Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Animal Spirit Wisdom, by Philip Kansa and Elke Kirchner-Young

Animal Spirit Wisdom: A Pocket Reference to 45 Power Animals, by Philip Kansa and Elke Kirchner-Young
Earthdancer Books, 1644111154, 112 pages, May 2021

The lovely little paperback, called Animal Spirit Wisdom: A Pocket Reference to 45 Power Animals, by two shamans named Philip Kansa and Elke Kirchner-Young is a nice encouragement to open one’s mind to accepting the wisdom and assistance of animal spirits “energy from other dimensions,” as they write on page 8. Philip and Elke have been on a journey, for over 21 years between them, to share the wisdoms of this native tradition, known as Power Animals, or Animal Totems. I personally took their encouragement to heart as I read through this book, because I already have a love for animals in the world of mundane biology. I was quite interested in what the spiritual plane had to offer from animals too!

This book brought me a feeling of warmth and friendliness. I could really grasp the concept of calling a power animal to one’s side as a companion. This was my first true introduction to animal spirits, so I will need to gain more knowledge on the practice, before I might incorporate it into my own spiritual practices. That said though, I look forward to trying out the exercises written in this book, because unlike many other references I’ve seen, Animal Spirit Wisdom seems to take a gentle, guiding approach, rather than a strict format that stresses a lot on technique. That’s not to say the strict approach is wrong, however the easy going nature of this book seemed to match the writer’s intentions perfectly.

Reading through Animal Spirit Wisdom feels like you’re taking a spiritual walk on a path of nature with two friendly tour guides showing you the way. There is a schedule, for Philip and Elke shall also guide those next in line to be lead, but you must also stroll and allow the power animals to come along the path when you’re both ready to learn and grow from the experience.

Animal Spirit Wisdom is written in a succinct, organized style, and it features a clear and precise connection exercise with which to call on each of the 45 spirit animals referenced. Phillip and Elke also include a brief list of keywords and helpful descriptions for ideas on how calling forth any of the power animals may aid and protect you. Each spirit animal page contains adequately sourced and vivid images, which allow for the perfect visual aids for beginners.

I was only slightly confused by one part of this book, but I think that’s because I was taking things literally. I’ll only include my bamboozlement here, because I’m still not completely sure about it. On page 9 of Animal Spirit Wisdom, our shamans state “in order to discover your animal, make a spirit animal journey (see p. 12) with a shaman or another spiritual teacher.” As shown in the quote, there is another page number listed to see. On page 12 there is a whole exercise titled “A Spirit Animal Journey.”

Now, since our authors are shamans themselves, I’m inclined to believe they are indeed the “shamans with us,” so to say, on this particular journey. I don’t know if this might seem nit-picky, but I honestly wasn’t sure if that’s how I’m supposed to read these particular sections, or if I should actually contact either shaman directly and seek their counsel, as it were. Either way, don’t let the confused mutterings of a beginner sway you. The aforementioned curiosity didn’t take anything away from the book’s experience at all. I simply wish to remain transparent and forthcoming with my review.

Overall, Animal Spirit Wisdom by Phillip Kansa and Elke Kirchner-Young was a truly impactful and enlightening reading experience. I would absolutely recommend this book to anyone, of any level, who is interested in acquiring an introduction to the tradition of spirit animals. I genuinely believe the two beautiful shamans who put this book together delight in sharing this very knowledge with you. After my journey through these pages, I am moved to see the animals around me in a much more spiritual light. I wonder if the power animals will know my awe for them. Yeah, they probably will, as they’re the ones with the wisdom, after all.

Super Tarot, by Sasha Fenton

Super Tarot: Interpret the Cards Like a Pro, by Sasha Fenton
Hampton Roads Publishing, 164970197, 176 pages, February 2021

Sasha Fenton’s Super Tarot: Interpret the Cards Like a Pro is an instructive paperback that seems to be gaining popularity as I write this! It features a rather encouraging forward, written by Theresa “the Tarot Lady” Reed. There’s not much else to add about the forward, as it is only 2 ½ pages long, but it does complement the rest of the book nicely. I found myself excited to turn the page toward the book’s 1st chapter, even though I already comfortably involve tarot reading in my own personal practices!

Of course, we all can always learn more, and improve our skills for everything we do, but honing my own skills in tarot specifically is why I picked up Super Tarot, and boy, did Sasha Fenton deliver! Fenton, a professional astrologer, palmist, and tarot card reader since 1974,  is also a well established instructive writer on divination, and Super Tarot adds another to the over 100 books in her already massive repertoire. I’m only focusing on one of her books for now, though, and that’s Super Tarot. 

The very first (honestly refreshing might I add) thing I noticed about this book is the feeling of almost casual friendliness that shone through page after page. Fenton seems more like a friend giving advice than an author telling you what to do. I liked the overall positivity of finding several examples of what you should do as well, rather than seeing the negative counterpart of  teaching what you shouldn’t. Don’t get me wrong, I understand and value the importance of warning beginners of the potential downsides one may face, but as someone with mental disabilities, having more than one different example helps me to better understand the abstract concepts I can struggle with.

Speaking of several examples of things to do, I learned an interesting spread from this book that I somehow hadn’t come across before. I know I’m no expert on tarot reading myself, but I had already gotten comfortable enough with the Past, Present, and Future spread to not really have many questions of how to advance it, but this book sure did give me an answer that turned out to be something I found Incredibly useful! I was nearly complacent in drawing just one card for each of the elements in the title of the Past, Present, and Future tarot reading, all totaling a count of three cards. From Super Tarot, on page 112, I found a spread that actually involves drawing two cards for each of the past, present, and future elements, totaling in a 6 card spread.

Right then, I put the book down for a few minutes, and picked up my tarot cards! The 6-card spread resulted in a far more accurate, and informative reading than I had ever gotten from pulling just 3 cards, and that might seem obvious, but remember, I was already comfortable with the amount of information I’d gotten with the way I was already doing the Past, Present, and Future spread, so to have even more to work with was amazing to me. I already feel more confident in my own reading abilities by just practicing one exercise from Super Tarot.

Simple as my own discovery may seem, Super Tarot is not geared towards beginners. Fenton forgoes the usual “what is,” and history chapters for only a few beginner tips, and a brief review of the Major Arcana, Minor Arcana, and card suits, before jumping right into her more advanced instructions on interpretation and skill building. If one would like to gain a more comprehensive beginning look at tarot from this author, Fenton herself directs the readers of Super Tarot to a different book of her works: “My book, Fortune Telling By Tarot Cards, is designed for beginners.”1

That doesn’t stop Fenton from continuing her reputation for writing in a clear style that’s easy to understand with Super Tarot, however. This book is filled with comprehensible, useful infographics that depict clear examples as well. While it’s not a new idea, there is still a bit of book mechanics information to note: In the suit’s description of Super Tarot, Fenton uses Pages, and Coins to describe the cards of those ranks. Respectively, other common names used to refer to those cards are Princes/Princesses, and Pentacles.

Overall, and as a person with disabilities that cause me to struggle with the abstract symbolism and emotional concepts that make up the very essence of tarot card reading, Super Tarot has helped me immeasurably. Author Sasha Fenton’s down to earth tone, and clear instructions with different examples to follow them from will stay with me, as I feel more confident than ever in my understanding of the interpretation of tarot card readings.

I enthusiastically recommend Super Tarot to any who might struggle with the same issues I do, or those who simply want to strengthen their grasp on tarot reading for any reason. You might even close the book with the inspiration to offer your own readings as a service for some extra cash! As for me though, the knowledge and confidence I’ve gained by reading this book, has allowed me the motivation to broaden, and personalize  my personal tarot divination practice by creating my own unique card spreads. If you need me, I’ll be shuffling my cards!

The Last Ecstasy of Life, by Phyllida Anam-Áire

The Last Ecstasy of Life: Celtic Mysteries of Death and Dying, by Phyllida Anam-Áire
Findhorn Press, 9781644112656, 175 pages, June 2021

Death plays such a huge role in our lives. It is something that a lot of people would rather not think about even though it is all around us every day. Though some may call it morbid, I have an interest in learning about how different cultures view death. Seeing how communities treat those who are dying can reveal so much about them. Ireland in particular has such a fascinating culture, steeped in rich history. I wondered what insights I could glean from reading more about how a person from that culture would view topics such as death and grief. Thanks to Phyllida Anam-Áire and her book The Last Ecstasy of Life: Celtic Mysteries of Death and Dying, I have the answers to that question.

To say that Phyllida Anam-Áire is intimately familiar with death would be an understatement. Throughout her life training as a nun and then as a therapist where she trained with Elisabeth Kübler-Ross, she learned to view death in a unique way. To her death is not a looming spectre waiting menacingly off in the distance. Death is a constant companion that she has embraced with love. Having found the sacred nature of what it means to live while facing one’s own mortality, she passes on this wisdom through flowing poetry and thoughtful prose.

The first chapter introduces us to some core topics and important information about the author’s beliefs about the nature of life itself. An overarching question of this section revolves around the concept of identity and just what really is the “I” that we speak of when we talk about ourselves. What parts of us can really be considered the true expression of our ‘self’? She shares the Celtic belief that “creation came about by the out-breath of life force and so it was”. This breath that gives us life does not belong to us, but it is something to savor while we get to experience it. She chooses not to question the specifics of what this “breath” might be, instead she surrenders to the mystery and encourages us to do the same. Pondering the unknowable will distract us from living out the fullest expression of life. At the same time she states that it is important to make some personal sense out of what we can observe about the nature of life around us.

With references to works by others in the scientific community, she speaks about the natural energetic field within and around all living organisms. Anam-Áire states that to her the life force that fills and balances all things is a force of love. “This Love does not judge or condemn as its core is the Universal Heart, the heart of compassionate energy.”1 This Universal Heart can act as a source of love of life in the world. It is a beautiful way to view life. Viewing things with compassion and empathy in mind leads to a kinder, more understanding world.

From there the author spends the majority of the book discussing the types of processes we undergo as we die. The energy within us starts to weaken and eventually is released from us as we die. She uses sprinklings of poetry throughout the book to help highlight the emotional themes she brings up. Even the prose she writes reflects her poetic spirit. While the words she uses are not overly complex and the tone very conversational, Anam-Áire weaves together beautiful sentences that evoke certain deep feelings throughout the book.

There are a number of blessings and visualization exercises written throughout the book. Trying those exercises for myself I felt myself more at peace as I went through them. It was interesting to explore these types of thoughts and feelings from the safety of my home. One of the exercises that I found the most impactful was located at the end of chapter three. This exercise, entitled “Let Love Heal…Now”, led me into a deep meditation of healing and self love. The text went on for a few pages, the experience diving deeper as things progressed. I felt the sacred nature of my own divinity and the healing power of love from the Universal Heart. Afterwards I felt at peace and relaxed, having healed bits of myself that required it. Luckily this was near the end of that chapter, which gave me time to reflect.

At the end of each chapter the author leaves a list of questions for the reader to ponder. Taking a few moments to digest and reflect on what I had just read, I found those questions enlightening. They cause us, as readers, to reevaluate our preconceived notions about ourselves, divinity, and the nature of life and death. Taking time to think on these questions, I was led to some interesting personal conclusions that I had not previously considered. With that in mind I was able to sit with a more complete knowledge of myself. Contemplating those questions has given me a greater understanding of what I want from my life as well as my death.

Reading The Last Ecstasy of Life was a journey of self discovery. Led by a guide who speaks with wisdom and a clear reverence for life, the reader is led to examine themselves. I would recommend this book for anyone who wants to learn to approach death with compassion and have a deeper appreciation for life. This is an excellent book that was a pleasure to read. Anam-Áire has managed to breathe such a vibrant sense of life and love into a book all about the topic of death and dying. She has left me with questions to ponder for the remainder of my life as I try to shape what that life will look like. Though when death finally does come for me, I believe I will be more prepared.

Pagan Portals – Temple of the Bones, by Jennifer Teixeira

Pagan Portals – Temple of the Bones: Rituals to the Goddess Hekate, by Jennifer Teixeira
Moon Books, 1789042828, 112 pages, June 2021

Pagan Portals – Temple of the Bones: Rituals to the Goddess Hekate author Jennifer Teixeira has been a practicing witch for over two decades, and in 2009 went forward on her priestess path with The Starflower Coven and The Amazon Blood Mothers of San Francisco Bay Area in California. Beyond being a practicing witch, the author’s specific relationship with the Goddess and experience leading ritual dedicated to Hekate more than qualifies her to educate on the specific rites and rituals presented within these pages.

At just 112 pages, the book is compact and reads as a literal handbook for developing and maintaining a relationship with Hekate, specifically as a group. The writings are in large part the actual public rituals of The Temple of Bones, a group dedicated to Hekate that meets in the San Francisco Bay Area in California.

The book begins with a Foreword written by Rowan “Briar” Rivers, one of the Temple of Bones leaders, who begins by telling the story of how they came to be a dedicants of Hekate, and how the group came to be formed. Rivers goes on to explain some of the many symbols and signs that Hekate may use to call upon and invite you to also enter into a relationship with Her.

Hekate is known for having many names (I’ve read in places that there are hundreds at least) and we are shown more than a dozen of them in this book. The Temple of Bones chooses one epithet to work with each month, and the chapter titled “Epithets of Hekate” gives us the exact format that is used to facilitate Her monthly prayer circle where each month another of Her names is called upon for community healing and protection.

The ritual format continues to be explained in the following chapters, “Casting the Circle in the Temple of Bones,” “Elements of Hekate,” “Ancestors of Blood and Affinity,” “Calling the Goddess,” and “The Ritual Working.”

These chapters are succinct and direct with instructions given for leading these portions of the ritual.

The chapter titled “The Bone Oracle” goes into great depth with the Temple of Bone’s “Bone Divination Guide.” Having next to no knowledge of reading or “throwing” bones, and also having an interest in lithomancy (fortune telling by reading crystals and stones) I was thrilled to see that the Temple’s “bones” include crystals, stones, shells, bones, herbs and other interesting, assorted items including alligator claw, coyote claws and teeth, a fossilized stingray barb, and an iron nail. The guide explains the meanings attached to each item and how to use them in divination.

The pages following are a virtual recipe book of offerings, spells, incense formulations, potion recipes, flying ointments, and rituals for the phases of the moon. There is a simple recipe for Florida Water, which I happened to be looking for and delighted to find (and thrilled to realize how simple it is to make!)

The Chapter “Hekate’s Garden” lists the herbs used by the Temple of Bones and explains a bit of history and usage for each. This chapter, as well as the “Bone Divination Guide” are worth the price of the book alone as a reference for working with Hekate.

“The Temple of Bones Ritual Pit” gives the outline for the public ritual of the Temple of Bones and is wonderfully complete in its instruction and would be useful for anyone desiring to lead a Hekatean ritual.

The book wraps up with suggestions for further reading.

I would recommend Pagan Portals – Temple of the Bones to anyone who is interested in working with or learning more about the Goddess Hekate. It is a lovely addition to my own small Hekatean library and I’m sure I’ll use it often in the future at the very least for its lists of herbs, explanations of specific “bones”, incense formulas, and of course for that wonderful Florida Water recipe.

Sex Magicians, by Michael William West

Sex Magicians: The Lives and Spiritual Practices of Paschal Beverly Randolph, Aleister Crowley, Jack Parsons, Marjorie Cameron, Anton LaVey, and Others, by Michael William West
Destiny Books, 1644111632,  256 pages, March 2021

Riveting and yet delightfully easy to devour, Michael William West’s book Sex Magicians: The Lives and Spiritual Practices of Paschal Beverly Randolph, Aleister Crowley, Jack Parsons, Marjorie Cameron, Anton LaVey, and Others is a spirited collection of biographies of history’s most renowned sex magicians. Vice, voice, and breakthrough come together for the quite young yet practice of sex magic in the West, with the usual suspects of Aleister Crowley and Marjorie Cameron dancing side by side with the lesser known names such as the tragic leviathan Ida Craddock. West captures the personality and quirks of each magician with a finesse and sense of fun that perhaps only a fellow practicing sex magician could bring to the table. 

West drops us squarely into the lives of renowned practitioners with such a unique immediacy—it’s a joy to gallop along with him as he recounts the meandering and often mad loves and appetites of the spirited way showers and metaphysicians of the Western tradition. 

As a female-identifying practitioner, I’m fascinated by female identity and sex magic / eros in relationship to magic and gender, specifically female eroticism and occultism. I’m a student of my body in this way. Ecstatic personal rites and experiences are fascinating to me, as is the sovereign tantric path of sexual tantra and sacred sexuality. What struck me most in reading this book was the singular path each magician discovered, having developed their own lexicon, practice, and walked their own oft misunderstood path to illumination. Sex magic is a living tradition, as is magic, one that requires a certain diablesse and courage. 

I loved Sex Magicians for it’s deep and windy dives into the lives of actual practitioners, and there’s something beautiful about a book that’s about sacred sexuality and not interested in virtue signaling or defining the ‘sacred’, but rather moving in the realms of exploration of the profane. It was a refreshing lens, a colorful one that adds dimension to the conversation on sacred sexuality. I have a soft spot in my heart for the colorful characters whose faustian will is so consuming that they use everything they can (sex included) to illuminate, inspire, and instigate their own awakenings, trials, tribulations, tragedy and all.

West’s obvious enjoyment of the topic shines through in his recounting. Beyond the sensationalism, sex magic’s major gift to us (or as West calls it, “The Open Path,”) in the here-present is a different way to the rancid landscape and psychic poverty inherent in modernity’s modus operandi of hook up culture. As West shares in the introduction, “Utilizing (sex) magic to know thyself and change your reality is a personal journey that requires imagination, creativity, and doing things your own way.”1

Anyone who is interested in — or practicing — at any level— will enjoy this benchmark book. West gives context, but the text also instigates in its own way an inner journey for the reader to contemplate what to take from the past, what to leave behind, and perhaps where their own sovereign journey will bring them.

Bacchanal, by Veronica G. Henry

Bacchanal, by Veronica G. Henry
47North, 1542027810, 352 pages, June 2021

I’ve been overjoyed that my library has reopened after over a year of not being able to browse books. Immediately, Bacchanal caught my attention with its purple cover featuring a ferris wheel. After a quick skim, noticing the setting was a carnival with plenty of magic, I was excited to check out and get to reading. I can now say that Bacchanal is the best book I’ve read this summer so far!

The story takes place during the Depression era in southern America (Tennessee, Louisiana, Oklahoma, etc). Main character Eliza has been abandoned by her family and has been working as a maid to make her way in the world. She also has a unique gift of being able to communicate with animals, however she has yet to learn to control this power and it often ends in the animal dying.

When two carneys, Clay and Jayme, come to town in search of an alligator man, Eliza catches their eye instead and soon she finds herself on the road with Bacchanal. She quickly makes friends with a fun, varied cast of characters. What makes Bacchanal unique is that all the carneys are primarily black folks, some who even came from Africa to be in the show.

Through the story, Eliza develops romantic feelings for two men, creating an interesting love triangle. But she is primarily concerned with learning how to master her gifts and put together a show that will ensure her place at Bacchanal. She harbors dreams of finding her family, seeking them in every small town they carnival moves through, and she’s determined to save up money to find her sister.

Amid Eliza’s story, the reader is also privy to the workings of Ahiku, an ancient demon who feeds on the souls of children. An evil lingers around the carnival, which functions as the perfect feeding ground for the myriad of mysterious demons lurking within Bacchanal. Ahkiu is obsessed with finding the granddaughter of orisha Oya, who is the one person that can bring her downfall.

Finally feeling a sense of home and belonging among the other non-ordinary folks at Bacchanal, Eliza’s destiny rapidly unfolds to reveal the extent of her gifts and the greater purpose of her being there.

There are so many things I loved about this book, but I will focus on a few for the purpose of this review. First of all, Henry has done a wonderful job of portraying Eliza’s development of her gifts. I really enjoyed the way she writes about Eliza’s ability to communicate with animals, making it authentic with psychic imagery and animal personalities. I felt for Eliza as I read her struggles and felt connected to the animals myself via her communication with them. Eventually, Eliza discovers her own animal guides, and this part of the story was akin to her discovering both her roots and own personal power simultaneously.

Which leads me to the second thing I love about this book: the interweaving of African spirituality into a truly remarkable tale. Blending demons, Yoruba, and witchcraft, this tale really explores the roots of this magic in the American south. I have never read a book that did such a good job weaving them into an existing fictional novel. Plus, I truly loved that Bacchanal was an almost all black carnival, giving insight into the way of life for African Americans at the time.

Furthermore, Henry has craft very distinct and one of a kind characters that have left a memorable impression. I really enjoyed being immersed in the life of Bacchanal, from the daily on-goings of the carneys to the epic shows they performed. She expertly interwove their personal narratives, leading insight into each character and providing a depth of context to frame the relationships taking place. Many of the characters themselves had wrestled with demons, which landed them at Bacchanal, and there’s a very exciting mixture of redemption and revenge that takes place between characters.

The story moved at a slow pace for a good portion of the book, which was actually quite refreshing for a change because I didn’t breeze through it in a day or two. I was able to linger in the sensation of the whole story, captivated by the unfolding mystery, but content to let the tale move at its own pace. It felt reflective of the pace of life during the Depression in these smaller cities the carnival was moving through. The last book I read that immersed me this much in carnival life was Midnight Circus, but I enjoyed how Henry didn’t create a fanciful reality and focused the book more on the actual setting and lifestyle of this era.

I will say the ending took me by surprise in that it moved very quickly and culminated in almost a blink of an eye. After such a lengthy lead-up, for a bit I couldn’t believe how quickly the story came to an end. I think this would be the only aspect of the story that I wasn’t enraptured with. While all the loose ends are tied up, I would have preferred a bit more detail for the grand finale.

As far as the occult aspect of Bacchanal, the whole tale is imbued with mystery and magic. Henry doesn’t dress up pacts with demons or Eliza’s gifts, and presents a portrait of how these things exist in the mundane world, though perhaps unnoticeable to the untrained eye. Ahkiu and Eliza both take some time to figure the other one out, and they’re both doing plenty of magic or spiritual communication on their own. It was interesting to see the way Ahkiu used her ancient power, while also being engaged with Eliza’s story of discovering her own.

All in all, I found Bacchanal to be fully satisfying on many levels, and I’ve been recommending it to everyone as a good read. I think those with an interest in Yoruba would have a particular interest in this book. Watching Oya nurture her spiritual child Eliza is quite rewarding, and this book reminds us of the complexity of family dynamics. With the help of trusted friends and discovering one’s own powers, destiny emerges.

Doctoring the Devil, by Jake Richards

Doctoring the Devil: Notebooks of an Appalachian Conjure Man, by Jake Richards
Weiser Books, 1578637333, 288 pages, April 2021

Growing up in a family that has practiced Appalachian folk magic and conjure for generations, Doctoring the Devil: Notebooks of an Appalachian conjure Man author Jake Richards has a depth of knowledge about these topics that transcend his decade of personal practice. His official bio also states that he teaches classes on the subject in Jonesborough, Tennessee, where he owns Little Chicago Conjure, a supplier of Appalachian folk magic supplies and ingredients.

The book begins with an introduction which briefly describes the author’s upbringing in Tennessee. From the very beginning of the book it is apparent how thoroughly Appalachian folk magic and conjure were interwoven through every part of Richards’ life, community, and heritage. And to be sure, he makes a distinction between folk magic and conjure – I found this distinction to be very interesting.

The first chapter contains descriptions of the many and varied types of “workers” are involved in this work, such as faith healers, root and yarb doctors, cow and horse doctors (people who mainly worked on livestock), witchdoctors, conjurers, root workers, hex doctors, witch finders, and love doctors. Before reading this book, I’ll admit that I was under the impression that most of these words were synonyms – a group of names that all described the same people. But the author points out the many differences between one type of worker and another – and to make things even more complex, many of them practice several types of work, so there are many crossovers and layers. 

As mentioned previously, Richards makes a distinction between folk magic and conjure. Folk magic or root work is described as follows:

“The magical act of using roots and things to influence, incapacitate, attract, avert, or change a situation in the present or future in some manner. This includes superstitions like tossing salt over your left shoulder…or turning your pockets inside out to avert bad luck. Folk magic is any superstitious action taken without an appeal or prayer to a higher spirit or divinity that is alleged to cause a supernatural result.”1

Richards says that folk magic works by belief, and that these things are picked up from the old folks without question — because they work.

He goes on to describe the difference between folk magic and conjure. Conjure is the “direct and intentional employment of spirits, whether they be spirits of the graveyard, the ancestors, simple spirits of the land you live on, or some other presence, to work on your behalf. This also includes angels and God.”2. Descriptions of the different degrees of practice follow.

I found particularly fascinating the section on timing and weather, including moon phases, and what types of workings are done best in certain types of weather. Specific information on exactly the type of weather conditions that work best for using candles, powders, washes and oils, etc.

A section with stories about a handful of practitioners gives a good idea of the type of work these people did, and the reputations they had for doing it. One story tells of a woman called Witch McGaha of the Great Smoky Mountains, who once found someone stealing from her and “cursed her, sending Devils in the form of squirrels after her.”3 According to the story, the woman tried to run from the squirrels but the number of squirrels kept doubling. She tried to make it safely to her home but the squirrels tormented her to death and she died on her porch. 

Chapter 4 begins with somewhat of a warning — “You’re in for a long run if you consider this work.”4 — before listing some “Precaution Rituals”, such as always making sure your head is covered, having a strong, unwavering will and a cunning mind, along with some very good general advice like “Listen more than you speak.” 

Richards then begins to get to the meat of the book: actual instructions for a wide variety of workings. Over the next few chapters he details topics such as how to watch for signs and omens, throwing the bones, spiritual bathing, head and foot washing, sweeping and washing (a “general sweep” as well as a “sweep to remove witchcraft” and a “sweep to remove haints”.)

There is also a section on Egg Cleansing. Although I thought I knew a bit about this type of work, I had never heard of using an egg in this way. All of these workings are presented along with particular verses from the Christian bible to use alongside. There is a section on protection magic, and a section on money magic. Many different items are used in these workings, none of them too precious and most of them readily available, such as tobacco, candles, hair or nail clippings, red string, baby powder and various liquids including water, whiskey, and urine.

A spell for conceiving a baby requires boiling chickpeas, bathing in the water they were boiled in, and then sewing the dried chickpeas into the mattress the baby is to be conceived upon. This particular chapter also contains spells for reducing labor pains, curing the condition that brings miscarriage and stillbirths, a spell to end a pregnancy, and a whole list of spells to predict a child’s future as well as to ensure a baby’s future success.

The book rounds out these ideas with some workings for healing, as well as an entire chapter called Run Devil Run, that contains many workings to remove evil spirits, curses, and hexes from a person, place or thing. The book concludes with two appendixes with lists of correspondences and ingredients, along with a lengthy bibliography.

Overall, Doctoring the Devil contains encyclopedic knowledge of the subject matter presented by someone who has grown up around these practices and practiced them himself for over a decade. If you are interested in learning about and/or practicing conjure and Appalachian folk magic this is the book for you.

Artio and Artaois, by Andrew Anderson

Pagan Portals – Artio and Artaois: A Journey Toward the Celtic Bear Gods, by Andrew Anderson
Moon Books, 1789044626, 120 pages, July 2021

When I picked up Pagan Portals – Artio and Artaois: A Journey Toward the Celtic Bear Gods by Andrew Anderson, I really had no idea what the book would be like. This was my first time reading a book from the Pagan Portals series, so I didn’t know what I’d find inside. Mythology, spirituality, anthropology, history? It turns out this new book in this series hits all of those at once!

Anderson invites the reader to ride along on his intriguing journey to discover the identity and importance of this pair of Celtic bear deities. This pilgrimage begins as an investigation of a protective ursine spirit guarding his home and ends with the conclusion that this divine duo may be some of the eldest deities worshipped by mankind!

Anderson’s journey begins with a synchronicity: seeing Artio’s name and image in a social media post. This became significant soon after, when Anderson sent out a general plea for a higher power to help protect his home. He saw a vision of a great, spectral she-bear (later identified as Artio) standing guard above his house. Spurred by this spectacular manifestation, Anderson felt an immediate connection to this deity and decided to begin a pilgrimage of discovery to learn more about Her.

Initial research revealed precious little about the she-bear goddess, but Anderson followed the bear’s historical pawprints into mainland Europe: from Luxembourg to Germany to Switzerland. In Bern, Anderson found the most compelling piece of evidence: a sculpture dedicated to Artio amid a town with a long – and still-standing tradition of venerating bears. It was here where Anderson really begins to put the pieces together, using keen observation and insight to bring this investigation to life for the reader. His evocative description of Artio’s sculpture and meditation on the bear’s presence and energy drew me right in, as if personally introducing me to the goddess.

Anderson does brilliant work of incorporating research from other scholars into his discussion, but also uses their ideas as launching points for his own, perceptive insights about Artio. Regarding the sculpture in Bern – which includes not only the bear, but a tree and a woman holding a basket of fruit as well – he disagrees with many scholars that the tree is merely a symbol of the bear’s forest habitat. Anderson argues instead the tree has a deeper significance: there is a connection between it and the she-bear as symbols of rebirth. He writes:

“The tree is very stylized, not identifiable as any particular genus of tree and seems to have a somewhat phallic acorn pointing over the bear’s back. . . taken together, the bear, the human, the fruit and the tree present a powerful image of rebirth and plenty, a dedication to an extremely powerful protective mother. . .”1

One of the most surprising and fascinating sections of the book comes from mythological connections that Anderson investigates, particularly with regard to Artaois, Artio’s masculine counterpart. Continuing to trace the history of bear imagery into the United Kingdom, Anderson’s research suggests that past rulers associated themselves with bears in order to stylize themselves after the legendary King Arthur. Indeed, the characterization of Artaois seems to share many similarities with the great king: a protector of his people, a mighty warrior, and a craftsman. Even the linguistic connection between ‘Arthur’ and ‘artos,’ the Welsh root for “bear,” makes one think it’s quite likely that the spirit of Arthur has its root in the divine nature of the bear god.

I absolutely love this weaving of the spiritual and mythic worlds that Anderson presents. Although the question is left open as to how much the worship of Artaois influenced the tales of King Arthur – and Anderson thinks we should definitely not just conflate the two – the question itself invited me into the realm of archetypal thinking. I found myself engaged with questions of how our ancestors might have migrated over time from worshipping these ursine gods to idealizing a human figure, as both represent the positive qualities we desire from the masculine side of a great ruler.

These thoughts flowed right into the next chapter of the book, where Anderson takes what he has learned about Artio and Artaois and begins to search many other cultures of the world for the significance of bears. I was shocked to learn that bear worship – or, at the very least, sacred respect for these creatures – is among the most ancient forms of human reverence. Artio, the she-bear, may indeed be one of the most primordial representations of the Great Mother!

In the final chapters of the book, Anderson finds that even bears in popular media: such as the film, Brave, and the video game, Smite. I loved his inclusion of the contemporary media portrayal of bears, as it is very enticing for me to now go and look at these sources with fresh eyes, paying attention to how they capture the spirit of these ancient bear deities. And for those interested in taking up a spiritual practice focused on bears, Anderson provides several suggestions for creating your own rituals – including the ancient rite of the Bear Feast!

I highly recommend Artio and Artaois to anyone wishing to learn more about bears – not only the animals themselves, but also the relationship that humankind has had to these creatures throughout our history and beyond. It’s also important to note that bear populations have vastly declined in recent centuries, especially due to habitat destruction for human expansion. Throughout the book, Anderson firmly encourages the reader to consider our connection with these magnificent creatures so that we might help to restore them to a place of high honor and treat them with the reverence that our ancestors had once offered.

A Spell in the Forest, by Roselle Angwin

A Spell in the Forest: Book 1 – Tongues in Trees, by Roselle Angwin
Moon Books, 1789046300, 288 pages, July 2021

Through and through I believe in awakening our connection to nature through intentional relationship, creativity, and mindfulness. A Spell in the Forest: Book 1 – Tongues in Trees by Roselle Angwin is a beautiful synthesis of all those things, drawing the reader into an ethos of tree wisdom and healing. Angwin also teaches the reader about the Ogham alphabet calendar and how to track the year through the wisdom of trees. Reading this book was a true pleasure that made me excited for my next trip to the forest, as well as interested in how my initiation into working with the Ogham calendar this month will go.

Even though I do not get to indulge in forest time daily, being out in nature is a very important part of my lifestyle. I even went on to get a master’s degree in environmental humanities, intending to further educate myself on the relationship between humans and nature. Trees have always been an ally to me, watching their branches sway, feeling their mighty presence, noticing the many animals that depend on them for sustenance and shelter.

I was delighted to see that Angwin shared my passion for nature, along with philosophy on the need for people to reconnect with the wisdom of trees (albeit remorseful about the calling stemming from horrendous ecological destruction currently occurring). In the introduction, Angwin acknowledges the current crisis that has stemmed from viewing trees as a resource, fostered by the modern Western consciousness that is greatly disconnected from the natural world. She praises the trees, acknowledging their gifts to the environment, healing powers, and spiritual attributes.

“In the moment when we pay attention to the being of the tree, we are also opening a channel for a reciprocal relationship between human and tree. Our job is to be awake to all this: to practise the art of tuning-in to these general and specific qualities; to try and be aware of the exchange of prana and the interrelationship of consciousness.”1

I feel like I experience this interconnection every time I step outside, and I know exactly what she’s describing. And to be honest, never have I felt so transported when reading a book. I truly felt like I was walking through the woods of Britain as I read Angwin’s vivid description of her experiences.

Part I Forest is a brilliant reflection on what she’s learned from trees, mixed in with creative musings that have sprung from her time in the forest.  Blending her memories of times in the woods with her current yearning to connect and heal through her relationship with the trees, her poetry brings to life both mythic and mystic sensations.

“But there are always two forests. And I don’t mean ‘Paimpont’ and ‘Huelgoat’. One is the physical wood and forest we encounter — or don’t, but know they exist — ‘out there’. The other is the abiding forest of our imagination: a pristine (because unaltered – and unalterable – by humans) wildwood; the one we encounter in myths, legends, fairy stories.”2

Angwin describes how much of human’s learning has come through trees. She notes the many mythologies that feature the Tree of Life in cultures around the world, where trees are entry points into different realms of consciousness. Some examples are the Buddha who attained enlightenment by sitting under the Bodi tree or the World Tree in Norse mythology.

My favorite part of the book is near the end of Part I where Angwin discusses the Ogham alphabet, which supposedly was a method for initiating Druids to memorize wisdom teaching and the sun-god Ogma created it by watching the flight of cranes. The crane was a sacred bird to the Druids and “the letters were ‘written upon the sky’ not only by the birds’ wings and legs, but also from their flight patterns and the way they changed when the tired lead bird swapped with another.”3 Like how cool is that?

However, not only is the Ogham an alphabet, it is also a calendar, which marks the different times of the year. Angwin continues to provide more information on the Ogham from the standpoint of it as a calendar. She details the possible connection to a moon-goddess, linking the Ogham to lunar time.

Then Angwin delves into why she chose the thirteen Ogham that she did for this book, based primarily on the work of Robert Graves, although she makes substitutions that resonate based on her personal experience. I really appreciate the way Angwin thoroughly details her choices and thought process throughout the book, making it easy to understand her perception, while also acknowledging it is a multi-faceted topic that has spanned centuries so obviously there’s different points of view.

Part II Tongues in Trees: The Tree Months moves into exploring the thirteen sacred Celtic trees month by month. To begin, Angwin explains “The Song of Amergin,” which is a “spell-like sacred incantation with profound ecological, shamanic and shapeshifting resonances.”4 She created her own version, providing a poetic line for each month, describing an aspect of the tree’s wisdom or its mythological significance.

I was quite delighted to find I was reading the book just as the season transitioned from Hawthorn (May 13th- June 9th) to Oak (June 10th-July 7th). This gave me the opportunity to start my explorations with Oak and then proceed with the rest of the year.

For every tree month, Angwin first provides the genus/species, dates, key words, and line of poetry. Then she delves into very thorough descriptions of the trees’ history, habits, gifts it provides, mythology, symbolism, associations of the tree (ex. Oak Tree has an association with a story in Genesis), Celtic mysteries of the tree, and honestly, so much more!

As far as books about the Oghams go, this one provides the  most background information, well-researched and thoroughly woven together by poetic creativity and detailed historical information. I appreciate this approach immensely because it blends the history, science, mythology, and spirituality of each tree to provide a holistic perspective. It’s a multi-layered approach that is really impactful in creating a connection with the trees.

The final section, Part III Practical, has been a great resource for beginning my journey of connecting with the Oak tree during this month. Angwin offers ideas on how to establish these relationships and begin to map the year through the Ogham calendar. From finding the tree in your own ecosystem (if possible) to sitting with it and meditating, a template for establishing these relationships is created.

Angwin also puts out a call to save the trees, which are rapidly being depleted through foresting, impacting global climate temperatures, by becoming stewards for the trees. Options such as replanting trees, growing your own food, and lobbying are all suggestions she makes to be an active agent on behalf of the trees’ well-being, along with many other useful suggestions. I immensely appreciate her dedication to preserving the natural woodlands, and it made me realize there’s more I could be doing within my own community.

All in all, A Spell in the Forest, is a true gem filled with the essence of trees. This is almost embarrassing to admit, but even just holding the book seems to create an opening with  my heart to the trees. I have hardly wanted to put the book down because it’s so grounding and packed with information. I will certainly be reading it time and time again, as I make my way through the year in accordance with the Ogham alphabet calendar.

I highly recommend this book to those who are seeking more information on the Celtic tradition, particularly the Ogham, or those who simply value the wisdom and sacred nature of trees. I truly believe that by reuniting with nature, on all levels, as this book helps one to do, healing will begin to occur. In the meanwhile, I agree with Angwin that it is essential for us to protect the wildness of the forest, both physical and symbolically. A Spell in the Forest is a wonderful place to begin. I very much am looking forward to the next book in this series!

Without Reservation, by Randy Kritkausky

Without Reservation: Awakening to Native American Spirituality and the Ways of Our Ancestors, by Randy Kritkausky
Bear & Company, 978-1591433842, 288 pages, September 2020

“While most of our journeys take us away from our immediate daily setting, the journey described in this book has not been a journey away from home. It is a journey, yet incomplete, homeward…”1

Without Reservation: Awakening to Native American Spirituality and the Ways of Our Ancestors by Randy Kritkausky is a powerful book, relating the author’s journey of self-identification and awakening the connections to what his ancestry holds as wisdom and an authentic sense of personal and collective spirituality. The overarching message of the book is one of a gentle encouragement by the author to explore your own uniqueness, your own histories, your own lineage and by so doing becoming more wholly who you are.

I will share a quote from “Chapter 17: Microbes and Black Swans,” which speaks eloquently to Kritkausky’s intent for himself and the world at large. This chapter relates the author’s continued experiences as COVID-19 spread throughout the world and the arising of his wish for society’s healing anchored from a Native American perspective:

Native Americans know how to cope with a more powerful adversary while maintaining our dignity. We make necessary accommodations as best we can. . . Crisis can be a time to dig into our historical narratives and to gather their wisdom. The isolation and time-outs imposed on us in the form of quarantines may be a hidden gift, a pause button encouraging reflection. Imagine our families and communities gathered in small groups around a fire, exchanging stories of ancestral wisdom and reimagining our future. Imagine the cultural enrichment that might come if this became routine…2

Without Reservation is separated into seventeen chapters and ends with a powerful writing of the “Conclusion: Untangling Threads of Historical Narrative”, which speaks to what the author’s journey has truly revealed for him…

What I did not anticipate is that in, around, and through my personal reflections, another more complex image would emerge and come into focus-that of “Indianness” writ large. I now see unfolding before me something like a five-dimensional hologram of my collective tribal history through time, and even beyond that, an emerging image of our continent’s human history…3

This historical narrative is not one that is found in academic teachings, but rather one that can only be derived by the understanding and wisdom gained in making the time and taking the effort to step fully into the wisdom of the ancestors and nature and seeing through their eyes the true story.  

I appreciated that the author included a Glossary of Indian Words, chapter Notes and a robust and very thorough Bibliography. These were excellent tools that serve to deepen the reader’s understanding of the importance and profound impact this journey “homeward” had for Kritkausky, while giving insight into the wealth of wisdom held by the Native peoples.

One of the things that sets this book apart from many other books about Native American Spirituality or Native biographies is that Kritkausky is one of Native American descent who did not grow up on a Native American reservation, and so he did not have the first hand cultural and ancestral experiences that arise from those daily interactions within community and family. Additionally, he describes himself as frequently standing…

“… before a mirror. . . The face that stares back at me always has hazel eyes, light brown hair, light skin and northern European bone structure. I am continually reminded that I look more like my adopted family’s Lithuanian ancestors than my biological family’s Potawatomi ancestors.”4

And it was this self-reflection that ignited the flame within him to seek “home”.  He goes on to remind the reader that…

“Who we are and who we think we are is not merely a social construct rooted in the fleeting here and now. Who we are and who we think we are is rooted in historical connections with those who have walked on but continue to be with us. Our identity is rooted in our relationships with the land and with a sentient natural world that shares an active understanding with us. When we wander too far from our roots, our ancestors and kin in the natural world call us home, sometimes with gentle whispers and sometimes with loud voices sounding alarms…5

Each chapter gives a thoughtful amount of Kritkausky’s personal background and how he was raised apart from the Native traditions of the Potawatomi tribe, despite the Native heritage on his mother’s side. The reader is privy to the spiritual uncertainty that arose when his mother remarried a man of Lithuanian descent, who became his adopted father, and life in a geographical location lacking in ethnic diversity or non-traditional options to pursue spirituality. 

“Chapter 2: The Awakening” and “Chapter 3: Before the Awakening” recount the synchronistic events and imminent death of his mother, that brought Kritkausky into the wisdom of his Native extended family and their spiritual practices through a tradition of understanding of and collaboration with the natural world. It is often said of important matters that when the student is ready, the teacher will come. For Kritkausky, the teachers took on the forms of ancestral spirits, animal spirits, aunts, uncles, and kin.

“Chapter 4: Pathways to Knowing” is my favorite chapter of Without Reservation. This chapter provides the reader with tools for consideration as the process of awakening to the Native ways of spirituality begins. Kritkausky outlines them in this way:

• Visitations and Connections: “The most astounding and sometimes the most perplexing encounters involve wonderful, unintended and typically unexpected visitations from ancestral spirits…. direct connections with the natural world, (are) moments when the consciousness of other living beings, flora and fauna, becomes accessible…”6

• Observation: “… comes through intended highly conscious, close observation of the world of nature and the lessons that flora and fauna bring, if we take the time to see and listen…”7   

• Reflection: “This mode of coming to know and understanding requires time and critical self-examination, even an element of skepticism. It often requires asking ourselves hard questions…”8

The questions that are posited are found in many other spiritual journeys, all with the intention of verifying what has been intuited, maintaining a level of integrity around the intention and deepening the resonance of integration of what information is received. 

The last pathway, for me, was the most profound and is that of storytelling, described as…

“… profoundly social rather than introspective and private. By sharing or publishing knowledge and wisdom we have been given, we become teachers and conduits of culture…Our friends, families and communities challenge and confirm us, For Native Americans with millennia-old oral traditions, storytelling comes naturally. For others, this is nearly a lost art form…”9

I love this particular intention and pathway. You can feel the power and deep connectedness arising just in reading the author’s words of description. The reader is reminded that these paths intersect, informing one another and creating the point of resonance that will call to the wisdom of the ancestors, the support of the natural world, and the strength of heritage to find a place of cultural home. 

Without Reservation is a moving and intimate recounting of the author’s desire to know more about who he is in his “Indianness.” This book is dynamic with emotion, historical truths, technique, and masterful weaving of a personal account of seeking family. At the level of nuance, this title evokes in the reader a yearning for a simpler, yet deeply connected relationship with the knowingness of who you are in heritage, in spirit and in the network of ancestry.

For me, personally, it struck an emotional chord.  As Kritkausky relates in the beginning of the book, many Americans know of their Native American lineage, but lack the proof required for recognition by the US government and/or the various Tribal Nations themselves. They remain disenfranchised from their roots and find it easier to remain entrenched in the expectations of the society and cultural experiences they were raised in; taking on an identity that is incomplete and unfulfilling. What knowledge they may have of this other heritage is often fleeting or merely a glimpse of some memento or artifact at best, or a random comment made in passing that may indicate that they are something more.

In my case, it was a picture of my great-great grandmother and the telling of a story by my grandmother about her grandmother. The picture portrayed a beautiful Native woman with braids and clothing, presumably Cherokee. My grandmother did not know much other than what she was briefly told by her mother and when my grandmother died, the picture disappeared.

Without Reservation awakened within me the desire to know more about that neglected aspect of myself. And, I would broadly say that the approach and fervent desire that Kritkausky shared could be applied to anyone’s lineage-European, Asian, African, etc. All have historical narratives and ancestral stories to tell. And, as was true for Kritkausky, in connecting with the wisdom of your history, we can better be suited towards living in harmony and respect for one another and ultimately deepen the connections to nature that all indigenous peoples revere.