Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Ecosomatics, by Cheryl Pallant, Ph.D.

Ecosomatics: Embodiment Practices for a World in Search of Healing, by Cheryl Pallant, Ph.D.
Bear & Company, 1591434769, 224 pages, June 2023

A few weeks ago, I had an energetic anatomy healing with psychic healer Madison Lang. For over an hour, she scanned the energy of my physical body from miles away; Madison is located in Minnesota, while I’m in New Jersey. At times, she told me of symbolic images residing in certain parts of my body, such as a clock, representing influence from my maternal grandmother creating soreness in my arm. Other times, she focused her keen awareness on misaligned, extra, and stagnant energy in my body, clearing away blockages and rebalancing my physical body energetically.

The whole experience was phenomenal. And afterwards, I felt like a million bucks! Physical symptoms that had been lingering for months disappeared. My consciousness felt situated within my body again, rather than floating outside myself. My confidence improved, as I was more connected to myself from within rather than making judgements about myself from external standards or perceptions. Madison’s encouragement to release attachment to my pre-pregnancy body and attune myself to my current body– wider hips, a softer belly, and big nursing chest–help me to embrace where I am in life right now with gratitude.

It felt a bit synchronistic to begin reading Ecosomatics: Embodiment Practices for a World in Search of Healing, by Cheryl Pallant, Ph.D. shortly after my energetic anatomy healing, as though the Universe was encouraging me to continue to learn more about the connection between myself and my body. Dr. Pallant’s concept of ecosomatics, or “embodiment work for personal and planetary health”1, goes one step beyond the psychic healing experience I had and grounds it into the physical realm. It has been a wonderful resource on my journey of expanding my perception to be more attune to my body and cultivating my own somatic intelligence.

“For those who are attentive, my touching you provides information about you and the touch also provides you with information about me. The place of contact opens the gate to all sorts of information, especially for healers whose highly sensitive hands rest gently on the skin surface and in the subtle field of the body to detect heat, cool, tingles, pressure, and more. . . Every part of the body leads to a specific awareness, emotion, sensation, imagery, and/or memory, perceptible to those who notice.”2

In Ecosomatics, Pallant asserts that shifting consciousness through expanding one’s sensory perceptions and attuning to the natural rhythms of one’s body has the power to transform on both a personal and collective level. While modern social problems, inadequate healthcare systems, and ecological crisis are pushing humanity towards the brink of destruction, Pallant believes somatic awareness can be a source of healing that aids in the evolution of human consciousness.

As context for her point of view, Pallant goes right to the core of how bias and perception can influence belief systems. She acknowledges the safety of collective belief systems, but encourages readers to delve into discomfort and have the courage to expand their perception to be more inclusive of the intuitive and energetic aspects of ourselves not readily seen with our eyes. This integrative approach helps to release fears, anxieties, and limiting beliefs and opens a doorway for the evolution of consciousness through somatic intelligence.

Drawing upon her own career experience, which includes a Ph.D. in Somatic Writing, certification in Reiki and Healing Touch, and training in Process-Oriented Psychology, Authentic Movement, and yoga, Pallant provides first hand experience of her own journey of discovering the healing ability within herself. She also provides plenty of client anecdotes that aid readers in believing that this somatic shift in perception is achievable.

But her approach to this topic is not a subjective one; Ecosomatics is filled with explanations from fields such as psychology, sociology, quantum physics, and neurobiology. Pallant also expertly weaves together her personal experiences with insight from experts in other related modalities focused on integrating mind, body, and self, such as Healing Touch, 5Rhythms, and Body-Mind Centering, to give readers a wide-range of approaches to somatic healing.

“Common knowing privileges logic, reasoning, and head-centered knowing. Missing is a comprehensive sense of the body that includes intuition, embodiment, energetic, and spiritual awareness that is integrative rather than fractional. Missing is a place and appreciation for uncanny experiences and impressions that don’t readily fit into our belief system.”3

A key theme of Pallant focuses on is interconnection. My favorite chapter, “The Ecology of Self” discusses topics such as energetic resonance, how people’s energy and emotions can be projected onto others, the impact of both fear and love in our lives, and the concept of “we space”. She writes, “Nascent in our development are intrapersonal practices that contribute to coming to know what lives in our shared personal spaces.”4

I really enjoyed contemplating the idea of sharing energetic spaces and observing this energy exchange throughout the week in different places I went. At first, I noticed how much my energy felt scattered and seemed to change based on the vibe of where I was and the energy of those around me; I was losing connection to myself and trying to camouflage into the energy around me.

But by actually doing the “Try This” exercises Pallant offers throughout Ecosomatics, I began to ground back into my own body and become more aware of the somatic experience I was having instead of leaving/ignoring the sensations of my body. I’m still working on my embodiment, but through these exercises, I am coming to understand what Pallant means when she writes:

“By stepping embodied into the fullness of who we are, what takes place is a transformation and a coherence of personal well-being that extends to all sentient and insentient beings and marks us as responsibly partaking in the ecology of self and the planet. What takes place is alignment with the present moment, which reaches out infinitely.”5

The final chapter, “Embodiment Practices”, is one that I’ll definitely be returning to time and time again. Pallant provides different practices for the reader to do in order to cultivate their sense of embodiment. These range from transforming fear and worry into love to balancing masculine and feminine energy to aligning with one’s flow through creative expression.

The one practice I’ve done so far was intended to help develop my intuition, using what I’ve learned about embodiment to discern between fantasy and my intuition. As someone who is clairsentient, it is helpful to be able to feel embody when connecting to my intuition and learning where emotions reside within my body.

All in all, Ecosomatics is a wonderful resource for those interested in expanding their perceptions to be more inclusive of their physical experience. Pallant puts forth a compelling thesis for why embodiment is vital to the growth of our consciousness and does a great job teaching readers how it can be done. The healing potential is infinite. This read is sure to shift how readers perceive themselves in the world around them, awakening them to the experience of embodiment and as a result more acutely attuning to the surrounding energy.

The First Female Pharaoh, by Andrew Collins

The First Female Pharaoh: Sobekneferu, Goddess of the Seven Stars, by Andrew Collins
Bear & Company, 1591434459, 464 page, April 2023

Most people are familiar with the famous Egyptian queens Cleopatra, Nefertiti, and Hatshepsut, but few are aware that they were preceded by Sobekkara Sobekneferu, the first woman to break the glass ceiling and be crowned pharaoh of Upper and Lower Egypt. Sobekneferu (pronounced “sob-bek-nef-frew”) was the last ruler of the Twelfth Dynasty, which brought the Middle Kingdom to a close about 3,800 years ago. She may have been around 30 years old at the time of her accession to the throne, and she ruled for almost four years, between the approximate dates of 1798 to 1794 BCE. The circumstances surrounding her coronation and her untimely death are unknown.

I first learned of Sobekneferu by reading Egyptologist Kara Cooney’s work When Women Ruled the World: Six Queens of Egypt (2018), and I was thrilled to review a book dedicated to this fascinating monarch. In The First Female Pharaoh: Sobekneferu, Goddess of the Seven Stars, author Andrew Collins (Göbekli Tepe: Genesis of the Gods, 2014) does rigorous archaeological detective work, analyzing a variety of statues and beads honoring Sobekneferu, in an effort to humanize her and unravel the mystery of her life and death. This book also has a historical whodunit vibe, as Collins explores possible political intrigues that may have led to her rise and fall. It’s amazing how much information can be gleaned about her from so few inscriptions and artifacts, and Collins walks the reader through each exhibit, clarifying its context.

Collins begins his search for the enigmatic Sobekneferu in London’s British Museum, where he inspects a cylinder seal bearing her royal titles. He presents clear diagrams of the inscriptions on the seal, accompanied by translations of the hieroglyphs so the reader can examine the artifact along with him and imagine the feeling of this ancient stone bead rolling between their fingers. We learn from the seal that her throne name, Sobek ka Ra, means “Sobek is the soul [ka] of Ra,”6 and her personal name, Sobek neferu, means “Beauties of Sobek of Shedet”7. 

The ancient city of Shedet (known to the Greeks as Crocodilopolis), located in the lush oasis of the Fayum, was the cult center of the crocodile god Sobek, to whom Sobekneferu was devoted. Sobek was a manifestation of the solar deities Ra and Horus, and as Sobek-Ra he represented the sun’s nocturnal journey through the Fayum’s great lake, Lake Moeris, before being reborn at dawn every morning.  He was also connected with the divine right of kings to rule and the annual flooding of the Nile. Before Sobekneferu, the Twelfth Dynasty pharaohs, who ruled Egypt from the city of Itj-tawy in the Fayum, adopted the name of Amun or his consort Wosret. Sobekneferu’s identification with the fierce male crocodile god and her alliance with his local priesthood may have politically supported her claim to the throne.

Another seal in the Egyptian Museum in Cairo gives the grammatically masculinized forms of her names, suggesting that the gender of her royal epithets may have sometimes been changed to legitimize her rule. A headless quartzite bust of Sobekneferu in the Louvre Museum in Paris may have been smashed in an attempt to erase her from history. What remains of the decapitated statue depicts the striped lappets of the nemes-headdress worn by male rulers cascading over her shoulders, and although she is wearing the shoulder straps of a woman’s dress, she appears to have flattened breasts.8 Like the Eighteenth Dynasty Queen Hatshepsut, it appears that Sobekneferu masculinized herself to be accepted as pharaoh, and perhaps Hatshepsut was inspired by her predecessor’s images. Other statues Collins analyzes have also been defaced. He explains that iconoclasts broke noses off of statues in the belief that without them the soul of the deceased wouldn’t be able to breathe in the afterlife.

Sobekneferu’s Two Ladies appellation, Sat sekhem nebet tawy, meaning “Daughter of Power, Mistress of the Two Lands,” is a reminder that she inherited the throne from her father, the mighty king Amenemhat III.9 Sobekneferu further legitimized her reign through her divine patriarch by honoring his memory, completing his pyramid complex at Hawara, known as the Labyrinth. 10 She deified him there and made herself the high priestess of his temple cult, a suave political move that emphasized her reign being the will of the gods. 11

Her Horus name, Meryt-Ra, meaning “Beloved of Ra,” was feminized, and was a title often given to priestesses, indicating that she may have served as one before rising to power.12 Collins believes she may have served the goddess Hathor. 13 During the Twelfth Dynasty, it was trendy for queens and kings to be depicted as sphinxes. In doing so, the monarch embodied the lion-headed goddess Sekhmet, the vindictive aspect of Hathor, whose name means “The Powerful One.”14

While Sobekneferu’s tomb has never been discovered, there is evidence that cult veneration of her continued long after she passed away. Graffiti left by visitors in the funerary chapel connected to the Theban tomb of a priestess of Hathor named Senat indicates that her burial site doubled as a place of veneration for Sobekneferu.15 Perhaps pilgrims were drawn to this location because it was the only Middle Kingdom tomb built for a woman.16

Sobekneferu’s older sister, Neferuptah, was heir to the throne, but she died young, and was buried in a small pyramid in her father’s temple complex. 17 Neferuptah was the first Egyptian woman in history to have her name inscribed within a royal cartouche, suggesting that her father may have been preparing her to rule after his death.18 Collins brings up the possibility that Neferuptah was murdered.19 Her cause of death is a mystery because her body unfortunately disintegrated due to groundwater leaking into her tomb.20

After Amenemhat III passed away, presumably from old age, Sobekneferu may have wed her brother Amenemhat IV upon his ascension to the throne and co-ruled with him, a position that had been intended for Neferuptah.21 Nine years later, Amenemhat IV died without a male heir to take his place, perhaps due to sterility resulting from generations of inbreeding.22 

In ancient Egypt, a woman could take the throne as regent, temporarily ruling on behalf of an heir who was perhaps too young to rule himself.23 Hatshepsut, for example, established herself as regent but did not relinquish the throne when the male heir, her co-king and nephew, came of age. After the death of her brother-husband Thutmose II, Queen Hatshepsut served as regent for her two-year-old nephew, Thutmose III 24. Instead of functioning as a placeholder who would step down when he came of age, by the seventh year of her regency (or perhaps sooner), she was officially coronated as king, assuming full pharaonic power through the religious authority of the oracle of Amun, which had declared her the rightful ruler. 25

In the case of Sobekneferu, when her brother died, there was no heir, and she took the throne without the pretense of regency, which is quite amazing. Collins suggests there may have been a nationalist plot to usurp Amenemhat IV and place Sobekneferu on the throne.26 Her brother’s “progressive ideologies” and open border policies would have been perceived as a threat to Egyptian nationalists, who were concerned about the influx of western Asiatic foreigners settling in northern Egypt and occupying positions of power, which no doubt paved the way for the Hyksos invasion a few generations later. 27 He was also allied with the priesthood of Atum in Heliopolis rather than the local cult of Sobek. 28

A controversial theory which Collins presents for the first time in this book is that the legend of Queen Nitocris, recorded in book II of The Histories by the Greek historian Herodotus in the fifth century B.C.E., is a dramatized account of Sobekneferu exacting revenge for her brother’s regicide. 29 According to the legend, Nitocris invited the Egyptian subjects who murdered her brother-husband to a banquet in an underground chamber and then drowned them by flooding the room with Nile water through a secret channel. 30 Afterwards, she committed suicide by throwing herself into a chamber of hot ashes in order to avoid retribution for her actions. 31

The Egyptian historian Manetho recorded that Nitocris was the last ruler of the sixth dynasty, but there is no evidence that she ever existed, and Collins believes that the twelfth dynasty ruler Sobekneferu is the best historical fit. 32 “The real Nitocris of legend was, I would argue, an abstract memory of the life and deeds of Sobekneferu,” Collins says. 33 He suggests that she may have collaborated with Egyptian nationalists to have her brother assassinated, then shifted blame onto her political opponents after she was placed on the throne. 34

Sobekneferu may have fallen out of favor due to low flood waters during the third year of her reign, which would have been disastrous for the cultivation of crops. 35 Since the failure of the inundation would have been perceived as her fault, Collins suggests that she may have been pressured by the priesthood at Heliopolis to take the role of sacrificial king and either commit suicide or be murdered. 36 

Collins has an intriguing theory regarding the method of her ritual death. He suggests that the serpent involved in Cleopatra’s suicide may have been symbolic for the ingestion of poisonous plants or the inhalation of their smoke, 37 which leads him to believe that the chamber full of hot ashes into which Nitocris threw herself may have been a room suffocated with mephitic fumes, and that this was how Sobekneferu committed suicide. 38

While the theories Collins presents are often pure conjecture, he clearly delineates between what is based upon concrete archaeological evidence and what is speculation, all the while acknowledging that we may never know the truth. Readers who are armchair archaeologists will appreciate his detailed analysis of artifacts, and those who want to learn more will find Kara Cooney’s book When Women Ruled the World: Six Queens of Egypt, which Collins cites several times, to be an excellent companion text to The First Female Pharaoh. 

The figure of Sobekneferu is just as relevant today as ever because she presents an interesting historical perspective on gender stereotypes and public perceptions of women’s leadership abilities both past and present. Women in positions of power are still pressured by society to adopt masculine fashions in order to be taken seriously, such as the pant suits worn by modern female politicians and other professionals. One might argue that these suits have evolved to become gender neutral, but originally they were worn to project an air of male authority, and on a subliminal level, they still convey the same message. Appearing androgynous often requires women to minimize or conceal their femininity instead of embracing it, perhaps even blurring their perceived gender identity, as was the case with both Sobekneferu and Hatshepsut. 

Hatshepsut in particular depicted herself as a man towards the end of her reign, and in When Women Ruled the World, Egyptologist Kara Cooney says that rather than this being an indication of her own gender confusion, “Hatshepsut’s problem was that she was trying to inhabit a masculine role within a patriarchal system on a long-term basis while there was a male king already occupying the throne.” 39 Depicting herself as a man was a way of validating her right to rule. 

In modern times, Sobekneferu has reincarnated in pop culture as a dangerous Egyptian queen with supernatural powers who returns to the realm of the living by possessing a young woman’s body. The subtitle of The First Female Pharaoh: Sobekneferu, Goddess of the Seven Stars, invokes Bram Stoker’s Egyptian novel The Jewel of Seven Stars (1903), in which the daughter of an Egyptologist, a young woman named Margaret, is possessed by the spirit of Queen Tera.

Critics have perceived this as a Gothic horror personification of the New Woman movement of First Wave Feminism at the turn of the century. As the spirit of Queen Tera takes control of Margaret, she becomes more strong-willed and independent, putting up increasing resistance to the masculine authority of her father and love interest, perhaps serving as a cautionary tale about the dangers of female empowerment, since Stoker didn’t seem very fond of the movement based on his treatment of strong female characters. 

Collins believes that Stoker’s evil Queen Tera was inspired by Sobekneferu, 40 and that she in turn influenced the character of Queen Kara in the 1980 film based on the novel titled The Awakening, starring Charlton Heston. 41 Collins posits that Stoker’s source materials were two works on ancient Egyptian star lore and mythology by Gerald Massey (1828-1907) that featured Sobekneferu, associating her with an ancient “Mother-Goddess of Time,” the “Goddess of the Seven Stars,” identified with the constellations Draco and Ursa Major. 42

The enigmatic queen Sobekneferu has also made quite an impact on the occult community. Esteemed occult writer Kenneth Grant drew connections between Sobekneferu and an ancient Draconian cult in his Typhonian Trilogies (1972-2002).43 According to the Tumblr account of Pacific North Witches, Sobekneferu even has a feast day, which falls on July 23.44 

It seems this ancient queen has indeed been resurrected into the collective consciousness. Whether we view Sobekneferu as a high priestess of Draconian magic or as the ultimate embodiment of female empowerment, she has achieved the dream of immortality that all the mighty ones of ancient Egypt sought to attain, inspiring new generations with her mysterious legacy, nearly 3,800 years after her death.

Pagan Portals: Demeter, by Robin Corak

Pagan Portals – Demeter, by Robin Corak
Moon Books, 1789047838, 128 pages, October 2022

At first glance, Pagan Portals – Demeter by Robin Corak seems like a straightforward book. The story of Demeter and her daughter, Persephone, is one that has been used to illustrate many variations of the mother-daughter dynamic in a variety of different contexts. Corak is taking that story and exploring various other themes that aren’t apparent at first glance.

A long-time practitioner of paganism, Corak is a member of the Sisterhood of Avalon where she currently serves as the Board Secretary and is the author of Pagan Portals – Persephone: Practicing the Art of Personal Power. Honestly, there’s no one more perfectly positioned to write the book on Demeter than Corak and her prose is both insightful and informative.

The book is sectioned off into specific areas that deal with Demeter’s background, specific rites and rituals, and other topics I didn’t expect to find. At the risk of outing myself as not being all-knowing about the goddesses and gods of the Greek pantheon, I had to look up two aspects of Demeter that I was not aware of that were referenced in this book: Demeter Chthonia: Grief and Loss and Demeter Chloe: Manifestation Magick. Blown away, completely and totally. Don’t get me wrong, I knew that Demeter was associated with grief (her daughter being taken away from her) and abundance (Goddess of the Harvest), I just didn’t know there were actual aspects devoted to these attributes. 

There’s so much information in this book and all of it is both relevant and timely. The astonishing realization that Demeter was still subject to patriarchy despite being a goddess was something I hadn’t considered. It was my understanding that Demeter’s power would ensure her personal agency. When Demeter is told by Helios that Hades abducted her daughter, Demeter’s opinions are not even considered as she is told that Hades would make a fine husband for her daughter. Because Demeter is dismissed, she then decides that nothing on Earth will grow until her daughter is returned to her. Her actions eventually see the return of Persephone to her, and it’s interesting to note that Demeter is the only goddess to make Zeus give in to her demands, and in a short amount of time. Underestimate an abundance Goddess at your peril!

A surprising aspect of this book is the focus on balance, something that most who identify as feminine struggle with due to the numerous stresses experienced through jobs, home, relationships, and other factors. Corak addresses this in the introduction, saying:

“Working with Demeter can facilitate a powerful journey of self-discovery resulting in a re-envisioning and reclaiming of our potential and our own lives. For those of us who may not have had a positive relationship with our own mothers, Demeter empowers us to access our own nurturing abilities so that we may provide ourselves with the quantity and quality of love that we feel we didn’t receive.”31

It took me a few days to process that, I will be honest. I do not have a good relationship with my mother and as she ages, I have had to come to terms with the very real fact that there will never be apologies or clarity around why certain events were allowed to happen. I found this book to be immensely helpful in navigating my personal grief around this, although I would be lying if I said I was able to completely resolve the anger. I took solace in a powerful sentence from Corak:

“The mother archetype is not just about loving and nurturing, it is also about protection and advocacy to ensure that that which has been given life will survive and thrive.”45

I sat with that for a moment, and realized that’s what I had been doing for myself by not engaging as deeply as I wanted to with my mother. I intuitively knew that this was something I could do to protect myself from additional harm, and this book opened my eyes to all that I have been doing for myself in this realm. 

There is so much healing in this book depending on what is required. For me, I chose to go through “Chapter 3 – Healing the Mother Wound”. Corak includes a definition of mother wound as “the loss or lack of mothering which can include abuse and neglect. Those who experience the mother wound don’t receive the love and attention they need as children and have mothers who seem to be distant and less attuned to their emotional needs.”46

This section in particular really hit me hard, as I thought I had dealt with my issues around this through extensive therapy. Clearly that was not the case, as I often found myself curled up in a ball with my cat gingerly offering me head butts and consoling licks. That is not an exaggeration, by the way. This book is excellent and devastating in a way I didn’t expect but am so glad I experienced. 

If any of this resonates with you, I would highly recommend picking up Pagan Portals – Demeter. If you have a therapist, I would also highly recommend enlisting their help for this journey because working with Demeter calls up all sorts of childhood trauma that needs to be brought out so that it can be healed.

One of the best parts of this whole process was learning that I could mother myself and did not need to rely on my emotionally unavailable mother to provide that. While seemingly heartbreaking, releasing yourself from unrealistic expectations of those who cannot possibly meet you where you need them to is freeing in a way that could potentially allow you to move on. Who wouldn’t want that?

Goddess Among Us, by Victoria Maxwell

Goddesses Among Us: Oracle Deck with 36 Full-Color Cards and 128-Page Guidebook, by Victoria Maxwell and illustrated by Ellie Grant
Rockpool Publishing, 1922579319, 128 pages, 36 cards, October 2022

A goddess oracle deck that represents a diversity of women? Yes, please! Goddesses Among Us by Victoria Maxwell and illustrated by Ellie Grant portrays timeless goddesses in modern fashion and updated to make  them accessible for readers to connect with here and now.

“The goddesses featured in this oracle are from various cultures, religious, and spiritual paths, but they are all aspects of one goddess: a primal, creative force of love that really has no words and no bounds.”1

Using this deck so far, I have loved Grant’s illustrative approach because when I flip over a card, I see women of all shapes, sizes, ethnicities, and cultural backgrounds staring back at me in a way I might see them out in public. In turn, this has opened me to remembering the divinity in women I see out and about and how the goddess is within us all always, even in the ordinary and mundane moments of life. There isn’t a one-size-fits all for the goddess, but rather many, many representations of her different attributes, reflected in a variety of looks, lessons, and energy.

For instance, the card portraying the ancient Greek goddess Artemis doesn’t show an ancient image of her clocked in a tunic, but features a tan, brown-haired woman in a wheelchair wearing an athleisure dress with her bow and arrow primed. Kali looks like a blue-haired badass sticking her tongue out wearing her crop-top and jacket with skulls all over it; Pachamama is portrayed as a down-to-earth indigenous activist in blue jeans with beautiful gold jewelry on; while Sulis Minerva has wavy, long auburn hair, braided around the crown, with a one-shouldered blue dress that shows off a solar tattoo on the uncovered arm.

It’s nice and easy to learn which goddess is on the card, as the number of the card and name of the goddess is featured in the upper lefthand corner. There’s a symbol encompassing the image of each goddess, adding to their sense of divinity and giving more insight into the unique power of the goddess. And then there are three key words surrounding the goddess on each card. I just love the font used for this deck! The beauty of the script adds to the flowing, intuitive energy of the deck. Plus, it’s a very colorful deck, making it perfect to use the cards on an altar.

My favorite card visually is The Black Madonna. The card features a voluptuous black woman with a serious look on her face, wearing a tan romper and black jacket with stars on it. She has big hoop earrings in the shape of stars, along with a necklace with an ankh and one with a coptic cross. She’s holding a red rose and the symbol around her head looks like a moon with stars on it too. The keywords are “Cosmic mother”, “The beginning”, and “The void”. It’s also my favorite number (18!) and was the first face of the goddess I met on my spiritual journey, making it feel very special and resonate to me.

In the guidebook, Maxwell provides thorough information on how to use the cards, including how to activate the deck, prepare for a reading, ask questions, and read reversals. She also depicts four different spreads that can be used: Divine feminine activation spread, Goddess guidance spread, Advice and action spread, and Priestess path of the goddess spread.

Then for every goddess card the guidebook features the image of the card, keywords, background information on the goddess (very helpful for when the goddess is new to you!), a general oracle message, extended card meanings, and bullet point lists of what to call on the goddess for and how to embody the goddess.

The extended card meanings provide a more specific oracle message in the areas of love, prosperity, purpose, healing, creativity, and magic. I absolutely loved the deeper insight into these specific areas, especially creativity and magic, which I often forget I can glean oracle advice about. These specific messages makes the deck feel a lot more fine-tuned for readings; I enjoy knowing I can turn to the deck with a very focused questioned in mind and get precise guidance rather than receive a general oracle message that I have to extrapolate the answer to my question by discerning how it’s message relates to what I asked.

I also really appreciate Maxwell sharing what we can call on each goddess for and how we can embody her energy in our lives. Two days in a row, when I was having self-doubts and lacking in self-love, I pulled the card Aphrodite. Some of the ways Maxwell encourages readers to embody this energy are “choosing luxury”, “seeing and owning your own beauty”, and “allowing yourself to experience and receive pleasure in all forms.”47 I realized I had been doing absolutely none of that and spent the whole week doing my best to bring in Aphrodite energy to my life: splurging on fancy organic chocolate, affirming my postpartum body, and feeling more free-flowing love in my relationships.

I also really resonated with Maxwell’s sentiment in her introduction that the goddess can be found anywhere:

“When I opened my heart to her, the goddess began to show me that she was everywhere. I found her in wicca and witchcraft, paganism, the New Age, the ascension path and yogic teachings. I even spent  some time seeking out the goddess in the church, finding her secret messages hidden away in Bible passages..”48

I think the way Maxwell so earnestly sought connection with the goddess in a myriad of spiritual paths is what makes this deck so especially diverse. Many other goddess oracle decks I’ve worked with usually don’t include Christian saints. And the choice of goddesses from all different pantheons make the reader excited for each pull, eager to see which goddess has some insight for them.

The combination of the vibrant colorful cards depicting the goddess as normal women and the potent messages of guidance has made Goddess Among Us a new favorite of mine. As someone who owns approximately four goddess oracle decks, I can say with confidence this one tops them all. For those looking to connect with the goddess in all her wonderful, varied forms while also getting meaningful insight into the questions pressing on their hearts, this is absolutely the deck for you!

The Magic of Cats, by Andrew Anderson

The Magic of Cats, by Andrew Anderson
Moon Books, 1803410663, 120 pages, May 2023

Just when you think you know everything about cats, Andrew Anderson comes along and opens your eyes to a whole new world–a world of stark contrasts between the cat of the night–with his lunar connection and the cat of the day with her built in solar panels. Both of whom are similar in so many ways but love to remind us of their differences. 

The Magic of Cats takes us way back, all the way to the Chinese creation myth that cats were sent by the gods to protect and look after humans, a task which they ultimately failed at, and instead became our silent, judging companions. 

As a lover of cats and a human who has been fortunate enough to be given the honor of living with a cat, I instantly knew I had to read this book. My cat, who I refer to as my familiar, is a definitive cat of the night. She’s like a little ninja, becoming a shadow when needed. Stalking her prey with her murder mittens, then flouncing back home ready for belly rubs, head bumps, and snoot boops.

We try our best to turn these kitties into snuggly, fluffy balls of floof, and although they tolerate it to an extent, they’re inevitably the rulers of any roost, as Andrew makes quite clear. Cats have prowled this earth for millenia, with us mere humans at their beck and call, and that’s not about to change any time soon.

I’d like to take this opportunity to offer a trigger warning, although Andrew doesn’t dwell on the harmful behaviour that cats have endured from humans in the past, he doest cover it. He doesn’t go into great detail, but if you’d prefer to not read about it, maybe skip past pages 32 and 33.

Anderson has split the book into two sections, each with their own chapters: “The Cat of the Night” and “The Cat of the Day”.

The witches among you will most likely be familiar with the cat of the night. They are sneaky and slinky and receive their energies from the moon. These are the cats who humans have sadly feared at times, when actually they should be celebrating their feline ways. If the Chinese creation myth is to be believed, then the cats of the world will be all seeing and all knowing, something which I’m surprised wasn’t taken into account in the historical treatment of cats.

And then on the other hand we have the cat of the day. The one who worships and soaks up the sun, he’s cunning and clever and knows exactly how to win your heart.

It is apparent, aside from Anderson telling us in his introduction, that he adores cats. They are and always have been a huge part of his world.

So much so that he was inspired to write the poem “The Cat of the Night and The Cat of the Day (A story for kittens of all ages)”. This narrative poem is a beautiful representation of how sacred we view cats to be (and with good reason). Anderson’s poem is accompanied by the gorgeous illustrations created by artist, Hannah Willow, and the beauty that she brings out of his words is ‘purr-fect.’

Cats are ever present throughout our history, whether feared or revered. We live and love alongside our feline friends. Never really knowing what they’re thinking, but hoping that deep down they feel something for us. And from reading The Magic of Cats, Anderson gives me the confidence that on some level they do.

Nevertheless, whether it’s reciprocated or not, we always invite them into our lives, as we’re all fully aware of that precious feeling we get when, just for a fleeting moment, a cat makes us believe that we are noticed in its world.

Then you realize all the cat wants is your chicken sandwich, and he or she may allow you to give them a head scritch, but only for precisely 4.5 seconds. Because you, measly human, are not worthy of anything else. 

The Magic of Cats is a wonderful way to find a deeper connection to your furry freeloading roommate. And also, to dip into the history of cats of the world, how they’re represented in religion and where they feature in myth and legend.

Anderson has encapsulated these magnificent creatures in his powerful poem, of which he says:

 “…imagines a story told by a mother cat to her kittens, explaining how the world was created and why we alternate between periods of light and dark.”49 

It really cements the connection we can have with our cats, the magic we can share. We all have two sides to us, and I believe we can all find shared similarities in the cat of the night and the cat of the day when we look inside.

Guardian Angel Oracle, by Debbie Malone

Guardian Angel Oracle: 36 Gilded Cards and 88-Page Book, by Debbie Malone and illustrated by Amalia Chitulescu
Rockpool Publishing, 97819225796990, 88 pages, 36 cards, December 2022

I’ve had the opportunity to use many angel oracle decks; you may even call me an angel oracle deck connoisseur. It’s no wonder then that I was eager to see the messages Guardian Angel Oracle: 36 Gilded Cards and 88-Page Book by Debbie Malone and illustrated by Amalia Chitulescu held for me.

Malone has seen and sensed spirit since she was a child50. Plus she’s had seven near-death experiences during her lifetime. She’s shared her natural abilities as a clairvoyant and medium with others through readings and best-selling books, including Awaken Your Psychic Ability and Never Alone. Additionally, she was voted Australian Psychic of the Year in 2013. Malone’s ability to bring to us communication from the angels is a true gift. 

Guardian Angel Oracle was refreshingly unique in its messages, simplicity of use (this is a compliment!), and relatable illustrations. It focuses on the special connection each person has with their guardian angel. The cards offer ways in which one’s guardian angel can connect on specific topics such as past lives, new beginnings, comfort, and dreams. The cards facilitate communication with your guardian angel, while still availing one of free will; you retain the right to choose to follow messages. 

The cards offer positive messages meant to inspire, even if the topic at hand might feel challenging, which is why I appreciated the turnarounds. For example, with the Angel of Tranquility card, the message is that while one might be caught up in a fast-paced, stressful life, “there is a way to get tranquility and peace”51 back into one’s life. The focus is on the way out, not on the “problem.” The recommendations that follow such as taking just five minutes a day to slow down or to listen to calming music are doable. 

The accompanying deck guide recommends a ritual to dedicate the cards to make them your own and to infuse your energy into the deck. Debbie recommends paying attention to “jumping cards;” ones that jump or fall out as the deck is shuffled, as they are ways the angels attempt to get our attention. Anyone who has used decks regularly has most likely experienced these “jumping” cards; they seem to just fly out!

In the guidebook, Malone suggests four card layouts: one card, three-card, five-card, and six-card. The first layout I always do with a deck is a one card pull. I did the one-card pull on two consecutive days and pulled the same card, the Angel of Communication.  The Angel of Communication card shows an angel as an Asian male, dressed in contemporary white clothing with his hands in a guyan mudra pose. Seated on either side of him are an Asian male and female, also dressed in white contemporary clothing (although the woman is also clothed in purple shorts), with their backs toward each other, obviously not communicating well.

The message of the Angel of Communication card is “You have the communication skills within you to share your ideas and feelings with others.”52 The accompanying affirmation is “I have the voice I need to help me communicate with my angels and those around me.”53

The message and affirmation were true for me. But what struck me was how spot on the message was for what was troubling me, that is, difficulty communicating with a loved one. Nothing I tried was working and truthfully, I gave up, which didn’t sit well with me. The writing on the angel asked if I was “finding it difficult to communicate with a loved one about an issue?”54 It recommended a throat chakra clearing and meditation, reminding me that I could call on the Angel of Communication whenever I needed assistance with communication.

The three-card spread helps one with changes, inspiration, and guidance. The five-card spread focuses on what one needs to “work with to help you feel more connected and guided in your life.”55 The cards focus on the question, cause, action (cards three and four), and the outcome/answer. When I did a few five-card spreads the messages I received were right on, surprisingly, so much that I could not ignore them. Again, with this deck I continued to receive very clear messages that directly related to my life. 

The six-card spread, in the form of angel wings, is used for encouragement when one is “feeling disconnected from yourself and your angels.”56 It was a visually beautiful spread that offered guidance and inspiration. A few of the cards that came up in earlier spreads made an appearance in this spread. Malone recommends that one pay particular attention to the sixth card as the angel associated with the card will be the most powerful angel to work with on the question at hand.

Thirty-six angels are profiled in the deck, described by what they assist with. For example, one will find the Angels of Gratitude, Health, Procrastination, and Unity. Each angel is profiled with a positive statement about where one is at the present moment. For example, with the Angel of Balance one reads: “You are in a calm and balanced state of mind. You will make the right decisions for your future.”57 The profile continues with ways to work with the angel and how to hear the communications. It concludes with an affirmation. 

The deck is illustrated by Amalia Chitulescu, a Romanian-born self-taught digital artist. The front of the cards are done in a bluish gray with floating white feathers among pinkish orange clouds. The card faces vary tremendously with images of people of all races, bringing beautiful diversity to this deck.

The Angel of Comfort card has an African-American couple, with the male comforting the female. Angel wings appear behind the couple. Then the Angel of Solitude card has the image of a radiant female angel dressed in white, her wings open, her gaze focused on the heavens. White doves and feathers surround her. Below her, a woman sits on a canoe, an orange tree growing from one tip of the canoe, an orange and black butterfly sitting on the other tip, with three other butterflies surrounding the canoe. 

Overall, I highly recommend Guardian Angel Oracle for those seeking to connect with their guardian angel for divine guidance. As I mentioned, the messages from the deck have been very consistent for me, providing me with the insight I need to gain a better perspective. The angelic messages are loving, direct, and encouraging. One truly feels wrapped in angel wings when using the deck.

Reclaim Your Dark Goddess, by Flavia Kate Peters

Reclaim Your Dark Goddess: The Alchemy of Transformation, by Flavia Kate Peters
Rockpool Publishing, 9781922579065, 336 pages, October 2022

Every person experiences some form of darkness at some point in their life, either from losing something or not being able to get something. But what if that darkness is something that is created by the Self, for the Self? What if the darkness isn’t the end of everything, but rather the beginning of something better, and greater, than what had been there previously? In Reclaim Your Dark Goddess: The Alchemy of Transformation, author Flavia Kate Peters examines the transformation that embracing the darkness within can trigger. 

As the UK’s leading elemental and ancient magic expert, Peters teaches her professional certification magickal courses at the College of Psychic Studies, London and is a hereditary witch and high priestess of Arnemetia and of the Morrigan. Perfectly positioned to explore this fascinating journey, Peters has given readers a complete and thorough blueprint for how to access, and how to embrace, the darkness that we all carry.

Separated into two parts, the book also includes an introduction (an absolute must read; do not skip this part!) as well an appendix showcasing the Dark Goddesses and their archetypal shadow traits. Very helpful when starting off on this journey. In Part One, Peters divulges information on how to prepare to meet the Dark Goddess and goes into significant detail as to who this mysterious entity is. Sharing her story along the way, Peters blends her personal experience with solid information and rituals designed to help ease the pain of unburdening the soul. It’s almost as if she was right there beside you, patting your shoulder as you realize your entire world is falling apart.

One of my favorite parts of this book talks about the pain of leaving behind the comfort of the known life in order to become who you are meant to be. Peters describes it perfectly:

“As you go through it life as you once knew will disappear; it will no longer be in view or, in fact, exist. But that is the old life, those old ways of doing things and those relationships that were holding you back even if you didn’t realize it. They were comfortable, known and accepted so it will take a crisis to move them on, but if you wish to overcome your difficulties in order to transform your dreams into reality and live the life you came here for then move on they must.”54

Peters also provides some basic information around the Wheel of the Year, provides guidance on how to assemble a specific altar for the purpose of calling in the Dark Goddess, and breaks down the maiden-mother-crone aspects of both the seasons and the moon phases. It’s interesting to see these concepts linked together in this way and could provide a deeper layer for those who incorporate such things into their personal craft.

The second part of the book deals specifically with the various aspects of the Dark Goddess and more importantly, how to connect with them. Peters provides a myriad of information in each Goddess’ section from an extensive background on each, messages from the Dark Goddess, how to seek Her out, reasons for working with that particular goddess, and preparing for the initiation to name a few. It’s really quite simple to invoke the Dark Goddess, but Peters cautions that awareness is a must-have prior to any sort of invocation or other work with the Goddesses. She explains:

“‘The Dark Goddess expects you to be responsible for yourself and your reactions, but it is not easy when you go through a dark night of the soul for you can be blinded by circumstance and find it hard to believe you will ever see the light again.”58

Personally, I found Reclaiming Your Dark Goddess to be a pleasure to read and the concepts in it were easy to understand and follow. I really liked the thoughtfulness that went into sorting the sections of the book and the guidance this layout provides. I would mention that if you are going to be doing this kind of work, you might want to engage with a therapist to help you unravel some of the trickier bits as they are encountered. There is no shame in asking for help, and asking for help shows the Dark Goddess that you are sincere in your supplication to her.

As someone who has done an incredible amount of shadow work and therapy, I was personally blown away by how accurately Peters described her own personal ‘dark night of the soul’. It’s not easy to discover that all the things once thought to be important mean nothing in the context of knowing who you are. The pain of losing people, habits, and other tangible and intangible things that provide comfort to us while we navigate life is almost unbearable until you catch a glimpse of what’s waiting for you on the other side. Being able to shed all that is no longer needed and emerge from the process scarred but beautiful is a wonderful part of life and this collective journey.

Pagan Portals – Folktales, Faeries, and Spirits

Pagan Portals – Folktales, Faeries, and Spirits: Faery Magic from Story to Practice, by Halo Quin
Moon Books, 178535941X, 104 pages, August 2022

Halo Quin takes us on a journey into the world of Folktales, Faeries and Spirits. She has a deep connection to the magic that resides in Wales and adores the wilderness there and the stories and tales that come from that landscape. Her love of faeries has been apparent since childhood, when she would greet them everywhere she went. She is keen to educate us on the practices of the faeries, how we can find and respect their ways and bring them into our lives. 

There can be mixed greetings towards the faery folk. Some people regard them as beings or spirits who can bring us good luck, wisdom, and beauty; others may view them as mischievous, malicious or even dangerous. Quin tells us that we should view them just as we would people. Each with their own personalities, feelings, values, and nuances. They can be found the world over, in woodlands, forests, rivers, lakes, and streams.

“Another debate among humans who talk about faeries is whether they are nature spirits and spirits of the land, or simply an otherworldly race of humanoids.”1

Personally, I like to believe they are the latter, an ‘otherworldly form of humanoid’. Because how wonderful would that be? Faery folk coming to visit us from another dimension. I can certainly get on board with that idea.

In Pagan Portals – Folktales, Faeries, and Spirits, Quin asks for you to keep a journal alongside as you drink in the wonders of these tales and the connections you can find. She also encourages you to make notes within the pages of this delightful little companion. 

My knowledge of faeries is, I’m ashamed to say, almost non-existent, unless we can count Julia Roberts as Tinkerbell in Hook (1991), and I don’t think we can. And so, honestly, I was entering into this world not really knowing what to expect.

Yet I was pleasantly surprised. I was welcomed with open arms immediately.  I felt looked after from the first page, nothing was pushed or forced upon me. I felt like I belonged, I wasn’t intruding on an unknown world, more like visiting an old friend. 

The book is to be used as a practical guide for you to approach and interact with the fae, using the New Age model by Doreen Virtue, which relies on the traditional lineage stories of faeries and their elementals, more commonly known as: earth, air, fire, and water.

Quin advises that when looking to work with the faeries you choose those that are close to you regionally or locally. She has researched and worked with the folklore of Wales, Edinburgh, and Spain. Although her work tends to focus on the Nordic Fae, the Alfar, as they are found worldwide.

Faery cultures vary from region to region, so it’s wise to do your research. Much like you would do if you were visiting a foreign country for the first time.

We are given an enigmatic insight into the world of faeries. I live close to where the Cottingley Fairy pictures were taken, and although these photos were proven to have been faked by the children, who’s to say we don’t still have them living there?

It’s a beautiful fairy-like landscape, something we’re not short of in Yorkshire. And now that I know how to approach and how to show my respect to these spirits, it’s something I will be more mindful of.

The book lays out steps for you to begin your connection with the fae. How to build your altar, where you’ll be able to communicate with them, and where you need to look in nature. There is also a handy guide which will give you trees and plants to look out for to bond and meditate with.

Quin also takes us deeper into the Fae folk, sharing who to call upon, who to thank, and who we can be inviting into our homes. 

Each chapter takes you on an easy-to-follow path, starting with an introduction to Faery history, how to begin, who you can find, and where to find them. You are then carefully taken, step by step into a new world. A world that is waiting not far from you now and may be closer than you think.

Learning to open the pathways, cross the rivers and enter Faery land. Invite these beings into your world, integrate your roots, call upon the already familiar elementals and encourage yourself to delve further into what they have to offer. 

Whether you have just discovered a spark of interest, you’ve been dabbling for a while, or you’re still on the fence about the whole idea, I think Pagan Portals – Folktales, Faeries and Spirits can offer a new insight into what you might have already learned. And isn’t it always good practice to keep an open mind?

Unusual Animal Messages, by Manda Comisari

Unusual Animal Messages Oracle Deck, by Manda Comisari
CICO Books, 1800651619, 52 cards, 64 pages, November 2022

Nature and all the wondrous animals that live within it are absolutely amazing! But why does it seem like we often overlook the more obscure creatures? Most likely because they’re not on our radar; I mean, aside from a select few people in science or conservation jobs, who regularly thinks about the Sea Cucumber or Gobi Jerboa? In Unusual Animal Messages Oracle Deck, Manda Comisari gives voice to these unique animals, attuning us to the lessons they have to share so that we can reap their one-of-a-kind wisdom.

Comisari is a talented wildlife illustrator, who holds a Master of Fine Art in Illustration and has been recognized by The Society of Animals Artists, The David Shepherd Wildlife Foundation, and Buzzfeed for her work. Additionally, she’s an experienced energy worker certified in Theta Healing.59 This deck is the perfect combination of her illustrative career and familiarity with energy healing.

In the guidebook introduction, Comisari reminds deck users that all of nature is interconnected and that every living thing must be protected to maintain ecological balance. She chose these far-out, unusual animals for the deck to inspire readers to feel an empathetic connection with them, creating a new appreciation for their role in the natural world.

“Developing empathy toward our environment and all the wildlife within it ensures that we will want to protect the planet. We don’t learn about nature, we learn from nature, because we’re part of it. Not better than, not masters of, but an equal participant.”60

This deck is intended to provide spiritual advice from the animals, though it’s not a deck to tell the future, but rather to provide insight in the present moment. It has a very grounded and natural feeling, as Comisari’s illustrations bring to life animals in their own habitat, plain and simple without extravagance. There isn’t an esoteric, ethereal, or otherworldly vibe to this deck at all; it’s centered within the beauty of the natural world.

There are no special spreads suggested. Comisari simply recommends “pulling a card, either daily or when you feel like you could use some spiritual support and guidance.”61 Though the cares are divided into developmental categories for the reader: Establishing Goals, Managing Perspectives and Emotions, Managing Hardship and Personal Growth, Self-Care, Managing Community, Friends, and Relationships, and Learning to Cooperate and Remember Delight.

When reading with the deck, you could either pick the specific development category you want to focus on and draw from only those cards, or you can pick at random and let the developmental category inform your reading as a broader perspective to the card you pulled. For instance, when I specifically wanted insight on how to improve my self-care, I went to the guidebook and pulled out the cards featured in the self-care developmental section. However most of the time, I’ve done general pulls from the deck. Both ways have provided me with insight!

There are 52 cards in all, and I will be honest, they are not the most awe-inspiring or aesthetically pleasing cards. These unusual animals are NOT the cute and furry ones that people tend to love. My mom was quite upset when she pulled Cockroach; the Tardigrade looks straight-up freaky; and Goblin Sharks might give you nightmares. That isn’t to say there’s not some adorable-in-a-funny-looking-way animals in there too, such as the Axolotl, Blue-Ringed Octopus, and Sloth. But I’m warning you, be prepared! You might jump when you see the Red-Lipped Batfish.

And these are only a handful of the unique animals in there. If you read the last paragraph thinking, “What animal is that?” then you’ll have the same joy of discovering new species that I have using this deck. I frankly did not know many of these animals existed prior to using this deck, and it has been fun to learn more about them, which the guidebook makes very easy to do. Though, I still often find myself Googling to learn more!

For every animal, the illustrated guidebook showcases an image of the card along with information on the animal’s habitat, wisdom the animal shares with us based on facts about them, and a “try this” recommendation about how you can put the wisdom of the animal into practical use. And below the image, both on the cards themselves and in the illustration in the guidebook, is a few-word message from the card, if you just want quick and easy meaning to focus on.

So far I’ve found the cards to be quite insightful! I was just telling my husband today about how I feel the need to wave off other’s opinions and focus more on what is best for me, following my intuition rather than external sources. When I got home and began this review, I decided to pull a card. I pulled the quite ugly, borderline scary (I’m trying to not judge these animals for their looks, but truly, this one image is not for the faint of heart!) Red-Lipped Batfish. The card reads, “Be true to yourself without seeking outside approval.”62

Going to the guidebook to learn more, I found out how even though this batfish can swim, “it prefers to walk on the sea floor and often uses its fins as pseudo-legs to get around.”63 The overall message Comisari has extracted from the habits of the batfish focus on how we can be unapologetically ourselves, living authentically without the need for other’s approval. And the “try this” she offers is to take the time to get to know yourself (likes, dislikes, quirks, etc) and reflect on if you’re living true to yourself while also acknowledging if you’re respecting others for living true to themselves too.

I really liked this message! Having used the deck for a few months now, I find it interesting both learn more about these unique animals and also read Comisari’s perspective on how we can gain wisdom from reflecting on their behavior. I enjoy the connection I feel building within to the natural world as I remember that there is no greater teacher than the many marvelous beings we share this beautiful planet with.

My only complaint about this deck is that the cards are not numbered, so you have to skim through the guidebook to find the message. This isn’t too much of a hassle, but it can take a minute or two to locate the cards if you’re skimming to fast.

Overall, Unusual Animal Messages Oracle Deck is a one-of-a-kind deck. It’s not your typical oracle deck, but it’s quirkiness make it stand out. If you are an animal or nature lover, this is a wonderful deck to add to your collection. Not only will it offer guidance and insight to reflect upon, it will introduce you to new animals and provide you with lots of new facts about these unusuals creatures!

A Beginner’s Guide to Ogham Divination, by Ceri Norman

A Beginner’s Guide to Ogham Divination, by Ceri Norman
Moon Books, 1803410922, 240 pages, December 2022

A Beginner’s Guide to Ogham Divination by Ceri Norman is an excellent resource for anyone interested in exploring the fascinating world of Celtic divination and provides a comprehensive introduction to the ancient Celtic divination system known as Ogham. Norman gives readers a thorough introduction to the ancient Ogham system, touching upon the history of the communication system, and offering practical advice and insights for beginners. Throughout this book, Norman provides readers with a step-by-step approach to understanding and utilizing Ogham for their own divinatory purposes. 

The book begins by explaining the origins of Ogham, tracing its roots back to the early Celtic Druids. It delves into the symbolism and significance of each Ogham symbol, known as a “feda,” which represents a letter of the ancient Celtic alphabet. The author explores the mystical qualities and associations of each feda, allowing readers to develop a deeper understanding of their divinatory meanings. Norman is careful to keep her readers mindful and respectful of the tradition and ancestries associated with Ogham while also allowing space for personal exploration and expression. Ogham has meaning but Ogham is also meant to create meaning for each person.

Norman does a fantastic job of explaining the historical significance of Ogham, making it easy for beginners to grasp the basics while still being thorough and complete in her explanations. This well-structured book starts with the fundamentals and gradually delves deeper into the meanings of each Ogham symbol. The author’s writing style is clear, engaging and makes complex concepts manageable. Though this is truly structured as a book for beginners, I did not find myself bored or irritated by the simplicity, despite not being a true beginner with Ogham. Norman is one of those authors who knows what she knows and also knows how to present her knowledge in an engaging way for a variety of readers.

What really sets this guide apart is its emphasis on practical application. Norman provides step-by-step instructions on various divinatory techniques, such as casting Ogham staves and using Ogham cards. Because of this, readers are encouraged and able to actively engage with the divination process. Throughout the guide, these practical techniques and exercises are presented to help readers connect with the energy of the Ogham symbols and develop their own intuitive abilities. The inclusion of exercises and meditations enhances the learning experience, helping readers develop their intuitive abilities and connect with the ancient Celtic wisdom.

In particular, in Chapter 5 “Divining with the Ogham”, Norman presents twelve different spreads or methods for divination. Most books provide 3-5 of the most well-known or popular. Because of her commitment to authenticity and honor, Norman went far beyond what’s typical for beginner’s guides. She also gives readers Diety correspondences both old and new, letting readers know that “a few are older and come from older mythology such as Bran’s link to the Alder Tree, others are newer and come from more recent folklore, Wicca, the Druid revival, and the like.”1

In fact, Norman is so careful to present all of her information with honesty that she tells readers that some of the information she included about crystals, planets, elementals, and animal correspondences “are all modern modern” and that she feels it is “important for [her] to be honest about that with you.”2

In addition to the divinatory aspects, the guide also explores the spiritual and ancestral aspects of Ogham, emphasizing the importance of connecting with nature, ancestry, and the Celtic traditions. Norman emphasizes the spiritual and ancestral aspects, encouraging readers to cultivate a deep reverence for nature and their Celtic heritage – or, the elements and gifts of the Celts that can be seen across many ancestral heritages. This holistic approach adds depth and meaning to the divination practice, creating and holding space for personal growth and self-reflection at each individual reader’s pace and place along their journey.

Overall, A Beginner’s Guide to Ogham Divination provides a comprehensive, invaluable resource for those intrigued by Celtic divination and seeking to explore the wisdom of the Ogham system. Ceri Norman’s expertise and passion shine through in this well-crafted guide, making it a must-read for anyone interested in delving into the ancient art of Ogham divination, exploring the ancient Celtic wisdom, and utilizing Ogham as a tool for personal insight, guidance, and connection with the spiritual realm. From brand new beginners to those of us who want to reconnect with what we’ve learned and experience it anew, this book is a welcome companion, and a smart traveling partner along the divination journey.