the three cards:

“I collect signs and symbols and share my knowledge with confidence and wisdom, as I emerge into the light of divine consciousness.”

Her imagery is so beautiful, and the artwork invites deep contemplation and a connection to the heart. My favorite card in the deck is one of the five “extra” cards: Portrait of Albert-Bright Through Nobility, which relates to the major arcana and Spirit. Pollack explains that this card is based on the name of her animal guardian, a red fox. “The name Albert means ‘bright through nobility.’ Getting this card means a sense of protection and the ability to ask for and receive help.”³⁴

The guidebook is very easy to navigate, from the Table of Contents to the Glossary. She includes a large section on Readings and includes lots of ideas for spreads for various situations. She also includes an Appendix which explains the name changes for all cards, how to work with reversals and how to start your own Shining Tribe. She even has notes for groups, including ways to start conversations and create activities for developing your tarot skills. The last section is a Glossary that includes references to some of the cultures, religions, and symbology used in the deck.

I really enjoy working with The Shining Tribe Tarot. I can feel the decades of tarot history, as well as the flavors of the various indigenous cultures in the cards. I can’t wait to introduce it at my next Coffee & Cards Zoom with my friends.

Celtic Cauldron, by Nicola McIntosh

Celtic Cauldron: Rituals for Self-Care and Manifestation, by Nicola McIntosh
Rockpool Publishing, 1922785709, 288 pages, May 2024

The images of conjuring done with a cauldron is a well-known magical image. This is most likely because the cauldron is one of the most versatile magic tools, taking all sorts of shapes and sizes throughout history. From teas to stews, anointing oils to potions, there’s all sorts of creations that a cauldron can bring to life. Celtic Cauldron: Rituals for Self-Care and Manifestation by Nicola McIntosh is a beautiful guide to the many possibilities the cauldron holds, teaching readers how to use their cauldron for spells, healing, divination, and more.

McIntosh blends her wisdom as a Western and Chinese herbalist and Celtic shaman together in this book, providing plenty of nature-based methods for manifestation using the cauldron. Her previous publications include Plant Spirit Medicine, Celtic Spirit Oracle, Mushroom Spirit Oracle, Apothecary Flashcards, and Crystal Grids. She dedicates her time to sharing her knowledge to help others look within, raise consciousness, and tend to themselves and the environment with care. Much of her work is centered on connecting to nature, and this book is a lovely example of how the natural and magical world can support you.

The book itself is absolutely collection-worthy. The cover is a soft fabric, and the sturdy binding makes it easy to flip through the pages and open them fully without harming the spine. All throughout the inside, McIntosh infuses the pages with her artwork and photographs, which is a real bonus as a visual aid to the recipes and directions provided. There’s a real earthy feel to the book, and as soon as it is opened, the natural magic begins to whirl around energetically.

“The cauldron is said to contain the Awen or be the cup of Awen, or the Cauldron of Inspiration. The Welsh word ‘Owen’ means ‘inspiration’ or ‘essence’ and is the inspiration of poets and creative artists.”³³

McIntosh begins with a history of cauldrons, sharing famous cauldrons both real and mythological. For instance, there’s the Gundestrup Cauldron “that dates back to approximately the 2nd or 1st century BCE.”³⁵. Then there’s also the mythological cauldrons of Cerridwen and Magda.

Once the history is explored, McIntosh moves into the modern applications of cauldrons, specifically from the Celtic and Druid traditions. She covers how to select and care for your cauldron, with plenty of pictures for inspiration, suggesting one spiritually prepare for their new cauldron by creating space for it on your altar and perhaps even a ritual. I was pleasantly surprised by McIntosh’s practicality, as she notes that a simple tempered-glass product, like a Pyrex measuring cup can work as a cauldron.

Then, before delving into all the magical possibilities for one’s cauldron, McIntosh spends an entire chapter on the importance of ritual. She suggests making self-care a ritual, and offers ways to ritualize your intention, including creating an altar, journaling, and working with plants and crystals. She writes:

“Rituals can literally change anything within your life. When we turn our attention inwards, we make big changes in our external environment because we attract what we are. This is the key to manifestation: We must be in alignment with what we wish to draw into our life.”³⁶

The rest of the book is just tons and tons of amazing recipes for all types of cauldron creations. “Plant Magick” is a chapter covering brews, simmers, essence, lotions, and potions. There’s recipes for fortune telling, inspiration, love, cleansing, and more. My favorite are Dandelion Joy Lattes (dandelion root coffee with milk and honey/maple syrup) and strength potion, which is “excellent for times when you feel vulnerable or run down or need inner strength to face something.’³⁷

The next chapter, “Anointing Oils, Salves, and Melts” covers infused oils and homemade salves for all types of intentions (meditation and calmness, visionary and divination, protection, cleansing and clarity). The melts are lovely too because you can burn them in your cauldron after you make them in your cauldron—things coming full circle! Many of these involve certain spices, herbs, and essential oils, all of which McIntosh covers in detail. Once again, her understanding that not all readers will have access to all ingredients comes through, showcasing her desire to be inclusive in sharing her knowledge with all.

“Fire Magick” focuses on candles and incense. As mentioned before, there’s ton of pictures, which I found especially helpful for this section. I loved the idea of making a small cauldron into a candle that can be infused with herbs and crystals to add to one’s spellwork. I also loved McIntosh’s directions for making a mullein, or hag torch. For those interested in making their own incense blends, McIntosh provides wonderful step-by-step instructions with plenty of visual aids, along with ways you substitute ingredients if needed.

As a kitchen witch, my absolute favorite chapter was “Magical Meals”. For my birthday recently, my husband and I went to the Melting Pot where we did a bit of three-course cauldron magic. This experience was what inspired me to learn more about using the cauldron in my own craft. And in perfect alignment, McIntosh dedicates a whole section to chocolate cauldrons! Absolutely delicious. The recipes include Chocolate Love Bombs, Chocolate Knowledge Bites, and Chocolate Fondue that can be used as a base for one’s own chocolate crafts. In this chapter, McIntosh also teaches how to use the cauldron to make damper scones, rosemary and salt bread, cinnamon and sultana bread, stew, and mulled wine.

The final chapter “Miscellaneous Magick” covers spell bottles, spirit bottles, medicinal pouches, salts (ritual salts, bathing salts, etc.), and scrying. I definitely plan to make the Refresh Bath Salts, which combines basil, eucalyptus, peppermint, and tea tree.

One of the best parts of this book is the immensely helpful appendices at the end. There’s an herbal reference table that spans nearly 35 pages that covers the associate element, planet, polarity, edibility, spiritual use, medicinal use, cauldron use, and caution for hundreds of plants and herbs. It’s astounding how much information is shared in these pages, and it’s a true marvelous resource. There’s also an appendix on crystals, offering insight into the chakra, color, and element of the crystals. The final appendix is the Ogham tree alphabet.

All in all, Celtic Cauldron is perfect for those looking to incorporate a cauldron into their magical practice. McIntosh provides so many ways one can utilize their cauldron magically, from candles to culinary treats. The quality of this book makes it worth the investment, and readers are sure to turn to it again and again when crafting their next ritual. Those new to working with a cauldron will appreciate all of McIntosh’s advice for getting started, while seasoned practitioners will love the informative tables and recipes that make it quick to decide on ingredients for manifesting their intentions.

Sleep & Sorcery, by Laurel Hostak-Jones

Sleep & Sorcery: Enchanting Bedtime Stories, Rituals, and Spells, by Laurel Hostak-Jones
Crossed Crow Books, 195988333X, 220 pages, August 2024

How often do you scroll social media on your phone or watch television before falling asleep? I would bet there’s a good chance that’s the default habit of many—and what does it do for your sleep? Restlessness, fitful wakes ups, dreams influenced by the content we’re consuming. But what if there was a better way to drift off to sleep? Dreaming of enchanting encounters with dragons, goddesses, and other magical beings, just like when we were young. For those looking for a new nighttime routine, Sleep & Sorcery: Enchanting Bedtime Stories, Rituals, and Spells by Laurel Hostak-Jones is the perfect bedside companion.

Hostak-Jones is the creator of the Sleep & Sorcery podcast and YouTube channel where she tells original bedtime stories blending fantasy, mythology, and folklore. This book is a compilation of her most popular stories for readers to enjoy in book form, along with additional rituals and spells you can do to bolster your sleep sorcery. Drawing up her background in theater, interest in high and late medieval texts (think Arthurian Legend), and bath as a Druid and nature lover, there’s so much magical inspiration within these stories.

“I strove to create welcoming, safe worlds inspired by the stories and themes I love most—folklore, fantasy, mythology, Witchcraft, and Druidry. Realms woven together through poetry and voice that could become cozy dreamscapes.”³⁸

All the stories are written in second-person voice (the “you” voice for those unsure about the term). Hostak-Jones describes how she does this so “listeners can, in a sense, choose their own adventure, infusing the world with their own identities and histories.”³⁹ For some, this style might be better suited to have read to them, either by someone at home with them, recording their voice, or in the form of Jone’s podcast. But for the readers, who prefer to world-build on their own without external audio stimulus, this book does a wonderful job immersing you fully in the story and setting.

And what absolutely incredible stories!!!! The places Hostak-Jones takes us ranges from the Dream Weaver’s Palace to the Midnight Carnival. We get to discover selkie secrets, the ruins of Atlantis, and fairies in the forest. There’s tales of being blessed by a unicorn and riding dragons. You can also deepen your connection to The Holly King, Oak King, Green Knight, Persephone, and Cerridwen.

What I thoroughly enjoyed is how Hostak-Jones has loosely correlated the stories with the Wheel of the Year. She notes, “While you may read or perform the exercises in this book at any time they call to you, you might find increased connection or potency by seeking correspondences with the rhythms of nature.”⁴⁰

Ostara is just a few days away, so this weekend I plan on adding the story “Magic in the Moon Garden: Ostara Seed Ritual” into my nighttime routine and also doing the ritual before I go to sleep. Here’s a snippet of this story to provide a sample of Jone’s creative and engaging writing style:

“Tonight is the night, says a whispering voice, an incantation on the breeze. Tonight is the night for flowers, tonight is the night for frolicking, tonight is the night to work in the light of the moon… The trouble that you’ve grown used to winter, accustomed to the snug safety of the home like rabbits snug in their warrens, hidden away from the wilds. To welcome spring again is to step beyond the threshold, to open your heart on certain more to the wildness of the earth, and to shed layers that have become a second skin.”⁴¹

This is exactly how I have been feeling; I’m feeling the blooming within and yearn to play outside, but it’s taken a bit of effort to overcome my wintery inward solitude. I find it really potent to work with these sleep stories, as they seem to activate my subconscious mind, right on the precipice of sleep. Whether I’m activating a sense of subliminal acknowledgement of the change or seasons, or opening portals into new worlds where I can do magical things, these stories prime my mind before bed and activate the dreamscape and imagination.

The exercise for this story, Ostara Seed Ritual, involves choosing seeds and planting them along with a piece of paper with my intention for the season under the moonlight on the vernal equinox. Hostak-Jones provides a list of suggested materials and step-by-step instructions, which makes it easy to follow along and complete all the steps. For this one, she writes:

“Let your hands get a little dirty. Feel the earth, thank it for its blessings, and let this seed, this intention, be an offering to the alchemy of spring.”⁴²

How amazing! Now, obviously, I’ve skimmed quite a few of the other stories. And I can confidently say that you don’t need to follow the Wheel of the Year and can simply read the stories you feel called. Being a devotee of the Unicorn, that was the first story I chose to work with, while my husband’s preference was to ride a dragon. After I work with the Ostara stories for a while, before it gets close to Beltane, I plan to add The Song of Persephone to my bedtime routine, which is paired with the Maiden, Mother, Crone Meditation as its exercise.

I also really like the range of exercises and how they’re nicely customized for each bedtime story. There’s a ritual walk for the summer solstice, journaling and automatic writing practices, ritual baths, meditations, building a fairy garden, and creating dream tinctures, sleep sachets, healing salves—just to name some of them! Since these exercises would most likely be done when more awake, I hope, the combination of the exercise and story work together to align the conscious and unconscious mind in true alchemy.

“For those of us who practice magic, rest and sleep can become as integral a part of our craft as anything we do in our waking lives.”⁴³

All in all, Sleep & Sorcery is a wonderful way to make your bedtime routine a little more magical. In just the past week, I’ve noticed that my sleep has been more restful, despite still waking up numerous times with my toddler, who seems to be experiencing night terrors. While this on-going situation has the potential to make me dread nighttime, Jone’s brilliant stories have helped immensely as I prepare for bed; there’s something for me to look forward to as I shift from day-mode into night-mode. We never know what we might encounter during the night, but when we open the doors to otherworldly discovery, we remember the imaginative, healing, and restorative nature of sleep. I highly recommend this for all magical practitioners looking to add a bit of sorcery to their sleep routines.

Throwing Bones, Crystals, Stones, and Curios, by Mystic Dylan

Throwing Bones, Crystals, Stones, and Curios: Includes 20 Unique Casting Boards for Divination and Insight, by Mystic Dylan
Weiser Books, 1578638364, 128 pages, April 2024

The art of casting lots, also known as cleromancy, is an ancient practice that involves interpreting patterns formed by throwing bones, stones, and other trinkets. This method of divination has been used by many cultures throughout history as a means of seeking guidance, insight, and answers to important questions. Different types of bones, dice, shells, crystals, or other significant small objects (curios), are used in this practice, each carrying its own symbolic meaning. In Throwing Bones, Crystals, Stones, and Curios, Mystic Dylan provides readers with all they need to know to begin their own cleromancy practice.

Mystic Dylan is a seasoned occultist, skilled in palmistry, tarot, and other mystic arts. He is a professional witch who utilizes his gifts to help others in their personal lives. He currently teaches classes, runs a coven, co-hosts Life’s a Witch podcast, and co-owns III Crows Crossroads online store.¹ He also is the co-founder of The Olde World Emporium in Santa Clarita, California. In this book, he draws upon his research and experience to teach readers about different forms of divination, in particular cleromancy.

“Most divination techniques require the reader to interpret different patterns, or to pay attention to the system and base the answers on what it is the reader seeks and feels.”²

Right off the bat, this book caught my eye with the many full-page, color photos. This isn’t a long, text-filled read. All the guidance is direct and to the point, often written out step by step with information shared in bullet points, tables, and lists. The style makes it very easy to absorb Mystic Dylan’s wisdom, while also having an aesthetically pleasing read. The book is nice enough to keep on a coffee table to spark conversation or magical moments when company comes over, though there’s a good chance you’ll also want it nearby your altar once you begin to practice your own hand at casting lots.

The book begins with an overview of divination, including how it even appears in the Bible, but with time was banned and became associated with witchcraft and magic. Mystic Dylan is very encouraging about it being a personal process of finding what works best for one’s own intuitive gifts, noting that not all forms of divination will appeal to each reader. Fortunately, the list provided is broad enough, encompassing divination forms alphabetically ranging from abacomancy (“to read the patterns of dust, dirt, sand, or the ashes of the dead”³) to tasseography (“reading with tea leaves and interpreting their patterns”⁴). He also offers insight into the types of psychic senses, or the avene which one’s psychic gifts may appear, such as through hearing (clairaudience) or empathy and emotion (clairempathy).

From here, the focus shifts to the specifics of throwing bones and building one’s cleromancy set. Mystic Dylan covers where to store your casting kit, giving the items meaning, noticing position and direction, and many other how-tos to feel confident getting started. While it’s important for the practitioner to build their own meaning, there are lists of commonly associated meanings for certain items, such as ribs being related to protection/withholding, coins being related to money, and seashells being related to feminine energy, emotions, and fertility. This guidance helps readers to be aware of the energies they want to bring into their casting set as they begin to put it together. There’s even a list of types of animal and the associations with their bones. Alligator bones are associated with “strength, determination, protection, and stubbornness”⁵, while fox bones are associated with “cunning intelligence and diplomacy”⁶.

Necromancy and scrying are also covered, but in much less detail. There are rituals for protection, connecting with one’s bones through necromancy, and cup reading, along with instructions to make a Venus glass for scrying and doing oil and water scrying. For those who are new to scrying, there’s also a very long list of potential things one might see and the meaning.

There’s also guidance on divination with pendulums, dice, eggs, astrology, runes, and playing cards. For those unfamiliar with astrology, there’s really helpful tables for the planets, houses, and zodiac signs. Only a page or two is offered for each type of divination, but there’s enough information to get started and see if the method suits you. If you are feeling connected to the method, you can always follow up with other sources to learn more.

For me, the best part of the book was the second half which features twenty boards that can be used with your casting set or pendulum for more insight.

“The main purpose of a board during a cleromancy or pendulum reading is to have a reference of possible images, letters, numbers, and symbols that might come up when those specific elements on the board are touched. This adds more detail to a reading and helps us connect with our intuition in a deep way.”³⁹

There’s all types of boards! Some of my favorites are the Druid Circle, Wheel of Fortune, Wishing Star, Venus Vibes, and The Sybil’s Circle. The boards take up a full page, and the book bends enough to fold them down flat and cast right on the book. The key thing is noting which bone, stone, crystal, or curio falls where to blend the meaning of the trinket with the placement on the board. So far, each cast I’ve done has been very insightful. Mystic Dylan notes how it’s important to also notice if a trinket goes off the board, as well as the patterns the cast lands in.

While the first half of the book was quite informative, getting to know the boards requires actually practicing cleromany. It definitely takes a little time to gather the materials, especially if you’re trying to put together a very specific casting set with certain types of bones, stones, crystals, or trinkets. But I suggest starting simply to get a feel for casting lots. Most people have crystals and trinkets laying around, perhaps even shells and stones from time spent in nature. Do your best to not overthink it, and have the courage to work with the boards sooner rather than later. They’re a great tool for beginners getting used to divining the lots cast. And remember you can always begin with a pendulum on the boards first too.

Overall, Throwing Bones, Crystals, Stones, and Curios guides readers on a journey through the mystical art of casting and interpreting symbols to uncover hidden truths and receive guidance from the universe. Whether you are a seasoned practitioner or a curious novice, this book offers a wealth of knowledge and inspiration to enhance your divination practice and connect with the spiritual realm in a meaningful way. Get ready to explore the mysteries of the unseen world and unlock the secrets that lie within the patterns of bones, crystals, stones, and curios as you embark on a transformative journey of self-discovery and enlightenment. You’ll find a diverse range of techniques to tap into your intuition and gain deeper insights about what the future holds.

The Five-Minute Druid, by Sarah-Beth Watkins

The Five-Minute Druid: Connection Made Easy, by Sarah-Beth Watkins
Collective Ink, 1803413808, 96 pages, February 2024

Ever since the birth of my son, it has been a struggle to revamp my magical practice. Whereas I used to have what felt like all the time in the world for spiritual pursuits, I am now lucky if I can get five minutes a day to myself in between chasing an active toddler and the never-ending list of household chores to get done. Luckily, author Sarah-Beth Watkins’s The Five-Minute Druid: Connection Made Easy is filled with ideas for those short moments I have to spare to dedicate to my craft.

The book itself isn’t too long, only 96 pages, so I was able to read it through pretty quickly. But what I like most about the length is how each chapter is short, so when I feel in need of spiritual revitalization, I can go and read one for reminders of how to revamp my connection in just a few minutes.

The topics that Watkins covers are the fundamentals of a Druidry practice. She begins with an introduction to Druidry, in which she writes, “Druidry is a spiritual practice based on the love of nature and all it encompasses – the earth, sea, sky, trees, plants, animals – and us.”⁴⁴ I appreciate how Watkins honored the ancient path of Druidry, but realistically see it in a modern context too, making it feel relevant to today and accessible.

Watkins covers quick daily practices, working with ancestors and deities, the wheel of the year, the sky/stars, the elements, trees, divination (ogham, runes, cards, etc), Druid reads and podcasts, social media outlets, writing, and creative projects. Depending on what you’re in the mode to explore, you can flip to that chapter for some ideas. As a whole, the book provides tons of resources for readers to branch off from based on their personal goals. There’s even an extensive list at the end of Druid book recommendations.

For those who are deep in their practice, this book might come across as beginner level. But by no means do I feel it is shallow or lacking. It is perfect for what it’s meant to be: a guide for quick connection when you’re in a space of limited time.

Sometimes the suggestions Watkins makes can seem SO obvious, but from firsthand experience, when I am in on the go mode I often forget to slow down. One of the first suggestions she makes is to simply notice what’s going on in the moment. This can include pausing to notice the types of trees around you, the subtle aspects of your current season, the direction you’re facing, or the moon phase. I think being more observational and reflective has been my greatest take away from this book thus far, as I more often remember that I can attune myself to nature’s energies and simply take note of what’s going on around me.

Another takeaway the book provided for me was more awareness of how I am working with the elements day to day. I now say a little prayer of thanks to the fire as I heat my food and another to the water when I need to steam things. Simply getting outside for fresh air has made all the difference to my mental health, which goes hand in hand with feeling more energy to get back into more elaborate work like spells and rituals. I also noticed that I was often facing a certain direction when I was outside, but simply reoriented my patio set up, which put me in alignment with a different elemental direction that feels better.

I also really appreciated the details Watkins provided in the chapter on social media and apps. It feels like once you have a certain algorithm going, other things that might be relevant for you no longer appear if they’re outside your perceived online interests. Thanks to Waktin’s guidance, I downloaded new apps to learn more about the trees in my neighborhood, constellations, and improve my ogham divination. I also liked being able to have the names to look up Druid groups on social media for up to date information about their organizations and current happenings.

It’s amazing how the simplicity The Five-Minute Druid has actually be more beneficial to me than more elaborate magical books I’ve read. Though I am a seasoned practitioner and always have every intention of doing the elaborate ritual, or crafting something huge, or doing a week long devotional, my current reality doesn’t actually give me that space for that. So these magical things I want to do keep falling to the back burner, making me feel like I’m always running behind and lacking in my practice. This book completely cut through that energy for me and brought me back to the power of the here and now, reminding me it’s all the little things I do daily that add up to mean the most. And everything Watkins shares can easily be done as you go about your daily life. I have been humbly reminded that a little dedication to my craft every day makes me feel wonderful as opposed to ignoring it for weeks, even months, just to try to do something grand to get back in the spirit of things.

Overall, The Five-Minute Druid is the perfectly short and sweet guide needed to inspire a Druidry practice. Already my practice, which I had greatly slacked off with, feels refreshed and energized. By increasing my awareness and thinking through the lens Watkins provides readers with, I have been able to make little changes that lead to major energy shifts. I love how easy Watkins has made it to have a daily Druid practice, as I no longer feel out of sync, falling behind, or frazzled. I recommend this book for those seeking simple ways to establish a daily Druid practice with ease. Watkins suggestions are sure to bring about a renewal of your craft.

Fortuna, by Nigel Pennick

Fortuna: The Sacred & Profane Faces of Luck, by Nigel Pennick
Destiny Books, 1644116472, 144 pages, January 2024

Luck is a mysterious and capricious supernatural force thought to bring about success or failure by apparently random chance. While belief in luck may be relegated to gamblers and the superstitious, the concept is deeply embedded in Western culture. Luck was personified by the ancient Greeks as Tyche, and the ancient Romans knew her as Fortuna, the fickle and fearsome goddess of fortune and fate. “O Fortuna,” a Latin poem derived from the medieval manuscript Carmina Burana, which laments the vicissitudes of fate, was set to music by German composer Carl Orff in 1936, and the epic cantata has since appeared in several films, television shows, and commercials. Fortuna’s Wheel of Fortune appears in both the tarot and the syndicated game show of the same name, which holds the record as the longest-running game show in the United States.⁴⁵

While Fortuna’s indiscriminate giving and taking is often perceived as mercurial and even cruel, her lighter and brighter side is known today as Lady Luck, and she is still alive and well in contemporary culture, from the four leaf clover marshmallows in Lucky Charms cereal to Felix Felicis, the alchemical Liquid Luck elixir Harry Potter downed in J.K. Rowling’s Harry Potter and the Half-Blood Prince. Luck can simply mean being in the right place at the right time. But beyond the superficial veneer of pop culture, who is she, really?

In Fortuna: The Sacred & Profane Faces of Luck, Nigel Pennick, the prolific author of over sixty books, including Elemental Magic (2020), Magic in the Landscape (2020), The Ancestral Power of Amulets, Talismans, and Mascots (2021), and Runes and Astrology (2023), explores the origins and evolution of the concept of luck, from divination to gambling. This slim volume is a quick read, with just a little over a hundred pages, but it is packed with fascinating insights.

Contemporary consciousness tends to rationalize changes in fortune as nothing more than random occurrences, but, as Pennick says in the Introduction, “in the ancient worldview nothing happens by chance but is the manifestation of an act of divine will.”⁴⁶ Feeling subject to the whims of the gods, ancient people sought to discern the divine will by interpreting signs and omens, which led to the rise of divination with various systems, involving objects with numeric values, such as dice and cowrie shells.

In the absence of the concept of mathematical probability, everything was believed to have been preordained by the divine. The belief in predestination was ripe for abuse, as it could be used to validate the unjust actions of people in positions of authority. “Many religions view the Creator in the form of an angry Bronze Age law-making warlord who decides how the natural world must behave and who issues the laws that define those behaviors,”⁴⁷ Pennick says. The real power behind the scenes, however, was the goddess of fortune and fate.

In Chapter 2, titled “Lady Luck and the Goddess Fortuna,” Pennick explores the history of the Roman goddess Fortuna’s worship. Today, we tend to simplify her as the personification of luck, chance, and good fortune, but Pennick does her honor by fleshing her out as a complex goddess associated with many facets of life. She had a plethora of epithets, such as Fortuna Plebis, “of the People,”⁴⁸ for she determined the fates of individuals. Many epithets include types of people and social classes, such as Fortuna Muliebris (“Women”), Fortuna Patricia (“Noble”), and Fortuna Equestris (“Horseback Riding”), which brings to mind knights in shining armor astride dashing steeds. The one that struck me as the most interesting was Fortuna Aucupium, meaning “Bird of Prey.”⁴⁹ Although she was sometimes depicted as blind, this avian title seems to imply keen powers of perception and a shrewd eye for swooping down and snatching good fortune at a crucial moment.

“In Rome, the emperor Trajan (98-117 CE) dedicated a major temple to each aspect of the goddess, and on every January 1, offerings were made at the temples to ensure good luck and success for the coming year,”⁵⁰ Pennick says. Fortuna’s accoutrements included a cornucopia, or horn of plenty, aligning her with the goddess Abundantia, the Roman goddess of prosperity; a ship’s rudder, which signifies her steering the fates of all mortals; and the vertically spinning wheel of fortune. On occasion, Fortuna appeared with wings, like Nortia, the Etruscan goddess of fate.

There were oracular shrines devoted to Fortuna in ancient Rome, which were located at Antium and Praeneste, in the modern day city of Palestrina. I was most intrigued by the Praenestine oracle of Fortuna, which is believed to have operated underground in a cave called “Antro delle Sorti” in Italian, which means “the Cavern of the Fates.”⁵¹ The oracle was thought to have been founded by an Egyptian priestess of the goddess Isis, and incorporated the use of wooden dice inscribed with letters, which may have been derived from Etruscan divinatory practices, and Pennick believes this oracle might have influenced the development of runic divination.

“The cubes were thrown into a silver bowl and drawn out one by one to produce a sequence of letters that were taken as the first letters of words,” Pennick says. “Interpretative skill depended upon determining what the sequence of letters stood for with regard to the question asked or the person asking it.”⁵² The Praenestine oracle had a revival in nineteenth century France, “when it was claimed that Charles Le Clerc used the oracle to attain prophecies for Napoleon Bonaparte.”⁵³

Pennick then explores the history of dice as a form of divination in ancient Europe, which were originally made from the knuckle bones of sheep. He writes about the practice of gambling in ancient Rome and presents a table depicting the names and measurements of Roman dice. Chapter 4 is devoted to dice divination, complete with a chart of the divinatory meanings of possible throws.

One of my favorite chapters is on “Divinatory Geomancy,” in which Pennick gives a concise explanation of how to perform a geomantic reading and presents different methods for generating geomantic figures. Geomancy, which means “earth divination,” is a binary method of generating four-lined figures using odd or even numbers that traditionally involves making marks in the earth, although modern practitioners of the art may choose to throw dice or coins. There are a total of sixteen possible geomantic figures, and each has a Latin name with an oracular meaning and an astrological association.⁵⁴

“An East Anglian technique for generating odd and even sequences uses potatoes,”⁵⁵ Pennick writes. Using root vegetables sounds like the perfect way to perform an earth divination! I personally use a simple homemade deck of geomancy cards I created with blank index cards, on which I drew the geomantic figures with markers, but I love the idea of using potatoes to generate geometric figures.

“Each potato is different, for each has an indeterminate number of eyes, the places from which new growth takes place,” Pennick says. “To generate a geomantic figure, one must take four potatoes at random and count the eyes on each one.”⁵⁶ A full reading requires sixteen spuds, so this might be a fun method to try if you have a sack of potatoes handy.

The latter half of the book explores how the sacred art of divination devolved into the profane practice of gambling and became associated with the Devil. “Perhaps the ancient Jewish prohibition of divination, which was taken up wholesale and unthinkingly into the Christian religion when Christianity split off from Judaism, accelerated the desacralization of divination into gambling,”⁵⁷ Pennick says. He believes that “the association of cards with the Devil is likely to be a cultural leftover from the centuries of religious fulmination against games and the religiously motivated laws that prohibited all forms of play and gambling for so many centuries.”⁵⁸

I was fascinated to learn that, in medieval England, “Christmas was deemed to be the only time that games were allowed, and playing at other times was forbidden by law.”⁵⁹ Hearkening back to the ancient Roman festival of Saturnalia, “the connection of gambling with misrule is overt in writings about carnivals and mythical lands, such as the Land of Cokaygne.”⁶⁰

Pennick also reveals how fortune-telling and luck-drawing magic have intersected with gambling superstitions and dice cheat rolls. “Ancient crooked dice” might have been used for gambling cheats, “but they may well have been used at oracular shrines to skew the readings of those who came to ask questions.”⁶¹ This may have been a matter of self-preservation, especially when the interpreters of omens “had to deal with ruthless tyrants and a wrong answer might mean torture and death.”⁶²

The stakes are high in illegal gambling as well, and the sacred caves where the ancients once consulted Fortuna for spiritual guidance were traded in for the Underworld gambling dens of organized crime, which were crowded with the lost souls suffering from addiction to these illicit practices. Since such risky behavior is a flirtation with death, it’s no wonder that many gambling charms incorporate images of human skulls to represent luck in the face of adversity.

“When we dice with Death, we can be sure that Death has the dice in a special grip and throws all the shots, and the dice are probably loaded,”⁶³ Pennick writes.

Pennick’s impeccable scholarship and concise historical survey of divination and gambling has transformed my perspective of Lady Fortuna and the relationship between her sacred and profane arts. Whether you are a practitioner of divination and magic or a gambler hoping to boost your luck, Fortuna: The Sacred & Profane Faces of Luck will inspire your practice and be a boon to your personal library. Besides, with St. Patrick’s Day being just around the corner, it’s a great read for the month of March. May the luck of the Irish be with you!