Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Tag Archives: spellwork

Pagan Portals – Planetary Magic, by Rebecca Beattie

Pagan Portals – Planetary Magic: A Friendly Introduction to Creating Modern Magic with the Seven Energies, by Rebecca Beattie
Moon Books,1803411767, 152 pages, August 2023

What if you weren’t at the mercy of the planets, but rather could learn to work with their energies in order to create magic? Pagan Portals – Planetary Magic: A Friendly Introduction to Creating Modern Magic with the Seven Energies by Rebecca Beattie is a guide to connecting with the Seven Planetary Powers to enhance your spellwork. Within this book is all you need to learn about each planetary energy and different methods to invoke their powers.

Since Beattie’s focus is on the Pre-modern Universe, this book focuses on the Sun, Moon, Mercury, Venus, Mars, Jupiter, and Saturn (sorry Uranus, Neptune, and Pluto!). She draws upon traditional grimoires of this time, such as Cornelius Agrippa’s Three Books of Occult Philosophy, and takes readers back in time through history to understand how these planetary energies were observed by cultures of the past. The illustrations in the book “are taken from pre-modern woodcuts from either the grimoire tradition, or medieval tomes on the nature of the universe,”1 which is great for those interested in occult history.

Before delving into the energies, in addition to the history of grimoires and planetary magic, Beattie covers topics such as twenty-first century magic (the conscious/unconscious mind), the Kabbalah, planetary kameas (magic squares) and sigils, working with herbs, tarot correspondences, planetary days and hours (magical timing), and Orphic Hymns. She also acknowledges how source texts are often contradictory, noting in this book she primarily focuses on Agrippa’s work. For those who read additional sources from this time, Beattie recommends keeping a notebook to keep track of differences in order to make up one’s own mind.

The chapters for each planet pretty much follow the same format. They begin with an Orphic Hymn followed by an introduction to the planetary energy by Beattie. She explains how working with the planetary energy can be helpful and then provides the kamea, sigil, Agrippa’s suffumigation, incense recipe, sigil, seal, examples of deities with this energy, tarot correspondences, and then practical magic section. The practical magic section varies depending upon the planetary energy, but various examples include oil recipes, bath salt recipe, tea recipes, herbal sachet recipes, and candle magic recipes, along with planet-specific spells.

And I just love how well organized it all this whole book is for reference! I admittedly own a copy of Agrippa’s Three Books of Occult Philosophy, but the books are hefty and quite long; they are not something I could easily carry around for reference. In comparison, Pagan Portals – Planetary Magic is short, sweet, and densely packed with all you’d need for planetary magic spellwork. This is a book that I could keep in my backpack or near my altar for reference.

Plus, Beattie makes it so easy to figure out which planet to work with by including a long list of intentions, alphabetically ordered, with the corresponding planet. From abundance to worry, the A-Z list of intentions also includes breaking contracts, dreams, fertility, mental power, peace, sea-faring protection, preventing theft, and so much more!

I recently started a new fitness plan, so I decided to bolster my motivation with some spellwork. Using the list of intention, I found “Athetlics – endurance”2 and saw it was ruled by the SUN. This is something I wouldn’t have guessed, since I figured Mars would be the planetary energy for all things athletic. I decided to draw the seal of the Sun and tape it on my water bottle. And then I also followed Beattie’s directions for making a solar candle for health, which was anointed with the solar oil for success recipe Beattie also provided.

In addition to the practicality of the book having so much information in one place, my other favorite thing about this book is the inclusion of deities beyond the Roman pantheon the planets are named from. Beattie writes:

“It’s the quality of the planetary energy that is important, not the name, and while the deities they were named for might be ascribed masculine or feminine genders, the planetary energies aren’t gendered in this book as I don’t consider them to be gendered.”3

I appreciated this non-binary approach to the planetary energies. And furthermore, I also highly enjoyed how for each planetary energy Beattie included alternative deities to work beyond the traditional Roman one. For instance, other Saturnian deities included Osiris, Hel, Persephone, and Binah. Beattie shares a bit about the deity, how they reflect the plantery energy, and sometimes even specific ways to work with them (i.e. offerings the deity likes).

Overall, Pagan Portals – Planetary Magic: A Friendly Introduction to Creating Modern Magic with the Seven Energies has been a delightful read for me. Beattie is a wonderful guide for those who want to learn how to include planetary magic in their practice. Her ability to concisely present a vast, ancient magical system without skimping in detail is truly so valuable for readers. I appreciate the work she has done so that we all can have a handy guide for planetary magic. It’s a book that I am certainly going to keep handy for reference. Whenever I want to carve a planetary sigil, it’ll be quick to find it in this book. Or when I want to create incense or an oil, all the information I need is right here.

The Magic of the Sword of Moses, by Harold Roth

The Magic of The Sword of Moses: A Practical Guide to Its Spells, Amulets, and Ritual, by Harold Roth
Weiser Books, 1578637260, 192 pages, August 2022

The Sword of Moses, titled Ḥarba de-Moshe in Aramaic, is one of the earliest extant grimoires of Jewish magic. Originating in northern Israel during the third quarter of the first millennium (circa 700-1000 CE), this medieval pre-Kabbalistic book of spells was written by an anonymous author in both Hebrew and Jewish Babylonian Aramaic. The author compiled magical formulas from multiple texts and documented his own personal three-day purification ritual of fasting, prayer, and angelic adjurations to be performed in order to gain the spiritual authority to use the Sword. The resulting compendium of 136 spells emphasizes the power of the spoken word rather than exotic ingredients or expensive ritual tools. 

While the book’s epic title The Sword of Moses may conjure up mental images of an Excalibur-like enchanted weapon, the Sword is in fact a poetic metaphor for 1,800 divine names, invoked and wielded by the magician’s tongue. The authenticity of these words of power is proclaimed by inserting them in mythic time. The manuscript claims that when Moses descended from Mount Sinai with the stone tablets of the Law inscribed by God, he also carried with him the Sword of sacred names, which had been gifted to him by the angels. It may seem audacious for magicians to presume they have the authority to command angels to do their bidding, but through performing the purification ritual, which identifies them with Moses, they follow in his stead and invoke the power of the divine names to bend the world to their will. 

When Harold Roth, artist and author of The Witching Herbs (2017), first encountered The Sword of Moses in the occult section of a university library, he was frustrated by its inaccessibility. Moses Gaster, who first translated The Sword of Moses into English in 1896, had bowdlerized the text by censoring many of the spells and replacing the divine names with X’s, rendering the grimoire useless for magical practice. This inspired Roth to do his own research and reconstruct the sorcerous manual for contemporary use. 

In The Magic of the Sword of Moses: A Practical Guide to Its Spells, Amulets, and Ritual, Roth supplies a scholarly background of rich historical context combined with detailed instructions for the modern magician to incorporate the Sword into their practice, making this work accessible to both seasoned sorcerers and curious readers with little to no previous knowledge of Jewish magic. Just as the anonymous author who first compiled these spells made them his own through creative revision, Roth has adapted this ancient grimoire for modern use with his own practical and easy to follow instructions in plain English. 

Roth also supplies his own thought-provoking insights regarding the mysterious manuscript. According to The Sword of Moses, humans were given the spiritual authority to command angels by God, but cannot command the Holy One himself. “However,” Roth says, “one of the most profound conclusions I’ve come to from studying The Sword of Moses is how much the angels seem indeed to be God, in particular because of the recurrence of parts of the ineffable Tetragrammaton in their names.”4 

The divine names are spelled out in easy to pronounce syllables, such as “GiBehRehYoAhLa,” which Roth identifies in a footnote as “clearly the name Gabriel.”5 However, this is one of the few he explains and the rest run together in long strings of barbarous names of power, such as the following, which appears to be a flowing permutation of the four-letter ineffable name of God, transliterated as YHWH: “YoHehWaWaHeh AhHehHeh HehWaHeh HehHehYo…”6 In a spell for wisdom, one of the most curious names mentioned is Prince Abraxas, a Gnostic spirit addressed as a Jewish archangel, who is charged to reveal arcane knowledge to the magician, indicating some syncretism with Greek magic. 

While the power of the spoken word is emphasized, the magician may also wield the Sword in written form by creating talismans, writing the divine names on fabric and crafting them into ritual garments, or even scrawling them on one’s own skin like a tattoo “to protect the magic worker from the wrath of angels, who can easily be offended by humans.”7

There are a variety of intriguing spells, ranging from those addressing mundane health concerns, such as one to cure migraines believed to be caused by a demonic spirit called a palga, to the more fantastical, such as walking on water and path-jumping, a type of supernatural travel involving riding a reed, rather like a witch straddling a broomstick. A few of the spells utilize the apotropaic hand gesture of crooking the little finger of one’s left hand. For example, this gesture is used in a spell to protect yourself “during legal proceedings”8, and in “a binding spell to catch thieves,” the magician is instructed to put their little finger in their ear while saying the divine names.9 

There are even killing spells included, without any didactic warnings or threats of karmic repercussions. Roth says that “Jewish magic does not have any idea of karma, the Three-Fold Law, the slingshot effect, or other negative reactions for negative magic.”10 The Sword gives you the freedom to think for yourself, and decide what action is appropriate and justified in your situation outside of the confines of any rigid moral code. Besides, one might hope that the angels would not bestow such power on someone who would use it irresponsibly. 

In mythic time, Moses himself used a killing curse. Exodus 2:11-12 recounts how Moses murdered an Egyptian overseer who was beating an Israelite slave. The weapon he used to slay the Egyptian is not mentioned, but according to an alternate version of the tale in Pirkei de-Rabbi Eliezer (Chapters of Rabbi Eliezer), Moses cursed the overseer and slew him with “the sword of his mouth.”11

Before the reader dares to try any of these spells, they must first obtain the spiritual authority to wield the Sword by performing a three-day purification rite, for which Roth gives detailed instructions.

“This book’s aim is to make it as simple and easy as possible while maintaining its authenticity and power.”12

 The magician is advised to bathe in living water, wear only white, avoid contact with anything unclean (including insects, dead things, nocturnal emissions, semen, and menstrual blood), fast for three days, consuming only bread, salt, and water after sunset, and recite the Amidah (the Standing Prayer) thrice each day while facing the east. The prayers are interwoven with potent angelic adjurations addressing thirteen archangels. The purpose of the adjurations is to invoke the thirteen heavenly princes and bind them and all the angels under their authority to the magician, and in doing so, gain control of the Sword. If the magician is not in a state of ritual purity, he risks offending the angels and incurring their fiery wrath. As a verbal fail-safe, the angels are also ordered not to harm the magician.

I believe the threat of being burned alive is a metaphor for the transformative power of the angels. Their celestial fire brings symbolic death and transfiguration through spiritual alchemy, and they will sear away the impurities of the magician in order to make him worthy to speak the divine names. The fiery Sword of Moses bestows the power to change reality, but first the magician must initiate change from within. 

This metaphorical sword of magic words captured my imagination, and I was so fascinated by the divine names that I decided on impulse to perform the purification ritual as soon as possible, following Roth’s directions to the best of my ability. Roth suggests that a long weekend may work well for some practitioners, so I chose Saturday, Sunday, and Monday to perform the rite and began at sundown on Friday in keeping with the Jewish tradition that a day begins when the sun sets the day before. Not being Jewish myself, I didn’t have to worry about violating any Sabbath restrictions. According to Roth, gentiles may say the prayers because Isaiah 56:7 declares that “My house shall be a house of prayer to all nations.”13

Unfortunately, I don’t live close to a body of living water, so I wasn’t able to dunk myself in one, but I hoped that taking a shower would suffice. I avoided using scented toiletries, as these may offend the angels, who are sensitive to strong fragrances, regardless of how pleasing humans may think they are. I wore a white robe for three days and baked my own bread for breaking fast when the sun went down. Even though the bread was delicious, it quickly became boring. I was at least permitted to butter my toast, because according to Roth, “There is nothing that says we cannot.”14 I recited the Amidah and the angelic adjurations thrice each day, while facing the east in my bedroom. Roth assures us that there is no need to cast a magic circle for protection or to contain raised energy because the angels are listening to the adjurations from up in heaven. Each recitation took 35 minutes, which was a test of endurance. The first day was especially challenging because I had a headache from caffeine withdrawals. If I had only had the foresight to give up coffee a few days before I began the ritual, I could have avoided that discomfort. 

The time of day for saying the prayers and adjurations was not rigid, so I chose shortly after dawn for the first recitation, solar noon for the second, and a couple of hours before sunset for the third. As I chanted, I visualized a burning sword revolving in the air before me, ablaze with Hebrew letters that lit up the blade like orange lava, as if it had been forged in a smoldering volcano. Sometimes I got tongue-tied and stumbled over the strange syllables, but in the moments when the cantillations found a steady flowing cadence and rolled off my tongue with natural ease, it felt as though my lips were possessed and aflame with the holy names. I found that concentrating all of my energy on reciting what my conscious mind registered as gibberish banished extraneous thoughts and induced a light trance state which I think is key to facilitating contact with the Divine powers being addressed. Between the fasting and standing for extended periods of time chanting, I often felt exhausted afterwards and needed to lie down. 

While I would love to report that some stellar transformation occurred, or that I had an incredible vision of being gifted with a supernatural sword, after I completed the ritual, I only felt a subtle difference, a numinous sense of peace and gratitude. I felt it to be very healing and it helped me to better recognize when irrational anxiety is knotting up inside of my chest. One line in particular from the Amidah really resonated with me:

“Heal me, Nurturing One, and let me feel healed. Save me, Holy One, and let me know I am safe. Healed in body, mind, spirit. Saved from the blight of my own fears. Heal me from perfectionism and lust for results. Save me from believing my own inner critics and soothe my grief.”15

The Magic of the Sword of Moses will be a treasure to anyone who has an interest in Jewish magic and medieval grimoires. There is a wealth of information packed into this slim volume of less than 200 pages, presented with clarity and precision. The modern magician’s magical practice will be enriched by sharpening the sword of their tongue with divine names of power, as long as they approach the angels with a sense of respect and awe, ever keeping in mind that they are spirits of fire. 

The Big Book of Candle Magic, by Jacki Smith

The Big Book of Candle Magic, by Jacki Smith
Weiser Books, 9781578637638, 309 pages, July 2022

Jacki Smith, founder of Coventry Creations, the largest magical candle company in North America, has written the most enlightening (!) book on candle magic, aptly titled The Big Book of Candle Magic. Described as a “comprehensive, in-depth guide including instructions for casting your own spells”16, this book opens with the most important question to consider before delving into the material: Do I really need a spell?

I loved being challenged by this question at the opening, as it made me sit up and take notice. I was no longer a passive reader, I was a participant. “Aunt Jacki”, as she refers to herself throughout the book, creates a conversational atmosphere in which she engages the reader and guides them through candle magic. How can you be intimidated into delving into this topic when Aunt Jacki is right there beside you?

She provides guidance on defining what a spell is – a “shifting of energy toward an intended goal.”17 She continues by writing that “the impact of that spell depends on your prep work, your intention, and your commitment to a shift in energy”18, while reminds the reader that “magic at its core is healing.”19 To help you answer her original question as to whether you need a spell, she writes that “if you are ready to manifest a change and heal a need both in yourself and in the wider world, then yes!”20

The book is divided into four sections, all providing guidance, tools, suggestions, and exercises including, most importantly, getting clear on whether you need a spell or a reality check. Again, your Aunt Jacki is going to lovingly help set you straight.

“Law of Attraction and magic. Is there a difference? If so, what is it? When you add the ritual of magic to your intent…your intent will manifest faster and cleaner. And that is where candle magic comes in. Candles provide an easy, powerful ritual within themselves.”21

Section One, The Magic Hour is Now”, provides exercises such as the “Why is That?” exercise. She encourages the reader to start and maintain a Candle Magic Journal, again with instructions provided. She details the difference between basic candle magic of lighting a candle versus advanced candle magic that includes casting a spell. Other topics included in the section include setting intent and casting for guidance.

Section Two, “Joy of Spellcrafting”, provides guidance on choosing a candle, prepping your candle for magic, and accessorizing your spell. Jacki delves into different types of candles (such as pillars, votive, and tea lights), blessed and dressed candles, sigils, color, and casting. I tend to not speak my spells out loud, but Jacki writes that a candle spell needs words to activate it and these words must be spoken out loud. She provides different phrasings of a spell, showing how one way is more valuable than another. Jacki prompts the reader to include boundaries of a time frame in the spell with an attainable due date, or else the spell is just a wish. 

Section Three, “Art of Cocreation”, focuses on inviting in the divine energies in the Universe. She encourages the reader to co-create with the spiritual realm. There is focus on setting up an altar and the types of altars such as an ancestor altar (my favorite), a purpose altar, nature altars, garden altars, divinity altars, and big magic altars – whatever you’re drawn to. She provides information on lighting the candle and ceromancy, the spiritual language of candles. Wondering how to “read” a candle? It’s in the book! And again, in this section she prompts the reader to return to their Candle Magic Journal with a list of questions on which to focus. 

Section Four, “Index of Inspiration”, is the reference section of the book. It provides a sample candle spell index (prosperity, love and relationships, protection, and clearing) that includes candle colors, candle types, dressing oils, and accessories such as stones or photographs.  There is a moon sign index as well as a color index, a magic herb index, a crystal and stone index, a tarot index, and a Magic 5 index of ingredients. While the first three sections are more conversational and action-oriented, this section is more informational and one that you’ll turn for reference as you delve into candle magic. 

Plus this book contains guidance, exercises, prompts, and recommendations on things such as creating a spell (the best spells rhyme!), different types of spells, use of color, stones, and tarot. Encyclopedic in the best way to describe some of the chapters.

In addition to its wealth of information, what is also unique about the book is its conversational tone, with craft projects, confessions, clarification, musing, and tips from our Aunt Jacki. What I most valued about Jacki’s writing was that it challenged me through prompts, journaling, and exercises to commune with the candles.

I was invited to set intentions, get clear about what I was calling into my life and why. Aunt Jackie helped me to define what I want and what I’m willing to do to get clear, as well as helping me to tune into if I was truly ready to act when I cast a spell. All of this was new terrain for me. To be honest, I never gave these questions much thought. But as Aunt Jackie reminds the reader, spells are actualized by my action. “Build your spell with clear intent and then pay attention to the outcomes. And there is always an outcome.”22 

“The goal of candle magic – or any magic of that matter – is to move your own limitations, fears, blocks, and beliefs out of the way so your intention can become real. “23

After reading The Big Book of Candle Magic, I continue to carry with me Aunt Jackie’s words that magic demands change. She reminds us if there is no need for change, there is no need for magic. I highly recommend this book if you are ready and willing to change. It will light the way for a new way of living with the magic of candles for years to come!

A Spellbook for the Seasons, by Tudorbeth

A Spellbook for the Seasons: Welcome Natural Change with Magical Blessings, by Tudorbeth
Red Wheel Weiser, 9781590035375, 224 pages, March 2022

It’s always wonderful to step into a new season. How inspiring to embrace the changes in the natural world – differences in the light, the weather, the plants, the holidays. A Spellbook for the Seasons: Welcome Natural Change with Magical Blessing by Tudrobeth is a companion to the seasons that will greatly enhance your experiences and show you in so many ways how we are connected to the natural world.

Tudorbeth invites the reader to embrace the seasons and to “investigate these festivals (that are celebrated), the practical magic that flows through our seasons, and the gods that rule over the different times of the year.”19 I particularly liked that the book opens with two blessings: one for sisters and brothers around the world and one for the seasons and the turning of the wheel of the year.

The book is divided into the four seasons, with focus on each season’s garden, crystals, goddesses and gods, and spells, blessings and rituals. As I read the book in the spring, I focused most of my attention on that season. The spring months are associated with the Celtic deities such as Ostara, Belenus (Beltaine), and Brigid. The spring’s spells, blessings, and rituals include those for encouraging flowering in the garden, a daisy love ritual, and Ostara fresh air spell.

I performed the Ostara ritual on Ostara Eve, as the ritual is meant to embody hope, and then I made Ostara magic salt on the night of the full moon in March. When sprinkled around the home or office, it ensures bright ideas and business success. I now have my jar of pink salt sitting in a glass jar, ready for use! I enjoyed following Tudorbeth’s guidance and felt these small magical acts really attuned me to the energies of the season of spring.

For spring cleaning, there’s a small section on decluttering. I loved the Charm of Manannan. As Tudorbeth explains, the Celtic god, Manannan is a “foster father to the many children he takes under his care, and as a protector god he cares deeply for his children.”20 The Charm of Manannan is meant to bring about a loving and caring family home environment.

Additionally, there are rain blessings and rain energy spells that are meant to be done in a spring rainfall. The section on Beltane traditions provided an overview of Beltane, a cleansing detox ritual, and a spring sage clearing ritual. The Charm of Belenus is meant to be done toward the end of spring. The Charm is meant to invoke a happy, fun, and prosperous environment.

My recommendation for using this book to full advantage is to read the section on the upcoming season prior to the season’s arrival so that you have time to gather the items needed for the spells. While some might need to be collected at the last minute, such as flower-specific items, you can be prepared with other items such as salts, colored candles, essential oils, and shells. And then take your time in the season, experimenting with what you’re drawn to.

The sections on the season-specific garden offered suggestions on bringing wonder and magic into your outdoor space and inviting in the fairies. For spring, they include bluebells, hyacinth, and lily of the valley. As spring is associated with rain and showers, Tudorbeth focused on the power of the rainbow, and the suggested crystals include the colors of spring that form a pentagram of rainbows. The five spring crystals are rainbow opal, rainbow moonstone, rainbow obsidian, rainbow pyrite, and rainbow quartz.

The one downside for me was that some of the items were not readily available where I live such as periwinkle flowers or hawthorn twigs but again, with advance notice (e.g. reading the season in advance) I probably could have searched them out.

The other seasons are also given justice. Summer focuses on love, featuring Aphrodite and Apollo, a spell to welcome nymphs into the garden, Midsummer salt, a Lammas gratitude ritual, and a ritual for Midsummer enchantment. For Autumn, among other things, there is a clarity spell, an equinox healing ritual, a Mabon success spell, a Charm of Minerva (one of the three Roman deities who rule over the Autumn months), and a Samhain remembrance potion. Winter offers a first snow spell, an ice wand consecration ritual (if you are able to get an icicle), a Charm of Odin, midwinter tea, and an Imbolc ritual.

The most amazing part of A Spellbook for the Seasons is all the colorful, informative pictures. This is a gorgeous book to have on a table in your home because of the aesthetics that make it soothing to read through. The beauty of this book naturally entices one to want to perform with all the potent magic within. I really enjoyed the many hand-drawn illustrations, along with how the text on each page was simple and elegant. There is no clutter in the book, making it easy to focus on the spellwork or ritual you’re performing.

Tudorbeth is a hereditary practitioner of the Craft. The rules and gifts of herb lore, scrying, healing, tasseomancy, numerology, and candle magic have been passed down to her through several generations. I especially loved her reminder that we are meant to “use the gift that nature brings with these spells, but in return give something back … We are all connected to one another and everything around us. We are nature.”21 I highly recommend A Spellbook for the Seasons with encouragement to plan ahead to be able to use the knowledge imparted within its pages to full advantage.

Witch, Please, By Victoria Maxwell

Witch, Please: Empowerment and Enlightenment for the Modern Mystic, by Victoria Maxwell
Red Wheel Books, 9781590035320, 200 pages, March 2022

I love a book that opens with a powerful statement. Victoria Maxwell’s beautifully written offering, Witch, Please: Empowerment and Enlightenment for the Modern Mystic, starts by telling the reader that the magic isn’t in the book they are holding: the magic is inside them. This type of tone setting is precisely why this book belongs in everyone’s collection, whether they view themselves as witchy, spiritual, or simply just an interested passerby.

A modern mystic and spiritual teacher, Maxwell is devoted to serving her community through her online classes, in person workshops, private sessions, and a variety of social media groups and subscription offerings. Her focus is on helping those she works with reconnect to their own light, their inner guidance, spiritual path and power so they can live out their best and highest lives.

The book is set out cleanly, with two parts as well as an introduction, glossary, acknowledgements and index. There is also a special addition that I wasn’t expecting but makes perfect sense why it was included: “The Next Chapter’” It’s a page and a half long and resonated deeply with me when I read it. Maxwell sums up the spirit of her book in five points that reflect the depth of care she feels for those searching for their place in the spiritual world. It’s a beautiful way of ending the book and imparting a feeling of completion.

The book is divided into two parts. Part One deal with the basics: laying foundations for your practice, tools, actual practices, aligning with friends in spirit, and making magic. Part Two talks about practical magic: relationships, setting up a home sanctuary, money magic, magic for careers, and living your purpose. The glossary is a high-level collection of terms used throughout the book that some who are venturing down this path for the first time might not be familiar with. For me, it was interesting to see how Maxwell defines terms that are used often within the spiritual realm.

The introduction establishes Maxwell’s early influences as well as her personal journey through spiritualism. Her writing is clean and purposeful, with no excessive verbiage and easy to understand language. That’s not to say that her work is basic: this book is far from that. While certainly geared towards those who are just starting their journey, there is a lot packed into this book. For me, reading similar information isn’t monotonous: it’s interesting for me to see how different people interpret similar themes. I am also curious to understand how others view their own craft and how they personally practice whatever form of magic they subscribe to. 

Maxwell talks at length about protection in the first part of the book, which is something I feel is somewhat overlooked at times. We assume that those reading know how to protect themselves and their energy and Maxwell’s decision to include a lengthy section on various practices is wonderful to read. She understands that some of protection work is shadow work, in that you cannot protect yourself from creating your own negativity if you are not aware you are doing it. She says, “We can’t walk thought life protecting ourselves against others without doing a bit of shadow work and paying attention to what we are putting out there too.”24

She mentions being aware of the type of energy we bring to certain situations and ensuring that we are doing our best to raise those vibrations intentionally and mindfully. She pairs this practice with clearing, which makes damn good sense! She explains the process:

“We can protect ourselves all we like, but we must also clear out the energetic gunk we pick up along the way…If you are full of someone else’s thoughts, emotions, or energy before you start a spell you may end up manifesting things you don’t really want.”25

Sections of the book are printed in a different color and are designated as action items, for want of a better phrase. These sections include prayers, lists of bullet points for consideration, recipes, and so on. I found the different font to be quite useful in helping sort and separate the book visually as I progressed through it. For those who can discern color, the eye immediately tracks to the different font and recognizes it as important, something that I very much appreciated as sometimes I become lazy and let my eyes skim over text without truly absorbing it. 

The blend of shadow work with the various spiritual practices is very much my jam and I am fully appreciative of how Maxwell entwined these two themes seamlessly in this book. Throughout the book, there are references to clearing your energy and examining your relationships to various things like money and career, and all of these things resonate deeply with me. I have found that the best magic I have ever done for myself has always come on the heels of some deep excavation I’ve done in the dark hours of the night. I am happy to see that Maxwell has illuminated this very important aspect of working magic in her book.

Some people might pick up Witch, Please and dismiss it because it’s pink and cute and looks like a beach read. Those people don’t deserve this book in their hands so let them put it down and then make sure they never see it again. Grab a copy for yourself, for your aunt who is always making you teas, your best friend who loves flowers, and the office mate who always seems extremely put together. Each one will get something different out of this book, which is precisely the point. Personally, this is the book that I will pull down off my shelf when I feel a bit off as it’s a beautiful reminder of encouragement to stand in my power.

Spiritual Cleansing, by Draja Mickaharic

Spiritual Cleansing: A Handbook of Psychic Protection (Weiser Classic Series), by Draja Mickaharic
Weiser Books, 1578637287, 144 pages, February 2022

I’ve been on a deep dive into research on spiritual protection lately, and therefore was thrilled to come across Spiritual Cleansing: A Handbook of Psychic Protection by Draja Mickaharic. Originally published in 1982, this Weiser Classic Services book is just as relevant 40 years later. The added foreword by Lilith Dorsey, author of Orishas, Goddesses, and Voodoo Queens, is an added bonus. I value magical wisdom that stands the test of time. Sometimes it seems like recent and best books are merely repeating the same things based on current readers’ taste and market trends. But this book stood out to me from the get-go, and I knew I wasn’t going to be getting the same old while reading it.

Mickaharic’s experience as a magical practitioner grants him the ability to convey expertise tips and tricks that are both practical and reliable. He’s definitely tried, tested, and witnessed the many outcomes of spellwork gone awry and implemented to success; as a result, he feels like a guide I can trust.

“All of the procedures in this book are simple, safe, and effective, when the directions are followed. They are all natural in their operation, and no special training or capacity is required on the part of the user. All of these cleansings have been tested in my personal practice, as well as in the work of others.”1

Before delving into the many methods of cleansing and protection, Mickaharic provides readers with an understanding of the need for them. He notes the physical and spiritual nature of life on Earth, the latter which often is dismissed in favor of the tangible senses. But we all have felt the lingering sense of a negative energy present after interactions with certain people or being in a specific location.

“The spiritual energy field, like the quality or vibration of people, places, and things, is not detectable through the physical senses. Once we can make a distinction between the physical and the spiritual parts of the human constitution, it becomes easy to understand just how spiritual cleansing works.”2

He further goes on to explain how religious rituals have their own methods of cleansing, but that this book can be used whether one has a religious practice or not. If one does, Mickaharic suggests that the practices in the book do not interfere but rather enhance it. And I might add this book does refer to Bible passages and Psalms as part of some of the recommendations for spiritual cleansing. I have no problem with this, as for over a decade I’ve explored the intersection of Christianity and spellwork, but others who take a more firm stance against Christianity should take note prior to reading. There’s still plenty to gain though, and much of the content is independent of any religious connotation.

The four main types of cleansing focused on in this book are cleansing with baths, water, eggs, and incense, which all have their own detailed chapter. There’s also chapters on the malocchio (evil eye), protection while asleep, quieting one’s mind, and finding a mentor. And all together, this book has become my go-to for spiritual cleansing. Rather than sharing all the potent cleansing practices Mickaharic covers, I will share some of the really interesting things I learned, what stood out to me most, and my favorite parts that I feel distinguish this book from others.

First of all, there is a ton of information on ritual baths! Many times, I see a list of ingredients for cleansing or spellwork bath, but Mickaharic goes into full detail about how to prepare for a ritual bath, history of ritual bathing, and even words of caution. Plus, there’s so many sugged: Psychic Tension Bath, Coffee Hard Work Bath, The Money Cinnamon Bath. And the majority of the baths include household items that one wouldn’t have to go on a goose chase to find.

I learned a lot about properties of different types of water from the chapter “Cleansing with Water”. Mickaharic describes the different energy and usage of sea water,  rain water, waterfalls, spring water, and lake water. For those who regularly use water in their practice, this information would be useful to know what is best for which type of magical working one is doing. Also included are different herbs that can be added to water to achieve a desired effect.

Eggs are something that I’ve used for over a decade to cleanse a new home, but Mickaharic showed me new ways to use eggs for spiritual healing. He suggests ways to use them for physical and emotional healing, ending a relationship, protection while asleep, and cleansing your pets or the sick. I love this method of cleansing because I nearly always have eggs on hand, and they are a quick and easy way to shift energy.

Of all the sections, though, incense cleansing had the most insight into how I could enhance my practice of burning incenses. I had never realized that certain smells attracted specific spirits, nor that some incenses are good for banishing spirits, while others are intended to call them in.

“When we use incense to clean a place, we are calling those forces of the astral universe which regularly act to remove negative influences. We are simply calling them and asking them to work in a particular area. When we burn incense to improve the vibration  of a place, to give the place a more “spiritual” vibration, we call on those forces which naturally act to improve spiritual vibrations. Each incense, or blend, is a sort of “telephone number” which is answered according to the sincerity of our request. If we burn incense with no real purpose, we may find the forces decide we are calling a wrong number–and they will not act in harmony with our desires.”26

Mickaharic gives instructions on how to properly burn incense and offers many suggested blends. He describes cones and sticks and even how to fumigate oneself. I really liked learning about frankincense and myrrh; I had never previously heard about their connection to the astral realm, and it was interesting to learn in light of their significance to infant Christ.

Finally, I was thrilled for a whole section on the malocchio. My Italian family often spoke of it, and my great-grandmother knew the method for removing it at the strike of midnight on a new year. But I have rarely been able to find additional information about how to remove it. Not only does Mickaharic go into detail about the history of the malocchio and how it is transmitted, he also offers a Beer Bath to remove it, along with suggested charms and amulets to keep it at bay.

All in all, Spiritual Cleansing has been a great aid in my spring cleaning this year. When I am seeking to cleanse myself or my home, I’ve been able to find quick suggestions to shift the energy. Plus, the ritual baths are sure to make any water-lover eager to perform some spellwork. There’s so much value in knowing not only how to protect yourself, but cleanse yourself too. Spiritual hygiene is a practical, and honestly essential, craft for all those who perform energy work. But quite frankly, we can all benefit from a good energetic sprucing up!

Hoodoo Justice Magic, by Miss Aida

Hoodoo Justice Magic: Spells for Power, Protection and Righteous Vindication, by Miss Aida
Weiser Books, 1578637562, 288 pages, November 2021

Why do so many magical practitioners shy away from getting their hands dirty with messy spellwork – the spellwork meant to curse, hex, harm, and eliminate those who perpetuate injustice? I am not a Hoodoo practitioner, nor do I lean towards baneful magic, but Hoodoo Justice Magic: Spells for Power, Protection, and Righteous Vindication by Miss Aida was calling to me. I felt the need to add some protection to my arsenal of magic, and by selecting this book, I was given an entire army of spells, metaphorically speaking, to fight for and defend myself.

Reading the contents of this book made me feel tough as nails. And this armor was probably necessary, as it can get pretty gruesome. Miss Aida is fierce, and she doesn’t pamper her readers with gentle counsel. You really need to be ready to delve into gritty topics of body fluids and revenge, but with her guidance you’ll have enough know-how to implement successful spellwork.

But what gives grounds for the use of justice magic? Miss Aida explains:

“Sadly, not everyone is guided by moral principles but instead may value power, status, wealth, notoriety, and/or gratifying their own desires. These people believe they are entitled to whatever they wish without having to work for it, and they can and will act out that belief at any cost and without regard for others. They are immoral people.”1

Therefore, those who suffer the consequences of these people need to have their own means of defense and protection. Reading this introduction to the text was a reminder to me that sometimes magical means are necessary to combat injustice, and I appreciated the list of “Immortal Tactics” that describes how this injustice is perpetuated, ranging from deception to theft to physical and emotional abuse.

However, even though I’d come to see the necessity of justice magic, I will admit opening to the concept and spellwork took a bit of de-conditioning. The idea of the meek inheriting the earth and turning the other cheek seems to run deep in my psyche, and though some might deny it, I believe this is true for many magical practitioners.

Miss Aida turned these notions upside for me by including many psalms and prayers, such as The Apostle’s Creed and Hail Mary as part of the spellwork. She notes that retributive Psalm 109 is estimated by historians to date back to 1060 BC, and therefore concludes “The proof of magical payback is right in our very own Holy Bible.”2

Despite being raised Catholic, as I read these verses through a justice magic perspective, for the first time I began to feel the strength and agency within the words. There’s even a section in the chapter “Spells for Justified Curing and Hexing of Your Enemies” that describes how to curse through prayer!

These aren’t the only tools Miss Aidea provides for justice magic though – oh no, this book is filled with tips and techniques ranging from candle magic to insect magic. (Yes, insect magic! I had never realized the power ants have to destroy relationships with the proper spellwork.) Her advice on candle magic is some of the best that I’ve ever read, and the book is honestly worth reading for that chapter alone.

Constantly while reading, I was reminded of the necessity of working with what’s available as a foundation in Hoodoo tradition. While some spells require a bit more preparatory work or specific ingredients, Miss Aida gives tons and tons of options for achieving one’s means quickly and with what is on hand. However, this doesn’t mean this type of magic should be performed willy nilly or immediately just because one feels slighted.

Miss Aida gives plenty of caution about how spells can misfire, including situations where her own spellwork has led to unintended outcomes. With the nature of this type of justice magic, permanent physical damage, even death, can result. Miss Aida reminds practitioners the retaliation should always be equal to what is being done by the perpetrator, and that it is best to wait while deciding if the magic is worth one’s time, energy, and supplies before casting any spells.

These bits of guidance from Miss Adia, along with detailed advice on how to prepare one’s magical space for the work and clear energy afterwards, go a long way in keeping practitioners safe while engaging in this work. I particularly enjoyed the chapter “What’s Your Strategy?” where she lays out seven steps for this work, which help one to discern how and when to pursue justice magic.

Miss Aida covers a lot in these steps, from proper timing to do’s and don’ts of summoning entities. She also does a great job conveying the importance of intention and provides prompts for one to consider when crafting their petition or request to make it as specific as possible, leaving little room for unintended consequences.

I don’t think of myself as a very spiteful person, but reading through some of the spells, such as “Gag the Gossip” and “Dog Doom”, which includes dog poop as a spell ingredient, got me thinking about some people I’d like to try these out on. Honestly, I probably won’t perform them in the near-future, but just knowing I can always pull from this book makes me feel more confident that I can take care of myself through magical means if necessary.

Hoodoo Justice Magic seriously seems to have a spell for just about every defensive, protective, and vengeful aim one might want to pursue. Chapter topic includes sending enemies away, binding enemies, cursing and hexing, and breaking up relationships. But it’s not a “how-to” manual. Miss Aida writes as though she’s right there next to you, giving you small tips and reminders from her personal experience.

One example of this is when writing about a sweetening spell, she describes how it might make one have positive feelings or thoughts towards you, but it doesn’t necessarily promote action and therefore additional spellwork may be required. That little gem of wisdom is valuable to know if one chooses to do that type of spellwork.

Where her expertise really shines in the area of using ingredients for spellwork that are often considered taboo, such as bodily fluids or excrements. From vomit to semen, Miss Aida teaches how these can be potent facilitators of energy for magic. And she really ensures, to the best of her ability as an author, that a practitioner will not harm themselves in the process of performing justice magic.

When discussing gathering items that contain the DNA of one’s target of the spellwork, she reminds the reader to never let the item also have their own DNA on it. Other practical tips include how to obtain, refrigerate, and store secretions. It’s all quite interesting, especially the section on dominating others through your own urine. There’s even a good deal of information on how to gather graveyard dirt.

While all these items are common for Miss Aida’s Hoodoo practice, for me this opened up a whole new world. While at times I felt a bit icky about things, reading about how to use natural waste and human fluids in my magic actually made me feel more at ease with my own human nature. I found myself saying “Yuck!” less and instead wondering, “How could I use this as a magical ingredient?” It’s really eye-opening to see how much goes to waste that holds magical potency. Miss Aida has a way of shining light on the magic within the mundane.

All in all, Hoodoo Justice Magic is a book I am thrilled to add to my collection. It’s out of my comfort zone in so many ways, but Miss Aida has done a wonderful job of making the spellwork accessible to all levels. I feel like I will be less scared to shy away from needed confrontation and more willing to take justice in my own hands when necessary because of the knowledge this book has given me. It’s by far the best book on defensive and protective magic that I’ve ever read, and I highly recommend it to those seeking to expand their repertoire of spellwork.

The Ex Hex, by Erin Sterling

The Ex Hex, by Erin Sterling
Avon, 006302747X, 320 pages, September 2021

I was in the mood for a more light-hearted book, so browsing my current stack of library books, I picked out The Ex Hex by Erin Sterling. You can only imagine the laugh I got out of the first line, “Never mix vodka and witchcraft.”1 I hate to say it, but “been there, done that”, and it has never ended up good! At least for me it didn’t turn into the colossal f*ckery that it became for Vivenne Jones.

Brokenhearted by her Welsh summer beau, Rhys Penhallow, Vivienne is doing the best to cheer herself up with a soothing bath, candles, and a bit of cologne conjuring as she laments the loss of young love. Rhys had told her that morning he had to go sort out his betrothal with his father. Clearly, that didn’t sit well with Vivienne who had no idea her summer lover was on the market for another woman. Not only did she curse at him, while tossing his pants in his face, in an attempt to magic her way out of the sadness, Vivenne and her cousin Gwen decide to put a hex on Rhys.

For the most part, it’s all fun and games, to the point where they even throw caution to the wind about Aunt Eliane’s warning to not even do magic while drinking. Their curse for Rhys to always hit just a quarter inch away from a woman’s clitoris and never to have his hair do “that thing” seem like harmless antics, but with the words “I curse you Rhys Penhallow” uttered by Vivienne, their candle bursts into flames.

It seems something has been ignited, but they chalk it up to a gust of a wind and over the years forget about it. Though, it does seem like Vivienne never truly forgot the impact Rhys had made on her tender, young heart.. I mean how could she really when the college she works out is named after his family, who also founded the town she lives in.

Rhys too never truly seemed to forget Vivienne, but in the nine years since he’d been back to Graves Glend, he had created a successful travel business for himself. Sure, clients benefited from a bit of magic that ensured on-time flights and smooth vacations, but Rhys provided a one of a kind service that always got rave reviews. With so much going on with his business in London, It is over a half-a-year since he last saw his family in Wales.

When he stops in for a visit, his foreboding father requests that he return to Graves Glen, Georgia for the Founder’s Day celebration of his ancestor and recharge the ley lines that keep magic afloat in the town. Rhys tries to protest, but ultimately surrenders to taking the trip to America for the sake of family duty. However, the moment he’s within town limits, everything just seems to go wrong.

From an ominous storm to flat tires, Rhys can’t catch a break. Before he can even make it to his family’s house, he finds himself on the side of the road when headlights come right for him, nearly running him over. Turns out, it was Vivienne on her way home from work who nearly nipped him, had he not jumped into a ditch. And here’s where their story begins all over again!

I won’t give too much further away, but I will say they have a hilarious dynamic between them. There’s plenty of banter, despite the unresolved internal feelings of each character. Together, they wrestle witch ghosts, murderous wind-up toys, and potions gone wrong. It is up to them to figure out how to reverse the curse, something former witches don’t seem to leave much instruction on how to do, in order to save Grave Glen.

As far as magic books go, this one is very typical in its approach. There’s a town college for witches, hidden on the normal campus of Penhallow University, where Vivienne teaches Western Civ to incoming freshmen. It takes place during Halloween season, and there’s the focus on haunted houses and ghosts. Vivienne and her family must use magic to improve the small things in their life, from cleaning the apartment to creating a mood setting in the storage room of their shop Wicked Ways.

Sure, there’s the academic witches at the college, but they tend to shy away from Vivienne’s family, in fact, most people don’t even know Vivienne is a witch. She was raised by her mother who chose a normal life and equated magic with bad, so it was only later in life that Vivienne learned the full extent of who she truly was when she went to live with Gwen and Aunt Elaine.

To be honest, the book is more of a rom-com with a theme of witchcraft intermixed within it, rather than a book that truly delves into the craft. But like I said, I was in the mood for something light, and this perfectly satisfied that reading-crave for me. I enjoyed envisioning the setting of the small town and all the cute festivals going on during its peak season of Halloween.

I found both Vivienne and Rhys hilarious and relatable. There’s quite a bit of built up sexual tension and eventual snogging. It does have the traditional flow of a romantic book that culminates in a happy ending. But I think most readers expect that going into a book like this, yet we still enjoy reading the whole thing to see how it plays out.

The one warning I will give is that Rhys has a bit of a charming, frat boy mentality, but not to the point where he’s obnoxious. Actually, I really liked him as a sexy male lead in the book. He rushes into things without thinking, but you can see personal growth and transformation in him, which I think adds to my feeling of reader satisfaction. And Vivienne is a perfectly relatable woman, who has her moments of doubt, but is fierce in her anger towards Rhys and doesn’t back down in advocating for herself.

It’s fun in the meantime to see all the ways the curse goes wrong and how Vivienne and Rhys do their best to extinguish the small fires of disaster in town, which only seems to fan the flame between them. The ending was a little unexpected too, which added a bit more depth to the reasoning behind the curse.

All in all, The Ex Hex is a fun to read romantic comedy filled with witchcraft, magic, curses, and love. There’s plenty of wit, comedy, banter, and… sex! It’s perfect for a few laughs and light-hearted amusement. You’ll find out how curses are reversed and what can happen when two former lovers reunite.

The Midnight Bargain, by C.L. Polk

The Midnight Bargain, by C.L Polk
Erewhon, 1645660079, 384 pages, October 2020

Female sorceresses doing all they can to escape the confines of marriage? Um, what kind of fantastically wonderful story did I get myself into the past few days? The Midnight Bargain by C.L. Polk! And I certainly enjoyed this exotically fanciful tale.

The story takes place in Chasand, which sort of reminded me of a magical India. It is time for Beatrice to make her way through bargaining season, but she’s set on locating a grimoire that will teach her how to bind with a greater spirit. She’s convinced that if she can do this, her father will allow her to use her influence as a mage to restore the family fortune rather than get married.

Why is marriage such an appalling future for Beatrice? Because Chasand custom forces married women to wear a collar that strips them of their magic in order to ensure they do not conceive a spirit born baby. The mages of this world know spirits are eager to enter the material world, and when this happens it’s pandemonium; the hungry, greedy spirit stops at nothing to satiate their endless desire, often even killing those who stand in their way. The only solution thus far is to prevent women from accessing magic — a solution suitable for male socreers, but absolutely appalling for the girls with innate magical abilities.

Turns out Beatrice isn’t the only one seeking an alliance with a spirit to escape the imprisonment of a husband. Ysbeta, who is the beautiful daughter of one of the region’s wealthiest families, also has her sights set on the grimoire. Beatrice concedes the book to Ysbeta, but Ysbeta does not know the secret code needed to read it. Thus, their friendship forms on the promise that Ysbeta will allow Beatrice to copy the pages of the grimoire in exchange for sharing with her what the book says and teaching her the skills needed to complete the ritual.

Meanwhile, Ysbeta’s brother, Ianthe, one of the most desirable suitors of bargaining season, is increasingly intrigued by Beatrice. When a spirit Beatrice is letting inhabit her body begs her to kiss Ianthe, the sparks between them ignite immediately. Ianthe is kind and open-minded. He empathizes with the situation of Beatrice, who openly speaks her mind on the injustice of women’s lot in society, and is determined to help her the best he can.

Beatrice has a lot to balance in her life. The pursuit of her goal to bind with a greater spirit while still going through the motions of bargaining season adds to the need to handle situations with delicacy and care. Most of all, she has her family to consider; their reputation, their fortune, and their future rest upon her finding a wealthy husband immediately. Much of the plot reminds of a Bridgerton, where competition is fierce and stakes are high, but with sorcerers and mages as eligible bachelors and bachelorettes.

This is one of those reads where you know the author has some background occult knowledge and isn’t just capitalizing on the popularity of magic-themed fiction. The description of the rituals and the spirits is unique, but also very detailed and similar to how it would be done in real life. Polk describes the importance of breath, hand signs, and visualization. I also really liked the mediumship aspect of the characters hosting lesser spirits in their body.

I grew really attached to Beatrice’s lesser spirit, Nadia, who was really funny and cute. It was very interesting to read about how Beatrice cast her circle for protection and bargained with Nadia. Nadia is a lesser spirit of good fortune, so in exchange for the luck she brings, Beatrice would lay out very clear terms of their bargain. For instance, Nadia’s luck for three cups of punch, star gazing, and a kiss until midnight. I think anyone who’s done this type of spirit work, which unfortunately always seem to be men rather than women even in real life, would find the writing very accurate.

Plus, it’s really kick ass to read about women choosing a life of magic and independence over the confines of marriage, even if it’s completely taboo to do. I can’t even imagine how horrible it would be to live in a society that would take away my magical ability, forcing me to be nothing more than a dedicated wife and mother. There’s definitely a theme of fighting for women’s rights, but I enjoyed how Polk didn’t set men against women. The book showed that men can be a huge support for women and part of a greater change.

All in all, The Midnight Bargain was a really wonderful read that I highly recommend, especially for women who are interested in summoning and working with spirits! This is one of the only books I’ve ever read with a main character that is a woman using this type of magic. I’m all for finding fictional role models, so if you’re considering pursuing a summoning ritual, this would be an entertaining book to read.

Even if you have no interest in this type of magic yourself, it’s still a fun book. There’s a lot of focus on the pomp and circumstance of bargaining seasons, adding the flair for romance and drama within the greater story of women’s right to choose their own path. It has made my soul very happy and fulfilled the next few days, so much so that I haven’t even raced onto another book because I’m still savoring this story!

Spellbreaker, by Charlie N. Holmberg

Spellbreaker (Spellbreaker, 1), by Charlie N. Holmberg
47North, 1542020093, 303 pages, November 2020

I will admit, I love 19th-century period pieces about magic. Therefore, it was no surprise I picked up Spellbreaker by Charlie N. Holmberg to read this weekend, as it is set in England in 1885. However, England is quite a different society with magic making the world run smoothly, but also contributing to societal class divide. Therefore, Elsie Camden doesn’t feel bad about using her spellbreaking powers to knock the English nobility down a few notches to help out the common folk.

The world Holmberg writes about is filled with mystery, intrigue, and most of all spells to make the world go around. All magic users and spellbreakers must be licensed by governing bodies, and the spells are kept closely guarded, only passed down to those who prove they can be trusted with the power. The whole process of how magicians level up their magic and incorporate spells is absolutely fascinating! It involves these drops of magic which glisten and then are absorbed by the aspector’s skin, permanently making the spell a piece of them. When an aspector dies, a magnum opus of their spells is left behind.

The interesting thing about these magnum opuses is that anyone can use the spells in them once by tearing the page out. Therefore, these books are often handed down to other aspectors or guarded by the magical governing bodies. Recently though, there’s been a string of murders of master aspectors involving stolen magnum opuses. The tension is high as no one can figure out who is behind the ghastly crime of murdering magicians for their spells.

Elsie Camden finds herself smack dab in the middle of the action. Day to day, she works as an assistant to a stone mason, but she also does secret work as a rogue spellbreaker. After being orphaned as a child, Elsie was left to fend for herself in the world. As a fire burns down her workhouse, leaving her to wonder what’s next for her, she is approached by a woman who realizes what she truly is: a spellbreaker.

From this point on, Elsie spell breaks for who she calls the Cowls, though she’s truly never known exactly who these people truly are. She enjoys feeling needed by them and also views herself as a modern Robinhood, stealing from the rich to give to the poor. Since she’s not registered as a spellbreaker, she’s in both an advantageous and dangerous position for doing this discrete work.

On an assignment gone wrong, Elsie winds up getting caught by Bacchus Kelsey, a man dedicated to earning his aspector mastership. Bacchus is an aristocrat, but he’s different from the others since he’s from Barbados and not of usual English breed. Rather than turn Elsie in, Bacchus decides to capitalize on Elsie’s spellbreaking abilities, as there’s some things about the Duke of Kent’s estate, where he’s staying while in England, that he’d like to refurbished. It’s easier for Bacchus to apply new spellwork once the the spells currently there are removed, thus begins Elsie’s indentured work to pay off the asking price for his silence.

That’s all I will give away for the plot summary, but this is only the beginning of a very neat story. I more want to focus on how this is one of the best magical stories I’ve read in a while. What I liked most about it was Holmberg’s skill at world building. I felt very immersed in this version of 19th century England, which blended the historical cultural values of the time perfectly interwoven with this dimension of magic added into it.

From the different types of magic described to how the process of spellcasting worked, Holmberg really adds the details to make it extremely easy to get lost in without feeling too fanciful. I was surprised to see the book is actually classified as science-fiction rather than fantasy, but this being said, it’s a wonderful mixture of both genres in my opinion. I would perhaps label it science-fantasy, though it’s much more focused on magic than any science or technology.

I also found the character immensely relatable. Elsie is funny, honest, and has a good head on her shoulders. While she loves her readers, she avoids gossip and focuses on her work. She has a sense of identity, which I think is one of the most important things for me in a character. And the other main character, Bacchus, likewise has depth, intelligence, and general relatability. Though they come from different worlds, they are both outsiders in some sense who have their own views of how things are in the world. It’s quite exciting to see what happens when a spellmaker and spellbreaker team up together!

And I just have to say how unique the concept of a spellbreaker was to me! In fact, I couldn’t stop thinking about the application of spellbreaking in magical works and did a deep dive in reflecting about the role spellbreaking has in my own magical practice. In fact, it was quite a revelation to realize all the ways I identified with the main character Elsie. After just discussing how fictional works can inform one’s magical practice, I experienced it first hand in reading this book. I now plan on labeling myself as a spellbreaker and seeing how this evolves my perception of the type of magical practitioner that I am.

I also found it refreshing to read a magical fiction book that still had a woman lead that wasn’t focused on witchcraft. I liked Elsie’s ability to break spells, and furthermore how she didn’t rely on magic. In fact, she often broke spells that were cast upon her, preferring to have clarity without magical influence. She clearly understood how magic could be used for both benevolent and malevolent purposes, and she did her part to ensure it was used for the latter. She wasn’t enamored with it, nor seeking fame and glory for herself. She used her abilities for a greater cause with intention, and otherwise primarily kept to herself and focused on her mundane tasks without complaint. I like her very much as a role model.

Overall, Spellbreaker was captivating. It ended on such a cliff-hanger that I just requested the next book in the duology, Spellmaker, from my library. Holmberg has done a wonderful job crafting a unique plot that captures the reader’s attention and opens the imagination. Whether one is interested in a good read or to gain insight into how they might incorporate spell breaking into their own magical practice, I appreciate this different point of view. For now, I am eagerly waiting to see how the rest of the story unfolds!