Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Pagan Portals – Dream Analysis Made Easy, by Kystrina Sypniewski

Pagan Portals – Dream Analysis Made Easy: Everything You Need to Know to Harness the Power of Your Dreams, by Kystrina Sypniewski
Moon Books, 978-1-80341-178-1, 101 pages, April 2023

Coming from a holistic healing and spiritual background, I have always had an interest in the secret, mysterious world of our dreams. But when I started exploring dream work, there was much less information to find, being pre-internet times. Back then only certain writers and researchers had worked with dreams. Carl Jung became my first port of call, with him being so well known and having written a wealth of information on the subject. Sadly, I found his work lacking the spiritual element I desired. I was then led to the work of Denise Linn and that is where my dream work began.

However, more recently, I have been pondering this question: in today’s climate of information overload, if people wished to start from scratch and enter into the realm of dream research, where would they start? Feeling that it’s necessary for them to start with the basics, Pagan Portals – Dream Analysis Made Easy: Everything You Need to Know to Harness the Power of Your Dreams by Kystrina Sypniewski is a great book for beginners. Sypniewski has touched on most of the basics and the foundation of dream analysis quite well.

Sypniewski rightly begins with an introduction into sleep and sleep patterns. I feel this is very important, as without this background understanding of sleep and its stages discovering much more about dreams would be lacking. We need to understand REM sleep and when it occurs to better know our dream cycles. I found her research fitted with my own understanding.

She then quite rapidly (this book is only 100 pages) moves onto the potential meaning behind our dreams and their use to our own wellbeing and understanding of ourselves. She covers these topics in a holistic way. Sypniewski writes how dream imagery and messages may help us process past experiences, provide insight into our current life situation, as well as be potentially prophetic, giving us clues and guidance toward potential future occurrences.

Sypniewski then moves into the basics of dream discovery. In this section she covers methods of recall-what you remember happened in your dream and benefits of dream diaries and dictionaries. A basic dream diary is a journal that is placed on the bedside, so it is quickly accessible, in order to be able to note down dreams before they slip away. To me a dream diary is vital for recall, and Sypniewski instructs on how to make these diaries more structured and detailed. She covers this well and gives advice on how to format one, which I think is very helpful.

As the book progresses, Sypniewski moves on to dream symbology.  She covers the deeper symbology, as in, what a house or car commonly represents.

“The house represents the dreamer. If the house is a specific dwelling with which the dreamer has a very strong and unique past association, then the house represents either the fear of, or possible recurrence of the situation the dreamer associates with that house.”1

However, Sypniewski does stress that it is crucial to see the process as one of self-discovery. A fleeting symbol to one person may mean something very different to another. Her method of self-discovery provides a very different take than a dream dictionary. Dream dictionaries tend to take a “one size fits all” approach and although she does offer some symbols and interpretations later in the book, she does say they are just potential meanings and it is so important to find your own.

“Although it is essential you interpret your dreams in a personal way, there are a few symbols which are pretty accepted as having a universal meaning.”2

The concept of discovering what symbols mean to you for yourself is reiterated throughout the book. It can be repetitive at times, but I think she just wishes to stress the importance of taking the personal approach and to teach readers not to view dreamwork as superficial.

As the book progresses further, she expands on what we can learn from our dreams and the messages and warnings they can impart. She also reflects on the vital process of healing and insight from working with our subconscious and the benefits of potentially prophetic dreams. 

Having worked in many ways to discover more about myself and the subconscious mind, I turned to lucid dreaming, especially in my youth. Lucid Dreaming is covered in a very brief chapter, which I was a little disappointed about, so if you are looking for detailed information on this topic then you’ll need to do more research. However, she does give enough detail for a beginner and provides great advice for a starting point. I had not read her take on lucid dreaming before, so I did learn something from it, and I am now using the method suggested by Sypniewski.

The latter portion of the book focuses on mythological and archetypal characters and images and what they can represent within the collective consciousness of humanity with questions to ask yourself. She cites many dream examples and teaches how they might be interpreted. Many of these examples prove the healing and beneficial effect of our dreams, which is good for those learning the art of dream work for the first time.

Sypniewski does a great job throughout the book of helping the reader gain the building blocks for interpretation, covering how to almost dissect your dreams and showing the reader the methods of structuring your dream recall in a way that you can learn most from it. These methods are covered thoroughly and re-iterated for clarity as the book concludes.

Overall, I do feel Pagan Portals – Dream Analysis Made Easy is a very good book for beginners into the realm of dream analysis and self-discovery. Sypniewski covered all the basics and more, and I was heartened by her approach to self-interpretation of symbols along with her guidance and structures for really getting to know yourself through your dreams.

The Medicine Woman Oracle, by Catherine Maillard

The Medicine Woman Oracle: Discover the Archetypes of the Divine Feminine, by Catherine Maillard and illustrated by Caroline Maniere
Rockpool Publishing, 9782702917824, 49 cards, 196 pages, October 2022

The Medicine Woman Oracle: Discover the Archetypes of the Divine Feminine by Catherine Maillard is an incredibly unique deck.  The illustrator, Caroline Maniere, used vivid, jewel-toned colors to illustrate each of the women or animals included, as well as similar colors for the back of the cards. Unlike other decks I’ve worked with, Catherine Maillard divides this deck into four distinct sections:  Medicine Women Cards, Gifts of the Feminine Cards, Totem/Allied Spirits Cards, and Medicine Action Cards.

Maillard has a background in facilitating women’s circles and 20 years experience in shamanic practices, dance therapy, and working with the Keepers of the 13 Moons.  She also has training in aromatherapy, applied reflexology, and plants and herbs. Her goal in creating this deck is to create a guide for the feminine journey, to help women heal their wounds and free themselves from old patriarchal patterns. 

I was extremely interested in this deck because of my love of the spiritual teachings of shamans around the globe and the mystery and healing power of the medicine wheel.  This deck did not disappoint! Maillard weaves rich archetypes throughout the deck and includes healing rituals or practices for every card. 

Many decks include spreads or ways to interact with the cards, and Maillard is no exception. The spread that first caught my eye was the Medicine Wheel Spread, a spread with four cards that made use of the deck’s unique composition:

Card 1: The Circle of Medicine Women

Card 2: The Circle of Gifts of the Feminine

Card 3: The Circle of the Totems/Allied Spirits

Card 4: The Circle of Medicine Action

Maniere has brilliantly color-coded the cards in each of the four sections by coloring the design on the back of the card a specific color and then matching the color on the bottom of the front of the card. This makes it amazingly easy to divide the cards into the four sections that you need to use for this spread. 

After separating the cards, you fan them out and select one card from each of the four groups of cards. Maillard invites you to take your time and turn over each card, one at a time, as you ask a question that relates to the specific flavor of that section of the deck. 

Next, it’s time to go to the guidebook and read the messages you find for each card. At the end of each card’s written guidance is a ritual or practice that you can do for healing, more introspection or, as Maillard puts it, “to awaken the medicine wheel.”2

When I used this spread for my own daily card practice, I pulled my four cards and made notes in my journal.  I focused on the first two cards for that day, finishing the practice with the suggested rituals.  The next day, I worked with the other two cards.

Even after more than 20 years of working with oracle decks, I am still amazed at the clarity of the guidance that comes through and this deck was no exception.  I received a message about going within for inner guidance from three of the cards.  The fourth card referenced the chance to “Free yourself from secrets; discover the hidden treasure of your heritage,”3 which is available to me from the feminine line of my ancestors.  As someone who has been working with my ancestors throughout my spiritual journey, this was a great confirmation. One line particularly spoke to me:

“Remember, along with any trauma you carry the antidote.”4 

This is brilliant! I’ve never seen it expressed quite like that before. How affirming and encouraging! 

My favorite card in this deck is “Medicine Woman #3: Authenticity:  I open the way of truth”. The colors feature my favorites of turquoise and cobalt blue.  She holds crystals in her hands and wears a multi-colored headdress of colored feathers. 

To further test the wisdom of the deck, I did a series of Medicine Wheel four-card readings for clients and friends. I did these on Zoom and showed the cards and read a few lines from the guidebook.  With the rich imagery on the cards, the title and descriptive tagline, there was more than enough information for a quick reading.

Each reading was very unique and each person wrote later to express gratitude for the timeliness of the messages received. One woman was actively researching her genealogy and received the “Healing Family Lines” card. Two women received the “Path of Beauty” card.  One woman expressed that she had been “too busy” to spend time in nature and would use the guidance to add this to her daily rituals.  The other woman wanted to begin creating art and would use the guidance as confirmation that she was on the right track. Two different actions from the same card!  This is why I love oracle decks, especially this one by Maillard.

This deck includes 49 cards, including a 13th Medicine Woman, which Maillard asks you to remove from the deck when doing the Medicine Wheel Spread.  I used it as a blessing for each person and shared the guidance as a bonus card. The cards are edged in gold, standard oracle card size and a nice weight.  The colors are vivid and printed in a matte finish.  

The guidebook is 196 pages and includes a table of contents, which is broken into the four sections.  However, due to the color coding of the cards and the matching colors in the guidebook, it’s not really necessary to refer to the table of contents. Maillard also includes a lengthy introduction and a section on how to use the cards.  At the end, there is a bibliography for more information.  Because of the information she provides, I feel that anyone from a beginner to expert reader can benefit from these cards.  She walks you step by step to create space for a reading and then to use the cards for guidance. 

Later in the week, I shuffled The Medicine Woman Oracle extensively to mix up the colors and sections and took them to my weekly “Coffee & Cards” group.  Each woman pulled just one card from the deck.  Again, I was amazed at the guidance and how each person was encouraged by the message she received.  One woman pulled one of the same cards she had received earlier in the week from her personal reading with me.  She said, “I guess I’ll have to really focus on that one!”

In the future, I’ll use these cards as a sign-off for my intuitive readings or for more detailed readings for women in transition.  I feel that these cards can truly benefit any woman who is on a quest to learn more about herself and her own healing capabilities.

Deep, Dark & Dangerous, by Stacey Demarco

Deep, Dark & Dangerous: The Oracle of the Beautiful Darkness, by Stacey Demarco and illustrated by Kinga Britschgi
Rockpool Publishing, 1922579076, 128 pages, 44 cards, October 2022

Where do you turn to when you want illumination on the darkness present in your life? Oracle cards are my go-to for all sorts of questions, but often for the deeper questions, the “love and light” aspects of many decks feels incomplete, leaving me longing for something more. Deep, Dark & Dangerous: The Oracle of the Beautiful Darkness by Stacey Demarco has become the missing link in my oracle readings, providing meaningful insights from the archetypal energies that lurk in our shadows and depths.

There’s a real potency to this deck. For the first time in a while, I took Demarco’s suggestion of a dedication ritual in the guide book and performed it before getting started. Admittedly, this is something I rarely do with oracle cards, but this deck inspired a certain reverence that made it feel necessary to brace myself and prepare properly. Just like how I dip my toes into a deep pool to test the warmth before diving in, I have been called to move more slowly with this deck as I do my readings – not wanting to pull too many cards at once and be overwhelmed by what energy is coming through the deck.

Luckily, Demarco is someone I trust to guide readers to meeting these mysterious energies with care. She has created dozens of oracle decks and books, including The Enchanted Moon, Plants of Power, Moon Magick, and The Halloween Oracle. For over 25 years she has shared her gifts as a pagan practitioner and modern witch, teaching how spirituality can be used to solve modern day problems. In the guidebook, she writes:

Confession: I’ve even carefully put the small strip of paper holding the new cards together back on after each reading. This might be my subconscious way of trying to “tame” these forces, which is no easy feat, as many spiritual practitioners know.

“If we decide to seek or even engage with these unconscious aspects of ourselves, these darker shadows, these ill-formed, half-created, seemingly ugly monsters of our unconscious, perhaps we can refine them, perhaps even reshape them into something exquisitely useful and beautiful.”5

The cards are divided into three types: dark, deep, and dangerous. The dark cards are filled with entities that reside in the darker places (Kali, Persephone, Anubis, Charon) while the deep cards are entities that reside deep within our psyche, the ocean, or other environments (Hydra, Selkie, Mermaid). My favorite ones are the dangerous cards that feature predatory entities that are often out to harm us, unless we attune our senses to the dangers at hand and heed their warning (Werewolf, Vampire, Medusa, Erinyes).

The guidebook provides a few ideas for spreads to use for the card, such as the Dark Moon Three-Card Draw and The Four Element Spread, along with guidance on how to tune in and pick the cards. Then for each card Demarco shares a paragraph-long oracle message, the dualistic qualities the card represents (ex. clarity/opaqueness or discipline/chaos), the mythos or story of the entity on the card, and finally, the plant and crystal companion. The oracle message might seem a little short, but I have found them so far to be very on-point for the questions I’ve asked. And I especially enjoy reading the background stories about all the dark, deep, and dangerous entities and the way Demarco relates them to modern life.

The cards are all numbered at the top and also state whether they fall into the deep, dark, or dangerous category. And on the card, there is a keyword provided at the bottom. Right below the keyword is the name of the entity featured on the card. The guidebook has all the cards listed numerically, which makes it quite easy to look up the oracle message.

As for the imagery on the cards, the illustrations by Kinga Britschgi perfectly capture the essence of each entity. Britschgi has a knack for detail that really brings each entity to life. The interplay of colors and shading make for eye-catching imagery. Some cards provoke a bit of fear, while others invoke a sense of wonder and awe, such as Kraken, featured to the right. 

I enjoy how the visuals sometimes give me a little shiver and remind me of the power in connecting with these unconscious forces. I am reminded of the thrill of taking a walk on the wild side. Britschgi’s images invoke the heightened sense of arousal that comes from letting the imagination linger in the darkness and depths, bringing to life what we might find in the shadows.

The card I pulled for today was Selkie. It is a depth card and the keyword is freedom. The duality is containment/freedom and pretense/authenticity. The oracle message encourages me to seek out my inner truth and embrace my authenticity, as that is ultimately the route to freedom.

This feels resonant with me, as I just made my first social media post in a while that detailed my inner journey of personal and emotional growth. It was scary to put myself out there instead of hiding behind the filters and hashtags, but sharing my feelings did indeed feel liberating. I take heart in Demarco’s message of how the selkie can find their way back home after being lost in a realm not of their own. She writes:

“Eventually, the selkie finds her skin and is reunited with her authentic form. Without a backward glance, she steps into it, and allows herself to be enveloped by her true shape once again and re-enters the aquatic world.”6

I just love how the mythos of the selkie is drawn upon to find meaning in my present circumstance. The entities in this deck really make one reflect on their own circumstance, delving into the parts of ourselves we keep tucked away, both consciously and unconsciously. Taking the time to go deep, embrace the darkness, and acknowledge the danger puts us in the position to discover new aspects of ourselves while also embracing shifts happening that are meant to steer us clear of potential downfalls.

All in all, Deep, Dark & Dangerous Oracle has quickly become one of my favorite decks. The card and messages ask you to be bold in acknowledging these entities. A whole world of exploration is opened if you have the courage to go beyond the realm of comfort. Facing what scares us the most is a great way to empower ourselves and discover just what we’re capable of, and this deck is the perfect way to gently ease your way into the unknown. I highly encourage those seeking to add a bit of mystery and intensity to their readings to see what dark and dangerous things might be hiding in their depths. I bet you’ll be surprised just how cathartic, transformative, and filled with beauty it can be to find out!

Ancestral Grimoire, by Nancy Hendrickson

Ancestral Grimoire: Connect with the Wisdom of the Ancestors through Tarot, Oracles, and Magic, by Nancy Hendrickson
Weiser Books, 1578637775, 240 pages, September 2022

Lately I’ve been all about exploring magic through a community-based lens. In Western occultism there seems to be an exclusive focus on the individual, but the deeper I’ve dived into my own practice, the more I see the interrelatedness and notice how the dynamics/energy of relationship influence our own manifestation, healings, insights, and so on. And it’s for this reason that I’ve been interested in cultivating a deeper relationship with my ancestors.

My seeking to learn more about my ancestors led me to Ancestral Grimoire: Connect with the Wisdom of the Ancestors through Tarot, Oracle, and Magic by Nancy Hendrickson. Hendrick’s previous book Ancestral Tarot: Uncover Your Past and Chart Your Future (2021) was the first time I realized tarot cards could be used for ancestor work; I loved this novel approach of using the tarot to know more about my own ancestral lineage. Plus, I trusted Hendrickson as a guide since she also has written extensively on using Ancestry.com to and discovering one’s family history online.

Ancestral Grimoire is the natural combination of her expertise, allowing readers to the next step of using tarot and oracles to enhance one’s own magical practice with the help of the ancestors by creating a personal grimoire, also referred to as a Book of Shadows. This book equips readers with tools beyond the tarot to reconnect with their ancestors, including pendulums, oracle cards, sigils, casting charms, runes, sidewalk oracles, and energy work. But it also goes beyond just reconnecting the reader with their ancestors; Ancestral Grimoire guides readers to discovering their own magic.

“One ancestor can be with you for a lifetime, another for just a moment. Ask for someone to show you the way out of darkness and they will hand you a blueprint no architect could even conceive. Want to know the most potent form of magic? Ask.”7

Hendrickson focuses on four types of magic (family magic, personal magic, elemental magic, and celestial magic) as she guides the reader through a full-year process of creating their own grimoire. The invitation is to both experiment with different magic and also experience the enhancement that comes from trying out these forms of magic with ancestral assistance. No two months are the same, and the variety makes for an interesting practice month to month.

And there’s no need to fret if you start reading in a month other than January. You can certainly pick up right where you are in the Wheel of the Year or you can even skip around and choose to do the magic during a different month. As with most magic, there’s room for variation and a personal touch.

For instance, I started this book all the way back in September (yes, over six months ago!) and have been making my way in chronological order since without concern for the standard January-December year. You might find the book calls to you a certain time or perhaps you want to begin this grimoire with a particular sabbat. Trust that it has come to you at the right time and move through it in a way that feels aligned with your practice.

September has been one of my favorite months so far in this practice. It was a celestial magic month with the focus being sky magic. The tarot spread for the month focused on connecting with my celestial ancestor and discovering their karmic influence on me, the intergenerational sky magic I’ve inherited, and a solar or lunar symbol I could create to honor this ancestor (with ideas included on how to create this symbol). Then there also is a pendulum spread to discern where balance is needed, fitting for the time of the autumn equinox.

But what I enjoyed most about this month was the practice “Messages in Paint and Fire” where I got to play with finger paint! There’s also an option to use smoke signals, but I for one enjoy getting my handy dirty and engaging in the creative process. Hendricks writes, “Keeping your question in mind, look for answers in the paint.”8 I still have my painting hanging up and it continues to give me new inspiration and insight from time to time.

This month, April, is focused on elemental  magic, specifically land magic, using the tools of tarot, a pendulum, and energy work (chakras). Hendricks writes, “I invite you to ask for an ancestor who was a land whisperer, an ancestors who knew how to communicate with the nonhuman entities who watched over the land, as well as with the land itself.”9

Though I haven’t delved in yet, I can see this month for my grimoire that I will be doing a bit of shadow work, using the pendulum to tap into energy points within my own neighborhood, and exploring the energy of my chakras along with land chakras. Exciting stuff! 😀

All in all, Ancestral Grimoire is filled with practices to discover your own personal magic while strengthening the connection with your ancestors. This book is a doorway to discovery about the hidden strengths and shadows of your ancestors that have been inherited, providing you with the tools needed to divine, manifest, heal, and create meaningful relationships with your predecessors. I recommend this book for anyone looking to explore their ancestry while also expanding their knowledge about who they are and where they come from.

Even if readers aren’t familiar with some of the tools used in the book, the month to month practice will build their confidence as the new skills are developed. In just a single book, there’s a whole year of possibility as your spiritual team grows and you learn who to call on for what purposes. It’s comforting to know you’re never alone and there’s always ancestors from beyond the physical realm available to be called on for advice and guidance.

Pagan Portals – The Water Witch, by Jessica Howard

Pagan Portals – The Water Witch: An Introduction to Water Witchcraft, by Jessica Howard
Moon Books, 978-1-78535-955-2, 112 pages, March 2023

As a practicing witch with over twenty years’ experience, Jessica Howard has provided a blueprint for inviting the element water into personal practice. Her book, Pagan Portals – The Water Witch: An Introduction to Water Witchcraft, is full of useful information and insight. Not only does Howard talk about the various ways water could be used to develop one’s connection to the Divine, she also shares her own personal experience with the element, furthering the concept of there being no right way to practice this particular type of witchcraft.

Howard has laid the book out in both highly digestible and very practical sections in only 112 pages. The table of contents provides a glimpse of what’s contained within this book: an in depth look at the various facts of this craft. 

Personally, as a Fire sign I find water incredibly challenging to work with. Despite the great healing abilities water contains, along with various divination and knowledge seeking qualities, I have found it very difficult to use regularly. Howard’s clearly written book identifies the challenges and addresses them in the third chapter titled “Connecting With Water Energies”. In this chapter, she identifies and addresses the main root of my personal block when it comes to water: being gentle with yourself for not getting it right away. She explains why it might feel disheartening at first, saying:

“Sometimes we have shut ourselves off for so long that it can take a while to open ourselves up to these energies. So even if it doesn’t work with the first meditation or first blessing, keep at it. Try different approaches, search for more ideas than just what’s in this book, and keep at it until you find something that works for you.”10

I like the fact that Howard recognizes and fully embraces the fact that not every practicing witch is going to connect to water in the same way she has. By building in flexibility and encouraging additional studies outside of the book she wrote, she creates a sense of trust with the reader that isn’t overly cloying or fake. There is no loftiness in her language; not to say that what she writes is basic, rather, the way the book is written invites dialogue and experimentation on the part of the practitioner. Howard has not written a book telling the reader specifically how to be a water witch – she is sharing her journey and providing the steps she took in order to connect with the element in the way that she does.

This lack of information gatekeeping is so refreshing! Too many times I’ve read books that start off promising to share insight into whatever and before too long the realization that nothing is actually being shared sets in and I’m left with a book that doesn’t help my personal pursuit of knowledge. It’s disheartening and causes immense frustration. Howard has gone out of her way to ensure that if nothing else, the reader walks away with a healthy understanding of water in the context of magic and how useful it can be when used in conjunction with current practices. 

In a later chapter, Howard talks about the environment as it relates to those who follow a magical path. She is forthright in her requests to the reader in this specific framework: not only does she challenge those magical practices that instruct the practitioner to contribute to the ongoing crisis we see all around us in nature, but she gives specific thought to what we as individuals could do in order to reduce our footprint in this mass destruction. I’ve not seen anything as specific as this in any previous magical books and I am glad she took the time to remind us of the devastation our practices can cause if we aren’t mindful. Howard says:

“I’ve seen books on witchcraft which have recommended putting your petition into a plastic container and throwing into a river…pouring perfume into rivers because undines like pleasant scents. Please do not follow this advice. If you want to throw something into a river to help rid yourself of negativity, use a stick or small stone. If you want to give an offering to the undines, use a small vial of water which has had naturally grown rose petals steeped in it. Please stop and think about what you are offering and what the potential harm it could have before you make it.”11

This might turn folks off who want to just do their thing and not concern themselves with the harm they might be doing to the environment. Personally, my offerings are usually a combination of items that can be composted (fruit, flowers), and containers that are specific to the use of magic (candle holders, cast iron cauldron). While some of this might come off as sounding ‘holier than thou’, I share this only to show how simple it is to be mindful of the materials being used in your practice. 

Pagan Portals – The Water Witch is a wonderful book for those looking to expand their practice to include water work. It’s beautifully written and full of useful information that encourages the reader to learn more through other channels. A softer read than I am used to, this book both challenged my ideas around water magic and whether I could actually use it and helped me to find my own path as I navigated my deep feelings around being open to new things and performing magic.

Crimson Craft, by Halo Quin

Crimson Craft: Sexual Magic for the Solo Witch, by Halo Quin
Moon Books, 978-1-78535-939-2, 178 pages, January 2023

As a practicing Faery witch and lifelong lover of magic, Halo Quin is also a devotee of Freya and the Faery Queen, so it’s easy to see where the impetus for Crimson Craft: Sexual magic for the Solo Witch comes from! One of my favorite sections of this book is at the beginning of Chapter 1. Titled “Foreplay”, this small section is a warning to those who might not be ready to tackle the very intimate topics covered. Starting off with a bit of cheek is absolutely delightful, and perfectly suited to Quin.

The book is separated into a variety of chapters that are logically and well thought out in terms of pacing. The first chapter deals with how to use the book, with sections on safety considerations, including mental health support, as well as a note about ethics that talks about consent. While this is a book targeting solo practitioners and assisting with healing wounds associated with the erotic self, the inclusion of consent is completely appropriate. 

Separated into parts which then house individual chapters, Quin has deftly taken a number of topics and expanded on them in a detailed way. In “Part II Laying the Foundation”, Quin talks about sensual magic and provides insight into how to prepare for the various practices described. Interestingly, it’s acknowledged that not all things need to be healed all at once and the reader is cautioned to take their time and check in with themselves. Quin explains:

“Our bodies hold the memories of all we have lived through, and some of us have lived through quite painful things. We might need support to heal, or release, some things. If you encounter something like that within yourself, I invite you to consider what kind of support might be the right choice for you and seek it out when you are ready.”12

Quin has spent a great deal of time ensuring that this book is approachable and written in a way that is helpful and not divisive. You will find no earth shattering practices in here, unless you count taking responsibility for your own healing particularly sensational. This is not to mean that the book isn’t worthy of being on the shelf alongside other popular books of this ilk; rather, I would suggest starting with this book before those others. The tone is soft and gentle and might be a better entry into this sort of practice for those who are new to this. It isn’t easy healing sexual wounds no matter how much therapy might have been done, and this book is in line with many parameters around self-care with respect to the numerous calls to perform self check-ins along the way.

Having said that, the section on erotic divinities absolutely got my full attention. In fact, I jumped ahead to it as soon as I saw the table of contents. Who wouldn’t? I mean, I guess some people have patience and read through the whole book in order the way it was meant to be read but that person is not me.

Quin states that “Magic. Sex. War. Love. The deities of passion hold all these things in their grasp. The Goddesses of Passion are known by many names and many faces.”13 Quin continues by naming a few: Inanna, Aphrodite, Lilith, Freyja, Venus, and Babylon, all of whom have their own stories and embody the Goddess persona in very different ways, depending on which stories you subscribe to.

Quin connects love and righteous war saying that they are two sides of the same coin, which is apparent in that goddesses of love are often also warrior women as well. It’s an interesting concept, and one that is found often when reading about goddesses in this context. Quin explains why there is such a deep connection between love and war within the context of love goddesses, stating, “Perhaps because love is a passion, love is a feeling that fills one with fire. Whether that fire is the gentle hearth or the roaring bonfire, it is akin to the fire that can be used to protect the ones we love from darkness.”14

Not only does Quin talk about the goddesses, but the gods of passion are mentioned as well. It’s a bit tricky to navigate this particular space when there is much talk of reclaiming the divine feminine, but Quin magnificently sidesteps the drama and gets right to the point. Quin says:

“Each one of us, regardless of gender, has to learn to temper our passions, and to know when to let them pour out into the world. And so, the gods of love are so often depicted as wild and kind in equal measure…with their passions held in balance in service of their love. And here is the lesson of the gods of passion; where the goddesses can teach us about boundaries of self, the gods can teach us about the boundaries of community and family. Passion is both expression and protection, and is this not love?”15

Recognizing that gender can produce more stress in specific instances, I feel that this book would be more helpful than harmful for those looking to reclaim their sexual sovereignty. There are exercises included throughout the book that assist with healing in the form of journaling, meditation, spellcasting, and others. I would recommend Crimson Craft to absolutely anyone looking to start down the path of healing, regardless of whether the harm being dealt with is sexual or not. This is a valuable addition to any library, and I know it’s going on my shelf.

Soul Helper Oracle, by Christine Arana Fader

Soul Helper Oracle: Messages from Your Higher Self, by Christine Arana Fader and illustrated by Elena Dudina
Earthdancer, 978-1-64411-468-1, 43 cards, 128 pages, April 2022

When I first opened the Soul Helper Oracle: Messages from Your Higher Self by Christine Arana Fader, I was eager to start working with the deck. I shuffled for a bit, said my usual blessing for a new deck, asked a question, and selected a card. I pulled the “Success and Happiness Are Coming” card, which, ironically, is the card whose illustration by Elena Dudina adorns the box cover and the front of all of the cards.

I placed the card in front of me, spending time looking at the glorious illustration of a woman, her under-eye area ringed with small purple jewels, a crystal located over her third eye, and her flaming red hair crowned with peacock feathers. She tells me to enjoy and celebrate life – a message I definitely needed to hear.

Before looking up the card’s meaning in the accompanying small book, I read the introduction that explained how to use the cards, interpretation methods, and consulting an oracle. In hindsight, I would have been better served to have read the introduction that Christine offers first. She describes how the deck guides a person to notice when our souls are speaking to us (which is really all of the time) and to heed its advice, meaning to go deeper into the storm of life facing us to find peace, to search for the truth within, and recognize our potential.

The deck is meant to be used to discover the core issue facing us when a card is pulled, to find the essence of the matter at hand, and to work with the recommended soul helpers. To do so, she recommends pulling only one card and working with the issue at hand for 21 days.

This is not the deck to use for a fast answer, but rather to work with the four soul helpers associated with each card: power animals, herbal essential oils, healing crystals, and numbers. Through a deep 21-day dive on what is being communicated, your soul’s messages will reveal themselves. It is through this extended focus and soul support that the vibrations offered by the soul helpers can help bring “clarity, divine light, and wisdom and will immediately bring about a change for the better, opening doors and guiding you toward happiness.”16

The accompanying booklet describes the characteristics and associated vibrations of the four soul helpers and how to work with them over the 21 days. For example, with the herbal essential oils you can put the recommended oil in a diffusers, or onto your crown chakra, or spritz it in a spray bottle filled with spring water and the oil to mix with your aura.

I’ve lived with this deck for a few months, and just before sitting down to write this review, I pulled another card: “Nature is Calling You”. The card states Nature wants to touch, fulfill, and protect me with its healing powers. With a wink and a nod from my soul, this was the same card that I pulled three weeks ago. And, its message is one that I not only need to hear, but to believe and then live willing to accept the help that is given so freely to me by my soul.

The predominant color of this card is green. A girl clothed in what looks to be a bikini of green leaves, holds some moss to her ear, much like we sometimes hold seashells to our ear when at the ocean. Her head is cocked to one side as she listens, surrounded by ferns, a small waterfall in the background. The power animal of the card is a puma; the herbal essential oil is tea tree; the healing crystal is emerald; and the number is 2.

The wisdom of the card’s offering is spot on for me and it reminds me that the issue raised by the card is not necessarily an easy one but an urgent one. It resonates with me tremendously. I will willingly work with the four soul helpers, heed the message, and work on the prodding that tells me to let go of lower, negative energies and forgo the dark paths of victimhood and begin to shine in my true light instead.

Christine Arana Fader and Elena Dudin have birthed an amazing beautifully illustrated and written deck. I loved Christine’s statement that “your soul is telling you to enjoy life, even its storms and silences, to treat everything as if it were a game in which you are the winner. It tells you to have faith in yourself and your strengths, and to trust your own magic.”17 The challenge for me has been to actually live my belief in this. Working with this deck has given me guidance on how to trust my soul to guide me on this path and to not resist or overthink, or to allow myself to override the divine light of the soul.

I highly recommend Soul Helper Oracle but remind the reader that to fully access the help offered within that you really do need to sit with your chosen card and work with the associated four soul helpers for the 21 days. Invest the time in yourself, your soul is waiting for you to listen and work in concert. As Christine reminds us, “those things that you heal and liberate within yourself will heal and liberate the whole world.”18

Anti-Consumerist Druid Interview with Katrina Townsend

Alanna: Hello Katrina! Thank you so much for taking the time to speak with me today about the upcoming release of your book Anti-Consumerist Druid: How I Beat My Shopping Addiction Through Connection With Nature. I absolutely loved it, and as someone who often tends to overspend during the holiday season, I thought this was the perfect time to read it and reconnect with my reverence for nature.

Sometimes I struggle reconciling my love of shopping with my nature-based spiritual practice and ecological values, and it was relieving to hear another person’s story of struggling with their own shopping addiction yet finding a way to overcome that through their own spiritual path. To get started, why don’t we give readers a little background on who you are and why you decided to write this book?

Katrina: Hello!  Thank you so much, I’m really glad to hear that you enjoyed the book! It began life as a journal I started keeping in 2019, when I had my first bash at trying to give up shopping. I was in my late twenties, new to motherhood, struggling with my body image, and trying to deal with all of that by, essentially, shopping my way to happiness, which unfortunately doesn’t work.

I’d been using shopping, dieting, social media, and generally fixating on my appearance as a kind of cure-all since I was a teenager, and honestly I hadn’t noticed how much these habits and obsessions had cut me off from nature and the physical world. It was only when I started to break away from those behaviours that I could find my spirituality and start to become more of the person I want to be.

I am a student of Druidry and a devotee of the Goddess Brigid; I live in Hampshire in England and have done so all my life. Writing has always been my hobby and a way to express myself so I’m very excited to have a book in print!

Alanna: I too keep a journal and find it so helpful to notice patterns in my life. How did you get into the practice of journaling, which was a big part of your transformation process, and writing this book especially with a little one to care for at home?

Katrina: It’s been a huge part of the process, I’ve barely missed a day in four years now. Sometimes I wonder where the notebooks will end up after I’m gone – possibly boring my descendants to death, as a lot of my initial process was just exploring my thoughts and feelings about shopping and my self-image, and lists of things I’d bought as I tried to figure out where my money was going.

The little one was only about a year old when I started to realise that my shopping was actually a problem. I had several attempts at buying less, because I could see the money in my accounts starting to dwindle, and I got more and more concerned when I realised how hard it was for me to stop. I started keeping a daily journal to try to get to the bottom of these compulsive urges – I took twenty minutes each morning while the Spud bounced about in his jumperoo, or later on while he napped. When I realised that social media, particularly Instagram, was a big contributor to my out-of-control shopping habit, I started using the journal as an outlet for all those little thoughts and moments I would normally have posted online. It was much more calming and grounding than the frantic online bubble.

Much of the book already existed in my journals and just needed to be spun together, which I did mainly during naptime or after my son was in bed – except the footnotes, which I bashed out over a gritted-teeth weekend while my husband did the child-wrangling.   

Alanna: I think many people will agree a shopping ban, especially one that lasts a whole year, would be extremely challenging. What would you say was the toughest thing about your year-long shopping ban?

Katrina: All of it! Ha, no, honestly looking back I’m kind of appalled by just how difficult it was in the beginning. I’d built this whole identity around shopping and clothes, and those first few months I just had to feel everything I’d been pushing away with those habits. Comparing myself constantly to everyone else, feeling like I had absolutely no idea of who I was, and having to face up to how much time, money and energy I had pretty much just wasted.

Alanna: You mentioned before the impact social media had in feeding your shopping addiction. Can you speak a bit more to this? Overall, do you feel like the internet and social media is driving consumer culture?

Katrina: Oh yes, absolutely. I think I would never have come this far if I hadn’t realised fairly early on that my constant browsing and scrolling was feeding into my obsessive shopping. I had to ask my husband to change my Instagram password to keep me off the app! It was two-pronged, for me – on the one hand, I was constantly seeing beautiful things, useful things, things I didn’t need before that moment but which seemed so much more desirable than the things I already owned, and secondly, I was constantly seeing other people’s wardrobes, bodies and lives, which of course are highly curated and edited but which I still felt I needed to live up to. Shoppable feeds also have a lot to answer for, in my opinion – it’s about the impulse buy, about removing any friction between the shopper and the purchase. 

Alanna: In your book, you describe your journey in confronting your shopping habit, but I’m still wondering, would you say you initially start down this path more for personal reasons? And has your reason for embracing this lifestyle changed through your journey?

Katrina: Initially I’d say my reasons were very prosaic – mainly financial, then emotional. Now I’m a bit evangelistic about how just trying to quit shopping has changed my life. The real deep-down shifts started to occur when I had to find other ways to fill the time and headspace I’d freed up , and started going for long walks in my local nature reserve. It was literally the only way I could think of at first to get away from the temptations of shops and screens, but I soon found that it calmed my constantly chattering mind (and my lively child, which was a bonus!).

After a while I started to really crave my outdoor time, and then things really started to snowball – I got more interested in nature itself which developed into a passionate environmentalism; and I began to experience ‘nudges’  and synchronicities of a more spiritual bent, which I could only be more open to now that my mind was quieter, and which led me to start exploring Paganism; and all these things fed back into and served to intensify that original desire to stop shopping.

Alanna: I’ve noticed that a lot of people feel more secure in having a home full of things, whether it’s decor, clothes, books, appliances, etc. which drives them to make unnecessary purchases. Do you think there is an aspect of “safety” that comes from having hoards of stuff? And if so, how do you feel Druidry provides this in a healthier way?

Katrina: In a way I suppose there is. I can picture my younger self piling up mountains of clothing and shoes and cosmetics and tchotchkes as a kind of emotional bulwark against all these fears and insecurities I didn’t know how to confront, this sense that deep down I wasn’t very interesting, not very pretty or worthy of notice, and the more flamboyantly I dressed or the more conspicuously I consumed the more attention I got. And then the things I had and the process of accumulating more things became my whole identity, to the point that I didn’t have any other interests, didn’t know what I liked any more or even have any sense of myself as a person. So I guess you could say that was my “safety”.

Druidry changed me very slowly and gently, and I have very gradually come to realise that how I look and what I buy are the least interesting things about me, that there is a whole world out there that is awake and alive and communicative, and the absolute last thing it cares about is what I am wearing when I show up.

Nowadays I feel  a deeper sense of security, a rootedness in the core of myself, and I feel like that stems from finally feeling aware of what Mary Oliver called my ‘place in the family of things’. I’m not struggling or striving to be something all the time, I don’t need to prove anything, I’m happy in my skin. And one massive benefit of Druidry is, hey, if people don’t get me, that’s fine, I can always go hang out with the trees.

Alanna: One thing I really enjoyed in reading your book is the honesty about  the many times you’ve fallen off the wagon. Yet each time it seems like you’re coming back to yourself and re-committed to starting fresh. What advice do you have for others when they too fall back into old habits?

Katrina: I frustrate myself in that way – I very much wanted to write this linear story of my amazing no shopping year, but I just couldn’t do it straight off the bat. I think I had to make those mistakes so I could learn a bit more about myself and build in some better coping mechanisms. When you’ve worn yourself a groove, it is so easy to keep sliding back into it. But you do eventually learn the difference between cutting yourself some slack and just giving yourself loopholes. I’m mixing my metaphors a bit here I think! 

The point is, when you mess up, you can forgive yourself without giving up on yourself. One blip doesn’t mean you jack the whole thing in. 

Alanna: I also enjoy how you are upfront about your beginner status in Druidry, as well as your dedication to forging your own path. I thought it was brave to admit you’re not an expert on the topic but still willing to share your beliefs. Have you ever felt any sense of gatekeeping on your spiritual path? And if so, how did you overcome the need to fit yourself into other people’s version of this spiritual path and move forward with your own?

Katrina: Thank you very much! I figured it was better to be upfront rather than pretend to have knowledge and experience that I just don’t have. I hope that I can show people that you don’t need to be ‘good at’ Druidry, or have decades of personal gnosis, or be a powerful magician or whatever, to have very tangible and magical experiences and start relating to the world in a different way.

Gatekeeping… Not since I was a teenager on Wiccan chat rooms at silly o’clock in the morning, but I saw enough then that I take the simple approach of only discussing my personal practice in fairly vague and broad terms, and generally only with people I trust, so that I can get on with what I’m actually doing instead of tying myself in knots over the opinion of people I don’t know. I’ve seen lots of snottiness about other people’s paths, the right way to do things, names like ‘white lighter’ and ‘fluffy bunny’ being flung around.  And I’ve seen it in myself too, when I want to make comments to my husband about people being all show and no substance (when really, how would I know?), or those moments when I wonder what on earth I think I am doing, writing a book.

I keep moving forward simply by dealing with what I’m experiencing in my practice at any given time. I have an attentive matron goddess who will not be ignored, which makes it pretty easy to keep focus and stay in my own lane. 

Alanna: Since a big part of your spiritual journey was noticing signs from the Celtic Goddess Brigid, I’m wondering, are you still cultivating your relationship with Brigid?

Katrina: Oh yes! Brigid has become a huge part of my life, her altar is at the heart of my home. She is like a touchstone for me. I must admit, after growing up in a Church of England school, it has taken me a while to come to terms with having a very vibrant and reciprocal relationship with deity. After years of skepticism, I am still surprised that when I ask,  she answers, but it’s wonderful and I love it.

Actually, once my eyes were opened to Brigid and her role throughout the history of Britain, I came to see that she is absolutely everywhere. Her signs , symbols and mythology are woven through our culture and landscape even today. I said to someone recently that it feels as though someone has pulled back a curtain and I am only now seeing what was here all along.

Alanna: I certainly know what it feels like to be guided by a goddess. I love your very authentic story; you don’t go out of your way to embellish it, which is what makes it so relatable. As we near the end of this interview, what would you most like readers to take away from reading your book?

Katrina: That the world is a deeply magical place. That we are born to be so much more than consumers. That we can free our minds and hearts from the consumerist trap and rediscover enchantment.

Alanna: Any future projects on the horizon for you? I would love to read more about your thoughts as a millennial eco-advocate!

Katrina: I am tinkering around on a new book with a friend, but the going is slow as we both have high maintenance life stuff to juggle! But yes, there is definitely the potential for more in the pipeline, hopefully in the not too distant future. 

Alanna: Amazing! I can’t wait to read more of your writing. Thank you so much for speaking with me today, Katrina! Truly my pleasure. 🙂

For those whose interest is sparked by this interview, The Anti-Consumerist Druid: How I Beat My Shopping Addiction Through Connection With Nature will be released by Moon Books on November 25th, 2022. I highly recommend it for this holiday season, especially if you’re thinking about decluttering or lessening your own shopping habits for the upcoming new year!

Witches, Druids, and Sin Eaters, by Jon C. Hughes with Sophie Gallagher

Witches, Druids, and Sin Eaters: The Common Magic of the Cunning Fold of the Welsh Marches, by Jon C. Hughes with Sophie Gallagher
Destiny Books, 9781644114285, 296 pages, September 2022

Witches, Druids, and Sin Eaters beckons one to the Welsh Marches – the ancient borderland of Wales and England. It is a brilliant collaboration between Jon Hughes, a fifth-generation Druid living in a remote part of Wales and Sophie Gallagher, a Welsh-born witchcraft researcher with a deep knowledge of the ancient witches of the Welsh Marches. 

Seeking to explore and bring to light the “treasure trove of untapped information relating to the ancient Druids and arcane witchcraft that evolved in the Welsh Marches”19 while incorporating the current practices in this area, Hughes and Gallagher looked at artifacts, texts, museum archives, and even the natural landscape. They soon discovered that there were more similarities than differences in the practices of the Druids and the witches. The book delves into regional practices such as sin eaters and eye biters and even includes the area’s influence on the writing of J. R. R. Tolkein.

Accompanying photographs of artifacts, sites, and buildings bring to life the artifacts and markings of these people. The most widespread witch marks found in the area’s buildings are of taper burns, intentional in their making and not by the random flicker of a flame too close to a wall. Photographs of items such as a curse doll, a wooden witch’s coffin curse, and protective amulets and devices found in walls and floorboards, illustrate the influence of the witches and Druids in this region.

“People have secretly hidden objects in their houses for centuries (things like bottles, shoes, and bodies of cats) to protect themselves and their families from various forms of supernatural menace (evil spirits, witches, hostile magic, malign influences) to influence events or to take revenge on people that have wronged them.”20 

The work is comprehensive in its exploration of the significance of the earth-based practices of the Druids and witches in the Welsh Marches. The Druids have lived in this area for over 6,000 years, from around 3,800 B.C. The region, of course, experienced tumult since the first ancient people arrived there. The book also details encounters of these people with the Romans in their first invasion, with reminders that the Romans were also pagan until 313 A.D.

Historical references put things into context. I was particularly struck by the reading about the Walton Basin, on the Welsh side of the border, which archeologists believe was a national ceremonial center. A timber henge, approximately 328 feet in diameter, was discovered that is felt to be a prototype for a stone henge that was not built. There were similarities between the deposits found at this site and Stonehenge.

Tolkein enters the picture in Lydney Park, Gloucestershire, England, where he joined British archeologist, Sir Mortimer Wheeler, at Dwarf’s Hill in the late 1920s. Dwarf’s Hill contained a labyrinth of tunnels and was thought to be the home of little people. A tablet bearing a curse was also found. Silvianus, a Roman, had lost a ring and cursed all who bore the name of Senicianus, the supposed thief.

Wheeler invited Tolkein to examine the site of Noden’s Temple at Dwarf’s Hill after which Tolkein contributed to a report on the origin of the name, Noden. When Tolkein later wrote The Hobbit “it became impossible not to speculate upon the connection between his experiences at Lydney and his epic tales of Middle Earth,“21 including Hobbits and a ring.

The book provides simply fascinating information and insight. Sin eaters and eye biters….oh, my. Sin eaters were unique to the Welsh culture and the region of the Welsh Marches. The sin eater (always male) took upon himself the sins of the newly deceased so that the departed could find his/her place in the hereafter. A sin eater was retained by the family of the deceased and would consume a cake called a dead cake which had been placed on the breast of the corpse at sunset. It would remain there until sunrise the following morning where it was thought to absorb the sins of the departed. The sin eater would then consume the cake along with ale.

Eye biters were found among the powerful witches of the Welsh Marches who were thought to have the ability to cast evil curses simply by looking at their victims. Their gaze was as effective as if they were to “bite the jugular vein (of the victim) and watch them bleed to death.”22 Beware the brathwyr llygaid, or eye biters!

As a reference, the book provides a comprehensive list of five prominent occultists (alchemists, astrologers, and occult philosophers) who “influenced the kings and emperors of much of Europe and beyond.”23 These men, while famous, reflect the many unknown practitioners, who live/lived in the Welsh Marches:

“There is little doubt that the unique and extraordinary culture of the Welsh Marches has had a lasting influence upon the history of the occult within the Marches itself and further afield around the globe.”24

Hughes and Gallagher remind the reader that the lore of the Druids and witches was an oral tradition. They bring the reader into the modern era of witches and Druids. “A Druid is a learned pagan, well versed in the oral tradition of paganism and the role of the Druid as a teacher and spiritual leader within it.”25 Like the Druids, witches maintain an ancient understanding of natural magic. The authors write extensively about Neo-Paganism in its many forms.

The book is divided into two sections. The first section, “Witchcraft and Druidic Lore of the Welsh Marches” focuses on all that was written about above. The second section, “Grimore of the Welsh Marches (Yr Llyfr Swynion Gororau Cymru)” opens the reader to the book of spells of the Welsh Borderland. It is a valuable companion to the first part of the book and allows the reader to investigate this natural magic. “While this grimoire is the result of a detailed comparison of witchcraft practices and Druidic lore, it must not be considered an erroneous conflation of the two traditions.”26

The reader is reminded that there are fundamental differences between the two and also varying beliefs and practices within each tradition. “…It is a subtle blending of selective beliefs and practices that have an underlying unity that resonates within both traditions, allowing the merging of both without compromising the fundamental principles of either.”27

There is information on preparing the work space and crafting components, casting a circle, use of botanicals, invocations, protection against malevolent energies, amulets, talismans, and charms. 

Also introduced are witch marks (burn marks), various types of spells, the casting and lifting of spells and curses, the use of wands and the crafting of wands, working with waters and oils, creating poppers (a small doll representing the recipient of a curse). I particularly liked (and was relieved) that the second section of the book ended with elixirs of love. As the authors remind, “in the case of inanimate objects they of course have a material manifestation and are also imbued with a communal spirit; however, they do not have a personal spirit that all living things receive at conception.”28

Overall, Witches, Druids, and Sin Eaters is a very comprehensive look at this unique area of the world, one with a long and deep history of Druids and witches. I highly recommend it if you are looking for a deep dive into this all-important region, particularly if you feel drawn to the aforementioned spiritual paths of Druidry or Witchcraft. There’s so much valuable history revealed in this book that is sure to expand your background knowledge, particularly the impact these lands have had on writers such as Tolkien and those dedicated to exploring the mysteries, such as alchemists, astrologers, and occult philosophers.

The Witch of the Woods, by Kiley Mann

The Witch of The Woods: Spells, Charms, Divination, Remedies, and Folklore, by Kiley Mann
CICO Books, 1800651694, 144 pages, October 2022

Your relationship to your landscape is bound to influence and guide your magical practice, especially in witchcraft. In The Witch of the Woods: Spells, Charms, Divination, Remedies, and Folklore, Kiley Mann highlights this special connection to place by sharing her experiences in the northern region of Michigan. Leading readers through the seasons, folk magic, herbs and omens of this land, Mann takes the reader on a journey into the wilderness of witchcraft.

Witchcraft takes many forms, from witch wounds on the east coast from fiery trails that led to a more fierce practice in the centuries to follow to the more glitzy, New-Age “manifest” witchcraft style of the west coast, but sometimes in the process the essence of being connected deeply to nature and one’s own local folklore gets lost. Mann perfectly revitalizes this connection for readers in this beautiful grimoire that is uniquely centered upon her lived experiences. The unification of witch and land is by far what stands out the most in this book.

“These lands have lessons to teach us, unique in their own characteristics and being. You must walk the land to know it.  You cannot know her if you do not let your feet touch the ground and wander aimlessly as you please. These lessons are taught directly through the land itself.”1

There’s a reverence for the long line of witches that have come before Mann, along with a desire to know the bodies of water, plants, and spirits that share the space with her for their own inherent power, without placing upon them desires or expectations. Sometimes this connection to one’s surroundings and traditions, which is a vital part of witchcraft, can be hard to translate; it tends to be more of a lived, embodied awareness that comes from walking this path overtime. Yet there’s something in Mann’s descriptions of ancient practices, remedies, and folklore, along with her illustrations that awaken this awareness in the reading, prompting them to reflect on their own connection to the local traditions of their homeland.

The book is divided into two parts. The first focuses on folklore, including stories of the trolls, land spirits, ancestral spirits, and omens of the land and animals. The second part is the folk magic, or the how-to remedies, rituals, and divinations that have evolved from life in this region. Mann helps the reader to familiarize themselves with the properties of different herbs and crystals before delving into spell work. She offers spells to alleviate common troubles, such as releasing worry, banishing nightmares, and romantic resolution, along with ones to gain success, luck, self-love, and protection.

I found this book really interesting from the perspective of place because I rarely hear about the folklore of the midwest region. Even though I can only imagine what the energy of a swamp feels like energetically or how it might inform my practice, reading about Mann’s revelations and observations made me start thinking about the natural landscape of where I am currently living, both physically and psychologically. While someone from Mann’s locality of the midwest might naturally connect more with the grimoire, I still feel there’s so much value in exploring her process and learning about methods she’s come across to thrive as a witch in the woods even having never visited the lands she explores in this book. At its heart, nature is nature, and there’s still plenty of overlap and insight to gain no matter what region you’re from, especially in regard to the use of herbs in spellwork and divination.

Another aspect of this book that makes it a real special gem is that Mann illustrated it herself. The symbolism of the imagery boosts her power, as the images themselves convey messages beyond words alone. Flipping through the pages, noticing what your eyes are drawn to and how the colors impart feelings or sensations, makes for an engaging read. The Witch of the Woods is less of a how-to manual and more of an invitation to step inside the creativity of Mann’s own witchcraft practice while learning ways to enhance your own.

Overall, The Witch of the Woods is an insightful, earthy exploration of witchcraft that will guide others to become the witch of their own woods. Mann has done an impressive job of weaving together the elements of her craft to present readers with a beautiful grimoire of knowledge about remedies, folklore, spiritwork, and divination. From brewing your own magical tea to crafting your own wild medicine, this book reminds readers of the unity between nature and oneself – the center of all witchcraft.