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The Magdalene Frequency, by Adele Venneri

 The Magdalene Frequency: Become the Love You Are Not the Love You Seek, by Adele Venneri
Bear & Company, 1591435005, 192 pages, November 2023

The Magdalene Frequency: Become the Love You Are Not the Love You Seek by Adele Venneri was not at all what I was expecting, and in retrospect, I am so glad it wasn’t.

When I first received this book, I thought it was going to be another one of those self-help visualization books where you write affirmations to yourself and look yourself in the mirror to tell yourself how wonderful you are. However, The Magdalene Frequency is….something different. Deeper. More concentrated. It’s not about telling yourself you’re good enough. It’s about becoming the best version of yourself all the time. You become your best partner. Who wouldn’t fall in love with that?

Full disclosure: I know next to nothing about the lore surrounding Mary Magdalene and much less about the teachings that have been developed as a result of her influence. I thought she was simply a bit player in a religious book that I personally have shied away from for most of my life. Part of my reason for wanting to read this book was to find out what I was missing. I struggle with books that are heavy with religious overtones and undertones, and this book has plenty of those. But is it worth the discomfort? YES.

An expert in esoteric psychology and the expansion of consciousness, as well as a researcher and professional counselor, author Adele Venneri decodes the mythology and stories around Mary Magdalene and presents a whole new frame of reference. She offers the idea that Mary Magdalene (or Myriam as she is often referred to) is actually an ancient frequency of the soul that provides a blueprint for both accessing that frequency and working with it.

So what exactly is The Magdalene Frequency  about? In the introduction, Venneri explains:

 “In the pages of this book you will not find the story or the pseudo story of Mary Magdalene that during the centuries has been made up and altered, depending on the historical context or on the needs and interests of those who were writing. Mary Magdalene is a controversial figure, concealed and vilified by the occult power of the church with the goal of keeping hidden not only the secrets about who she really was, but also hiding the secrets of the history of humanity.”1

This is more of a spiritual journey that the reader takes with themselves in an effort to find their own specific resonance within the context of the universal framework surrounding the frequency. This isn’t something to be taken lightly; the work encompasses a great deal of personal introspection as well as practical reformatting around previously held beliefs.

Thirteen chapters delve into the mysteries surrounding Mary Magdalene. From the first chapter that details the author’s personal encounter and subsequent journey with the frequency to the final words that bring the book to a radiant closure, the information is presented in a way that encourages questions and rewards patience. There is an undercurrent of an invitation to go deeper if the reader chooses to, and that’s where the discomfort creeps in.

To be clear, this is not a book for someone who is casually interested in the esoteric vibrations of the universe and learning how to use those vibrations to better themselves. This is some really intense information that for some might not be easy to grasp. I found myself looking up terms and unfamiliar words only to find myself standing at the top of a rabbit hole so deep and dark that had I jumped in, I would still be going in circles in order to understand this book.

Would I recommend The Magdalene Frequency  to others? Yes, with the caveat that they have a pre-existing desire and thirst for the knowledge embedded in these pages. If you don’t know the topic and aren’t prepared to do the work needed to process the information contained in these pages, then I would respectfully invite you to pass.

The Madonna Secret, by Sophie Strand

The Madonna Secret, by Sophie Strand
Bear & Company, 159143467X, 608 pages, August 2023

A tale as old as time, the tragic story of lovers parted by fate, is what one might expect for a Shakesphere play, but the roots of Christianity? Not so much. Yet the tale artfully woven together in The Madonna Secret by Sophie Strand is by far the most epic love story I have read to date.

Strand is an enticing writer, drawing the reader slowly into the stories with descriptive words that bring the setting to life. Her website describes how her work “focuses on the intersection of spirituality, storytelling, and ecology” 1 These themes clearly come through in The Madonna Secret, which is a historic fictional novel based on the gospel through a feminist lens.

The story is centered upon Miriam of Bethany and her family, including siblings Lazaros (Lazarus), known for his resurrection by Jesus, and Marta (Martha). The family dynamics are centerfold for this story, highlighting gender inequalities and “norms” in both religious and social context. Miriam dances to the beat of her own heart, but struggles with finding her place when she doesn’t fit in with the women and yearns for the knowledge of scripture limited to men’s access only.

Through attending births with her housemaid Kemet, who is from Egypt, Miriam learns the secrets of herbal healing and that she, surprisingly, has the ability to heal people with her touch. However, she is also prone to fits and fainting, which others believe is from demon possession. Her ability and episodes sparks many questions as she seeks to know more about her healing ability – why can she heal some and not others? Is this a power from God or could it be used for harm too? How is she even able to perform such feats?

Despite her deep internal quest, Miriam’s life as a young woman of this time continues forward, and she becomes betrothed to a wealthy spice merchant. Yet when she suffers another episode, her family decides it’s in her best interest to seek healing. Miriam and Lazoros set out on a quest, and soon enough, they find themselves at the camp of Yochanan. Yochanan is not the only healer here though; much of the community also revels in the stories of Yeshua around the campfire. There’s a subtle undercurrent of a growing divide between the two men.

At this juncture, Miriam and Yeshua both feel the inexplicable pull of destiny as their paths cross more. However, now that she’s been healed, Miriam returns to her life in Bethany. Without giving too many spoilers into the twists and turns of their love story, I will say the rest of the story follows the passionate romance between Miriam and Yeshua. Their similarities and contrasts both, pulling them together and repelling them at the same time, shaping the fate of the world in the meanwhile.

Now that the general premise is outlined, and keeping in mind this is a 600-page book filled to the brim with details, textures, and revelation that my short synopsis hardly covers, I need to share my own feelings about the text: I have been permanently internally shifted, turned around, and rearranged after reading this book on the deepest level. The profound places Strand’s writing was able to take me within myself, uncovering buried parts of my psyche and cracking open my heart, has left me a new person. I know this might sound dramatic or perhaps an embellishment, but it truly is not.

Thus far in my life, as an avid reader, I have never experienced the afterglow I’ve been basking in from this book. All the sorrow, grief, and love bundled within have been pouring through me and silently working their magic. It’s been over a week now and I haven’t been able to move onto a new book yet because everything else feels shallow in comparison. The Madonna Secret has hold on me; the message of the story has sunk deep into my bones, activating my consciousness, allowing me to perceive the evolution of Christianity in a new light.

As someone who has studied Christianity through a feminist lens, nothing has tied pieces together for me more than this book. And I think it’s the power of narrative, which Strand has mastered, that is what propels shifts in consciousness. It’s one thing to read the actual gospel, another to read feminist theologian’s perspectives based on their academic research, but to take the source material and transform it into such a profound story is brilliance and talent beyond comprehension. I’m so thoroughly impressed by Strand’s writing ability and keen insight into how all these pieces fit together.

The Madonna Secret is a story that will continue to live on in my heart forever. Upon reading the last sentence, I quietly – and completely unconsciously – whispered to myself, “This is the best book ever…”. I had no words; the activation of my soul was in motion. I’ve done my best to string together cohesive thoughts in this review, yet even as I’m writing, all I’m feeling is the love within my body that has taken residence since bearing witness to Miriam’s journey. 

Strand has truly rewritten the narrative of Christianity in a way that makes sense and heals. I hope to see the activation of this book spread far and wide, which is why I have already gifted copies of it to those I know will be open to its message. Little by little these shifts in consciousness, which reconnect the material and spiritual, realigning humanity and nature, masculine and feminine, and the mundane and divine, is what will create a new world view. Strand is a pioneer voice, reshaping the mythos and landscape to give voice for those who need it most: the land, the animals, the outcasts, and the women!

As Miriam says:

“I am here for the trees. The women. The children. The birds. I am not here for the men who would hurt them all.”2

The Cult of the Yew, by Janis Fry

The Cult of the Yew: Tree of Life, Mystery and Magic, by Janis Fry
Moon Books, 1803411538, 480 pages, April 2023

Artist and yew tree specialist Janis Fry was first initiated into the yew mysteries in the fall of 1974, when she stumbled upon the Aberglasney Yew tunnel while exploring the overgrown hedges surrounding an old dilapidated country house in West Wales. The bent boughs of the ancient yews had fused together, forming a magical cathedral-like archway that drew her into a lifelong spiritual quest for the secrets of the legendary Tree of Life. 

Fry is now one of the foremost authorities on yew trees and advocating for them has become her life’s work. Her native Great Britain has the largest treasury of ancient yew trees in the world. There are at least 174 ancient yews in the United Kingdom, and many of them are over 2,000 years old.1 Some of the UK’s most precious arboreal treasures are even estimated to be 5,000 years old, such as the Defynnog Yew in Wales and the Fortingall Yew in Scotland. Many of these ancient yews preside over churchyards, where they should be safe and well maintained.

However, Fry laments that there are no legal protections for these sacred trees and many suffer from neglect, becoming strangled with ivy and more vulnerable to breakage during storms, or having limbs amputated that should have been left alone to take root in the ground and regenerate.2 The hollows of some church yews are even used as storage sheds for groundskeeping supplies such as lawnmowers and oil tanks.3 Even if the clergy does take proper care of their sentinel yews, the trees are still in danger if the church closes down and developers purchase the land.

“Most people assume that ancient trees are protected,” Fry says, “but this is not the case unless someone has gone out of their way to have a Tree Protection Order placed on a particular tree and even if a tree has a TPO, the level of protection offered is not much of a deterrent to a developer who will often simply include the cost of the fine in the cost of the development.”4

A petition that Fry created on change.org to save Britain’s ancient yews has gained over 300,000 signatures so far. Her sense of urgency comes from the heartbreak of seeing so many of them become firewood. “Over 500 ancient Yew trees have been destroyed since the Second World War,”5 she says on her petition.

While Fry’s activism focuses on the physical preservation of yews, her artwork and books illuminate the otherworldly beauty of the yew and its spiritual significance as the Tree of Life. Fry feels she has a telepathic connection with yews, and they communicate with her visually, through imagery and symbolism, which she channels into her art. Many of her paintings are haunted by yews—the cover of The God Tree (2012) featured an acrylic painting of the selfsame title depicting red humanoid shapes emerging from the thick bark of a graveyard yew, their arms stretched skyward, rising like flames in the night. The blurred watercolor silhouette of a moonlit yew reflected in a rippling triangular pool, titled “Yew and Well,” graces the cover of her latest book, The Cult of the Yew: Tree of Life, Mystery, and Magic (2023).

“The phenomena known as ‘Yew’,” Fry says in the introduction, “is far more than a tree. It is a holder of wisdom, a keeper of knowledge and quite possibly a creator god and watcher of the human race. The Tree of Life, the Otherworldly tree, is a conscious entity, a tree that can bleed like a human, change sex and produce the enigma of the Golden Bough.”6

In The Cult of the Yew, Fry expands upon her previous research in The God Tree and aspires to track down a royal bloodline of sacred yew, called Taxus Sanctus, which descended from the original Tree of Life. She believes the offspring of this fabled tree were propagated by members of a yew cult who traveled long distances carrying cuttings, roots, and branches as staves or wands and planted them throughout Britain. Fry traces the original holy tree back 15,000 years, to the temple of the sun god Atum Ra in the ancient Egyptian city the Greeks called Heliopolis, and suggests that the ankh, the Egyptian symbol for eternal life, represents a branch taken from the Tree of Life. After a severe flood, she thinks an offshoot or cutting of the tree was rescued, taken to the Sumerian city of Eridu, and transplanted in the Garden of Eden.

Fry asks her readers to keep an open mind as she presents controversial theories that will be a stretch of the imagination for the more incredulous members of her audience. In the third chapter, titled “The Dragon Serpent Tree Gods,” she subscribes to the ancient astronaut fringe theory that human beings were a hybridization of primate and alien DNA created by reptilian extraterrestrials to be a slave race.

She quotes proponents of the theory such as Zechariah Sitchin (Earth Chronicles, 2004), who posited that the Annunaki gods of the Sumerians came from a hypothetical planet called Nibiru and created humans to mine gold for them in South Africa. According to one Babylonian myth, before the creation of humans, the Annunaki had enslaved a race of younger gods called the Igigi. One of these beings, Kingsu, led a rebellion and was ritually sacrificed by the god Marduk, who then created humanity from clay mixed with Kingsu’s spilled blood. We therefore inherited our rebellious nature from the Igigi gods.

From this perspective, the Biblical serpent represents our reptilian blood and the tree our earthly roots. Norse mythology even identifies the first human beings as trees, and Fry considers the possibility that the yew and the serpent are one. As a tree god, the serpentine yew thus symbolizes the hybridization of celestial blood and primate clay used to create humanity. 

The duality of the yew makes it a prime candidate for the tree of knowledge. “We must not forget that like the viper or serpent, the tree carries deadly poison which can and does kill and has no antidotes,” Fry says. “On the other hand, it also provides Taxol that heals cancer. This is a tree of opposites, of contradictions, a tree of good and evil.”7 She also says that the yew “was described in ancient times as ‘the snake that swallowed itself, referring to the yew’s habit of putting down an aerial root inside the old tree to make a new tree inside it.” 8

In summer heat, the yew sweats toxic vapors that can induce a shamanistic trance state. This alkaloid poison is called taxine, and inhaling the vapors can stimulate visions and facilitate communication with the dead. Fry says of the yew that “One of its functions is to act as a portal in time and space and another is to enable some to cross kingdoms, other realms and dimensions that run parallel to our own.”9

Fry attests to the supernatural power of yews to distort time and transport one to other realms. “On a personal level,” she says, “I have experienced a kind of rapid downloading of information and visions of things from times past at ancient yew sites.”10 She suggests that one might be able to step inside the hollow of a yew and time travel through dreams and visions.

Another theory Fry presents is that the ancient Egyptians brought the sacred yew to Britain. As evidence of Egyptian migration to Ireland and Scotland, Fry references a 13th or 14th century Middle-Irish manuscript titled The Settling of the Manor of Tara, which relates how Diarmait, the High King of Ireland, held a great weeklong feast in Tara every three years, and was considering reallocating the Manor of Tara for cultivation in order to cover the expenses.

Before making a decision, he summoned the wisest men in the land to advise him, who in turn referred him to an even older and wiser man, named Fintan son of Bóchra, who had been alive for 5,500 years and traced his ancestry back to Noah. The king asked Fintan if he had any historical information that would help him settle the Manor of Tara. Fintan then told him the story of how a heroic giant named Trefuilngid Tre-eochair came to Ireland from the west at sunset on the day of Christ’s crucifixion, carrying a golden branch of Lebanon wood. The giant attended an assembly of the people of Ireland and their king, Conaing Bec-eclach, in which the king related the history of his people.

King Conaing told the giant that after “the confusion of tongues”11 his people were invited into Egypt by the Pharaoh, but left when the Israelites escaped, because they feared being enslaved in their place, and migrated to Ireland. Trefuilngid Tre-eochair remained in Ireland for forty days and nights, advising the people on how the land should be apportioned. Before leaving, he gifted Fintan son of Bóchra some berries from the branch he carried so they could be planted throughout Ireland. Fintan said that Trefuilngid “was an angel of God, or he was God Himself.”12

Fry interprets this manuscript as proof of Egyptian migration and claims that the branch of Lebanon wood is in fact yew instead of cedar, which is what scholars have previously assumed Lebanon wood to be. Fry suggests that Fintan himself was a yew tree, since one can live for over 5,000 years and could have survived the Great Flood. While this document is fascinating, I suspect that a medieval manuscript alone is not viable evidence because it only proves that the writer was captivated by the magical allure of Egypt and felt inspired to trace a mythical vein of Irish ancestry back to the Nile.   

Fry also posits that the Ankerwycke yew beside the Nile-like River Thames may be one of the trees brought to Britain from Egypt, and that the name Ankerwycke may be derived from the Egyptian Ankh, which she believes to represent a “sacred branch from the Tree of Life.”13 Fry mentions that there is evidence of an Egyptian burial in Tara, Ireland, and advises the reader to refer back to her former book The God Tree for details on this topic and others she explores in greater depth, but unfortunately it is out of print, and may not be easy for the earnest reader to acquire.

In Nevern, Wales, there is an avenue of rare bleeding yews, which shed a substance that resembles congealing human blood. Why they bleed is a mystery, and Fry offers a spiritual explanation by connecting them to Christ, whose blood, she asserts, is the blood of the sacred yew, and is an elixir of immortality.

Fry claims that Jesus was not crucified, but hung on a living tree that was planted on Adam’s grave at Golgotha as atonement for Cain’s murder of Abel. She says that “the sacred Tree of Life, the one Jesus hung on, was no doubt a bleeding monoecious yew”14 (monoecious trees are hermaphroditic, having both male and female reproductive organs), and it was Constantine who changed the living tree to a post of dead wood.

“The truth,” she says, “is that Jesus was hung on the Tree of Life, despite the later myth-making which turned Jesus’ death into a crucifixion with the Romans in charge rather than the Jews, whose tradition it was and who planned it all. The events leading up to Jesus’ death led to a ritualistic death for which he would have been prepared all his life and which would have been managed by Nicodemus and Arimathea.”15 Fry believes that Joseph of Arimathea, who was Jesus’ uncle according to Talmud, brought a branch from the Tree of Life, upon which Jesus hung, in the form of a staff to Britain.

A source Fry cites for the true cross being a tree is The Epistle of Barnabas16, an apocryphal gospel written in Greek between 70-132 CE that was named after the reputed author Barnabas, a companion of the apostle Paul. The Epistle was included in the fourth-century Codex Sinaiticus, or Sinai Bible, but was later removed from the canon. “It was Barnabas who wrote about Jesus being hung from a tree and not crucified,” Fry writes before quoting Barnabas 8: “‘the reign of Jesus is on the tree’.”17

Fry’s case for Christ being a bleeding yew god is compelling and holds mythopoeic appeal. It reminds me of the early eighth century Anglo-Saxon poem The Dream of the Rood, a medieval dream vision honoring the sacrifice of the living tree that became Christ’s cross (rood is an archaic word for the cross upon which he was crucified). The rood and Christ suffer as one, as both are pierced by nails, tortured, and ridiculed. I can’t help but wonder if this poem betrays a residual belief in the true cross being a living tree, and I’m surprised Fry didn’t mention it in this book. 

Another intriguing insight Fry shares is that Jesus was depicted with a wand in early Christian art. The image of Jesus evolved from a clean-shaven young man with short hair wielding a wand to a bearded and long-haired man crowned with a halo. Over time, the halo gradually replaced the wand, which disappeared altogether by the end of the 5th century. Fry, of course, suggests that Christ’s wand was made of a yew branch taken from the Tree of Life, which she says the early Christians believed was the Egyptian ankh. Or perhaps, if there was no physical wand, that he himself was the embodiment of the eternal life it represented, since the Gnostics called Christ the Tree of Life.

In modern times, the mythical Golden Bough, or Golden Fleece, has miraculously emerged on evergreen yews in clusters of gilded needles that resemble sheep’s wool. Ever since the first one sprouted on the Defynnog Yew in 2002, others have manifested on at least twenty British yews, and Fry is hopeful that they herald a new Golden Age for humanity reconciling with nature.

I was astounded to learn that the Golden Bough of Greco-Roman mythology may have been inspired by the appearance of golden boughs on yews in ancient times. In the sixth book of Virgil’s Aeneid, the Trojan hero Aeneas obtains the Golden Bough as a gift for Proserpina, the Queen of the Underworld, in order to gain clearance into her realm and speak with the shade of Anchises, his dead father.

In Greek mythology, the Golden Fleece was the fabled golden wool of the winged ram of Poseidon that rescued the Boeotian prince Phrixus from his wicked stepmother, who plotted to kill him, and carried him to Colchis, where he was received by King Aeëtes, son of the sun god Helios. In gratitude to Poseidon, Phrixus sacrificed the ram, which was immortalized as the constellation Aries. Phrixus then gifted the Golden Fleece to the king, who hung it on a tree in the sacred grove of the god Ares in his realm, guarded by a vigilant dragon. Later Jason and the Argonauts stole the fleece with the assistance of the witch Medea, the king’s daughter.

“The ancient kingdom of Colchis where the Golden Fleece is found is one of the most important areas of ancient yew forests in the world,”18 says Fry. These myths reveal that the Golden Bough is a symbol of divine kingship, spiritual authority, and a golden ticket that grants safe passage to the Underworld and back, which leads Fry to suspect that the Golden Bough is a magic wand.19 

In her reverence for the Tree of Life, Fry is like a druidess, initiating readers into her yew-centric worldview with artwork and writing that captures the hallucinogenic quality of her god tree. Her wild theories enliven the imagination and compel critical readers to do their own research. Fry hopes this work will inspire her audience to seek out the Golden Bough and restore humanity’s sacred bond with the immortal yew. The poignant message of The Cult of the Yew is that the eternal Tree of Life is a living, breathing, sentient being whose underground current of salvific wisdom will open our eyes to greater truths when all of nature once again becomes our Eden. 

Mother Mary Oracle Journal and Book of Sacred Practices, by Alana Fairchild

Mother Mary Oracle Journal and Book of Sacred Practices, by Alana Fairchild
Blue Angel Publishing, 9780648746775, 220 pages, March 2021

Alana Fairchild is a prolific creator. Since being first published in 2011, Alana has created over 20 oracle decks, 13 books, and 27 albums of music and meditation with her work translated into 11 languages. Along with Shiloh Sophia McCloud (painter, poet, and teacher), she has created The Mother Mary Oracle Journal and Book of Sacred Practices, one of the most beautiful journals I’ve had the pleasure of using. This journal is meant to be an accompaniment to the Mother Mary Oracle, also created by Fairchild and McCloud, but this gorgeous work stands alone. I do not own the oracle deck and I thoroughly enjoyed this journal.

Opening the colorful and luxurious soft cover of the journal reveals several gorgeous paintings even before the first page, which has a space for the journal owner to record their name. This page is followed by a tender introduction by the author, lovingly describing her life-long relationship with Mother Mary and some of the ways in which this relationship has touched her life and benefitted her.

The journal is illustrated in glorious color with dozens of soulful paintings that seem to be infused with love and depth of meaning. As I worked my way through the journal, I was inspired over and over again by these magical works of art.

The lined pages are adorned with many poignant quotes and there are four different “Sacred Practices” described including “Silent Sound Healing” and “Love’s Alchemy for Karmic Clearing” (my favorite among them!). These sacred practices are explained simply guiding the reader into meditative processes that help with releasing grief, asking for spiritual help, and transmuting karma. These exercises are simple and effective, even for someone who does not have an established meditation practice.

I appreciated the author’s constant reminding that suffering is part of our soul’s journey. The journal is full of quotes that comfort the suffering, and include the reality of both dark and light, such as this one:

Becoming a divinely awakened human being is a raw, wild, and beautiful path that often involves great suffering. Our Madonna feels great compassion for, and understanding of, what it is to be human. So, she empowers us, through her wisdom, to take the journey with fearless faith in her Divine protection and guidance.1

I also enjoyed that many of the quotes are written in the first person, as if Mother Mary is speaking powerful words directly to the reader, such as this quote that calls the reader to recognize that their suffering, along with Mary’s support and guidance, will unfold a higher purpose:

I have many names and faces, but behind those names and faces, I am your loving mother, always. I come to you in light and darkness, through joy and even, my beloved, through loss and tragedy. I am seeking you, reaching for you, calling you to me. If you can do this, then great peace and spiritual power will be yours, and together we shall Infuse the world with love.2

The Mother Mary Oracle Journal and Book of Sacred Practices is an exquisite work of art that I highly recommend for anyone who enjoys journaling, appreciates inspirational quotes and meditative practices, and desires to create or deepen a relationship with Mother Mary.

The Ancient Language of Sacred Sound, by David Elkington

The Ancient Language of Sacred Sound: The Acoustic Science of the Divine, David Elkington
Inner Traditions, 432 pages, 1644111659, April 2021

In The Ancient Language of Sacred Sound: The Acoustic Science of the Divine, David Elkington has put forward a truly fascinating work about the role that sound plays in our spiritual experiences. This is a work of deep scholarship and intense study of locations around the world which are considered sacred sites to those who built them. Far from considering humanity’s ancient ancestors as primitive, this book highlights the absolutely breathtaking precision and purpose in the design of ancient monuments such as the pyramids at Giza, gothic cathedrals in Europe, and Newgrange in Ireland.

Elkington’s general thesis is that the hero — an exemplar of the capacity to grow, gain wisdom, and come to self-awareness — is a state of mind, and the development of this mental state can be aided by sacred sites. His theory has its foundation in the fairly recent discoveries about the resonant frequencies of Earth and its atmosphere. I was amazed to learn that regions below and above the ground each tend to resonate at different extremely low frequencies, and that these frequencies can also correspond to the frequencies generated by the brain: alpha, theta, and delta waves.

The idea that Elkington proceeds to develop is that many sacred sites were meticulously constructed to, under the right conditions, amplify the natural frequencies of the Earth so as to alter the brain wave patterns of anyone at that location. Through the structure’s architectural design, building materials, and geographic location, these sacred sites were built to tune in,  literally, to the energy of the world around us.

This very scientific approach to describing how we and our ancestors could come into harmony with what is greater than ourselves helps this book to feel extremely grounded compared to some other texts that discuss the experience of divine oneness. To me, the book is a fantastic bridge between scientific and spiritual approaches to how we can understand what “the hero” represents, both for our ancestors and for us today.

One of the revelatory ideas Elkington discusses which really struck me was that sacred sites are not merely historical monuments. When much of the western world has become removed from connection with the Earth and the older cultures who were so connected to the energy of the planet, we are likely to view structures like the Egyptian pyramids as symbols of some important person, group, event, etc. That is, someone or some group really wanted to leave a lasting legacy. This latter idea is much closer to our own, modern way of viewing the world. But one of the crucial ideas in this book is that these sacred sites did – and still do! – function to leave an impression upon the people visiting them: a much more potent impression than a mere symbol.

What amazed me still further about Elkington’s theory is that the spiritual impact of these sites is not made solely by visiting the structure, but through participation with it. By speaking, singing, or chanting words or phrases of power from the culture which constructed the site – the name of a god or hero, for example – the acoustic properties of the structure would amplify and enhance the sounds, building up to the mind-altering resonant frequencies. The overall idea that active participation is necessary for spiritual growth is exactly right, and is exemplified by these sacred sites.

Moving into the middle of the book, Elkington seems to take a long detour, delving into the meaning and significance of “the hero” in mythology. Interestingly, he focuses quite a bit on Jesus Christ as a hero figure rather than a historical/religious persona. Why, you might ask? Well, Elkington sets up Jesus as a heroic figure because he proposes that the Jesus we know from Christianity is just one example of someone who embodied the kind of heroic consciousness that is promoted by the sacred sites. Although I was aware that the story of Jesus shares a lot of commonalities with figures from other mythological traditions, this was my first time encountering the notion that ‘Jesus of Nazareth’ is more akin to a title (similar to how ‘Buddha’ is a title) rather than an individual name.

Elkington delves heavily into the history and relationships of various ancient languages that have helped shape this title. Admittedly, this section of the book came off as a little tedious and matter-of-fact at times. The author makes all of these linguistic connections and cross-references between ancient Greek, Hebrew, Egyptian, and more – often leaving me to wonder whether these developments of language actually occurred. Elkington does provide many sources and citations throughout the book, especially in this chapter, but without reading the source material or possessing deep knowledge of these ancient languages, I was somewhat skeptical of the plenitude of linguistic transformations being presented. Do these connections actually exist, or are they being presented to fit the theory?

However, I was reassured when, at the end of his linguistic explorations, Elkington himself admits to casting a skeptical eye at the mountain of linguistic data he’d uncovered. Although it would still take a great deal of research to substantiate all the bits and pieces of his work, I felt better knowing the author expressed his own doubts about his findings. Ultimately, however, the trail of linguistic breadcrumbs reaches the conclusion that Jesus (again, not the historical-religious figure) and Christianity itself dates back to the Egyptian Old Kingdom! Linking this to what Elkington discusses about sacred sites, he says “We have forgotten the power of that name, only limiting it to a kind of modified superstition, but now we can show, we can demonstrate beyond doubt that the name actually does work as a name of power, this is the name of God.”1

Elkington continues developing this startling discovery throughout the book, tying together the importance of the sacred sites, words of power, and the shifts in consciousness that may result from their combination. The Ancient Language of Sacred Sound is quite dense, and I wish I could expound more upon all the intriguing inquiries and discoveries it contains. As a fair warning, some of this book may be a little difficult to get through, depending upon the reader’s interests and attention span. But in my estimation, it is a truly unique and eye-opening book – a journey well worth the time and dedication.

The Mystery Tradition of Miraculous Conception, by Marguerite Mary Rigoglioso

The Mystery Tradition of Miraculous Conception: Mary and the Lineage of Virgin Births, by M​​arguerite Mary Rigoglioso
Bear & Company, 1591434130, 192 pages, April 2021

Every year on Christmas Eve, it always strikes me as odd that there is not more focus on Mary in the story of Jesus’s birth: a devout virgin, pregnant with the child of God, relying on faith alone amid adversity and uncertainty, in labor delivering Christ to the physical realm. Clearly, Mary had to be a pretty incredible woman to be picked for this divine conception, yet her story always seems glossed over in religious text. While scholars debate even the most minimal nuisance of Biblical text, many remain mysteriously mute on the subject of a virgin birth.

The more I learned about the divine feminine, ancient priestesses, and sacred sexuality, the more I became convinced there had to be something about Mary which made her able to fulfill such an extraordinary task, but I never could find any validation for this intuition. Finally, many of my questions have been answered by Marguerite Mary Rigoglioso in The Mystery Tradition of Miraculous Conception: Mary and the Lineage of Virgin Births, which hands-down has been one of the most life-changing books I’ve ever read.

The premise of The Mystery Tradition of Miraculous Conception is based on the Infancy Gospel of James (Protoevangelium of James) that dates back to the 2nd-century. It was never canonized, and in fact it was condemned by Pope Innocent I in 405. Rigoglioso chose to use the version of the gospel, which she refers to as the Birth of Mary, as translated by Ronald Hock. And let me tell you, this is one juicy gospel!

The author of the text claims to be James, Joseph’s son from his first (and only) wife. Described in the Infancy Gospel of James are Mary’s upbringing, her publicly acknowledged spiritual authority, her relationship to Joseph, her experience of pregnancy, her journey to Bethlehem, and finally the birth of Jesus and the events immediately following.

Piece by piece, Rigoglioso deciphers the text for the reader with the belief that certain parts of the text needed to be cryptic in order to keep the truth concealed. Based on her research, lineages of divine priestesses had been trained to conceive partheogentically, which is asexual reproduction where the egg turns into an embryo without the fertilization of sperm. According to Rigoglioso, Mary was impregnated by Logos, or “through some kind of unification with the divine creative sound, the divine order, the wisdom essence of the universe.”1

Mary’s unusual childhood prepared her to serve as a divine birth priestess, and she showed advanced spiritual mastery at an early age. She was prepared for this sacred duty from the time of her own parthenogenetic birth by her mother Anne, who was also a skilled divine birth priestess. Some of the things done to ready Mary for divine birth were imbibing consciousness-altering substances, eating a specific diet, and learning special songs and dances.

At the appropriate age, Mary is taken to the temple to be raised. She remains there until it is time for her to undertake her duty as divine birth priestess and is given to Joseph, who was chosen to protect her. Contrary to popular belief, Joseph and Mary never married, and from the text, he was rather resistant to caring for her at first. It is clear the conception, energetically initiated by Mary, was not at all aided by Joseph, who in fact didn’t believe at first she had conceived and remained a virgin.

Despite the miraculous nature of Mary’s feat, the Infancy Gospel of James also documents the trials she was put through by her own religious community to ensure she was telling the truth. This text reveals the distrust and suspicion surrounding the miraculous feat of a virgin birth and demonstrates the need for Mary to be concealed from the public as her pregnancy progresses.

Ultimately, Mary does give birth to Jesus, once again on her own in solitude. Joseph and the midwife he found return to find the baby has been born. The birth did not require the assistance of a midwife, which is considered another miraculous feat. The divine avatar, Jesus Christ, has been brought into existence.

After this brief synopsis of the Infancy Gospel of James, you might be doubting the veracity or questioning all that you’ve been taught. For this reason, I think it’s important to acknowledge Rigoglioso’s impressive career to highlight the background for this book. First and foremost, Rigoglioso is a distinguished expert on the subject of virgin births, previously authoring Virgin Mother Goddesses of Antiquity and The Cult of Divine Birth in Ancient Greece. She holds a Ph.D. in humanities and a M.A. in philosophy and religion from California Institute of Integral Studies, along with an B.A. in psychology from Vassar College.

Her scholarship is focused on ancient Mediterranean mystery traditions, bringing to light suppressed histories of holy women. Rigoglioso also teaches workshops, courses, and mentors people to assist them reclaiming the priestess path through offerings such as Priestess of the Dove Oracle Training and the Holy Womb Chakra teachings. She has many free spiritual resources on her website SevenSistersMysterySchool.com, which was very fun to peruse.

Needless to say, the content in the book is well-sourced and filled with references to ancient texts. Yes, Rigoglioso does interpret the Gospel of the Stars in her own way, but given her academic training and spiritual knowledge, I find the information credible. It takes someone with insight into ancient culture, Biblical history, and soulful wisdom to interpret the text as Rigoglioso has done.

Just reading the Infancy Gospel of James was an eye-opening experience, as I’ve done much studying of the suppression of Mary Magdalene in the Church’s history, but had never thought much about the Virgin Mary. I’m actually curious to learn more about their relationship, as it seems that Mary Magdalene is always portrayed as a sacred sexual priestess, which Rigoglioso very thoroughly distinguishes from the divine birth priestesses, who remained virgins their whole lives.

This especially piques my interest because Rigoglioso describes Mary’s parthenogenetic conception as this lineage was actively being dismantled by patriarchal forces. It makes me wonder, given the potency of the divine birth priestess, if Jesus would have been in a physical relationship with Mary Magdalene.

Another thing that really struck me as fascinating was Rigoglioso’s suggestion that the three wisemen actually came to see Mary, the most holy one who had accomplished this miraculous feat. Her interpretation of the three gifts they brought (gold, frankincense, and myrrh) makes much more sense as offerings for her as currency for financial support (gold), sacred temple herbs for her to burn in holy places and claim her spiritual authority (frankincense), and an embalming oil (myrrh) for when she needs to anoint Jesus’s body at his death.

That last bit might have you a bit confused: how would Mary have known about Jesus’s death at the time of his birth? The Infancy Gospel of James describes a prophecy Mary has right before giving birth, which Rigoglioso points out illuminates her spiritual mastery to hold the knowledge of cruelty the world will inflict on her son and remaining open to love nevertheless.

“It must be a disturbing reality for this young priestess to know that her child, no matter how holy, will be entering the world of matter and duality, and that all those associated with him will have to come to terms with that. In a sense, she is in this very moment, just before she is about to give birth, also able to foresee the circumstances of her son’s death, in which the duality around his teachings will be played out in a deeply painful way. Once again, we can really appreciate Mary as a human woman who will have to grapple with maintaining the high vibration of love amidst agony and fear as the events of her son’s life unfold.”2 

Once again, Rigoglioso demonstrates that Mary was not a naive young woman, ignorant to the spiritual mastery of her son. Rather, it was through her training and active agency that Jesus, the son of the God, also considered a divine avatar by some, was able to physically manifest in this plane of existence. Her role as a most holy divine birth priestess is what allowed for a being of elevated consciousness to be conceived to elevate all of humanity.

Simply sitting with this truth changes everything for me. The information Rigoglioso has shared is so deeply empowering for me on a personal level, and I believe on a collective level too as more people awaken to the spiritual abilities of the divine feminine. For too long, women have been stripped of their spiritual authority, oppressed by patriarchal values, and denied the right to know the full potency of their potential abilities.

More than anything, I hope the information in The Mystery Traditions of Miraculous Conception becomes more wide-spread. I’ve been actively sharing what I learned from reading it with friends and family, initiating discussions about the topic of a virgin birth and Mary’s spiritual lineage. This is a must-read for anyone interested in the divine feminine, especially within Christianity. Rigoglioso has packed so much information into this text that I know I’ll be reading it again and again. I love that it’s filled with references and sources to assist the reader in doing their own investigation. All in all, this book is the major missing piece to the history of Christianity that is sure to spark meaningful revelation in all readers.

Magdalene Mysteries, by Seren and Azra Bertrand

Magdalene Mysteries: The Left-Hand Path of the Feminine Christ, Seren Bertrand & Azra Bertrand, M.D.
Bear & Company, 978-1-59143-346-0, 525 pages, 2020

Magdalene Myserties: The Left-hand Path of the Feminine Christ by Seren Bertrand and Azra Bertrand is a deep dive into Mary Magdalene, viewing her from Biblical, historical, and mystical perspectives. This well-researched book invites the reader on a pilgrimage to the Rose by journeying through three portals: the Magdalene Chronicles, the Magdalene Codex, and the Magdalene Vision Quest. These portals form the basis of the sectioning of the book, with each portal offering in-depth exploration of the topic. The authors write that “a key to our journey into the Magdalene Mysteries is to understand the true left-hand path of the goddess; and that Mary Magdalene…was the lineage holder of this sacred tradition.”1

Before the reader enters the portals, the authors provide their “love letters,” each offering individual writings on their initiations/encounters with Mary Magdalene, with Sara writing of meeting Mary Magdalene and of the sacred masculine vision and Azra writing about the Holy Whore of Sophia. The book then proceeds to “explore a radical, forbidden version of Mary Magdalene as a priestess of the Womb mysteries.”2

I was drawn to this book to explore the multi-faceted Mary Magdalene. Having been raised a Catholic, I initially only knew of Mary Magdalene as the prostitute, carried into my teen years with watching Jesus Christ Superstar where she was again portrayed in this role. I later became an adjunct instructor of Art History, and again, my encounters with Mary Magdalene in painting and sculpture again had her portrayed as a prostitute. As I began reading sources other than the Catholic church (!) I was met by a powerful woman, a trusted apostle of Jesus. I needed to learn more, and this book provided a compendious accounting of Mary Magdalene. 

Portal One, the Magdalene Chronicles, details Mary Magdalene’s lineage, starting with the “ancient mothers” in Sumeria. The chronology includes mermaids and the primeval water dragons, Inanna, and Asherah. It was illuminating to read of this lineage of the powerful woman, the vessel, the womb. The authors then transition to Mary Magdalene’ story of the Feminine Christ, looking at the feminist ministry of Christ, whether or not Mary Magdalene and Jesus were married, and her place at the crucifixion and resurrection. The first portal concludes with churches linked to the growth of churches in Europe linked to Mary Magdalene. 

The main focus of Portal Two, the Magdalene Codex, is an in-depth study of the Ghent Altarpiece, created by Jan Van Eyck, from 1426 to 1432. The authors approach this work “as both a pilgrimage and Grail Quest.”3 I found this section fascinating. I was familiar with the Ghent Altarpiece and taught about it in my Art History classes from the typical perspective of the religious symbolism in the painting such as the lamb symbolizing the Lamb of God. I taught about perspective, the place of patrons present in the piece, the role of an altarpiece in a church, etc. The authors, however, offer a complex and compelling distillation of the altarpiece, focusing one’s attention on the positioning of images to create the “position of birthing and sacred sexuality.” (plate 15). I did need to sit a while with the intimation that Van Eyck inserted an heretical message in the work. 

The authors turned next to Leonardo da Vinci’s painting of the Last Supper. I will admit that I never “bought” the explanation that the feminine figure to the side of Jesus was John the Evangelist. I am in agreement that, after having read about the important place of Mary Magdalene in the life of Jesus, that this image was indeed that of Mary Magdalene. The authors write that da Vinci was also “connected to the underground streams of the feminine mysteries.” 4 I imagine that these artists kept the need of art patronage in the forefront as they created multi-dimensional works of art with levels of meaning. 

The belief that Mary Magdalene was seen as a “dangerous figure” threatening to usurp masculine power, led to her portrayal as a “less than,” a whore, non-starter. The second portal closes with a return to the Ghent Altarpiece, where the authors write that Van Eyck “presents an entirely new, and at the same time ancient, vision in which the feminine is restored.” 5 I found the second portal so very fascinating, given my background in Art History. It’s given me a desire to develop an art history course on Mary Magdalene. 

The Third Portal, Magdalene Vision Quest, focuses on the pilgrimage to the Rose through “stories, oracles, and personal rituals.” 6 In the chapter Honoring the Motherline, Mary Magdalene as the “spirit keeper of the womb” is investigated. Seren writes about her own opening up to the path of Mary Magdalene and the goddess path. A personal favorite of mine was her writing about her pilgrimage to Glastonbury in England, a place I was drawn to visit as well. It is hard to adequately describe the otherworldly feeling of Glastonbury, the multidimensional feeling of space and time. Sere writes about the chalice well and its red flowing water and Glastonbury Abbey built on the site of an ancient sacred site devoted to the divine feminine and “known in local lore as the ‘vagina of the birth goddess.’”7

Seren recounts how Magdalene directed her to visit Iona, a remote Scottish island in the Hebrides. I was beginning to feel a connection both to Magdalene and Seren as Iona is a place that I find myself constantly drawn to read about and to most definitely visit post-pandemic. She continues by writing about the ancestral wise witches and the death of her mother, the mother of her “birth womb.”8 She movingly describes the graveside service she led for her mother. “As my mother’s womb had birthed me into this world, now I midwived her back into the womb of Mother Earth, for her rebirth into the Spirit world.”9

The Third Portal section contains rituals that the reader can perform, such as a Rose Ritual or the Anointing of the Moon ritual, a Mermaid ritual, and a Black Rose rituals. The rituals all contain references to an element, a ministry (such as cleansing), archetypes (such as Aphrodite), colors, and sigils (like a chalice). I have not yet taken the time to participate in a ritual, though, but the moving descriptions accompanying each ritual will draw me in sooner rather than later.

The book concludes with an invitation to return to the “dynamic Wild Feminine” which is “not limited to the story of one person or priestess – it is a living, vibrant frequency within everyone, calling to be remembered and embodied.” 10 Seren’s prayers to Magdalene are the final pages of the book. 

The book contains numerous images and illustrations to support the writings, including prehistoric clay tablets and sculptures, rich reproductions of pre-Renaissance and Renaissance tapestries, painting, and sculptures, and 20th century art including the image of a stained glass window in Sheffield, England in which Mary Magdalene is depicted as holding her hands in the “womb mudra position.” 11

Magdalene Mysteries offers a perfect combination of historic information across millennia along with the personal interactions of the authors with Mary Magdalene. It is a book to be read over time, allowing the information to seep in. It reads as a pilgrimage, and like all pilgrimages, time should be taken to allow the path to reveal itself to you, to allow yourself to open to revelations and notice the changes that occur as a result of the pilgrimage. The book is a pilgrimage to the Rose, and as such, invites the reader to open up slowly to Mary Magdalene, much like a rose itself that slowly opens, moving from a bud to a flower in full bloom, layers of beautiful petals.  It is a comprehensive introduction to Mary Magdalene to those new to the subject and also a deep-dive for those wanting a deeper interaction with Mary Magdalene. I highly recommend this book and encourage the reader to walk the path of pilgrimage to the Rose with these highly informed and passionate authors.

The Spiritual Roots of the Tarot, by Russell Strugess

The Spiritual Roots of the Tarot: The Cathar Code Hidden in the Cards, by Russell A. Sturgess
Inner Traditions, 1644110563, 368 pages, 2020

In The Spiritual Roots of the Tarot: The Cathar Code Hidden in the Cards, author Russell A. Sturgess presents the story of a medieval group of Gnostic Christians who are later referred to as the Cathars. The Cathars originated in France in the 11th century.  Not well liked by the Catholic Church, Cathars were considered a threat and were removed from Western Europe by the Catholic Church around 1350.

They called themselves “Troubadours of God” and their theology was based on the Beatitudes from the New Testament Sermon on the Mount. They lived a life based on agape love and also espoused a theology of duality, one where both good and evil existed.   Their beliefs professed a “formula for escaping the world of the evil God and the journey that one had to undertake to return to the Kingdom of the good God.”1

No one really knows how the Cathars worked together to preserve the mysteries of this formula, which was their program of ascending to the good God. Sturgess admits that it is unlikely that the Cathars produced any tarot cards. However, they were weavers and may have woven small tapestries with the symbols of their theology or created small paintings of the symbols.  None of these remain due to the Crusades and Inquisition — all such artifacts were destroyed. 

One of their key tenants was the idea of “being a fool for the sake of Christ.”2 The Fool’s Cap symbol and watermark would have been a mark of the Cathars. And, of course, the first card in the Major Arcana of the Marseille Tarot, as well as many other decks,  is a Fool.

What interested me most about the concept of this book was the melding of religious and metaphysical theologies. The idea that a religious group of Gnostic Christians could have hidden symbols that show the way to God in miniature paintings or small stained glass images that later became tarot cards is intriguing! When you consider that the clergy was among the few who were able to read and write in the 11th to 13th centuries, you might begin to understand their role in preserving these symbols.

The Marseille Tarot appeared in the 17th Century and told the Cathars’ story of the Fool and his transformative journey to Christ. Sturgess shares a complete history of the tarot and features many color plates of Major Arcana cards in various styles of cards.  One plate that I found fascinating follows the Fool’s Journey as the Major Arcana cards are laid out in an infinity symbol shape (Plate 30, The Cathar Code key, the cards by Jean Noblet, circa 1650).

Sturgess provides a thorough review of each of the cards of the Major Arcana, sharing key symbols, their meanings and how the cards both differ and mirror each other. My birth card is The Empress, so I was especially interested in learning more about this card. According to Sturgess, the symbols of the shield she holds, the cockscomb on her left side and her scepter all point to key characteristics of The Empress.  As both masculine and feminine symbols are shown, the Empress embodies the combination of male and female.

“This is a Cathar invention, symbolizing the hieros gamos, the sacred union of the masculine and the feminine that was Christ here on earth. In the world of the Cathars and that of the good God, when governed by Christ consciousness this was symbolic of the sacred marriage resulting in the androgyny of Sophia.”3

Sturgess goes on to say that the Empress is all about “the impending birth of the Fool, who is the Christ Incarnate.” 4

Another aspect that I found fascinating was the idea that there was no Devil card or Tower card before the 17th Century. These two cards may have been kept secret because of the role they play in revealing the “portal to the kingdom of Heaven.”5 And did you know that the Tower card was initially called the “House of God”? A common belief contends that the named changed to the Tower due to the structure shown in the center of the card.6

Sturgess employs a very scientific and thorough writing style. The photos of key pieces of Cathar history, the beautiful plates of tarot cards from various centuries, and important documents from antiquity make this story come alive.  After a history of the Cathars, Sturgess covers each card in the Major Arcana through eleven chapters of the Fool’s Journey. This book will appeal more to the Tarot aficionado, rather than a novice, who might be overwhelmed by the depth of the information.

I really enjoyed The Spiritual Roots of the Tarot and look forward to reading it again and doing an in depth journey into each of the 22 cards of the Major Arcana. My knowledge of the symbolism of the Major Arcana was enhanced greatly by what I learned. I’d recommend this book for Tarot teachers, expert readers, and others who study Tarot history and meaning.

To conclude, I will share one concept that Sturgess wrote that really touched me is the Cathars’ theology of love:

“The Cathars’ theology of love could be described in one word:  kindness.  As much as they understood the deep mysteries, in terms of how they were expressed in day-to-day life, it was simply about being committed to being kind.”7