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Horse Magick, by Lawren Leo and Domenic Leo

Horse Magick: Spells and Rituals for Self-Empowerment, Protection, and Prosperity, by Lawren Leo with Domenic Leo, PhD
Weiser Books, 1578636983, 208 pages, 2020

Using animals in magical practice is a familiar theme (see what I did there?) that resonates with most practitioners. Many of those who follow some form of occult practice have some type of helper to either guide them through their spiritual work or simply act as a companion. In their book, Horse Magick: Spells and Rituals for Self-Empowerment, Protection, and Prosperity, both Lawren Leo and Domenic Leo draw on their own experiences to illustrate and detail the art of practicing magick with the Horse Spirit that resides within all of us.

Both brothers have ample experience in both dealing with horses and practicing magick. Growing up, they were introduced to horses and riding and never looked back. As a psychic, Leo has authored many books and owns a metaphysical store that Domenic is head buyer for. Additionally, Domenic holds numerous degrees in a variety of subjects and is widely published. Together, they have created a unique reading experience that results in a book that is difficult to put down once started. This book is their shared experience, with one delving into the historical background of various horse deities and the other crafting specific spells designed to procure whatever it is needed.

This book is not laid out in the typical fashion. Its nonlinear approach is comforting to me personally, as I like jumping around from section to section. Here, you are not penalized for doing so; in fact, jumping around is encouraged! Here’s the difference though: in order to find the spell you want, you need to know what type of horse it relates to. The table of contents lists the different types of horses: Ancient Horse, African River Horse, Marble Horse, and so on. Not familiar with any of the horses listed? A brief skim of each chapter signals the kind of spellwork that coincides with the spirit and the spell that follows makes it crystal clear. 

The introduction is a wealth of information if you are patient enough to read it all the way through. The temptation to jump ahead and let spirit guide your reading selection a la bibliomancy is hard to resist. Case in point: when I randomly opened the book to a page I found precisely what I was looking for. Although I don’t have horses anymore I do have cats, and the spell I found on page 64 brought me to tears. Called “Spell for Bonding With, Protecting, and Remembering Animal Companions,” this beautiful ritual does precisely what it says. Maybe I’m totally reading into things but I swear my normally aloof cat was a bit more affectionate after I did this ritual. It’s hard to tell with cats, but I am choosing to believe.

Thoroughly researched horses and deities provide the backdrop for this magnificent book. While there is a lot of information presented, it’s done in such a way that you are grateful for the information. Every chapter of this book brings new ideas for personal spellwork and although I am not a high ritual type of witch, I can absolutely appreciate the amount of care and thought that each spell clearly has built into it. These are not spells to be done off the cuff: these are the type of spells that you need to prepare for and make sure you have everything ready prior to beginning. Horse spirits are akin to real horses in that they have no patience if you don’t know what you are doing and aren’t prepared. 

Having said that, Chapter One is designed to prepare you so that you are ready for the spellwork. In explaining what the Horse Spirit is, Leo offers “The essence of the Horse Spirit is freedom… the horse’s intimate relation with spirit and nature… are compelling reason to use equine magick.”1 Using equine magick involves partnering with the horse spirit within, something that many of us yearn for but simply don’t know how to access.

Leo takes the reader through the process of connecting with this inner guide by offering a spell to provide freedom from burdens and stress. This simple spell involves sitting, something that I enjoy very much, and a chant that can be repeated as many times as needed. The rhythmic chant is relaxing and invigorating at the same time and could bring on an altered state of consciousness called the alpha state. I won’t go into those details here as it’s something that can be easily looked up. The fact that there is no prescribed amount of times to chant or direction on how many days to chant is not by accident. This is a spell of freedom, and if being burdened is something you struggle with, this spell gives you a starting point to taking back that power and freedom to choose for yourself.

Horse Magick is perfect for those who love professionally researched subject matter that is presented in an easy to read fashion. The spells are designed to be thought provoking and deliberate, with not much room for improvisation in terms of the actual ritual of performing the spellwork. If you prefer your spellwork to be more fluid and open, these spells might be a good jumping off point for you to create your own. I feel anyone who practises any form of magick would do well to flip through this book as it’s well written and laid out in such a way to encourage the reader to find their own inner Horse Spirit.

The Ways of the Water Priestess, by Annwyn Avalon

The Way of the Water Priestess: Entering the World of Water Magic, by Annwyn Avalon
Weiser Books, 1578637249, 238 pages, January 2021

The Way of the Water Priestess: Entering the World of Water Magic is a profound initiation. As you dive in, author Annwyn Avalon makes clear the distinction between being initiated into a lineage and going straight to the source of your own channel with spirit, your own intimacy with water. This is a sacred text that attunes you so deeply to what you are mostly made of. 

Avalon is a water priestess and a water witch. She is the founder of Triskele Rose,  an Avalonian witchcraft tradition. This book called to me because I wanted to deepen my relationship to water as an act of devotion.

“The work of a water priestess is expressed in various sacred practices like enchanting the waters, facilitating rituals, creating healing ceremonies, and preparing sacred baths.”1 

Each of these rich chapters had me diving into portals of sovereignty and healing. Avalon does a fantastic job weaving together concrete practices, lineages and history, as well as myth and story. In my personal practice, this book was the first step in so much unfolding. I embraced her invitation to me, “While you cannot initiate yourself as a priestess, you can dedicate your life to the sacred waters.”2

For me, this began with building my own water altar. This first step has been potent in my work as a priestess.  And when I say priestess, I mean  being willing to show up and do the work in devotion to tend and clean the altar; to center your acts of service to the water. 

The Way of the Water Priestess is created in such a way as to offer us that sacred journey of initiation, pulling on deities and archetypes, myths, as well as daily devotional practices. This book is beautifully written with a wealth and depth of knowledge. All geared towards you, discovering your own information. Avalon creates a framework for you to foster your own intimacy with the waters. These are concrete and specific tools to connect you to your path. 

My daily devotional, as Avalon calls it, with the water has deepened. Avalon offers prayers to help guide you through every step of the journey. There’s such an incredible wealth of knowledge, rooted, most particularly like Celtic and Roman traditions. I have found myself turning to this book over and over as I’ve struggled with my human being life. “You will find that the lesson of the river is different from the lesson that floral water, a sacred bath, or a gem elixir might teach you.”3 I so appreciated being guided to discover my own sacred relationship with the river, allowing it to be my guide in surrender and flow. 

I drink so much water every day. I’ve experimented with some of the ways that Avalon offers us to bless the water. “Sound is also a good way to create healing water… You can simply start with your voice and tone the water with vowel sounds.”4 You can find a beautiful water prayer on that same page. I love this practice as a way to begin my morning and set intention for my day. The more I’ve dedicated myself to this practice, the more I’ve found my words to honor and bless the water I put in my body. My stepdaughter’s favorite practice is to charge her water with the full moon. 

Avalon’s way of being in deep ritual practice with water is an invitation to reclaim your sovereignty through devotion and service. 

“As priestesses, it is vital that we honor the water and spirits we work with. But we must also become trusted conduits for their energies by living in sacred union with them and tending their temples–our own physical temples, the temple of our bodies, and the natural temples where the water flows. When in these states of sacred union, we become a vessel through which the spirit can speak.”5

This book serves such a depth and breadth of wisdom as to belong on every bookshelf, from novice to maven water carrier. It accessibly unpacks fundamentals like working on the holy days of Beltane, Samhain, and the like. It explores the art of ritual, water divination, and the path of the priestess. For those steeped in their own traditions and lineages, it offers context and spell work. 

If you are looking for your activism in this world, I invite you to welcome your devotion and service to water as being a part of how we collectively transform the world. I feel so much more able to hear the message of the water for me in encountering these practices and tools, and the power that comes when approaching this work as a devotee. As a being in service to something so much greater than myself. Everything you need to start is in The Ways of the Water Priestess.

Sex Witch, by Sophie Saint Thomas

Sex Witch: Magical Spells for Love, Lust and Self-Protection, by Sophie Saint Thomas
Weiser Books, 1578637201, 240 pages, February 2021

The idea of a powerful woman, who is sexually liberated and enjoys her own pleasure, has always been seen as taboo and a threat to those who would seek to subjugate her. In Sex Witch: Magical Spells for Love, Lust and Self-Protection, Sophie Saint Thomas takes us on a journey of self-discovery that ultimately treads the path of self-empowerment and pleasure, with plenty of naughtiness along the way.

Saint Thomas has written about sex and the occult for years in various roles at many publications. Her distinct writing style immediately makes you want to call your friends and put her on speakerphone, which is ridiculous because this is a book. After reading this though, I know what my close friends are getting for their respective festive holiday seasons and it isn’t going to be fruitcake. 

Saint Thomas makes sure the reader knows what they are getting into right off the bat in the introduction, where she describes a candle magick session for love involving a red, penis-shaped candle and a conjuration of Lucifer. While the spell didn’t go precisely as planned, she did point out the red flags she discovered in hindsight and that’s very helpful for those of us who tend to plunge ahead with only a loose idea of how it should go. The reinforcement of preparation and self-awareness is refreshing, as some authors merely give you the spell and leave you to it. Saint Thomas doesn’t and says, “To manifest what we want, we must integrate knowledge and reason. We can’t just dance under a full moon.”1

Saint Thomas writes through a lens of someone who has been there, done that, and is now sharing what she has learned. From the table of contents, a pattern emerges: the journey begins with the basics covered off in Magickal School and Sex Ed. From there, we head into subsequent chapters on self-love, seduction, and sex. Once the basics are established, we move into deeper waters of seduction, sex, love, protection. The last two chapters are perhaps the most powerful: revenge and healing. To be clear, the section on revenge isn’t about hurting your ex because they left, it’s about obtaining revenge through healing yourself and being successful, which is much better in my opinion.

The order of the chapters makes perfect sense: you need to learn how to walk before you can run. In Chapter 1: Magickal School, Saint Thomas says that “… sex magick is not just spells for attracting more sex. Sex magick is harnessing your orgasms for manifestation.”2 She also touches on Chaos Magick, which is something I personally ascribe to, as well as sections on colour correspondences and, of course, candle magick. This section is truly meant for those at the start of their magical journey, with instructions on how to cast a circle and what the four elements and their correspondences are. Still worth a read as far as I am concerned, as each interpretation reveals new knowledge.

The detail that Saint Thomas goes into is staggering. While undoubtedly meant for those not familiar with witchy terminology or supplies, Saint Thomas goes above and beyond to include nuanced tidbits for even the most seasoned of witches. I could literally write an entire review about the first chapter but since that’s not why you are here, I will tear myself away from it and move on to the rest of the book.

Subsequent chapters dealing with self-love, seduction, and sex are well written and fulsome. It would be easy to get lost in this book except for the fact that there are many spells sprinkled throughout that makes the reader want to stop and try them out along the way. There is a lot of Shadow work in here, especially in the Self-Love chapter.

There is one particular spell I tried out on page 88 called Break Toxic Cycles. It’s a cord cutting ritual involving a length of black string. You basically tie knots as you call out patterns you want to break. Things like “I ignore red flags” and “I expect people to change” and such. You go down the length of the string, calling out patterns and making knots, until you’ve called out all patterns. This is where it gets interesting: you tie the ends together to form a loop and drape it over your hands like shackles. You are encouraged to feel how toxic the patterns are, and then taking scissors, snip between each knot, freeing yourself. Take all the bits of string and knot and burn them, removing the residue from your home once done.

I’ve been in therapy for a few years now dealing with my own baggage and trying to free myself from toxic patterns that keep plaguing me. I did this spell during the waning moon and although there was no bolt of lightning at the end to show that I’d broken each pattern, there was definitely a lightness within me that hasn’t been there in some time. Simple, effective, and to the point spell casting is my jam, and this book is full of spells like that one.

Sex Witch would do well in the hands of someone who isn’t afraid to explore their sexuality or who is firmly grounded in who they are sexually. There is no room here for kink shaming or slut shaming: it’s all pleasure and it’s all normal. I especially love how Saint Thomas just dives right in and talks about things like drugs and threesomes and how to protect yourself against STDs. She completely understands that while some will be attracted to the book based on how much sex they think they might be able to conjure, others will read it and understand the nuanced messaging around self-love, protection, and freeing yourself from the expectations of others, both inside and outside of the bedroom.

Personal Magic, by Marion Weinstein

Personal Magic: A Modern-Day Book of Shadows for Positive Witches, by Marion Weinstein
Weiser Books, 978-1578637195, 240 pages, 2021

Personal Magic: A Modern-Day Book of Shadows for Positive Witches is the personal grimoire, or “Book of Shadows,” of Marion Weinstein (1939-2009). Weinstein was one of the founders of the modern witchcraft movement, an author, teacher, and media personality. She was the first to coin the phrase “positive magic” and has authored a book by the same name, as well as a number of books in the self-help genre, including books about miracles, magic, and divination methods such as tarot, and the I-Ching. This current edition was originally published under the title Earth Magic in 2003, and then updated and published again under that title in 2008. 

Weinstein’s books are considered classics, and several have been republished under different titles, which makes book buying confusing at times if one hasn’t researched whether or not this is previous material being marketed under a new title.

I had a love/hate relationship with this book (well, okay maybe not so extreme, perhaps a like/dislike relationship) at first because so much of it seemed dated to me. In fact, the datedness was why I began looking into whether this was new material, especially once I looked up the author’s bio and saw that she had died in 2009. Witchcraft and magic seem to be having a renaissance in the last few years and perhaps this re-release is an attempt to capitalize on this current trend.

There were several times when the old-fashioned manner of her words carried a loveable quirkiness that I found quite endearing – such as a short section near the very beginning of the book titled “The Inner Bell,” which the author explains is “one’s inner sense of truth and deep knowing which we all possess.’1

Something that also stood out to me immediately is that Weinstein’s “witch” definitely has a narrow, more classic definition that aligns with Goddess worship or paganism (this volume was originally titled Earth Magic), while currently the word “witch” has assumed a very wide meaning that often includes all manner of witches, magicians, and new age practitioners.

Weinstein wrote her first book of shadows in 1979 and intended it to be seen by a much smaller audience. It was her own personal grimoire and she only wanted it to be seen by other witches. But she was a media personality hosting a radio show, Marion’s Cauldron, for fourteen years, and as her audience and notoriety grew, she began to publish her works to a wider readership.

As the title states, the author is very pointed and deliberate about her magic being positive. She stresses this again and again. 

Being the author’s personal grimoire, the examples in the book use her own personal deities – Diana, Selene, Hecate, Kernunnos, and Pan, in all the blessings, spells, dedications, consecrations, and alignments. However, she does include a list of dozens of other popular deities should the reader want to explore other options.

The book is divided into three parts (Primary Work, Advanced Work, and Afterward), which makes it practical for any level of practitioner, from the complete novice to the adept. The novice will find a veritable “how-to” guide to a well-structured practice and the adept will find a multitude of basic ideas that serve as powerful reminders along with numerous creative ideas that may serve to invigorate a stagnant or lackluster practice. The author is also careful to remind the reader that one’s practice is personal, and that each person is permitted to choose elements of their practice that are appealing to them. 

Part One of the book, Primary Work, focuses on “the basics” including deities, tools, how to form a coven (as well as how to work without one), holidays, working with the moon phases, and even how to contact the departed. Also included in Part One is a very comprehensive chapter on Protection Magic that I found to be one of my favorite parts of the book. Part One closes with a short chapter titled “Ritual,” that includes a few important rituals such as the blessing of a new baby, handfasting, and calling in the four directions. 

As a precept, all magic concerns both “inner” work and “outer” work (As above, so below, as within, so without.) Part One is mostly focused on the outer work, with reminders and teachings on how this primary work connects to our inner world, beliefs and energy.

Part Two, Advanced Work, focuses more on the inner work such as how to work with different aspects of our selves, and how to use visualization. The last chapter in Part Two, Advanced Manifestation, was another part I found exciting as it was explicit about the idea that our Magic is found within, that we are the magic. “Yes, it’s true that magic can actually transform matter and energy from one state to another, or make things seem to appear and disappear. But far more important is the fact that magic transforms the magician.”2 

Part Three, Afterward, is the part I found most fun to read, as it covers some ideas that are exciting to me personally as a magician, such as morphogenetic fields, our true selves and the roles we play, ethics, and serving the community.

The information in Personal Magic is extremely practical and written in a concerned and caring voice from someone with decades of experience. I would recommend this book to anyone that is interested in positive magic or witchcraft, with the caveat that it is not new material.   

Year of the Witch, by Temperance Alden

Year of the Witch: Connecting with Nature’s Seasons through Intuitive Magick, by Temperance Alden
Weiser Books, 9781633411876, 224 pages, 2020

Year of the Witch: Connecting with Nature’s Seasons through Intuitive Magick by Temperance Alden is a charming yet quirky little book.  I say little because the book itself is a comfortable, hand-held size with wide pages and margins roomy for note-taking.  It makes the experience of reading it more pleasurable.  I selected it thinking it would be a guide to practicing with the pagan sabbat days, like Beltane and Yule.  It is, but it takes a meandrous journey getting there.  The author’s thesis is that a witch can customize their experience of “the witch’s year” to be an authentic communion with the Earth and not limited to a conceptual celebration of holidays reflecting seasons that do not align with lived experience in one’s locale. 

For example, the author resides in South Florida, and moved there after living in Montana – so her experience of autumn has varied widely.  She wants witches and people exploring a witchcraft practice to feel empowered to claim their own sacred Earth holidays.  Therefore, her personal annual celebration of seasons includes “Shark Season” and “Avocado Harvest.”. 1

Alden makes it clear from the get-go that her aim is for fledgling witches to develop a connection to the Earth and an appreciation for local nature spirits. She goes into great detail towards what this practice entails, beginning with what I found to be the very best explanation of what intuition is that I’ve ever come by (and a message I very much needed to hear):

“The most common questions asked by those beginning their paths of witchcraft usually boil down to a variation on ‘Am I doing this right?’…. These questions often indicate that someone is going too fast down the path…and trying to run before they learn to walk’…. It is necessary to first learn how to distinguish between the voices of anxiety, ego and intuition…. Intuition is the literal gaining of knowledge without any conscious thinking or reasoning.  Intuition hardly ever comes in the form of an impulse. More often it feels like a lazy afternoon breeze flowing through our lives without any effort.”2

In Chapter 2, “Cycles, Seasons, Death and Rebirth,” she talks about hormonal cycles, the cycle of the seasons, cycles in climate, and astrological cycles as well.  Here, the book takes a sharp and unexpected twist when [TRIGGER WARNING] Alden reveals that she does not believe in climate change and cites some academic sources to back up her point of view!!!  This is not what most readers seeking guidance on how to work with earth-based witchcraft are going to expect, and frankly I don’t know what to say about this.  We are all entitled to our opinion on whether the science supporting the actuality of climate change is accurate, but in this book, her opinion stands out like a big yellow caution sign.  Everything else in this book is wonderful (if not a bit divergent at times), but throwing climate change denial at an unsuspecting reader bites a bit.

From there in Chapter 3, “Elemental Magick,” Alden goes on to explain the elements — earth, air, fire, water and spirit — and their role in magic work. In Chapter 4, “Sheparding the Land,” she comes across as a true eco-activist, insisting that students of her magical-methods make it part of their spiritual work to create ways of reducing their footprint on the earth, such as not using single-use plastic water bottles, and buying seasonal produce from farmers instead of shopping big box grocery stores. 3

My only other criticism of Year of the Witch, is that in Chapter 5, “At the Gates of Witchcraft,” Alden deep dives into a rant about being called a “plastic witch.”  She accuses witches who use this term insultingly as spiritually bypassing their privilege.

“I believe the term plastic witchcraft is twofold in its meaning. First ‘being plastic’ refers to being superficial and fake. Second, [it] refers to using plastic products. However, the term itself is very condescending and shows an aggressive amount of spiritual bypassing. [It] allows for more privileged witches to ridicule and scorn less fortunate witches.” 4

For a moment, I forgot I am a 46-year-old woman reading a spiritual book of my chosen belief-system from the comfort of my favorite armchair, and I was transported into my 16-year-old-self up in my bedroom flipping through the latest issue of Sassy Magazine and reading an essay written by the staff intern who just passed Psych 101 with a B+.  All I have to say about that is I think this book aims at a younger audience….

Finally! After all that drama, and through some delightful ideas about creating altars and building spiritual gardens outside, we get to the end of the book where Alden presents the traditional “year of the witch” and explains the eight sacred sabbaths: Samhain, Yule, Imbolc, Ostara, Beltane, Litha, Lughnasadh, and Mabon.  For each holiday she goes into traditional lore and a suggested practice for celebrating.  The chapters are brief, but they are well referenced and offer some fun ideas, such as bread-baking recipes to celebrate the harvest feast at Lughnasadh (also called Lammas).

Alden’s ending conclusion in Year of the Witch is that if you are a witch living in a region with a climate differing from the classical four-season year, you can make your own holidays and create your own personalized “year of the witch” to follow.  Adding to the overall charm, she put in a recipe to make your own Florida Water and also for cascarilla powder in the appendix, along with a calendar of all pagan holidays celebrated in different countries around the world.  Overall, this is a fun book!

Existential Kink, by Carolyn Elliot

Existential Kink: Unmask Your Shadow and Embrace Your Power, by Carolyn Elliott, PhD
Weiser Books, 9781578636471, 224 pages, 2020

How much of our behavior is driven by our sub- and unconscious minds? In Existential Kink: Unmask Your Shadow and Embrace Your Power, Carolyn Elliott, PhD, explains why we are drawn to specific situations and provides clear guidance on how to harness that energy for better uses. As an author and teacher who specializes in helping people achieve dramatic positive change in their lives through shadow integration work, Elliott has been practicing what she preaches and is proof that her method works. But what exactly is Existential Kink?

Developed by Elliott through many years of teaching her courses, Existential Kink (EK) is “an amazing, rapid-shadow integration process”1 and a “specific meditative practice … that’s all about dissolving negative patterns by being willing to uncover and celebrate the previously unconscious pleasure that we actually – paradoxically – derive from those patterns.” 2 Elliott earned her PhD in Critical and Cultural Studies from the University of Pittsburgh, during which time she immersed herself in psychology. The result of her deep dive into psychology led her to realizing one very important insight. She explains that “by recognizing and empowering the darkness of my shadow and in the end taking “pleasure” in my yucky stuff … I could completely integrate my “good” self with my “bad” self and become a whole person.” 3

As you might expect, Elliott’s method for shadow integration is not for the faint of heart. While most self-help books focus on the visualization aspect of manifestation, Elliott realized that what’s actually needed in order to break free of specific unhelpful patterns is an excavation of the psyche. To walk the reader through the process, she has separated the book into three parts that deal with existential basics, getting kinky (more on that later), and questions and answers. Interspersed throughout the sections are specific lessons that help define the practice, provide valuable information in relation to EK, exercises for the reader to engage in the material, and interludes that detail personal stories of transformative experiences had by both the author and those who have taken her courses or been coached by her.

A big chunk of the book lays out the basics, including an interesting take on the legend of Persephone. I won’t ruin it for you because I feel everyone who feels stuck in some sort of recurring negative patterns needs to read this book, but suffice to say, Elliott’s spin resonates deeply. She states that the Persephone/Hades myth is not of two separate people, but of one all powerful being who chooses to experience both positive (Persephone) and negative (Hades) aspects of the human experience. This idea of bringing together both halves of ourselves (positive/light and negative/dark) is the very essence of the work Elliott describes in this book.

Elliott doesn’t try to smooth anything over; she is quite emphatic about how hard this work is and states clearly that most people are not able to do this kind of deep shadow work because of the trauma is brings up. In addressing that, Elliott goes out of her way to mention her own mental health journey to illustrate how deep the work is and also how rewarding. There’s a level of comfort in knowing that others have successfully travelled this path and reading their experiences is helpful in setting personal expectations. Similar to physical exercise, you will get out of this book exactly what you out in terms of steadfast work and deep introspection.

So how exactly does one conduct this type of work? This is where the kink part comes in: Elliott maintains that by “getting off” on our dark desires (things like scarcity, feelings of not being good enough, seeking out those who keep us small, etc), we give ourselves permission to enjoy the sensation of being bad. We often forget that we can choose how to experience sensation, be it a gentle stroke of a lover’s hand or a rap on the knuckles for taking too many cookies. Elliott states that choosing each sensation to be pleasurable, no matter what it is, primes the consciousness for accepting its darker sibling nestled in the subconscious. And that is precisely what we need if we are to fully integrate our shadow selves into our conscious selves.

Shadow integration sounds like a lengthy process, but Elliott’s book is full of testimonials of those who have done the work and seen results within a short amount of time. Elliott refers to this specific work as solve et coagula: “to first utterly dissolve (solve) an existing form and then to carefully bring the dissolved and purified elements together again (coagula) in a whole new … permutation.”4 In terms of timing and success, I think it depends on how willing you are to burn it all down: this is serious psychological work and whenever you muck about in the mud you will get dirty. Is it worth it? I think so, but if you are experiencing some mental health issues around trauma or depression, you might want to think twice before starting this type of exercise.

Full disclosure time: I have taken a couple of Elliott’s courses and this book is a wonderful accessory to the information already provided through the lessons. Personally, I think everyone can benefit from a little soul searching, especially when it means that you can potentially dump some of the unhelpful patterns that you’ve been stuck with through adulthood. By choosing to break down our inner psyche and fully examine our desires, and then completely accepting them as a vital part of ourselves, we can reconnect our divided wills and reunite ourselves in a way that helps us move forward with less baggage and more happiness. Honestly, the sheer delight of being able to accept personal darkness as an integral part of the whole is what pushed me forward into pursuing this type of integrative work.

While Existential Kink is geared towards those who might lean towards the left-handed path in magical terms, the concepts presented are easy to digest and relatable. I personally would not recommend this book to anyone who has strong religious views as it might be potentially upsetting to them to see their doctrines disassembled and reformed into a new version of reality. Although, come to think of it, leaning into discomfort is kind of what this book is about so perhaps Great-aunt Martha should get a copy.

Queering Your Craft, by Cassandra Snow

Queering Your Craft: Witchcraft from the Margins, by Cassandra Snow
Weiser Books, 1578637218, 288pages, November 2020

From now on, whenever someone asks to me to recommend a book about getting started in witchcraft, this is the book I am going to recommend, whether or not that person is queer.  I say this because Queering Your Craft: Witchcraft from the Margins by Cassandra Snow breaks the practice of witchcraft down into simple components that can be picked up by anyone, anywhere and used however they wish, making the craft of magick much more of a personal celebration of creativity, passion and power.  To make the craft of magick-making accessible to a diverse, marginalized population, Snow guides their readers on how to customize their craft so that it can hold meaning and be powerful, even when practiced individually, on a budget and with limited resources. 

This is a “how-to” book on making magick and living a magickal lifestyle. First though, Snow tells us why we need a specifically “queer” magic textbook. The two most influential craft-based magical lineages in the West, Gerard Gardener’s Wicca and Alistair Crowley’s Thelema use symbolism and themes strongly rooted in gender-binaries, which can be alienating to the growing population of the magickally inclined who identify as non-binary. 1

For Snow, queering magic is recreating symbols, themes, and sacred space for a wide variety of gender and sexuality variance.  Their first step on this path is offering a “Queer Witch Manifesto” in the introduction of the book, which Snow refers back to repeatedly throughout the book as an ethical framework for practicing magickal craft and identifying as a witch.  Snow’s “Queer Witch Manifesto” acknowledges (in sum):

✨Infinite genders and sexual identities. (Throughout the book Snow uses the abbreviation LGBTQIA2SP+ whenever referring to queer-identified individuals)
✨The need to dismantle white supremacy and patriarchal power and the need for this dismantling to come from the non-white community.
✨The positivity of all expressions of consensual sexuality.
✨That anyone can invoke Goddess energy regardless of whether they have a uterus.
✨Physical, emotional, and mental disabilities do not make a person unable to practice magic.
✨Personal healing is a precursor to collective healing.
✨We must protect and heal the Earth.
✨We are all equals in magic.
✨All bodies can be magical, regardless of ableism.

I kind of want to needlepoint this onto a pillow! How about you?! 

Laying out this list (with much clearer articulation and more detail than my summary here) at the beginning of the book, the rest of the book is about practicing the craft of magic-making.  Snow knows history and as a result is able to deconstruct magical rites, rituals, and practices from their origins in order to present them as something simple anyone can start to practice. For example, they note the transformative magick of making lists, ““My money magick usually… starts with a list of my financial goals and immediate needs and then I add a list of long-term goals.” 2. Then for the the transformative magick of prayer to a spiritual being, Snow writes “Prayer is so easy, free, and accessible that anyone can do it…. A quick prayer that is literally just ‘thank you’ when you get unexpected luck or a despairing “please help” when you’re feeling your absolute worst is enough.” 3

Snow strongly advocates a DIY Witchcraft, which is making your magickal craft out of what is available to you and infusing your magick with intentions specific to you.  While she does discuss some examples of collective magick, such as covens or working spells in a group context for political aims, Snow acknowledges that for queer people, the most powerful accessible magick may be that which they create on their own from their own hodge-podge of wisdom, creativity, desire, and power. Snow even offers a “how-to” worksheet for designing one’s own spells.

My personal favorite parts of Queering Your Craft is the section on “Fashion and Style Witchcraft” where your magickal intentions can be enhanced by dressing a certain way. Snow writes, “I might pull out a purple outfit for creativity.  I also might pull out a long pencil skirt and a button-down to give myself that “professional writer” feeling.”4 Then later in the book, I also really like Snow’s list of LGBTQIA2SP+ aligned gods and goddesses, including Athena, Loki, and my personal favorite discovery — a Drag Queen God from the Voodoo tradition named Ghede Nibo.5

For the seasoned practitioner, this book may seem elementary.  Snow summarizes common methods of divination such as tarot, astrology, and runes.  They explain the significance of the Four Elements (five including “Spirit”) and how to call them in. They offer a guide to the Lunar phases and Sabbat holidays. This is truly an inclusive essential starter handbook, inclusive on all fronts! However, the manner in which Snow explains the cornerstones of witchcraft and presents them in regard to the Manifesto outlined in the front of the book widens the lens through which these practices are understood and used — and this is exactly the point.  For the purpose of this book is to make magick accessible to anyone and to make magick empowering to those who may not feel at so at home in straight cis-gendered spaces. 

Queering Your Craft concludes with a queer grimoire, including spells “A Protection Spell for Trans People in Small Towns,” “A Protection Spell for QTBIPOC,” A Spell of Protection Against the Patriarchy,” “An Anti-Gatekeeper Spell,” and “A Spell to Protect Activists,” plus many more spells to fill all categories.

Tarot No Questions Asked, by Theresa Reed

Tarot No Questions Asked: Mastering the Art of Intuitive Reading, by Theresa Reed
Weiser Books, 9781578637133, 304 pages, September 2020

Theresa Reed is clearly on a roll! Tarot No Questions Asked: Mastering the Art of Intuitive Reading, published in September 2020, is her third book published in a fourteen month period. Tarot for Troubled Times: Confront Your Shadow, Heal Your Self & Transform the World, co-authored with Shaheen Miro, was published in July 2019, and Astrology for Real Life: A Workbook for Beginners (A No B.S. Guide for the Astro-Curious) in October 2019. I enjoyed this third book so much I ordered the first two immediately after starting to read it!

Here’s why I loved Reed’s book. First, I vibe with her attitude of empowering others. She wants her readers to benefit from all her experience and generously offers the nuggets of her experience. Second, she expresses herself clearly and simply, without oversimplifying or underestimating the reader. Third, she gives you clear directions throughout. (To begin, she instructs you to get a deck and a journal or two and to journal daily.) Finally, her style of writing makes her easy to read. She uses short sentences — often, very short. She does not hold back on her personal anecdotes. And she lets her sense of humor shine.  All this makes her very easy and very entertaining to read. 

The book is divided mainly into three parts. Part 1: Tarot Basics covers the 78 cards. I like how she discusses each card – what it is and what it is not — and then offers three additional exercises that really teaches the meaning of the card: (1) embodiment practice, (2) a question to ponder, and a (3) Tarotcise (a tarot exercise). For example, for the major arcana card Death (my favorite, apt since I have my Sun in Scorpio), she gives two examples where other cards meant death, while Death card itself primarily means change or transformation. For the embodiment practice for the major arcana card The Star, she invites you to not complain for 30 days. “Sounds easy? It’s not! But it will change your world, I promise. Pick a day and start.”1 (I’m going to start today!) The question to ponder for the major arcana card Judgement is “What makes you feel reborn?”2

The Tarotcize for the major arcana card The Fool is as follows:

“Sit with the Fool card for a few minutes. Which symbols stands out? Take out your journal and begin to riff on that symbol. Make a note of anything that comes to mind. Let your words flow without stopping to edit. Just write what you feel. Put this away and then reflect on your words on a later date. What did you uncover? What kind of connection did you make to this card?”3

I found that if I do the journaling, the fruits of the practice are obvious and convincing. 

These three exercises tailored to each card can really help seep the cards’ meaning into the reader’s body and consciousness. At least, for me, they really did that in such a profound way that learning about the cards for the past several years on my own had not done. The power of a good book by a good teacher!

The same format of explication applies to the 56 cards of the minor arcana cards. In addition, her description of the arc of the progression in the suit cards, from Ace to King, is helpful to show you how one leads to the other. For the Six of Wands, she writes “[a]fter the battle, the victory parade!”4 For the Seven of Wants: “[a]fter the sweet victory dance of the Six of Wands, we now see that the win was short lived.”5

Though I enjoyed Part 1, what makes me heartily recommend this book to others is Part 2: Intuition Basics and Part 3: Road Testing Your Skills. That’s where she distills four decades of her own experience into less than 120 pages. “[I]ntuitive tarot reading” means “you’re relying on your intuition – not the guidebook or manual that came with your tarot deck – to interpret the cards lying in front of you.”6 Intuition for her is “when you understanding something immediately, without any facts, logic, or reasoning”7 and it is like a muscle: “[t]he more you exercise, the stronger it gets!”8  She says something simple but crucial to her method: “A quiet mind hears better. Period.”9 That means the techniques for quieting the mind are essential. That led to the delightful surprise of a five page summary on how to do that. I’ll leave each reader to discover it  —  let me say that with my background of three decades of spiritual practices of various sorts, I loved her summary! 

Part 3 is the how-to section and includes Preparations (setting and intention matters!), three kinds of spreads (one card, Past Present Future, Celtic Cross), Methodology. This part includes her tips on details: Numbers, Timing, Significators, Missing Suits, etc. Reed succinctly offers her insights that she has earned through a lifetime of study and practice in some FAQ-type tidbits. Just the titles alone make me laugh: “That Reading Was Boring AF!,” “That Reading as Totally Wrong!,”  “Can I Ask the Question Again If I didn’t like the Outcome?”10 The book ends with a chapter on “Going Pro” that provides a pretty sweet blueprint for doing just that. 

To put my learning to the test, I did a few readings. I told my friends I’m trying out a new method of reading more from my intuition and impression of the cards than relying on a particular interpretation of the cards. I did a Celtic Cross reading for a friend regarding a worrisome work situation. Simply having read this book gave me a greater sense of confidence in my own interpretation and flow; I spoke what leapt out to me in the imagery as much as “the meaning” of the card.

When the Hierophant appeared in the spread as card 8 (environment, surroundings, and other influences), I said, someone with authority may be able to provide guidance that could resolve the situation. My friend brightened up and said, in fact, she had reached out to someone in such a position and was hoping that her boss would take that person’s input seriously. That gave my friend a sense of confidence that her reaching out to that person had been a good idea and that she could participate more assertively in the resolution of a sticky situation. I felt as though Theresa, through her book, had offered a transmission of her own confidence and years of practice. 

For its breadth and depth, I would say that Tarot No Questions Asked is good for anyone from beginner to experienced. For the beginner because it is easy and entertaining to read, while it can also be truly be a treasure trove of information. For the experienced as well because I deeply respect the depth of “living the tarot” that Reed provides through her embodiment exercises and Tarotcize suggestions. Though her ideas are described simply, they invite practices that can continue to deepen and enrich your readings for a lifetime.

Ancient Egyptian Magic for Modern Witches, by Ellen Canon Reed

Ancient Egyptian Magic for Modern Witches: Rituals, Meditations & Magical Tools, by Ellen Canon Reed
Weiser Books, 1578637379, 288 pages, February 2021

..In Wicca, our approach to magic is usually through the Gods. Having done all we are capable of doing on this plane, we turn to magic, and will often ask for the help, guidance, and blessing of specific deities….Egyptian legend says that Ra invented magic. The Gods were too busy to do everything, so Ra gave humankind magical powers, heka, so that we would be able to handle the unseen world ourselves.1

The writings of author, Ellen Canon Reed (1943-2003), have been widely accepted and long used as foundational points of reference within the Craft and practice of Wicca. Her teachings have been noted as holding true to the philosophical approach of the Witch as well as serving as a foundational path towards increasing one’s knowledge beyond the basics of witchcraft, including the Qabalah, Egyptian Magic and more. During her lifetime she was considered to be one of prominent resources regarding the Craft and even after her death her books are used widely within the pagan community.  

Her book Ancient Egyptian Magic for Modern Witches: Rituals, Meditations & Magical Tools fills all of the check boxes in creating a read that is both informative and able to be used in practical application. Although it is not as robust as some of the many titles we are finding in more abundance about the spiritual practices and religious philosophies of ancient Egypt, it is true to and in keeping with informing a Wiccan practice. This is one of the things that set this book apart from the others in offering a “way” to the Egyptian deities that is compatible with any system you are already employing, especially that of the  witch.

Something the reader will encounter throughout is the use of the term “Tamerans” in place of Ancient Egyptian. This serves both a pragmatic approach for the author and offers an alternative to the readily used term of Khemtic that we often encounter around writings of Ancient Egyptian magic. And, I believe the statement below illustrates Reed’s very simple and authentic approach in a desire to share the knowledge and offer a point of path for any who seek the wisdom…

…I discovered very early in writing this book that typing “ancient Egyptians” became tedious. If it’s tedious to write, it might well be tedious to read. Here’s how I solved the problem. An ancient name for Egypt was Tamera, which means “Beloved Land”… I will refer to ancient Egypt as Tamera and to its inhabitants as Tameran.2

This book lives up to its title in content. Reed provides the reader with enough information to begin the journey of spiritual connection for more than two dozen Egyptian Deities, and in doing so also expands the baseline of the more traditional gods/goddesses that are more prominently served. At 288 pages there is not nearly enough space to even scratch the surface of the cosmic view embedded in all of ancient Egyptian life, but the structure of the book lends itself well to a satisfying sampling of ways to engage in the profound energies of this pantheon, its culture, and its magic. 

Ancient Egyptian Magic for Modern Witches is separated into three parts, beginning with an introduction to the deities that can be called upon. Part 1: Gods and Goddesses of Egypt begins with one of the most well-known goddesses, Nut…

…The ancients portrayed Her stretched across the heavens with her feet to the East and her head to the West. The stars, they said, were jewels on her body, and the Milky Way was milk from her breasts.3

The hieroglyph representing the deity being discussed graces the top of the page and some basic information about the energy offered by that deity follows. I appreciated the image of the hieroglyph(s) because it lent an additional layer of use for connecting with that deity utilizing the strongly visual nature that humans inherently have.

Reed engages the reader with an easily recognizable portrayal of these larger than life deities through the use of personal examples of interaction or the experience of their calling as part of her coven’s ritual workings. This approach is used throughout the book and is a style common to the writings of Reed. She was able to encourage her readers to approach Wicca and the practice of a Witch without fear and/or the need for distancing oneself from the honoring of the divine beings that are our co-creators of this spiritual path. The final section of Part 1: Gods and Goddesses of Egypt provides the reader with an additional snapshot of forty-plus lesser-known Egyptian deities, their hieroglyphs, and just enough information to prompt further exploration.

I especially enjoyed Part II: Meditations, Rituals, and Developing Relationships with Deities. The primary focus of this section is one of practical experience as a tool towards bringing these deities into your life in a meaningful and deeply connected way. Reed states…

…We’ve used these techniques individually and as a group. Those who were involved-students, friends, other covens-almost invariably gained something more than knowledge of the Gods. They gained a relationship with Them. To us, these Gods are not abstract ideas or energies. They are not distant unreachable energies. To us, They are known, and loved…greatly loved.4

This statement sets the tone for what follows as a gift of meditations, mantras, rituals, recipes for food, incense and oils, and songs with lyrics and musical score. Each of these components has been tested for efficacy by Reed’s coven, Sothistar; and its members crafted many of the recipes for incense, food, and drink. I really enjoyed the ritual “Celebration of the Birthdays of the Gods” shared that Reed’s coven enacted annually….

…. For many years Sothistar held a “Birthday of the God/dess” party , to celebrate the birth of the five Egyptian Deities (Asar, Aset, Heru, Nebet Het, Set). … These celebrations were held on the Saturday or Sunday that fell within the five days preceding July 19th, the date of the rising of Sirius.5

Part III: Magic and Magical Tools wraps everything up nicely with suggestions and instructions for creating amulets, pillows, creating a sistrum (the sacred instrument of Hathor), and more. There is a section with images of various basic hieroglyphs that can be inscribed for magical workings, another dedicated to some unique ways of using Divination with the overlay of Egyptian magic, and one about Reed’s process of trial and error. This seems a fitting way to conclude the journey that began with introduction to the Deities you would be working with, putting into more practical use the relationship that developed.

The Appendices add to the resources provided in Ancient Egyptian Magic for Modern Witches. Appendix A: Tameran Names is a wonderful addition of recommendation for those wishing to take a magical name that is in keeping with the Tameran language and meanings. We are told that Appendix B: The Calendar is a reflection of information found on the Cairo Papyrus regarding the various dates observed by the Egyptians. This resource is not one that is usually included in other books and provided another layer to be used in deepening our connection to the Ancient Egyptians. The calendar spoke to each day of the year and the trials or joys, festivals of the gods and more… 

…The Tamerans had a calendar of twelve 30-day months, with five “extra” days called the epagogemental days occurring right before the New Year.  The year began the first day Sirius (Sothis) rose at dawn after the rising of the Nile. This took place approximately July 19 on our present day calendar.6

The Glossary at the end of the book and the Bibliography provided serve as additional reference tools and opportunities to explore other writings related to the Ancient Egyptians. 

Ancient Egyptian Magic for Modern Witches is definitely a title worth reading whether you are committed to a path aligned with Egyptian magic or another. In fact, this book is a reminder that many of the religious and spiritual practices of the Egyptians are those that were adapted and refined to mold more easily to the cultures in which they were introduced. By gaining an understanding of these older deities and practices of the Ancient Egyptians, we gain a deeper understanding of those that have followed as Celtic, Greek, and others.

Ancestral Tarot, by Nancy Hendrickson

Ancestral Tarot: Uncover Your Past and Chart Your Future, by Nancy Hendrickson
Weiser Books, 1578637416, 202 pages, March 2021

Ancestral Tarot: Uncover Your Past and Chart Your Future by Nancy Hendrickson immediately drew my attention because it combined two interests of mine: tarot and ancestry. I have been working with the tarot for almost 30 years and have used it countless times for advice, guidance, and clarification. Ancestry has been a newer passion for about the past 10 years. I have an insatiable interest in learning about the different ancestors that live in my family tree, all of them coming from Southern Italy. It’s the stories of these blood ancestors that intrigue me – why they did the things they did and how they lived. I truly feel the blood of these ancestors coursing through my veins.

Hendrickson does an amazing job of illuminating how one can use the tarot as a tool for ancestral communication to: “identify and access ancestral gifts, message, powers, protectors, and healers… and use the tarot to discover ancestors you may not have known you had.”1 As one who has decades of experience in genealogy and tarot, she is well-poised to write on this topic.

In this book, Hendrickson writes that there is really no order recommended in which to read the book. While she understands that one might want to delve into issues around one’s family of origin for example, and start with that chapter, she does suggest doing the tarot spreads and journal prompts introduced at the beginning of the book to form a foundation for working with one’s ancestors. 

I automatically connect the term ancestor to my family of birth origin, or as she calls them, Ancestors of Blood – grandparents, great-grandparents, great-great-grandparents – on down the line. Yet I was immensely intrigued to read about how she broadened the term “ancestor” to include two other types: Ancestors of Place and Ancestors of Time. Ancestors of Place are those ancestors with whom one has a genetic connection and who lived in the one’s ancestral homeland a long time ago, but those whose names are not known. Ancestors of Time are ancestors from past incarnations.2 I have this inexplicable draw to Ireland and was hoping to have a “conversation” with those Ancestors of Time to see if there may be a connection.

The book is divided into eleven chapters. Chapters one through three contain an introduction to the three afore-mentioned types of ancestors. Hendrickson also writes about how those who are adopted can work with their ancestors. She provides tarot spreads to help one find an ancestral spirit guide for the journey as well as using the tarot to ask questions about the purpose of one’s walk with the ancestors. As she writes, “Chapter 3 will load you up with a variety of tools for the journey. I hope your backpack is super-sized – because you’ll be given a lot to work with!”3

I did the spread to help me determine what type of ancestors I wanted to work with initially – those of Blood, Place, or Time. While my head was pulling me to one column of cards – that of the Ancestors of Time because it was comprised entirely of Major Arcana cards, my intuition pulled me to work with the Ancestors of Place. 

The majority of my ancestors that I can trace come from the same province in Benevento, Italy. Ironically, Benevento was through to be the gathering place for witches, a place where they would not be prosecuted. I remember hearing about the “Evil Eye” growing up and was given an amulet to wear to ward it off. In fact, when my daughters were born my grandmother gifted each of them with their own amulet. I also remember hearing about great-grandmothers who knew how to do the “overlooks” that could remove the curse of the Evil Eye.

Looking back, maybe it was from my Ancestors of Place that I have inherited some of my interests in Italian folklore such as the Evil Eye and witchcraft. When asked how I could expect to benefit in my work with my Ancestors of Place I drew the High Priestess card – inner knowing seems to be spot on. Finally, when asked what message my Ancestors of Place had as I begin this journey, I drew the Page of Pentacles – learning how to manifest, being a voracious learner – and ironically, the astrological correspondence of the card is Capricorn – which is my birth sign. So much insight just from one spread, which as you can see really helped me to reflect on the unknown ancestors from this spirit of place and make connections to present day in my life.

Moving along, chapter four, “Meet the Family,” held information on using the tarot to work with one’s present family to reveal familial patterns. Then chapters five, six, and seven deepened the work with the three ancestral types. Chapter eight covers the importance of keeping a tarot journal for this journey of discovery. The final chapters nine, ten, and eleven offer ways to create “ancestral altars, sacred space, and crystal grids.”4

While I have provided an overview of the focus of each of the chapters, one should realize that there is a tremendous amount of information offered in each one — too much to digest in one reading. I came to understand that working with one’s ancestors is not a quick walk in the park, but rather a dedication to spending time with the ancestors, more of a slow, multi-leveled revelation versus a quick answer. I realized that I had to dedicate the time to do the spreads and journal promptings, to listen for the answers that bubbled up over time, and to put the pieces together to understand the story. From understanding the story and receiving the communications I could begin to work on self-healing and to experience hidden ancestral gifts emerge.

Hendrickson’s writing style is very straightforward and comprehensible. However, I feel that having an understanding of the tarot is beneficial before diving into this book. A tarot novice might easily be overwhelmed by the spreads, especially since one needs to use one’s knowledge of the tarot for insight into the cards as a form of communication with their ancestors. 

The only downside I encountered was in chapter nine, “Pairing Up,” she writes about using an ancestor’s birth date to calculate personality and soul numbers. Unfortunately for me, the majority of my ancestors were illiterate, and their birth dates are more approximations. Many of the church records that housed information on births and christenings were destroyed. However, I immensely enjoyed the final chapter, “Ancestral Rituals,” which covers how one can honor the ancestors through rituals such as creating altars. This has always been a meaningful activity for me. I truly liked creating an ancestral altar using items that “came” to me as I was meditating on what to include on it. 

The Appendices in the book provide additional information. Appendix A provides an overview of the tarot – or “Tarot 101”5 as it’s referred to. Appendix B offers recommended reading on the tarot and Appendix  C offers genealogy resources. 


I very much enjoyed working with the exercises in Ancestral Tarot as a new way to connect with my ancestors. Through combining tarot and ancestry, Hendrickson has opened a whole new realm of possibility when it comes to communing with our family and spiritual lineage from beyond the veil. I highly recommend this book for those who want to use the tarot to work with one’s ancestors and discover a connection to their ancestors beyond those of their bloodline. I nod in agreement with Nancy’s observation that “the search for ancestors is really about a search for self. Work with the ancestors and the person you find is you.”6