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Pagan Portals – Baba Yaga, by Natalia Clarke

Pagan Portals – Baba Yaga, Slavic Earth Goddess, by Natalia Clarke
Moon Books, 1789048788, 104 pages, January 2022

I recently finished season two of the Witcher, which had a prominent focus on the Deathless Mother. The chant to call her goes, “Behold the mother of forests, the Deathless Mother, nesting in dreams. Turn your back to the forest, hut, hut. Turn your front to me, hut, hut.” As I watched, the Deathless Mother started to remind me of Baba Yaga.

I had first encountered (figuratively) at Philadelphia’s der Geischderschtrutz (Parade of Spirits) annually held in dark days of winter. The purpose of the Parade of Spirits is “observance of the shadow side of the self, of the murky times in shortest days of the year, and of shady entities and liminal deities.’1 My first year there, I was challenged to enter the hut of Baba Yaga, but unsure of whether she’d want to eat me alive or provide timeless wisdom, I kept my distance. Even if it was just a custom, the energy was potent and I felt a shiver of fear every time I looked in that direction.

It’s been years since that experience, and though I continued to respect Baba Yaga (my coven’s primary focus is the Sacred Hag, of which one might say Baba Yaga is a archetypal representation of), I had yet to muster the courage to embrace Her in personal life or magical practice. But Pagan Portals – Baba Yaga, Slavic Earth Goddess by Natalia Clarke has changed my perception a bit, and I feel like I now view Baba Yaga with a new lens.

Clarke invites the reader to get to know Baba Yaga that goes beyond folklore knowledge. The book is filled with Clarke’s journal entries through the years as she established a connection with Baba Yaga and incorporated this relationship into her own spiritual practice. This presentation style of wisdom is less of a “how-to”, though some suggestions are provided for working with Baba Yaga, and more of a journey into possibility filled with rich, descriptive writing that sets the scene for the magic of this book to unfold.

I appreciated how the book integrated Clarke’s revelations and creative writing with information about Baba Yaga, as it provided a bridge towards Baba Yaga, who otherwise can feel very intimidating to connect with. I am a big fan of Clarke’s intuitive approach to spirituality as described in her book Pagan Portals – Intuitive Magic Practice. In this book, it’s as though she translates her natural intuitions about Baba Yaga into a reference for those wishing to walk Her path.

One of the most unique features of Clarke’s approach to Baba Yaga is her intention to explore Baba Yaga in the context of Earth-based spirituality, rather than fitting Her into “literary, cultural, or societal concepts and beliefs.”2 I find this approach extremely valuable, as my spiritual practice is deeply connected to nature.

In this passage, Clarke illuminates how Baba Yaga feels to her:

“She doesn’t feel like a grandmother or an old Crone with terrifying features. She’s a master shapeshifter, and her essence is that of nature itself. She’s the changing seasons, the leaves in the forest in the autumn and a smell of the coming snow storm. She’s footsteps on the ice and a cold mountain brook. She is like the wind as she flies and in the whooshing sound of a breeze she’s gone. She’s the smoke in the dark and she can be found in animal bones. She is in the smallest insect and the highest tree, the snake hiding in the undergrowth. Illusive, unobtrusive, hardly ever visible and fiercely private. Her dwelling is her own and, on her terms, where everything is just so. It is for no else to make sense of.”3

These words make me feel a spiritually tangible and embodied connection to Baba Yaga, as my senses are opened through envisioning these words. Clarke is able to convey Her essence in this book, which is no easy feat considering Baba Yaga is a deity that prefers to not bother with human affairs, preferring solitude over interruption. I think this is one of the things that in the end draws me towards Baba Yaga, based on Clarke’s experience and description of Her though.

I like that Baba Yaga isn’t for everyone, doesn’t directly answer one’s pleas for answers, and can’t be summoned on-demand. Working with Baba Yaga seems to take determination, self-awareness, and a bit of grit. There’s a chapter called “Bones, Skulls, and Skin Magic” about how incorporating Animal Magic, using bones, skulls, and skins of animals, can strengthen one’s relationship with Baba Yaga. These items aren’t just your typical herbs or crystals, and I think it speaks to the nature of Baba Yaga as a deity.

My favorite chapter in the Book was “Baba Yaga’s Apprenticeship” where Clarke prompts the reader with the question: “How well do you know nature and how you relate to it from within?”4 I thought this was a profound question, and Clarke encourages taking one’s time to find the answer. Meanwhile, to connect with Baba Yaga, Clarke details the necessity of awareness of the elements, seasons, one’s psychology, and one’s spiritual self. Clarke provides prompts on how to work within these areas to become an apprentice of Baba Yaga, leaving the reader with hope that they too can eventually be initiated into Her wisdom.

Another really interesting chapter was “Baba Yaga and Motherhood” where Clarke suggests working with Baba Yaga for “integrating your birth mother or your own inner mother when birthing and mothering you own children.”5 Baba Yaga is not a deity I would have ever considered working with for this purpose, but Clarke’s reasoning that it’s important to accept both the good and bad aspects of ourselves as mother and our own mothers was interesting. For this particular reason, I am feeling more drawn to working with Baba Yaga.

And the last thing I’ll say is that I really think The Witcher is drawing from Baba Yaga’s folklore, and especially even more so after reading the chapter “The Three Horsemen and the Masculine”. In this chapter, Clarke describes how Baba Yaga has three horsemen (red, white, and black) that “represent an archetype of the sacred masculine , in service to the sacred feminine/the Earth.”6 She then describes how the color of The Three Horsemen correspond to different stages of the alchemical process and how working with the cyclical nature of their energy can help to strength one’s bond with Baba Yaga. But red, white, and black as the colors of them? For anyone who’s watched The Witcher Season 2, this is very significant and something I thought was totally cool.

While initiating a relationship with Baba Yaga requires patience and willingness to accept hard truths, Clarke showcases the value of working with Her over time. Pagan Portals – Baba Yaga, Slavic Earth Goddess is a wonderful book to learn more about Baba Yaga for anyone considering deity work with Her. And even if Baba Yaga doesn’t seem aligned for a personal deity relationship, there’s still a lot of value in learning more about Her in general, especially if one is interested in nature-based spirituality.

Seasons of a Magical Life, by H. Byron Ballard

Seasons of a Magical Life: A Pagan Path of Living, by H. Byron Ballard
Weiser Books, 987-1578637232, 197 pages, August 2021

Take a breath, pause, and gift yourself the time to delve into Seasons of a Magical Life: A Pagan Path of Living by H. Byron Ballard. In doing so, use the wisdom shared in this book to create a guide to a more connected way of living and co-existing. As Ballard writes, “this book is an invitation to modern Pagans to return to a simpler and quieter time, either literally or virtually, through letters from a small forest-farm in the southern highlands of the Appalachian Mountains.”9

The educationally credentialed author, H. Byron Ballard (BA, MFA), is a teacher and folklorist as well as a senior priestess. Her life and work are centered in Asheville, North Carolina, where she is a co-founder of Mother Grove Goddess Temple and the Coalition of Earth Religions. 

As I read, I felt as if I was accompanying Ballard around her farm. I could smell the air, feel the weather, and taste the food offerings. I was afforded the experience of spending time with her and the life force that surrounds her in her mountain setting and, by extension, the life force that surrounds me in my setting. 

As the cover indicates, the book focuses on the celebrations, festivals, and rituals for the Wheel of the Year. It is divided into three parts. Part One is a five-chapter section that offers background essays “Animism, Mutual Aid, and Permaculture”, “Tower Time and the Conceit of the Ever-Turning Wheel”, “A Different Means to Reckon Time”, “Re-enchantment and the Uses of Magic”, and “the Good Neighbors, the Land Spirits”.

Part Two is comprised of two chapters, focusing on the Wheel of the Agricultural Year: “Winter, The Waxing Year” and “Summer, the Waning Year”. Within those chapters are the equinoxes of spring and fall. “The chapters are broken into the four seasons, with the Quarter Days a highlight within each, and include simple skills that accompany each marker of the year.”10

Part Three wraps up with “Hearth”, a “chapter on the spiritual and physical immersion into these seasons”11 no matter where one lives, rural, urban, or suburban. 

The essays offered in Part One are intended to “not only give the reader a map of (the) journey but also to introduce some ideas to better inform the journey.”12 Some essays were written as if Ballard was talking to a friend as they climbed a hill, while others unfold in a more informational manner, such as the sections on Ember Days and Embertide and Rogation Days.

As one who communicates daily with the trees and rocks that surround my house, I loved the writings on animism and permaculture. Re-enchantment? Yes, please; I could use a healthy dose of that. However, I recommend taking time to sit with what is being offered in these essays as some are more “heady” than others.

I liked how Ballard did not write about these topics in a clinical, detached manner. She walks the reader around her property as she delves into these subjects; the reader is invited to sit at her kitchen table as she prepares meals. Living seasonally, living and working by the natural light, living with the rhythms of nature. 

Wanting to not only read the book but also practice the activities offered, when I finished the section on the essays and moved to Part Two, the “Wheel of the Year”, I began reading the final chapter first, Chapter 7, “Summer: The Waning Year,” as I received the book a few days before Lammas, the Season of the First Harvest.

As with all of the sections on the Wheel of the Year, Ballard offers a letter from her forest-farm, skills to use, chores to be completed, foods for the season, traditions and celebrations, activities to do with children and other friends, an icon of the season and a concluding paragraph on season’s end.

For Lammas, in her letter from her forest-farm, she writes about how hot and dry the farm now is and surveys what is happening in the garden – an abundance of squash and tomatoes, days of “sweat and effort.”13 She offers a lesson on bread-making including the “philosophy” of kneading and sour dough. Chores such as canning and pickling are covered. Traditions and celebrations such as the blessed loaf and the ceremony of cakes and ale are introduced.

The Lammas section continues with recommended activities for Children and Other Friends, including shaping a loaf person and making corn dollies. The icon written about is Wheat as Lammas is “the first in a series of three harvest festivals that is usually dominated by bread – making it, shaping it, and eating it.”14

It concludes with a paragraph on Season’s End that encapsulates the essence of the season, for Lammas, namely looking to the “symbol of the harvest and what that means about gratitude in your life – how you express it, how you use it.”15

She asks the reader to look at the intention that was planted in the Spring — both literally and symbolically and see if the reader tended to this intention — and if it’s ready to “feed you now, that thing that you imagined planting?”16

The book’s final section delves into the aspects of hearth and homely life. She praises homeliness – simplicity in one’s home, comfort, pleasant but ordinary. She invites the reader to view the kitchen as living space for nurturing physically and emotionally. Home altars both indoors and outdoors are discussed as spiritual anchors. Ironically, while I have a home altar, I hadn’t thought of creating an outdoor altar until reading this book. She writes of – are you ready? – laundry as a meditative practice, which after reading I now understand. 

I especially love the book’s concluding lines, offered as a friend waving as you depart their home and sending you off with love:

“There is so much to do, every day, to tuck in the ends of this weaving we are creating: to observe and really see, to listen and really hear, to integrate our intuition and our Ancestral memory into a practice so practiced it no longer feels artificial. It only feels like living a good life and a full one.”17

I highly recommend not only reading Seasons of a Magical Life – but living it. For those who are looking to deepen their connection to the natural cycles of the year, this is a great book to have in one’s library. It offers simple, practical ways to engage with the seasonal energy of the year as it makes its way around the wheel of time. Many of these small practices are certain to enchant one’s life and bring a deeper sense of purpose to the small actions we do daily, fostering an appreciation of the current moment in time that is grounded yet extraordinarily magical.

Answering the Call of the Elementals, by Thomas Mayer

Answering the Call of the Elementals: Practices for Connecting with Nature Spirits, by Thomas Mayer
Findhorn Press, 978- 16441122144, 160 pages, June 2021

Answering the Call of the Elementals: Practices for Connecting with Nature Spirits by Thomas Mayer is a timely book that incorporates the melding of environmental consciousness and the intuitive nature within humankind that desperately needs reawakening if we are to co-exist with those beings that inhabit the natural world.

It is no secret to those who live collaboratively with the ephemeral spirits, beings, and other sentient forces that we are at a crossroads. How we proceed, who (or what) we consider to be allies to form alliances with, will dramatically affect the outcome of this planet and all of the life that occupies it.

Mayer has brought this need to the foreground in a book filled with first hand experience and a prodding for the reader to seek out their own measure of experience that will give proof of the existence of nature spirits. 

Even if we are not consciously aware of it, we live in the realm of elemental beings. Everywhere, and all the time, they penetrate our souls and slip into our hearts. The whole world around us is ensouled with elemental beings. Elemental beings participate in everything that is happening in nature around us… 8

Answering the Call of the Elementals is separated into twenty chapters and is a narrative of the author’s recounting of his experiences in seeking those beings he identifies as elementals. One thing that struck me in reading this book was the lack of a definitive definition as to what “elementals” are. There is a movement between the semantics of “elementals” and “nature spirits” that is not always easy to follow in terms of whether they are interchangeable or something altogether different.

But, even in saying that, there is a purposeful wisdom in what appears to be lacking definition and by the end of the book the reader realizes that there is no generic definition of these beings. They are changeable. They move through many worlds and have many agendas to fulfill in both the physical and spiritual worlds. 

Beginning with the opening pages of “Chapter 1: The Plea”, the reader is immediately drawn into the experience of Mayer and his conversation and meeting with the four Elementals (beings) of nature. In simplistic form, these beings are the pure essence of their respective alchemical realms of earth, air, fire, or water, as they exist within the natural world. This meeting comes as a plea from their realms:

We are the beings of the nature elementals. We encompass and represent them. We come to you with a request. Humanity has forgotten the elemental beings. We live in your subconscious, we are a big part of your lives, but you know nothing of us…11

This plea is the driving force behind the authoring of this book. In Mayer’s writings, the reader can palpably and emotionally feel the imminent need to awaken and to rekindle the long forgotten relationships with those beings we still, albeit not acknowledged, live so intimately with. Mayer provides the reader with as much descriptive and ambient tone as possible to allow the information to wash over the reader at all levels of understanding and, perhaps, to also stimulate the urgency abiding in how far removed we have become from the natural world and these elemental beings. 

It is time. In this moment I decide. It is all perfectly clear in an instant. I will do their bidding. As a first step I will focus on teaching the meditation courses, and the following steps will develop from there…12

In Answering the Call of the Elementals, Mayer succeeds in providing a step-by-step plan of developing and awakening the sensorial tools necessary to “see”, feel and dialogue with nature spirits”.18 In particular, “Chapter 4: Experiencing Elemental Beings” provides some of the “how” to make contact and the “why” of its potential and necessary agenda. 

Experiencing elemental beings is generally prohibited by mental blocks. These mental blocks tend to come up particularly when you begin with practical exercises. You think your own perceptions are figments of the imagination, or fantasies, and you are so full of mistrust that nothing remains. So right away, you throw out the baby with the bathwater…19

As the reader moves deeper into this chapter, there is a slow building of confidence in abilities crafted by specific examples of the author’s experiences, interwoven with sound and practical contemplative endeavors that serve not only this purpose but many others relating to spiritual practice and growth. There is a lot of information in what appears to be not many pages, and the information is dense and rich.

Mayer is very methodical in the step-by-step approach of training the reader to be able to access the largely intuitive and feeling nature that aligns with that of the elemental beings. And, it is precisely this analytical methodology that allows the “mental blocks” that persist to be assuaged in their need to dominate and over analyze so that something more natural and organic can open in their place. This opening becomes the threshold of meeting and perceiving those inhabitants of the elemental worlds, and it is in this space of mutual recognition that the healing of the planet, self, and spirit may begin. 

There is a lot of information to ruminate over and to digest between the covers of Answering the Call of the Elementals. Mayer uses the teachings of Austrian philosopher and esotericist Rudolf Steiner as the underpinnings of this book giving a layer of Christian mysticism to a topic that is also part and parcel of pagan practices. This makes the content more globally based and underscores the intention of its writing; collaboration and co-creation between humanity and the realms of the more ephemeral beings.

It is important to note that Rudolf Steiner was the founder of a specific branch of philosophy known as anthroposophy, which supported the concepts of an objective and intellectually comprehensible spiritual world that could be accessed and experienced by humanity. This is a key understanding Mayer uses throughout the book as a given ability that all of humanity has.

Answering the Call of the Elementals is definitely a title I will return to for another read through. I have a sense that each reading will undoubtedly reveal another nuanced subtleties inherent in this re-connection to the spiritual world. The Epilogue of this title speaks to the author’s …vision for the future “includes elemental beings once again becoming a cultural public resource for our civilization”20

Mayer outlines a vision of the future that integrates elemental beings into the fabric of all of society’s daily workings. These include a school-level course of study focused on the elemental beings as part of the traditional educational studies, elemental research groups at universities, local governmental departments, and committees dedicated to the well-being and care of elementals, as well as farmers enlisting the strength and help of agricultural elementals and the direct connection of contractors and builders with those elementals of the mechanical and work equipment being used. These goals feel lofty in aspiration, but perhaps what is required is lofty ambitions and devotion to restoring our connections to the natural world. 

This vision is surely unfamiliar today and beyond the normal conceptual frame. To me, it is not only realistic, but necessary. The nature elementals are eagerly waiting for human beings to consciously grasp them, for their future existence is dependent upon it. We humans and the elemental beings have a common destiny – to rescue the elemental beings…21

The Tree Angel Oracle, by Fred Hageneder

The Tree Angel Oracle: The Ancient Path into the Sacred Grove, by Fred Hageneder and illustrated by Anne Heng
Earthdancer Books, 1644110386, 1144 pages, 2nd Edition 2020

The Tree Angel Oracle by Fred Hageneder is a truly beautiful deck, illustrated by Anne Heng. The cards are illustrated with fairy-like figures ethereally interwoven with an image of a tree, creating a magical, endearing effect.  Printed on heavy, shiny cardstock, the cards felt special and charged from the moment I took them out of the box.  I delighted in selecting the cards that match trees that grow in my yard and around my neighborhood, such as Oak, Holly, Cherry, and Apple. I quickly choose all the cards matching the species of trees I have on my property and had a fun time envisioning these angels living in my trees.  The Tree Angels in these cards are drawn with such delicacy and care that I can truly get a feel for the character of the tree angels and also how they connect to that particular species of tree.

The book opens with an endearing introduction where Hageneder writes about a visionary experience he had while attending a Kundalini Yoga Retreat.  In his vision, he was invited into a sacred grove of trees and encouraged by the Tree Angels themselves to develop this oracle deck based on his experiences connecting deeply to trees.

However, unfortunately for me, the fantasy ended there.  In the first chapter of the book, Hageneder presents sort of a “woven tapestry” per se of world religions, their symbolism and mythologies, and how they each hold trees in high esteem.  He presents a particular interpretation on some ubiquitous religious stories, in particular the Garden of Eden story from the Book of Genesis. Here, he very matter-of-factly presents a remarkably modern and “New Age” summation of what that symbology means. Being somewhat of a nerd about classical Theology, I was miffed not seeing appropriate academic citations to back up his interpretative claims, and by the time I got past this, I was far from thinking about trees. Though his religious world-view is interesting — I probably agree with more of it than I disagree — I think it is problematic to present interpretations on religious symbolism as fact without contextualizing the scholarship that gave rise to those interpretations.  But we’ve strayed from the topic of trees, so let’s get back to that.

Obviously, there are hundreds of species of tree in the world and there are only 36 cards in this deck.  Hageneder has based his selection of trees on the “Ancient Irish Tree Alphabet” called the “ogham.” (p. 25) However because this particular catalogue of trees (and he doesn’t describe the “ogham” any further) all originate in a particular geographical area occupied by the Celts, he has omitted some of those trees in favor of wider diversity. For example, he included Ginkgo and Sycamore, which are native to other regions.

Hageneder offers several simple spreads to read the cards, though he emphasizes that choosing one card at a time is a great method for this deck.  I like the “Silent Guardians” spread which is a two-card spread where each card is part of a message relating to a transition in your life – passing from one phase to another.  The three-card spread suggested is called “The Primeval Doorway,” and in this spread the Tree Angels invite you to meet your guide on a journey into the Underworld.

The messages The Tree Angel Oracle cards offer are rich and long, with multiple meanings embedded.  Oak is one of my favorite cards because Oak trees are often associated with magic.

“The source of the life force nourishes your deepest roots with vitality, will, and power.  Make the world your own! But take care, hear the secrets of success, care for those in need, bring tenderness where emptiness once ruled.” (p. 57)

Oak is about being strong and enjoying vitality, but also about having integrity and being compassionate.

Sometimes the descriptions surprised me.  For example, the Ivy Tree Angel signifies humility, though in other sources I’ve known, ivy represents a protector and in other sources, an opportunist. So it seems to me that Hageneder is developing his meanings and interpretations from his own inspiration instead of drawing on ideas about tree spiritual energies that others have written about.

I am grateful for this deck, grateful for the window into deeper communion with trees that The Tree Angel Oracle offers. The cards are so beautifully illustrated by Anne Heng. The messages about the spiritual consciousness that is alive in trees is also beautiful – for this is something I very much believe in.  While Hageneder’s descriptions of the Tree Angel Oracle do not always resonate with me, I believe there is something profoundly magical and alive in these cards and there is a story to tell about discovering the consciousness in trees.

Deva, by Jacquelyn E. Lane

Deva: Our Relationship with the Subtle World, by Jacquelyn E. Lane
Findhorn Press, 978-1644110741, 320 pages, June 2020

Deva: Our Relationship with the Subtle World by Jacquelyn E. Lane is a title that anyone who is serious about the undertaking of engaging and communicating with the natural world should read. Lane is an educator by profession and this is quite apparent in the organization of the book. She has also been involved in the study of metaphysics for 50+ years, and this experience is the underpinning of this particular title and its teachings regarding the work of collaboration with the laws and spirits of nature through the development of a relationship of mutual respect, stewardship, and care.

…. Life is a great song. From the rocks that seem to be still to the bubbling water of a stream that flows over them. From the uncurling leaves of small plants to giant trees. From the quiet hamlets to the teeming cities. It’s all singing-notes within tunes, tunes within themes, themes within symphonies.1

These words flow from the pages and are the first lines of the Introduction. Simply reading them draws the reader in for a closer look and the journey that is about to unfold in the voluminous content that follows, if truly heard and appreciated, becomes a timeless and timely composition of nature. 

Deva is a fitting publication for the Findhorn Press and the mission of the Findhorn Community. To fully appreciate the need for this book a little history of The Findhorn Community will offer some background. The Findhorn Community developed from the resettlement of Peter and Eileen Caddy, their children, and Dorothy Maclean to the Findhorn Bay Caravan Park in 1962. The three had dedicated their lives to the pursuit of esoteric studies and applications and the barren soil of the caravan park provided the setting of opening to the land spirits and guidance in how to “live” in harmony on the land. All that was planted in accord with the aid of the Devas, elementals, and other nature spirits grew beyond expectation, and the garden became a marvel within the horticultural world.22

This book will please both the scientist and the esotericist in its content. Science and the esoteric philosophies are fast becoming great friends and supports to one another as we learn more about quantum physics and the nature of matter and energy. There is still quite a bit of ways to go in the overlap, but more books such as this will help in creating that bridge of cross-pollination. In reading the biography of the author we learn that Deva, was shortlisted for the 2019 Ashton Wylie Unpublished Manuscript Awards: an affirmation of the need for this material to be given the proper consideration it is due. 

The Introduction holds the keys to everything that the reader needs to know regarding what to expect from this book and what is required from the reader by way of open mind and willingness to become “involved” in the world that surrounds us in a more authentic way. So, for some this book will definitely be one of those slow and steady reads that leaves you with questions and wanting to know more-and do more-with each paragraph. And, for others it will affirm everything they have known and are currently working towards. 

Lane gives a clear and simple (ironically, for a very complex subject) introduction to who/what the deva are and the use of that term in the content that follows…

…. Deva is an ancient Sanskrit word from India meaning “Being of Light”… They sing ideas into form. It is the deva that cause us to exclaim, “Wow, this is a special place. It feels so alive!”…. they are within every atom. Deva are the faeries in the grass. They are the vast energy of sea, wind  and mountains….To really (understand) deva, we need to realize that deva is a kingdom of substance and form-the world of matter both solid and subtle.23

Deva is separated into three parts comprising a total of eighteen chapters. In some cases more is more, but this is one case in which it feels after reading that there were too few chapters — meant in the most complimentary of ways. There is a strong infusion of Theosophical principles throughout the book, but these are incorporated in such a way that the reader does not have to be a student of Theosophy to understand what is being said. The Bibliography is filled with resources of books, articles and recordings sourced from some of the most prominent and respected presenters of physics, botanists, metaphysicians, theosophists and more. I would consider this work as a required text for a course in how to become a participant in the worlds shared by humanity and nature. 

Part One: Elemental Tunes dives right in to exploring the inhabitants of our greater etheric planes of Earth that are the pure expression of energy from densest to the more rarified. Each chapter contained within this section opens the reader to a new experience of the devic kingdom and provides the basis upon which the individual can extrapolate and come to their own conclusions regarding how the energy of what is unseen is often more powerful than that seen as we become more aware of what is within and surrounds us…

… The deva kingdom is everywhere, say the ancients-an Intelligence infused into matter at every level of density.24

Part Two: Who’s Singing Your Song encompasses the aspects of emotion, thought  and those forms of deva that we create. I particularly enjoyed chapter eight “Emotion” and Lane’s attention to the power of our emotions as fueling many of the components of the spiritual evolution of devas, humanity and all of the sea of matter, formed and formless. This chapter really calls to the reader to examine their emotional baggage and presumptions that create patterns of illusion that are in contradiction to the organic nature of the deva and humanity. As I moved through the information in Part Two, I was reminded of the deep connection we have in mind and heart and the impact, not only upon ourselves, but everything from the densest of matter to the most subtle. These also inherently include the discordant relationships and often-resultant ill effects that communication with the deva kingdom may have if the individual is not aligned within him/herself.

Part Three: Symphonies could be compared to the final movement of a stirring orchestral composition. All of the instruments have a role that is both profound and subtle in their impact. The climax reaches its peak and we are left in the after-glow of a symphonic masterpiece that is inspiring and has reached deeply into the fibers of all of our being. These final chapters of Deva speak to active participation in the natural world and those aspects of the deva kingdom we are more familiar with as iconic representations of nature. Trees, plant life, geographic regions, climate change and planetary deva are some of the topics discussed. 

The final two chapters, “Deva, Religion and Pan” and “Consciousness,” were appropriately placed in the organic flow of this writing. These are topics that are usually captured at the beginning of a discourse such as this, and in doing so, feel like the perfunctory ‘getting that out of the way” manner in which they are often treated. In this case, this very important material punctuates the final notes of this symphony, and it is always those last notes that are remembered, even if the rest is forgotten. 

Lane offers these thoughts as conclusion and calls us to re-member our true state of being…

…The Great Song dances out of the One from the highest to the lowest. We can see its effects all around using every kingdom (animal, deva, mineral, etc..) beside us. We can hear it directly when we cease to place our individuality before that One Life. Yet, from the beginning it has called on our inner ear relentlessly until we have learnt to listen and, in listening, we hear the song of our own Light as well.25


Deva: Our Relationship with the Subtle World has been an immensely satisfying book to read. and I am looking forward to the many re-reads I will give as my own journey in connecting more deeply to the Deva continues. We are at a crossroads of choice and the next steps we take collectively, but most importantly individually, will determine so much more than what we see of the physical world. The more reminders we have about our place in this “symphony of life,” and the more books that are brought forward that will speak to all levels of engagement and practice will be steps in the right direction.  Open your eyes with new wonder and call out from your highest intention and you may just be surprised at who/what calls back in reply.