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Tag Archives: alchemy

The First Alchemists, by Tobias Churton

The First Alchemists: The Spiritual and Practical Origins of the Noble and Holy Art, by Tobias Churton
Inner Traditions, 1644116839, 320 pages, November 2023

Alchemy can sometimes feel like a buzzword, especially in modern times where it has taken on a heavily psychological context due to Carl Jung’s work and been co-opted by every influencer promising instant change. For those who begin to research alchemy in a more historical context, it quickly becomes exceedingly clear that the path is long and jumbled. Weaving through the different strands throughout time and global cultures amid intentional secret-keeping become a quandary. In his introduction to The First Alchemists: The Spiritual and Practical Origins of the Noble and Holy Art, Tobias Churton writes:

“Well, it is hardly surprising that confusion has inhibited understanding of alchemy. The term has perhaps simply come to mean “too much.” When confronted with something akin to a Gordian knot, I feel an urge not to annihilate the puzzle by putting my sword through it as Alexander the Great did but rather to retire and try to figure out how the knotty phenomenon actually came about. And that is my explanation for undertaking this investigation into the first alchemists. The job needed doing.”1

I absolutely agree with Churton’s assertion that someone had to conduct more thorough research about the origins and alchemy and piece it together for others. So much of what I’ve read about alchemy’s history focuses on Hermeticism, particularly in the 1400s and beyond when ancient texts prompted a revival of the art, which is fascinating, but many books neglect the deeper history, the roots of alchemy.

In laying his foundation, Churton begins by teaching  readers about the oldest surviving texts on alchemy (Stockholm papyrus, Leiden papyrus). While these texts were mundane rather than mystical in nature, focusing on things such as dye recipes, making and whitening pearls, cleansing stones, and creating imitation gold and silver. He also covers Pseudo-Democritus’s Four Books, the oldest texts on alchemy that have been lost to history but were summarized in surviving treatises Physika kai Mystika (Natural and Secret Questions) and Peri asēmou poiēseōs (On the Making of Silver).

These texts situate early alchemy’s origins in Roman Egypt. Churton shares sources that claim Pseudo-Democritus was influenced by Ostanes, a great Egyptian priest. In addition to Ostanes, these early practitioners include Cleopatra, Mariam (a Jewish woman known in alchemical tradition as Mary the Prophetess), and artisan Theosebeia–notably all women. Churton spends time on each woman, detailing pretty much all that is known about them, particularly from the writing of Zosimos of Panopolis.

“Early alchemy has something of a cosmopolitan, if not multinational and above all practical, rather than ideological air about it.”2

Three whole chapters are dedicated to Zosimos, and he continues to be the prominent focus of the rest of the book, because there is more written testimony from him than any other early alchemist. Titled “father of religious alchemy”3, his contributions can hardly be understated. Churton describes how, “Zosimos’s alchemy is a natural divine path to God, in which pious practitioners are called to identity with all elements and transformations, so as to experience harmonious union, or “gold”…”4

Working off of Zosimos’s writing, Churton guides readers through chapters on what the first alchemist actually did, how they did it, and where they did it. And, since I’m sure this sparked your curiosity, it mostly focused on creating dyes and working with metals. There’s pictures of early apparatuses, as well as details of the chemical components of minerals and other substances used to achieve their aims.

Additional chapters include “The Myth of Transmutation”, “Forbidden Knowledge”, and “Legacy” which clarify more about the aims of the early alchemists. Churton shows that the “first alchemists did not operate with the end in mind of fabricating a philosophical stone or philosopher’s stone to transmute base metals into gold”5. This realization throws into question the traditional definition of alchemy, as this is what most assume alchemy is all about based on later alchemical history. Churton notes, “Modern writers then have often simply backdated what they learned about post-Zosimos alchemy and projected it onto Zosimos.”6

Churton often references the work of Shannon Grimes, professor and head of the Department of Religious and Ethical Studies at Meredith College. She has recently published the book Becoming Gold: Zosimos of Panopolis and the Alchemical Arts in Roman Egypt, which would be another great resource for those interested in this subject matter. In a similar vein, readers might also feel more comfortable with the topics covered in this book after delving into some of Churton’s other books, in particular The Lost Pillars of Enoch, The Golden Builders, and The Gnostics.

For those new to reading Churton’s work, you can expect a lot of detail! I find it helps to take notes to process and organize the new information I’m reading, as he is a very erudite writer, who draws upon multiple sources to weave together his assertions but sometimes assumes his readers know more than they actually do, especially if this is your first introduction to the topic. For these reasons, I always get so much out of Churton’s writing because I am left with many avenues of interest to explore, but this can delay me finishing the books due to being sidetracked or feeling like I need additional time to digest what I’ve read before proceeding. The note taking helps me to stay focused on the topic at hand and then go back to what sparked my interest afterwards!

All in all, The First Alchemists is an illuminating read that delves into the “who, what, where, why, when” of early alchemy. Drawn from the original sources and scholarly work about these texts, he brilliantly depicts the origins of the Royal Art, which vary greatly from our modern notion of what alchemy is, its purpose, and its practitioners. I highly recommend this book for those interested in the history of alchemy, especially if they feel called to traditions that utilize alchemical in modern times, such as Freemasons and Rosecrucians. While there’s no doubt secrets to uncover, it’s interesting to see the initial practical value of alchemy, in particular recipes and methods for making dyes, and the evolution through time.

The Hermetic Marriage of Art and Alchemy, by Marlene Seven Bremner

The Hermetic Marriage of Art and Alchemy: Imagination, Creativity, and the Great Work, by Marlene Seven Bremner
Inner Traditions, 1644112906, 376 pages, June 2023

Last summer, as I was browsing a used book store in Rhode Island, I came across the book Surrealism and the Occult by Nadia Choucha. Instantly, I knew this book was right up my alley, and I spent the  next month reading about the influence of magical ideas in the work of Salvador Dali, Pablo Picasso, Max Ernst, Lenora Carrington, Austin Osman Spare, and more. This was my introduction into how symbolism in western occultism, especially alchemy, became visual metaphors for surrealists to explore the unconscious realm.

I began to wonder how I might draw upon alchemy to further my own creative process, but life happened, and my desire to explore this was put on the back burner. Then with quite cyclic timing, The Hermetic Marriage of Art and Alchemy: Imagination, Creativity, and the Great Work by Marlene Seven Bremner was released a year later this June – once again my summer musings have been guided towards the alchemical process of creativity!

And let me tell you, this book is hefty. Not just in a physical sense with its hardcover, but also in details, imagery, and energetic presence. It is very clear that Bremner has a deep reverence for the alchemical process, as well as personal experience of using creative outlets alchemically. It’s worth reading her artist statement before diving into this book to better understand her influences and motivations for writing this book. You may also want to reference her previously published book Hermetic Philosophy and Creative Alchemy: The Emerald Tablet, the Corpus Hermeticum, and the Journey through the Seven Spheres too for more insight into the Hermetic tradition, though it’s definitely not needed to delve into this book.

Through paying homages to the imagination, Bremner inspires readers to undertake their own magnum opus. She teaches the readers how to bridge the conscious and unconscious in order to generate unity through the creative process and achieve greater self-knowledge.

“All things have their origins in the imagination, through which we commune with the greater story of the cosmos.”1

In “Part I: Alchemy and Imagination”, Bremner provides the rich art history of Romanticism, emergence of symbolism in art, Dada, and Surrealism. She paints a vivid picture for readers, filled with background information on artists and images of their work, to showcase the way “Surrealism and its aim of realizing the union of dream and reality has its roots in the Romantic movement.”2

For each movement, Bremner highlights the major themes (ie. Romanticism – exploration of nature, intensity of emotions; Symbolism – focus on dark dreams, interest in unseen realms, sense of transcendence; Dada – destruction as a form of creation, irrationality, upending convention, sense of nihilism; Surrealism – automatism, liberation of imagination, unity of inner/outer world), and provides a cohesive understanding of how each built upon the next, similar in many ways to the alchemical process an individual undergoes during the process of creation.

This section is pages and pages of art history that studies the magical imagination in play through time, as Bremner references a plethora of artists’ work, along with what was going on historically at each moment in time that inspired and shaped the movements. I found myself often pausing in my reading to look up a poem mentioned or Google the image of a painting, though there are quite a few images within the text too for reference.

From here, “Part II: The Magnum Opus” moves into Bremner teaching the method of creative alchemy, which she explains “goes beyond the creation of fantastic forms and expressions to an intimate relationship between consciousness and matter, presupposing inner transmutation through the creative process, and in turn, a spiritization of art that multiplies in the external world.”3 If you’re on board with breaking down the artistic ego, which Bremner likens to a death, to move through the creative process and achieve transcendent unity, this is where the fun begins! 

“As a result, the art that we create, in harmony with our subjective experience, is both surreal and ideal, depending on where we find ourselves in our personal creative evolution.”4

Bremner guides readers through the four stages of the magnum opus: nigredo, albedo, citrinitas, and rubedo. Along the way, she also goes into great depth about the zodiac sign correspondences to the alchemical process, for instance calcination is associated with Aries, to tease out the multiple layers of creativity in play at each stage. For reference, there are charts and tables that help the reader to visually see the associations. 

What stands out the most about Bremner’s writing, compared to other books on alchemy that I’ve read in the past, is the imagery and descriptiveness of her writing that brings each alchemical stage to life. Her reference to different works, both literary and artistic, and her interpretation of the work helps the reader to see the artist’s intentions, and as a result better understand their own inner imagery waiting to be crafted in the physical realm. 

As an example, in the chapter “Nigredo: Putrefaction and the Generation of Ideas, Bremner discusses works such as The Loss of Faith by Jan Toorop, Melencolia I by Albrecht Durer, Frankenstein by Mary Shelley, and Saturn Devouring His Son by Francisco Goya. All the while, she connects these paintings to astrological correspondences and conveys the Hermetic significance of this part of the journey.

There is so much riveting information woven together that I must say that I am hardly scratching the surface of the depths of Bremner’s writing in this description. In all honesty, this has been my favorite book on alchemy that I’ve read yet. Though I will admit it’s a hardy read; I’ve been making my way through it for a few weeks, savoring each section as I go.

“While we can look to the alchemical processes and ordering of the stages as guides, we must realize the individual, personal,and unique nature of our own artistic approach, allowing ourselves to be flexible, creative, innovative, and adaptable. Further, we must remember that at the core of the work and of utmost importance is the transmutation of the egoic self into the transpersonal Self.”5

For those looking to explore more layers of their creative processes, undertaking the arduous process of transforming lead into gold, The Hermetic Marriage of Art and Alchemy is a wonderful resource. This book is rich with insights about how consciousness and matter can merge to usher in new levels of self-awareness and personal insights, along with uniting readers with spiritual energies to reach their highest potential. By following the path that’s been carved by artists of centuries past, Bremner assists readers in undertaking their own creative alchemy.

Gaia Alchemy, by Stephan Harding

Gaia Alchemy: The Reuniting of Science, Psyche, and Soul, by Stephan Harding
Bear & Company, 1591434254, 320 pages, January 2022

The separation of mind and body that began during the scientific revolution has caused a rippling split between humanity and nature, which has been immensely detrimental to the natural interconnected systems on Earth. While the integration is slowly starting to happen in academic settings (I do hold a Master of Social Science in Environmental Humanities and Ecopsychology from Viridis Graduate Institute), it’s clear the current scientific paradigm needs greater supplementation to fully understand the interconnectedness of Earth. This arduous task of reconnection is what Stephan Harding sets out to in Gaia Alchemy: The Reuniting of Science, Psyche, and Soul.

Harding describes to readers how a dream in which he meets Old Woman, is the anima munda, or Gaia, who encouraged him to write this book. Meeting this archetypal imagery affirmed his path of writing a book on what he has termed “Gaia Alchemy”. Gaia Alchemy blends depth psychology, alchemy, and Gaia theory, creating a new paradigm aimed at bringing the soul back to science and culture.

“Gaia theory is a scientific understanding of the Earth as a great plantery organism, as a self-regulating complex system; alchemy is the ancient art of personal transformation and nature connection. My quest has been to discover whether we can experience a Gaia that is more vibrant, full of meaning, and alive by alchemizing science, thereby re-ensouling science and our culture and thus freeing both from their analytical dryness.”1

Harding sets off to take the readers through his own personal journey of developing this Gaia Alchemy worldview through psychological, historical, and scientific revelations, along with a good bit of creative imagination. And his method of engaging readers goes beyond just sharing interesting insight, there’s practices to do and exercises to try.

At the start of the book, Harding invites the reader to find their Gaia Place. He describes this as “a place where you can relax and connect deeply to nature, where your heart feels glad, where you’ll make important discoveries, both inner and outer.”2

I liked this concept because I’ve done something similar in the past, when I was training to be a nature-based coach, where I had my own “sit spot” to connect with nature everyday. I feel like developing this special place is key to facilitating one’s awareness of the natural world.

Harding provides plenty of ways to heighten one’s connection to their Gaia place throughout the book. For instance, there’s a really neat meditation to connect with ecological communities of the past, taking one through the evolution from small plants to mammals, through dinosaurs and meteorites, drawing on the alchemical power of calcification. From there, one is invited to experience the alchemical process of dissolution in their Gaia place. The mixture of ecology with alchemy in the meditations is very unique. There’s a special connection that develops between one and their Gaia Place as they move through these inner explorations.

Another really unique aspect of this book is that it’s filled with conversations with Jeffy Kiehl, a climate scientist and licensed Jungian analyst, which provides a multidimensional approach to the topic. Kiehl has written on related topics in his book Facing Climate Change: An Integrated Path to the Future. ​​Harding has done a wonderful job of including Kiehl’s perspective to give readers insight into the broad application of Gaia Alchemy through the thought-provoking dialogue. 

While his conversations with Kiehl did actually happen, Gaia Alchemy also features some imaginary conversations too written by Harding as he works to change the narrative of what happened in the split between science and alchemy, mind and body, to envision an alternative outcome. In the chapter “Descartes Meets Alchemy”, Descartes first has a conversation with an alchemist and then famed depth psychologist Marie-Louise von Franz. I feel like this creative revision of Descartes’ perspective really stuck with me as a reader, helping to shift my own view, similar to how a fictional story can ignite change.

I will note that Gaia Alchemy might be a lot for someone unfamiliar with alchemy or depth psychology to take on, but Harding fills the pages with charts, diagrams, and photographs to illuminate the content. As unfamiliar as these concepts may seem, especially to those steeped in a materialistic Western scientific culture, Harding’s work is rich with potential for re-visioning our future. Society needs to change in order to survive, and there’s no better place to start than within. The unification of rationality and intuition, science and soul, is the only way forward.

Alchemy is the perfect access point to the reunion of our material and spiritual world. Here’s an example of Harding’s perceptive writing on the alchemical process of conjunction:

“We experience conjunction in our psychological life when our solar sensing and rationality and our lunar feeling and intuition function well together, bringing a balanced outlook in which we see how causality and synchronicity are at work in the world at large, reinforcing our embeddedness within their immense yet deeply intimate networks of learning and meaning.

Alchemically, conjunction happens between Sol and Luna. It occurs when Sol – the divine transcendental source – fully conjoins with our existence as embodied beings here on Earth (Luna). We experience great clarity, purpose, and joy in those blessed moments when conjunction truly comes upon us, when its deepest meaning actualizes itself in us and we feel a blessed connection with Gaia.”3

This book was a real thrill to read as an ecopsychologist because it gives me hope there’s others out there working towards the integration of holistic sciences, deep ecology, and depth psychology. Harding himself lives in England, where he founded Schumacher College, which offers ecology-centered masters programs. At Schumacher College, Harding serves as Deep Ecology Research Fellow and senior lecturer on holistic science.

I can’t recommend Gaia Alchemy highly enough. For those interested in both the spiritual and natural world, this is an insightful guide to wholeness. Harding is doing and teaching what I believe is the most important work of our time, healing our connection with nature, promoting holistic science, and re-establishing our psychological ties with Gaia. Gaia Alchemy is a roadmap for an uncertain future and is well worth the read.

Archangel Fire Oracle, by Alexandra Wenman

Archangel Fire Oracle, by Alexandra Wenman and illustrated by Aveliya Savina
Findhorn Press, 1644112787, 40 cards, 144 pages, April 2021

I love angels. Communicating with angels was one of my earliest spiritual experiences. As I continued to connect with angels through books and decks, I discovered sometimes angelic wisdom gets locked in New-Age conventionality and trappings. When I started to explore esotericism and discovered the work of John Dee, I realized there was a magical art to communicating with angels. Sigils became an important part of my work with angels. Since then I’ve been trying to rediscover the relationship between angels and alchemy.

Archangel Fire Oracle by Alexandra Wenman is a true delight to discover for this reason. It goes beyond the positive, affirming messages of other angel oracle decks, connecting the reader with the genuine essence of each angel. The deck is a blend of color healing, alchemy, and angelic knowledge intended to facilitate awakening in the readers. In addition to learning more about each archangel, Women guides readers to tap into the most divine aspects of themselves through the meditations and exercises that facilitate spiritual awareness, transformation, and a deeper connection to the angelic realm.

There are forty archangel cards in this deck. The archangels are grouped in seventeen suits, each based on a healing color ray or sacred flame. I really enjoy visually seeing the archangels through these different color prisms. It adds a visual connection to each angel, as well as helps to identify archangels that are similar in energy.

The cards themselves are beautiful and some of the best depictions of the archangels I’ve ever seen. It’s very clear the illustrator of this deck, Aveliya Savina, had a strong relationship with the angelic realm and a very intuitive understanding of these energies. There is tons of symbolism in the deck, from animals to flowers, that infuse the cards with meaning. All the elements are represented (fire, air, earth, and water), as well as connections to the solar system and earth. There’s also some mythical energy that opens the reader’s consciousness to different realms.

I have so many favorite images in the deck that it’s hard to choose one. For instance, Rikbeil (11) is shown almost wearing a space suit with sweeping pink wings engulfing his body. Then there’s UFO-like flying saucers in the corner of the cards. It’s neat because the cards aren’t pushing alien-angel connection or anything (I’m so leery of that!), but it is an innovative, modern display of the resonate energetic meaning of the card, which reads:

“Rikbiel is known as the “Chief of the Divine Chariot: – the Merkabah. This Cherubim is said to be the “Power of Love” and he helps us to recognize the incredible power of having loving thoughts. A harmonizing angel, who can influence centrifugal force and find the most loving point between two opposing forces, Rikbiel is especially helpful to call on when working in group situations. Rikbie maintains co-operation and promotes open communication. Like the cosmic diplomat in his oracle card, he shows us that when a group strives towards a common goal based in integrity, they can achieve great things.”1

But while Rikbiel has a cosmic unifier vibe, other cards, such as Asariel (22) have aqueous energy. In this card, Asariel is portrayed with a seashell crown, holding a trident. There’s a hermit crab and treasure chest at her feet, while dolphins and an orca whale leap in the background. I’ve loved gazing at it and inviting the marine energy into my aura. The guidebook explains how she calls us to move with flow, trusting our intuition and dreams.

This deck just really stands apart from others due to the masterful artistry, which is relatable and ignites the imagination, prompting readers to understand the archangel’s energy in a way that goes beyond traditional interpretations of them. Savina’s artwork is perfect for contemplation, meditation, and using the cards on an altar, which is what I’ve been doing most frequently.

The guidebook is phenomenal too! For each of the seventeen suits, Wenman provides the corresponding chakra, crystals, essential oils, magical sigils, and star system. This information alone was worth having the deck for because it opens up so many doors for connecting with each angel. I’ve always been very interested in the relationship between constellations and the angels, and this guidebook has been extremely useful for exploring this.

For every archangel, there is an overall description of their essence, a message from them (a quote of guidance, guidance on how to meet the archangel in the energetic realm through visualization, guidance for diamond fire alchemy with the archangel, and a section on becoming the angel (invoking their energy).

What I love about this wealth of wisdom is that it’s suitable for all levels. Beginners will be content to receive a message from the archangels and learn a bit about their energy. Those who are ready to experience the healing of the archangel might want to do the visualization to meet them or the diamond fire alchemy for spiritual healing or transformation. Then for those who feel experienced enough to invoke the archangel, the final section is very useful in how to embody the energy of the archangel.

While the techniques and exercise require a bit of a time or energetic investment on behalf of the reader, they are truly powerful. As I mentioned, I’ve been very interested in learning more about the archangels, their sigils, and their relationship to the constellations. But Wenman’s guide book helps to take my explorations to a new level through the visualizations and invocation exercises. It’s so useful to have guidance about how to connect with the angels in this way, rather than just having to trace sigils out of an old grimoire I found in PDF form.

Overall, Archangel Fire Oracle is the most authentic angel oracle deck that I’ve come across thus far. Wenman and Savina have successfully channeled the archangels into imagery and a guidebook that is relatable, easy to use, and most of all, soul-stirring. The archangels have been liberated from outdated forms and antiquated definitions of their energy. In this deck, the archangels’ essences shine through, opening readers into a current of love, peace, and spiritual transformation.

Practical Alchemy: A Guide to the Great Work, by Brian Cotnoir

Practical Alchemy: A Guide to the Great Work, by Brian Cotnoir
Weiser Books, 1578637473, 160 pages, July 2021

Alchemy has been beckoning to me for quite some time, yet it was hard to know where to get started exploring such a vast art with centuries of history. Where should I start? What essential things should I know about this work? How can I implement this into my daily life? These questions and more were all answered in Practical Alchemy: A Guide to the Great Work by Brian Cotnoir. In this extremely useful guidebook, Cotnoir does a wonderful job of contextualizing alchemy and providing a foundation one can start their journey from.

To begin, Cotnoir offers the motto of the Mutus Liber of 1677: “Ora, lege, lege, lege, release, labora et invenies. “Pray, read, read, read, reread, work, and you shall discover.””1 He reminds the reader that “alchemy is a living process and is always working with living substances.”2 It very much feels like this sentiment has been imbued into the book itself, which seems to have a potent energy to it, similar to that of a well-used grimoire.

This could be because the book is a compilation of so many different alchemist’s work along with pictures, tables, and illustrations of different cycles adding to the substance of the text. Practical Alchemy is definitely a good starting point for one’s own research for this reason. Cotnoir does a good job of showing how alchemy has evolved by looking at the different approaches to it over the centuries, and therefore, this range of various references does not feel generalized or superficial. If anything, it demonstrates an excellent weaving together of a huge body of knowledge to show it’s evolution through time.

What I most appreciate about Cotnoir’s writing is that it’s not cryptic, nor intended to conceal. As he describes, alchemy is filled with “ways[s] of concealing from fools the precious knowledge of transmutation.”3 While I certainly appreciate the lengths alchemists took to conceal this esoteric knowledge, it nevertheless makes it a daunting task to start putting together the different pieces of the puzzle. Cotnoir is such a kind mentor, describing how the information was obscured, such as in different texts or by switching the names of materials, and provides guidance on how to overcome these barriers when undertaking your own alchemical work.

Practical Alchemy is divided into two parts: “Theory” and “Practice”. The first section, “Theory,” covers topics such as the elements (and how their rotation is integral to alchemy), the Three Principles (Mercury, Sulphur, Salt), prima mater, alchemical cosmology (planetary spheres, fixed stars), alchemical timing (lunar months, planetary hours, ways to divide the year), interrelation of micro- and macrocosmic, and the inner work to achieve gnosis. The section concludes with the tabula smaragdina, or “The Emerald Tablet”, translated in both Latin and English.

I was happy to realize that being an astrologer already has prepared me for certain aspects of alchemy, such as planetary days and hours and lunar months, which I had never realized were components of an alchemical practice. I appreciated the historical information about how these aspects of alchemy blend together to be part of the greater cosmology. To be honest, it’s only recently I had the realization that I can break free from current cosmology, as in I can explore beyond the Big Bang theory.

With all the advances since medieval times, I sometimes think that former cosmologies are written off as primitive or no longer relevant, but I feel like shifting the paradigm to embrace an alchemical mindset about the world is an important part of getting started on this path. Cotnoir gently guides readers into expanding their perception by detailing how other alchemists came to understand the world in this way through time and provides a wonderful overview of alchemy’s foundation as a living body of knowledge.

The second part of the book, “Practice”, is where I started to feel simultaneously in over my head and astounded that there’s so much for me to learn. 

“Here we enter into the body of alchemy–the physical process. Nature must lead both in material and in method. Nature is your true book. Study it well.”4

In this section, Cotnoir delves into many ways to manipulate matter through rotating the elements, from calcination to dissolution and fermentation to sublimation. Up until now, I primarily have related to the spiritual dimensions of these techniques, but this section brought them to life in the material world for me. I began to notice the relationship between alchemy and chemistry and think about how I might go about doing some physical alchemical experimenting. Let’s just say, if you saw my holiday wish-list, you’d think I was setting up a small lab, which in many ways it seems like I will be in order to pursue alchemy on this level.

Cotnoir suggests starting with the basics: water, wine and vinegar, and Salt of Tartar. For each one, he provides detailed instructions about the process, including temperature needed and amount of time required for steps. From there, he describes how to distill water, wine (to make Spirit of Wine, followed by instructions on how to rectify this), and vinegar. For further work, Cotnoir describes the process of creating Archaeus of Water, Angel Water, and Spirit Wine of the Sages. He also includes directions to purify salts using calcification, crystallization, and sublimation.

One of my favorite chapters came next, “The Herbal Work”, in which Cotnoir details how the Three Principles can be obtained by plants through fermentation, distillation, and calcification. “The herbal work consists of separating the Principles, purifying them, and then recombing them.”5 The process of doing this is called spagyry. Cotnoir once again provides thorough instructions. This time he describes how to create spagyric tinctures, herbal Magistries, and spagyric Plant Stone. Furthermore, he provides background information on how to use these plant-based alchemical preparations as medicines and initiatory substances on one’s alchemical journey.

The rest of the book includes information on working alchemically with minerals, aurum potabile, the Opus Magnum, and a highly informative appendices. The appendices cover laboratory safety and equipment, more techniques (including information for making essential oils), and a long lists of plant correspondences for all seven planets. Cotnoir makes it very easy to find what one is looking for in the book, and the resources are so incredibly useful as reference. 

For those who do feel the tug to learn more about alchemy, I highly recommend following the calling to read this book. It’s a must-have for beginner alchemists, and I’m sure it would be enjoyed by someone who’s been alchemically experimenting for some too. The recipes alone make it worth adding to one’s book collection! I am eager to begin my journey into the physical side of alchemy, more assured than ever before from the information in this guidebook.

I believe Practical Alchemy will naturally draw readers ready for its information at the right time. And honestly, there’s no rush for the Great Work. It would be highly discouraged to start upon this work if one did not truly feel ready for what it may yield. Preparation is an important part of the alchemical process. Reading Practical Alchemy was a fantastic way to gain the preliminary information needed, as well as the confidence, to move forward on this path. Cotnoir has done a truly exemplary job of writing a useful, relevant guidebook packed with practical information.

Alchemical Tantric Astrology, by Fredrick Hamilton Baker

Alchemical Tantric Astrology: The Hidden Order of Seven Metals, Seven Planets, and Seven Chakras, by Frederick Hamilton Baker
Destiny Books, 1644112809, 242 pages, June 2021

Recently, my husband completed the course Spiritualized with astrologer Aeolian Heart, and it really ignited a lot of spiritual growth for him. The premise of the course was to energetically move through the alchemy of astrology to facilitate healing through the gateways of the chakras.

Curious to learn more about this, I was delighted to discover Frederick Hamilton Baker recently published Alchemical Tantric Astrology: The Hidden Order of Seven Metals, Seven Planets, and Seven Chakras, which seemed to essentially be drawing from the same alchemical/astrological associations as Aeolian Heart did in my husband’s course. Now it was my turn to take a deep dive into the material, and I’ve been delighted with the quality of Baker’s dedication to this subject.

Baker begins by sharing how he came to develop the Alchemical Tantric Arrangement (ATA), his own astrological system, through his time studying in California, serving in the U.S. Navy, and visiting sacred sites around the world. Blending his study of astrology, alchemy, and the chakra system of tantric yoga, Baker has concluded Capricorn to be the final sign of the zodiac and Aquarius as the first.

I really resonated with this conclusion, particularly after watching the events unfold during major alignment of planets in Capricorn in 2020 and getting to know my own Capricorn stellium in my chart. It simply makes sense, given the many “new beginning” holidays in Aquarius (Candlemas, Chinese New Year, Imbolc), and I personally have always waited until February to set my new year intentions.

Diving right into associations between chakras, astrology, and alchemical metals, Baker clearly lays out the correspondences that are the foundation of ATA. From there, he delves into the mythology of every zodiac sign, which was very beneficial as an astrologer to read. While I am familiar with most of the mythology, the way Baker illuminates all the archetypal energy within each zodiac sign through his interpretations was extremely insight.

By offering a cross-culture description of archetypal energies (gods and goddess) from different pantheons, my understanding of the energies of each zodiac sign expanded. For instance, I previously did not know that Hecate and Vishnu are both associated with Pisces. I also really liked his thorough descriptions of Mercury/Hermes roles, including some such as secret keeper, midwife, and seducer, which I hadn’t previously realized.

Next, Baker gives an overview of kundalini energy and the tantric aspect of transforming consciousness with astrological energy. He notes this process can also be referred to as Hermetic astrology, where the alternating feminine and masculine energies of the signs move up and down the chakras to facilitate shifts in conscious awareness. Therefore, Baker concludes, “Knowing the signs and their associations with the two directions of the chakras, those who are acquainted with transits can now use astrology to tune into the most appropriate time for their meditation and actions.”1

Baker teaches the reader how to sense astrological energy as having an upward motion (Aquarius to Leo) and downward motion (Virgo to Capricorn), moving the energy in a cyclical way, just like the continual inhale and exhale of our breathing. Through his very illuminating descriptions of the relationships between each zodiac sign and the corresponding chakra, I gained a deeper understanding of this upward and downward energetic motion he describes.

For instance, Pisces and Sagittarius are both associated with the second chakra, however Pisces is the upward energy of the second chakra, while Sagittarius is the downward energy of the second chakra. Additionally, he provides the Hermetic phrase for each zodiac sign, giving further explanation of how the astrological energies are expressed through the chakras. One example is “The key word of Hermetic Scorpio is transformation.”2

My Aquarius Sun and Mercury found the most interesting section to be when Baker moved beyond the Saturian planets, which have a long alchemical history, to explore the trans-Saturian planets (Uranus, Neptune, Pluto, and Eris) with Chiron as a gateway. He relates Uranus, Neptune, and Pluto to the radioactive elements uranium, neptunium, plutonium, and americium (respectively), which completely blew my mind and is a connection I would have never made on my own, but fascinated me in terms of alchemy and the future.

Since Chiron is still rather new to astrology, discovered in only 1977, many astrologers are still working to figure out the energy of the asteroid. In his philosophy of ATA, Baker asserts “Chiron is the key to unlocking the central nadi in the chakra system and a bridge between the downward and upward paths of the zodiac signs.”3

He goes on to explain, Chiron serves as a guardian of the threshold between the traditional alchemical metals and planets and the radioactive metals and planets. His insight on Chiron is worth reading for those interested in astrology, for it presents an archetypal explanation of the role this energy may hold in how the future unfolds.

This section concludes with information on the numerology of the astrological houses, the connection between DNA and the chakra energy, and how astroyoga can open multidimensional portals through meditation. Baker offers written-out guided visualization processes for the reader to tap into this potent energy.

I also really enjoyed the final part of the book, which focuses on interpreting events through the lens of ATA, and is the practical application of this complex system. Baker teaches the reader how to understand this Hermetic Chart compared to a traditional Western astrological chart. They look quite different, and I had to hand sketch how my Hermetic chart would look because there’s no program to produce this. I’m still not sure exactly how to interpret the placements (yet), but it helped to understand the alchemy of my personal chart better.

I particularly enjoyed Baker’s focus on the alignments happening in 2020, which I had been waiting years to see how they would unfold, knowing major change is in store for everyone on both a personal and collective level. HIs interpretation of events, both past and future, did not disappoint. I find his evolutionary approach to astrology to be very aligned with my own conclusions, particularly his thoughts on the upcoming transit of Pluto through Aquarius, as it wraps up a transit through Capricorn. He certainly knows his stuff and has given immense thought to the impact of the transiting planetary energy currently shaping events.

The one thing I do have to say about the ATA, as forward-thinking and integrative as it is, I would assert these ideas are not new and others have drawn similar conclusions as well. While this lends credence to the ATA system, I also think it’s valuable to acknowledge a lot of this system is rooted in alchemy, astrology, and yoga practices that have existed for centuries.

Nevertheless, Baker’s perspective, stemming from years as a researcher and practitioner of these arts, certainly bolsters the knowledge on these subjects and integrate them in a way that can be practically applied in one’s life for energetic attunement with the zodiacal energy. He has a way of sharing his wisdom that makes it easily accessible to readers, both logically and intuitively. There is plenty of information for readers to gain from Alchemical Tantric Astrology, and it is a wonderful book for readers to become acquainted with Hermetic Astrology.

I have been truly delighted to discover similarities in my own astrology practice with Baker’s practice. Currently, I am looking forward to seeing if I notice the downward energy shift as the Sun moves into Virgo next week. I feel like this integration of the tantric energy into my nature-based spirituality and astrology practice will be bolstering my awareness.

Lunar Alchemy, by Shaheen Miro

Lunar Alchemy: Everyday Moon Magic to Transform Your Life, by Shaheen Miro
Weiser Books, 1578636907, 224 pages, 2020

Anyone who has ever looked up at the moon and felt a stirring in their soul understands the importance of lunar magic in a spiritual practice. In Lunar Alchemy: Everyday Moon Magic to Transform Your Life, Shaheen Miro takes us beyond the basic parameters of Moon Magic 101 and shows us a path that not only forms the basis of a solid practice but also includes new facets of shadow work that point the way to personal power rather than simply providing a list of rituals to perform to help with manifestation.

Miro’s other writings through his blog and weekly newsletters focus on healing, empowerment, and transformation. His personal practice for clients includes energy-clearing, intention setting, and intuitive readings. The author of The Lunar Nomad Oracle, Uncommon Tarot (reviewed here), and co-author of Tarot for Troubled Times, Miro’s intention through his work is to help people navigate themselves to uncover their own personal power. 

One thing that struck me is the lack of how-tos in this book. While there is a comprehensive table of contents that includes the four basic moon phases, Miro dissects each phase and relates it back to the Great Work. He explains:

“…this isn’t simply a book about moon spells or moon magic. It is a book that ultimately will familiarize you with the phases of the moon as steps on the alchemical path – the Great Work – so that you can learn to internalize that alchemy as a transformative force in your own life.”1

Personally, I have felt inadequate at times when comparing myself as I am to the idea of who I thought I was. It’s interesting to see how our impressions of ourselves change over time, and Miro not only recognizes that but expands on it:

“Your life’s path is, like the moon’s, a series of phases – times of abundance, times of thin scarcity, times of light, times of darkness, times of feminine intuition, times of masculine action. The cycle repeats. Like the moon, you change day to day. No one phase is “you”; no one phase is right, or better, or more moral than any other. You are the sum total of all your phases – and like the moon you are on a constant alchemical journey of change and transformation.”2

I can’t tell you what an incredible relief it was to read those words. Something I’d felt but couldn’t put into words just magically appearing before me in the book I am reading. That’s magic! Miro is completely right: we are works in progress and we never stop changing. This book is a huge asset in learning how to navigate those spaces between what you know about yourself and what you’ve hidden from yourself.

The book is set up in three parts. Part one deals with the alchemic concepts behind lunar magic and a great jumping off point for those new to the concept of the Great Work. Part two deals with the four lunar cycles and contains exercises and ceremonies for working with each phase as it resonates with you. Part three provides a selection of ceremonies and exercises for specific intentions. 

Reading this book feels like a rebellion of sorts. Not because it is outrageously scandalous, although some might feel that way given the attitude of “If I thrive, you thrive. If we are well, the planet is well”.3 Miro writes in a clear, concise way that conveys his ideas of how we could move forward as a species if we were able to embrace a shift in power away from the actionable masculine energy that is dominating currently and bring it into balance with the deeply intuitive and self empowerment of the feminine.

We see these shifts happening already. This book is a tool to help that change occur within us, by healing the disconnect between the Solar and the Lunar aspects we all carry as part of who we are. Healing ourselves leads to collective healing on a global scale, and this book is a step in that direction.

I found this book to be deeply satisfying on a number of levels. My brain loved the linking of moon phases to corresponding alchemical phases, and the deep dive into “As above, so below. As within, so without”4. That phrase has been tossed around a lot and it is so refreshing to see pages devoted to exploring the concept behind the words.

More than just a phrase, it’s a way of being in harmony with the rhythms and cycles of the natural world and being in alignment. Miro takes the time to delve into it and coaxes the reader to answer a series of questions throughout the section, not as an exercise but as a way to get you to think. Lunar Alchemy takes common themes and ideas around the moon and cycles in general and reinvigorates them with brightness and curiosity. Wondrous reading!

Lunar Alchemy is perfect for anyone who wants to learn more about moon cycles as they relate personally and isn’t afraid of doing shadow work. Shadow work is hard, but the payoff is well worth it! The spells and ceremonies in the third part are designed to support and assist the self empowerment techniques and aren’t meant to help you get your lover back or find you a new job. What this book can do, however, is provide you with the tools to do those things for yourself. Plus, the list of reading resources at the back of the book is a fantastic gift. There are some great readings suggested, and I highly encourage checking a few out at the very least. 

Forbidden Fruits, by Joscelyn Godwin and Guido Mina di Sospiro

Forbidden Fruits: An Occult Novel, by Joscelyn Godwin and Guido Mina di Sospiro
Inner Traditions, 9781644111574, 288 pages, December 2020

What happens when Mexican Gothic crosses with The Da Vinci Code? You get the spellbinding novel, Forbidden Fruits: An Occult Novel by Josecelyn Godwin and Guido Mina di Sospiro. This  thrilling mystery kept me guessing “who dun it” until the near end. I mean, a book that weaves together the magic of alchemy and entheogens, turning history on its head, in order to prevent the spread of evil in present times. Needless to say, I was hooked from the get-go and read the whole thing in 24-hours because I couldn’t put it down.

Godwin and di Sospiro have previously co-authored another book, titled The Forbidden Book. Keeping with the theme of forbidden, the authors continue to use their background to unveil information through fiction once again. Godwin has written extensively about spiritual connection fostered through music in his books which include Harmonies of Heaven and Earth, Cosmic Music, and Music, Mysticism & Magic . Di Sospiro also has a background in music as a classically trained guitarist, but is most well known for the short film he wrote and directed If I Could Do it all Over Again, I’d Do it All Over You. He’s also published the books Leeward and Windward, which also has an alchemical theme, and The Metaphysics of Ping-Pong, which focuses on philosophical topics.

I’ll admit I was a bit leery at the start of Forbidden Fruits that it would be too much of a thriller for my taste, as there are violent scenes interspersed throughout. However, the action scenes are tempered by plenty of nuanced character interaction and dialogue that keep the story intriguing from start to finish. While the plot is centered upon a murder mystery, which can easily become run of the mill, there were many distinguishing features that set this book apart from others.

To begin, the main character, Monica, is an archeologist who is funded by a very eccentric man named Sebastian. After years of searching, they have just happened upon an ancient find that has the potential to change the perception of history. However, this plot thread is only one of many. There’s also the oracle predictions warning an ancient secret society of evil on the island, neo-nazis who are wreaking havoc and murdering innocent people, and a huge immigration problem of Africans flocking to the coasts of Malta. With Sebastian being a noble and respected figure in Malta, he finds himself smack dab in the middle of the turmoil.

I won’t give away the climax of the book, but a turn of events forces Monica to team up with Sebsatian’s elusive son, Raphael to solve the case, all while assassins are out for them as well. There are endless twists and turns in the book that don’t come together until the very last pages of the book. I really enjoyed the variety of possible ways the story could go and watching the storm brew, wondering how things would play out.

There were many modern social justice issues raised, from the growth of hate groups to widespread immigration. While I am not very familiar with the current socio-political climate of Europe, specifically in Italy and Malta where the story takes place, I can see the current global trends happening in the United States as well with the rise of hate groups and human rights issues at the borders. The integration of present world problems heightened my ability to connect to the story, as I could easily understand and relate to the challenges the characters faced.

The best part about this book is how it incorporates alchemy, archeology, and entheogens into the plot. While there are countless stories of wizards, magicians, and occult societies dabbling in labs trying to find the Elixir of Life or the Philosopher’s Stone, I had never seen alchemy from the lens portrayed in Forbidden Fruits. Godwin and di Sospiro have done a wonderful job of illuminating the alchemy through Raphael and his journey to uncover the mysteries hidden within; readers get to experience firsthand the character’s perspective of ritually consuming the sacred soma.

Alchemical drawings and apocalyptic texts sprung to life when viewed from the perspective of entheogen consumption. Godwin and di Sospiro create a whole new paradigm through which to understand Jesus Christ’s message and the words of the Bible by linking it to the ritual consumption of entheogens. While Carl Jung’s Red Book never seemed much more than imaginal pictures to me, I suddenly understood through the writing of the authors how these images can in fact truly mirror archetypal energies.

In our technologically and secular world, the idea of demons and maleficent forces seem arcane. However, reading Forbidden Fruits spurred on my investigation into demonology, helping me to see the value in knowing these energies that could potentially still be within the world. By blending the supernatural with occult knowledge, I feel as though Godwin and di Sospiro elucidated the value of alchemy, beyond the personal plight of truth, knowledge, and life essence often perpetuated in the mythos.

What I enjoyed the most was the humility of the alchemists. With trust in their order and dedication to the natural law, one’s station in life was not as important as the legacy of the alchemical wisdom they protect. With the rise in conspiracy theories, secret societies seem to be all the rage in popular culture, and often to the detriment of these sacred orders. I appreciated there was no self-effacement on the order’s part to assert their will, but rather they used their tools to assist the protagonist Raphael in his own mission quite discreetly. Forbidden Fruits accurately captures the true nature of the groups that protect esoteric knowledge with dignity, respect, and loyalty — a concept that could use some reviving in modern times.

I highly recommend Forbidden Fruits to anyone looking for a good mystery novel, especially if you have an interest in the occult. Godwin and di Sospora have created an illuminating novel that makes the reader question the true nature of Christianity, while also demonstrating and offering insight into how the use of entheogens may be one of the oldest sacred rituals. The characters ultimately must decide for themselves how far they are willing to go to find the truth, and following along in their journey is absolutely fascinating.