Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Tag Archives: weiser books

Yemaya, by Raven Morgaine

Yemaya: Orisha, Goddess, and Queen of the Sea, by Raven Morgaine
Weiser Books, 1578637430, 208 pages, September 2021

Back in May, sitting atop a small mountain in Joshua Tree National Park and meditating as the sun rose at dawn, the word “Yemaya” came through the silence. Instantly, I felt a sense of peace rush through me. I knew Yemaya was a great ocean goddess, but that was my extent of knowledge about her. When I returned home after this experience, I followed an intuitive nudge to bring some cowry shells down to the ocean and honor Yemaya, thanking her for the beauty of the ocean that I enjoy and the calmness that it brings me.

While I felt a call to continue developing this relationship and explore this quiet prompting from either my intuition or the Universe (not sure!), my summer travels took me away from my home on the California coast and into the canyons of Utah, woods of the Sequoia trees, and cities of the east coast from Philadelphia, PA to Providence, RI. Within my heart though, I kept remembering Yemaya and doing my best to connect with her energy wherever I went.

Now that I’m settled into my daily routine again, back to combing the beaches for seashells and spending my weekends reading on the beach, I felt ready to explore this budding relationship a bit more. However, I will admit I didn’t know exactly where to get started. The Orishas have always felt unreachable for me, a white American woman with European ancestry, due to their African heritage. I am well aware of the training and dedication that goes into becoming a devotee of the Orishas, and I also know how inaccessible these traditions can be to outsiders.

Therefore, you can only imagine my joy in discovering the recently published book Yemaya: Orisha, Goddess, and Queen of the Sea by Raven Morgaine. It was all I’ve been searching for and more!

Morgaine is a spiritual artist who has dedicated his life to Yemaya. He practices Candomble, New Orleans Voodoo, Santeria, and witchcraft. He also owns his own shop, Familiar Spirits, in Coventry, Rhode Island. Most of all, he’s an incredible storyteller that brought all facets of Yemaya to life in this wonderfully written book. His inclusion of practical wisdom, anecdotes, recipes, recipes for making oils and candles, along with plenty of Orisha stories made my connection to Yemaya so much more tangible and alive.

In fact, there were times reading this book when I would put it down and have my thoughts be washed away in feelings of love, tenderness, and security. It felt as though I was coming home to a mother who wanted nothing more than to make me feel loved, nurtured, and supported. While I am only in the beginning phases of building my altar and figuring out what this relationship is going to look like in my life, Yemaya assured me this pathway is open to all and that I will find my way.

Filled with his own written prayers, blessings, and spells, this entire book is imbued with Morgaine’s energy in the best way possible. His love and reverence for Yemaya streams through every word written, from warning those seeking to develop a relationship with Yemaya about what she does not like (never put metal on her altar or use it as a ritual tool, also she’s not a dog person!) to all the ways one can win her favor (beautiful combs, pearls, mirrors, white roses). Morgaine does not cut a single corner in laying out the foundation for establishing a relationship with Yemaya, and he happily delves into stories to illuminate the meaning behind why the practices are done the way they’ve always been done.

I truly loved learning more about many Orishas, from Yemaya’s younger sister Oshun to Shango and Eleggua. Morgaine’s writing was one of the most inviting introductions to the Orishas I’ve ever come across, and for the first time, I felt welcomed to partake in and honor these gods and goddesses.

Though, I will also admit, Morgaine’s solemn warning of what is involved in creating and maintaining a relationship with Yemaya is both awe-inspiring and a bit nerve-wracking all in one. More than anything, he conveys that she is not a goddess to call upon on a whim or to instantly demand quick results from. She is royalty, and thus she wants to be treated with respect, care, and devotion. She enjoys her lavish praise and will actively pursue what she wants, letting the practitioner know what does and does not please her.

The experiences shared by Morgaine of working with Yemaya for over 35 years made me realize just how misconstrued my previous assumptions of this great ocean goddess had been. I particularly enjoyed how he went through all the different facets of Yemaya, naming each one and sharing a bit of background information related to that incarnation of her, so that a more well-rounded picture of her was painted.

Morgaine openly shares trials from his own life, from despair at the end of an abusive relationship to being evicted at a very sensitive time in his life following his brother’s passing, to show readers Yemaya’s ever-present compassion for her children. Likewise, he also recounts times where she graced him with her presences, highlighting that Orisha gods and goddesses are more than just abstract energies; they are dedicated protectors, guardians, and way-showers of the natural world and humanity.

What has me most inspired is the descriptions of how to build an altar. I am looking forward to creating the time and space to do this soon. I knew I had been collecting seashells, sand dollars, and mermaid figurines for something! And thanks to the wisdom Morgaine has imparted in Yemaya, I also plan on creating cleansing and protecting my house as well.

Once again, I must impart how thorough Morgaine is in his details of doing these things. He even describes how it’s good to have an altar with drawers to store sacred objects, where to find affordable old furniture, and how to cleanse the furniture. At other times, Morgaine reminds the reader to use a dust mask or that a certain spell might smell weird, but that’s okay. His conversational writing style makes it feel like I am directly receiving this valuable information from a beloved teacher, mentor, and friend.

Somehow, Morgaine finds the perfect mixture of lightheartedness and seriousness to impart these lessons with care and consideration both of Yemaya and the well-being of the practitioner. He very much wants to ensure Yemaya is honored in a way that is pleasing to her, and he also wants to make sure practitioners don’t make foolish mistakes that can have detrimental impacts. Truthfully, he’s the perfect mediator between both, an ambassador if you will, in establishing this relationship.

And what’s so special about Morgaine’s perspective in Yemaya is that it’s inclusive. For him, having a relationship with Yemaya is not limited by one’s race, gender, sexual orientation, or cultural background. He draws parallels between Mother Mary and Isis with Yemaya, as well as acknowledging that many pagans choose to work with deities outside of their own culture’s pantheon. There’s a lovely section on how different aspects of Yemaya are protectors of people of all gender and sexual orientations — Yemaya is mother to us all.

Oh, I could keep raving about this book forever! All in all, Yemaya is a wonderful book to begin a relationship with the great mother ocean goddess. Morgaine teaches the reader how to cultivate a spiritual practice dedicated to Yemaya through telling her stories with the Orishas, sharing her many aspects of self through reincarnation, what offerings she loves and what things she dislikes, and how to establish a relationship nearby or far from the ocean. The anecdotes, recipes, magical associations, and practical wisdom from Morgaine are enough to get someone started on this path for at least a few years!

Seasons of a Magical Life, by H. Byron Ballard

Seasons of a Magical Life: A Pagan Path of Living, by H. Byron Ballard
Weiser Books, 987-1578637232, 197 pages, August 2021

Take a breath, pause, and gift yourself the time to delve into Seasons of a Magical Life: A Pagan Path of Living by H. Byron Ballard. In doing so, use the wisdom shared in this book to create a guide to a more connected way of living and co-existing. As Ballard writes, “this book is an invitation to modern Pagans to return to a simpler and quieter time, either literally or virtually, through letters from a small forest-farm in the southern highlands of the Appalachian Mountains.”3

The educationally credentialed author, H. Byron Ballard (BA, MFA), is a teacher and folklorist as well as a senior priestess. Her life and work are centered in Asheville, North Carolina, where she is a co-founder of Mother Grove Goddess Temple and the Coalition of Earth Religions. 

As I read, I felt as if I was accompanying Ballard around her farm. I could smell the air, feel the weather, and taste the food offerings. I was afforded the experience of spending time with her and the life force that surrounds her in her mountain setting and, by extension, the life force that surrounds me in my setting. 

As the cover indicates, the book focuses on the celebrations, festivals, and rituals for the Wheel of the Year. It is divided into three parts. Part One is a five-chapter section that offers background essays “Animism, Mutual Aid, and Permaculture”, “Tower Time and the Conceit of the Ever-Turning Wheel”, “A Different Means to Reckon Time”, “Re-enchantment and the Uses of Magic”, and “the Good Neighbors, the Land Spirits”.

Part Two is comprised of two chapters, focusing on the Wheel of the Agricultural Year: “Winter, The Waxing Year” and “Summer, the Waning Year”. Within those chapters are the equinoxes of spring and fall. “The chapters are broken into the four seasons, with the Quarter Days a highlight within each, and include simple skills that accompany each marker of the year.”4

Part Three wraps up with “Hearth”, a “chapter on the spiritual and physical immersion into these seasons”5 no matter where one lives, rural, urban, or suburban. 

The essays offered in Part One are intended to “not only give the reader a map of (the) journey but also to introduce some ideas to better inform the journey.”6 Some essays were written as if Ballard was talking to a friend as they climbed a hill, while others unfold in a more informational manner, such as the sections on Ember Days and Embertide and Rogation Days.

As one who communicates daily with the trees and rocks that surround my house, I loved the writings on animism and permaculture. Re-enchantment? Yes, please; I could use a healthy dose of that. However, I recommend taking time to sit with what is being offered in these essays as some are more “heady” than others.

I liked how Ballard did not write about these topics in a clinical, detached manner. She walks the reader around her property as she delves into these subjects; the reader is invited to sit at her kitchen table as she prepares meals. Living seasonally, living and working by the natural light, living with the rhythms of nature. 

Wanting to not only read the book but also practice the activities offered, when I finished the section on the essays and moved to Part Two, the “Wheel of the Year”, I began reading the final chapter first, Chapter 7, “Summer: The Waning Year,” as I received the book a few days before Lammas, the Season of the First Harvest.

As with all of the sections on the Wheel of the Year, Ballard offers a letter from her forest-farm, skills to use, chores to be completed, foods for the season, traditions and celebrations, activities to do with children and other friends, an icon of the season and a concluding paragraph on season’s end.

For Lammas, in her letter from her forest-farm, she writes about how hot and dry the farm now is and surveys what is happening in the garden – an abundance of squash and tomatoes, days of “sweat and effort.”7 She offers a lesson on bread-making including the “philosophy” of kneading and sour dough. Chores such as canning and pickling are covered. Traditions and celebrations such as the blessed loaf and the ceremony of cakes and ale are introduced.

The Lammas section continues with recommended activities for Children and Other Friends, including shaping a loaf person and making corn dollies. The icon written about is Wheat as Lammas is “the first in a series of three harvest festivals that is usually dominated by bread – making it, shaping it, and eating it.”8

It concludes with a paragraph on Season’s End that encapsulates the essence of the season, for Lammas, namely looking to the “symbol of the harvest and what that means about gratitude in your life – how you express it, how you use it.”9

She asks the reader to look at the intention that was planted in the Spring — both literally and symbolically and see if the reader tended to this intention — and if it’s ready to “feed you now, that thing that you imagined planting?”10

The book’s final section delves into the aspects of hearth and homely life. She praises homeliness – simplicity in one’s home, comfort, pleasant but ordinary. She invites the reader to view the kitchen as living space for nurturing physically and emotionally. Home altars both indoors and outdoors are discussed as spiritual anchors. Ironically, while I have a home altar, I hadn’t thought of creating an outdoor altar until reading this book. She writes of – are you ready? – laundry as a meditative practice, which after reading I now understand. 

I especially love the book’s concluding lines, offered as a friend waving as you depart their home and sending you off with love:

“There is so much to do, every day, to tuck in the ends of this weaving we are creating: to observe and really see, to listen and really hear, to integrate our intuition and our Ancestral memory into a practice so practiced it no longer feels artificial. It only feels like living a good life and a full one.”11

I highly recommend not only reading Seasons of a Magical Life – but living it. For those who are looking to deepen their connection to the natural cycles of the year, this is a great book to have in one’s library. It offers simple, practical ways to engage with the seasonal energy of the year as it makes its way around the wheel of time. Many of these small practices are certain to enchant one’s life and bring a deeper sense of purpose to the small actions we do daily, fostering an appreciation of the current moment in time that is grounded yet extraordinarily magical.

Doctoring the Devil, by Jake Richards

Doctoring the Devil: Notebooks of an Appalachian Conjure Man, by Jake Richards
Weiser Books, 1578637333, 288 pages, April 2021

Growing up in a family that has practiced Appalachian folk magic and conjure for generations, Doctoring the Devil: Notebooks of an Appalachian conjure Man author Jake Richards has a depth of knowledge about these topics that transcend his decade of personal practice. His official bio also states that he teaches classes on the subject in Jonesborough, Tennessee, where he owns Little Chicago Conjure, a supplier of Appalachian folk magic supplies and ingredients.

The book begins with an introduction which briefly describes the author’s upbringing in Tennessee. From the very beginning of the book it is apparent how thoroughly Appalachian folk magic and conjure were interwoven through every part of Richards’ life, community, and heritage. And to be sure, he makes a distinction between folk magic and conjure – I found this distinction to be very interesting.

The first chapter contains descriptions of the many and varied types of “workers” are involved in this work, such as faith healers, root and yarb doctors, cow and horse doctors (people who mainly worked on livestock), witchdoctors, conjurers, root workers, hex doctors, witch finders, and love doctors. Before reading this book, I’ll admit that I was under the impression that most of these words were synonyms – a group of names that all described the same people. But the author points out the many differences between one type of worker and another – and to make things even more complex, many of them practice several types of work, so there are many crossovers and layers. 

As mentioned previously, Richards makes a distinction between folk magic and conjure. Folk magic or root work is described as follows:

“The magical act of using roots and things to influence, incapacitate, attract, avert, or change a situation in the present or future in some manner. This includes superstitions like tossing salt over your left shoulder…or turning your pockets inside out to avert bad luck. Folk magic is any superstitious action taken without an appeal or prayer to a higher spirit or divinity that is alleged to cause a supernatural result.”2

Richards says that folk magic works by belief, and that these things are picked up from the old folks without question — because they work.

He goes on to describe the difference between folk magic and conjure. Conjure is the “direct and intentional employment of spirits, whether they be spirits of the graveyard, the ancestors, simple spirits of the land you live on, or some other presence, to work on your behalf. This also includes angels and God.”3. Descriptions of the different degrees of practice follow.

I found particularly fascinating the section on timing and weather, including moon phases, and what types of workings are done best in certain types of weather. Specific information on exactly the type of weather conditions that work best for using candles, powders, washes and oils, etc.

A section with stories about a handful of practitioners gives a good idea of the type of work these people did, and the reputations they had for doing it. One story tells of a woman called Witch McGaha of the Great Smoky Mountains, who once found someone stealing from her and “cursed her, sending Devils in the form of squirrels after her.”5 According to the story, the woman tried to run from the squirrels but the number of squirrels kept doubling. She tried to make it safely to her home but the squirrels tormented her to death and she died on her porch. 

Chapter 4 begins with somewhat of a warning — “You’re in for a long run if you consider this work.”6 — before listing some “Precaution Rituals”, such as always making sure your head is covered, having a strong, unwavering will and a cunning mind, along with some very good general advice like “Listen more than you speak.” 

Richards then begins to get to the meat of the book: actual instructions for a wide variety of workings. Over the next few chapters he details topics such as how to watch for signs and omens, throwing the bones, spiritual bathing, head and foot washing, sweeping and washing (a “general sweep” as well as a “sweep to remove witchcraft” and a “sweep to remove haints”.)

There is also a section on Egg Cleansing. Although I thought I knew a bit about this type of work, I had never heard of using an egg in this way. All of these workings are presented along with particular verses from the Christian bible to use alongside. There is a section on protection magic, and a section on money magic. Many different items are used in these workings, none of them too precious and most of them readily available, such as tobacco, candles, hair or nail clippings, red string, baby powder and various liquids including water, whiskey, and urine.

A spell for conceiving a baby requires boiling chickpeas, bathing in the water they were boiled in, and then sewing the dried chickpeas into the mattress the baby is to be conceived upon. This particular chapter also contains spells for reducing labor pains, curing the condition that brings miscarriage and stillbirths, a spell to end a pregnancy, and a whole list of spells to predict a child’s future as well as to ensure a baby’s future success.

The book rounds out these ideas with some workings for healing, as well as an entire chapter called Run Devil Run, that contains many workings to remove evil spirits, curses, and hexes from a person, place or thing. The book concludes with two appendixes with lists of correspondences and ingredients, along with a lengthy bibliography.

Overall, Doctoring the Devil contains encyclopedic knowledge of the subject matter presented by someone who has grown up around these practices and practiced them himself for over a decade. If you are interested in learning about and/or practicing conjure and Appalachian folk magic this is the book for you.

Conjure Cards, by Jake Richards

Conjure Cards: Fortune Telling Deck and Guidebook, by Jake Richards
Weiser Books, 1578637449, 64 Pages, 52 cards, May 2021

Reading fortunes using playing cards has a history as long as the history of playing cards themselves. Fortunes began to be told using playing cards soon after the cards were invented in the 14th century. This tradition has made its way into many different belief systems and practices, including Appalachian folk magic and conjure. Hence the name of the deck, Conjure Cards: Fortune Telling Deck and Guidebook, created by Jake Richards, a native of Tennessee and an expert in Appalachian conjure magic. 

I was interested in this deck because I’ve been reading playing cards for over a decade myself and I enjoy collecting playing card decks for this purpose. I had also recently read Richards’ book Doctoring the Devil.

What I did not expect was the dream interpretation aspect present in this deck. The author has melded Appalachian dream interpretations into the card meanings – an interesting addition that will probably create a bit of a learning curve for anyone that is familiar with reading playing cards but not familiar with Appalachian dream symbols.

One traditional and popular method of divining with playing cards is to generally read the red cards (diamonds and hearts) as “good” and the black cards (spades and clubs) as “bad”. I wouldn’t say that this deck’s official card meanings follow that rule in a strict way, but there are more than a few hints of it such as the Ace of Spades being the “death” card (this is a very traditional meaning), many of the diamond cards heralding good fortune, and some heart cards suggesting love and romance.

Knowing that these cards were based on playing cards, I’ll admit I was a little disappointed when I opened the box to find cards much larger than traditional playing cards. The cards measure 4.25” x 3”, which is not huge compared to most tarot or oracle decks, but they definitely aren’t as easy to move in the hands as a poker deck. Nor do they have a typical playing card finish that helps a traditional poker or bridge deck shuffle so well. The card-stock is sturdy without being overly thick and has a smooth finish.

However, the box is one of the best deck boxes I have ever seen. It is a paper box that has the look and feel of wood and a hinged top. The accompanying book is the same size as the cards and has 60 pages of card meanings along with a few spreads. 

There is a 3-card past-present-future spread, a relationship spread called The Jusem Sweet — a 9-card spread for showing “the thoughts, feelings, and stance of each person in the relationship”1Conjure Cards Guidebook2, and a 36-card spread for general readings aptly called The Bullfrog because once the cards are down you “hop” to every seventh card to read the cards in a specific order. 

I decided that to really understand the deck I would use The BullFrog spread to do a reading for a client. This was a time-consuming endeavor, but I’m attributing that to having to learn a new deck and a new spread, along with the sheer number of cards laid down. 

Several things in the spread came to light within 24 hours of the reading, and some of the things that my client has marked as goals showed up in the spread as future events that will take place in a few months. So, I counted this reading as very accurate and noticed that it had a variety of good news and a few uncomfortable items (such is life!). My client felt strongly that the reading had a few very specific items that rang true for what was happening in her life at the time. 

The addition of Appalachian dream symbol imagery creates some unique card meanings that differ from some other traditional playing card divination meanings but seeing that this author has such a deep knowledge of conjure and folk magic Conjure Cards might be exactly what some conjure magicians are looking for.  I would recommend this deck for anyone who has an interest in conjure/Appalachian folk magic or divining with playing cards.

Uncommon Tarot, by Shaheen Miro

Uncommon Tarot, by Shaheen Miro
Weiser Books, 1578637147, 64 pages, 78 cards, October 2020

I absolutely love when artists put a new twist on the classical tarot, which is just what Shaheen Miro has done with the deck The Uncommon Tarot. This mixed-media deck is filled with surprises that gently push on the boundaries of the traditional tarot cards. The imagery gently invites the reader to reimagining the tarot, as this deck has infused it visually with the symbols of diverse cultures and spiritual traditions, inviting in new wisdom to the cards.

The box this deck comes in is a lovely design. I appreciate when a creator uses a different design than a standard box where the lid separates from the bottom. The Uncommon Tarot folds open and has a magnet to keep it secure. It is small, but sturdy, and the box fits neatly within my collection of decks and ensures the cards will not start to fade in time, as happens with decks without a good box. It also has a yellow ribbon to gently guide the cards out of the deck and prevent them from getting stuck. Absolutely marvelous packaging!

It’s no wonder the box is so well designed, as the cards themselves are truly masterpieces. The cards all have an ethereal feeling to them that transcend the bounds of time and space. Some seem to have themes of Renaissance art, while others bring to mind Surrealist imagery. Interspersed is Native American, Asian, Indian, and African people and, sometimes, animals to depict the energy of the card.

My favorite card in the deck is Strength. It has a classically painted woman looking over a relaxed, life-like looking lion. The lion is crowned with a green infinity symbol. In the background is a mixture of sunflowers and painted leaves. There is a serene energy to the card. I love how the sunflowers and yellow hues remind me of the card’s correspondence to the Sun, while the green infinity symbol reminds me of the connection to the heart. While my words may not do the imagery justice, it’s as though my unconscious mind picked up on all these subtle visual cues to feel the meaning of the card within my soul.

What strikes me the most is how even though re-envisioned, every card seems to still perfectly encapsulate the energy of the traditional tarot card description. It’s as though the cards have been enhanced and are now  more revelatory because of the added element of subtle fluency and dynamic expression. Here the energy of the tarot is no longer locked into the traditional deck, and the deck comes alive through its ability to truly express the energy it’s always wanted to.

You can look at cards and still see intuitively the meaning. The minor arcana still includes the image of wands, pentacles, swords, and cups for every card, and the major arcana images still capture the essence. There’s also the name of the card at the bottom. A few names have been changed, such as the “Fool” being renamed “Wander” and “Temperance” renamed “Alchemist.” Once again though these revisions seem to magnify the energy of the card, distilling the past bias and stripping away what is excess to merge with the liminal energy of the deck between the physical and spiritual world.

There’s more emphasis on the artwork speaking for itself to guide readers to discern the information coming forth than relying on the guidebook for information. The guidebook is only a short 64 pages. For every card there is a corresponding question, keywords, general theme, and reversal information. There’s no guidance on how to do a spread, just a suggestion about how to acquaint oneself with the deck and an invitation to be creative. There’s a brief explanation of elemental energy and the meaning of numbers. And that’s about all!

One could skim through the whole guide book in about fifteen minutes. But in no way do I feel like this diminishes the deck. In fact, I feel this would still be a wonderful deck for expert or novice tarot readers because it offers the ability to reconnect with one’s intuition. Rather than offering explicit meanings, these cards leave room for there to be understanding within without it need to be clearly stated. Seeing these cards is enough to prompt your intuition and send the answers you seek through your entire being. There’s no need to run back to the words to seek the validation of what you’ve uncovered, though if you want a bit of illuminate there’s enough in the guidebook to put your mind on the right track.

While the artistry wonderfully captures the energy of the standard 78 cards in the tarot, it also infuses new layers of meaning that have really assisted my readings. I have found this deck awakens the imagination, and the visual cues of the collage-like imagery draw forth intuitive information that I may not have otherwise picked up on. This happened just this morning actually in a reading with my querent when Six of Swords was drawn.

The traditional Six of Swords tarot card has an image of a hooded figure being rowed away from shore with the swords at the front of the boat. In The Uncommon Tarot, the imagery is of a yellow butterfly soaring over the top of six swords, highlighted by blue, green, and yellow background shading, looking absolutely radiant. The moment my querent saw it, she immediately intuited the meaning of this card to represent a transition from being her cocoon to emerging to be the butterfly.

It was remarkable to see her so quickly discern the energy of the card from the artwork, and her vivid excitement about it let me know that it deeply resonated. I always appreciate when the imagery on the card speaks to my querent and infuses them with the energy of the reading beyond the words I may be saying; this is what makes for the readings people remember for a long time.

For those who are collectors, The Uncommon Tarot is definitely a deck to add to one’s collection. The title aptly describes it’s uniqueness with the magnificent artistry makes it stand out among other decks. This inclusive tarot deck successfully draws upon the ancient tradition of tarot and infuses it with a modern imagination. I highly recommend this deck to anyone looking to add a bit more fluidity to their reading, as it invites the energy to flow through the imagery and guide you to new levels of awareness.

Horse Magick, by Lawren Leo and Domenic Leo

Horse Magick: Spells and Rituals for Self-Empowerment, Protection, and Prosperity, by Lawren Leo with Domenic Leo, PhD
Weiser Books, 1578636983, 208 pages, 2020

Using animals in magical practice is a familiar theme (see what I did there?) that resonates with most practitioners. Many of those who follow some form of occult practice have some type of helper to either guide them through their spiritual work or simply act as a companion. In their book, Horse Magick: Spells and Rituals for Self-Empowerment, Protection, and Prosperity, both Lawren Leo and Domenic Leo draw on their own experiences to illustrate and detail the art of practicing magick with the Horse Spirit that resides within all of us.

Both brothers have ample experience in both dealing with horses and practicing magick. Growing up, they were introduced to horses and riding and never looked back. As a psychic, Leo has authored many books and owns a metaphysical store that Domenic is head buyer for. Additionally, Domenic holds numerous degrees in a variety of subjects and is widely published. Together, they have created a unique reading experience that results in a book that is difficult to put down once started. This book is their shared experience, with one delving into the historical background of various horse deities and the other crafting specific spells designed to procure whatever it is needed.

This book is not laid out in the typical fashion. Its nonlinear approach is comforting to me personally, as I like jumping around from section to section. Here, you are not penalized for doing so; in fact, jumping around is encouraged! Here’s the difference though: in order to find the spell you want, you need to know what type of horse it relates to. The table of contents lists the different types of horses: Ancient Horse, African River Horse, Marble Horse, and so on. Not familiar with any of the horses listed? A brief skim of each chapter signals the kind of spellwork that coincides with the spirit and the spell that follows makes it crystal clear. 

The introduction is a wealth of information if you are patient enough to read it all the way through. The temptation to jump ahead and let spirit guide your reading selection a la bibliomancy is hard to resist. Case in point: when I randomly opened the book to a page I found precisely what I was looking for. Although I don’t have horses anymore I do have cats, and the spell I found on page 64 brought me to tears. Called “Spell for Bonding With, Protecting, and Remembering Animal Companions,” this beautiful ritual does precisely what it says. Maybe I’m totally reading into things but I swear my normally aloof cat was a bit more affectionate after I did this ritual. It’s hard to tell with cats, but I am choosing to believe.

Thoroughly researched horses and deities provide the backdrop for this magnificent book. While there is a lot of information presented, it’s done in such a way that you are grateful for the information. Every chapter of this book brings new ideas for personal spellwork and although I am not a high ritual type of witch, I can absolutely appreciate the amount of care and thought that each spell clearly has built into it. These are not spells to be done off the cuff: these are the type of spells that you need to prepare for and make sure you have everything ready prior to beginning. Horse spirits are akin to real horses in that they have no patience if you don’t know what you are doing and aren’t prepared. 

Having said that, Chapter One is designed to prepare you so that you are ready for the spellwork. In explaining what the Horse Spirit is, Leo offers “The essence of the Horse Spirit is freedom… the horse’s intimate relation with spirit and nature… are compelling reason to use equine magick.”12 Using equine magick involves partnering with the horse spirit within, something that many of us yearn for but simply don’t know how to access.

Leo takes the reader through the process of connecting with this inner guide by offering a spell to provide freedom from burdens and stress. This simple spell involves sitting, something that I enjoy very much, and a chant that can be repeated as many times as needed. The rhythmic chant is relaxing and invigorating at the same time and could bring on an altered state of consciousness called the alpha state. I won’t go into those details here as it’s something that can be easily looked up. The fact that there is no prescribed amount of times to chant or direction on how many days to chant is not by accident. This is a spell of freedom, and if being burdened is something you struggle with, this spell gives you a starting point to taking back that power and freedom to choose for yourself.

Horse Magick is perfect for those who love professionally researched subject matter that is presented in an easy to read fashion. The spells are designed to be thought provoking and deliberate, with not much room for improvisation in terms of the actual ritual of performing the spellwork. If you prefer your spellwork to be more fluid and open, these spells might be a good jumping off point for you to create your own. I feel anyone who practises any form of magick would do well to flip through this book as it’s well written and laid out in such a way to encourage the reader to find their own inner Horse Spirit.

The Ways of the Water Priestess, by Annwyn Avalon

The Way of the Water Priestess: Entering the World of Water Magic, by Annwyn Avalon
Weiser Books, 1578637249, 238 pages, January 2021

The Way of the Water Priestess: Entering the World of Water Magic is a profound initiation. As you dive in, author Annwyn Avalon makes clear the distinction between being initiated into a lineage and going straight to the source of your own channel with spirit, your own intimacy with water. This is a sacred text that attunes you so deeply to what you are mostly made of. 

Avalon is a water priestess and a water witch. She is the founder of Triskele Rose,  an Avalonian witchcraft tradition. This book called to me because I wanted to deepen my relationship to water as an act of devotion.

“The work of a water priestess is expressed in various sacred practices like enchanting the waters, facilitating rituals, creating healing ceremonies, and preparing sacred baths.”13 

Each of these rich chapters had me diving into portals of sovereignty and healing. Avalon does a fantastic job weaving together concrete practices, lineages and history, as well as myth and story. In my personal practice, this book was the first step in so much unfolding. I embraced her invitation to me, “While you cannot initiate yourself as a priestess, you can dedicate your life to the sacred waters.”14

For me, this began with building my own water altar. This first step has been potent in my work as a priestess.  And when I say priestess, I mean  being willing to show up and do the work in devotion to tend and clean the altar; to center your acts of service to the water. 

The Way of the Water Priestess is created in such a way as to offer us that sacred journey of initiation, pulling on deities and archetypes, myths, as well as daily devotional practices. This book is beautifully written with a wealth and depth of knowledge. All geared towards you, discovering your own information. Avalon creates a framework for you to foster your own intimacy with the waters. These are concrete and specific tools to connect you to your path. 

My daily devotional, as Avalon calls it, with the water has deepened. Avalon offers prayers to help guide you through every step of the journey. There’s such an incredible wealth of knowledge, rooted, most particularly like Celtic and Roman traditions. I have found myself turning to this book over and over as I’ve struggled with my human being life. “You will find that the lesson of the river is different from the lesson that floral water, a sacred bath, or a gem elixir might teach you.”15 I so appreciated being guided to discover my own sacred relationship with the river, allowing it to be my guide in surrender and flow. 

I drink so much water every day. I’ve experimented with some of the ways that Avalon offers us to bless the water. “Sound is also a good way to create healing water… You can simply start with your voice and tone the water with vowel sounds.”16 You can find a beautiful water prayer on that same page. I love this practice as a way to begin my morning and set intention for my day. The more I’ve dedicated myself to this practice, the more I’ve found my words to honor and bless the water I put in my body. My stepdaughter’s favorite practice is to charge her water with the full moon. 

Avalon’s way of being in deep ritual practice with water is an invitation to reclaim your sovereignty through devotion and service. 

“As priestesses, it is vital that we honor the water and spirits we work with. But we must also become trusted conduits for their energies by living in sacred union with them and tending their temples–our own physical temples, the temple of our bodies, and the natural temples where the water flows. When in these states of sacred union, we become a vessel through which the spirit can speak.”17

This book serves such a depth and breadth of wisdom as to belong on every bookshelf, from novice to maven water carrier. It accessibly unpacks fundamentals like working on the holy days of Beltane, Samhain, and the like. It explores the art of ritual, water divination, and the path of the priestess. For those steeped in their own traditions and lineages, it offers context and spell work. 

If you are looking for your activism in this world, I invite you to welcome your devotion and service to water as being a part of how we collectively transform the world. I feel so much more able to hear the message of the water for me in encountering these practices and tools, and the power that comes when approaching this work as a devotee. As a being in service to something so much greater than myself. Everything you need to start is in The Ways of the Water Priestess.

Sex Witch, by Sophie Saint Thomas

Sex Witch: Magical Spells for Love, Lust and Self-Protection, by Sophie Saint Thomas
Weiser Books, 1578637201, 240 pages, February 2021

The idea of a powerful woman, who is sexually liberated and enjoys her own pleasure, has always been seen as taboo and a threat to those who would seek to subjugate her. In Sex Witch: Magical Spells for Love, Lust and Self-Protection, Sophie Saint Thomas takes us on a journey of self-discovery that ultimately treads the path of self-empowerment and pleasure, with plenty of naughtiness along the way.

Saint Thomas has written about sex and the occult for years in various roles at many publications. Her distinct writing style immediately makes you want to call your friends and put her on speakerphone, which is ridiculous because this is a book. After reading this though, I know what my close friends are getting for their respective festive holiday seasons and it isn’t going to be fruitcake. 

Saint Thomas makes sure the reader knows what they are getting into right off the bat in the introduction, where she describes a candle magick session for love involving a red, penis-shaped candle and a conjuration of Lucifer. While the spell didn’t go precisely as planned, she did point out the red flags she discovered in hindsight and that’s very helpful for those of us who tend to plunge ahead with only a loose idea of how it should go. The reinforcement of preparation and self-awareness is refreshing, as some authors merely give you the spell and leave you to it. Saint Thomas doesn’t and says, “To manifest what we want, we must integrate knowledge and reason. We can’t just dance under a full moon.”18

Saint Thomas writes through a lens of someone who has been there, done that, and is now sharing what she has learned. From the table of contents, a pattern emerges: the journey begins with the basics covered off in Magickal School and Sex Ed. From there, we head into subsequent chapters on self-love, seduction, and sex. Once the basics are established, we move into deeper waters of seduction, sex, love, protection. The last two chapters are perhaps the most powerful: revenge and healing. To be clear, the section on revenge isn’t about hurting your ex because they left, it’s about obtaining revenge through healing yourself and being successful, which is much better in my opinion.

The order of the chapters makes perfect sense: you need to learn how to walk before you can run. In Chapter 1: Magickal School, Saint Thomas says that “… sex magick is not just spells for attracting more sex. Sex magick is harnessing your orgasms for manifestation.”19 She also touches on Chaos Magick, which is something I personally ascribe to, as well as sections on colour correspondences and, of course, candle magick. This section is truly meant for those at the start of their magical journey, with instructions on how to cast a circle and what the four elements and their correspondences are. Still worth a read as far as I am concerned, as each interpretation reveals new knowledge.

The detail that Saint Thomas goes into is staggering. While undoubtedly meant for those not familiar with witchy terminology or supplies, Saint Thomas goes above and beyond to include nuanced tidbits for even the most seasoned of witches. I could literally write an entire review about the first chapter but since that’s not why you are here, I will tear myself away from it and move on to the rest of the book.

Subsequent chapters dealing with self-love, seduction, and sex are well written and fulsome. It would be easy to get lost in this book except for the fact that there are many spells sprinkled throughout that makes the reader want to stop and try them out along the way. There is a lot of Shadow work in here, especially in the Self-Love chapter.

There is one particular spell I tried out on page 88 called Break Toxic Cycles. It’s a cord cutting ritual involving a length of black string. You basically tie knots as you call out patterns you want to break. Things like “I ignore red flags” and “I expect people to change” and such. You go down the length of the string, calling out patterns and making knots, until you’ve called out all patterns. This is where it gets interesting: you tie the ends together to form a loop and drape it over your hands like shackles. You are encouraged to feel how toxic the patterns are, and then taking scissors, snip between each knot, freeing yourself. Take all the bits of string and knot and burn them, removing the residue from your home once done.

I’ve been in therapy for a few years now dealing with my own baggage and trying to free myself from toxic patterns that keep plaguing me. I did this spell during the waning moon and although there was no bolt of lightning at the end to show that I’d broken each pattern, there was definitely a lightness within me that hasn’t been there in some time. Simple, effective, and to the point spell casting is my jam, and this book is full of spells like that one.

Sex Witch would do well in the hands of someone who isn’t afraid to explore their sexuality or who is firmly grounded in who they are sexually. There is no room here for kink shaming or slut shaming: it’s all pleasure and it’s all normal. I especially love how Saint Thomas just dives right in and talks about things like drugs and threesomes and how to protect yourself against STDs. She completely understands that while some will be attracted to the book based on how much sex they think they might be able to conjure, others will read it and understand the nuanced messaging around self-love, protection, and freeing yourself from the expectations of others, both inside and outside of the bedroom.

Personal Magic, by Marion Weinstein

Personal Magic: A Modern-Day Book of Shadows for Positive Witches, by Marion Weinstein
Weiser Books, 978-1578637195, 240 pages, 2021

Personal Magic: A Modern-Day Book of Shadows for Positive Witches is the personal grimoire, or “Book of Shadows,” of Marion Weinstein (1939-2009). Weinstein was one of the founders of the modern witchcraft movement, an author, teacher, and media personality. She was the first to coin the phrase “positive magic” and has authored a book by the same name, as well as a number of books in the self-help genre, including books about miracles, magic, and divination methods such as tarot, and the I-Ching. This current edition was originally published under the title Earth Magic in 2003, and then updated and published again under that title in 2008. 

Weinstein’s books are considered classics, and several have been republished under different titles, which makes book buying confusing at times if one hasn’t researched whether or not this is previous material being marketed under a new title.

I had a love/hate relationship with this book (well, okay maybe not so extreme, perhaps a like/dislike relationship) at first because so much of it seemed dated to me. In fact, the datedness was why I began looking into whether this was new material, especially once I looked up the author’s bio and saw that she had died in 2009. Witchcraft and magic seem to be having a renaissance in the last few years and perhaps this re-release is an attempt to capitalize on this current trend.

There were several times when the old-fashioned manner of her words carried a loveable quirkiness that I found quite endearing – such as a short section near the very beginning of the book titled “The Inner Bell,” which the author explains is “one’s inner sense of truth and deep knowing which we all possess.’20

Something that also stood out to me immediately is that Weinstein’s “witch” definitely has a narrow, more classic definition that aligns with Goddess worship or paganism (this volume was originally titled Earth Magic), while currently the word “witch” has assumed a very wide meaning that often includes all manner of witches, magicians, and new age practitioners.

Weinstein wrote her first book of shadows in 1979 and intended it to be seen by a much smaller audience. It was her own personal grimoire and she only wanted it to be seen by other witches. But she was a media personality hosting a radio show, Marion’s Cauldron, for fourteen years, and as her audience and notoriety grew, she began to publish her works to a wider readership.

As the title states, the author is very pointed and deliberate about her magic being positive. She stresses this again and again. 

Being the author’s personal grimoire, the examples in the book use her own personal deities – Diana, Selene, Hecate, Kernunnos, and Pan, in all the blessings, spells, dedications, consecrations, and alignments. However, she does include a list of dozens of other popular deities should the reader want to explore other options.

The book is divided into three parts (Primary Work, Advanced Work, and Afterward), which makes it practical for any level of practitioner, from the complete novice to the adept. The novice will find a veritable “how-to” guide to a well-structured practice and the adept will find a multitude of basic ideas that serve as powerful reminders along with numerous creative ideas that may serve to invigorate a stagnant or lackluster practice. The author is also careful to remind the reader that one’s practice is personal, and that each person is permitted to choose elements of their practice that are appealing to them. 

Part One of the book, Primary Work, focuses on “the basics” including deities, tools, how to form a coven (as well as how to work without one), holidays, working with the moon phases, and even how to contact the departed. Also included in Part One is a very comprehensive chapter on Protection Magic that I found to be one of my favorite parts of the book. Part One closes with a short chapter titled “Ritual,” that includes a few important rituals such as the blessing of a new baby, handfasting, and calling in the four directions. 

As a precept, all magic concerns both “inner” work and “outer” work (As above, so below, as within, so without.) Part One is mostly focused on the outer work, with reminders and teachings on how this primary work connects to our inner world, beliefs and energy.

Part Two, Advanced Work, focuses more on the inner work such as how to work with different aspects of our selves, and how to use visualization. The last chapter in Part Two, Advanced Manifestation, was another part I found exciting as it was explicit about the idea that our Magic is found within, that we are the magic. “Yes, it’s true that magic can actually transform matter and energy from one state to another, or make things seem to appear and disappear. But far more important is the fact that magic transforms the magician.”21 

Part Three, Afterward, is the part I found most fun to read, as it covers some ideas that are exciting to me personally as a magician, such as morphogenetic fields, our true selves and the roles we play, ethics, and serving the community.

The information in Personal Magic is extremely practical and written in a concerned and caring voice from someone with decades of experience. I would recommend this book to anyone that is interested in positive magic or witchcraft, with the caveat that it is not new material.   

Year of the Witch, by Temperance Alden

Year of the Witch: Connecting with Nature’s Seasons through Intuitive Magick, by Temperance Alden
Weiser Books, 9781633411876, 224 pages, 2020

Year of the Witch: Connecting with Nature’s Seasons through Intuitive Magick by Temperance Alden is a charming yet quirky little book.  I say little because the book itself is a comfortable, hand-held size with wide pages and margins roomy for note-taking.  It makes the experience of reading it more pleasurable.  I selected it thinking it would be a guide to practicing with the pagan sabbat days, like Beltane and Yule.  It is, but it takes a meandrous journey getting there.  The author’s thesis is that a witch can customize their experience of “the witch’s year” to be an authentic communion with the Earth and not limited to a conceptual celebration of holidays reflecting seasons that do not align with lived experience in one’s locale. 

For example, the author resides in South Florida, and moved there after living in Montana – so her experience of autumn has varied widely.  She wants witches and people exploring a witchcraft practice to feel empowered to claim their own sacred Earth holidays.  Therefore, her personal annual celebration of seasons includes “Shark Season” and “Avocado Harvest.”. 22

Alden makes it clear from the get-go that her aim is for fledgling witches to develop a connection to the Earth and an appreciation for local nature spirits. She goes into great detail towards what this practice entails, beginning with what I found to be the very best explanation of what intuition is that I’ve ever come by (and a message I very much needed to hear):

“The most common questions asked by those beginning their paths of witchcraft usually boil down to a variation on ‘Am I doing this right?’…. These questions often indicate that someone is going too fast down the path…and trying to run before they learn to walk’…. It is necessary to first learn how to distinguish between the voices of anxiety, ego and intuition…. Intuition is the literal gaining of knowledge without any conscious thinking or reasoning.  Intuition hardly ever comes in the form of an impulse. More often it feels like a lazy afternoon breeze flowing through our lives without any effort.”23

In Chapter 2, “Cycles, Seasons, Death and Rebirth,” she talks about hormonal cycles, the cycle of the seasons, cycles in climate, and astrological cycles as well.  Here, the book takes a sharp and unexpected twist when [TRIGGER WARNING] Alden reveals that she does not believe in climate change and cites some academic sources to back up her point of view!!!  This is not what most readers seeking guidance on how to work with earth-based witchcraft are going to expect, and frankly I don’t know what to say about this.  We are all entitled to our opinion on whether the science supporting the actuality of climate change is accurate, but in this book, her opinion stands out like a big yellow caution sign.  Everything else in this book is wonderful (if not a bit divergent at times), but throwing climate change denial at an unsuspecting reader bites a bit.

From there in Chapter 3, “Elemental Magick,” Alden goes on to explain the elements — earth, air, fire, water and spirit — and their role in magic work. In Chapter 4, “Sheparding the Land,” she comes across as a true eco-activist, insisting that students of her magical-methods make it part of their spiritual work to create ways of reducing their footprint on the earth, such as not using single-use plastic water bottles, and buying seasonal produce from farmers instead of shopping big box grocery stores. 24

My only other criticism of Year of the Witch, is that in Chapter 5, “At the Gates of Witchcraft,” Alden deep dives into a rant about being called a “plastic witch.”  She accuses witches who use this term insultingly as spiritually bypassing their privilege.

“I believe the term plastic witchcraft is twofold in its meaning. First ‘being plastic’ refers to being superficial and fake. Second, [it] refers to using plastic products. However, the term itself is very condescending and shows an aggressive amount of spiritual bypassing. [It] allows for more privileged witches to ridicule and scorn less fortunate witches.” 25

For a moment, I forgot I am a 46-year-old woman reading a spiritual book of my chosen belief-system from the comfort of my favorite armchair, and I was transported into my 16-year-old-self up in my bedroom flipping through the latest issue of Sassy Magazine and reading an essay written by the staff intern who just passed Psych 101 with a B+.  All I have to say about that is I think this book aims at a younger audience….

Finally! After all that drama, and through some delightful ideas about creating altars and building spiritual gardens outside, we get to the end of the book where Alden presents the traditional “year of the witch” and explains the eight sacred sabbaths: Samhain, Yule, Imbolc, Ostara, Beltane, Litha, Lughnasadh, and Mabon.  For each holiday she goes into traditional lore and a suggested practice for celebrating.  The chapters are brief, but they are well referenced and offer some fun ideas, such as bread-baking recipes to celebrate the harvest feast at Lughnasadh (also called Lammas).

Alden’s ending conclusion in Year of the Witch is that if you are a witch living in a region with a climate differing from the classical four-season year, you can make your own holidays and create your own personalized “year of the witch” to follow.  Adding to the overall charm, she put in a recipe to make your own Florida Water and also for cascarilla powder in the appendix, along with a calendar of all pagan holidays celebrated in different countries around the world.  Overall, this is a fun book!