Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Surfing the Galactic Highways, by Barry Goddard

Surfing the Galactic Highways: Adventures in Divinatory Astrology, by Barry Goddard
Moon Books, 978-1803410104, 216 pages, January 2023

“This book is aimed at anyone who has a little bit of knowledge of astrology upwards. Astrology is one of those subjects that enters your bones, and if it is there, then it is there, however much or however little you know. It is a primordial connection to the sky that many of us feel.”1

The quote above succinctly expresses the intention of Surfing the Galactic Highways: Adventures in Divinatory Astrology by Barry Goddard. The twenty-one (21) chapters cover an expansive and fresh perspective that differs from the usual books on astrology and often a more mechanical approach that forms a less intuitive structure for the reader. The visual appeal draws the reader in simply in the cover art work and the colors used and imagery, which exude a playful approach. It is reminiscent of the required dioramas that we crafted as children in elementary school. 

Lest, this playful first encounter set the tone for frivolity in the content, there is an abundance of practical and very relatable information within the pages of this title. To that point, “Chapter 1: The Power of Astrology” begins with the First Vaccination Chart reflecting the date when Margaret Keenan (UK), received the first dose of the COVID vaccine on December 8th, 2020. Using this as a starting point for the innate power of astrology as a predictive tool grounded in the present celestial events, Goddard creates the fertile space of return to inclusion of a sentient and accessible Universe as a tool of free will and intention…. 

“Astrology enchants the universe in an age when that enchantment has been replaced by the notion of a dead universe, that the universe is just a thing and we are just one more thing in it. We are the first people in history to entirely forget our roots in spirit, in the sense that consciousness is fundamental.”2

As you move through the chapters of this book, there is a sense of being part of an adventure in exploration of the astrological basics versus the academia of the subject matter. “Chapter 2: Keeping it Simple” exemplifies this approach beautifully. Goddard provides the reader and novice with just enough astrological information to make sense of the deeper explorations of the components of astrological practice. 

“I like to keep astrology simple, because it is then easier to remain close to the symbolism. When you are close to the symbolism, when you feel it strongly, it can speak through you. Anyone can learn the set of meanings of the planets and signs and put them together to read a chart. A computer can do that. But that is not astrology, because it is not the gods speaking through you, but the intellect, which needs to be the servant, not the master.”3

This simple approach is sampled in the reading of Barack Obama’s chart – only containing the Sun, Moon and Rising signs. The lesson here is one of using the highlights (Sun, Moon, and Rising) information as the starting points for analysis of an individual chart. The reader is reminded of the deep, albeit for many unconscious, knowing we have of the two largest celestial bodies of reference we have access to directly: the Sun and the Moon. This concept follows the idea of connection and symbolism and allows those very common things to speak through the astrological reading by way of what is already established as a connection to the reader’s ideology of what the Sun and Moon mean to them beyond astrological purposes. 

Goddard provides all of the usual information sought after by those looking to astrology with specific intentions. “Prediction, Political Astrology and Bad Astrology” (Chapter 3), “Relationships” (Chapter 4), “Astrology, Divination and Science” (Chapter 10) and “The Elemental Balance” (Chapter 11) are just a few of the highlights that would satisfy the more traditional approach.  But, the more interesting perspectives can be found in chapters such as these: “Trusting in Death” (Chapter 8), “Tweaking Our Creation Mythologies” (Chapter 12), “The Geography of the Underworld” (Chapter 21) and others that pique the reader’s curiosity about entwining astrological concepts into more expansive areas of consideration. 

Throughout Surfing the Galactic Highways, the underpinnings of a scientific approach to astrology are woven with the mythos of sign and planet and the symbolism becomes one infused with reality and intuitive creativity. Each chapter is primed with visual examples of charts that have been simplified in how much is contained within, allowing the reader to properly digest the concepts presented and create new pathways of understanding that can at a later date be expanded upon. 

Would I Recommend?

In Surfing the Galactic Highways, Goddard has successfully taken some very dry and often challenging principles of astrology and crafted them in such a way that makes them relatable to everyone at all layers of knowledge base. Goddard’s writing style is one that elicits an ease of reading that is similar to that of sitting and discussing a complicated subject with a patient and enthusiastic friend whose only goal is one of wanting to share their passion for that topic. All in all, this book is an excellent resource for those who wish to explore the many uses of astrological application and enjoy the journey of new awakenings. 

About the Author: Barry Goddard

In his twenties and thirties, Goddard was engaged in Buddhist practice, but for the last 25 years the main currents have been astrology and shamanism. He regularly writes blogs and Facebook posts about both shamanism and astrology, to which he brings a fresh and sometimes controversial perspective.

Lucid Dreaming, Lucid Living, by Norma Burton and Nisha Burton

Lucid Dreaming, Lucid Living: Your Oracle & Guide to Mastering the Dreamscape, by Norma J. Burton & Nisha Burton
Red Wheel, 1590035380, 200 pages, 44 cards, September 2023

If you have ever had the wild experience of knowing you were dreaming within a dream, and then discovered that you had the ability to manipulate the dream world with your thoughts, then you have tapped into the latent power of lucid dreaming. Lucid dreaming is a potent therapeutic practice that can reduce stress, improve memory, and assist in shadow integration, healing trauma, and overcoming addiction. Lucidity also enhances personal empowerment by bringing mindfulness and a greater sense of agency to both dreams and waking reality. The average person has three to seven oneiric visions a night, but 95 percent of these experiences are forgotten upon waking.4 Fortunately, dream recall is a skill that can be strengthened with practice, and the Lucid Dreaming, Lucid Living oracle teaches dreamers how to achieve conscious awareness and navigate their dreamscapes with intention.

Lucid Dreaming, Lucid Living: Your Oracle & Guide to Mastering the Dreamscape is a collaborative project created by Norma and Nisha Burton, a mother and daughter dream team.5 Transpersonal psychologist Norma Burton has over thirty years of experience in her personal practice, and her work is informed by Jungian analysis, applied neuroscience, and comparative world religions, with an emphasis on Buddhism. Norma also apprenticed with Mexican Huichol shamans for twenty years, who gave her permission to incorporate their shadow healing tradition into her practice, and she is well versed in the shamanic traditions of other cultures, such as the Japanese Shugendo mountain shamans, the Brazilian Condoble-Espiritu healers, and the North American Cherokee, Hopi, Iroquois, and Navajo healers. Norma’s daughter, Nisha Burton, is a visual artist, graphic designer, and filmmaker, whose unique artistic vision enlivens the surreal dreamscapes pictured on the cards.6

This beautiful oracle consists of 44 gilded cards and a glossy full-color 200 page companion guidebook. In the guidebook, each card has a “Lucid Dreaming Teaching” and a “Lucid Living Message,” which advises the dreamer on how to integrate the lesson in both dreaming and waking life. 

The cards are divided into three categories, recognizable by their black, white, and starry night sky backgrounds. The black cards, numbered 1 through 22, are for “Lucid Dream Journeys”; the white cards, numbered 23 through 33, are for “State Checks, Stabilizing, and Reality-Shifting”; and the starry night cards, numbered 34-44, represent “Guides and Guardians.” [14-15]

The black cards give guidance for navigating various types of dreamscapes. Three of these cards (Card 6, “Nightmare Rewrite,” Card 12, “False Awakening,” and Card 13, “Sleep Paralysis”) advise on how to overcome frightening dream experiences by using your personal power to flip the script of the dream or transform these scenarios into opportunities for greater lucidity and mobility through out-of-body experiences.

One of my favorite cards is number 7, titled “Portals,” which teaches that “in lucid dreams, mirrors are entryways into other realities.”7 The Lucid Living message says, “Use them in waking reality to focus on what you like about yourself rather than your perceived flaws.”8 This card delighted me because I use black mirror scrying in my shadow work, and after reading about this card in the guidebook, I had a vivid dream in which I continued this practice in my sleep.  

The white cards teach various practices, called “state checks,” which can help one become lucid while dreaming. The guidebook defines a state check as “an action you conduct during the day to ‘check’ what ‘state’ or reality you are in—dreaming, awake, or out-of-body.”9 State checks performed in the dream realm can trigger lucidity. For example, card 27, titled “Solid Structures,” advises you to touch objects that should be solid to see if your hand will pass through them.10 Performing this state check throughout the day can help program your mind to do the same while dreaming, and will also heighten your critical thinking skills in waking reality. 

The starry night cards depict archetypal guardians and guides that you may encounter in the dream realms. They often represent subconscious aspects of yourself seeking integration, such as your “Cosmic Self and Inner Child,” and “Animal Guides” whose spiritual powers may benefit you at this time. 

I was eager to dive headfirst into this deck. For my first reading, I drew Card 16, “The Three Worlds” and Card 9, “The Dream World Home Base.” Both of these cards are black cards for lucid dream journeys, and feature locations in the Dreamtime, reminding me of a star map. 

“The Three Worlds” card depicts the three shamanic realms that dreamers can access. In “The Three Worlds” card:

“The dreamer navigates upward through the three worlds—the Underworld, the Middle World, and the Upper World. She has learned how to differentiate and distinguish between these dimensions and has integrated the powerful lessons held in each one.”11

The keywords associated with this card are: “Moving, State of flux, Re-surfacing of old wounds, Power struggles, Survival needs, Internal metamorphoses.”12

Working with “The Three Worlds” card entails me categorizing my dreams according to which shamanic realm they take place in. For example, I’ve noticed that all of my Underworld dreams take place underground, in some sort of catacomb, tomb, cave, or the basement of a large haunted house. According to the “Lucid Living Message” in the guidebook, Underworld dreams “include the resurfacing of psychological wounds that occurred in your childhood. It may be related to ancestral baggage and the need to heal patterns from your lineage.”13

The night before I drew this card I had a vivid Underworld dream. I dreamed I was speaking with my deceased father in a room with earthen walls, which I realized was his grave when I woke up. We were both crying in the dream, and it felt like we were resolving unfinished business between us. 

Middle World dreams are out-of-body experiences and mirror the earth plane. I began experimenting with astral projection when I was around 12 years old. Even though I had lucidity during these experiences, I had difficulty directing where I went and often lost consciousness and fell deeper into sleep. 

My Upper World dreams often involve spirit flights through space. In these vivid dreams, my astral body rockets through the earth’s atmosphere at the speed of thought, visiting the moon and planets both in this solar system and beyond. The most vivid one involved me floating near the rings of Saturn. I had a frightening sense of weightlessness and being suspended in the black void of space without any kind of tether to ground me and guide me back to earth. After reading the guidebook cover to cover, I was amazed to find a card titled “The Void” that describes this experience. I thought it was unique to me but apparently it is common among dreamers to encounter “The Void.” 

Sometimes these Upper World dreams involve me being on earth, but looking up at the sky to see the planets looming larger than life overhead and being drawn down towards me. I have also seen UFOs phasing in and out of the earth plane, revealing themselves to me by flickering like blue holograms. These dreams are frightening, because the veil thins and I become aware that there are alien forces all around us, cloaked so that most people can’t see them. I get the sense that these mysterious vessels are influencing our reality but I can’t discern how or what their intentions are. 

The second card I drew was “Dream World Home Base.” This card advises me to establish a safe and secure home base to ground myself in the ever-shifting dream realms. The guidebook suggests creating a home base through visualization, and locking the entrance so it is only accessible to me. 

This card reminded me of the astral castle I created in my late teens, and still visit on occasion. My favorite space is a reading room in a huge private library, with multiple floors of oak bookshelves and warm sunlight streaming through stained glass windows. There is a cloistered garden outside with a beautiful snow-white peacock that eats out of my hand. I haven’t visited in a while so I’m going to make some improvements and peruse the shelves. 

“If your home base is on another planet,” the guidebook says, “try putting a fingerprint or eye-scanning device on the portal to secure it.”14

The thought had never occurred to me to create my own dream planet as a home base, and I love the idea. Perhaps these cards are telling me that I already have a home base on another world that I may soon discover in my dreams.

I learned so much about dreaming from this comprehensive guidebook. It turns out that many experiences I thought were strange or unique to me are actually common dream experiences that are explored in one of the cards. While I haven’t had a fully lucid dream recently, using this deck has improved my dream recall and motivated me to be more consistent in journaling about my dreams. 

I have noticed that I often achieve a certain degree of lucidity in dreams, even if only for a brief moment of awareness that I am dreaming. For example, if my conscious mind is resistant to what is happening in the dream, I will remind myself to allow the dream’s narrative to unfold organically and witness it, so I can see what message it has for me. I have found that trying too hard to control and shape the dream takes too much psychic energy and exhausts me out of lucidity. I also like the surprises that come through the natural progression of dream sequences. For me, the most important benefit of lucidity is dream recall. I would rather observe the dream with mindful awareness and wake up to write it down rather than try to exert control over what happens and risk losing lucidity. 

The Lucid Dreaming, Lucid Living oracle is a phenomenal tool for mindful dreaming, astral projection, and deepening self-knowledge through shadow work. Both beginning and seasoned lucid dreamers will be inspired by this visually stunning deck and insightful guidebook, which teaches us the value of being present, as we lead double lives in our waking and dreaming realities. 

Are you awake right now? Or are you dreaming?

The Magic of the Orphic Hymns, by Tamra Lucid and Ronnie Pontiac

The Magic of the Orphic Hymns: A New Translation for the Modern Mystic, by Tamra Lucid and Ronnie Pontiac
Inner Traditions, 1644117207, 288 pages, August 2023

The mythical musician Orpheus charmed fish, sirens, and weary heroes with his songs while sailing with Jason and the Argonauts in pursuit of the Golden Fleece, but he is best known for his doomed love affair with Eurydice, who died after she was bitten by a snake while fleeing a rapist on their wedding day. Orpheus was so distraught that he descended into the Underworld and convinced Persephone, the Queen of the Dead, to resurrect his wife, on the condition that he not look back while leading her out of Hades.

However, in his eagerness to reunite with her, he couldn’t resist the urge to turn around, and she slipped away from him once again. Upon returning to the surface without his beloved wife, he founded the mystery religion that bears his name and the maenads tore him apart, mirroring the dismemberment of Dionysus by the Titans. A collection of 87 religious poems, known as the Orphic Hymns, were attributed to this cult hero, though the true origin and authorship of them is shrouded in mystery. 

In The Magic of the Orphic Hymns: A New Translation for the Modern Mystic, co-authors Tamra Lucid and Ronnie Pontiac revitalize the traditional hymns with fresh new poetic renderings in contemporary English. Like Orpheus, the husband and wife duo are mystical musicians themselves, who founded the experimental rock band Lucid Nation. Both were initiated into the underground music and occult scene of Los Angeles, and Pontiac apprenticed under the metaphysical scholar Manly Palmer Hall. Lucid wrote about their experiences in Making the Ordinary Extraordinary: My Seven Years in Occult Los Angeles with Manly Palmer Hall (2021).

The authors first began working with the hymns in the 1980s, when Pontiac assisted members of Hall’s Philosophical Research Society with a republication of Thomas Taylor’s eighteenth-century translation titled The Mystical Hymns of Orpheus. Pontiac, who was studying ancient Greek in college at the time, was inspired to write his own translation, and Lucid researched the ritual correspondences. Together, they produced the poetic renditions of the traditional hymns contained within this book. 

My go-to translation for the past decade has been The Orphic Hymns by Apostolos N. Athanassakis (2013), which is an excellent scholarly resource with extensive footnotes. I was drawn to Lucid and Pontiac’s more flexible poetic interpretations because I’m always looking for beautiful prayers to incorporate into my personal rituals and I thought this book might move me to craft my own hymns as well. However, The Magic of the Orphic Hymns is more than just a divinely inspired poetry collection, and I was impressed by the comprehensive historical background information the authors provide. 

In the first half of the book, Lucid and Pontiac explore the origins of Orphism from a well-researched, scholarly perspective, and the influence of Orpheus, “the first rock star,”9 on great minds throughout history. Through their engaging narrative voices, they have a knack for making what might otherwise be dry history entertaining, and this work is peppered with fascinating anecdotes about philosophers and Roman emperors. The far-reaching spiritual influence of Orphism interested me the most, and I was intrigued to learn that the early Christians saw Orpheus’s underworld journey to rescue his beloved wife as mirroring Christ’s harrowing of hell and the liberation of the virtuous souls trapped there.12 

Defining the religion of Orphism is tricky, and scholars have debated if it even existed at all.

“Orphic may have been a catch-all phrase in ancient Greece for anything neither Homeric nor Olympian,” writes Lucid and Pontiac. “The phrase could be a generic category for a cluster of related interests, like New Age in our own culture.”15

According to the Neoplatonist philosopher Olympiodorus, Orphics believed that human beings were created when Zeus struck the Titans by lightning after they cannibalized Dionysus. Humanity is therefore like an electrified Frankenstein monster composed of heavenly Dionysian spirit and corrupt Titanic flesh. Through the cycle of reincarnation, the Orphics supposedly taught that humans could purge themselves of their Titanic impurities over the course of multiple lifetimes and liberate their Dionysian divinity.

Followers of the Orphic mysteries led austere lives and restricted their diets by abstaining from meat and beans. However, authors Lucid and Pontiac state that Olympiodorus is the only source for the Titanic origin myth of humanity being Orphic and the Italian scholar Domenico Comparetti concluded that the Orphics believed in reincarnation based on his writings, so this is an educated guess supported by scant evidence. 16

Lucid and Pontiac’s exploration of Orpheus’s wife in a chapter titled, “The Evolution of Eurydice” was especially compelling to me. In the earliest sources, Eurydice is nameless, faceless, and voiceless. She is a shadow projection of Orpheus’s mourning and yearning to possess the woman who was stolen from him by death. She is an ancient victim of the male gaze, doomed to serve as muse for a famous musician while having no true identity of her own. 

Her elusive character acquired more substance in retellings. I was fascinated to learn that a name for Eurydice in some early versions of the myth was Agriope, which means “Wild-Eyed.”17 This caught my attention because Agriope is also an epithet for Hekate, the goddess of ghosts and witchcraft, in her capacity as leader of the restless dead. Under the name Agriope, Orpheus’s wife appears to be a hungry ghost sent by the Queen of the Underworld to haunt him. 

The authors suggest that Eurydice, whose name means “Wide Justice,”18 sounds more like an epithet for the goddess Persephone in her role as judge of souls than the name of a mortal wife. I’m inclined to agree, because I find the parallels between Persephone and Eurydice to be striking. Eurydice died of a snake bite after a shepherd or satyr attempted to rape her on the day of her wedding to Orpheus, and according to the Orphic Hymn to Persephone, Zeus raped Persephone in the form of a serpent. The fruit of that unspeakable union was Dionysus. Through her untimely death, Eurydice was, in a sense, abducted by Hades, and through Orpheus’s descent into the Underworld, he was reborn as a Dionysian mystic.

Persephone herself is a key figure in the myth for taking pity upon Orpheus and permitting Eurydice’s return to the land of the living, on the condition that he not look back, lest he lose her forever. Yet, despite this warning, he could not resist the urge to do so. In medieval times, Orpheus’s backward glance “was a symbol of human weakness, illustrating the way even the most dedicated among us, the holiest, cannot escape those moments of desire for material pleasures.”19

Carl Jung interpreted Orpheus’s “backward glance” as “a symbol of individuation and the achievement of autonomy.”20 Orpheus was fated to lose the love of his life so he would become the renowned mystic and musician he was destined to be. Sometimes the obligations of a relationship can limit one’s ability to pursue the soul’s true calling, and so Orpheus’s romantic hindrance was removed by the force of death, while simultaneously being used as a guiding light to propel him forward.

This poignant insight resonated deeply with me because I have observed in my own life that love lost or unrequited can be a powerful catalyst for personal growth and transformation. Limerence, or romantic obsession for someone unattainable, can serve a higher purpose when it is sublimated into artistic and spiritual pursuits. When I think back on it, it seems that heartbreak was the catalyst for every major breakthrough and turning point in my life, as if the Universe was redirecting me towards something greater, even though I felt devastated at the time. 

The second half of this book contains the “Orphic Charms and the Sacred Songs of Orpheus.” The authors have taken creative liberties with their loose translations of the Orphic Hymns, creating “a poetic work, not a scholarly translation.”21

The charms consist of the cryptic messages that were inscribed on the Orphic golden leaves, which were buried with the deceased as “passwords for the dead, messages to avert forgetfulness.”22 My favorite charm tells the departed initiate what words they must speak to the guardians of the lake of memory in order to drink from it:

“I am a child of earth/and of starry heaven,/but my race is of heaven./This you know./I am parched/and perishing./Give me cold water/from the lake of memory.”23

One of my favorite hymns is addressed to Hermes, who is cleverly described with homophones as the “lover of prophets/and profits”.24 I also adore the hymn to Persephone, in which she is honored as “the star/at the core of the apple.”25 The beautiful aquatic imagery of “The Nereids” reminds me of Hans Christian Andersen’s fairy tale “The Little Mermaid”: “Daughters of Nereus,/you live in the golden castle/at the bottom of the sea./Your steeds are Tritons,/the mermen with wings./You delight in the creatures/of the billowing brine.”26

The Magic of the Orphic Hymns is a poetic odyssey through the history and mystery of Orphism that makes the traditional hymns more accessible to contemporary mystics by rendering them in vivid modern English. Anyone who is curious about the Orphic tradition or interested in revitalizing the hymns in their personal practice will benefit from reading this book. These pages want to be perfumed in incense and awakened with whispered incantations.

The Beloved Dead, by Carrie Paris and Tina Hardt

The Beloved Dead: An Oracle for Divining Ancient Wisdom, by Carrie Paris and Tina Hardt
Weiser Books, 9781578638109, 82 cards, 144 pages, September 2023

After following Carrie Paris for several years and buying a few of her decks, I was excited about getting my hands on The Beloved Dead: An Oracle for Diving Ancient Wisdom.

The beautiful cards are edged in gold and feature old photographs with artful collage treatments. Each card tells a story and connects the reader to guidance from friends or loved ones in spirit. The cards include a Spirit Throne card, which allows you to invite a friend or loved one in spirit to join you for the reading, ten Acts of Love cards, which contain messages and instructions, and 71 Beloved Dead cards, representing “our esteemed family of radiant souls.”19

Carrie Paris has a master’s degree in the Cultural Study of Cosmology and Divination from the University of Kent, UK. She has created four Lenormand decks, as well as three versions of the Magpie Oracle, which includes charms used for divination. Paris has also created the Relative Tarot. She and her husband divide their time between California and Italy.

Tina Hardt considers herself a cartomancer, charm caster, and Spiritualist.  She is also a creator of several tarot and oracle decks. She was introduced to the world of reading cards in her grandmother’s parlor by her grandmother, an aunt, and two cousins. Hardt lives in Ontario, Canada.

The first day I opened this deck, I posed a question about how best to capitalize on the energy of Mars moving into Scorpio.  I utilized the “General Three-Card Spread,” which spoke to the 1) Main Idea, 2) Heart of the matter, and 3) Outcome or Advice.20

The cards I drew included Personality, Perfection, and Backstory. For Personality, the guidebook shared that “your soul has the blueprint for your best self, the brightest and most authentic expression of this gift of life.”21 From this wisdom, I felt the nudge to go for it! To do ME! I also felt that this is no time to shrink back or refuse to shine!

When I read the guidance from Perfection, I learned that it is time to stop being so hard on myself and stop TRYING to be perfect.  This message confirmed what I learned from the first card. For the third card, Backstory, the card shared this message: 

“The Beloved Dead of Backstory is helping you rewrite inherited scripts. Red pencil out any stale and limiting storylines so that you can make better free-will choices. This card acknowledges that you’re on a journey of self-realization, healing and happiness.”27

The wisdom of these three cards combined to give me this overall guidance: When I “go for it” in my own imperfect way, I write my own story and enjoy healing and happiness. 

Next, I asked a client of mine to allow me to do an Evidential Spread reading for her, which opens the opportunity for spirit communication.  This spread is also a three-card reading and features the following keywords for each card:

1) Who (this can also describe an event or incident)
2) Validation
3) Message

My client, who I’ll call KT, asked this question:  “Who will step forward to support me in my coaching practice?” I placed the special Spirit Throne card in front of me and shuffled the cards.

The following cards were dealt: Hospitality, Home and Prophecy. When KT saw the first card, Hospitality, which featured a man with a nice smile serving drinks, she immediately said, “That’s my Aunt Lydia!  She was a nurse and a doctor’s wife, and they had lots of parties and always entertained lots of people.”

She went on to share that her aunt struggled with an immune-deficiency condition late in life.  The wisdom from this card suggested taking better care of oneself and warned of the dangers of over-giving.  KT understood perfectly that she often gives 110% to clients and fails to get enough rest or take time to eat nutritious foods.

The second card, Home, was a great validation of the message from KT’s aunt, as she loved to visit her aunt’s home when she was a child. Her aunt’s home had a cozy, welcoming vibe and KT realized that she needed to clear some clutter and make some changes to her own home. 

Finally, with the third card, Prophecy, KT’s aunt shared with me that she also “dabbled in cards.”  When I related this to KT, she was not surprised.  She said that she noticed crystals and an Ouija board in her aunt’s house.  Her aunt also shared that she was available to talk with KT anytime in the future.

These three cards joined together to provide this guidance: Take good care of your personal energy, clear clutter, and enjoy your cozy home, so you can shine and better support your clients!

KT loved the wisdom I shared and the reminder to call on her ancestors for support.

I love that these cards can be used for simple readings and basic spirit communication, as well as more layered readings for insight into your personal journey.  The Beloved Dead Spread features 12 cards that can “reveal key information about your upbringing and allow you to discover the parallels that exist between your past and present that may still be influencing your future, whether for good or for bad.”28

Another 12-card spread, The Pillar of Personal Power Spread, can “provide you with a model and blueprint for self-actualization or soul level realignment.”29

The cards are printed in sepia tones with sky blue or aqua backgrounds.  Many of the people in the images sport wings. It’s a really fun deck, yet it also has very serious undertones. The imagery works on many different levels and each reading is informed by the reader’s personal interaction with the graphics. The card stock is a nice weight, and the cards are easy to shuffle. The kit comes in a beautiful box with a magnetic clasp and an indention that easily holds the cards. The box includes a ribbon for pulling out the cards and has ample space for the guidebook.

The Beloved Dead works as a portal into the unconscious.  Each of the elements on the cards speak to individuals in very personal ways.  I loved focusing on the images and making my own notes and then turning to the guidebook for further wisdom.  This deck is not one for doing a quick reading, as it asks you to really sit with the cards and allow the messages to come through in a timely manner. This deck would be best for someone with experience reading cards, and if the person also has experience in mediumship, this would be helpful. 

I’m looking forward to using this deck to speak to my ancestors and also offer readings to clients when wisdom from friends and loved ones on the other side might bring a new perspective to life’s many challenges.

Lunar Tarot, by Jayne Wallace

Lunar Tarot: Manifest your dreams with the energy of the moon and wisdom of the tarot, by Jayne Wallace
CICO books, 1800652658, 64 pages, 78 cards, October 2023

The gentle energy of the moon always soothes and calms me, especially when I’m feeling unsettled or anxious, as it reminds me of the cyclical nature of life. Often while stargazing, I find myself wishing I could bottle up the sense of peace and tranquility of the moon’s lights. While I’ve yet to capture the moon’s rays in a jar, Lunar Tarot by Jayne Wallace has done quite a wonderful job channeling the energy of the moon for me to draw upon for guidance and advice when in need.

Wallace is a naturally-gifted clairvoyant who specializes in intuitive counseling, angel cards, psychometry, and tarot cards. She’s previously published tarot decks, including The Angel Tarot, The Moon & Stars Tarot, The Mythic Goddess Tarot, and The Magical Nordic Tarot.

This deck is similar in design to her others with the name of the card at the top and a keyword or two at the bottom. But the images are unique and fitting for the theme of lunar energy. Wallace writes in the guidebook, “I teach you how to tap into your lunar intuition and capture the power of the Moon when you read the cards.”30

In the colorful guidebook, Wallace offers three spreads: Moon Cycle, Crescent Moon, and The Lunar Clock. Each spread draws upon the divine wisdom of the moon, and Wallace shares the best time in the moon cycle to do the reading. My favorite part of her offered spreads is that she provides a short incarnation for each one to begin the reading.

Wallace provides keywords, meaning, insight into the imagery, a lunar message, and moon mantra for every major arcana card. She provides lots of information about the moon phase featured in the card, often going into the astrological correspondence of the card too. The cards all have the traditional tarot meaning, but Wallace frames her interpretation of the card’s meaning with a gentle, self-reflective energy, prompting readers to question deeper or take necessary action.

For the minor arcana, Wallace goes into detail about the suits and moon phases, describing the relationship between each one. Wands have New Moon energy; Swords have First Quarter Moon energy; Cups have Full Moon Energy, and Pentacles have Third Quarter Moon Energy. Though I am a seasoned tarot reader, seeing the cards through this lens provided new understanding and an opportunity to expand my perception of the cards. Wallace also provides a reference table for the theme of card numbers, regardless of suit, and a helpful paragraph on the significance of court cards.

While the minor arcana cards only have keywords, meaning, and a paragraph-long description of the card’s meaning, with the extra layers of the moon phase and numerology to reflect on too, there’s more than enough to draw upon for insight.

The major arcana cards all have a color palette of blue, greys, and whites, making them feel mysterious like the Moon. Meanwhile, the minor arcana cards are color-coded by suit and simply have the number of symbols representing the suit (i.e. five cups for the Five of Cups). The court cards feature characters with a mixture of skin tones and facial features, making this deck feel very inclusive to all people.

My favorite major arcana card is the Empress. The Empress has a crown of stars above her head, while her stomach is the ripe full moon, which she cradles protectively. The keyword on the card is “Rebirth” and the guidebook reads:

“Look and you will see the evidence and benefits of your recent efforts. New life, beauty, and abundance should abound. You will also want to nurture yourself to try to reclaim your equilibrium.”31

Meanwhile, my favorite minor arcana imagery is Pentacles. The pentacles look like big gold saucers with a star in the middle and jewels around the edges. A big, bright full moon shines in the background of these eye-catching yellow cards.

One thing I really like about this deck is the balance of masculine and feminine energy. The Moon is typically associated with feminine energy, but Wallace does a wonderful job of bringing a soft energy to the traditional masculine cards, such as the Emperor, Hanged Man, and Hermit, which makes them more approachable. For those who have found these energies a bit foreboding, this deck offers a chance to discover a more relatable bond with these cards.

Overall, this beautiful and mesmerizing deck yields readings that feel open-hearted and intuitive. I highly recommend Lunar Tarot for my fellow selenophiles that want to further connect with the spiritual wisdom of the moon. This deck is a good way for those who enjoy tarot to get better acquainted with the moon cycles and tune into guidance that each phase holds. Wallace helps readers to find balance in the ever-changing flow of life, creating opportunities to discover the magic through it all.

Tree Wisdom, by Alice Peck

Tree Wisdom: A Journey of Wisdom, Symbols, Healing, and Renewal, by Alice Peck with illustrations by Melissa Launay
CICO Books, 1800652631, 144 pages, September 2023

Full transparency, I’m a tree hugger. I live on a property that is home to many trees, mostly pine. I hug them, I talk to them constantly. I share my life with them, I ask for their advice. They’ve seen my children grow up, move away, and return with their own children. And today, as I write, the old tree that is in the front of the property, is being cut down. I avoided it for so long, but the majority of the tree is dead and is dropping limbs onto the road that could harm a pedestrian or someone in a car. I made my peace with the tree and thanked it, but I have to admit the grinding of the wood chipper is unnerving. The irony of the fact that it’s being cut down as I write about Tree Wisdom: A Journey of Wisdom, Symbols, Healing, and Renewal, by Alice Peck is not lost on me.

Peck shares a similar love and appreciation of trees. The kernel of the book started with a relationship that she had with a maple tree, one that was a part of her life and amazingly survived Hurricane Sandy. Peck understands the wisdom that trees impart, if we are willing to listen, to engage with and to, as she encourages, be more tree.  As she observes, we all have access to trees, no matter where we live. She shares how trees move and steady her.

The book is divided into four “useful but arbitrary”32 sections: “Roots”, “Branches”, “Leaves”, and “Seeds”. Each section profiles a type of tree accompanied by Melissa Launay’s colorful illustrations. There are also quotes for each profiled tree from a myriad of individuals from Marcus Tullius Cicero, a Roman philosopher, to poets such as George Marion McClellan and Walt Whitman, and to authors such as Virginia Woolf. Also, for each tree, Peck includes either a suggestion. These suggestions range from how to tree bathe to how to dine on fruits of trees.

The section “Roots” revolves around wisdom, lore, understanding, and, of course, on foundation – our foundations, be they family and/or cultural. She encourages the reader to “consider how we are rooted in time.”33 The interconnectedness of tree systems, whether roots are shallow or run deep, the tenacity of trees to survive. In this section, I particularly liked the profile of Cinnamon and its importance in trade.

The trees in the “Branches” section are associated with symbols, myths, and rituals. Peck shares that for her all trees have meaning, in a general sense and in a very personal way. Many will  develop a relationship with a certain tree or grove of trees that are in their lives; the tree you pass every day, the trees you visit every year on a vacation – all personal.

Healing, science, and practical applications are the focus of the “Leaves” section. Leaves are the most obvious way that most of us use to identify trees. “Just as every tree has a specific leaf identity, many trees heal in a specific way.”34

The “Seeds” section is all about awareness, transformation, and spirituality. “Trees are a lesson in transformation – from a pip and a promise to towering and enduring.” (102) Peck meditates on whether the trees that she sees were planted on purpose or “just the miracle of the wind and weather?”35 She focuses on how trees teach us about hope, transformation, tending to, quiet, solitude and community, healing, and endurance.

“They’re also the way that humans can touch the future. A seed is a promise, a hope, and it’s not just the promise that trees make to us, but the promise that we make to trees – for what’s a tree without the planting, tending, and the protection?”36

The book ends with the profile of the Sequoia, some of which are over 2,000 years old, which was just one of many facts I learned while reading. For instance, I’ll admit to not having known that Frankincense is a tree until I read this book. Its resin is prized and in the New Testament its resin was offered as one of the gifts from the Magi to the baby Jesus. Ayurvedic medicine uses it for healing.

I found myself feeling very zen while flipping through the pages. Launay’s illustrations are bright and colorful, but also convey a sense of calm and stability, just like the towering presence of trees. While Peck shares insights about each tree, Launay captures the tree’s spirit, bringing them to life.

I recommend Tree Wisdom without reservation, and I suggest that you read at least part of it in the company of a tree. The multiple angels Peck approaches our loving tree friends will surely bring inspiration and refreshment to your spirit. Now, I will go to the nursery and select a sapling to plant at the site where my old tree was just felled!

Essential Oils Oracle Cards, by Dennis Mock

Essential Oils Oracle Cards: Wisdom and Guidance from 40 Healing Plants, by Dennis Moeck with illustrations by Ulrike Annyma Kern
Inner Traditions, 9781644118795, 40 cards, 15 pages, September 2023

As someone who has been utilizing essential oils in my life for more than fifteen years, I am excited to see an oracle deck devoted to this subject. Essential Oils Oracle Cards: Wisdom and Guidance from 40 Healing Plants by Dennis Moeck with illustrations by Ulrike Annyma Kern is both beautiful and educational. The wisdom Moeck shares about the plants is equally matched by the guidance he imparts for each card. 

Moeck has studied aromatherapy, crystals, psychology, shamanism, ayurveda, and trauma therapy. His coaching practice focuses on consciousness and inner journeys through online courses, workshops, and retreats. Moeck has worked with essential oils for decades. He lives in Germany.

Kern is not only an artist, she is also an author and spiritual teacher. She has created an oracle deck based on archangels and written several books, one of which has been translated into English and features the chakra system.  She also lives in Germany.

These cards are very easy to use, and I decided to do a card pull right away. I asked the question: “What do I need to know in order to utilize the power of the Solar Eclipse?”

After shuffling the cards and fanning them out, I drew the card for Lemon.

“The time for cleansing and clarity has come.Refreshed and reinvigorated, you can rediscover your original inner light, a light that will guide you to the truth in this light. … the spirit of women is eager to guide you through the realm of shadows where it will kindle light in the rooms of your mind.”36

What a great message for me, for eclipse season! On the flip side of the card, I read additional guidance that says that lemon will help me to focus on what is essential, fresh, and pure. It also says that lemon aids the solar plexus chakra and that its scent can help me to celebrate life.

The affirmation reads:

“I am ready to open myself to life unconditionally and to welcome what I am.”37

The guidebook suggested that I “connect with the soul of the plant and tell it what is currently on your mind . . . .  Imagine that you are integrating with the energy of the healing plant soul and look back on yourself. . . . What advice do you give yourself?”38

Moeck advises the card reader to work with the energy of the card for 21 days, as well as suggesting they diffuse the essential oil or place the oil on pulse points or the heart space. I had some lemon essential oil on hand, so I added it to my diffuser. With the guidance, the image of the lemon plant, and the essential oil wafting through my space, I feel that I was able to integrate the wisdom more easily from the card.

Next, I wanted to reach out to clients and friends and pulled cards for 18 people. The feedback I received is overwhelmingly positive for each of the essential oils and messages shared. Here is what one friend has to say about her card, which was Patchouli:

“PJ drew the Patchouli card for me. From the very first line, I knew this was spot on and PJ had connected with my spirit. This was a week of worldwide turmoil with a personal connection, a relationship dilemma within my family, and a deeper, more personal emotional process that did indeed leave a “crack in my soul.” All areas of my life are in need of soul recognition and healing. Interestingly, Patchouli’s scent is highly obnoxious to me and this really surprised me. The plant, however, challenges me to view it, as well as the events in my life, with a new perspective and allow for the body/soul connection to do its necessary work.”  -BB in Dallas

A client who is currently struggling with where she is in life right now has this to say about her card, which was Frankincense:

“Thanks, PJ! The first paragraph of the second side mentioned something about recognizing My Divine Being. I needed the reminder.” – ST in Austin

Finally, a client with the card Cedarwood, shared that she LIVES on Cedarwood Drive! She also added this feedback regarding her guidance:

“I love the message of going forward playfully and trusting the divine timing of things. Less serious. Play, Relax and Trust the process Thank you so much. This resonates so much.” -HC in Boston

These cards are so very easy to use and share with clients.  The size of the cards and quality of the card stock work well and will last through many readings. The beautiful illustrations add to the message, without being overbearing or cryptic.  I really like this aspect.

In addition to the basic message about the history of the use of the plant and essential oil on Side A, the additional information on Side B adds even more guidance.  Moeck shares an affirmation, additional wisdom, a “Top Tip”, key words, and the chakra for which the oil might best be used.

The short guidebook is also very informative and helpful.  It shares an introduction, various ways to use the cards, how to phrase your question, and ways to read the cards. Moeck also shares ways to work with essential oils, including important safety notes. He also offers a way to close a card reading:

“Return to your own self, breathe deeply, absorb the advice, and then take a couple of minutes to reflect on it. Are there any other issues where the soul of the plant can deliver support? In this way, by changing roles and switching places with a plant, however many times it takes, you can make a connection and seek the plant’s advice.”39

Essential Oils Oracle Cards is good for  readers of all skill levels.  It is easy to use and shares information and guidance that applies on many levels. People who love working with essential oils will benefit greatly from the information in this deck. For those new to essential oils, this deck will be a great introduction to essential oils and their uses. I plan to use the deck to close out client readings when I feel led to refer to essential oils.

Pagan Portals – The Norns, by Irisanya Moon

Pagan Portals – The Norns: Weavers of Fate and Magick, by Irisanya Moon
Moon Books, 1789049105, 112 pages, August 2023

From the Weird Sisters in Shakespeare’s Macbeth to the three witches in Disney’s 1993 cult classic Halloween film Hocus Pocus, the Triple Goddess of Fate haunts pop culture, bewitching the masses in the form of three meddlesome hags. Fate’s commercial success in such unflattering incarnations betrays how terrifying the concept of predestination is to contemporary Westerners who tenaciously cling to the secular cult of Free Will, despite the audacious philosophers and neuroscientists like Sam Harris who have declared that free will is an illusion. According to Harris, the conscious mind may believe it’s in control, but it only acts out decisions that have already been made by the subconscious mind. 37 Some people may even become enraged by the idea that there is no such thing as free will, because our culture places such high value on accepting personal responsibility for our successes and failures in life. There is a deep collective fear of not having control over our destinies.  

In Pagan Portals – The Norns: Weavers of Fate and Magic, author, witch, and priestess Irisanya Moon reveals that the ancient Norse had a more holistic view, and saw Fate, or Wyrd, as an intricate web that both includes and transcends us. The Norns, the trio of mysterious goddesses who personify Fate in Norse mythology, are ubiquitous spirits, unseen yet all-pervasive, ever weaving the fabric of space and time. They occupy the liminal spaces, moving through us and around us, forever spinning the wheel of the Cosmos, and their spindle of Fate pricks the thumbs of both gods and mortals alike.

Because of their ubiquity, the Norns can be difficult to define. There are the primary three, named Urd, the Norn of What Was, who is associated with the past and creates the thread of life; Verdandi, the Norn of Becoming, or the present moment, who measures the thread of life; and Skuld, the Norn of What Shall Be, who cuts the thread at the end of life. The Norns also include a collective of female ancestral spirits called the dísir, who watch over humanity. Additionally, Moon points out that “a common meaning for norn in modern Icelandic is ‘witch’ or ‘hag’.”38

Instead of rehashing Norse myths that can be found in other books, Moon guides readers to discover who the Norns are by fostering intimate relationships with them. She encourages personal gnosis of these divine beings through a variety of exercises, such as “Stepping into the Worlds of the Norns”39 through trance.

As Moon invited me to travel in spirit to the World Tree and visit the Wyrd Sisters, I was flooded with vivid imagery. In an eldritch forest, I saw the World Tree Yggdrasil towering above the other trees, its evergreen boughs silvered by moonlight, dripping lunar dew over the Well of Fate, pooling in an earthen basin formed by the vast network of knotted roots. Three shadowy maidens rose from the depths of the lake, shifting shape. They coalesced into a trinity of spiders, weaving the elastic web of the Multiverse in the boughs of the World Tree. Infinite worlds were reflected in the dewdrops of their infinite eyes. I began to think of Yggdrasil as a human body, my body. My spine became the tree’s trunk, a ladder of bone that could take me up to Asgard, the realm of the gods, or down into the depths of Hel, the Norse Underworld. I realized that all the trees in the forest around me were other people’s World Trees. We live in a Multiverse where everyone is their own Yggdrasil. 

“Everyone has a part of the wyrd, like a web, like a large woven tapestry,” Moon says. “My wyrd intersects with yours, perhaps. Yours intersects and pulls on mine. And all of this is what creates fate and destiny.”40

Together, we all shape Fate as a collective. 

I was drawn to this book because I’m a fatalist. I believe that free will is an illusion, but I think that we should behave as though we have free will, and make responsible choices to the best of our abilities, even if our subconscious mind has already made them for us. It appears to me that there are too many external factors limiting any supposed free will that we mortals may have, from mental programming imprinted upon us as children by our parents and the culture in which we were raised, to societal limitations that limit our mobility as adults. I think that when we act out what we believe is our free will and pursue our dreams, we are in fact acting out our soul’s true purpose and what we are destined to do. We are coming into alignment with our True Will, which is the will of Fate. 

I believe the excessive praise of individualism in Western civilization is harmful to the collective. The emphasis on individual free will and pulling oneself up by the bootstraps blinds us to systemic abuse and allows the continued oppression of large swathes of people. Everyone’s fate is connected. The focus on individualism creates the illusion that individuals are struggling alone. In truth, their struggles are shared with other people in similar circumstances, but in isolation, they are tricked into believing they should shoulder the burden of circumstances beyond their control all on their own. 

I appreciate how Moon compassionately addresses the ways that Fate encompasses circumstances beyond one’s control.

“Dismantling the structures of oppression requires the commitment to uncovering and understanding that people do not all have the same opportunities,” Moon says. “Many are born into places that limit and seek to continue to hold them back.”41

This thought-provoking book had me pondering the shared Fate of the collective, the interconnectedness of people’s individual threads, and how great an impact any word or action, however small it may seem at the time, can have on so many people. I can recall times when the actions of others have inadvertently shifted my path, and I am sure I have had the same effect on other people as well, in ways which I am not aware. Just as Moon says, “I can choose to meet my fate in a way that is honorable and respectful of the collective versus just being out for myself.”42

My sole criticism of this work is that the author’s well-meaning efforts to be all-inclusive were superfluous to the point of distraction. For example, Moon spells the word “gods” with double ds (“godds”), to make it more gender inclusive, which I don’t feel is necessary, because I read the word “gods” as gender neutral without a second thought, and my inner editor kept flagging it as a spelling error.43 

Moon also suggests that the gender of the dísir, who are traditionally female ancestors, may make some people uncomfortable, and “it might be more inclusive to expand this to those who birth or those who mother without being attached to gender.”44 I don’t understand why seeing the dísir as female matrons would be offensive, and I feel that we can learn more about their true essence by examining the traditional perceptions of these ancient spirits instead of projecting modern gender politics upon them. It would be far more interesting to explore why the dísir were perceived as female instead of dismissing their femininity and assigning them whatever gender feels more comfortable. I personally think the focus on female ancestors is beautiful because it emphasizes matrilineal descent, as opposed to our patriarchal society, which frets over paternity and erases the maternal line by only giving children the surname of the father. I feel that dismissing the female gender of the dísir only reinforces these patriarchal views. 

It’s no accident that the maternal line is also known as the distaff line. 45 The word distaff is derived from the Old English, dis, meaning “bundle of flax” and stæf, meaning “staff,” so the distaff is a staff on the spinning wheel that was wound with flax in preparation for spinning. Meanwhile, the strikingly similar Old Norse word dís means “goddess,” and the plural form of dísir means “goddesses.”46 Spinning was traditionally women’s work, and the dísir are the spinning goddesses, the collective ancestral mothers. They are inherently feminine, and I think it would be disrespectful to change that just because their gender might make some people feel uncomfortable.

I see the Thread of Fate as the umbilical cord, which nourishes the fetus in the womb and connects the unborn child to the well of ancestral memory (the well of Urd). When the baby is born, the umbilical cord stretches out and is measured by Verdandi, in that precious and fleeting moment when mother and child are still connected. When the cord is cut by the midwife Skuld, the neonate takes their first breath of spirit, and accepts the destiny that has been gifted to them by the Norns.  

I gained some wonderful insights into my personal perception of the Wyrd Sisters by experimenting with Moon’s exercises. While I prefer a more traditional view of the Norns, I feel that my disagreement with some of Moon’s progressive views produced creative tension that helped me further clarify my own relationship with these potent spirits.

Pagan Portals – The Norns: Weavers of Fate and Magick is a book that shifts one’s perspective from fearing Fate to embracing the mystery of how our individual fates intertwine with the world’s collective Fate and the greater destiny of the Multiverse. The exercises contained within encourage developing a personal connection with these transcendent powers through journaling, self-exploration, and trance work. For those who love journal prompts and guided meditations, this book can facilitate a deeper relationship with the mysterious spirits of Fate who watch over us all and guide us towards our destinies.

Persephone’s Oracle, by Jennifer Heather

Persephone’s Oracle, by Jennifer Heather
Independently Published, 22 cards, 29 pages, January 2023

Persephone is my goddess archetype, and during the fall, I honor her annual descent into the Underworld to sit on the Iron Throne as Queen of Shadows. As the Sun enters the Venus-ruled sign of Libra, where Saturn is exalted, it is a time for evaluating our relationships and honoring our commitments. I see Persephone as the Virgo Harvest Maiden, led by her psychopomp Mercury into the cavernous Great Below with the Golden Scales of Libra in hand, ready to renew her infernal vows with Hades and share in his judgment of the dead, balancing his Saturnine sternness with her Venusian grace and compassion.

This year, I was thrilled when my Hadean partner surprised me with Persephone’s Oracle as an Autumn Equinox gift. The creator of this deck, Jennifer Heather, is based in the UK and sells this oracle in her ObsidianSirenShop on Etsy. I love supporting Etsy creators, and this deck, as well as her Aphrodite’s Oracle and Hekate’s Oracle, have been on my wish list for a while.

Persephone’s Oracle is a shadow work deck consisting of 22 cards and a slim guidebook devoting a full page to interpreting each one. The entries also include journal prompts to facilitate shadow work and deepen self-knowledge.

In the introduction chapter of the guidebook, creator Jennifer Heather says, “Persephone’s Oracle is symbolic of the journey towards wisdom as experienced by the archetypal maiden descending into the Underworld to face the unknown terror of darkness,”1 and the cards “depict the transition of the maiden to maturity and the lessons obtained along the way.”2 If the cards are read in order, they begin with card 1, titled “Innocence,” relating to Persephone’s beginning as Kore, the innocent Flower Maiden.

The first five cards in the series contain uplifting messages about connecting with your inner child, letting your light shine, and spending more time in nature. The tone shifts with card 6, titled “Surrender,” which speaks of the trauma of Persephone being abducted by Hades in the meadow and carried down into the Underworld, a terrifying ordeal which she had no other choice but to accept. The series continues through various aspects of Persephone’s process of individuation as she is transformed by her journey through the Underworld, and returns to the surface in card 22, titled “Ascension.”

One of my favorite things about Persephone’s Oracle is that the cards are graced with the masterpieces of a variety of famous artists, and the name of the painting, the artist, and the date it was produced is given in the guidebook, so each card is like a mini art history lesson. For example, six cards feature the Art Nouveau paintings of Alfons Mucha, and French Symbolist Odilon Redon’s work appears on four cards. My personal favorite is Proserpine by the Pre-Raphaelite painter Dante Gabriel Rosetti (1874).

I immediately connected with this oracle, and as I shuffled, I asked for a message from Persephone. I felt her gentle, loving energy radiating from the cards. “Cycles” jumped out of the deck, which advised me to “harmonize and flow with life’s rhythm.”47 The painting on this card is Autumn by Alfons Mucha (1896). Autumn is depicted as a nymph with long, flowing auburn hair and a crown of chrysanthemums upon her head. She floats in a vineyard, harvesting grapes. The grape vine is sacred to Dionysos and I see Autumn as one of his female followers, the maenads. I imagine her pressing grapes beneath her bare feet to make wine, the blood of Dionysos. Her flower wreath is significant because the ancient Greeks wore chaplets of chrysanthemums to ward off evil spirits.48

According to Scott Cunningham’s Encyclopedia of Magical Herbs, mums are protective solar flowers associated with the element of fire. He claims that imbibing an infusion of chrysanthemums is a cure for drunkenness. When worn, he says the flowers protect one from divine wrath, and growing mums in the garden repels evil spirits. 

I decided to explore the journal prompts in the guidebook by pulling a tarot card for additional guidance. I chose the journal prompt: “In which areas of my life do I resist change?”49 I pulled the Nine of Knives (Nine of Swords) from The Tarot of Vampyres, my current go-to shadow work deck.

The Nine of Knives depicts a moonlit vampire in a torture chamber, holding a dagger and licking blood off her fingers. There are meat hooks hanging on the wall behind her, reminding me of the Sumerian tale of the descent of the goddess Inanna into the Underworld, where she was killed by the Queen of the Great Below, her shadow twin Ereshkigal, and her corpse was hung on a meat hook. The Nine of Knives brings “change through torment” and indicates that “an enemy is projecting their phantoms onto us.”50

Like Persephone, I resist change when an attacker is attempting to force it upon me. I think this is true for most people, because no one wants to be forced to change against their will, but sometimes we can be our own worst enemies. While some cycles, like the changing of the seasons, are a natural part of life, others, like addictions, negative behavioral patterns, and cycles of abuse are meant to be broken, and hitting rock bottom can be a catalyst for positive transformation. Like the Underworld journeys of Inanna and Persephone, a painful change that is forced upon us can liberate us by destroying a false sense of self and initiate our metamorphosis into a new, more empowered and authentic identity. 

The chrysanthemums on the “Cycles” card represent protection from evil spirits, the shadowy phantoms that others project upon us. Flower medicine is one of the gifts of Persephone. Pulling these cards prompted me to get a pot of vibrant orange mums for my front porch, and to press a few flowers in my grimoire for future protection spells.

Persephone’s Oracle is an insightful tool for shadow work and self-discovery, and a great complement to tarot. The paintings stimulate the imagination, lending themselves to additional interpretation. Just as Persephone found her latent powers and the hidden aspects of her personality during her dormancy in the darkness, and bloomed with the renewal of spring, we can do the same by embracing the cyclical rhythms of our lives, and the archetypal journey from darkness to light.

The Rosebud Tarot, by Diana Rose Harper

The Rosebud Tarot: An Archetypal Dreamscape, by Diana Rose Harper and illustrated by Amanda Lee Stilwell
Red Wheel Weiser, 978578638093, 78 cards, 96 pages, June 2023

In The Rosebud Tarot, Diana Rose Harper and Amanda Lee Stilwell have created a beautiful deck of cards that captures a new way to look at Rider-Waite-Smith symbology.. In their own words it is “an archetypal dreamscape.”1

Victorian, Jane Austen, pastoral, and other similar words come to mind when one first flips through the cards. But then, there is a jarring reference to an African queen or the man on the moon. The symbology takes many, many turns – each one more interesting than the last. Pop culture, movie references, and geographic points also play roles in the deck.

Diana Rose Harper is a tarot reader, astrologer, energy worker, writer, and mentor. She considers herself a diviner who is “deeply immersed in the symbolic languages of myth and poetry.”49 She lives in Southern California. Harper’s website is: https://ddamascenaa.com/

Amanda Lee Stilwell is an artist and witch who practices various types of magic. Her art is a combination of digital collage elements and includes graphics from pop culture, vintage imagery, and ritual altar spaces. She currently lives in Chicago. Learn more about Stilwell at: https://amanda-lee-stilwell.tumblr.com/

Harper begins the guidebook with a brief tarot history and structure of a typical deck before how the suits in this deck differ from the traditional Rider-Waite-Smith deck. She discusses a bit about the elements of the suits and then dive into the Major Arcana. She also shares beautiful poetry inside the stories woven for each of the Major Arcana Cards.

The deck is a nice size and easy to shuffle with small hands. The card stock is a nice weight and will hold up well to repeated use. I love the matte finish, which complements the vintage look. The color palette is subdued overall, with tiny pops of bright colors on selected cards. The cards have borders, with a large bottom border that holds the name of each card.

Harper and Stillwell have chosen to use unusual symbols for the standard swords, cups, wands, and pentacles of the Minor Arcana:

Air: Swords = Shears
Water: Cups = Watering Can
Fire: Wands = Staff
Earth: Pentacles = Pots

The court cards also utilize unusual monikers:

Page = Curiosity
Knight = Velocity
Queen = Generosity
King = Sovereignty

This note helps the reader with the court cards:

“We highly encourage you to uncouple mainstream gender from your tarot practice as much as you can, is it will greatly enhance and improve your interpretations!”51

I love the way that the full color guidebook is arranged. Each Major is displayed on a double page spread in the front of the book. Near the back, the pip cards are grouped together by number on a double page spread. All of the 2’s (water, fire, air and earth) are shown on two pages and so on. The court cards are similarly grouped at the very back of the book. This style makes navigation easy and effortless.

I dove into the allure of The Rosebud Tarot and did my favorite Mind-Body-Spirit spread with the deck.  My question was simply: What do I need to know for today?

I drew 2 of Fire, Generosity of Earth (Queen), and 10 of Earth.  From these cards, I divined that I was armed with guidance to light my way, fortified with love and strength in family and a “gleeful legacy.”  In fact, the 10 of Earth was my favorite card in that spread and the creators had this to say: 

“Incarnational delights create a gleeful legacy, the joy of being shared across both time and space.”52 

The cards are playful and yet pack a punch!  I enjoyed the guidebook messages so very much, yet I also got lost in the imagery and allowed myself to welcome my own intuitive hits. Harper includes a spread called The Rosebud Blooms, which features eight cards in a design that looks like a rose. It can work as eight cards, or you can use it simply as a three-card spread.  I chose the three-card option for one friend who asked about the upcoming Aries Full Moon.

The three card spread features:

1. Sweetness at the center:  the very heart of the matter
2. Stem: the structure holding things up
3. Root: an important underlying factor 

For my friend, I drew the Tower, Hang-up (their version of Hanged Man), and 8 of Fire.  From these cards, I learned that although the current chaos my friend is going through is rocking her world, she can stay present and go within to get a new perspective. Finally, she focuses on consistent movement that feels right in her heart. This is the affirmation I created for her:

“My life magically rearranges itself when I am present and open my heart to a new view, honor my desires and go forward.”

She wrote to thank me for the reading and shared that she is currently considering moving ahead with taking new coursework and adding to her work as a yoga teacher. 

This deck would be good for an intermediate reader or seasoned tarot reader.  I feel that it might be too challenging for a new reader who does not have a good grasp on the names of the pip cards or court cards. Anyone who has worked with Rider-Waite-Smith symbols would enjoy this deck and the fun graphics and rich poetry and prose of the guidebook. 

I really enjoyed working with The Rosebud Tarot. I liked learning new symbols for the pip cards and court cards and feel that this new information adds to my knowledge base and divining skills. I can see myself using this deck for client readings.