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Heavenly Bodies Astrology, by Lily Ashwell

Heavenly Bodies Astrology: Deck and Little Guidebook, by Lily Ashwell
CICO Books, 1782499312, 51 cards, 144 pages, February 2021

I have been reading different decks for almost 30 years (I started young!). But when Heavenly Bodies Astrology by Lily Ashwell arrived, I got chills. The presentation of this boxset is unlike any I’ve ever seen. The deck and guidebook came in a gorgeous keepsake box, which really made for a memorable deck unveiling. As I opened the inner cover of the box, I was greeted with a quote by Henry David Thoreau that instantly made me marvel at the idea that heaven is ever-present . Illustrated in tones of pinks and grays, lace, and a full moon, the deck mesmerized me from the get-go. It even has a gold ribbon that can be used to gently remove the deck from the box with grace and ease!

The intricate beauty put into the presentation of the deck and “little guidebook” conveyed to me that just as much care and love was put into the design of this deck. The smaller box within the keepsake box holds the deck, which also has a ribbon to be used to remove it from its holder. The back of the deck’s box has a quote by Rainer Maria Rilke, one of my favorite poets, while the inner lid of the deck’s box has a quote by William Blake. In her Introduction, Lily describes the importance of this quote in her journey, which brought the box to life. 

I normally don’t gush over presentations and artwork, but this deck is truly a magnificent work of art. The contents of this box set are appropriately referred to as “treasures” on the box sleeve. I actually sat with these three pieces laid out on the table in front of me to soak in the craftsmanship that went into their creation. I felt as if someone had shared treasure with me, and I relished opening the book to read its content and then opening the deck to hold the cards as I would a new baby. These feelings were confirmed when I read Lily’s description in the book’s Introduction:

“This deck and guidebook did not begin as something to be shared, let alone published, but as my own study tool, to deepen my understanding of the cosmos.” 1

Bingo – the box and its contents felt like I had come upon someone’s preciously stored items and private writings, something very personal written from the heart and soul. Ashwell is both author and illustrator of the cards and book. Her training at London’s Central Saint Martin’s College of Art and Design (inner back of book) is vividly demonstrated in the design of the cards, which combine symbolism and astrology to create meaningful works art on each card.

Lily recommends using the cards to learn astrology, decode planetary placements in one’s birth chart, and/or communicate with the angels. As she explains in the guidebook, “understanding the deck requires a general understanding of astrology.”2 She proceeds to give a brief introduction to items such as the planets, zodiac, houses, and major aspects.

As someone who becomes quickly lost when astrological discussions move beyond Sun signs, I appreciated how Lily builds upon concept upon concept to help me begin to better understand the workings of astrology. She began with using the card Jupiter, and then illustrated what Jupiter in Aries meant, and then what Jupiter in Aries in the 7th House meant. This introduction made me feel a bit less intimated to begin working with the cards. I say “a little” because I admit to my head spinning when I got into Nodes, Trine, and Sextile! However, the guidebook generously helped me to navigate the unknown and still find the answers I was seeking.

I was glad to read in the guidebook that she understood that one could become overwhelmed when first beginning to work with the cards, especially if one has a very limited understanding of astrology. I very much appreciated her writing, “That’s okay and totally normal – I felt that way too. Just remember, you don’t need to grasp how everything pieces together right away. This is the journey.”3

Lily remembers her own introduction to astrology and chose to make this deck usable and not intimidating.

“When I began my journey with the cosmos, I felt thirsty for information, but bored and uninspired by the textbook-ish materials available. It’s why I made this little guidebook simple and the cards beautiful. They provide you with enough information to explore the subject but not enough to trigger overwhelm.”4

This reassured me that I didn’t need to be an astrology expert to use the deck; I could use the deck to familiarize myself with astrology, while also enjoying the stunning visuals that help me to learn about the different energies described.

The cards themselves are absolutely beautiful. Each card offers keywords and an “omen,” or the card’s overriding message. There are six categories of cards: the Planets, the Signs of the Zodiac, the Houses, the Major Aspects, the Natural Zodiac, and the Nodes of Destiny. They are have gentle, dreamlike colored tones that make you sink into your imagination when looking at them. The flowing design of the cards seems to make it easier to access my own inner knowing and also receive the card’s message on a soul level.

All the cards are filled with symbolic imagery, helping the reader to access the energy of the astrology viscerally, rather than just through the mind. The Earth card, for example, has four roses in various stages of blooming. There is a heart in the middle of the card, one side of the heart is a cage of bones while the other side is an intact red heart. The keywords are persistence, patience, and practicality. Then, Mercury has a butterfly set against the planet with a watercolor background of what reminds me of waterlilies. Venus’s card has a pale pink background, with an open clamshell displaying a white pearl, set against the planet itself.

My favorite illustrations are found on the House cards, which are bird-themed. The House Four card has a nest containing two eggs, set in a tree, against a full moon in a blue-black sky. The key words are cultural and family roots, home, peace, and comfort. Looking at this card makes me feel that sense of calmness, connectedness, and grounding associated with domestic life (which I also learned is it’s energy in astrology!)

I decided to work with the cards as Lily suggests, get to know them, try various spreads, allow them to speak to me, and to not get hung up with astrological terms. And guess what? I love, love, love working with them! I value Lily’s advice about asking questions of the cards by framing it as “what is…” versus yes or no questions. For example, “What is the best way to approach a job change?” instead of “Should I apply for job A next week?” This method helped me to open up to receive intuitive messages, deepening my capacity for communion with the cards.

In the guidebook, Liluyoffers three card spreads; a one card of the day, a three-card soul spread, and a four-card third eye spread. My favorite spread with this deck was the three-card soul spread, cards that revealed what one is learning, how one is learning it, and where the wisdom will take one.5 Without revealing my own card pulls, I will say that the way these cards communicated with me enabled me to drop my resistance to diving deeper into astrology and working with concepts other than my Sun sign.

I did the one card pulls for a few days. I sat with the selected card each day, reading the guidebook’s description and letting it marinate. I liked to pick my card early in the morning and sit with it all day – throughout my daily activities. Sometimes it resonated very quickly. Other times, it slowly revealed its meaning to me.

Three days in a row, I have pulled the card Yin! So, I’ve been trying to incorporate a slower pace in life. The Yin card is part of the Natural Zodiac in the Little Guidebook, along with Earth, Air, Fire, Water, Yang, Cardinal, Fixed, and Mutable. In addition to the keywords listed on the card itself, the guidebook also lists the “omen” for each card as described earlier as well as a description of the energy of the card itself. For example, for the Yin card, Lily writes about the “energy of the Divine Feminine.” 

The guidebook is easy to read and even includes blank pages at the end for note-taking, which offers the opportunity for me to personalize my deck with my thoughts and discoveries. I responded to Lily’s description of the energy of each card and found great insight in each card’s “omens.” I used the omen of a card to guide me, inspire me, and give me pause in my response to some of the questions posed. All food for thought – or rather, for the soul to digest.  I look forward to continuing taking it slow with the cards, allowing our relationship to develop, and learning more about the energy of astrology through the cards.

My next step using the cards is going to be laying them out to create different planet placements in my chart. I hope to gain insight from the visual representation of the energy of my personal astrological make-up, such as Moon in Aries in the first house and Mars in Taurus in the third house. I believe the keywords on the cards will help me to better understand these aspects in my chart, further deepening my astrological understanding.

All in all, Heavenly Bodies Astrology is a true gift in its beauty and its message. Lily’s honesty in describing her journey using astrology, her sharing of her artwork on the cards and in the little guidebook, and her gentle taking of the reader’s hand to encourage us to “find out own direct connection to the heavens,”6 makes for a very personalized feeling in this deck. The supreme elegance of the symbolic representation of the cosmos creates the feeling of sublime connection to the heavens. I highly recommend that you bring this treasure into your life. Whether you’re a novice or expert astrologer, you’ll feel there’s an exalted mysticism within these cards. As Ashwell writes, if this deck resonates with you, trust that you were brought to it for a reason. 

Elemental Magic, by Nigel Pennick

Elemental Magic: Traditional Practices for Working with the Energies of the Natural World, by Nigel Pennick
Destiny Books; 3rd Edition, 1620557587, 144 pages, October 2020

Nigel Pennick’s Elemental Magic: Traditional Practices for Working with the Energies of the Natural World contains multitudes. There is so much depth and wisdom here for you to explore, experiment, and deepen your magic. I am truly blown away by Pennick’s ability to offer eloquent and clear breadth and depth within this slender forest-green handbook. I feel as if I have happened upon an essential tome for my magical practice as a person living through environmental crises. 

The time for this book is right now. Pennick is grounded, both in terms of his clear writing style and in his offering of foundational practices that will benefit both the burgeoning witch and the established practitioner. On the back cover, Pennick is named an authority on ancient belief systems, traditions, runes and geomancy. This book is an impeccable example of that authority. 

Pennick touches on the essential elements of the practicing magical person, and he is able to do so with clarity and brevity. What I loved about this book is that Pennick has taken the esoterica out of the transmission. He communicates accessibly so that we can enter into these practices and rituals. His clarity allows our intimacy with the earth and natural magic to foster the mystical and the ineffable.

This text is truly a practical reference for so many aspects of natural magic. Pennick touches deftly on the fundamentals: “Saturday is dedicated to the Roman god of aging and time, Saturn.”6 and “Fire symbolizes the lightest things of existence, the energy and spirit.”7 If you are a beginner, trust that this handbook is an instructive initiation.  

My favorite chapter, “The Magic of the Land,” surfaces the ensouled landscape. It talks about how “there are certain places in the natural landscape, whose spirit is more likely to be noted by human… they are all holy grounds, at which something intangible but nevertheless, real is present.”8 Reading this book reminded me how deeply woven I am into the fabric of the land, and that my intimacy with the natural world is a place where magic springs.

Elemental Magic can absolutely be read from start to finish. It also invites you to sit down, open to an unexpected page, and discover what awaits you. At one such moment with this book, I found myself reading about the crossroads and the labyrinth. Pennick says “Crossroads are good places to make magical ceremony.”9 He offers that labyrinths “create an anchor energy, their spirit is energized by human activity.”10

This is a book of a multitude of beginnings. Pennick gives you just enough information to pull you in, to spark your curiosity, to get you started in your communion and magick-making. And you get to find out for yourself what the tree, or the stone, or the labyrinth has to offer. It is beautifully constructed for a beginner who craves a broad overview. This book stands as an excellent resource and reference for the more established magical practitioner because it is organized so succinctly. It is organized in chapters that explore the plants, minerals, animals, the land itself.

One of my favorite practices offered was part of the “Magic and Action” chapter on making and charging a magical talisman. I invited a friend into this practice. First, we each created the talisman. We then followed Pennick’s protocol, including working with the astrology of the moment and lunar cycle. Both of us felt not only the pleasure of crafting our own magical tools but also the potency of the spell work.

One of my favorite things about this book is how much it is just a welcome beginning to having your own unique experience. Pennick is impeccable at walking that line between offering you his approach and perspective, promising you the richness of what is to come in your own intimacy with these practices, and truly leaving the space for you to discover the magic for yourself. 

Orienting towards nature is a vibrant and necessary practice so deeply needed in our lives, so often mediated through technology. Elemental Magic allows you to truly see and understand yourself as a part of the more-than-human world. It is an honor to have such easy access to these profound and fundamental principles. This book is light enough to keep with you wherever you go and helpful enough to make the carrying of it worth it. 

In particular, if you are a person of European descent who is seeking ways to reconnect with your lineage, use this book. For me, this book has been a continual reminder to go outside, to enjoy the song of the wind, to make magic exactly where I am, the sun on my skin, rooted in the dirt. 

The Book of Celtic Symbols, by Joules Taylor

The Book of Celtic Symbols: Symbols, Stories, and Blessings for Everyday Living, by Joules Taylor
CICO Books, 978-1-78249-824-7, 2020 (first published 2007)

The Book of Celtic Symbols: Symbols, Stories, and Blessings for Everyday Living by Joules Taylor is a comprehensive primer for those new to the Celts, as well as a concise work that provides insight into Celtic life for those of familiar with these people. The book “captures the essence of Celtic wisdom and shows how to bring its magic into our lives today.” 7 Joules Taylor, an established author and co-author, is well poised to open this world to us. I was espeically excited to read about their far-reaching traditions and belief system to better understand the sites I’ve seen in my travels.

Despite growing up in an Italian-American household, I have been inexplicably drawn to Ireland and have traveled there twice in the past five years. My knowledge of the Celts was literally learned on the spot in places such as Newgrange. I read this book with the deepen my knowledge of the Celts, and I certainly feel this happens page after page.

When I was in Ireland, I allowed the places to call me to them. I had no knowledge of Newgrange, a Stone Age monument in Ireland’s Ancient East and found it surreptitiously through highway signs. Wells and Brigid? I went to where I was pulled. Joules’ book puts all the pieces into place for me, and I now have a deeper understanding of the importance of the art and artifacts of the Celts. With no written language, these symbols were their means of communication. As Joules explains, “to the Celts, everything in life was symbolic.” 8

The book is divided into seven chapters: “The Celtic Year, Celtic Guides and Their Symbols,” “Ogham: Celtic Alphabet, Symbols from Domestic life,” “The Signification of Trees and Mistletoe,” “Animal Guides,” and “The Sacred Landscape.” All information is present in depth with colorful illustrations or photographs of actual Celtic metalwork or stonework (including those spirals found at Newgrange). The writing is concise and easily understandable. Each chapter is a deep-dive into the topic at hand. There’s even a bread recipe in the chapter, Symbols of Domestic Life. (I intend to try this recipe the next time I make bread this month.) As you see, there’s a variety of topics, content, and ways to connect to Celtic culture.

Just to provide some background, the Celtic culture flourished for almost three thousand years across Europe and the British Isles. It was eventually taken over by Romans as their empire expanded. What resonated most with me about the Celtic culture is the connection that the Celts had with the earth. “The Celts considered the land to be a goddess, their Great Mother, filled with mystery and peopled by gods and goddesses in the springs, rivers, wells, and caves, in the hills and trees.” 9

A practitioner of seasonal living, I enjoyed reading that the Celts lived in concert with the seasons. Their celebrations broke up the year into festivals, and they were ways to show gratitude and reverence. Their celebrations were incorporated into Early Christian life. The celebrations of Esotre/Ostara with eggs and hares symbolizing fertility and rebirth became Easter with its eggs and bunnies. I enjoyed learning that the Celts’ dark year, or new year, began with Samhain, akin to what is traditionally known as Halloween. Bonfires or bone fires, trick or treating, all have their start with the Celts. It was very interesting to learn the roots of these modern practices date back to the Celts.

Through Joules’s writing, I was introduced to goddesses and gods with whom I was unfamiliar, such as Modron and Sulis. Having visited Bath in England I liked learning that Sulis was the “local goddess of the springs at what is now known as Bath.” 10 Stevie Nicks sang of Rhiannon with Fleetwood Mac, but Joules brought this this beautiful woman to life for me. Associated with horses and the moon, she represents beauty, fidelity, and love. 11

I especially like Joule’s suggestions in the book that offered ways to incorporate Celtic traditions, celebrations, ceremonies, and activities into life today. Joules provides detailed descriptions on the origins of these celebrations/activities and how they can be used in daily life. As we approach Imbolc (January 31 – February 1) I have set about “spring cleaning” to prepare for the new year after which I will go for a walk in nature to look for signs of new life, buds on branches and birds building nests as Joules suggests. While today we generally don’t have a hearth fire burning continuously, and unfortunately (at least for me) don’t have a cauldron simmering all day to offer hospitality to visitors, I did learn ways to live more aligned to Celtic domestic life. 

Despite the fact that the Celts did not use what we call the written word, they had a form of alphabet called Ogham based on characters. Joules allows a whole chapter to learning to use this alphabet. I’ll need to go back and spend time with this chapter to attempt a few communications. Coincidentally, as I was reading this book, I received Ogham symbols carved into various types of trees for my birthday. My daughter had become aware of my growing interest in Celtic culture and ordered a handmade set all the way from England! I look forward to using Joules book along with my tree Ogham to commune more with nature, especially the trees. 

Which brings me to my favorite chapter in the book, “The Significance of Trees and Mistletoe.” It helped deepen the reason why my tree Ogham gift contained the twigs from the trees that it did. Joules detailed the indigenous trees that grew in Celtic lands and their importance. As Joules wrote, “all trees were sacred to the Celts.”12 Oak was probably the most sacred tree, a symbol of eternity. The birch was associated with eloquence, stemming from the belief that “Ogmios, the Celtic god of eloquence, wrote the first Ogham characters on a wand of birch wood.” 13 Mistletoe had medicinal properties and was associated with male fertility, and kissing under the mistletoe invoked blessings of the gods in matters of love. 14

Further more, Joules describes how the apple tree bore a fruit that was considered magical because it could be eaten raw and cooked. It was a symbol of immortality and afterlife, and was connected to Annwn, or the Otherworld.

“To some, Avalon may have been another name for Annwn, separated from the mortal world by the thinnest of unseen barriers.” 15 Avalon, the Isle of Apples, was thought to be a place where “there was no pain or distress and everyone was forever young and happy.”16

The book provided a serendipitous connection to another place I visited, Glastonbury, in England. Some consider Glastonbury to have been where Avalon was located. It truly is an otherworldly place. Joules writes that “Glastonbury was reputed to be a site of a Druid University.” 17

What I really appreciated about The Book of Celtic Symbols is Joules presented the information in a non-encyclopedic way. The writing felt relatable and invited me to explore the Celtic culture, even though I have very little former knowledge of the traditions. The illustrations and photographs of sacred symbols throughout the book enhanced the writing, visually prompting me to connect with the words on the page and further absorb all the fascinating things I was learning. 

I highly recommend The Book of Celtic Symbols as a guide to learning about the Celts but more meaningfully, to incorporating some of their wisdom and beliefs into your life. Nature-based living, celebrating the cycle of the year, strong women, and blessings – all of which we could use of dose of today.

House of Sleep, by Brad Kelly

House of Sleep, by Brad Kelly
Independently Published, 8593128638, 312 pages, January 2021

What is that place where reality ends and dreams begin? Can our dreams impact our reality, and in turn can reality be shaped by our dreams? These philosophical questions are brilliantly explored in the recently published book House of Sleep by Brad Kelly. This genre-melding fictional story invites the reader to question the nature of our dreams, where we derive personal satisfaction from in our life, and the ultimate quest for the existence of an omnipresent divine being.

Lynn is distraught after the death of her fiancé. She had recently become pregnant and within a short span of time, she lost both the baby and her beloved Michael. Maintaining her career as a psychiatrist becomes a challenge as she slips deeper into despair. Spiraling out of control and desperate to connect with Michael again, Lynn decides to take the opportunity to attend a retreat, which happens to be nearby and completely free. With the encouragement and safety net of her trusted best friend Nikki keeping tabs on her, Lynn desires to embrace this experience and see what may come of it.

Simultaneously, readers are introduced to the other protagonist Daniel, who is disease-ridden and at the mercy of a religiously fervent father that believes him to be demonically possessed. After a lifetime of being subjected to his father’s violent zealotry, Daniel has finally gathered the inner strength to leave home and seek out his older brother who had left the abusive home years prior. Growing up, Daniel’s older brother had been his refuge, as he did his best to shield Daniel from the blows of their father and share with him all he had learned about the world. The parting words he left Daniel with were to get to a doctor and then find him.

The lives of Lynn and Daniel, along with many other colorful characters, become intertwined at the House of Sleep. Led by a mysterious man called The Diving Man, the House of Sleep is creating a bridge in the dream realm to usher in a new reality. As he spouts philosophical wisdom and transcendent spiritual insights, the main characters are led to question who this person is and whether he is to be trusted. Some followers give him full credence, while another is keeping tabs on this man for detective research. The ambiguity of it all leaves room for the reader to continually question if the Diving Man is a brilliant cult leader or incarnate god. All the people called there have a role to play, but what is the price of the great work these dreamers are doing?

Kelly does a wonderful job of keeping the readers guessing. The book is divided into three parts each section and ends with a metaphorical ellipsis. Just when the reader thinks they have it figured out, there’s a new twist to the story. There is a blending of past, present, and future that creates a labyrinth of time. The characters must work together to discover the truth about the secret dream work they are doing and its impact on the lives of everyone involved.

The best part of the book is the monologue of the Diving Man, presumably speaking to himself in his own mind. Packed with revelation and wisdom, these words open portals to new dimensions of the mind. Having the courage to flip reality on its head invites splendid perceptions, and the Diving Man has the background to truly push at the seams of reality to bring forth the truth of spiritual and human existence. Reading his words, you begin to wonder about who or what God is and how is this state of being truly achieved?

“Don’t you see that God has truly died? There are no lies and so every word a metaphor, and those you make in a moment live live as wires in your head, so. . . we (yes, yes, yes) we killed him and he was pleased to go. It had been long enough trying to hammer the point home.  But there is a way to take his place. And how many broken-souled caveats to the start-it-all-over paradigm would you actually trade to place someone back in that cobwebbing throne.” 16

While on the surface this book may seem like a narcissist’s dream of massing followers to do his bidding based on their desire to assuage their personal suffering, the Diving Man’s wisdom remains compelling. His unique life circumstances have primed him for the role even he must play in the symphony of the Universe. The book brings to light just how far grief can push people to go in the quest to regain the love lost and find meaning once again in their life.

I will say the book can feel a bit dark at times. I chalk this up to the lens through which Kelly writes: the stark realism contrasting the symbolic dreams of the people in the House of Sleep. It becomes a real battle between Saturnian and Neptunian forces. As Lynn tries to escape the pain of her reality and reconnect with her love in dreams, Daniel is emerging from the delusion he’s been trapped in his entire life to discover the true nature of reality. The link between them is the real key to awakening, and the role of the Diving Man becomes increasingly warped.

I recommend House of Sleep for readers that enjoy the work of Chuck Palahniuk and Philip K. Dick. The blending of psychedelics and psychology to probe the interior of human minds in both waking and dreaming life invites revelatory insight. You may hear the prompting of the Diving Man whispering his life’s knowledge into your ear, but it’s up to you to decide the action must be taken based on your subjective reality in the dreams. If you would like to sample Kelly’s work and get a feel for his writing style, you can read his short stories here: https://www.bradkellyesque.com/short.

Forbidden Fruits, by Joscelyn Godwin and Guido Mina di Sospiro

Forbidden Fruits: An Occult Novel, by Joscelyn Godwin and Guido Mina di Sospiro
Inner Traditions, 9781644111574, 288 pages, December 2020

What happens when Mexican Gothic crosses with The Da Vinci Code? You get the spellbinding novel, Forbidden Fruits: An Occult Novel by Josecelyn Godwin and Guido Mina di Sospiro. This  thrilling mystery kept me guessing “who dun it” until the near end. I mean, a book that weaves together the magic of alchemy and entheogens, turning history on its head, in order to prevent the spread of evil in present times. Needless to say, I was hooked from the get-go and read the whole thing in 24-hours because I couldn’t put it down.

Godwin and di Sospiro have previously co-authored another book, titled The Forbidden Book. Keeping with the theme of forbidden, the authors continue to use their background to unveil information through fiction once again. Godwin has written extensively about spiritual connection fostered through music in his books which include Harmonies of Heaven and Earth, Cosmic Music, and Music, Mysticism & Magic . Di Sospiro also has a background in music as a classically trained guitarist, but is most well known for the short film he wrote and directed If I Could Do it all Over Again, I’d Do it All Over You. He’s also published the books Leeward and Windward, which also has an alchemical theme, and The Metaphysics of Ping-Pong, which focuses on philosophical topics.

I’ll admit I was a bit leery at the start of Forbidden Fruits that it would be too much of a thriller for my taste, as there are violent scenes interspersed throughout. However, the action scenes are tempered by plenty of nuanced character interaction and dialogue that keep the story intriguing from start to finish. While the plot is centered upon a murder mystery, which can easily become run of the mill, there were many distinguishing features that set this book apart from others.

To begin, the main character, Monica, is an archeologist who is funded by a very eccentric man named Sebastian. After years of searching, they have just happened upon an ancient find that has the potential to change the perception of history. However, this plot thread is only one of many. There’s also the oracle predictions warning an ancient secret society of evil on the island, neo-nazis who are wreaking havoc and murdering innocent people, and a huge immigration problem of Africans flocking to the coasts of Malta. With Sebastian being a noble and respected figure in Malta, he finds himself smack dab in the middle of the turmoil.

I won’t give away the climax of the book, but a turn of events forces Monica to team up with Sebsatian’s elusive son, Raphael to solve the case, all while assassins are out for them as well. There are endless twists and turns in the book that don’t come together until the very last pages of the book. I really enjoyed the variety of possible ways the story could go and watching the storm brew, wondering how things would play out.

There were many modern social justice issues raised, from the growth of hate groups to widespread immigration. While I am not very familiar with the current socio-political climate of Europe, specifically in Italy and Malta where the story takes place, I can see the current global trends happening in the United States as well with the rise of hate groups and human rights issues at the borders. The integration of present world problems heightened my ability to connect to the story, as I could easily understand and relate to the challenges the characters faced.

The best part about this book is how it incorporates alchemy, archeology, and entheogens into the plot. While there are countless stories of wizards, magicians, and occult societies dabbling in labs trying to find the Elixir of Life or the Philosopher’s Stone, I had never seen alchemy from the lens portrayed in Forbidden Fruits. Godwin and di Sospiro have done a wonderful job of illuminating the alchemy through Raphael and his journey to uncover the mysteries hidden within; readers get to experience firsthand the character’s perspective of ritually consuming the sacred soma.

Alchemical drawings and apocalyptic texts sprung to life when viewed from the perspective of entheogen consumption. Godwin and di Sospiro create a whole new paradigm through which to understand Jesus Christ’s message and the words of the Bible by linking it to the ritual consumption of entheogens. While Carl Jung’s Red Book never seemed much more than imaginal pictures to me, I suddenly understood through the writing of the authors how these images can in fact truly mirror archetypal energies.

In our technologically and secular world, the idea of demons and maleficent forces seem arcane. However, reading Forbidden Fruits spurred on my investigation into demonology, helping me to see the value in knowing these energies that could potentially still be within the world. By blending the supernatural with occult knowledge, I feel as though Godwin and di Sospiro elucidated the value of alchemy, beyond the personal plight of truth, knowledge, and life essence often perpetuated in the mythos.

What I enjoyed the most was the humility of the alchemists. With trust in their order and dedication to the natural law, one’s station in life was not as important as the legacy of the alchemical wisdom they protect. With the rise in conspiracy theories, secret societies seem to be all the rage in popular culture, and often to the detriment of these sacred orders. I appreciated there was no self-effacement on the order’s part to assert their will, but rather they used their tools to assist the protagonist Raphael in his own mission quite discreetly. Forbidden Fruits accurately captures the true nature of the groups that protect esoteric knowledge with dignity, respect, and loyalty — a concept that could use some reviving in modern times.

I highly recommend Forbidden Fruits to anyone looking for a good mystery novel, especially if you have an interest in the occult. Godwin and di Sospora have created an illuminating novel that makes the reader question the true nature of Christianity, while also demonstrating and offering insight into how the use of entheogens may be one of the oldest sacred rituals. The characters ultimately must decide for themselves how far they are willing to go to find the truth, and following along in their journey is absolutely fascinating.