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Tag Archives: witchcraft

Crimson Craft, by Halo Quin

Crimson Craft: Sexual Magic for the Solo Witch, by Halo Quin
Moon Books, 978-1-78535-939-2, 178 pages, January 2023

As a practicing Faery witch and lifelong lover of magic, Halo Quin is also a devotee of Freya and the Faery Queen, so it’s easy to see where the impetus for Crimson Craft: Sexual magic for the Solo Witch comes from! One of my favorite sections of this book is at the beginning of Chapter 1. Titled “Foreplay”, this small section is a warning to those who might not be ready to tackle the very intimate topics covered. Starting off with a bit of cheek is absolutely delightful, and perfectly suited to Quin.

The book is separated into a variety of chapters that are logically and well thought out in terms of pacing. The first chapter deals with how to use the book, with sections on safety considerations, including mental health support, as well as a note about ethics that talks about consent. While this is a book targeting solo practitioners and assisting with healing wounds associated with the erotic self, the inclusion of consent is completely appropriate. 

Separated into parts which then house individual chapters, Quin has deftly taken a number of topics and expanded on them in a detailed way. In “Part II Laying the Foundation”, Quin talks about sensual magic and provides insight into how to prepare for the various practices described. Interestingly, it’s acknowledged that not all things need to be healed all at once and the reader is cautioned to take their time and check in with themselves. Quin explains:

“Our bodies hold the memories of all we have lived through, and some of us have lived through quite painful things. We might need support to heal, or release, some things. If you encounter something like that within yourself, I invite you to consider what kind of support might be the right choice for you and seek it out when you are ready.”1

Quin has spent a great deal of time ensuring that this book is approachable and written in a way that is helpful and not divisive. You will find no earth shattering practices in here, unless you count taking responsibility for your own healing particularly sensational. This is not to mean that the book isn’t worthy of being on the shelf alongside other popular books of this ilk; rather, I would suggest starting with this book before those others. The tone is soft and gentle and might be a better entry into this sort of practice for those who are new to this. It isn’t easy healing sexual wounds no matter how much therapy might have been done, and this book is in line with many parameters around self-care with respect to the numerous calls to perform self check-ins along the way.

Having said that, the section on erotic divinities absolutely got my full attention. In fact, I jumped ahead to it as soon as I saw the table of contents. Who wouldn’t? I mean, I guess some people have patience and read through the whole book in order the way it was meant to be read but that person is not me.

Quin states that “Magic. Sex. War. Love. The deities of passion hold all these things in their grasp. The Goddesses of Passion are known by many names and many faces.”2 Quin continues by naming a few: Inanna, Aphrodite, Lilith, Freyja, Venus, and Babylon, all of whom have their own stories and embody the Goddess persona in very different ways, depending on which stories you subscribe to.

Quin connects love and righteous war saying that they are two sides of the same coin, which is apparent in that goddesses of love are often also warrior women as well. It’s an interesting concept, and one that is found often when reading about goddesses in this context. Quin explains why there is such a deep connection between love and war within the context of love goddesses, stating, “Perhaps because love is a passion, love is a feeling that fills one with fire. Whether that fire is the gentle hearth or the roaring bonfire, it is akin to the fire that can be used to protect the ones we love from darkness.”3

Not only does Quin talk about the goddesses, but the gods of passion are mentioned as well. It’s a bit tricky to navigate this particular space when there is much talk of reclaiming the divine feminine, but Quin magnificently sidesteps the drama and gets right to the point. Quin says:

“Each one of us, regardless of gender, has to learn to temper our passions, and to know when to let them pour out into the world. And so, the gods of love are so often depicted as wild and kind in equal measure…with their passions held in balance in service of their love. And here is the lesson of the gods of passion; where the goddesses can teach us about boundaries of self, the gods can teach us about the boundaries of community and family. Passion is both expression and protection, and is this not love?”4

Recognizing that gender can produce more stress in specific instances, I feel that this book would be more helpful than harmful for those looking to reclaim their sexual sovereignty. There are exercises included throughout the book that assist with healing in the form of journaling, meditation, spellcasting, and others. I would recommend Crimson Craft to absolutely anyone looking to start down the path of healing, regardless of whether the harm being dealt with is sexual or not. This is a valuable addition to any library, and I know it’s going on my shelf.

Witches, Druids, and Sin Eaters, by Jon C. Hughes with Sophie Gallagher

Witches, Druids, and Sin Eaters: The Common Magic of the Cunning Fold of the Welsh Marches, by Jon C. Hughes with Sophie Gallagher
Destiny Books, 9781644114285, 296 pages, September 2022

Witches, Druids, and Sin Eaters beckons one to the Welsh Marches – the ancient borderland of Wales and England. It is a brilliant collaboration between Jon Hughes, a fifth-generation Druid living in a remote part of Wales and Sophie Gallagher, a Welsh-born witchcraft researcher with a deep knowledge of the ancient witches of the Welsh Marches. 

Seeking to explore and bring to light the “treasure trove of untapped information relating to the ancient Druids and arcane witchcraft that evolved in the Welsh Marches”5 while incorporating the current practices in this area, Hughes and Gallagher looked at artifacts, texts, museum archives, and even the natural landscape. They soon discovered that there were more similarities than differences in the practices of the Druids and the witches. The book delves into regional practices such as sin eaters and eye biters and even includes the area’s influence on the writing of J. R. R. Tolkein.

Accompanying photographs of artifacts, sites, and buildings bring to life the artifacts and markings of these people. The most widespread witch marks found in the area’s buildings are of taper burns, intentional in their making and not by the random flicker of a flame too close to a wall. Photographs of items such as a curse doll, a wooden witch’s coffin curse, and protective amulets and devices found in walls and floorboards, illustrate the influence of the witches and Druids in this region.

“People have secretly hidden objects in their houses for centuries (things like bottles, shoes, and bodies of cats) to protect themselves and their families from various forms of supernatural menace (evil spirits, witches, hostile magic, malign influences) to influence events or to take revenge on people that have wronged them.”6 

The work is comprehensive in its exploration of the significance of the earth-based practices of the Druids and witches in the Welsh Marches. The Druids have lived in this area for over 6,000 years, from around 3,800 B.C. The region, of course, experienced tumult since the first ancient people arrived there. The book also details encounters of these people with the Romans in their first invasion, with reminders that the Romans were also pagan until 313 A.D.

Historical references put things into context. I was particularly struck by the reading about the Walton Basin, on the Welsh side of the border, which archeologists believe was a national ceremonial center. A timber henge, approximately 328 feet in diameter, was discovered that is felt to be a prototype for a stone henge that was not built. There were similarities between the deposits found at this site and Stonehenge.

Tolkein enters the picture in Lydney Park, Gloucestershire, England, where he joined British archeologist, Sir Mortimer Wheeler, at Dwarf’s Hill in the late 1920s. Dwarf’s Hill contained a labyrinth of tunnels and was thought to be the home of little people. A tablet bearing a curse was also found. Silvianus, a Roman, had lost a ring and cursed all who bore the name of Senicianus, the supposed thief.

Wheeler invited Tolkein to examine the site of Noden’s Temple at Dwarf’s Hill after which Tolkein contributed to a report on the origin of the name, Noden. When Tolkein later wrote The Hobbit “it became impossible not to speculate upon the connection between his experiences at Lydney and his epic tales of Middle Earth,“7 including Hobbits and a ring.

The book provides simply fascinating information and insight. Sin eaters and eye biters….oh, my. Sin eaters were unique to the Welsh culture and the region of the Welsh Marches. The sin eater (always male) took upon himself the sins of the newly deceased so that the departed could find his/her place in the hereafter. A sin eater was retained by the family of the deceased and would consume a cake called a dead cake which had been placed on the breast of the corpse at sunset. It would remain there until sunrise the following morning where it was thought to absorb the sins of the departed. The sin eater would then consume the cake along with ale.

Eye biters were found among the powerful witches of the Welsh Marches who were thought to have the ability to cast evil curses simply by looking at their victims. Their gaze was as effective as if they were to “bite the jugular vein (of the victim) and watch them bleed to death.”8 Beware the brathwyr llygaid, or eye biters!

As a reference, the book provides a comprehensive list of five prominent occultists (alchemists, astrologers, and occult philosophers) who “influenced the kings and emperors of much of Europe and beyond.”9 These men, while famous, reflect the many unknown practitioners, who live/lived in the Welsh Marches:

“There is little doubt that the unique and extraordinary culture of the Welsh Marches has had a lasting influence upon the history of the occult within the Marches itself and further afield around the globe.”10

Hughes and Gallagher remind the reader that the lore of the Druids and witches was an oral tradition. They bring the reader into the modern era of witches and Druids. “A Druid is a learned pagan, well versed in the oral tradition of paganism and the role of the Druid as a teacher and spiritual leader within it.”11 Like the Druids, witches maintain an ancient understanding of natural magic. The authors write extensively about Neo-Paganism in its many forms.

The book is divided into two sections. The first section, “Witchcraft and Druidic Lore of the Welsh Marches” focuses on all that was written about above. The second section, “Grimore of the Welsh Marches (Yr Llyfr Swynion Gororau Cymru)” opens the reader to the book of spells of the Welsh Borderland. It is a valuable companion to the first part of the book and allows the reader to investigate this natural magic. “While this grimoire is the result of a detailed comparison of witchcraft practices and Druidic lore, it must not be considered an erroneous conflation of the two traditions.”12

The reader is reminded that there are fundamental differences between the two and also varying beliefs and practices within each tradition. “…It is a subtle blending of selective beliefs and practices that have an underlying unity that resonates within both traditions, allowing the merging of both without compromising the fundamental principles of either.”13

There is information on preparing the work space and crafting components, casting a circle, use of botanicals, invocations, protection against malevolent energies, amulets, talismans, and charms. 

Also introduced are witch marks (burn marks), various types of spells, the casting and lifting of spells and curses, the use of wands and the crafting of wands, working with waters and oils, creating poppers (a small doll representing the recipient of a curse). I particularly liked (and was relieved) that the second section of the book ended with elixirs of love. As the authors remind, “in the case of inanimate objects they of course have a material manifestation and are also imbued with a communal spirit; however, they do not have a personal spirit that all living things receive at conception.”14

Overall, Witches, Druids, and Sin Eaters is a very comprehensive look at this unique area of the world, one with a long and deep history of Druids and witches. I highly recommend it if you are looking for a deep dive into this all-important region, particularly if you feel drawn to the aforementioned spiritual paths of Druidry or Witchcraft. There’s so much valuable history revealed in this book that is sure to expand your background knowledge, particularly the impact these lands have had on writers such as Tolkien and those dedicated to exploring the mysteries, such as alchemists, astrologers, and occult philosophers.

The Witch of the Woods, by Kiley Mann

The Witch of The Woods: Spells, Charms, Divination, Remedies, and Folklore, by Kiley Mann
CICO Books, 1800651694, 144 pages, October 2022

Your relationship to your landscape is bound to influence and guide your magical practice, especially in witchcraft. In The Witch of the Woods: Spells, Charms, Divination, Remedies, and Folklore, Kiley Mann highlights this special connection to place by sharing her experiences in the northern region of Michigan. Leading readers through the seasons, folk magic, herbs and omens of this land, Mann takes the reader on a journey into the wilderness of witchcraft.

Witchcraft takes many forms, from witch wounds on the east coast from fiery trails that led to a more fierce practice in the centuries to follow to the more glitzy, New-Age “manifest” witchcraft style of the west coast, but sometimes in the process the essence of being connected deeply to nature and one’s own local folklore gets lost. Mann perfectly revitalizes this connection for readers in this beautiful grimoire that is uniquely centered upon her lived experiences. The unification of witch and land is by far what stands out the most in this book.

“These lands have lessons to teach us, unique in their own characteristics and being. You must walk the land to know it.  You cannot know her if you do not let your feet touch the ground and wander aimlessly as you please. These lessons are taught directly through the land itself.”13

There’s a reverence for the long line of witches that have come before Mann, along with a desire to know the bodies of water, plants, and spirits that share the space with her for their own inherent power, without placing upon them desires or expectations. Sometimes this connection to one’s surroundings and traditions, which is a vital part of witchcraft, can be hard to translate; it tends to be more of a lived, embodied awareness that comes from walking this path overtime. Yet there’s something in Mann’s descriptions of ancient practices, remedies, and folklore, along with her illustrations that awaken this awareness in the reading, prompting them to reflect on their own connection to the local traditions of their homeland.

The book is divided into two parts. The first focuses on folklore, including stories of the trolls, land spirits, ancestral spirits, and omens of the land and animals. The second part is the folk magic, or the how-to remedies, rituals, and divinations that have evolved from life in this region. Mann helps the reader to familiarize themselves with the properties of different herbs and crystals before delving into spell work. She offers spells to alleviate common troubles, such as releasing worry, banishing nightmares, and romantic resolution, along with ones to gain success, luck, self-love, and protection.

I found this book really interesting from the perspective of place because I rarely hear about the folklore of the midwest region. Even though I can only imagine what the energy of a swamp feels like energetically or how it might inform my practice, reading about Mann’s revelations and observations made me start thinking about the natural landscape of where I am currently living, both physically and psychologically. While someone from Mann’s locality of the midwest might naturally connect more with the grimoire, I still feel there’s so much value in exploring her process and learning about methods she’s come across to thrive as a witch in the woods even having never visited the lands she explores in this book. At its heart, nature is nature, and there’s still plenty of overlap and insight to gain no matter what region you’re from, especially in regard to the use of herbs in spellwork and divination.

Another aspect of this book that makes it a real special gem is that Mann illustrated it herself. The symbolism of the imagery boosts her power, as the images themselves convey messages beyond words alone. Flipping through the pages, noticing what your eyes are drawn to and how the colors impart feelings or sensations, makes for an engaging read. The Witch of the Woods is less of a how-to manual and more of an invitation to step inside the creativity of Mann’s own witchcraft practice while learning ways to enhance your own.

Overall, The Witch of the Woods is an insightful, earthy exploration of witchcraft that will guide others to become the witch of their own woods. Mann has done an impressive job of weaving together the elements of her craft to present readers with a beautiful grimoire of knowledge about remedies, folklore, spiritwork, and divination. From brewing your own magical tea to crafting your own wild medicine, this book reminds readers of the unity between nature and oneself – the center of all witchcraft.

The Holy Wild Grimoire, by Danielle Dulsky

The Holy Wild Grimoire: A Heathen Handbook of Magick, Spells, and Verses, by Danielle Dulsky
New World Library, 1608688003, 208 pages, September 2022

Earthy, primal, rich, and real – this is how I feel sinking into The Holy Wild Grimoire: A Heathen Handbook of Magic, Spells, and Verses by Danielle Dulsky. In this book, Dulsky has uprooted the underpinnings of harmful ideologies, created through our stories and myths we unconsciously live by according to society’s urging, to bring forth prompts and rituals that invite readers to move through a portal of death and rebirth to fully embrace their own sovereign sorcery within through magical word-craft and reconnect with the Holy Wild. For those ready to lurk in the deeper realm of mystery, potency, and power that come through embodying and rewriting the mythic aspect of the world we live within in order to expand their practice of the craft, this is the book for you!

Hopefully that didn’t all sound too intimidating! All of Dulsky’s brilliant methodology for engaging the reader’s psyche through storytelling, journal prompts, and spellwork to create their own personal grimoire are actually very clearly laid out, making this book accessible to everyone. But be forewarned there’s something about Dulsky’s writing that inspires me to play with words and discover new voices within that have yet to be explored.

The book does read at times like a long-lost ancient tale, where the dialect is just a bit different than you’re used to, as words become poetry vivid with imagery and perfectly strung together to invoke meaningful feeling. This definitely isn’t a straight-forward “how-to” manual for those seeking insight on witchcraft; hardwork and dedication is required to truly reap the rewards of the material presented, leaving room for your own creativity to emerge and guide the way.

“The time to radically revision our place in the world is now. This is the moment in the human tale when hope meets sorrow, when innocences meets wisdom, a climactic union of polarities that is birthing – and will continue to birth – a new, more heathen reality.”15

Moving through medicine the elements of earth, water, air, fire, and ether, The Holy Wild Grimoire guides readers in creating their own book of magic. Dulsky writes, “In the context of this handbook, a grimoire reflects the magick locked in our language, the spells that live and breathe in our words and symbols.”16 Moving through each element, the reader begins to craft the most personal journal of their thoughts, feelings, visions, and intuitions, reshaping their reality, reclaiming pieces of their soul that have been lost, and gaining the courage to shed habits, patterns, and modes of being – skins – that no longer fit who the reader is growing into.

These might seem like lofty goals or mere promises, but I can assure you that by moving through The Holy Wild Grimoire with an open-mind and heartfelt intention, you will notice shifts in how you relate to your own narrative and how your narrative merges with the on-going story of the world, inviting synchronicities, realizations, and connections that previously you may have not had the discerning energetic eye to notice and in the process creating new potential realities.

Each element contains an introduction to its energy medicine, a word-spell, an artful invocation, a story lantern, follow-up questions to the story lantern for reflection, an opening spell and element spells, multiple reflection questions about your experience with the element, writing prompts to attune you to the element’s presence in your life, and prompts to assist you with visioning through the energy of the element. All together this creates twelve journal entries. Then at the end of the chapter is a testament to the element, where the reader (or more like writer once you get going with this book!) goes back through their reflections, presences, and visions for the element to create the thirteenth entry, which become the verses for that element. It really is a beautiful, culminating process once you get to the verses, especially because so much has been put into the prompts to lead you to that point.

After reading this book, and making my way through the grimoire creation over the course of two months, I have a bit of advice. First, though anyone can jump right in, for the best results I highly recommend familiarizing yourself with Dulsky’s other publications, most especially The Holy Wild, which lays out more of a foundation for creating one’s Holy Wild grimoire. The Holy Wild has quite a bit of spellwork in it that some readers might find more practical and grounding. The Holy Wild Grimoire is definitely suited for those who enjoy reading and writing, and if you are someone who doesn’t readily embrace the written word or symbolic imagery, you might feel more comfortable exploring The Holy Wild first to ground this book a bit.

Second, prior to reading this book, I’d also suggest brushing up on your knowledge of archetypes, depth psychology, and the power of myths to fully embrace the content of this book. You may want to familiarize yourself with the work of Carl Jung, Marie-Louise von Franz, and Clarissa Pinkola Estés, author of Women Who Run with the Wolves, another great book for exploring oneself through stories and myth.

Finally, my third recommendation is to move slowly! There is so much packed in each element that it can feel overwhelming at times. Remember that there is no rush; you are not being timed. This process of communion with the Holy Wild will happen in natural timing that is aligned and right for you. You can skip around to different sections, work through an element for months, and only need to do the prompts that call to you. As odd as it sounds, sometimes I’d have to remind myself this isn’t a magical homework assignment, I’m not working towards an “A”, and that it’s intended to be fluid and connected rather than prescriptive and forced.

Sometimes, as I worked through a particularly dense emotion, memory, or experience, I’d put the book down for weeks at a time, not ready to move forward to the next exercise and needing room to breathe and reorient first, allowing what was unfolding to happen on its own without further conscious prompting or trying to rush forward without allowing the proper time needed to acknowledge what was going on and creating space for transformation.

This might not make sense prior to reading The Holy Wild Grimoire, but I have no doubts that if you delve into the work, you’ll understand what I’m talking about. There’s enough content in this book to last the reader years in regard to inner exploration, and the stories and prompts are something one can return to time and time again for one’s responses will surely always be changing. The potency of this book comes through what you’re willing to put in to looking within and exploring the uncharted depths of the Holy Wild.

Even if this seems a bit intimidating, there’s ways to start slowly, such as reading the hand-crafted stories, called story lanterns, Dulsky has written for each element, which are intended to open a new lens for the reader to access answers within through the imagination. I’ve found that a fun way to connect with the stories is to have someone else read them to you, so you can receptively receive their messages, though active reading too has its own merit. Once again, there’s a multitude of ways to play with this book, just like all mythological stories, and limitless wisdom that can be gained through experimentation.

All in all, The Holy Wild Grimoire is an all-in-one creative writing journey for readers to make their own grimoire, filled with personal revelations, visions, reflections, and mythology that is theirs alone. Doing the journal prompts is a deeply fulfilling and insightful process, akin to magical therapy, as the reader delves into the hidden parts of their psyche to discover a hidden richness: their own wild unknown. By connecting to these parts of oneself through the elemental energy, a whole new realm of possibilities emerges, cracking open from within the reader’s spirit to begin composting what’s no longer needed and feel comfortable sitting in the void before shapeshifting into the next vision.

Hearth & Home Witchcraft, by Jennie Blonde

Hearth & Home Witchcraft: Rituals and Recipes to Nourish Home and Spirit, by Jennie Blonde
Weiser Books, 1578637737, 211 pages, September 2022

A balm. A comfortable chair that offers you the ability to relax in order to dream, to conjure, to recharge. A friend, a companion, a motivator. This is what Hearth & Home Witchcraft: Rituals and Recipes to Nourish Home and Spirit by Jennie Blonde, the self-proclaimed “Comfy Cozy Witch”, was to me. I’m sure it will be the same for you.

Blonde succeeds in combining witchcraft for the hearth and home with hygge, the Danish and Norwegian lifestyle concept that translates loosely into “hug.” I’ve often written on the topic of hygge, so it was a quite “coincidence” to begin the book by reading how Jennie incorporated hygge into her practice to create something “comfy, cozy, and witchy.”17

This wonderful, informative book guides the reader into finding and practicing comforting and nourishing hearth and home magic for every season. As with hygge in general, one is asked to keep in mind that what is comforting and cozy to you may not be the same to another person. You are called to create a home and hearth that reflects you, that nourishes you, and comforts you. Jennie also reminds the reader that “everyone’s idea of comfort within witchcraft differs.”18

Blonde has been practicing witchcraft for over two decades. In addition to this book, she has a podcast called… you guessed it: Comfy Cozy Witch. She writes in a way that is both informative and casual; she writes as if we are sitting in her kitchen talking over a cup of tea. The book is “a blend of story-telling, witchcraft, and warmth…accessible to any witch, at any point of their journey. A book filled with information, personal anecdotes, rituals, spell work, and recipes to nourish yourself, nourish your home, nourish your spirit.”19

Hearth & Home Witchcraft is divided into seven sections, each focusing on places (hearth and home, kitchen, garden and nature), one’s self, and everyday rituals. Also included is a reference to the book’s rituals and recipes as well as a glossary of terms and references for future reading. The Wheel of the Year is detailed with corresponding delicious, easy to make recipes including mini bread loaves (Lughnasadh), honey butter (Imbolc), and sangria (Litha). The recipes ensure this is a book to keep out year-round.

Readers are introduced to the concept of choosing a household deity (if one feels so inclined) to work with. Blonde offers a few suggestions for household deities, such as Hestia, Vesta, and Brigid but leaves open to choice what resonates with the reader, noting it could also be a spirit of local lands of an animistic deity. There is a corresponding house goddess ritual too. 

There are also suggestions on ways to make one’s home both magical and homey, inviting and nourishing. There are magical cleaning tips, everyday magical items with which to “work,” and suggestions for making areas of your home both reflect and sustain you. Here Blonde focuses on the basic tenants of the home of a hearth witch:

“Hearth craft begins and ends in the home, there is a focus on cleanliness, there is positive nurturing energy with subtle touches of magic, and there is a respect for all of nature.”20

In turning one’s attention to the hearth, or kitchen, Jennie writes about the kitchen altar, herb and tea magic, as well as kitchen rituals for meditation and balance. There is a large focus on food and recipes, for as she writes, “the kitchen of a home is a place of gathering. Food, in and of itself, is magic.”21 Some of the ones I’ve tried so far are the pumpkin chocolate muffins and herby biscuits, which were both delicious.

Imagine tales in which the witches toil over a cauldron to create magic – Blonde helps the reader create similar magic in a modern kitchen with tried and true items such as tea, cinnamon, honey, and mint. There are sprays and rituals for things such as energy cleansing and lessening anxiety, which I made for one of my daughters. It was simple to make, yet I felt the potency of the mixture as I blended it together. So far, she’s loved the calming effects.

Blonde encourages the reader to set up one’s own sacred space – be it in the home itself or on the property surrounding the home. “A sacred space is personal in nature and the location varies depending on who you talk to.”22 One can engage in “witchy self-care” in these sacred spaces – ways to ground, relax, recharge, and reconnect. For extending the interior space to the natural world, there are tips for setting up a witch’s garden, and working with Fairies. I am especially looking forward to trying out the Ancestor Honoring Ritual for Samhain.

Overall, Blonde helps the reader identify ways to find “magic in the everyday things, no matter how big or small.”23 The biggest suggestion is to find time – no matter how small – to participate in one’s rituals. She reminds us to find the magic that surrounds us, and that “It isn’t the length of a ritual that matters, it’s the quality.”24  To settle into the magic so that it supports us, comforts us, grounds us and activates us, Hearth & Home Witchcraft is the book to read. It’s the small things we do with meaning that matter. I highly recommend this book to settle into the comfy, cozy routines of your life that make it magic.

Witch Queens, Voodoo Spirits, and Hoodoo Saints, by Denise Alvarado

Witch Queens, Voodoo Spirits, and  Hoodoo Saints: A Guide to Magical New Orleans, by Denise Alvarado
Weiser Books, 1578636744,  276 pages, February 2022

My spirit longs to visit New Orleans, but alas the time has not yet come. So I decided to delve into Witch Queens, Voodoo Spirits, and Hoodoo Saints: A Guide to Magical New Orleans by Denise Alvarado, letting her words transport me to the “sacred supernatural geography of the city”22. I’ve been completely absorbed in this book; Alvarado has done such a wonderful job illuminating the spirits and folk saints of this beloved city with a rich cultural history that I’ve hardly put it down.

Alvarado is a New Orleans native, who has been studying the indigenous healing traditions of the area for more than four decades. She teaches South conjure at Crossroads University and is also a rootworker in the Louisiana folk magic tradition. Alvarado has written quite a few other related books, including The Conjurer’s Guide to St. Expedite, The Magic of Marie Laveau, The Voodoo Hoodoo Spellbook, and The Voodoo Doll Spellbook. She also has an online shop at creolemoon.com with plenty of magical items for sale.

“As anyone who has been to the Crescent City will tell you, you get a feeling when you are there that screams “elusive and mysterious.” It’s a gut-level feeling–you know there is more to it, but you just can’t put your finger on it. All you know is that you want to see more, know more, and ultimately, feel more–more of that good old N’awlins supernatural vibe.”25

This is definitely how I’m feeling! But after having read Witch Queens, Voodoo Spirits, and Hoodoo Saints, I feel like I know the potent visible and invisible world of New Orleans a bit more. In this book, Alvarado shares her research and experience about twenty influential Louisiana spiritual figures. With such a rich tradition, being as New Orleans is a merging place for multiple cultures, it’s hard to put all the people and spirits covered into one category. From folktale hero Annie Christmas, warrior-for-the-people Black Hawk, Voudou Saint Jean St. Malo, African Diaspora god Papa Legba, and even Catholic Saint Joseph, Alvarado delves into adoption of these figures into the spiritual tapestry of New Orleans.

Chapter by chapter, with each one focusing on one character, Alvarado shares all she knows, which I am positive is more than even locals know because of her studious research. It’s very clear that Alvarado has put dedicated time and effort into finding out all she can about these figures. And what I really appreciate is that she sticks to source material, which range from oral stories of New Orleans residence that were documented, old newspaper clippings, or even original source documents. If there’s a story that Alvarado can’t find source material for, she shares it but also lets the reader know she hasn’t found information to back it up, keeping the reader fully informed.

Alvarado also sometimes presents different views, offering the reader diverse perspectives on the figure she’s describing. This might be the different ways certain religious traditions portray a certain spirit, or differing versions of folktales. Alvarado lays it all out for the reader to truly see the full picture. And this made for a very interesting read because that’s how real life, and even more so spirituality and magic, tends to be – there’s no definitive answers and we’re doing our best to piece together information based on sources, experience, and stories from others.

Oh, but each story Alvarado shares is just so interesting! And her writing style is very conversational; her colloquial way of writing really draws the reader in! Alvarado successfully engages the heart, soul, and imagination all in one with these stories. You feel the pain of the spiritual figures, or those in need praying to them; you can taste the offerings being laid out; you can feel the culture the figure’s life took place in; you can see the Voodoo queen going about their daily lives. The weaving together of so many stories is tantalizing and will certainly have your mind wandering, hoping you get the chance to see these places in real life soon. And just in case you don’t get to right away, there’s plenty of pictures included throughout to provide visuals of what Alvarado describes.

This book is also beneficial for those who are hoping to expand their magical practice. If you’ve felt drawn to work with some of these figures, Alvarado provides useful insights. Now, I don’t mean you’ll suddenly be able to create your whole Voodoo or Hoodoo practice based on this book. That would require a much more in-depth study, obviously! But there’s plenty of information about what to offer certain spirits, what they like on their altars, and basic prayers or spellwork that can be done. For instance, burying an upside down statue of St. Joseph to sell one’s home or creating lucky garters to attract a generous man of means based on Lala Hopkins’ grimoire.

For each figure, Alvarado does a wonderful job describing who they were (their life story, spiritual origins), the impact they had in their life, why one might call on them, and what offerings are best to make if one does decide to create a relationship with them. Plus, there’s plenty of information about how different New Orleans spiritual practitioners or traditions work with these figures too for broader context.

Overall, Alvarado does a wonderful job teaching readers about the supernatural element of folklore vibrant in the city, opening them up to the multifaceted magic of New Orleans as an introduction to this very special place. Story after story, filled with historical information and practice magical how-tos, make this a very interesting book to read. Alvarado has skillfully pieced together tons of information to give the readers a fascinating guidebook about the figures that remain present in New Orleans folklore and culture, offering both blessings and curses depending on how they’re called upon.

If you’ve ever felt the pull of New Orleans, Witch Queens, Voodoo Spirits, and  Hoodoo Saints is perfect for learning more about the spiritual roots of the unique city; there’s so much insight and knowledge packed into these pages, you’re bound to learn plenty and have quite a few laughs along the way with these tales!

Spirit Weaver, by Seren Bertrand

Spirit Weaver: Wisdom Teachings from the Feminine Path of Magic, by Seren Bertrand
Bear & Company, 1591434351, 256 pages, May 2022

Spirit Weaver: Wisdom Teachings from the Feminine Path of Magic by Seren Bertrand was balm for my aching soul. Recently, I have been rather withdrawn, tending to my inner world over making strides towards accomplishments in the external world. I’ve been quite content exploring and feeling into the changes taking place within myself as I enter a new phase of my life

But amid the soul-shifting happening, I was being quite hard on myself, lamenting about “not being productive” and chastising my need to remain in my domestic sphere, which has felt quite like my safe haven or nest during this time. It wasn’t until I spent two days in bed, switching off between deep-diving into the wisdom of this book, journaling, and napping, that I felt a very rooted, authentic connection to my own feminine magic was restored.

“We have to nest. Not to always be somewhere else.

Wild creatures know how to nest. They know how to leave–and how to return.

There is great spiritual power in pottering–in the garden, in the kitchen, just being around the house, the home. Tending the herbs in the garden, making a fresh-brewed tea, the sensual art of cooking. Or entering the prayer chamber of the sofa, lounging with God, in intimate conversations and occasional snoring.

Nowhere to go, nothing to do. No grand theories to unite. Just to relax and be.

Home brings us back down to Earth. It makes us real. It grants us “enrealment.”

It is imbued with Womb magic; the power of Earth, of life, of love, of the real.”26

Bertrand is a skilled spirit weaver and visionary creatrix, who has done so much research on the lost global feminine wisdom traditions. She has also co-authored Womb Awakenings and Magdalene Mysteries with her husband Azra. Both of these books were life-changing for me, and I highly recommend them as well for anyone interested in feminine magic.

What sets Spirit Weaver apart from these other two books though is that this one feels more personal and the wisdom shared can be easily incorporated into one’s life. Whereas Womb Awakening and Magdalene Mysteries are both 560 pages of historical, anthropological, and spiritual revelation, Spirit Weaver is about half the length and is based on Bertrand’s personal insight and heartfelt experience of living the path of feminine magic.

Her first-hand perspective really hit home for me, as it felt like an invitation to walk alongside her as she shares what she’s learned throughout her journey, much like listening to a friend. Her soothing way with words was a more creative approach to sharing the mysteries of this path, intuitively opening new chambers within my own psyche and soul to explore. And it’s definitely worth noting though she explores feminine magic worldwide, Bertrand’s personal narrative of her ancestry to her homeland of England is a prominent theme.

“Sitting at the heart of these essays I share with you is the story of my personal ancestral lineage at Mam Tor (Mother Mountain), in the Peak District of the Old North of England, once the grail lands of Maid Marian and Robin Hood and the ancient tribe of the Brigantes–who worshiped the goddess Brigantia, the ancien mother of the old north–who were once led by powerful queens. These lands are an ancestral soulmate within me, the earth placenta of my childhood.”27

The book is composed of 50 essays divided into five sections: “Spinning Our Web”, “Growing Our Roots”, “Weaving Our Healing”, “Dreaming Our Magic”, and “Enchanting Our World”. While the sections have essays relevant to the overall theme, each one stands alone as a unique, insightful reflective piece of writing. I choose to make my way through chronologically, but one could absolutely pick and choose the essays or sections that feel relevant to them in each moment.

One thing I loved about this book was the brilliant paintings throughout the book that was rich with symbolism, featuring images of women, animals, spirals, and more. It felt as though each picture was perfectly placed, inspiring revelation as I turned the page after reading a specific essay to see a creative expression of the essence, energy, and themes Bertrand is describing. Sometimes, I would end up staring at the imagery for a good five to ten minutes, sometimes contemplating its message and other times just admiring the beauty. Plus, there is variation in font color too, which adds to the beauty of the book; it’s not just black and white, but alive with color for visual appeal.

In addition to paintings, there’s also some photographs included too, such as wells, festivals, and even an ancestral photograph of Bertrand’s family. These pictures definitely made Bertrand’s writing more realistic because I could see exactly what she was describing, even if I haven’t visited these places myself or experienced the culture of the lands she describes, especially her homelands of northern England. Now I just want to go take a pilgrimage!

Another thing I really enjoyed about Spirit Weaver is how Bertrand offers ideas for self-reflection or advice about how to integrate what she’s just written about in her essay. For instance, following the essay “Feminine Archetypes: The Witch and the Priestess”, Bertrand invites the reader to reflect on which one is more resonant to them right now. Following another essay, “Rooted Power: Feminine Spiritual Path”, Bertrand shares a way to find the balance between one’s rooted power (embodiment check-ins) and their infinite love (affirmation). While not every essay has something like this at the end, these prompts definitely helped to integrate Bertrand’s writing.

Overall though, I think my absolute favorite thing about the book was the content. Bertrand delves into many aspects of the feminine with such insight. As someone who also walks the path of feminine spirituality, it felt like a homecoming to read Bertrand’s thoughts and reflections. I’m constantly vacillating between whether to call my path one of witchcraft or priestesshood, while also contemplating how to embody this practice in my daily life. Mary Magdalene and the Christ path has always had a special place in my heart, which is definitely not discussed much in witchcraft, so I loved soaking up Bertrand’s wisdom about that.

But the topics covered a wide range of feminine spirituality, such as Moon magic, Celtic traditions, Dankini magic, working with the shadow, romantic love as a spiritual pathway, the wisdom of Grandmothers, mermaids, and so much more. This might sound like a smorgasbord, but it wasn’t at all like that; it’s a rich tapestry of all aspects of the feminine skillfully woven together.

What I was most surprised at was her essay called “Lady Saturn: Lineage of the Cosmic Witch”. I recently did a whole astrology presentation about the feminine aspect of Saturn as Crone, and I was thrilled to read another’s perspective about the VERY overlooked female attributes of Saturn. Bertrand writes, “Lady Saturn is the darkness of wisdom, of Sophia. She is the grand cosmic witch.”28 This just set my passion ablaze and spurred me on in my own research!

I was also just overcome by what I read in the section “Epiphany: Three Wise Witchy Midwives” where Bertrand discusses the Christmas Witch La Befana. As an Italian-American, the past three yuletide seasons, I’ve been deepening my relationship with la Strega Noel, and Bertrand provided more information in this section than I had been able to find thus far. I loved learning about how “The sacred Christmastime of Epiphany was once the heartland of the feminine mysteries, celebrated by many feminine folk traditions.”29 Suddenly, it made a lot more sense why this has become such a special time of the year for me, as I walk this path.

All in all, Spirit Weaver is a treasure trove of wisdom about the magic of the feminine mysteries. I highly recommend this book to all who feel called to walk the path of the feminine spirituality, in whatever form this looks like for them. Bertrand covers such a wide-range of topics that each reader is sure to take away something meaningful for their own personal journey. Bertrand truly continues to do such a service to the feminine spiritual pathway, educating readers with her research and courageously sharing her own experience to illuminate the way for others. This is a book that I know I will be returning to time and time again, as I continue to weave my own way immersed within the all-encompassing divinity of the feminine.

A Spellbook for the Seasons, by Tudorbeth

A Spellbook for the Seasons: Welcome Natural Change with Magical Blessings, by Tudorbeth
Red Wheel Weiser, 9781590035375, 224 pages, March 2022

It’s always wonderful to step into a new season. How inspiring to embrace the changes in the natural world – differences in the light, the weather, the plants, the holidays. A Spellbook for the Seasons: Welcome Natural Change with Magical Blessing by Tudrobeth is a companion to the seasons that will greatly enhance your experiences and show you in so many ways how we are connected to the natural world.

Tudorbeth invites the reader to embrace the seasons and to “investigate these festivals (that are celebrated), the practical magic that flows through our seasons, and the gods that rule over the different times of the year.”27 I particularly liked that the book opens with two blessings: one for sisters and brothers around the world and one for the seasons and the turning of the wheel of the year.

The book is divided into the four seasons, with focus on each season’s garden, crystals, goddesses and gods, and spells, blessings and rituals. As I read the book in the spring, I focused most of my attention on that season. The spring months are associated with the Celtic deities such as Ostara, Belenus (Beltaine), and Brigid. The spring’s spells, blessings, and rituals include those for encouraging flowering in the garden, a daisy love ritual, and Ostara fresh air spell.

I performed the Ostara ritual on Ostara Eve, as the ritual is meant to embody hope, and then I made Ostara magic salt on the night of the full moon in March. When sprinkled around the home or office, it ensures bright ideas and business success. I now have my jar of pink salt sitting in a glass jar, ready for use! I enjoyed following Tudorbeth’s guidance and felt these small magical acts really attuned me to the energies of the season of spring.

For spring cleaning, there’s a small section on decluttering. I loved the Charm of Manannan. As Tudorbeth explains, the Celtic god, Manannan is a “foster father to the many children he takes under his care, and as a protector god he cares deeply for his children.”30 The Charm of Manannan is meant to bring about a loving and caring family home environment.

Additionally, there are rain blessings and rain energy spells that are meant to be done in a spring rainfall. The section on Beltane traditions provided an overview of Beltane, a cleansing detox ritual, and a spring sage clearing ritual. The Charm of Belenus is meant to be done toward the end of spring. The Charm is meant to invoke a happy, fun, and prosperous environment.

My recommendation for using this book to full advantage is to read the section on the upcoming season prior to the season’s arrival so that you have time to gather the items needed for the spells. While some might need to be collected at the last minute, such as flower-specific items, you can be prepared with other items such as salts, colored candles, essential oils, and shells. And then take your time in the season, experimenting with what you’re drawn to.

The sections on the season-specific garden offered suggestions on bringing wonder and magic into your outdoor space and inviting in the fairies. For spring, they include bluebells, hyacinth, and lily of the valley. As spring is associated with rain and showers, Tudorbeth focused on the power of the rainbow, and the suggested crystals include the colors of spring that form a pentagram of rainbows. The five spring crystals are rainbow opal, rainbow moonstone, rainbow obsidian, rainbow pyrite, and rainbow quartz.

The one downside for me was that some of the items were not readily available where I live such as periwinkle flowers or hawthorn twigs but again, with advance notice (e.g. reading the season in advance) I probably could have searched them out.

The other seasons are also given justice. Summer focuses on love, featuring Aphrodite and Apollo, a spell to welcome nymphs into the garden, Midsummer salt, a Lammas gratitude ritual, and a ritual for Midsummer enchantment. For Autumn, among other things, there is a clarity spell, an equinox healing ritual, a Mabon success spell, a Charm of Minerva (one of the three Roman deities who rule over the Autumn months), and a Samhain remembrance potion. Winter offers a first snow spell, an ice wand consecration ritual (if you are able to get an icicle), a Charm of Odin, midwinter tea, and an Imbolc ritual.

The most amazing part of A Spellbook for the Seasons is all the colorful, informative pictures. This is a gorgeous book to have on a table in your home because of the aesthetics that make it soothing to read through. The beauty of this book naturally entices one to want to perform with all the potent magic within. I really enjoyed the many hand-drawn illustrations, along with how the text on each page was simple and elegant. There is no clutter in the book, making it easy to focus on the spellwork or ritual you’re performing.

Tudorbeth is a hereditary practitioner of the Craft. The rules and gifts of herb lore, scrying, healing, tasseomancy, numerology, and candle magic have been passed down to her through several generations. I especially loved her reminder that we are meant to “use the gift that nature brings with these spells, but in return give something back … We are all connected to one another and everything around us. We are nature.”31 I highly recommend A Spellbook for the Seasons with encouragement to plan ahead to be able to use the knowledge imparted within its pages to full advantage.

Witch, Please, By Victoria Maxwell

Witch, Please: Empowerment and Enlightenment for the Modern Mystic, by Victoria Maxwell
Red Wheel Books, 9781590035320, 200 pages, March 2022

I love a book that opens with a powerful statement. Victoria Maxwell’s beautifully written offering, Witch, Please: Empowerment and Enlightenment for the Modern Mystic, starts by telling the reader that the magic isn’t in the book they are holding: the magic is inside them. This type of tone setting is precisely why this book belongs in everyone’s collection, whether they view themselves as witchy, spiritual, or simply just an interested passerby.

A modern mystic and spiritual teacher, Maxwell is devoted to serving her community through her online classes, in person workshops, private sessions, and a variety of social media groups and subscription offerings. Her focus is on helping those she works with reconnect to their own light, their inner guidance, spiritual path and power so they can live out their best and highest lives.

The book is set out cleanly, with two parts as well as an introduction, glossary, acknowledgements and index. There is also a special addition that I wasn’t expecting but makes perfect sense why it was included: “The Next Chapter’” It’s a page and a half long and resonated deeply with me when I read it. Maxwell sums up the spirit of her book in five points that reflect the depth of care she feels for those searching for their place in the spiritual world. It’s a beautiful way of ending the book and imparting a feeling of completion.

The book is divided into two parts. Part One deal with the basics: laying foundations for your practice, tools, actual practices, aligning with friends in spirit, and making magic. Part Two talks about practical magic: relationships, setting up a home sanctuary, money magic, magic for careers, and living your purpose. The glossary is a high-level collection of terms used throughout the book that some who are venturing down this path for the first time might not be familiar with. For me, it was interesting to see how Maxwell defines terms that are used often within the spiritual realm.

The introduction establishes Maxwell’s early influences as well as her personal journey through spiritualism. Her writing is clean and purposeful, with no excessive verbiage and easy to understand language. That’s not to say that her work is basic: this book is far from that. While certainly geared towards those who are just starting their journey, there is a lot packed into this book. For me, reading similar information isn’t monotonous: it’s interesting for me to see how different people interpret similar themes. I am also curious to understand how others view their own craft and how they personally practice whatever form of magic they subscribe to. 

Maxwell talks at length about protection in the first part of the book, which is something I feel is somewhat overlooked at times. We assume that those reading know how to protect themselves and their energy and Maxwell’s decision to include a lengthy section on various practices is wonderful to read. She understands that some of protection work is shadow work, in that you cannot protect yourself from creating your own negativity if you are not aware you are doing it. She says, “We can’t walk thought life protecting ourselves against others without doing a bit of shadow work and paying attention to what we are putting out there too.”31

She mentions being aware of the type of energy we bring to certain situations and ensuring that we are doing our best to raise those vibrations intentionally and mindfully. She pairs this practice with clearing, which makes damn good sense! She explains the process:

“We can protect ourselves all we like, but we must also clear out the energetic gunk we pick up along the way…If you are full of someone else’s thoughts, emotions, or energy before you start a spell you may end up manifesting things you don’t really want.”32

Sections of the book are printed in a different color and are designated as action items, for want of a better phrase. These sections include prayers, lists of bullet points for consideration, recipes, and so on. I found the different font to be quite useful in helping sort and separate the book visually as I progressed through it. For those who can discern color, the eye immediately tracks to the different font and recognizes it as important, something that I very much appreciated as sometimes I become lazy and let my eyes skim over text without truly absorbing it. 

The blend of shadow work with the various spiritual practices is very much my jam and I am fully appreciative of how Maxwell entwined these two themes seamlessly in this book. Throughout the book, there are references to clearing your energy and examining your relationships to various things like money and career, and all of these things resonate deeply with me. I have found that the best magic I have ever done for myself has always come on the heels of some deep excavation I’ve done in the dark hours of the night. I am happy to see that Maxwell has illuminated this very important aspect of working magic in her book.

Some people might pick up Witch, Please and dismiss it because it’s pink and cute and looks like a beach read. Those people don’t deserve this book in their hands so let them put it down and then make sure they never see it again. Grab a copy for yourself, for your aunt who is always making you teas, your best friend who loves flowers, and the office mate who always seems extremely put together. Each one will get something different out of this book, which is precisely the point. Personally, this is the book that I will pull down off my shelf when I feel a bit off as it’s a beautiful reminder of encouragement to stand in my power.

The Witch at the Forest’s Edge, by Christine Grace

The Witch at the Forest’s Edge: Thirteen Keys to Modern Witchcraft, by Christine Grace
Weiser Books, 9781578637584, 224 pages, November 2021

“I stand in the meadow, at the forest’s edge. One step forward and I will straddle the boundary between fading light in the swaying grass and rich darkness in the woods. One more step and I will be immersed in the nighttime world of southern, hardwood forest. My home lay behind me, the wild magic ahead. I am the witch at the forest’s edge.”33

The Witch at the Forest’s Edge: Thirteen Keys to Modern Witchcraft by Christine Grace is an immersive and deep dive into the world of the modern witch. Grace’s theology studies shine through with informed practices and cross section references to other spiritual practices. The philosophies and method of study contained within this book provide the reader with a sampling of the tried and tested teachings that are foundational within The Forest’s Edge Tradition, co-founded by Grace in 2011. 

“The essence of the Forest’s Edge way is to honor the specificity of the individual, while holding that each witch is fully themselves only within the web of human and other relationships in which we live and have our being.”34

I appreciated the “How to Use This Book” and “Self-Assessment” sections of the Introduction. Knowing the “how” and the “why” align deeply with the overall intentions of this book. These emphasize the ultimate goal of the modern witch to develop as one who finds their way through deep reflection, deep practice and a slow and often self-guided approach to cultivating the individual’s personal growth in the practice of witchery. All of the tools required for that intention are found within the pages of The Witch at the Forest’s Edge: Thirteen Keys to Modern Witchcraft.

The book is separated into thirteen chapters. The formatting of these chapters allows the reader to flow easily through a methodical and well-designed approach towards cultivating their own practice of modern witchcraft. “Communing with Spirits” (chapter two), “Cultivating Spirit Senses” (chapter four), “Divination” (chapter eight) and “Spellcraft” (chapter twelve) are some of the topics included for deeper exploration.

Additionally, each chapter contains sections with related content for reflection and another for actual practice. The “Resources” that conclude the book are thoughtfully aligned by chapter and rich in specifically curated titles of depth and substance.

Grace offered some practical insight in chapter one, “Worldview and Spirituality”, which spoke as a lovely fusion of her spiritual practice and her training as a counselor:

“It is one thing to give an intellectual assent to the ideas and practices outlined in this book. But will you do the work? . . . In order to identify and develop perceptions of the sacred and the many influences at work in ourselves, and our environment, we need both study and practice.  Once a practitioner has actually experienced something that they learned or formed in study, it takes on new life and deeper meaning unique to that individual. Without study, we may not be inspired to practice with depth; without practice, we cannot fully understand our study.”35

This approach is clearly evident throughout the pages of The Witch at the Forest’s Edge; each chapter is complete with opportunities for study of the related skills and guidance for practice of these newfound concepts. As stated by Grace, the power lay in the interweaving of the two as the reader begins to build a strong foundation of witchery. 

I was particularly drawn to chapter seven, “Hedgeriding”.

“Hedgeriders follow in the ancient tradition of magical practitioners who live with one foot in this world and one foot in the Otherworld. The Otherworld is the multilayered realms of fae, ancestors, gods and innumerable other spirits. Hedgeriding is a means to release part of our consciousness from this world and travel, spiritually, into the Otherworld to engage with spirits, gather new knowledge, hone magical skills and create change.”36

There is an abundance of information about the use of the word “hedgeriding” in this chapter, both in general terms and as it applies to The Forest’s Edge tradition. And, with the primary focus being that of moving between the worlds and liminal space, this chapter is ripe with suggestions for the practice of hedgeriding through guided meditation and visualization and incorporates a step by step process to allow the reader to find their correct path of resonance into the astral:

“At its core, hedgeriding is a deeply altered state of consciousness and both mental and physical.”37

Another chapter of note was chapter thirteen, “Magical Ethics”. There is much debate in the pagan community about the ethics of baneful magic and the harm or healing it may do, if thought ethical to practice at all. This chapter speaks clearly to what the responsibilities and the allowing of free will, individual power and choice are for those who embrace a witchery that is rooted in traditional witchcraft as practiced by The Forest’s Edge tradition.

“Traditional witchcraft does not forbid any spellcraft or magical practices. We cultivate the skill to both hex and heal as needed, as all of existence contains this sort of ebb and flow.”38

There is a generous amount of thought provoking statements and the “Reflection” section of this chapter is one that should be given deep consideration in the formation of the individual’s personal ethics. This is preceded by Grace providing the reader with “An Ethical Structure”, that allows for a methodical approach to ethics within the craft and ways of organizing your thoughts.  

The closing section of the book feels like a loving gift of support and encouragement from Grace to the reader. She offers a bolster of confidence that is infused with the underpinnings of some of the philosophies presented throughout her book; there is no right or wrong way of practice, the work of the craft is demanding and difficult, and although at times progress may feel slowed, the path of the witch is always rewarding when you remain true to yourself. 

“Don’t fear the cycles of practice. The time and energy that you devote to your craft will wax and wane and shapeshift through the seasons of your life.  It doesn’t make you less of a witch. You are just living the cycles, like the rest of nature. The magic is yours, a witch unto yourself. You are beholden to no one but connected to many as you stand at the forest’s edge.”39

The Witch at the Forest’s Edge is a handbook into the world of modern witchcraft founded on the teachings of a practicing tradition. Regardless of what or if the reader claims as their own practices within the craft to explore and build upon, the take away from the reading of this title is one of greater clarity about the possibilities of taking the journey of the Witch.

As is true of the mysteries of weaving one’s magic, the content is layered between word and practice, between experience and integration; and, as such it should also be understood that a single reading of The Witch at the Forest’s Edge provides only one layer of understanding. This is a title that will become the reader’s reference guide. Much like fine wine, as the studies age, so does the deepening of the practice, becoming the way in which (Witch) the practitioner lives their magical and mundane life.