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Celtic Cauldron, by Nicola McIntosh

Celtic Cauldron: Rituals for Self-Care and Manifestation, by Nicola McIntosh
Rockpool Publishing, 1922785709, 288 pages, May 2024

The images of conjuring done with a cauldron is a well-known magical image. This is most likely because the cauldron is one of the most versatile magic tools, taking all sorts of shapes and sizes throughout history. From teas to stews, anointing oils to potions, there’s all sorts of creations that a cauldron can bring to life. Celtic Cauldron: Rituals for Self-Care and Manifestation by Nicola McIntosh is a beautiful guide to the many possibilities the cauldron holds, teaching readers how to use their cauldron for spells, healing, divination, and more.

McIntosh blends her wisdom as a Western and Chinese herbalist and Celtic shaman together in this book, providing plenty of nature-based methods for manifestation using the cauldron. Her previous publications include Plant Spirit Medicine, Celtic Spirit Oracle, Mushroom Spirit Oracle, Apothecary Flashcards, and Crystal Grids. She dedicates her time to sharing her knowledge to help others look within, raise consciousness, and tend to themselves and the environment with care. Much of her work is centered on connecting to nature, and this book is a lovely example of how the natural and magical world can support you.

The book itself is absolutely collection-worthy. The cover is a soft fabric, and the sturdy binding makes it easy to flip through the pages and open them fully without harming the spine. All throughout the inside,  McIntosh infuses the pages with her artwork and photographs, which is a real bonus as a visual aid to the recipes and directions provided. There’s a real earthy feel to the book, and as soon as it is opened, the natural magic begins to whirl around energetically.

“The cauldron is said to contain the Awen or be the cup of Awen, or the Cauldron of Inspiration. The Welsh word ‘Owen’ means ‘inspiration’ or ‘essence’ and is the inspiration of poets and creative artists.”1

McIntosh begins with a history of cauldrons, sharing famous cauldrons both real and mythological. For instance, there’s the Gundestrup Cauldron “that dates back to approximately the 2nd or 1st century BCE.”2. Then there’s also the mythological cauldrons of Cerridwen and Magda.

Once the history is explored, McIntosh moves into the modern applications of cauldrons, specifically from the Celtic and Druid traditions. She covers how to select and care for your cauldron, with plenty of pictures for inspiration, suggesting one spiritually prepare for their new cauldron by creating space for it on your altar and perhaps even a ritual. I was pleasantly surprised by McIntosh’s practicality, as she notes that a simple tempered-glass product, like a Pyrex measuring cup can work as a cauldron.

Then, before delving into all the magical possibilities for one’s cauldron, McIntosh spends an entire chapter on the importance of ritual. She suggests making self-care a ritual, and offers ways to ritualize your intention, including creating an altar, journaling, and working with plants and crystals. She writes:

“Rituals can literally change anything within your life. When we turn our attention inwards, we make big changes in our external environment because we attract what we are. This is the key to manifestation: We must be in alignment with what we wish to draw into our life.”3

The rest of the book is just tons and tons of amazing recipes for all types of cauldron creations. “Plant Magick” is a chapter covering brews, simmers, essence, lotions, and potions.  There’s recipes for fortune telling, inspiration, love, cleansing, and more. My favorite are Dandelion Joy Lattes (dandelion root coffee with milk and honey/maple syrup) and strength potion, which is “excellent for times when you feel vulnerable or run down or need inner strength to face something.’4

The next chapter, “Anointing Oils, Salves, and Melts” covers infused oils and homemade salves for all types of intentions (meditation and calmness, visionary and divination, protection, cleansing and clarity). The melts are lovely too because you can burn them in your cauldron after you make them in your cauldron—things coming full circle! Many of these involve certain spices, herbs, and essential oils, all of which McIntosh covers in detail. Once again, her understanding that not all readers will have access to all ingredients comes through, showcasing her desire to be inclusive in sharing her knowledge with all.

“Fire Magick” focuses on candles and incense. As mentioned before, there’s ton of pictures, which I found especially helpful for this section. I loved the idea of making a small cauldron into a candle that can be infused with herbs and crystals to add to one’s spellwork. I also loved McIntosh’s directions for making a mullein, or hag torch. For those interested in making their own incense blends, McIntosh provides wonderful step-by-step instructions with plenty of visual aids, along with ways you substitute ingredients if needed.

As a kitchen witch, my absolute favorite chapter was “Magical Meals”. For my birthday recently, my husband and I went to the Melting Pot where we did a bit of three-course cauldron magic. This experience was what inspired me to learn more about using the cauldron in my own craft. And in perfect alignment, McIntosh dedicates a whole section to chocolate cauldrons! Absolutely delicious. The recipes include Chocolate Love Bombs, Chocolate Knowledge Bites, and Chocolate Fondue that can be used as a base for one’s own chocolate crafts. In this chapter, McIntosh also teaches how to use the cauldron to make damper scones, rosemary and salt bread, cinnamon and sultana bread, stew, and mulled wine.

The final chapter “Miscellaneous Magick” covers spell bottles, spirit bottles, medicinal pouches, salts (ritual salts, bathing salts, etc.), and scrying. I definitely plan to make the Refresh Bath Salts, which combines basil, eucalyptus, peppermint, and tea tree.

One of the best parts of this book is the immensely helpful appendices at the end. There’s an herbal reference table that spans nearly 35 pages that covers the associate element, planet, polarity, edibility, spiritual use, medicinal use, cauldron use, and caution for hundreds of plants and herbs. It’s astounding how much information is shared in these pages, and it’s a true marvelous resource. There’s also an appendix on crystals, offering insight into the chakra, color, and element of the crystals. The final appendix is the Ogham tree alphabet.

All in all, Celtic Cauldron is perfect for those looking to incorporate a cauldron into their magical practice. McIntosh provides so many ways one can utilize their cauldron magically, from candles to culinary treats. The quality of this book makes it worth the investment, and readers are sure to turn to it again and again when crafting their next ritual. Those new to working with a cauldron will appreciate all of McIntosh’s advice for getting started, while seasoned practitioners will love the informative tables and recipes that make it quick to decide on ingredients for manifesting their intentions.

Celtic Goddess Grimoire, by Annwyn Avalon

Celtic Goddess Grimoire: Invoke the Enduring Power of the Celtic Feminine Divine, by Annwyn Avalon
Weiser Books, 157863802X, 224 pages, March 2024

At the end of 2023, I signed up for a thirteen-moon prophecy reading with Danielle Dulsky. The intention I set for the reading was furthering my understanding of the “flavor” of my magic. I was curious about what spiritual pursuits were most aligned for me right now. A very significant piece of my prophecy was the Awen symbol, so important that Dulsky explained it was the mythic image for me to draw upon this year. In a pursuit to learn more about this symbol, I’ve been doing increasing research on Celtic traditions, particularly Druidism. I felt an instant pull towards Celtic Goddess Grimoire: Invoke the Enduring Power of the Celtic Feminine Divine by Annwyn Avalon, as though connecting with the Goddesses of the Celtic tradition is the next step in my journey.

Avalon is the perfect person to write this book. She is a Celtic witch and water priestess, who has years of study in water mysteries, witchcraft, and magic. Her previously published titles include Water Witchcraft and The Way of the Water Priestess. Currently, she serves as the keeper of the White Spring, a sacred spring in Glastonbury where she lives. As if all isn’t cool enough, she is also the sacred steward of Chalice Orchard, the former home of Dion Fortune.

Avalon begins by sharing with readers a journey of her life, from growing up in a conservative Christian home to becoming a devoted priestess of the Divine Feminine. Her story felt very relatable, as I’m sure it will be for many others who feel called towards Goddess worship. She explains how while initially she wanted to write a scholarly book about the goddesses, she realized in the process that the dynamic Celtic goddesses could not be confined to specific categories. The book took its own form, which she describes as:

“I wanted to build a bridge between the vastness of each goddess and those who seek her. In the end, I embarked on a goddess-guided journey, allowing them each to show me the highlights of their magic, and teach me what they wanted emphasized in the pages of this book–the best pathways for others to find them and experience their energy.”1

This connection to the energy of the many Celtic goddesses is exactly what I felt while reading this book! Since I am still in the beginning phases of learning Celtic spirituality, I decided to see which goddesses I was naturally drawn to while also keeping an open heart and mind in case any of the goddesses came to me. Avalon does offer some insight into the process of  connecting with a goddess, noting relationships will be different for each person, the goddess you call upon might not answer, while another goddess might abruptly come into your life. Above all, Avalon encourages listening to your own “unverified personal gnosis”2, or UPS for short, even if the information you’re receiving isn’t verifiable by outside sources.

For those new to the Celtic belief system, Avalon covers a bit of history (Roman conquest strongly impacted the Celtic cultures), the role of women in the Celtic world, the Celtic otherworld, and Celtic rituals and practices. Some exercises she shares are how to build an altar, create your own sacred image or blessed candle, and make a goddess simmer pot, incense, and bath soak. These exercises don’t require too many materials, and most could probably do them with the items they have on hand, which is something I always appreciate as a devotee on a budget.

The Part II – Part VII of the book focus on different types of goddesses: Goddesses of the Sacred Waters and Landscape; Goddesses of Abundance, Fertility, and Healing; Goddesses of Battle and Justice; Faery Women; Goddesses of Magic; and Horse Goddesses. Within every part there ranges from two to seven chapters which each cover an individual goddess. At the start of the goddess chapters, Avalon shares name variations, regions, sacred associations, offerings, and body of water. While not every goddess has each one, this plethora of information is fascinating and useful for building a connection with the goddess. It really made me want to go visit these locations and sites on a goddess pilgrimage!

Avalon delves into the history and folklore of each goddess. She covers things such as what the goddess is most well-known for, what artifacts reveal about them, the cultures that revered them, and how goddesses evolved through time, many having their names changed or Christianized by Romans. At the end of each chapter, Avalon provides customized exercises for the goddess. For example, for the Andraste, Invincible Goddess of War, one of the exercises is a prayer for justice, while the exercise for Melusine, Mermaid Goddess of the Fount, is a ritual bath to ask her blessing.

While every goddess was fascinating to learn about, the one that was most awe-inspiring for me to learn about was Rosmerta, The Great Provider. She was an abundance goddess associated with “springs, healing, prosperity, abundance, protection, and fruitfulness.”3 I was intrigued to learn in continental Europe, she was considered the consort to Mercury. Mercury is one of the primary deities that I work with, and never before had I come across any material about him having a consort. I am absolutely going to be weaving in working with Rosmerta as well, hoping the couple will enjoy sharing in ritual together! Exercises that Avalon shares for Rosmerta are an invocation to her and an abundance ritual where fruits, vegetables, and spring or blessed water are given as offerings. I am looking forward to building an altar to Rosmerta and performing the invocation and ritual!

Another goddess that I felt drawn to is The Giantess Cailleach. Avalon writes how she “is often depicted as the personification of winter” and is “variously known as a creator goddess, a storm goddess, a destroyer, and as a giantess who can move large boulders, make mountains, raise seas, and create windstorms.”4 Now, this is one incredible goddess! Exercises Avalon includes for The Cailleach are using storm water for protection and creating a harvest spirit doll, both of which I plan on doing when the timing is right.

Oh! And guess what? In the midst of being immersed in reading about Cerridwen, I flipped the page to see the Awen symbol right there! I did not realize Cerridwen’s mythology was related to this story, and it gave more insight into the meaning of Awen for me. I knew I was meant to read this book!!

At the end there are two appendices for added convenience. Appendix A is titled “Glossary of Celtic Goddesses and Faery Women ” and Appendix B is titled “Index of Exercises and Rituals”. Both make quick-references extremely easy. And one more really neat feature of the book is the maps on the front and back cover. The front cover is a colored map of modern Celtic lands, while the back cover is a map of the historical dispersing of Celtic tribes. For someone not as familiar with the Celtic landscapes, these maps are very helpful when reading about the goddess’s associated locations.

All in all, Celtic Goddess Grimoire is an awesome resource for learning more about the Celtic divine feminine. As a beginner, Avalon made the material very easy to navigate, focusing on providing ample information to provide a full perspective.Those already working with the Celtic pantheon would surely benefit from reading this book too, as Avalon’s insight add new perspectives and the exercises and rituals are good to have available. This is a book that I’ll surely be referring to time and time again, as well as sharing with others I know are feeling called to explore the roots of their Celtic ancestry.

The Torch of Brighid, by Erin Aurelia

The Torch of Brighid: Flametending for Transformation, by Erin Aurelia
Moon Books, 178904281X, 144 pages, June 2023

As someone not too familiar with the tradition of flametending, my ideas around what I thought it was versus what it actually is was both surprising and enlightening. In The Torch of Brighid: Flametending for Transformation, author Erin Aurelia takes us into the realm of the Goddess and shows us precisely what it means to be a flametender.

As an author, poet, spoken word performer, editor, and book coach, Aurelia has tended Brighid’s Perpetual Fire for 20 years and is the founder of the Daughters of Brighid flametending order. Author of numerous books on the subject, Aurelia also runs an editorial services and book coaching business where she offers her services to authors in a variety of self-help and spiritual areas that focus on women writers and voices in the heart-centered and spiritual coaching space.

If you’ve read any of my previous reviews, you will know that I love introductions as I feel they set the tone for the entire book and also impart the flavor of the author’s tone. In this book, Aurelia provides both a preface and an introduction and I couldn’t be happier.

The preface sets the tone for the book, clearly setting out the author’s goals and direction. It’s explained here that this book is not “reconstructing a past pagan practice, as there is no known pre-Christian flametending practice to Brighid which can be reconstructed”1.Aurelia is very clear that this book is not making any direct connection between any sort of mystical links that might have been suggested previously by other authors’ works, and instead chooses to focus on “presenting an inspired practice, like spiritual poetry.”2

At first blush, this whole book feels like a poetic love letter from the author to the Goddess Herself. It’s well written in a style that is approachable for those not familiar with this specific realm of spirituality yet doesn’t feel dumbed down for those who are seasoned. The concepts presented resonated deeply with me personally, and I was a bit surprised at the depth of my feelings as I read through it. This practice feels like coming home to oneself in the context of using deity as a conduit, which is of course what the purpose of this book is. It’s empowering and fulfilling and inspirational and I am so glad I picked it up.

The topics discussed in the book range from the history of the practice to an in depth transformational journey through the seasons. While it sounds like a lot of time needs to be invested, the book states that the reader can experience the sensation of flametending through a twenty-night period. Considering how often we subject ourselves to fad diets and other modes of “bettering” ourselves, I would respectfully offer that twenty nights of this practice could be far more beneficial than counting calories or fasting. But I digress: we each walk our own path.

The introduction gives the reader some background on how Aurelia first came to know Brighid. I find these origins fascinating as we have all walked our own paths to the various deities that we work with. Aurelia’s story resonates not because of the deity she observes but of the way she has integrated the lessons into her personal journey. She states:

“Her burning torch lit and guided my way, and where she led, I followed. I followed her from being one who burned myself out for others to one who learned to tend her flame from within. I followed her in my spiritual practices from celebration to devotion to contemplation to transformation.”3

This path described by Aurelia is precisely the one laid out in the book. I would humbly offer that burnout is often something experienced by those in caregiving or mothering roles, whether or not they have additional responsibilities outside the home or facility in which they provide care. Speaking personally, I often find myself in positions where I give too much of myself and then have nothing left for myself. This book is instrumental in discovering why that happens, and, more importantly, how to identify when it’s happening so that the energy can be shifted inward to where it’s needed most.

One of the most powerful concepts in this book is the idea that spiritual exploration and growth need not be done using external methods. While helpful at times, it’s also easy to become lost in a sea of voices and practices that might not be what’s needed. This is a personal practice and while you could share this journey with others at some point along the path, this feels very much like a task for one.

The practices in this book are presented in an easy to understand way with various supporting modalities, including runes. Aurelia says that the book is geared towards devotees of Brighid and those curious about the practice, stating:

“The depths can be dark, but her torch ever shines to illuminate a way for us toward our own illumination, healing, and growth. The practice in these pages is an invitation to follow this lit path through the forest of ogham trees in search of your true self, your unbreakable and remarkable soul hiding behind and beneath your fears.”4

If you are at all interested in any of the concepts presented here, pick The Torch of Brighid up. In fact, even if you aren’t interested, pick it up anyway and thumb through it. I guarantee something in these pages will leap out and whisper to you as it did to me.

Celtic Healing Oracle, by Rosemarie Anderson

Celtic Healing Oracle, by Rosemarie Anderson and illustrated by Susan Dorf
Inner Traditions, 9781644114964, 165 pages, 64 cards, January 2023

An interesting combination of both myth and tradition, the Celtic Healing Oracle card deck by Rosemarie Anderson is filled with healing information and guidance.

Anderson has been studying Celtic traditions since the late 1970’s.  She is an author, poet, professor emerita of psychology, Episcopal priest, and award-winning researcher. She is the author of six books, including The Divine Feminine Tao Te Ching, Transforming Self & Others Through Research, and Celtic Oracles: A New System for Spiritual Growth and Divination. She has lived in many different countries around the world, including South Korea, Japan, Germany, Italy, and Ireland. She now lives in Oregon.

The artwork for the cards was created with an art knife and black paper by the artist Susan Dorf. She created the images to represent contemporary block prints.  She is well known for her sketches, paintings and prints, as well as workshops in painting and journaling in several countries.  She currently lives in Mexico.

Anderson traces her journey to create these cards to a time almost forty years ago when she lived in Germany.  Here she visited the forests and woodland creatures and became aware of the Celts and their belief in the interconnectedness of life. Later, she would live in Ireland, Wales, and Scotland and learn more about the Celts and their rich traditions.

The Celts divined answers to life’s questions from the animals, plants, wind, and seasons. Trees and animals had particular knowledge of all things – past, present and future.

In addition to the history of the Celts and their belief systems, Anderson includes tips on how to best use and interpret the cards. For example, she speaks about what to do if the same card shows up time and again:

“If so, watch for that symbol mirroring many aspects of your life. A basic issue, represented by one or more related symbols, may have overriding significance in your life at this time period. For example, you might repeatedly cast one or several manifestations of the goddess in response to a variety of questions, signifying integration of certain of her aspects.”1

Anderson also includes several different spreads for use with the cards, including the Spiritual Development Spread. This spread features six cards and a variety of questions that Anderson bases on her own use of oracle systems.

I did a reading for myself with this spread and received a succinct answer to a question that I had been pondering for quite some time.  The message of the six cards could be distilled into a guidance that assured me that I had all of the tools within me to heal old wounds and take decisive action in future endeavors.

Next, I did a one-card reading for each of the women attending my Sunday Coffee & Cards event on Zoom. For one woman, I drew the Raven card, which speaks of truth-telling and prophecy.  She related that the message really resonated, including the portion that said:

“Your present situation may require speaking the truth to clear the way for newness and avoid misunderstandings. Telling the truth is akin to prophecy. It cleans the eye of the heart.”2

For another woman, I drew the Ram-Horned Snake/Shape-shifting card.  She related that over this past summer she took a month-long trip to her home state and enjoyed carefree travel plans. She related:

“This ties into my summer so much!  Shape-shifting or going with the flow as events present themselves.  Don’t wait!  I’ve had so many messages from animals and plants lately, too.  Thank you for this confirmation.”

Although the cards do not appear to be arranged in any particular order, Anderson numbers the cards.  This tool makes it easy to find the guidance in the book, which also features a Table of Contents. To break up the black and white art and type in the guidebook, Dorf highlights the name of each card in green and also uses red type for section titles. Anderson includes a bit of history for each card in a section of invocation.  Then, she features a section called “If you drew this card,” where she shares guidance and messages. 

The invocation section title is really helpful, as it gives a word or two that contains the overall energy of the card.  For example, with my own six-card reading, I received these words of encouragement:

Power – Change – Selfless Action – Wholeness – Honor – Decisive Action

The cards are printed on a nice card stock and will hold up nicely to repeated use.  Although the cards are printed with a glossy finish, they do not show fingerprints. The back of the cards is printed in green with a black Celtic symbol, while the front of the cards is black and white with tiny green leaves as accents.  The deck is a standard oracle card size with its 3.5 X 5 dimensions.

My favorite card in this deck is #12 Mare – Healing the Wounds of Abandonment and Loss of Trust.  Perhaps because I drew this card in the spread where I was asking for clarity, this card really spoke to me of the power of healing the heart so you can be more open and free.  

This deck would be good for any level of oracle or tarot reader.  The way the guidebook is presented, and the simple design of the cards makes it easy for any reader to utilize.  I can see myself adding a one card reading to my intuitive readings or coaching sessions for clients.  The guidance is easy to understand and the additional information on Celtic history and traditions enriches the messages. 

Anderson also includes a complete “Selected Celtic Bibliography” for those who might want to further investigate Celtic traditions.

In Anderson’s own words, the Celtic Healing Oracle cards provide guidance from a rich symbology:

“Whether you choose a card from the card deck to answer a specific question or create a card spread from the cards, the symbols provide a practical and spiritual perspective into the hidden forces within your nature and present circumstances.”3

I’ll be looking forward to working with this deck in the coming months to learn more about myself, in light of the nature symbols and Celtic traditions.

Pagan Portals – Ancient Fayerie, by Melanie Godfrey

Pagan Portals – Ancient Fayerie: Stories of the Celtic Sidhe and how to Connect to the Otherworldly Realms, by Melanie Godfrey
Moon Books, 1782794778, 136 pages, September 2022

Pagan Portals – Ancient Fayerie: Stories of the Celtic Sidhe and how to Connect to the Otherworldly Realms by Melanie Godfrey is a brilliant and enchanting book that transports readers into the mystical realm of spirit beings known as “fayerie,” distinct from the popularized fairies of Disney tales. Inspired by the renowned British folklorist Katharine Briggs, Godfrey’s heartfelt and personal account takes us on a captivating journey through her intimate encounters with Faery and the Elemental Kingdoms.

The book not only weaves captivating stories born from the author’s experiences with sacred landscapes but also serves as a profound guide for readers to deepen their connections with nature beings and the mystical places they inhabit. Divided into two sections, the book’s first part focuses on connecting with the heart of ancient fayerie, encouraging exploration of the landscapes around us and communication with the spirit guardians residing in trees and stones.

Godfrey skillfully introduces valuable techniques, meditations, and ceremonies that enable readers to access a higher state of consciousness and engage with their imaginative faculties. Through these meditations, readers encounter different types of fayerie, who offer guidance and wisdom in life’s journey.

The book further delves into the “Clair Senses,” such as Clairaudience, Clairsentience, and Clairvoyance, providing various ways to perceive and sense the fayerie world. Meditation emerges as a potent tool to connect with the subtle energies of the earth and the diverse fayerie races that inhabit it.

Pagan Portals – Ancient Fayerie sheds light on the significance of the four elements—earth, air, fire, and water—associated with different types of fayerie beings, such as gnomes, sylphs, dragons, and merfolk, respectively. Additionally, the book emphasizes the importance of understanding oneself and exercising discernment when interacting with the fayerie realms, especially during times of emotional imbalance.

Godfrey’s authoritative and delightful narration empowers readers to explore their own psyches, unlocking a deeper understanding of the multidimensional world we inhabit alongside these ancient and original nature spirits. Through dreams and visions, she guides readers on connecting with various spirits and energies in the parallel realms of the Otherworlds, intricately intertwined with our reality.

Furthermore, the book imparts a Fayerie Code of Ethics, advocating for kindness towards nature, reciprocity, belief in magic, and mindfulness of environmental impact. It beautifully reminds us of the magic and beauty surrounding us, often unseen and underappreciated. It encourages readers to open their eyes and hearts to the wonders of the fayerie world.

The second section of Pagan Portals – Ancient Fayerie treats readers to captivating tales from the Celtic Otherworld, derived from the author’s pilgrimages across the ancient lands of Albion (Ireland, Scotland, and England). Godfrey’s respect for the wisdom gained from the guardians of our world shines through the pages, instilling a sense of warmth and appreciation.

In today’s world, this book’s relevance cannot be overstated, as it encourages readers to embrace the complexity of nature and engage with its profound wisdom. With passion and dedication, Godfrey significantly contributes to our understanding of the interconnectedness of all life forms.

Each page offers a treasure trove of insights and inspiration, urging readers to cherish and learn from the intricate fabric of our world. It is a rich and immersive exploration of the spirit world, providing readers with meditative practices, enchanting stories, and ethical considerations to connect with the mystical beings that reside beyond the human eye.

Pagan Portals – Ancient Fayerie is a masterful work that captures the magic and wonder of the fayerie realm. Godfrey’s writing is captivating and illuminating, offering readers an opportunity to embrace the ancient wisdom of these elusive and powerful entities. This book is a must-read for anyone seeking to deepen their connection with the natural world and explore the mysteries of the unseen realms.

Pagan Portals – Abnoba, by Ryan McClain

Pagan Portals – Abnoba: Celtic Goddess of the Wilds, by Ryan McClain
Moon Books, 1803410248, 112 pages, October 2022

Not much is written or known about this eclectic deity. But what we do know is captured here within these pages, beautifully written by Ryan McClain.

Before discovering Pagan Portals – Abnoba: Celtic Goddess of the Wilds, I had never heard of Abnoba, but I now realize why I was drawn to this particular title. McClain speaks of how he was guided to Abnoba:

“Little did I know that I had been receiving subtle messages all my life. The voice that told me to stop on a hike and just absorb the divinity that surrounded me”1

So, if you are ever “called” by something but have never been able to figure out who or what was doing the calling, maybe the universe is trying to show you your pathway to the divine. It could be that you just need to allow your mind to open to a little more. Invite the signs in and embrace the energy. 

Reading about McClain’s journey with religion was an eye-opening experience for me. It has helped somewhat, with explaining the connections I feel towards certain places, objects, and especially churches or ancient sacred places; it never occurred to me that this connection might also be a sign. These feelings have always fueled my intrigue but never enough to follow any one religion exclusively. And it never occurred to me that it could be a singular Goddess calling to me.

McClain takes us on a spiritual journey of receiving the signs. It is a perfect reminder for us to be open to them and to practice mindfulness on a regular basis. The world and our surrounding universe are always talking. We just need to be open to listening.

It was refreshing and quite unexpected, to relate to something so closely, when, prior to reading this, I had never even heard of Abnoba.

There is so much more to learn about the many facets of Abnoba – her connections with children, slaves, healing, the homestead, boundaries, and transitions.

The traits she shares with other Goddesses and the connections that McClain so delicately lays out for us here.

McClain speaks of a peace that he feels –  in nature, mostly when he is in the woods – and how the words to describe it eludes him. It’s a personal connection with the earth, one that shouldn’t be put into words. I feel this on another level. Some things are just not made to be verbally expressed.

I was surprised to learn that Abnoba is the Goddess of hunting, amongst her other many areas of expertise, as the author did not strike me as the hunting type, and he does admit he has zero affinity with the hunting aspect.

McClain makes it clear however, that Abnoba’s connection with hunting is merely a symbiotic relationship. Nature and herself working together. It is a respectful connection. Humans need food and sustenance, as long as you are respectful, grateful, and your need for hunting is a worthy one, Abnoba will be the Goddess you call upon to aid you. 

We learn briefly about the polytheistic religion of Gaul, although not much can be said, as the recorded history of their Gods and worship has been lost to time. These types of religion are important to be reminded of though, as many places can be linked to the Gods and Goddesses who call to us now.

The myths and legends that we have for the likes of Thor and Loki in Norse mythology just do not exist for the Gods and Goddesses of Gaul. Although there are several inscriptions which bear the name Abnoba, we have nothing of significance to encapsulate her. Even the only known statue of her is missing its head.

With much of Abnoba’s history missing or simply never existing, you could be wondering how an entire book can be written about such a person. Well, most of what we read here is from McClain’s own interpretations. He has painstakingly compared and contrasted Abnoba to other Goddesses who share her assets, Goddess Diana, a Roman deity, holds a heavy comparison throughout.

And since McClain has dedicated himself to Abnoba, she speaks to him in many different ways. Through his prayers, meditations, and his dreams. It is with this that he is sure his interpretations have been correct. She leads him on the right path in order to give others an insight.

This may be difficult for some to understand, and McClain is absolutely not preaching here. His journey is for himself, and he strongly encourages others to seek out Abnoba for themselves. See what she shows them, see what she shows you. Each person will experience her differently.

There may be so much more to learn about Abnoba. It’s a difficult prospect when so much has been lost, but we can search within ourselves to know her better and ultimately share our discoveries with others.

Pagan Portals – Abnoba is a great starting point for this journey, there is just far too much to be said and to learn about Gaul, Abnoba’s ancient connections, where she was first represented, and to whom she calls. It cannot all be crammed into this book. I urge you to start your own research into this intriguing deity and see where the Goddess Abnoba visits your life. 

Brigid’s Light, edited by Cairelle Crow and Laura Louella

Brigid’s Light: Tending the Ancestral Flame of the Beloved Celtic Goddess, edited by Cairelle Crow and Laura Louella
Weiser Books, 1578637694, 256 pages, March 2022

Ancient Pagan goddess or Catholic saint? Brigid brings her power and wisdom in many guises for the benefit of all. In her guise as the Goddess of the Flame, her head surrounded in a halo of fire, “she stands with us at the in-between parts of our lives, calling us to her so we can learn how to face the moment.”1  As the Lady of the Well, Brigid is also very much associated with the waters, often known for bringing inspiration and creating a flow of ideas. Brigid is most associated with Ireland where one finds the earliest documentations of her. Her wells in Kildare (one known to the public and one a bit more hidden and off the tourist path) are visited by those seeking aid. The Saint Brigid’s monastery is also in Kildare, not too far from Dublin. 

Brigid’s Light: Tending the Ancestral Flame of the Beloved Celtic Goddess, edited by Cairelle Crow and Laura Louella, is an anthology with writings from a diverse pool of authors, each opening up to their encounters with Brigid, whether through prose, poetry, art, and even recipes. In their selection of contributors, Crow and Louella sought to “reflect Brigid’s diversity in a wide variety of experiences of her power, a number of unique portrayals of her divinity, and even in different writing styles and spellings of her name.”2 Because Brigid’s influence is far-reaching, many of the contributors come from places other than Ireland.

The authors provide insight into the various ways that Brigid is celebrated and called on for assistance and sustenance, both physical and non-physical. Each writer encourages the reader to allow the “light of her flame always to guide you to your highest purpose.”3 There is a short bio of each of the contributors at the end of the book that allows the reader to further connect with those whose writings resonated with them.  

The book is divided into six parts, each dealing with a specific theme: “The Many Faces of Brigid”, “Goddess in Nature”, “Rituals Practices and Prayers”, “Goddess of Hearth and Home”, “Mothers and Daughters”, and “Circle of Life and Death”. 

The poetry found in each section was inspiring and melodious, each an offering to Brigid. The words flowed like the water surrounding her. They write of “finding” Brigid whether she met them in Canada or on a shoreline at sunrise. One poem leaves offerings to Brigid in the form of tears. A couple poems speak to Brigid the shapeshifter – as Maiden, Mother, and Crone. One connects with her as a midwife. 

The works resonated with me on so many levels, in their diversity, some personal and some more “educational,” but through all of the words and images, one cannot deny the honor and love dedicated to Brigid. 

In the “Goddess in Nature” section, I especially liked the piece on Brighid as Water Goddess (spellings of her name vary), detailing the Irish folk practices dedicated to her at the site of sacred springs and wells that continue to this day. Clooties, or strips of fabric are dipped in these waters and hung nearby in a tree with the belief that through the process of magical healing the illness would transfer from the person to the cloth which would eventually disintegrate. The author, Annwyn Avalon also writes on how one can create their own sacred well to place on an altar to Brigid. 

In the section “Rituals Practices and Prayers”, I was drawn to the “Honey and Beeswax Healing Spell” by Cairelle Crow. I look forward to doing the spell for myself and also for a few loved ones, with their consent, of course. “The Bed Blessing Before Sleep” by H. Byron Ballard (adapted from Carmichael) is a beautiful and soothing blessing that I have begun saying at bedtime. 

I loved “Cooking for Brigid” by Dawn Autora Hunt, which is in the “Goddess of Hearth and Home” section. I related to her telling of first encountering Brigid as a saint, growing up in and Italian Catholic family. As Dawn found a “pagan path” she writes of her honoring Brigid at Imbolc, lighting candles and cooking hearty foods. I will try her accompanying recipe of Shepherd’s Pie when the Wheel turns to Imbolc in February. 

In the “Mothers and Daughters” section, I particularly loved the story of the “Granddaughter of the Well” by Yeshe Matthews which recounted her serendipitous trip to Ireland when she was in graduate school. Her “knowingness” of how to arrive at places that she had never before visited brought her to Kildare, to Brigid’s well and the monastery. 

The book concludes with a prayer “written over shared cups of tea and tales of ancestors, and is infused with our deep love of the goddess.”4 The editors, Cairelle Crow and Laura Louella, leave the reader with the hope that the concluding prayer and the words within the book, “bring you bright blessings.”5

I highly recommend Brigid’s Light, both as a way to get to know the multi-faceted Brigid and also for the many ways that you can invite her to walk life’s path with you. Blessed Be.

Pagan Portals – Blodeuwedd, by Jhenah Telyndru

Pagan Portals – Blodeuwedd, by Jhenah Telyndru
Moon Books, 1785352126, 134 pages, August 2021

Most faith-based belief systems have similarities ranging from deities and methods of worship and ritual to their myths and legends. In Pagan Portals – Blodeuwedd, Jhenah Telyndru takes us on a deep dive into who the Welsh goddess is, where she came from, and what she symbolizes. 

An in-depth researcher who leaves no stone unturned, Telyndru has masterfully taken an enormous amount of data and compiled it into healthy bites that present an interesting tale. Like most of the Celtic Britons, the Welsh people opted to share their stories through oral tradition, resulting in limited resources from which to pull when putting together a book such as this. Telyndru has woven a magical tale of a goddess whose origin story sounds a lot like that of Eve.

One of the reasons why I love exploring religious cultures and their deities is the thread of consistency that connects most, if not all, of the religions we see today. We are all familiar with the Christian tale of Eve: a woman created from the rib of Adam, the first man, and what she has come to represent. A similar thread appears in the Welsh goddess’ story as well.

In Blodeuwedd’s story, she is created to be the wife of Lleu, a man who is forbidden to marry a human woman due to trickery. Lleu and his father create Blodeuwedd out of oak, broom, and meadowsweet flowers and the two are married. Once married, Lleu is gifted lands by his father and the two settle down.

One day, Lleu decides to visit his father and leaves the estate under Blodeuwedd’s care. He leaves, and Blodeuwedd is informed that a lord from a neighboring kingdom is on her lands. He and his party had been hunting a stag and had followed the animal onto her lands. She extends the hospitality of her hall to him, as is the custom, and sparks fly. They spend a few nights together and they come up with a plan to spend the rest of eternity together. These things never turn out the way they are supposed to, and both Blodeuwedd and her lover are found and punished.

What’s interesting to me is the fact that Blodeuwedd was not given a choice, much like the Christian Eve. They were both created to serve a function, and once they discovered that there was more to life than their specific function, they were punished. This theme carries through into real life as well, with women bearing the brunt of man’s anger and suspicion throughout the ages. You needn’t look far back in time to see glimpses of this: it’s everywhere.

The book details the circumstances around the creation of Blodeuwedd and explains why her creation story was a bit tricky to accept. Telyndru explains:

“It is notable that we don’t see Blodeuwedd give consent to her marriage…Even if we assume she has given consent “off stage”… as a literal newborn, would Blodeuwedd have even possessed the understanding or capacity required to make such a choice?…she has no family to negotiate the terms of the marriage on her behalf. She has been created specifically for the purpose of being Lleu’s wife, since her creator is Gwydion, Lleu’s uncle, it is clear that his priority is to see his nephew wed…”1

Telyndru continues:

“…Blodeuwedd is married the same day she steps into this world… it is this very lack of consent which may have stood out to the contemporary medieval audience, leading them to consider that the marriage…may not have been proper or legal.”2

This is important because Blodeuwedd’s apparent adultery was not considered to have been that; according to their customs, her union with Gronw, the lord from the other kingdom, fulfilled very specific requirements involving three nights of consecutive sleeping together as a sort of elopement. Since her ‘marriage’ to Lleu did not have her consent, and therefore did not seem legal or proper, she couldn’t have committed adultery. What a fascinating twist! Despite all that though, it should come as no surprise that this story was meant as a cautionary tale to the medieval audience: “nothing good comes of women seeking to change their circumstances, especially when it goes against the status quo.”3

This book, while fascinating and wonderfully written, had parts that really upset me. I see echoes of this story everywhere I look, where women regularly sacrifice their own dreams in order to look after the home and support her partner. Personally, I am tired of the expectation that I should shelve my own aspirations in order to support my partner in achieving their goals. I didn’t even get into the sexual repression and how women’s sexual agency is an apparent threat as the whole thing just infuriates me. Not Telyndru’s fault or anything they have done, it’s the topics that this particular legend covers that just irks me.

Having said that, I think it’s vital that we read things such as this in order to see where these ideas come form and hopefully create new ones that are in alignment with current equality expectations. And honestly, the legend of Blodeuwedd doesn’t stop with the whole adultery thing. Becoming the Goddess of Sovereignty isn’t just about agency, it’s also about creating opportunities for those who would rule to prove themselves worthy of the task. As her legend evolved, Blodeuwedd morphs into a benevolent Goddess who was instrumental in creating an opportunity for Lleu and Gronw to achieve their destinies.

If you have even an inkling of an interest in this type of legend, you should pick Pagan Portals – Blodeuwedd. It infuriated me in parts and made me happy in others, and that’s really what I want in a book. Telyndru did a remarkable job in putting together a ton of information in an easy-to-understand way. Now if you’ll excuse me, there’s a patriarchy I have to topple.

The Tree Horoscope, by Daniela Christine Huber

The Tree Horoscope: Discover Your Birth-Tree and Personality Destiny, by Daniela Christine Huber
Earthdancer, 9781644113226, 144 pages, October 2021

Did you know that everyone has a birth-tree based on the day they were born?  In The Tree Horoscope: Discover Your Birth-Tree and Personality Destiny, Daniela Christine Huber describes the 22 different archetypal trees that shape your personality and lifestyle. As someone who absolutely loves nature, especially trees, it has been a pleasure getting to know more about my signature tree horoscope. The best part is how Huber makes it easy to jump right in and get started!

The book starts out with an introduction to Celtic tree mythology and Daniela’s experience of working with these energies. Previously, I had learned the Celtic tree-months while reading A Spell in the Forest by Roselle Angwin, which covered the Ogham calendar and the 13-month wheel of the year in which tree-months were connected to lunar cycles. Huber has created horoscope profiles based on the archetypal Celtic tree energies. She reminds us that “Following the path of this connection with Nature with our hearts will lead us to the Source, the roots within us.”1

In Huber’s system, each Celtic tree appears twice in the cycle of the year, with the expectation of Oak, Birch, Olive, and Beech that have just one day assigned to them. Every birth-tree also is assigned an earth element (earth, water, fire, air, ether) and Huber offers a short description of the energy of each. She also discusses how connecting with the element of our birth-tree can help restore balance and fulfill emotional and psychological needs. She describes how “Our birth-tree is the guardian of our individual potential; it will always remind us of that fact and help us to become aware of our gifts and talents.”2

There’s an easy to follow chart in the front of the book that makes it easy to find one’s birth date and look up their birth-tree. Mine is Cedar of Lebanon, so I went right to that page first. Immediately I was struck by the beauty of the photograph featured. I think the pictures in this book are one of it’s best attributes. It’s one thing to read about the different trees, but to see photographs of them really helps with identification. I like having a visual when connecting with the energy of my birth-tree.

For every tree, there is information about the elemental family, gifts and talents of those with the tree energy, the tree’s mantra (called “Carpe arborem” by Huber), the tree’s symbolism, and the path of life for people born with this birth-tree. The path of life is the longest section of each horoscope. Then there is a general overview of the personality of people with the birth-tree, healing powers of the tree, birth-tree power, and inspiration for someone with the tree’s personality. It’s quite a bit of information packed into just a few pages!

I really resonated with my tree horoscope. It highlighted my personality pretty well. I especially liked learning more about the healing powers of my birth-tree, and I loved my carpe arborem:

“I am freedom of choice, the core from which the creative powers in my life can take effect. I free myself from the limitations of my understanding with humility and reinvent myself over and over again.”3

This was very affirming for me because I feel like I am constantly reinventing myself as I continue to learn and grow. Creativity is a big part of my life, and I felt the connection with the Cedar of Lebanon tree in this regard. To deepen this solidarity with my birth-tree, I decided to order Cedar incense that I can burn to remind myself of the special powers associated with this birth-tree: courage and self-confidence.

I have shared the tree horoscopes in this book with some friends and family. They too have all been delighted with the insight it’s given them. Another neat feature of the book is the birthday calendar in the back, where you can keep track of everyone’s birthday . It lists their birth-trees, as well as famous people also born with that particular birth-tree. I really like how easy it is to keep track of birthdays, while also learning more about the birth-trees and reflecting on how they reflect the energies of people in my life.

Earth energies, such as flower essences and herbal remedies have always been an important part of life. For years, I’ve focused on bridging heaven and earth by teaching how our energy is always reflected in both the natural world and celestial bodies. The Tree Horoscope does a beautiful job of demonstrating this idea by giving readers insight into who they are based on their corresponding birth tree. I absolutely love how the book fosters an ecocentric view of human’s relationship with trees, acknowledging how they influence our development.

All in all, this is a wonderful book for those hoping to learn more about their personality and discover how it is shaped by their birth-tree. I think The Tree Horoscope would make a great birthday gift, though it’s also useful to store birth dates of loved ones to make sure you never miss their special day. The beautiful photographs are a wonderful way to practice tree identification. While this is only a small snippet of the mythology of Celtic trees, the book is a good starting point for those who want to learn more about the different symbolisms and energies of these mighty connectors of heaven and earth. I’ve really loved reading this book and will definitely be referring back to it as the days of the year go by to see which tree energy is present.

The Last Ecstasy of Life, by Phyllida Anam-Áire

The Last Ecstasy of Life: Celtic Mysteries of Death and Dying, by Phyllida Anam-Áire
Findhorn Press, 9781644112656, 175 pages, June 2021

Death plays such a huge role in our lives. It is something that a lot of people would rather not think about even though it is all around us every day. Though some may call it morbid, I have an interest in learning about how different cultures view death. Seeing how communities treat those who are dying can reveal so much about them. Ireland in particular has such a fascinating culture, steeped in rich history. I wondered what insights I could glean from reading more about how a person from that culture would view topics such as death and grief. Thanks to Phyllida Anam-Áire and her book The Last Ecstasy of Life: Celtic Mysteries of Death and Dying, I have the answers to that question.

To say that Phyllida Anam-Áire is intimately familiar with death would be an understatement. Throughout her life training as a nun and then as a therapist where she trained with Elisabeth Kübler-Ross, she learned to view death in a unique way. To her death is not a looming spectre waiting menacingly off in the distance. Death is a constant companion that she has embraced with love. Having found the sacred nature of what it means to live while facing one’s own mortality, she passes on this wisdom through flowing poetry and thoughtful prose.

The first chapter introduces us to some core topics and important information about the author’s beliefs about the nature of life itself. An overarching question of this section revolves around the concept of identity and just what really is the “I” that we speak of when we talk about ourselves. What parts of us can really be considered the true expression of our ‘self’? She shares the Celtic belief that “creation came about by the out-breath of life force and so it was”. This breath that gives us life does not belong to us, but it is something to savor while we get to experience it. She chooses not to question the specifics of what this “breath” might be, instead she surrenders to the mystery and encourages us to do the same. Pondering the unknowable will distract us from living out the fullest expression of life. At the same time she states that it is important to make some personal sense out of what we can observe about the nature of life around us.

With references to works by others in the scientific community, she speaks about the natural energetic field within and around all living organisms. Anam-Áire states that to her the life force that fills and balances all things is a force of love. “This Love does not judge or condemn as its core is the Universal Heart, the heart of compassionate energy.”1 This Universal Heart can act as a source of love of life in the world. It is a beautiful way to view life. Viewing things with compassion and empathy in mind leads to a kinder, more understanding world.

From there the author spends the majority of the book discussing the types of processes we undergo as we die. The energy within us starts to weaken and eventually is released from us as we die. She uses sprinklings of poetry throughout the book to help highlight the emotional themes she brings up. Even the prose she writes reflects her poetic spirit. While the words she uses are not overly complex and the tone very conversational, Anam-Áire weaves together beautiful sentences that evoke certain deep feelings throughout the book.

There are a number of blessings and visualization exercises written throughout the book. Trying those exercises for myself I felt myself more at peace as I went through them. It was interesting to explore these types of thoughts and feelings from the safety of my home. One of the exercises that I found the most impactful was located at the end of chapter three. This exercise, entitled “Let Love Heal…Now”, led me into a deep meditation of healing and self love. The text went on for a few pages, the experience diving deeper as things progressed. I felt the sacred nature of my own divinity and the healing power of love from the Universal Heart. Afterwards I felt at peace and relaxed, having healed bits of myself that required it. Luckily this was near the end of that chapter, which gave me time to reflect.

At the end of each chapter the author leaves a list of questions for the reader to ponder. Taking a few moments to digest and reflect on what I had just read, I found those questions enlightening. They cause us, as readers, to reevaluate our preconceived notions about ourselves, divinity, and the nature of life and death. Taking time to think on these questions, I was led to some interesting personal conclusions that I had not previously considered. With that in mind I was able to sit with a more complete knowledge of myself. Contemplating those questions has given me a greater understanding of what I want from my life as well as my death.

Reading The Last Ecstasy of Life was a journey of self discovery. Led by a guide who speaks with wisdom and a clear reverence for life, the reader is led to examine themselves. I would recommend this book for anyone who wants to learn to approach death with compassion and have a deeper appreciation for life. This is an excellent book that was a pleasure to read. Anam-Áire has managed to breathe such a vibrant sense of life and love into a book all about the topic of death and dying. She has left me with questions to ponder for the remainder of my life as I try to shape what that life will look like. Though when death finally does come for me, I believe I will be more prepared.