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A Tea Witch’s Crystal Brews, by S.M. Harlow

A Tea Witch’s Crystal Brews: Empowering the Magick of Tea with Crystal Grids, by S.M. Harlow
Weiser Books, 1578638712, 280 pages, April 2025

A Tea Witch’s Crystal Brews: Empowering the Magick of Tea with Crystal Grids by S.M. Harlow invites readers to explore a unique fusion of herbal magic and crystal energy. Harlow, who is also the author of A Tea Witch’s Grimoire, brings a new twist to tea witchcraft, offering an intriguing guide that blends these two traditions into a unique way. This book explores how the ancient practices of tea brewing and crystal grid creation can be combined to enhance spiritual and magical practices for a wide variety of purposes.

“The transformative power of combining tea magick and crystal grids is a revelation that transcends the boundaries of conventional spiritual practices. Individually, both tea magick and crystal grids still hold profound potential for transformation, yet when united, their synergy becomes an extraordinary force for change and manifestation.”1

Harlow begins by explaining the fundamentals of tea craft, which involves the intentional and mindful brewing of tea to harness its natural energies. She notes, “The world of tea holds many diverse varieties, each with its own unique flavors, aromas, and most especially energetic magickal properties.”2 Covering the most popular teas (white, green, oolong, black, and pur-eh), she provides an overview of the energy of each along with suggestions for brewing temperature and portion size.

She then discusses the variety of herbal infusions that can add energetic properties to the tea. A full list of correspondences is provided in the appendices, guiding readers in selecting the appropriate herbs for the work they intend to do. Harlow additional provides input on how to select one’s tea and techniques for ritual preparation and meditation. Her introduction to tea witchcraft is the perfect amount of information for all levels to feel grounded and comfortable performing this work.

Next, Harlow turns her focus to crystal magic. Noting the metaphysical abilities of crystals—amplifying energy, healing, channeling intention, and more—she shares the color correspondences for readers to consider when selecting the crystals to include in their work. Just like the tea, there’s a list of specific crystal properties in the appendices for further guidance. Additionally, the basics of working with crystals is covered, including how to cleanse, charge, and program them.

Once readers have the basics of crystal magic under their belt, Harlow introduces the many grids that can be used. She discusses how sacred geometry “unveils a profound and harmonious interplay between the natural patterns of the universe and the energetic properties of the crystals.”3 Some of the grid shapes covered are a circle, lemniscate, merkaba, pentagram, sun burst, and triquetra, to name a few. In total, there’s seven grid shapes described, along with a sketch of the shape for visualization.

And now the magic of the book really begins: readers learn how to combine crystal grids and tea magic. Harlow teaches how to match tea with the aligned crystals for one’s intention, encouraging readers to explore different pairings and trust their intuition in the process. While she offers tons of guidance, there’s also plenty of room for readers to explore their creativity and trust their instincts within the craft. You could really spend months, if not years, studying and exploring this unique blend of magic, trying out various combinations!

One thing worth noting is how integrating two types of magic workings does include a bit more preparation. Luckily, Harlow offers clear, easy-to-follow instructions for creating intentional tea blends, preparing for the crystal tea ritual, designing and activating the grid, and performing the ritual. While it might seem like a lot of steps at first, Harlow describes how crystal tea magic can become easily incorporated into one’s daily practice.

For those who prefer to work from a prescribed recipe (me!), Harlow has two chapters with recipes she’s created for a multitude of intentions. The chapter “A Crystal Tea Witch’s Magickal Remedies” lists the grid type, ingredients and tools, and how-to prepare for a variety of purposes: divination, aura repair, happiness, binding, mental clarity, prosperity, and many more! She describes how to activate the grid, what to concentrate on when sipping your tea, and even the best time to create the grid (i.e. moon phase, day of the week, season).

“Advanced Grids: Lunar, Estate, and Elemental Ceremonies” which has a bit more complex grids and layers more crystals and herbs, while also including oils and candles in the ritual ceremony. The ritual draw down more energy, which is anchored by salt in the rituals, and thus require a bit more preparation. These are bigger workings that would be done at transformative times rather than a daily practice. In addition to the guidance Harlow provided for the magical remedies, for these rituals, she also includes how to set the space. 

As much as I love learning the foundation of how to do this work on my own, I’ll admit I absolutely love Harlow’s recipes, and for the time being, I will be following them to get a hang of this work! Today is actually Ostara, so I am tempted to do a crystal tea ceremony for it, but since I am just getting started, I am leaning towards gathering the supplies for one of the more simple rituals.

I have noticed that this work involves purchasing a few more supplies than I had on hand. While I have one or two pieces of a certain crystal, for most of the grids, I haven’t had enough crystals to fully make them yet. Many readers might also need to purchase specific herbs or types of tea to get started. This work is an investment, but I can tell there’d be a lot of rewards to reap. There’s something so alchemical about brewing the tea and preparing the grid, I’m looking forward to seeing my results!

And there’s even more you can do with the supplies, such as creating crystal elixirs and tea blends for health, each of which Harlow dedicates a chapter to towards the end of the book. I really like all the recipes for the crystal elixirs which are made by combining crystals and herbs in a jar and charging before you drink them. Meanwhile, the section on herbal health remedies is a wonderful natural way to nurture oneself.

It’s also worth noting this book is a nice size (about 5 x 7 inches) with plenty of colorful images and diagrams throughout. Readers will appreciate the organization of the text, as it’s very easy to read and keep track of information as you move along. The spine is study, but flexible, letting readers really open the book to full width and see both pages at one. There’s even a vivid blue fabric bookmark to keep track of your place!

Overall, Harlow has done a wonderful job presenting the innovative approach to combining tea and crystal magic in A Tea Witch’s Crystal Brews. Her detailed guidance on how to align the properties of teas with specific crystals to create synergistic effects opens so many possibilities for workings that can be done. There’s just something about the synergy that makes this work extra potent!

I love how this craft brings in all the elements: the earth of the crystals, fire of the brewing, water of the tea, and air of the steam. And I highly recommend this book for those looking for creative ways to work with tea, crystals, or simply embrace a new system of magic. Whether you want to learn the art of crafting your own brews or want to work from Harlow’s recipes, there’s many ways to bring your manifestations to reality with this combination of tea and crystal magic.

A Witch Alone, by Marian Green

A Witch Alone: 13 Moons to Master Natural Magic, by Marian Green
Weiser Books, 1578638437, 224 pages, February 2025

A Witch Alone: 13 Moons to Master Natural Magic by Marian Green is an illuminating guide for those interested in exploring the path of solitary witchcraft. Known for her expertise in traditional witchcraft, Green offers readers an insightful look into the path of witchcraft, teaching readers how to build their own sustainable practice moon by moon. For those who may not have access to a coven or prefer a more personalized spiritual journey, Green offers her insights as an elder, passing down the wisdom she’s learned over the years to a new generation of witches.

“This is not an easy path to follow, nor is it for all. Those who set out upon the hidden ways need to desire that secret knowledge, long for it in their hearts, yearn for it in their souls, and be willing, in turn, to offer continuing personal dedication, commitment and love.”4

Upon reading the introduction to this book, I appreciated how Green doesn’t make light of the “Old Ways”. Unlike many modern books, which can teach you how to do spells or commune with nature within hours, this book lacked any superficiality; Green truly has written those for those ready to follow a deeper calling to the pagan path and make the commitment for a full year. While her gravity might come across as stern at points, I felt reassured that her guidance came from the best of intentions to prepare the initiate fully for what’s to come as they advance their magical capabilities and deepen their practice of witchcraft.

The book is divided into thirteen chapters, each corresponding to a lunar cycle within the year, perfect for those seeking to engage with the natural cycles of the seasons. The focus is on the Old Ways, and Green often refers to Druid and Celtic roots too. This is not “pop” witchcraft, quite the opposite in fact. Readers are slowly taken on the journey of discovering the Great Goddess and her Son/Consort in their many forms.

Each chapter delves into different aspects of traditional witchcraft that illuminates the sacred stories, practices, and traditions. Topics include cycles of the year, journeying to the Otherworld, healing arts, divination, moon and solar magic, working with plants, and more. Green sets a nice pace for readers, allowing them to delve into one aspect at a time with dedication and focus, slowly building with each lunar cycle to create a comprehensive curriculum.

At the end of each chapter, there’s recommend exercises to focus on. Green suggests things like getting to know your local traditions, meditations and visualizations, crafts, and working with sacred tools. She recommends creating a Book of Illuminations to keep track of one’s revelations and insights as they move through the year and put into practice the knowledge acquired. She also often recommends other books to read for more information.

One of the key themes in A Witch Alone is the deep connection with nature. Green emphasizes the importance of observing and understanding the natural world as a source of wisdom and inspiration. She encourages readers to spend time outdoors, engage with the elements, and develop a personal relationship with your natural surroundings, writing:

“Your first acts of magic, if you are one of the rare folk who actually do want to align themselves with the traditional arts and reawaken the creative powers of the Old Religion within themselves, will be to get out of doors as much as you can.”5

One of my favorite aspects of this book is Green’s focus on the reader experiencing personal growth and self-discovery. She encourages readers to trust their intuition, which is of the utmost importance for a solo witch to rely on. Green does a wonderful job of teaching the foundations of witchcraft while also giving the reader room to explore their own inner landscapes, building their own connection with nature and learning to interpret and feel into the symbolism, cycles, and energies of the world.

The toughest part for me in reading this book is not skipping ahead! I find Green’s writing to be so illuminating that I want to keep going, rushing through the book to absorb all her insights. But cultivating the discipline to move one chapter at a time, beginning the next chapter the day after the new moon, has helped me to really absorb the material. I think in the course of a year, the integration of moving at a slow and steady pace will really pay off. I also find this method useful since life can get busy, so having a specific focus I can concentrate on 15-30 minutes a day helps me to be more consistent in my practice.

Overall, A Witch Alone is a valuable resource for anyone interested in exploring witchcraft on their own terms. Whether you are a beginner or an experienced practitioner, Green offers a wealth of knowledge and inspiration, guides readers in developing their magical abilities and personal spirituality. Her witchcraft experience and practical advice make this book a trusted companion on the journey of solitary witchcraft. Making the year-long commitment to follow this step-by-step process is sure to deepen and enrich one’s journey. Readers will overcome many of the challenges of a solitary practice and discover how to tailor Green’s wisdom to their own practice.

The Ofrenda Oracle, by Nancy Hendrickson and Carrie Paris

The Ofrenda Oracle: Celebrating the Day of the Dead, by Nancy Hendrickson and Carrie Paris
Weiser Books, 1578638496, 136 pages, 60 cards, September 2024

The Ofrenda Oracle: Celebrating the Day of the Dead by Nancy Hendrickson and Carrie Paris is a beautiful deep dive into the world of divination, spirituality, and ancestor reverence. In this oracle deck, the creators draw upon the rich traditions of Día de los Muertos, inviting readers to connect with their heritage and the wisdom of those who came before them.

“This oracle was created to honor those who have passed beyond the Great Veil, to facilitate messages from the Otherworld, or to divine your own future.”5

The format of this deck is very interesting. Creators Hendrickson and Paris designed it as two systems in one deck. Readers can either use Cards 1 through 36 as a standard Lenormand deck, or they can use all 60 cards together in the form of a regular oracle deck. The first 36 cards have the Lenormand symbolism on them, while Cards 37 through 56 feature symbolic images that represent aspects of Día de los Muertos.

There’s also a special card, “The Ofrenda”, that “represents the offerings left on the Altar de los Muertos”6, which the creators recommend placing face up when working with the cards to the remind the reader of their ancestors while doing their reading.

Each card is beautifully illustrated, featuring vibrant colors and symbolic imagery that pay homage to  Día de los Muertos, offering multiple layers of interpretation for users. The dark blue cards are filled with vibrant colors (red, yellow, white, purple, light blue) that pop in the style of traditional Mexican art. When looking at the artistry of this deck, one feels an instant connection to the modern cultures that celebrate Día de los Muertos along with Aztex and Toltec cultures in which the tradition originated.

The cards are smaller than standard oracle deck size, fitting in the palm of the hand like playing cards instead. At first I was surprised by their smaller size, but when shuffling and working with the deck, I’ve come to enjoy the way they feel and look when laid out in a spread. For once, I can easily fit them all on my table! The spreads the creators share in the guidebook focus on communion with the beloved dead; they are truly beautiful to work with, facilitating a tangible connection with loved ones who have passed on.

The guidebook is written in English on the right and Spanish on the left. For each card, the creators provide keywords, meaning, Storyteller message, and when applicable, Lenormand meaning too. The Storyteller message is unique in that it represents the message from “those beyond the Veil.”7 This blend of different interpretations provides illuminating insight into the card’s meaning while leaving plenty of room for reflection on the significance of the card’s message. Themes of remembrance, gratitude, and spiritual connection permeate throughout the card’s meaning, creating a sense of continuity between the past and present.

One of favorite cards in the deck is The Stork. This card features a burnt orange skeleton stork standing on one leg. The overall message of the card indicates a time of change, relocation, journey/movement, and pregnancy and birth. This joy-filled card made me feel inspired when I pulled it, and I really liked the Storyteller’s message in the guidebook:

“German folklore tells us that storks were given the task of flying babies home to their new parents. Even today we reference the Stork when talking about a newborn. We hope the glide path is free of obstruction.”8

This message makes me feel optimistic about my upcoming ventures!

Overall, The Ofrenda Oracle is a gorgeous work of art that honors tradition of Día de los Muertos and offers a path for spiritual exploration and ancestral connection. Hendrickson and Paris have succeeded in creating a deck that is not only a tool for divination but also a celebration of life, memory, and cultural heritage. Whether you are seeking to deepen your spiritual practice to connect with your ancestors or simply looking appreciate the beautiful symbolism of  Día de los Muertos, this oracle is a delightful addition to any collection.

Wyrd Sisters, by Casey Zabala

Wyrd Sisters: A Deck of Spells and Rituals, by Casey Zabala
Weiser Books, 1578638291, 60 cards, 80 pages, April 2024

Ah, destiny! For those who enjoy contemplating fate, or the inevitable outcome of events, perhaps even tempting it here and there, Wyrd Sisters: A Deck of Spells and Rituals by Casey Zabala is a true delight. The concept of “wyrd”, originating from Old English and Norse mythology related to the predetermined outcome of events, has been explored as a way to understand the interconnectedness of all things and the idea that individuals are part of a larger cosmic pattern. While wyrd implies a sense of inevitability, it also carries the idea that individuals have some agency in shaping their own destinies through their choices and actions. Calling upon the duality of fate and free will, this deck helps readers to explore the mysteries of existence and the human experience.

Zabala is a devotee of the Wyrd Sisters, describing how they “are the ancient Deities who dwelt at the roots of the world tree and set the order of the cosmos through their spinning, weaving, and cutting the cords of fate. Their threefold process affirms the cyclical nature of our being.”7 Just as they weave fate, we too are weaving our own lives:

“We weave specific patterns and shapes for protection and success, with the awareness that our spells and wishes are delivered through the web of wyrd.”8

Believing that spellwork is deeply personal, Zabala has created a very creative and open-ended deck for readers to ascribe their own meanings to the imagery and messages and then use their own magical repertoire to integrate the energy. While there is some guidance provided through the guidebook, this deck really shines as a work of art that assists readers with strengthening their own intuition, crafting their own rituals, and creating magic that feel uniquely meaningful and relevant to them.

“Magic is the fifth element–also known as spirit, ether, or quintessence. It is the ethereal nature that keeps all beings connected and psychically tethered to each other.”9

There are five types of cards in this deck: spell cards, candle magic cards, sigil cards, magical tool cards, and Wyrd Sister cards. The guidebook entry differs depending on the type of card, as the type of magic coming through is aligned to the energy of your draw.

For the spell cards, there is an intuitive message along with a list of spell ingredients that one can use for inspiration. There’s something about being given three to five things and then being told, “Now go figure out what you can do with this” that makes my creativity soar. For instance, the spell ingredients for the card Spell for Surrender are “physical inversions, amethyst, strong winds, sharing secrets with strangers, salt”12. You can absolutely use none, one, some, or all of the spell ingredients, and I feel like the process of coming up with one that feels do-able and relevant for you is magic in itself.

For the candle magic cards, Zabala offers suggestions for the color candle and what to do during your candle magic ceremony. The Candle for Vitality card reads “Call all of your energy back to yourself.. Light a yellow candle and imagine a sunlight shield protecting your auric field from outside disturbance.”13

The guidance for the sigil card includes what to use the sigil, where to place it, and the ruling planet. As an example, the Sigil for Unbinding can be used to “untangle webs of entrapment or psychic manipulation”[/efn_note]page 55[/efn_note]. Zabala notes it should be placed in a ring of salt and the ruling planet is Pluto.

With the magical tool cards, Zabala reminds us, “Each tool represents the essence of our intentions, our spiritual connections, and the art of our will.”14 The guidebook describes the tool and then offers a suggestion of how one can best use their magical energy at this time. There is suggested magic for each one, ranging from speaking one’s truth to establish a boundary (athame) to gathering with friends to celebrate transformation through “ritual, feasting, and revelry”15 (bonfire).

Last but most important are the Wyrd Sister cards. I have yet to pull one myself! I honestly didn’t even want to read the guidebook description because I feel like it’s an initiation to pull one. However, from a quick glance at Zabala’s introduction, I can see they’re related to past, present, and future.

While you can pull a card for quick insight from this deck, as you can tell from reading the various descriptions, some of the cards require some more magical effort. Whether it’s planning out your spellwork, gathering the right color candle, or making preparations to perform the suggested magic related to a tool, it can take days, perhaps even weeks, to put the energy out into the world. It seems as though only the sigil cards can be used for immediate action. But I personally enjoy how the deck calls for you to savor its message and take the time to align with one’s intention and then put forth their magical working. You can always simply see what card comes through and then reflect on it before making any energetic investments.

As for the artwork, this deck is bright, abstract, and filled with symbolism. It definitely speaks to the non-verbal part of the psyche, activating inner knowledge through images, colors, and dimension. One thing I have been doing with this deck is noticing where my eyes go first, as there’s often many places to look, for insight into what is most relevant for me. For those who enjoy divination through creative decks, you could absolutely toss the guidebook aside and find plenty of messages and meaning within the cards themselves.

My favorite card that I’ve pulled so far is Spell for Grounding. Suitably, I pulled this on a night when my lower back was completely out of whack, indicating to me that I was ungrounded and needed to focus on my root chakra, as I rested with a heating pad. The image on the card was so fascinating to look at, and I spent a good five minutes letting my eyes explore. It shows a person with their arms in the air and an infinity symbol witch hat on their head, but the torso of their body is a tree trunk. It is growing from a patch of grass, and one can see the roots below the ground, pushing downward into spirals of energy below.

The guidebook calls for connecting with the earth, listening to plants, being barefoot, and speaking the name of the native land I live on, giving thanks. All of which my body and soul gave a resounding “yes, yes, yes, yes” as I read the entry and continued to meditate on the card. In this case, I didn’t feel a whole spell was needed; simply going outside and laying on the ground seemed to be enough, which I guess could be considered a simple spell in itself, but as Zabala intended, to each their own with this deck!

All in all, Zabala has created a really cool deck for those who love to explore their own magic and discover new possibilities. Wyrd Sisters is the perfect blend of intuitive guidance and freedom to roam with one’s own interpretation. Within the liminal magical space, we have the opportunity to discover our destiny, while also actively changing our fate. It all comes down to the willingness to ride the waves of mystery and magic, learning when to surrender and when to pursue. The Wyrd Sisters may be the universal weavers, but we are the active co-creators shaping the web too. As Zabala encourages:

“May your connection with the Wyrd ones inspire you to embrace the mystery and weave your own magical webs of belonging.”16

Anubis, by Charlie Larson

Anubis―Ancient Egypt’s Lord of Death and Protection, by Charlie Larson
Weiser Books,  978-1578638413, 224 pages, November 2024

Anubis―Ancient Egypt’s Lord of Death and Protection by Charlie Larson is a timely addition in bringing forward the jackal-headed God and his energetic signature of protection, death, and healing. As we move into 2025 with the increasing challenges of war, unrest, and uncertainty, the Ancient Ones are here to guide, strengthen, and create more stable foundations. Anubis is at the ready.

This book is organized into two parts with eighteen chapters, each aligned with the goal of bringing the diverse nature and powerful energy of Anubis into the lives of those seeking his wisdom. It is quite apparent that this author “knows” Anubis and has a deeply personal relationship with this Deity. The Dedication page is an offering to Anubis, and even in the reading of it, the reader begins a journey into the many epithets and titles that Anubis has offered. These include:

“Anubis-Anpu, Navigator Through the Chaos, Obsidian Lord, Keeper of Keys, Lord of Shadows, Cosmic Balancer, Healer of Souls.”11

Each of the chapters concludes with a specific, to-the-focus prayer, followed by a selection of journal prompts. This offers the reader an opportunity to gather a selection of prayers to Anubis as example and journal drawing from their own experiences arising from the reading of the chapter’s information. Here’s a sample prayer extract:

“Hail Anubis Psychopompos! He who protects, He who leads the souls of the departed to the afterlife, He who walks the path of the weary traveler.”16

And this is an example journal prompt:

“What other psychopomp figures can you name? How are they similar or different from Anubis?”17

The Introduction provides the reader with a reminder about what approach should be taken in setting course to connect with the Ancient Gods:

“It is important to remember while reading this book that we live in a modern world., and we need to see deities through a modern lens. Many, or dare I say most, of those who follow any of the ancient Egyptian deities have no direct connection to the Egypt of old. . . Our world is vastly different from a world of 2,000 or 3,000 years ago, and so it is not always relevant to simply try to recreate what was.”18

Larson continues this recommendation to say:

“Myths can inform and inspire us, but we must be able to translate them into a context that makes them applicable today if they are to have any meaning for us. Myths can be incredibly interesting and they can serve as a foundational understanding of a deity, but we must not view them as “scripture” that must be closely followed. The most important thing about connecting with deities is the experiences you have with them.19

These statements set the tone for how to gain the most from the information that follows and set the reader to approaching this read with deliberate and effective intentions. 

“Part One: Discovering Anubis” provides the reader with a thorough and in-depth introduction to Anubis, covering the traditional assignations as well as those not so commonly parsed out. Each chapter contained within separates out the many faces of Anubis and underscores the vast and powerful influence this deity had and still has today. I especially liked “Chapter 7: The Great Watcher” and how this epithet may be applied as a protector of those marginalized. This feels particularly relevant today; it is a definite space of calling to this aspect of Anubis that the modern practitioner can empower within themselves and subsequent relationship with Anubis.

“Part Two: Working with Anubis” offers the means to connect more deeply with Anubis and the tools of practical application for cultivating a relationship. If the reader has done their due diligence in actively engaging on the material offered in “Part One”, they are suitably prepared to begin the task of personal work with this multifaceted Ancient God.

“Chapter 11: Communicating with Anubis” takes the reader through the basics of meditation, journeying, divination with some notable oracle decks and the caution of respect and humility when approaching a deity of this magnitude. The chapter concludes with a beautifully written pathworking, “Journey to Meet Anubis”, that is both simple and rich in nuances that enables the reader to begin first explorations of the potential for a relationship. 

In keeping with the necessary approach to establish relationship with the ancient Gods, the next chapters discuss ways of creating a daily devotional practice and appropriate offerings for Anubis. The following chapters, focusing on sacred space, magick, and celebrations, provide useable and simple recommendations for begin the next level of work with Anubis, including spells for protection and other magicks, blessings for amulets, and calling to Anubis for spiritual guidance through divinatory techniques and charms. Finally, “Chapter 17: Shadow Work of Anubis―Ancient Egypt’s Lord of Death and Protection” dives right into the core of Anubis’ gifts for coming to know all parts of self: light, dark, and shadow. 

The culminating engagement for the reader is in the form of “Chapter 18: Formal Dedication”. As with any dedication to a deity this is not something to be taken lightly. If it is so desired by the reader, the information and steps contained are both sound and complex in the aftereffects.

“Walk with me , dearest child, and I will lead you down the path that leads to the secrets and the mysteries of the world-seen and unseen. On this journey, you will shed what no longer serves you and grow into the best version of yourself that you  can be. Painful as it may be at times, take my hand, and I will guide you. Shielding and protecting you from harm.”20

The book rounds out nicely with three appendices, including a “Historical Timeline of Ancient Egypt” (A), “List of Correspondences” (B), and a most useful quick-find Index of “Prayers and Practices” (C). A four page bibliography provides the reader with an abundance of resources to explore and three pages of art credits support the highly visual aspects of spiritual practice employed by the ancient Egyptians.

Would I Recommend?

Anubis―Ancient Egypt’s Lord of Death and Protection is a refreshing and informative read about a deity who is most often written only as part of the broader collection of known Egyptian Deities. And, for anyone who works with this pantheon, this title is something to be savored.

I would also give due diligence in recognizing the beautifully powerful artwork that graces the cover. That in and of itself, draws the attention of the reader and is commanding in its presence. This book is ripe with black and white illustrations and photos of museum pieces throughout, adding to the layers of visual, intellectual and practical.

The psychopomp energy of Anubis is precisely what will speak to those who are death doulas. Ancestor veneration  is guided by Anubis and informs all manner of honoring and working with the Ancestors. Those seeking balance in the midst of a chaotic world are enhanced by Anubis’ gifts and knowledge of Ma’at’s order.  Larson’s closing words aptly express one of the goals of his title:

“Anubis is a complex and powerful deity who resides in more spaces than you can imagine. . . No matter how you see Anubis or how you approach him, I wish you all the best in building your relationship with him. Don’t forget that, when life gets hard, he will always be there , watching from the shadows, ready to bring light into the darkness.”21

About the Author: Charlie Larson 

Charlie Larson has been a practicing witch and eclectic Pagan for over two decades. Charlie is passionate about nature, ancestral magick, energy healing, and shadow work. He is a priest of Anubis and works closely with Hekate and other deities. A leader in his coven since the 2000s, he has written and taught in various online communities since 2016. He currently resides in California. You can connect with him at anubislightandshadow.com.

The Forbidden Knowledge of the Book of Enoch, by Harold Roth

The Forbidden Knowledge of the Book of Enoch: The Watchers, Nephilim, Fallen Angels, and the End of the World, by Harold Roth
Weiser Books (Weiser Enochian Library), 978-1578638123, 224 pages, December 2024

The Forbidden Knowledge of the Book of Enoch: The Watchers, Nephilim, Fallen Angels, and the End of the World by Harold Roth takes on the challenges of subject matter that is complex, covers a wide span of theology in various forms, and is still largely misunderstood. In fact, oftentimes this subject is avoided and regarded as part of lore. This being said, Roth does a very thorough job of laying down the bread crumbs towards a deeper perspective of the Book of Enoch for those seekers who choose to follow the trial. 

“Since its rediscovery (by the West) in the 18th century, readers have sought its secrets–its forbidden knowledge. But often contemporary readers have been baffled by its contents-mostly because the general population is not acquainted with the history of the Temple of Jerusalem priesthood. What’s more, readers can be overwhelmed by the fact that the book contains a number of versions of the same events that actually contradict each other.”17

This book is organized into three parts, inclusive of twenty-one chapters. The Book of Enoch contains one of the oldest stories ever told, written in ancient Aramaic and still held as a text of hidden/forbidden knowledge.  It is an epic tale of lust filled angels, man-eating violent giants, and portentous visions of the apocalyptic end times. It introduces us to the heavenly Watchers and their earthborn hybrid sons, the mighty Nephilim, providing a different concept of the origins of evil and the role of the most high in instigating.

“Part One: The History of Enoch” provides the reader with the origins of The Book of Enoch, and its applications in Jewish history, Babylonian exile, Early Christianity, and what the modern practitioner of these systems has chosen to extract in an incomplete manner that does not comprehensively make for deeper understanding. The reader is provided with a crash course in terminology, style, and the ways in  which sacred texts are typically considered and treated. Terms such as “pseudepigrapha” (books, usually ancient texts,  claimed to be written by a Biblical figure… but actually composed by someone else) and “Canonical” books (those which the authorities of religion consider to be authentically divinely inspired), and consideration of the tedious nature of the work of scribes.

Next, the reader is introduced to those beings that are the focus of The Book of Enoch. “Part Two: Characters in Enoch” introduces Enoch and his wives, the Watchers, Angels, and Nephilim. There’s also an interesting read in “Chapter 16: Christian Responses to the Watcher’s Teachings: Women Are Evil.”

Within the pages of The Forbidden Knowledge of the Book of Enoch, the reader is presented with an alternate origin of the evil usually placed upon humankind in the story of Adam and Eve. The Book of Enoch moves that belief and places it upon the actions of the Watchers and heavens realms. The idea of the forbidden knowledge associated with the Book of Enoch arose as Judaism and Christianity culled through the ancient text, removing what did not serve their systems. Their angels were not corrupt and evil as pictured in Enoch. They did not bring the knowledge of divination, metalworking, magick and more….

“The idea that angels could be corrupt–that ultimately Heaven was responsible for evil–bothered religious thinkers enough to end up rejecting The Book of Enoch as false. Both Jewish and Christian authorities had come to consider that evil came to be on earth strictly through human activity, such as disobeying God’s commandment that they must not eat from the fruit of the Tree of Knowledge of Good and Evil or murder their own brother out of jealousy (Cain and Abel).”19

The Forbidden Knowledge of the Book of Enoch offers the reader many paths of consideration for how we move through our life experiences and walk in this world. Roth suggests that the story of Enoch and the varied characters prevalent throughout the Book of Enoch are another way of perceiving ourselves and the  multitude of interactions we have with one another as well as whatever we call the Divine. In this way, The Book of Enoch becomes lore, metaphor, and truth.

Would I Recommend?

The Forbidden Knowledge of the Book of Enoch is not an easy read, despite the very thorough and scholarly approach to this complex subject matter. That being said, I think it is most certainly a necessary read because of the nature of its content and the broader story it holds of the potential of humanity, the so-called “fall of man”, and that perhaps the search for good and evil are one in the same.

“The Book of Enoch is shot through with all sorts of forbidden knowledge from which we can learn. Whether that forbidden knowledge might be harmful to us is something only we can judge. In this book, I discuss this forbidden knowledge and hope that discussion helps you to untangle the threads of what is evil, how it came to be, how tit continues, and how we can involve ourselves in stopping it.”22

There is a definite push towards thinking for oneself and making decisions based upon what thoughts arise from digging beyond the surface of a magickal/religious system. This idea is accentuated in the final “Chapter 21: Enoch in Occulture”. Roth offers opinions about some of the works of Enochian magick that have been staples for those interested.

Additionally there is “Appendix: Timeline of the Book of Enoch” that provides a snapshot of the evolution of The Book of Enoch and various components. A very useful Glossary follows for those unfamiliar with the Hebrew names used. The Notes and Bibliography exemplify the scope of research and reading done on the part of Roth in compiling a title that is both rich and readable in its selection of content.

About the Author: Harold Roth 

Harold Roth is an author and artist and among the foremost authorities on plants within the modern occult community. He has studied Hebrew as well as Jewish mysticism and magic for decades. The author of The Magic of the Sword of Moses and The Witching Herbs, Harold teaches classes on botanical magic, Kabbalah, and witchcraft. Visit him at haroldroth.com.

Tarot of the Cosmic Seed, by Lalania Simone

Tarot of the Cosmic Seed, by Lalania Simone
Weiser Books, 9781578638611, 80 pages, 79 cards, November 2024

Drawing from a rich palette of jewel tones and a diverse collection of symbology, Lalania Simone has transformed the Rider-Waite Smith tradition into her own language in Tarot of the Cosmic Seed.

Lalania Simone is an indigenous artist, metalsmith, author and creator of tarot and oracle decks.  She has written a book called Urban Soul Warrior: Self-mastery in the Midst of the Metropolis and created two other tarot decks, including The Oracle of Awakening. She currently runs a spiritual boutique called Alchemy Ritual Goods, where services such as acupuncture/herbs, traditional spiritual healing practices, Usui Reiki, and several types of divination are offered.

In the guidebook, we learn that Simone has added a 23rd major arcana card to the deck.  This addition, The Cosmic Seed, is a brilliant card which speaks to “the seed of infinite potential. It exists in the quantum realm and can move between dimensions/realities in all directions, and through matter.”23.

Another change Simone made is renaming some of the major arcana cards, such as changing The Hierophant to The Teacher and The Fool to The Wanderer. Furthermore, she also renamed the court cards. Simone explains that she made this change “in an effort to decolonize the tarot and challenge outdated gender norms.”24

In her new royal court, the Kings are named “Mastery”; Queens are “Nurturer”; Knights are “Action”; and Pages are “Messenger.”  Simone kindly puts the traditional court name in parentheses next to the new name she has created and lists these for each of the four minor arcana suits in the guidebook.

Simone includes one spread in the guidebook, which she calls the Spiritual Growth Spread. With this layout, the querent can get an idea of “what is blooming”, any “support and/or challenges” and “outcome or further progression”.25 She also includes notes on how to use the deck and how to work with reversals. In her own words, Simone shares:

“Tarot of the Cosmic Seed is a journey into the experience of life. A vibrant and diverse spiritual tool, a bridge to the mysterious and the esoteric, as well as a guide to the everyday.”26 

Within the deck, Simone features a very diverse group of characters. For example, you will see the Hindu goddess Lakshmi on the 6 of Coins, Native American arrows on 8 of Wands, maidens in Asian dress on the 3 of Coins, a Mexican family with sombreros on the 10 of Cups, and an African princess on The Star card. For Mastery of Wands, Simone captures a gentleman in a pinstriped aqua suit that reminds me of Gregory Hines in The Cotton Club.

However, not all cards feature people. The 4 of Swords captures a beautiful velvet loveseat in rich turquoise hues with giant flowers that act as pillows. The 8 of Coins card showcases buttons, instead of coins, as well as a needle, thread and scissors.  

My favorite cards are The Wanderer, with a ballerina balancing on one foot atop a giant garnet gemstone; The Devil, which features a woman in a locked birdcage with a stag skull above her; and The Hermit, which is perhaps the most intriguing card in the deck.  The imagery on The Hermit combines a full moon, which is visible from a cave near an ocean or large sea, with a woman dressed in purple formalwear. Although she faces the sea, her head turns to look toward a lantern shining inside the cave. The visual is multi-layered with a sacred geometric pattern in the sky and crystals in each corner.  I could gaze at it for days!

To test drive the deck, I posted the backs of three cards on Facebook and asked friends to select a card and come back later for the reveal. Several women posted positive comments regarding the cards, such as one friend who selected the card 6 of Cups and shared that the message of enjoying memories and reconnecting with someone from the past really resonated with her. She had recently heard from a friend she had worked with 30 years ago. Another friend had this to say:

“This fell right in line with my own Tarot for today, 3 of Cups and 10 of Cups. I love it when the Tarot voice isn’t ambiguous but sings with clarity.”

Another friend selected the Justice card, which features a scale of gemstones with a human heart on one side and a feather on the other. I shared Simone’s guidance that states that the Egyptians believed in weighing the heart with a feather to reveal the true character of the person. My friend shared that she has “always been drawn to Egypt and actually lived there for several months years ago.” She went on to share about some physical challenges she and her daughter are navigating and how “it’s requiring me to practice balance in both thoughts and actions.”

My own journey with the deck provided me with thought-provoking words of wisdom and some incredible journal prompts. The rich colors and interesting characters will keep me coming back for more adventures with The Tarot of the Cosmic Seed.

These cards are standard size for a tarot deck, coming in at a little over 5” X 3”.  The cards are printed in a matte finish and on good quality card stock.  The back of the cards features a watercolor design of cobalt blue, turquoise, and midnight blue. Simone designed a beautiful symbol with an eye in the center and swirls and palm fronds flanking the eye. This esoteric symbol is printed in a turquoise foil imprint in the center of each card, and the cards are edged in turquoise foil, as well.  It is truly a stunning deck.

Tarot of the Cosmic Seed would be great for anyone who wants to expand their knowledge of tarot and enjoys working with a diverse set of characters from around the world. It would probably be best for someone with a basic knowledge of tarot or with a foundation in Rider-Waite Smith symbols. I really enjoyed working with this deck and plan to add it to my collection of decks for client readings. My adventures with this deck are encouraged by Simone, as she offers this prayer on the first page of the guidebook:

“May this deck help you tap into your inner knowing. May it be a conduit for the wisdom of the divine within. May it serve as a mirror for healing and growth. May it ever align to the highest good of all.”27

A Confluence of Witches, edited by Casey Zabala

A Confluence of Witches: Celebrating Our Lunar Roots, Decolonizing the Craft, and Reenchanting Our World, edited by Casey Zabala
Weiser Books, 1578638453, 224 pages, October 2024

Witchcraft is not a one-size-fits-all practice. There’s no single, universal “witchcraft” that everyone follows. Different witches may have varying beliefs, rituals, and traditions, influenced by their individual experiences, cultural backgrounds, and personal paths. This diversity is what makes witchcraft such a rich and fascinating exploration.

A Confluence of Witches: Celebrating our Lunar Roots, Decolonizing the Craft, and Reenchanting Our World, edited by Casey Zabala, brings together a diverse array of voices within the contemporary witchcraft community. Through a rich tapestry of essays, rituals, and personal narratives, this anthology shines a light on the multifaceted nature of witchcraft in the modern world to explore “the authentic intersection of magic, spirituality, personal development, and social justice.”28

“Modern Witchcraft is not a disavowal of our Pagan, animist, lunar roots. Rather, Modern Witchcraft is an evolution of our responsibilities as practicing witches. These responsibilities have historically been to praise the divinity of the Earth and cosmos, to provide healing remedy and support to the community, and to offer a spiritual framework for the oppressed. To be a modern witch we must straddle both our ancient origins and our futurist dreams.”29

This anthology covers a broad range of topics that will appeal to both seasoned practitioners and those new to the craft. The seven chapters each focus on a certain aspect of witchcraft: the Moon, the blending of traditional magic with modern technology, the decolonization of witchcraft, connection with the spirit world, connection to our bodies and Earth, pathways of healing, and the power of covens. Within the chapter there’s three essays related to the topic.

The essays in A Confluence of Witches are thought-provoking and deeply personal. Each contributor shares their unique journey and insights, making the anthology both informative and intimate. Some of my favorites are “Reclamining Resources: Money Magic in This Time of Capitalism” Jessie Susannah Karnatz, “Loving What Is: Quantum Witchcraft” by Sanyu Estelle, “Flower Animism: A Floral Spell” by Liz Migliorelli, and “There is Sustenance in the Roots by Star Feliz.

Zabala’s editorial hand is evident in the seamless flow of the book. At the start of each chapter, she writes an introduction for the topic, creating a cohesive overview of the essays that follow. I also felt like the arrangement of the chapters was very intuitive, though there’s truly no need to read them all in order.

One of this anthology’s greatest strengths is its inclusivity. Zabala has curated contributions from witches of various backgrounds, practices, and traditions, ensuring that readers are exposed to a wide spectrum of perspectives. This diversity not only enriches the reader’s understanding of witchcraft but also challenges any preconceived notions they might have. The essays all give a little glimpse inside the world of the writers, so readers can then pursue exploring more work of the writers they especially resonate with.

There are so many leads I want to follow now that I’ve read this book! I am truly enamored with the insights from the writers who contributed. At the end, Zabala has included biographies for all the contributors. Here readers can discover new podcasts, YouTube channels, books, organizations and groups, and more. The community Zabala created in 2018 is called Modern Witches, which aims “to heal and honor the collective’s relationship to the witch.”30

Reading through this book prompted a lot of reflection for me, and I began to see my practice connected to a much wider group of people. Oftentimes, especially when feeling isolated or marginalized, I think witches forget the community resources available to them. But there are so many others out there shaping Modern Witchcraft. I learned about so many other amazing witches and their work when reading this book that I would have never known about otherwise, and I’m really excited to further brand out and explore some new groups I learned about from the book.

It felt very expansive to see just how vast the world of Modern Witchcraft is right now and to take the time to think about the impact of technology, political systems, and social structures on witchcraft right now. With each chapter, I felt a shimmering web of energy growing between me and these other witches; even though our practices might look very different, we all walk the same path at this current time.

Overall, A Confluence of Witches is an essential read for anyone interested in the Modern Witchcraft movement. Within the variety of voices, the book maintains a narrative that guides the reader through the complexities of Modern Witchcraft that is expansive, inclusive, and thought-provoking. Whether one is new to the craft or a seasoned practitioner, this book gives voice to where Modern Witchcraft is at right now, contextualizing the greater community of witches beyond one’s daily scope.

We all possess our own sacred blend of spirituality, shaped by our experiences, beliefs, and connections to the world around us. By embracing the diversity of witchcraft and honoring the unique practices of others, we can create a more inclusive and supportive community that celebrates the richness of human spirituality.

Witches, by Judika Illes

Witches: A Compendium, by Judika Illes
Weiser Books, 1578638577, 240 pages, October 2024

Autumn has arrived, and I think we can all agree.. It’s officially the season of the witch! For those who are feeling drawn to witches, whether through fictional tales or their own witchcraft practice, Judika Illes’ latest book Witches: A Compendium offers a fascinating exploration of the subject, from ancient times to modern day. This comprehensive guide covers a range of witchcraft topics, from famous witches to the best witch-travel destinations.

“The world of witches is filled with passion, magic, high spirits, and joy. It is a world where the sacred is ever-present, a world in which even the most mundane objects possess deep spiritual significance. The world of witches is a world of wonder in which every color, incident, creature, sight, or sound has some sort of magical import.”1

Illes does an excellent job of presenting a diverse range of perspectives on witchcraft. Chapters are dedicated to types of witches, witchcraft tools, animal familiars, various well-known witches (famous ones, fictional ones, divination witches, and those who have been persecuted for their practice). She includes stories and practices from different cultures, highlighting the universal appeal and varied interpretations of witchcraft around the world. This inclusivity is a refreshing aspect of the book, as it acknowledges and respects the wide array of traditions and beliefs associated with witchcraft.

For each topic in the compendium, there’s anywhere from one paragraph to two pages dedicated to the subject. Illes’ writing style is engaging and accessible. She excels in writing insightful profiles that bring these individuals to life, offering readers a glimpse into their lives and the culture during the time they lived. Some of my favorites covered include Tamoamo-no-Mae, Hulda, and Kybele. I also loved the focus on fictional witches, such as Agatha Harkness, whose new TV show I just started watching on Disney+; Illes writing is so up-to-date that it mentions this new Marvel show, along with the recent WandaVision.

I was also pleasantly surprised to see that Illes included quite a few men in this compendium. Of course, there’s the male founders of certain traditions, such as Alexandrian Wicca and The Clan of Tubal Cain, who were influential in the spread of modern witchcraft. But she also looks to famous magicians and sorcerers of the past too, such as Abei no Seimei, Franz Bardon, Count Alessandro di Cagliostro, and Dr. Leo Martello. This inclusion gives a very balanced perspective on witchcraft, offering a full picture that counters stereotypes of witches always being old hags or devious young women.

The chapters on the tools, crafts, and animals associated with witchcraft are especially beneficial for readers to learn more about different practices. Illes covers tools like dolls, mirrors, runes, and wands, along with crafts of the trade such as dowsing, scrying, and astrology. The chapter “Animal Witches and Witches’ Animals” is loaded with information about the roles various animals have in witchcraft practices worldwide. I was fascinated to learn:

“European itches were accused of riding wolves or bates; African witches ride galloping hyenas, the animal most closely identified with witches throughout Africa.”29

And, if after making it through most of this book you are wondering if you’re a witch, Illes’ final chapter helps to answer this question. She includes lore that indicates being a witch, such as being the seventh-born son or daughter, as well as having a witch-mark or disliking salt. She also notes personality traits like “you have an affinity for wild nature, a love for the world’s wild, untamed places”31 and “you possess an independent streak: you don’t like being told what you can’t do, can’t learn, can’t known, can’t read, or where you can’t go.”32

Finally, the visual aspect of the book is also worth mentioning. Witches is beautifully illustrated, with images that complement the text and enhance the reader’s experience. The illustrations add an extra layer of enchantment to the book, making it not only informative but also a pleasure to look at.

Overall, Witches: A Compendium is a great read for anyone interested in the world of witchcraft. It is comprehensive, well-researched, and beautifully presented. Whether you are a seasoned practitioner or a curious newcomer, this book offers valuable insights and practical knowledge that will deepen your understanding of witchcraft and its enduring allure.

And if you enjoy this book, Illes has quite a few other informative books published, including Encyclopedia of 5,000 Spells, Encyclopedia of Spirits, The Element Encyclopedia of Witchcraft, and Encyclopedia of Mystics, Saints, & Sages, along with The Weiser Field Guide to Witches and The Weiser Field Guide to the Paranormal.

Secrets of Romani Fortune-Telling, by Jezmina Von Thiele and Paulina Stevens

Secrets of Romani Fortune-Telling: Divining with Tarot, Palmistry, Tea Leaves, and More, by Jezmina Von Thiele and Paulina Stevens
Weiser Books, 1578638585, 224 pages, October 2024

Secrets of Romani Fortune-Telling: Divining with Tarot, Palmistry, Tea Leaves, and More by Jezmina Von Thiele and Paulina Stevens is a compelling exploration into the rich and often secret world of Romani divination practices. The book serves as both an educational resource and a captivating narrative, shedding light on the traditions and cultural significance of fortune-telling within the Romani community. While not all secrets can be revealed, the authors open the world of Romani divination to us gadje (non-Romanian folks) to facilitate more cultural appreciation and less cultural appropriation.

“To understand the true art of Romani fortune-telling, and the secrets of intuition, we will share some spiritual techniques and business acumen, but more than that, we will share our beliefs, culture, history, trauma, resilience, and our stories. All of these make up the much misunderstood, maligned, and misrepresented practice of Romani divination.”33

Both Von Thiele and Stevens are of Romani descent. Von Thiele is a creative spark, working as a fortune teller, writer, editor, teacher, and performer in New Hampshire. While Stevens lives in California running her business Romani Holistic Healing where she offers clients fortune-telling, meditation, herbal health remedies, and life coaching. The authors combine their expertise in their joint podcast Romanistan, which inspired and led to Secrets of Romani Fortune-Telling.

What I love about the authors is how in both their podcast and this book they challenge aspects of their culture that need to evolve. They consider themselves intersectional feminists, gender librators, and anti-colonist, choosing to walk their own path, support LGBTQIA+ communities, and speak out against cultural issues such as domestic violence and arranged teen marriage. Their collaboration ensures that the book is not only informative but also sensitive to the cultural intricacies and historical context of Romani fortune-telling; it does not sugarcoating what needs to be addressed while simultaneously promoting a more inclusive future.

The book is structured to guide readers through various aspects of Romani divination. It covers a range of techniques, from palmistry and tarot reading to more obscure methods like coffee grounds and crystal gazing. Each chapter delves into the history, symbolism, and practical application of these techniques, making the book suitable for both beginners and those with a more advanced interest in the subject.

A real highlight are the  personal stories Von Thiele and Stevens share from firsthand experience. The authors share anecdotes and insights from their own lives, providing a personal touch that makes the material more relatable and engaging. This narrative approach helps demystify the practice of fortune-telling and highlights its significance as a living tradition within Romani culture.

It’s also interesting to compare and contrast the experiences of Von Thiele and Stevens as their stories are often side-by-side, offering a multi-faceted perspective. I particularly enjoyed the information shared in the chapter “Dream Divination”. Each author shares their family’s approach to dreams, as well as prophetic dreams they’ve had, bedtime tea recipes, and dreams for interpretation. It feels like you are getting a two-for-one bonus with the dual insights shared by the authors.

I found it interesting to read about all the energy clearing and protective measures within Romani culture. Similar to my Italian heritage, the Romani culture veers towards superstitions and proactively acts to counter bad energy. There’s a whole section on the evil eye and what measures one can take to avoid it or remove it. The authors explain how within is an emphasis on cleansing and protecting your space and yourself, offering ways one can do this to maintain good energy.

“Fortune-telling deals with people’s lives, secrets, hopes, dreams, beliefs, loves, mistakes, struggles, and ambitions. The potential for messiness is great if you don’t have a solid moral compass yourself.”34

Another aspect of the book I really enjoyed is the guidance for working with clients and running one’s own fortune-telling business. The authors are seasoned professionals, trained from childhood to be fortune tellers, and after decades of this work, it’s clear they know what they’re doing. Entire chapters are dedicated to fortune-telling ethics, how to be convincing as a reader, ways to deal with skeptics, and how to be a professional fortune-teller. For those interested in running any client based business where they’re offering readings, these chapters are very helpful.

Overall, Secrets of Romani Fortune-Telling is a valuable addition to the literature on divination and Romani culture. It offers readers a unique perspective, combining historical context, practical guidance, and personal narrative. Whether you are interested in learning about fortune-telling techniques or gaining a deeper understanding of Romani traditions, this book is a worthwhile read.