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Heal the Witch Wound, by Celeste Larsen

Heal The Witch Wound: Reclaim Your Magic and Step Into Your Power, by Celeste Larsen
Weiser Books, 1578637988, 208 pages, April 2023

Personal safety is something that is of great concern in today’s society. From hate groups attacking those trying to live their lives to the “everyday” violence that is commonplace, we all just want to be safe to be who we are. While this book, Heal The Witch Wound: Reclaim Your Magic and Step Into Your Power, focuses on feeling safe with respect to magical practices, Celeste Larsen has also managed to weave in a broader spectrum of what personal safety means individually as well as on a greater scale.

The introduction begins with a simple explanation of the “witch wound”, and Larsen describes it as “a collective, intergenerational, psychic wound that is rooted in the Burning Times – an era of widespread persecution and violence against suspected witches.”1

Anyone with this wound will usually hide their spiritual beliefs and practices out of fear of being judged or shamed or rejected. Without taking away from the basis of this book, I find many parallels between this and the situation of other groups in current society. To be clear, this is a personal observation that I am making and not meant to take away from this book in any way.

Larsen has drawn on her experience as a pagan witch, writer, and ritualist to produce a work that is more of a how-to rather than a reference book. To me, this is excellent news as I need a guide and not just theory in this realm. The book is comprised of three parts that each deal with a specific aspect of the healing journey. The first section deals with the root of the wound and goes into detail around the creation of it as well as its legacy. Larsen’s writing is simple, straightforward and honest, and manages to put the reader at ease while imparting some tough information around the wound and its causes.

The second part of this spectacular book focuses on the symptoms of the witch wound, something I hadn’t even considered. In fact, as I read this section, I was struck by the number of things mentioned that I completely identified with. It didn’t even occur to me that it might be a result of the witch wound I carry.

I had a very visceral reaction to one part specifically where Larsen writes:

“Of all the ways the witch wound can show up, fear of being authentically heard and seen is undoubtedly the most pervasive. How often do you stifle your own voice out of fear of being too outspoken, too opinionated, too sensitive, too demanding, too honest, too much?”2

This specific part hit me really hard. I’ve been told my whole life to be quiet, sit down, keep my hands to myself, don’t talk so loud, “why are you laughing so loudly?”, and all that. I have never felt comfortable around people simply because I’m afraid that I will be too much of something and then I’ll be made to feel less-than as a result.

Reading this book made me realize that this wound I carry that presents in this way is something of a gift. Stay with me here. Knowing that I am holding back my awesomeness for the sake of other people’s comfort means that I am much more awesome than I think I am. And I think I’m pretty awesome.

Seriously though, reading about how this wound affects daily life if nothing is done to heal it opened my eyes to how important self-care is. Part three of the book delves deeply into this with a whole host of various ways to heal certain aspects of the wound. My personal favorite deals with moving into personal magic and power.

Here, Larsen talks about the ways in which practitioners can talk about individual magic and specific practices in a way that honors them while also maintaining a certain level of privacy. There is an acknowledgement that no two practitioners will refer to themselves in the same way, nor does their individual practices align. In this way, Larsen states that personal comfort comes before any sort of declaration that might be made concerning someone’s personal craft.

Larsen writes honestly with an authentic voice and the situations presented in the book by way of confirming the various suggestions presented feel like they have been actually lived by the author. I felt many echoes as I read and aligned with many of the situations that Larsen describes throughout the book by way of sharing her personal story. 

Heal the Witch Wound is an excellent book for those who feel they cannot ‘come out’ as a practitioner of magic and who feel they need to stifle themselves in order to fit it. You don’t have to dim your own light in order for other people to shine, and you don’t have to stay small for other people’s comfort. This isn’t to say that there shouldn’t be consideration for others: depending on what your situation is you might feel it’s in your best interest to be silent about what you do. This book is meant to reframe the way in which we look at how we express ourselves in the world we live in and helps us see where we can make positive changes to bring us into more alignment.

The Witch at the Forest’s Edge, by Christine Grace

The Witch at the Forest’s Edge: Thirteen Keys to Modern Witchcraft, by Christine Grace
Weiser Books, 9781578637584, 224 pages, November 2021

“I stand in the meadow, at the forest’s edge. One step forward and I will straddle the boundary between fading light in the swaying grass and rich darkness in the woods. One more step and I will be immersed in the nighttime world of southern, hardwood forest. My home lay behind me, the wild magic ahead. I am the witch at the forest’s edge.”1

The Witch at the Forest’s Edge: Thirteen Keys to Modern Witchcraft by Christine Grace is an immersive and deep dive into the world of the modern witch. Grace’s theology studies shine through with informed practices and cross section references to other spiritual practices. The philosophies and method of study contained within this book provide the reader with a sampling of the tried and tested teachings that are foundational within The Forest’s Edge Tradition, co-founded by Grace in 2011. 

“The essence of the Forest’s Edge way is to honor the specificity of the individual, while holding that each witch is fully themselves only within the web of human and other relationships in which we live and have our being.”2

I appreciated the “How to Use This Book” and “Self-Assessment” sections of the Introduction. Knowing the “how” and the “why” align deeply with the overall intentions of this book. These emphasize the ultimate goal of the modern witch to develop as one who finds their way through deep reflection, deep practice and a slow and often self-guided approach to cultivating the individual’s personal growth in the practice of witchery. All of the tools required for that intention are found within the pages of The Witch at the Forest’s Edge: Thirteen Keys to Modern Witchcraft.

The book is separated into thirteen chapters. The formatting of these chapters allows the reader to flow easily through a methodical and well-designed approach towards cultivating their own practice of modern witchcraft. “Communing with Spirits” (chapter two), “Cultivating Spirit Senses” (chapter four), “Divination” (chapter eight) and “Spellcraft” (chapter twelve) are some of the topics included for deeper exploration.

Additionally, each chapter contains sections with related content for reflection and another for actual practice. The “Resources” that conclude the book are thoughtfully aligned by chapter and rich in specifically curated titles of depth and substance.

Grace offered some practical insight in chapter one, “Worldview and Spirituality”, which spoke as a lovely fusion of her spiritual practice and her training as a counselor:

“It is one thing to give an intellectual assent to the ideas and practices outlined in this book. But will you do the work? . . . In order to identify and develop perceptions of the sacred and the many influences at work in ourselves, and our environment, we need both study and practice.  Once a practitioner has actually experienced something that they learned or formed in study, it takes on new life and deeper meaning unique to that individual. Without study, we may not be inspired to practice with depth; without practice, we cannot fully understand our study.”3

This approach is clearly evident throughout the pages of The Witch at the Forest’s Edge; each chapter is complete with opportunities for study of the related skills and guidance for practice of these newfound concepts. As stated by Grace, the power lay in the interweaving of the two as the reader begins to build a strong foundation of witchery. 

I was particularly drawn to chapter seven, “Hedgeriding”.

“Hedgeriders follow in the ancient tradition of magical practitioners who live with one foot in this world and one foot in the Otherworld. The Otherworld is the multilayered realms of fae, ancestors, gods and innumerable other spirits. Hedgeriding is a means to release part of our consciousness from this world and travel, spiritually, into the Otherworld to engage with spirits, gather new knowledge, hone magical skills and create change.”4

There is an abundance of information about the use of the word “hedgeriding” in this chapter, both in general terms and as it applies to The Forest’s Edge tradition. And, with the primary focus being that of moving between the worlds and liminal space, this chapter is ripe with suggestions for the practice of hedgeriding through guided meditation and visualization and incorporates a step by step process to allow the reader to find their correct path of resonance into the astral:

“At its core, hedgeriding is a deeply altered state of consciousness and both mental and physical.”5

Another chapter of note was chapter thirteen, “Magical Ethics”. There is much debate in the pagan community about the ethics of baneful magic and the harm or healing it may do, if thought ethical to practice at all. This chapter speaks clearly to what the responsibilities and the allowing of free will, individual power and choice are for those who embrace a witchery that is rooted in traditional witchcraft as practiced by The Forest’s Edge tradition.

“Traditional witchcraft does not forbid any spellcraft or magical practices. We cultivate the skill to both hex and heal as needed, as all of existence contains this sort of ebb and flow.”6

There is a generous amount of thought provoking statements and the “Reflection” section of this chapter is one that should be given deep consideration in the formation of the individual’s personal ethics. This is preceded by Grace providing the reader with “An Ethical Structure”, that allows for a methodical approach to ethics within the craft and ways of organizing your thoughts.  

The closing section of the book feels like a loving gift of support and encouragement from Grace to the reader. She offers a bolster of confidence that is infused with the underpinnings of some of the philosophies presented throughout her book; there is no right or wrong way of practice, the work of the craft is demanding and difficult, and although at times progress may feel slowed, the path of the witch is always rewarding when you remain true to yourself. 

“Don’t fear the cycles of practice. The time and energy that you devote to your craft will wax and wane and shapeshift through the seasons of your life.  It doesn’t make you less of a witch. You are just living the cycles, like the rest of nature. The magic is yours, a witch unto yourself. You are beholden to no one but connected to many as you stand at the forest’s edge.”7

The Witch at the Forest’s Edge is a handbook into the world of modern witchcraft founded on the teachings of a practicing tradition. Regardless of what or if the reader claims as their own practices within the craft to explore and build upon, the take away from the reading of this title is one of greater clarity about the possibilities of taking the journey of the Witch.

As is true of the mysteries of weaving one’s magic, the content is layered between word and practice, between experience and integration; and, as such it should also be understood that a single reading of The Witch at the Forest’s Edge provides only one layer of understanding. This is a title that will become the reader’s reference guide. Much like fine wine, as the studies age, so does the deepening of the practice, becoming the way in which (Witch) the practitioner lives their magical and mundane life.

Payback’s a Witch, by Lana Harper

Payback’s a Witch (The Witches of Thistle Grove), by Lana Harper
Berkley, 0593336062, 352 pages, October 2021

New year, same me reading witch lit 🙂 And my latest book, which I discovered when cleaning out my garage – a perk of the effort, is Payback’s a Witch by Lana Harper. As someone who’s read a lot of books, particularly in this genre, I can say with confidence Harper is one of the best writers I’ve ever come across. Payback’s a Witch takes the quality of this genre to a whole ‘nother level!

The premise of the story is that Emmaline Harlow (otherwise known as Emmy or Harlow) has come back to her hometown of Thistle Grove. As a scion of the one of the four magical founders of the town, obligation compels her to return to town in order to fulfill her role as arbitrator in the Gauntlet tournament, which is held every 50 years between the founder’s families to determine who will safeguard the magical wreath and benefit from its power.

But Emmy isn’t super pumped to be back home. Her first night back, she runs into her ex-beau, Gareth Blackmoore, who descends from the family of the most powerful witches in town. He’s a textbook narcissist who never really seems to get what he deserves. The same night though, Emmy also has a reconnect with Talia Avramov, another scion of the founding family most practiced in the dark arts. After quite a few drinks Emmy feels a bit better about running into Gareth and definitely notices a few sensual feelings budding towards Talia.

At breakfast the next morning with her longtime BFF, Linden Thorn, the fourth founder family’s descendent, Emmy is surprised to have Talia join them. Turns out, Emmy isn’t the only one who received the short-end of the stick of Gareth’s arrogance and schemes. He also two-timed Linden with Talia – or vice versa – point is, he was seeing them at the same time when both thought they were exclusive. Now, Liden and Talia want revenge, specifically at the Gauntlet tournament, and they are looking for Harlow to help out.

Harlow is well-aware of her duties to arbitrate without bias, and at first she’s a bit reluctant. She fled the town wanting to forget Gareth, and suddenly the whole time home seemed to be becoming all about him. However, when Talia and Linden point out this goes beyond petty revenge; the balance between the families has become skewed by the Blackmoores repeatedly winning, gaining magical advantage, winning again, and so on in a repetitive cycle.

This has led to them building a giant castle structure of Camelot akin to a Ren Faire that has drawn all the tourists away from more local shops, such as the Thorn’s farm and Aramov’s emporium. If balance is not restored, the unequal distribution of power could see foreclosure in the future for the Aramovs and Thorns. Understanding the greater balance of power among the founding families at risk, Emmy decides she’ll assist, and obviously, foresees some personal enjoyment in bringing down Gareth as well.

What takes Emmy by surprise is how happy she feels to be home. As her magic returns after her long departure from Thistle Grove, she starts to recall all the small joys of the town. Adding to her inner confusion is the romantic sparks between her and Talia. Talia can’t imagine a life away from their hometown, while Emmy is very proud of the life she’s built for herself.

As the Gauntlet plays out, in very twisted and unexpected ways, Emmy discovers there is more to her family’s lineage than she previously realized. Ultimately, she must reckon with the consequences of leaving her family and close friends behind, forgoing her claim to magic, and newly discovered feelings towards Talia to decide what her next step will be.

Luckily, the story doesn’t end here – there is a sequel coming in March! I am very pleased about this because I absolutely adored all the characters. I think there’s so much room for the story to grow. Plus, Harper really knows her stuff when it comes to magic. There’s plenty of diversity among the different types of magic practiced, and reading how they blend together or repel one another is an intriguing part of the story.

This was a fun read with surprising depth. There is the perfect amount of banter, tension, and love between the characters, with plenty of emotion balanced by humor and quirk. I loved reading it as a leisure book to relieve the stress of the day and tap into some magic.

The pace of the book is perfect with one chapter effortlessly flowing into the next, often on a cliff-hanger that compels you to keep reading. There’s also a great blend of fantasy with modernity, which gives the story very relevant magical realism. I love when this happens because I enjoy believing somewhere in Illinois a town like this might just really exist.

My favorite character was Talia since she practices the dark arts, particularly necromancy. Throughout the book, she chats with ghosts and summons her ancestor for guidance. The magical families that lean more towards “life-magic”, specifically the Thorns, are put off by the spookiness of the Avramov family, as Emmy is eager to see their magic, which is usually kept hidden.

Plus, Talia has a deeply caring and compassionate side, wanting to cook for and tend to the needs of those she loves. The relationship between Talia and Emmy is just beautiful to watch unfold. I absolutely love having some lesbian protagonists in a witch lit book! What’s better than two witches falling madly in love? THE ULTIMATE ENDING of the Gauntlet challenge, which is all I will say for now! 🙂

All in all, Payback’s a Witch is a 10/10 from me. Harper is one of the best writers I’ve read in a long time. The story has the perfect flow; the characters are very relatable; and the plot is enticing. I am very excited for the book in The Witches of Thistle Grove series!

The Once and Future Witches, by Alix Harrow

The Once and Future Witches, by Alix E. Harrow
Redhook, 0316422045, 528 pages, October 2020

Embracing the season of the witch, my book club picked The Once and Future Witches by Alix E. Harrow for our October read, and I am in love! This is such an empowering tale of women finding their strength, courage, and magic to change the world. It’s a reminder of what happens when women from all walks of life embrace witchcraft and join together to raise hell!

At a whooping 528 pages, this book wasn’t just a rinse-and-repeat story with the typical exposition, rising action, climax, and resolution. There were so many twists and turns along the way, which made it a really lovely read to sink my teeth into. I knew this wasn’t a book I was going to tear through, and this opened me up to embracing all the characters that I’m sure will live on in my heart for quite some time.

This is a tale of the three Eastwood sisters, Agnes, Beatrice, and Juniper, who are reunited in New Salem under magical circumstances. Having all escaped the wrath of their abusive father, the girls are each making their own way in the world: Agnes as a mill girl, Beatrice as an assistant librarian, and Juniper as a good-intentioned suspected criminal on the run. As fate would have it, Beatrice chants secret hidden worlds that bring back the lost tower of Avalon, a place that was banished the last time it was called back by witches in Old Salem, leading to the great purge of witchcraft.

Suddenly, the sisters are brought back together, though not without their share of quarrels and hard-feelings between them. Juniper, who has taken up the cause of women’s suffrage, is set on using magic to further the rights of women. Bella, though hesitant to be drawn in, is obsessed with collecting witch-stories and tales. As witches know, all that is required is the will, the words, and the way. Together, the sisters use their strengths to create their own group of witches and start to wreak mayhem in the town.

Mayoral candid Gideon Hill is dead-set on capturing the witches and bringing them all to justice. There’s an oddity about him, and the shadows of the town seem to obey his will. However, this doesn’t stop these women from advocating for the ways of witchcraft to be brought back. And there’s just so many twists and turns, with a whole lot of love — both romantic and sisterly!

I won’t get too far into the plot, because as mentioned already, it’s a long book. But I will rave about it from the stance of a witch. It did a really good job of portraying witchcraft as inclusive, open to everyone regardless of their social status, ancestry, and even gender. The book is filled with spells, fables, and fairy tales – all with a witchy spin to them. It makes one proud to be a witch, and I wish more women could unite under common causes to protect one another.

The book also draws heavily upon the maiden, mother, crone archetype, as well as the united three-circle witch’s mark. There’s a mixture of academic witchcraft aka grimoires and arcane spellwork with witchcraft that is only spoken and passed down through oral traditions. I especially liked the focus on the Daughters of Tituba, which is an African-American group of witches that the Eastwood sisters become involved with.

Another aspect I liked was how magic was used for social justice. As many women in the book acknowledge, small spells are mostly for mundane things, such as whitening the laundry or keeping one’s hair in place, but as the women share their words and ways with each other, they discover that bigger change can happen through magic. I love reading about women working together, understanding each other’s plight, whether it be as a mother, abused daughter or wife, or part of the LGBTQ community .

There’s a strong acknowledgement of the desperation that often leads one to tap into magic in order to create a path where one was not before. This book isn’t about girls who “do the right thing”, it’s about the women who decide to claim their power in a world that refuses to give it to them. I felt very sovereign reading about these badass witches who didn’t back down and kept witchcraft alive even in the face of adversity. They didn’t adhere to stereotypes, but were happy to throw them in other’s face with their pointed hats and broom flying.

I highly, highly, highly recommend this book for anyone who’s into witch-fiction. Once and Future Witches one of the best books in this category I’ve ever read. There’s so much beauty, love, and magic interwoven in the pages; every reader’s heart will certainly swell, as their magic grows. This powerful read will remind you of what can happen when you choose a life of magic and decide to stand in solidarity with a community to achieve so much more than you ever could on your own. All the while, teaching the importance of healing old hurts, forgiving the past, and opening one’s heart to learn to love again. <3

The Witch’s Heart, by Genevieve Gornichec

The Witch’s Heart, by Genevieve Gornichec
Ace, 978-0593099940, 368 pages, February 2021

Browsing the library the other day, my husband handed me The Witch’s Heart by Genevieve Gornichec. Always up for a book about witches, I immediately dove in. In just under a day, I finished this book, not being able to stop once I started reading. I’m so thoroughly impressed by Gornichec’s writing and the fact that this is her first debut novel!

The Witch’s Heart is the tale of Angrboda, a powerful witch in Norse mythology, who despite being burned three times by the gods of Asgard, continued to live on. When trickster god Loki returns her heart, which had been brutally ripped from her during the last time she was thrown in the flames, a relationship develops.

And let me tell you, the banter of Loki and Angrboda never got old. I had quite a good time envisioning Loki as Gornichec portrays him. It is a beautiful love story that develops between them, filled with romance amid Loki’s many antics and common disappearances to his other life in Asgard.

Overtime, Angrboda and Loki have three children together: Hel, Fenrir, and Jörmungand. Their family life is quite unique, with Angrboda being a powerful witch, Loki always up to some playful mischief, Fenrir being a wolf and Jörmungand being a snake. Hel is a rather serious child, though she dotes on her father.

Troubling Angrboda from the time of her first pregnancy with Hel, however, is the visions of the future she’s seen in her state of seid, in which she can leave her body to travel astrally and see the future. Odin, king of the Norse gods, is after what only she can see, for the others who have been taught seid do not have as strong an ability as she does.

The flashes Angrboda has seen in visions and dreams have shown a bleak future, in which her family is torn apart and destruction completely envelops the Nine Worlds. Odin however wants more information and ruthlessly pursues his aim of knowing.

Ultimately, Angrboda must find the power within herself, with the help of friends, such as devoted friend Skadi to do her best to save her family. I won’t give much more away, but it’s a beautiful story of motherhood, love, and kinship that ties together so perfectly in the end.

To be honest, I hardly knew anything about Norse mythology when I started The Witch’s Heart. Throughout reading, I was Googling the different gods and goddesses mentioned: Tyr, Freya, Thor (okay, I knew that one!), Frey, and Njörd to name a few. Plus, I also really had no clue about Ragnarok, other than that it was part of a Marvel movie.

Gornichec did a great job of bringing the entire Norse pantheon to life in a way that made it easy to see the relationship of the different characters. She wove mythological tales into the plot, blending together her well-defined characters and the many stories of their personhood that have lived on through song, poetry, and storytelling.

Her portrayal of Angrboda especially really stunned me. Capturing the ups and downs of her life as a witch, mother, and wife, made her immensely relatable to all women. You couldn’t help but root for her, after all that she’s withstood in her life. I mean, screw the gods and goddesses, this witch is the real kick ass hero, and I’m glad that Gornichec chose to focus on her story.

This book is the perfect blend of myth, fiction, and inspiration. I’m simply in awe of the story Gornichec has crafted, and I truly consider this book a masterpiece. I feel so connected to the main characters such as Loki, Hel, Skadi, and Angrboda, and I’m glad this story presented them in a way that aids me in knowing them beyond what I may have researched about them.

That is the beauty of fiction — the ability to bring characters to life in a meaningful way that transforms the life of readers. Their stories, the choices they made, and the love they shared was compelling, captivating, and completely opened my heart.

I highly recommend The Witch’s Heart for those interested in an engaging tale filled with love, magic, and Norse mythology. This book reminds me of Circe, where the story is told from the witch’s point of view rather than the traditional mythological perspective of the men in the story. Angrboda is a heroine in her own right, and her story definitely is one worth reading.