Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Gaia Alchemy, by Stephan Harding

Gaia Alchemy: The Reuniting of Science, Psyche, and Soul, by Stephan Harding
Bear & Company, 1591434254, 320 pages, January 2022

The separation of mind and body that began during the scientific revolution has caused a rippling split between humanity and nature, which has been immensely detrimental to the natural interconnected systems on Earth. While the integration is slowly starting to happen in academic settings (I do hold a Master of Social Science in Environmental Humanities and Ecopsychology from Viridis Graduate Institute), it’s clear the current scientific paradigm needs greater supplementation to fully understand the interconnectedness of Earth. This arduous task of reconnection is what Stephan Harding sets out to in Gaia Alchemy: The Reuniting of Science, Psyche, and Soul.

Harding describes to readers how a dream in which he meets Old Woman, is the anima munda, or Gaia, who encouraged him to write this book. Meeting this archetypal imagery affirmed his path of writing a book on what he has termed “Gaia Alchemy”. Gaia Alchemy blends depth psychology, alchemy, and Gaia theory, creating a new paradigm aimed at bringing the soul back to science and culture.

“Gaia theory is a scientific understanding of the Earth as a great plantery organism, as a self-regulating complex system; alchemy is the ancient art of personal transformation and nature connection. My quest has been to discover whether we can experience a Gaia that is more vibrant, full of meaning, and alive by alchemizing science, thereby re-ensouling science and our culture and thus freeing both from their analytical dryness.”1

Harding sets off to take the readers through his own personal journey of developing this Gaia Alchemy worldview through psychological, historical, and scientific revelations, along with a good bit of creative imagination. And his method of engaging readers goes beyond just sharing interesting insight, there’s practices to do and exercises to try.

At the start of the book, Harding invites the reader to find their Gaia Place. He describes this as “a place where you can relax and connect deeply to nature, where your heart feels glad, where you’ll make important discoveries, both inner and outer.”2

I liked this concept because I’ve done something similar in the past, when I was training to be a nature-based coach, where I had my own “sit spot” to connect with nature everyday. I feel like developing this special place is key to facilitating one’s awareness of the natural world.

Harding provides plenty of ways to heighten one’s connection to their Gaia place throughout the book. For instance, there’s a really neat meditation to connect with ecological communities of the past, taking one through the evolution from small plants to mammals, through dinosaurs and meteorites, drawing on the alchemical power of calcification. From there, one is invited to experience the alchemical process of dissolution in their Gaia place. The mixture of ecology with alchemy in the meditations is very unique. There’s a special connection that develops between one and their Gaia Place as they move through these inner explorations.

Another really unique aspect of this book is that it’s filled with conversations with Jeffy Kiehl, a climate scientist and licensed Jungian analyst, which provides a multidimensional approach to the topic. Kiehl has written on related topics in his book Facing Climate Change: An Integrated Path to the Future. ​​Harding has done a wonderful job of including Kiehl’s perspective to give readers insight into the broad application of Gaia Alchemy through the thought-provoking dialogue. 

While his conversations with Kiehl did actually happen, Gaia Alchemy also features some imaginary conversations too written by Harding as he works to change the narrative of what happened in the split between science and alchemy, mind and body, to envision an alternative outcome. In the chapter “Descartes Meets Alchemy”, Descartes first has a conversation with an alchemist and then famed depth psychologist Marie-Louise von Franz. I feel like this creative revision of Descartes’ perspective really stuck with me as a reader, helping to shift my own view, similar to how a fictional story can ignite change.

I will note that Gaia Alchemy might be a lot for someone unfamiliar with alchemy or depth psychology to take on, but Harding fills the pages with charts, diagrams, and photographs to illuminate the content. As unfamiliar as these concepts may seem, especially to those steeped in a materialistic Western scientific culture, Harding’s work is rich with potential for re-visioning our future. Society needs to change in order to survive, and there’s no better place to start than within. The unification of rationality and intuition, science and soul, is the only way forward.

Alchemy is the perfect access point to the reunion of our material and spiritual world. Here’s an example of Harding’s perceptive writing on the alchemical process of conjunction:

“We experience conjunction in our psychological life when our solar sensing and rationality and our lunar feeling and intuition function well together, bringing a balanced outlook in which we see how causality and synchronicity are at work in the world at large, reinforcing our embeddedness within their immense yet deeply intimate networks of learning and meaning.

Alchemically, conjunction happens between Sol and Luna. It occurs when Sol – the divine transcendental source – fully conjoins with our existence as embodied beings here on Earth (Luna). We experience great clarity, purpose, and joy in those blessed moments when conjunction truly comes upon us, when its deepest meaning actualizes itself in us and we feel a blessed connection with Gaia.”3

This book was a real thrill to read as an ecopsychologist because it gives me hope there’s others out there working towards the integration of holistic sciences, deep ecology, and depth psychology. Harding himself lives in England, where he founded Schumacher College, which offers ecology-centered masters programs. At Schumacher College, Harding serves as Deep Ecology Research Fellow and senior lecturer on holistic science.

I can’t recommend Gaia Alchemy highly enough. For those interested in both the spiritual and natural world, this is an insightful guide to wholeness. Harding is doing and teaching what I believe is the most important work of our time, healing our connection with nature, promoting holistic science, and re-establishing our psychological ties with Gaia. Gaia Alchemy is a roadmap for an uncertain future and is well worth the read.

The Big Book of Magical Incense, by Sara L. Mastros

The Big Book of Magical Incense, by Sara L. Mastros
Weiser Books, 1578637406, 288 pages, December 2021

The thing that often comes to mind when I think of the modern witch, and most likely does for others as well, is the silhouette of a person obscured by heavy smoke in a sweet heavy scented air. But how do we create this sort of ambiance? Why with incense of course! But how do we get incense? The Big Book of Magical Incense by Sara L. Mastros has everything you need to know when taking your first baby steps into the world of incense craft. This book touches on the history, the how to burn, the forms of incense and much more. 

All of these chapters are for the most part short, sweet, and to the point. For instance, the chapter “A very Brief History of Incense in the West” clocks in at a whopping three pages! A very informative three pages, but three pages nonetheless. It was so easy to say “just one more chapter” while reading, making this a very quick book to get through.

Just because it’s a relatively quick read doesn’t mean it’s a one and done title. Subsequent readings may not have any new information jump out at you, but refreshing your knowledge on such an important topic in the craft periodically is invaluable.

The Big Book of Magical Incense is divided into three main parts: fundamentals, ingredients, and recipes. Each chapter within these sections is appropriately titled and numbered for quick reference.

There’s a well-implemented table of contents too, which is important since being able to find your way around a book this size is quite a feat. In the event that said chapter has sub categories, much like the “How to Prepare Loose Incense”, they are included under the chapter name on an indented line almost like a citation in an APA formatted paper. Thus, making the process of locating certain topics a breeze. No going to the index in the back to get to the making cone incense section: it’s front and center. 

The way the notes and citations were done confused me before I realized they were all together, in one place, at the back starting on page 259. I much prefer this method of having all the citations in one section toward the back, where I can stick a bookmark and refer to them at my leisure, rather than having them tacked onto the bottom of the pages they appear on.

“This book isn’t intended for your library, but for your laboratory, where you get your hands dirty and try things.”1

This is a claim made by our author, but there’s a part of me that isn’t too convinced. My first and pretty much only point of contention with that statement is that this book appears to only come as a paperback and doesn’t have a hardcover option.

I have always been rough with my most used tools; there are composition books that have seen better days in my possession. Covers worn clean off and some hand-stitched back together so as to preserve the tea ring on page 25 from that one late-night flip though gone slightly wrong. Even though it would mean a price increase, I’d love to see a hardcover version of this at some point, so it could be more durable for my experiments.

Whelp, with my only real issue out of the way, let’s give this wonderful title some praise. First up on the praise block has to be the margins. There is so much empty space around the text that’s straight up free real estate for notes. This is just *chef’s kiss*.

Giving us all that space to make our notes and alterations to our Mastros’ printed word was such an amazing design choice. It really makes it feel like this is a workbook that deserves a place at the bench of magical workings. Being able to mark-up the rituals and exercises presented to us right in the book that will be going into the sacred space of said working, in my opinion, is invaluable. You’re able to get the most accurate to the moment notes as possible by being able to write right in the book.

A thing that I feel the need to address is that Mastros does mention White Sage and Palo Santo in the ingredients section. But these materials were treated with the respect they deserve. The problematic nature of the way modern markets have treated these sacred and powerful pieces of nature is addressed and substitutions are given for both substances.

The coverage was not very extensive but that is to be expected. This is a book on incense, not the sketchy way big business is making money by harming and mistreating plants. That’s something for us to do research on in our own time.

Another thing I love about this book is the emphasis placed on the customization of the recipes/blends given to us by Mastros. Newcomers to the world of incense, and to the practice in general, seem to get so bogged down in the notion that they need to do things EXACTLY like the way the books say. But this is a personal practice for the most part, you do what feels right and gets you the desired outcome.

Person A may not use Lavender in a calming blend because they don’t see it as a calming herb, whereas I do. And in the same vein, someone else may have no qualms with including tobacco in an ancestor incense, but I would never as tobacco smoke is one of my migraine triggers. In the words of Captain Barbosa from the Pirates of the Caribbean series, “The code is more what you’d call ‘guidelines’ than actual rules.” There’s no shame in changing it up.

Who do I think would benefit from this book? The short answer is everyone. Never used incense? Completely new to the concept? No biggie! There’s just enough info here to get you started in the dirty work of blending right away as well as lay the groundwork for a good foundation upon which to build up with further research.

Do you have a mid to high level of experience with this stuff? The personal blends and exercises/rituals that pair with said blends might just tickle a mental itch you didn’t know you had and reading Mastros’ take on these things may have you rethinking your personal beliefs/philosophy on incense and its place in your craft. The wealth of knowledge in The Big Book of Magical Incense is a bonafide steal.

Wild Soul Runes, by Lara Veleda Vesta

Wild Soul Runes: Reawakening the Ancestral Feminine, by Lara Veleda Vesta
Weiser Books, 9781578637393, 208 pages, May 2021

Lara Veleda Vesta’s book Wild Soul Runes: Reawakening the Feminine is not just another book that lists the various runes and provides meanings for them. Well, it does, but don’t let that fool you into thinking that this is “just another book” about runes, because it isn’t. This, my friends, is a 33-week course disguised as a book and is almost impossible to put down.

Vesta is an artist, author, storyteller and educator transforming chronic illness into a path of healing and reclaiming. The author and illustrator of The Moon Divas Guidebook and The Moon Divas Oracle, Vesta is currently working toward her PhD in Philosophy and Religion while exploring ancestral connection and disability as initiation. Wild Soul Runes is a journey towards a deeper understanding of runes and their magic, as well as an opportunity to reconnect with ancestral energy while exploring personal sovereignty within the framework of spirituality.

Personally, runes have always both fascinated and bewildered me. I want very much to connect with them but have found it difficult, as there are so many books and courses that provide conflicting information on how to interpret, when to read, and even how to choose a set. Vesta’s book doesn’t provide a set series of steps to follow; instead, she offers “a scaffold, information, recommendations, and a theory based in my own ritual relationship with the runes.”4 How refreshing!

What I love about this book is the sense of inclusion: Vesta believes that all people should have access to runes and their teachings:

“The basis for this practice is the belief that we can all receive direct, divine information. It is not just for a few special people – it is the birthright of all humans. We are so inured to the idea that information must come through specific authorities, we have forgotten how to cultivate our own inner knowing, activate our ancestral magic, and believe in this direct communication.”5

The first section of the book is simply titled “Beginning the Work” and sets out the framework for the teachings. Set over the course of 33 weeks, Vesta recommends working with one rune per week and describes the practice as something that “consists of building a rune altar each week, examining the ancient rune poems, investigating personal translation, employing meditation and sacred art practice, and toning the runes in a rhythm.”6

Vesta also speaks to the importance of a daily ritual and recommends starting with ten minutes a day. She says that this amount of time can expand as needed but starting with a non-negotiable time frame of ten minutes is necessary for consistency. She also acknowledges that working with the runes requires a certain amount of personal alignment and clarifies:

“If you have things in your life that are out of integrity, places where you are not being honest; are resisting change; or are not letting go based on fear, guilt, shame, or another patterned emotion, the runes will seek to clarify your path before deepening into relationship.”7

That gave me pause. When I looked back at the times I tried working with runes, I realized that those were the times in my life where I was struggling to bring an aspect of my life back into balance. In one case, I was working a job that paid well but didn’t fulfill me. I felt heavy each day going into work, and while I was good at my job, I felt empty. Looking back now, it makes sense that the runes would want a safe foundation upon which to build, something I didn’t have at that time.

In writing this book, Vesta felt called to look up certain words to get a sense of what the runes were trying to say. This is partly where some of the confusion comes from across multiple sources of information, as there is no dictionary and the language most of the reference materials are written in does not exist anymore. Vesta explains:

“There is no definitive source that spells it out clearly. We are missing the historical context of the runes, the culture and society from which they came. Our source materials have been mostly rewritten and translated. Those translators – even those with a deep understanding of ancient grammar and culture – still rely on inference and, like so much in translation, judgment. In translation a word may have many meanings, so a translator makes a judgment based sometimes on deep knowledge but other times for poetic purpose or personal interpretation. When we read a translation, especially of an ancient primary source in a language no longer spoken – like Old Anglo-Saxon – we are reading such an interpretation.”8

This book has done a lot to dispel some of the confusion I’ve had around runes and why I’ve felt that they don’t like me. While I haven’t had a chance as yet to go through the 33-week course, I do plan on doing that, as I feel a pull to access some of my deeper ancestral knowledge and recognize this path might be a good way to establish a connection. 

Written in a comfortable, easy to read voice, Vesta has done a great job in making the sometimes confusing and temperamental divination system known as runes more accessible. For me, Wild Soul Runes has opened my eyes to a gentler way to access my personal gnosis and to not take it personally when the runes decide that today isn’t the day to solve every single one of my problems. This book is perfect for someone who seeks to connect to the runes and wants to explore that possibility using a slow-paced, buildable process that empowers as well as educates. 

The Witch of Willow Hall, by Hester Fox

The Witch of Willow Hall, by Hester Fox
Graydon House, 1525833014, 368 pages, October 2018

My husband picked up The Witch of Willow Hall by Hester Fox for me at the library because he knows how much I love my witch lit books (yes, what a gem!). What I was not expecting when I started reading was a marvelous GHOST story. As if the tantalizing antique drama coupled with romance is enough to draw one’s attention, there’s more; it’s filled with haunts and frights. Hester Fox has blended genres in this book, adding the perfect amount of spookiness to make it an eerie, yet delightful historical fiction read.

The Montrose family has just relocated from Boston to New Oldbury because scandal caused their reputation in society to be tarnished. While the town and their estate seem rather sleepy and boring, more is lurking beneath the surface than they realize. Though it does take quite a bit of time to uncover the secrets of the energies in play.

Sisters Catherine, Lydia, and Emeline are doing their best to adapt to life in their new town. Catherine, the eldest, desperately misses her life in Boston and is keen on finding a husband. Meanwhile, Emeline, the youngest, is focused on seeking mermaids in the nearby pond. In the middle, Lydia does her best to balance her relationship with both sisters.

Lydia and Emeline’s connection runs deep; it’s as though they are intimately connected in mind and soul. Whereas Lydia and Catherine’s relationship has always felt a bit tenuous and strained by competition and jealousies. Catherine is very confident, flirtatious, and self-centered, while quiet Lydia prefers a good book and little attention. When the dashing Mr. Barrett, their father’s new business partner, comes into the picture, both girls have their feelings stirred.

However, Catherine turns her attention towards Mr. Barrett’s friend, Mr. Pierce, leaving the romance between Mr. Barrett and Lydia to develop quietly, slowly. But that’s not the only thing blossoming in Lydia’s life; she’s being haunted by ghosts in her new home. There’s one who paces outside the window, another that wails throughout the night. Warnings from an ancestor beyond the veil tell her to be cautious, danger is afoot.

When tragedy strikes the Montrose family, Lydia’s life is turned upside. The hauntings start happening more frequently, and there is no one for Lydia to confide in about what she’s experienced. Meanwhile, her family is falling apart: her mother is ill and Catherine is keeping a secret that could utterly destroy everyone’s livelihood. Reality and the unknown are pushing Lydia to wit’s end.

At least she has Mr. Barrett to look after her. But as if all of the family demands, secrets, and hauntings aren’t plentiful enough to keep Lydia on her toes, her ex-fiancé Cyrus is desperately trying to marry her to save his family’s fortune. Willing to get what he wants at any cost, Cyrus threatens to destroy everything Lydia cares for by revealing Catherine’s secret – and one of her own – if she doesn’t agree to be his wife.

Oh yes, Lydia is also having a come-to moment about her own power. Recalling an incident where she harmed a young boy that had ruthlessly killed her pet bunny, Lydia must reckon with her own power she always had tried to deny. She’s strong, but has no one to guide her in understanding who she truly is or how to control the force within.

If it sounds like there’s a lot going on, it’s true! The Montrose family is filled with hidden secrets and the estate is filled with ghostly inhabitants. But what I love about the book is how Fox keeps a very tight storyline. Everyone is in the midst of their own crisis, but the interplay between the characters is brilliant. The book is never confusing or hard to follow, and the build-up makes it a real page turner.

Fox is truly gifted in the way she’s able to transport readers back in time. I felt immersed in the time period of 1820, from the decorum to the speech of the characters. The chillingly haunted aspects were very believable. This isn’t a far-fetched ghost story; it’s almost plausible for those who believe.

Whereas many stories about witches focus on magic as the theme, this was not the case for The Witch of Willow Hall. Though, towards the very end, Lydia realizes her talent with herbs, for the most part her power just keeps attracting ghosts hoping to communicate. I feel like this aspect of witchcraft, the openness to the spiritual realm, is often overlooked, and therefore I was glad that Fox focused on it. It also made for a scarier story than most witch-lit books.

There were little mysteries along the way to discover too, such as what the scandal was that made the Montrose family flee Boston and who the ghosts haunting the Willow Hall estate are. All the while, readers are taken on the journey of a heartfelt love story between Mr. Barrett and Lydia – don’t worry this is not a spoiler. It’s pretty obvious from the get-go, even though they have their twists and turns.

One very shocking event happens mid-story that completely changes the pace of things. I definitely shed some tears, as the sorrow was immense and Fox had done a fantastic job of building emotional connection with the characters. My heart broke right along with the Montrose family.

So there you have it: tragedy, love, mystery, witchcraft, and redemption. Sounds like the ideal blend for a book, right? I think so! The Witch of Willow Hall will definitely be high on my recommendation list. And I was excited to realize that Fox has written three more books since this one was published. I just requested The Widow of Pale Harbor and The Orphan of Cemetery Hill. Then in February, Fox’s next book is being released: A Lullaby for Witches. I’m looking forward to reading that too!

Making the Ordinary Extraordinary, by Tamra Lucid

Making the Ordinary Extraordinary: My Seven Years in Occult Los Angeles with Manly Palmer Hall, by Tamra Lucid
Inner Traditions, 9781644113752, 160 pages, December 2021

I have quite the collection of Manly P. Hall books, which I have amassed because I live about two hours outside of LA and can score incredible finds at used book stores. From The Secret Teaching of All Ages to Man: Grand Symbols of the Mysteries, Hall’s books are what I am most proud to display on my bookshelf.

While recently I’ve been reading Hall’s The Secret Destiny of America to better understand the USA’s Pluto return this year, I will admit the aforementioned books haven’t been delved too far into yet. Most of the time, I’m intimidated by the sheer amount of history, knowledge, and occult wisdom stored in the books and feel like they’re not relics rather than learning manuals. I refer to them in dribs and drabs, taking what I need and then quickly shutting it again, almost afraid to unleash the power.

However, reading Making the Ordinary Extraordinary: My Seven Years in Occult Los Angeles with Manly Palmer Hall by Tamra Lucid has completely changed my perception of Hall – in a very good way! Lucid has painted a new picture of Hall for me, granting unique access into his life that reveals so much about his final years.

I love reading fiction books about people in history that I admire. Learning about their personality, daily life, and close association always puts their achievements in perspective for me. It’s easy to deify those we admire, but remembering they are an ordinary person helps to better understand their motivation behind their success.

Lucid and her boyfriend Ronnie, a troubled yet insightful man determined to make some changes in life, discovered The Secret Teaching of All Ages in the early 1980s. The content was life-changing, and they were surprised to find out the author, Hall, was not only still alive but gave talks regularly every Sunday morning. For over 50 years, every Sunday at 11am, Hall would give a lecture at his Philosophical Research Society (PRS) headquarters on various topics. Curious about the content of the book, Lucid and Ronnie decided to attend one.

Ronnie experienced a life-changing moment where it felt as though Hall was speaking directly to him, which many people in Hall’s life claim he had an uncanny way of doing. Following the lecture, Ronnie was eager to make a contribution to PRS, so he and Lucid decided to volunteer.

Ronnie wasn’t sure what he could contribute and was plagued by self doubt. Therefore, when Hall picked Ronnie to edit the bibliography of his alchemical books, he was honored yet doubtful he could fulfill the role. In fact, he told Hall no at first, but Hall insisted. And just like that, Lucid and Ronnie became a part of Hall’s inner circle, ushering in a whole host of characters in their lives.

There were tons of regulars at PRS; each there for their own reasons and the atmosphere was very open to ideas, research, and general philosophical questioning of the Universe. People from all walks of life from gurus to musicians gathered around the hall, making PRS an eclectic, thriving community.

Lucid describes Edith, a hip old woman that taught the couple astrology,  musicians Arthur and Lynn who called their home “New Temple of Freedom”5, Mr. Louis, who’d visit their house and go silently meditate in the corner, and many more! Reading about the variety of people, each on their own spiritual quest, coming together through the PRS community made me see how a sense of belonging can help one to flourish.

And this question of, “What brought you here?” is something that Lucid explores throughout the book for everyone she writes about. This makes the book interesting that she’s not merely just describing people, places, and events; she’s painting a picture of this time period, capturing the atmosphere and highlighting the deeper motivations and personal journey of everyone she writes about.

“We asked Steven what brought him to PRS. A dream. Dreams had been guiding him on an epic journey to gather information from all around the world about alternative and unusual methods of healing involving color, electricity, herbs, elixirs, the recipes of medieval sages like Paracelsus, and the advice of psychics like Edgar Cayce.”6

Meanwhile, Lucid and Ronnie are on their own spiritual journey. For instance, they begin visiting the Seer of the Sunbelt, Reverend Edward A. Monroe, “who would be answering questions about earth change.”7 through his Scottish spirit guide Jock. Another time, Ronnie was having trouble overcoming an illness, so Hall took him to Dr. Sabia to have a session with The Electro Stimulating Machine.

If you try to Google these things, no information comes up. And this is why Making the Ordinary Extraordinary is such a value book for one’s occult collection. There’s little to no records of these things that were happening. And reading about them opens so many doors of perception, as well as topics of research to further inquire about. When you consider this was all happening pre-Internet, you begin to see how unique of a scene this must have been. Reading Lucid’s story helps me to understand what occult Los Angeles was like in the 1980s, and oh how I wish I had been there!

In time, Ronnie began rising in rank at PRS, even delivering his own lectures on Sundays. There’s a really, kind of crazy story too at how Lucid and Ronnie wound up married because of the Halls, with Manly P. Hall as the officiant! Quite abruptly though, Hall subtly forced Lucid and Ronnie out of the PRS community. Things were changing, and Hall knew it.

What ended up happening to the community PRS, splintering and fracturing, was a heartbreaking story. For some reason, even with the great admiration and reverence I have for Manly P. Hall, I had never heard about the sketchy circumstances of his death. Lucid’s experience of leaving PRS and even warning Hall about the people he was surrounding himself with absolutely cast his death in a new light for me.

Hall did at least guide Lucid and Ronnie to this next endeavor: music. Their band Lucid Nation rocks. I totally went and listened to their music after I finished the book. Plus, I was inspired to check out all of Lucid’s other work including writing for Newtopia Magazine and documentaries Exile Nation: The Plastic People, End of the Line: The Women of Standing Rock, and Viva Cuba Libre: Rap is War. Totally, totally amazing stuff!

But there’s just one more person I have to write about, which I saved for last intentionally because she’s been all I’ve wanted to talk about: Marie Bauer Hall. Lucid delves into Marie’s fascinating theory that Sir Francis Bacon (and his contemporaries) was Shakespeare, detailing how she went to the Burton Church in Virginia to try to dig up his tomb. Marie’s cosmology also involved the Space Mother.

Lucid describes how “In her magnum opus, Inquiry Into the Nature of Space and of Life in Space, Marie expressed optimism that it would be the mother of humanity whose conscience and consciousness would first awaken.”9 I’ve gotten so into researching more about Marie that I even bought God as Mother by Victoria Jennings, who organized and shares Marie’s work in the book. I really hope that more occult historians focus on Marie, from her life as Manly’s wife for decades to her own cosmologies – there is so much to uncover! A real treat is that Lucid includes the recipe for Marie’s zucchini pancakes at the end of the book!

All in all, Making the Ordinary Extraordinary is a must-read for anyone interested in occult history. Manly P. Hall is one of the most well-known modern occultists of our times, and Lucid’s up close and personal stories of working for Hall and being immersed in the PRS is fascinating insider information. Lucid does a wonderful job of sharing her personal experience with objectivity and genuine insight and reflection about the past. While it focuses on time-passed, it opened so many new doors for me to explore going forward; occult Los Angeles lives on through Lucid and Making the Ordinary Extraordinary.

Payback’s a Witch, by Lana Harper

Payback’s a Witch (The Witches of Thistle Grove), by Lana Harper
Berkley, 0593336062, 352 pages, October 2021

New year, same me reading witch lit 🙂 And my latest book, which I discovered when cleaning out my garage – a perk of the effort, is Payback’s a Witch by Lana Harper. As someone who’s read a lot of books, particularly in this genre, I can say with confidence Harper is one of the best writers I’ve ever come across. Payback’s a Witch takes the quality of this genre to a whole ‘nother level!

The premise of the story is that Emmaline Harlow (otherwise known as Emmy or Harlow) has come back to her hometown of Thistle Grove. As a scion of the one of the four magical founders of the town, obligation compels her to return to town in order to fulfill her role as arbitrator in the Gauntlet tournament, which is held every 50 years between the founder’s families to determine who will safeguard the magical wreath and benefit from its power.

But Emmy isn’t super pumped to be back home. Her first night back, she runs into her ex-beau, Gareth Blackmoore, who descends from the family of the most powerful witches in town. He’s a textbook narcissist who never really seems to get what he deserves. The same night though, Emmy also has a reconnect with Talia Avramov, another scion of the founding family most practiced in the dark arts. After quite a few drinks Emmy feels a bit better about running into Gareth and definitely notices a few sensual feelings budding towards Talia.

At breakfast the next morning with her longtime BFF, Linden Thorn, the fourth founder family’s descendent, Emmy is surprised to have Talia join them. Turns out, Emmy isn’t the only one who received the short-end of the stick of Gareth’s arrogance and schemes. He also two-timed Linden with Talia – or vice versa – point is, he was seeing them at the same time when both thought they were exclusive. Now, Liden and Talia want revenge, specifically at the Gauntlet tournament, and they are looking for Harlow to help out.

Harlow is well-aware of her duties to arbitrate without bias, and at first she’s a bit reluctant. She fled the town wanting to forget Gareth, and suddenly the whole time home seemed to be becoming all about him. However, when Talia and Linden point out this goes beyond petty revenge; the balance between the families has become skewed by the Blackmoores repeatedly winning, gaining magical advantage, winning again, and so on in a repetitive cycle.

This has led to them building a giant castle structure of Camelot akin to a Ren Faire that has drawn all the tourists away from more local shops, such as the Thorn’s farm and Aramov’s emporium. If balance is not restored, the unequal distribution of power could see foreclosure in the future for the Aramovs and Thorns. Understanding the greater balance of power among the founding families at risk, Emmy decides she’ll assist, and obviously, foresees some personal enjoyment in bringing down Gareth as well.

What takes Emmy by surprise is how happy she feels to be home. As her magic returns after her long departure from Thistle Grove, she starts to recall all the small joys of the town. Adding to her inner confusion is the romantic sparks between her and Talia. Talia can’t imagine a life away from their hometown, while Emmy is very proud of the life she’s built for herself.

As the Gauntlet plays out, in very twisted and unexpected ways, Emmy discovers there is more to her family’s lineage than she previously realized. Ultimately, she must reckon with the consequences of leaving her family and close friends behind, forgoing her claim to magic, and newly discovered feelings towards Talia to decide what her next step will be.

Luckily, the story doesn’t end here – there is a sequel coming in March! I am very pleased about this because I absolutely adored all the characters. I think there’s so much room for the story to grow. Plus, Harper really knows her stuff when it comes to magic. There’s plenty of diversity among the different types of magic practiced, and reading how they blend together or repel one another is an intriguing part of the story.

This was a fun read with surprising depth. There is the perfect amount of banter, tension, and love between the characters, with plenty of emotion balanced by humor and quirk. I loved reading it as a leisure book to relieve the stress of the day and tap into some magic.

The pace of the book is perfect with one chapter effortlessly flowing into the next, often on a cliff-hanger that compels you to keep reading. There’s also a great blend of fantasy with modernity, which gives the story very relevant magical realism. I love when this happens because I enjoy believing somewhere in Illinois a town like this might just really exist.

My favorite character was Talia since she practices the dark arts, particularly necromancy. Throughout the book, she chats with ghosts and summons her ancestor for guidance. The magical families that lean more towards “life-magic”, specifically the Thorns, are put off by the spookiness of the Avramov family, as Emmy is eager to see their magic, which is usually kept hidden.

Plus, Talia has a deeply caring and compassionate side, wanting to cook for and tend to the needs of those she loves. The relationship between Talia and Emmy is just beautiful to watch unfold. I absolutely love having some lesbian protagonists in a witch lit book! What’s better than two witches falling madly in love? THE ULTIMATE ENDING of the Gauntlet challenge, which is all I will say for now! 🙂

All in all, Payback’s a Witch is a 10/10 from me. Harper is one of the best writers I’ve read in a long time. The story has the perfect flow; the characters are very relatable; and the plot is enticing. I am very excited for the book in The Witches of Thistle Grove series!

A Guide of Spirits, by Chris Allaun

A Guide of Spirits: A Psychopomp’s Manual For Transitioning The Dead To The Afterlife, by Chris Allaun
Moon Books, 9781789046601, 224 pages, October 2021

“Death is a final rite of passage of our physical life. As we know, death is not the end. There is a spiritual journey ahead for each person. Each of us must walk our own path of death and into the realm of the afterlife. Walking our spiritual path of death can be difficult and we may need the help of a guide. The psychopomp has the sacred duty of guiding the spirits of the dead back home to be with their beloved ancestors.”10 

It seemed fitting to begin this review of A Guide of Spirits: A Psychopomp’s Manual For Transitioning The Dead To The Afterlife by Chris Allaun with a quote from the first paragraph of the conclusion, as the quote beautifully states what appears to be an ending is actually a beginning in a new fashion and form. Allaun has done a marvelous job of honoring and explaining the role of those individuals who selflessly give of themselves to serve as guides for those transitioning beyond the veils of death: the psychopomp.

A Guide of Spirits is separated into nine chapters that provide the reader with an inside perspective of what being a psychopomp entails, the journeys of the spirits they guide, and practical recommendation for self-care and psychic defense. The bibliography is extensive in its diversity of source, ranging from Carl Jung to Bullfinch’s Mythology to Virgil and the work of occultist Israel Regardie to name just a few. These also included religious and spiritual texts such as The Tibetan Book of the Dead and Greek and Roman Necromancy, which are often referenced when speaking of cultural attitudes and customs regarding death. 

Allaun gives a beautiful introduction in chapter one, “The Psychopomp”, about what a psychopomp is and the service that one who takes up this calling provides:

“A psychopomp is a special type of healer. Not only do they escort the spirit of the dead to the realm of their ancestors, they also send the spirit healing energy to aid in letting go of earthly attachments that may keep them bound to the physical world. The word itself comes from the Greek language which roughly translates to “conductor” or “guide of the soul.”11

The reader is given the perspective of the psychopomp as a healer, not dissimilar to what the usual definitions of a healer may be, but in this case, one who assists the healing of release of corporeal existence so the real journey can begin.  We learn that the work of a psychopomp is not readily taken up because of its close association with death, something that many still fear. 

A Guide of Spirits is nicely balanced with theory, practical application, and exercises to develop both the reader’s psychic abilities and pathways towards communing with Spirits and the ancestors. I found these to be very useful in a variety of ways beyond whether one chooses to take up the work of becoming a psychopomp. There is a lot of general information that could serve to deepen the readers connection to their own ancestors and departed beloveds that would offer comfort and healing as death approaches or has occurred. 

Allaun provides the reader with many opportunities of encouragement in trusting and believing in the inherent skills he believes everyone possesses…

“As I said, I believe we all have the ability to see the spirits. Yes, some magical people are natural seers and do not have to try hard to see the spirits, while the rest of us have to practice daily in order to get just a little hint that the spirits are there. I want to make something very clear; just because it may be difficult for you to see spirits now, does not mean you will not grow into a powerful seer.”12

I truly found this running theme within the book to be truly empowering. Confidence builds as the reader moves through each of the chapters, practices the exercises, and deepens their awareness of perception “outside of the box”.

Chapter five, “Helping the Dying to Transition” takes the reader through the steps of death’s process and what may occur for both the individual preparing for transition and any who are assisting or witnessing that crossing. The importance of surrounding the individual with compassion and love is stressed throughout the book as a requisite for those acting as psychopomp. Through the tools of “Death Midwifery”, a term used to describe the work of the psychopomp, an energetic space of love is created for the dying to draw upon as manifest life recedes.

“The art of death midwifery is a profound and intuitive way of communing with the dying, of lending support and guidance to those making the greatest of transitions. Committing to deep spiritual work. The death midwife becomes a strong, clear conduit who directs the flow of divine love to the dying.”13

Overall, A Guide of Spirits provides a clear and thorough text of how we may become better supports for those who are in all stages of the process of death. Whether reading out of curiosity or for the purpose of serious consideration of how to assist those souls embarking on the next grand journey, the reader will come away from this reading with tools that may be applied to any spiritual pursuits. This title is rich with ritual, moments for reflection, exercises to strengthen greater self-awareness and much more. This is a book I am excited to continue working with and exploring the profound nature of death and those who support a loving transition. Perhaps it will provide you with a new perspective of death, as well.

Pagan Portals – Scrying, by Lucya Starza

Pagan Portals – Scrying: Divination Using Crystals, Mirrors, Water and Fire, by Lucya Starza
Moon Books, 9781789047158, 104 pages, February 2022

Writing about subjective topics such as scrying is not an easy task. There needs to be an innate understanding of the topic as well as a personal link in order for the reader to feel connected to the author. Thankfully, Lucya Starza is no stranger to writing about things that are hard to pin down and define. As the author of quite a few books on such subjects as poppets, candle magic, and others, Starza is well positioned to offer her perspective on scrying in Pagan Portals – Scrying: Divination Using Crystals, Mirrors, Water and Fire.

Scrying has been difficult for me personally, as I just can’t seem to sit still long enough to allow images to form in the crystal ball, to visualize signs within flickering flames, or to see things come forth from the inner depths of a scrying mirror or pool of water. Picking up this book made me a bit nervous; I wondered how I would be able to use the content effectively. Starza says that’s completely normal, as “Scrying requires us to use our psychic senses and intuition to the full. But don’t worry if that seems a tough task, this book will teach you how to do that. It’s also okay to feel nervous at your first attempts.”14

Starza’s writing reminds you of a loving aunt who has tons of advice that actually is helpful. When scrying, she stresses the importance of not reacting immediately to whatever information is picked up and adds that there are things to do before you even think of starting to scry. Foundational advice is always welcome, and Starza offers a few pearls of wisdom in the context of scrying to help the reader understand that what they might see is completely subjective and open to interpretation. She says:

“Often what we see offers insights about ourselves that may help us with the problems we face or what is yet to come. Do not act hastily after scrying. Make notes and think about what you’ve experienced; let the meaning of any visions become clearer with time. But we’re getting ahead of ourselves; thinking about what to do after scrying. Before we even begin there’s some background to understand and preparations to do…”15

This is an important quote because not all books that discuss topics such as this actually delve into the beforehand preparations. They detail a number of pre-done how-to scenarios that aren’t based in the reality of how people might use the information being presented and wash their hands of it. This book does not do that: Starza goes out of her way to ensure that the reader is fully versed in the foundations of scrying before even getting into the art itself. There’s even a gentle suggestion of speaking with a counselor or GP prior to beginning any sort of magical work if there is a concern regarding mental health. Wonderful to read that, as some books don’t mention it at all, and I personally feel it’s vital to offer that caveat when offering esoteric information.

The introduction of the book is full of useful background information that delves into the history of scrying and where it was used. Starza gives full descriptions of various cultures using scrying for their purposes which not only builds credibility in the art but also gives an anchor in terms of who used it and why. Personally, I find that information valuable, and I love introductions, so this was a pleasure to read.

Starza writes with a practiced hand and her prose is easy to understand and approachable. For me, I would rather have a book written in a clear way without extraneous text getting in the way of the information. I have read books where I have felt that the author has fluffed up their sentences and paragraphs in an effort to pad their word count and I can say that I don’t see this here. Starza writes from the heart and it shows in the words chosen and the way the book is laid out.

My favorite chapter is the last one titled “Problem Solving and Frequently Asked Questions” because it clearly telegraphs that Starza knows her audience. She understands that not everything readers want to know will be in the book, (how could it all fit in this slim volume? Impossible.) so she cleverly has a section devoted to everything she couldn’t fit into the rest of the chapters. Brilliant.

The questions in this section include topics such as seeing scary images, how to scry for others, and what to do if you can’t scry no matter how hard you are trying. (I might have flipped to that last one first.) What I love about this chapter is that Starza repeatedly reinforces ethics, mental health, being gentle with yourself, and writing everything down to reflect back on.

These are also basic witchcraft principles that she has woven into this book, and, personally, I love seeing the overlap. Not all who scry identify as witches and not all witches scry, so seeing these cornerstones repeated throughout was refreshing. Starza’s answers to the FAQ’s are thorough and crafted to make the reader feel good about having the question to begin with, something I’ve not seen for some time in books such as these.

Scrying is difficult under the best circumstances, and if you don’t have the right mindset or the right information you can end up being very confused and feeling like you’ve failed. If you are interested at all in scrying or tea leaf readings or any other type of interpretive art this book would be an asset. Not only is it full of useful information on the actual types of readings themselves, there’s also an extensive listing of symbols and colors that relate not only to scrying but also to Tarot and other divination types. I found myself jotting down notes in my personal book on various symbols as Starza’s interpretations seemed more fulsome than some other resource material I have. 

Pick up Pagan Portals – Scrying if you are even remotely interested in scrying. Even if you never see anything in whatever medium you choose to explore in your scrying, you will have a remarkable resource book that can be used across a variety of disciplines.

The Enchanted Moon, by Stacey DeMarco

The Enchanted Moon: The Ultimate Book of Lunar Magic, by Stacey DeMarco
Rockpool Publishing, 9781925946147, 247 pages, November 2021

Moonstruck. Dance by the light of the moon. Lunacy. Tides. Prehistoric cave drawing. Ahh – the Moon! She has always been a guiding force. 

Stacey DeMarco’s book, The Enchanted Moon: The Ultimate Book of Lunar Magic, is chock-full of valuable information on developing a relationship with the Moon to assist with living our lives in a magical way. I avoided saying “working” with the Moon because the book is rife with ways for us to play with the Moon, dance under the Moon, grow with the Moon – you know, have fun with the Moon, while deepening our relationship with our inner goddess/god and La Bella Luna. As DeMarco explains, “this is the witches’ way – practical and magical.”15

I was so excited to get the book that I dove right in. Yet there was so much information and great suggestions, coupled with an abundance of invocations, rituals, and spells, that I soon realized I needed to honor DeMarco’s work by then slowing down and picking and choosing what sections to focus on for my own work. I began to use the various sections to do deep dives into actually working with the power of the Moon. 

DeMarco begins by writing about the Moon scientifically: its gravitational force, tides, and even the light of the Moon and how it’s been used from the beginning of time. She then flows into the lunar rhythms and cycles, describing waxing and waning moons, new and full moons, eclipses, and blue moons – and the influences of each phase. As I write this, the Moon is in a waxing phase – a good time to set intentions for growth and for prosperity spells.

In the “Inner Cycles” chapter, I found it interesting to read that “the moon phase upon (one’s) birth triggered the beginning of life and remained as a person’s peak time energetically throughout life.”16 I began to pay attention to when the Moon’s phase was returning to where it was on the day of my birth and used this knowledge as guidance. It’s easy to look up the phase for your birthday, if you’re interested in doing the same.

DeMarco then delves into how one can start to practice lunar magic. She writes about three vital skills that are needed, noting:

“This is how I begin with my students who are serious about working with earth elements and lunar energies, and for all of them, you need nothing but yourself… YOU are the weaver of magic and magic starts with you. That is more than enough.”17

How empowering! The first skill is Observation – noticing the moon for a lunar cycle, observing the light, the star and planets, the moon’s surface.

The second skill is Sitting Out – Utiseta. “The practice of purposeful ‘sitting out,’ called utiseta was a meditative and somewhat shamanic activity.”18 She recommends as a start that one sits or lays in one’s garden (if you have one) for at least three hours for each lunar cycle, connecting with the earth and the moon.

The third skill is Casting Circles.  “In lunar magic, it is a reflection of the shape of that big moon above you and is a way to capture the energy.”19 The book delves into lunar rituals for both solo work and working with a group. 

For the 28 moons of the month, each magical in its own way, she offers “profiles of the energy, as well as a spell, ritual, and invocation or meditation…for the feel of the phase’s opportunity.”20

For instance, I loved the ritual of grounding and protection done under a dark moon. It was powerful to feel rooted in the earth, receiving goddess-given power from the earth knowing that the power was unlimited and protective. Admittedly, I felt more comfortable and less noticeable to my neighbors by doing my first ritual in the cover of darkness.

The next ritual I feel called to do is on the waxing crescent, with the intention of making our home a sanctuary for ourselves. I love working with my home at the beginning of the year, and will call on the friendly fires of Vesta, so this lunar work feels very aligned right now.

The book also details gardening “more successfully and magically”21 using the moon cycle. She also explains plants that can be used in lunar magic and shares about the wisdom of each plant. Coincidentally (I say that tongue in cheek), I’ve been wanting to buy eucalyptus, and now read that Stacey recommends it for clarity and strength, which are much needed right now! 

As DeMarco writes, “Almost every culture has a lunar goddess or god.”22, so the book also explores deities such as Hekate and Artemis. She also details working with animals of the moon, such as the hare that is often seen in the waxing moon.

The book concludes with working with crystals and potions, herbs, and baths. “The Never-Ending Learning” chapter offers resources such as DeMarco’s website and that of NASA. What I found to be a really amazing gift was that DeMarco included universal dark, new, and full moon charts for the next 15 years: 2022 – 2036. This is an amazing resource!

DeMarco is a sharer of her knowledge of lunar magic. Her work is remarkable; I use her Moon Magick: Deep Moon Messages mini-cards daily for a quick pull. I highly recommend her work, but especially The Enchanted Moon. It’s a resource, it’s a starter, it’s a guide – it’s all good things in relation to lunar magic rolled into one!

Confessions of an Egyptologist, by Erich von Daniken

Confessions of an Egyptologist: Lost Libraries, Vanished Labyrinths & the Astonishing Truth Under the Saqqara Pyramids, by Erich von Daniken
New Page Books, 1632651912, 208 pages, September 2021

Doesn’t it sometimes seem like Egypt holds all the secrets to the Universe? It’s easy to get lost in the ancient history of such a vast, expansive empire. I had previously read Erich von Daniken’s book Chariots of the Gods, and was curious what other hidden history might be revealed in Confessions of an Egyptologist: Lost Libraries, Vanished Labyrinths, & the Astonishing Truth Under the Saqqara Pyramids.

The book starts off with a very violent act of terrorism, but this sets the stage for the story of Adel H. to unfold, who was tragically murdered in the rampage. When the company Adel was working for needed a guide for von Daniken’s group, Adel volunteered, despite von Daniken’s notoriety for asserting his own information. Adel had read von Daniken’s work and was eager to have the opportunity to speak with him, sparking a decade-long friendship.

Throughout their relationship, Adel shares tons of insider information, having come from a family of grave robbers, with von Daniken. Confession of an Egyptologist‘s  primary focus is on one particular experience that Adel had in the Saqqara Pyramids, which changed his life forever and reveals fascinating information about what might still be hidden beneath the pyramids.

Adel had claimed that his family knew of underground structures that dated back even further than we could comprehend – tens of thousands of years at least. This sparked von Daniken’s interest, as he had written about books written longer than 2,000 years ago hidden in underground labyrinths. His own knowledge, plus what Adel shared sparked von Daniken’s curiosity.

“And I could help but wonder under which deserts, settlements, or sanctuaries these labyrinths must be hidden. Where were these lost, underground worlds from distant times? Had they been excavated and then covered up again? If so, by whom? Had these long-forgotten structures become inaccessible due to natural disasters?

And where are the millions of books that were written in the distant past? Were they burned? Damaged? Deliberately destroyed? And if so, again, why? Is the little that we see today all that there is? Or do secret libraries exist, accessible only to hooded guards or members of obscured orders? Who actually had an interest in writing, hoarding, and then hiding books for millenia? Who wanted to make these books disappear again?”20

Suddenly, I became curious about these questions, right along with von Daniken, and this made me eager to continue reading. It is of von Daniken’s opinion that the Egyptians hid these books because they feared a flood. However, humanity has also proven to be just as destructive of knowledge, from Caesar trying to burn down the Great Library of Alexandria to Pope Gregory IX burning Jewish books in the Talmud burning. (For more on the topic of book burning, I highly recommend Burning the Books: A History of the Deliberate Destruction of Knowledge by Richard Ovenden, which I’ve been reading this week too.)

As the different theories of why books would be hidden and where they might be, different theories come up between Adel and von Daniken based on their cumulative knowledge. One that was especially interesting was the concept of books being inscribed in precious stones hidden in the artwork on the underground walls. Von Daniken brought up the ancient text The Life of Adam and Eve, which describes how Adam learned how to communicate with a sapphire stone and learned all about astronomy and the earthly calendar.23 Adel had his own experience related to this:

“I saw a sculpture of the goddess Hathor carved into the wall in addition to the strange, tubular objects I described before. Between her eyes, in the middle of her forehead, was something like a precious stone. I clearly remember the indescribable awe I felt that prevented me from prying out the stone.”24

Is it possible that precious stones can communicate knowledge spanning millennia? If so, this would point to an advanced technology of the Egyptians, which might be hard to explain for some, but not for von Daniken. He asserts time is relative, and in both the past and present Earth has had visitors from the skies. Citing multiple witnesses of UFOs, von Dankien ultimately concludes the extraterrestrial intelligence that has come before is now present again on earth. 

To be honest, this felt like a stretch to me, but it was an intriguing concept nevertheless. I just wish it had been substantiated a little better than the assortment of testimonies von Daniken put together, leading to a kind of smorgasbord of ideas trying to pass as a credible theory. So while I wasn’t sold on the ultimately conclusion about alien life present on Earth, I did enjoy another focus of the book: the search for historical labyrinths and the experience Adel confided in von Daniken.

Before proceeding to discuss my thoughts on that content, it’s worth noting that the greatest flaw in the book is the lack of organization and skipping from one subject to the next without any clarity about how they are related. It feels like there could be some loose, easily broken thread connecting the different topics covered, but the book lacked a strong thesis, which made it hard for me to follow along with how one part of the book led to another. It felt like a mis-mash of information, which is often what makes me dubious of the veracity of the content.

As mentioned, the highlight of the book was Adel’s personal story of being stuck in the underground labyrinth of the Saqqara pyramids. While accompanying his father and uncle in a grave robbing expedition, he ended up getting stuck in the pyramid when a rock blocked his path back out.

Noticing a stairway that led downward led to mystical experience for him, filled with intimate relationships with a beautiful young woman and discovery of a mechanical throne, possibly linked to King Solomon’s. He was able to survive and escape with the help of a falcon that guided him to an exit. This is a quick summary, and his experience is recounted in much more detail by von Daniken, but it sounds incredible. It makes one wonder about what’s hidden in the unexplored tunnels underneath the pyramids.

Overall, I got some entertainment from reading Confessions of an Egyptologist. It was interesting to imagine the scenery and experiences of Adel, and I did learn some new information about Egypt from von Daniken. Just like many “conspiracy theory”-esque or outlandish ideas, the book has enough factual information to make it seem plausible, but it is simultaneously riddled with loopholes of confusion and inconsistency. So while I am not full subscribing to the tenets of the book, I am at least glad that I read it for consideration.