Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

The Treadwell’s Book of Plant Magic, by Christina Oakley Harrington

The Treadwell’s Book of Plant Magic, by Christina Oakley Harrington
Weiser Books, 1578638011, 176 pages, April 2023

There are a lot of books on the market that will tell you about plants in various terms: how to identify, where they originate from, and what their uses are. The Treadwell’s Book of Plant Magic by Christina Oakley Harrington goes one step further. This book is pure magic and should be on everyone’s shelf regardless of their personal or spiritual beliefs. Harrington, the founder and guiding light of the renowned occult bookshop Treadwell’s Books located in London, UK has brought the same level of care to this book that she has to the shop. I am in awe of this book.

Harrington has made it incredibly easy to find specific plants by sorting the book into three glorious sections. Titled “Problems and Solutions”, the first section is what would be expected from such a thorough compilation: an alphabetical listing of various maladies ranging from anxiety, money, protection, and so on with the corresponding herb(s) that will assist. This is meant to be a quick reference guide for those who are familiar with herbs and just need a refresher. The book assumes a working knowledge of plants and how to deal with them, as little to no instruction is provided on the basics such as growing, harvesting, and the like. It feels like this is a deliberate choice to ensure that those who use the book already have a healthy respect for the plants that they choose to work with and aren’t just looking for a speedy way out of a mess.

The middle section has no title and jumps right to providing in-depth information about herbs and plants. The book is worth the price just for the section on uses of Bay alone. Almost three whole pages are devoted to the herb and for good reason. Bay is the lavender of the herb family in that there are many ways to use it in both cooking and spiritual work. Included in each distinct method of usage is a ton of information on the herb itself that just isn’t present in other books. Like I said, worth the price right there. I have plenty of books on plants and their uses and this one book replaces all of them.

The last section is why we are all here: “Spells and Potions Using Multiple Herbs”. Where do I even start? This section is an absolute tribute to anyone working with plants and herbs in their practice in that the assumption of having basic knowledge is apparent. There is no how-to on how to make Marygolde water; it’s assumed the reader knows. Personally, I love this way of presenting information as I find some books on this specific subject spend far too many pages giving information that can be easily looked up on the internet. Many books claim to be resource books but end up masquerading as something far more basic than what the tag line says. This book is the opposite.

The spells contained in this section are not carved in stone; there is an understanding that the reader will take what they need and leave the rest. Using herbs and plants in personal spell work is not like using herbs and plants in cooking: there is no recipe to follow here, only guidelines. The book incorporates the generally accepted uses of all the plants and herbs mentioned, making it universal so there’s no need to undertake additional research on what rue can be used for. 

To be clear, there are no “recipes” for potions, only a general suggestion as to how one might go about crafting it for their own use. While there are instances of direction being provided in some cases, for the most part it’s assumed that the reader is familiar with basic applications such as making herbal blends and diffusing them. 

Should you pick up The Treadwell’s Book of Plant Magic if you’ve never held an herb in your life? YES. We all need to start somewhere and this book, while not providing introductory information on how to work in this realm of magic, will give you an abundance of information about the tools used to craft within this sphere. 

The Magic of the Sword of Moses, by Harold Roth

The Magic of The Sword of Moses: A Practical Guide to Its Spells, Amulets, and Ritual, by Harold Roth
Weiser Books, 1578637260, 192 pages, August 2022

The Sword of Moses, titled Ḥarba de-Moshe in Aramaic, is one of the earliest extant grimoires of Jewish magic. Originating in northern Israel during the third quarter of the first millennium (circa 700-1000 CE), this medieval pre-Kabbalistic book of spells was written by an anonymous author in both Hebrew and Jewish Babylonian Aramaic. The author compiled magical formulas from multiple texts and documented his own personal three-day purification ritual of fasting, prayer, and angelic adjurations to be performed in order to gain the spiritual authority to use the Sword. The resulting compendium of 136 spells emphasizes the power of the spoken word rather than exotic ingredients or expensive ritual tools. 

While the book’s epic title The Sword of Moses may conjure up mental images of an Excalibur-like enchanted weapon, the Sword is in fact a poetic metaphor for 1,800 divine names, invoked and wielded by the magician’s tongue. The authenticity of these words of power is proclaimed by inserting them in mythic time. The manuscript claims that when Moses descended from Mount Sinai with the stone tablets of the Law inscribed by God, he also carried with him the Sword of sacred names, which had been gifted to him by the angels. It may seem audacious for magicians to presume they have the authority to command angels to do their bidding, but through performing the purification ritual, which identifies them with Moses, they follow in his stead and invoke the power of the divine names to bend the world to their will. 

When Harold Roth, artist and author of The Witching Herbs (2017), first encountered The Sword of Moses in the occult section of a university library, he was frustrated by its inaccessibility. Moses Gaster, who first translated The Sword of Moses into English in 1896, had bowdlerized the text by censoring many of the spells and replacing the divine names with X’s, rendering the grimoire useless for magical practice. This inspired Roth to do his own research and reconstruct the sorcerous manual for contemporary use. 

In The Magic of the Sword of Moses: A Practical Guide to Its Spells, Amulets, and Ritual, Roth supplies a scholarly background of rich historical context combined with detailed instructions for the modern magician to incorporate the Sword into their practice, making this work accessible to both seasoned sorcerers and curious readers with little to no previous knowledge of Jewish magic. Just as the anonymous author who first compiled these spells made them his own through creative revision, Roth has adapted this ancient grimoire for modern use with his own practical and easy to follow instructions in plain English. 

Roth also supplies his own thought-provoking insights regarding the mysterious manuscript. According to The Sword of Moses, humans were given the spiritual authority to command angels by God, but cannot command the Holy One himself. “However,” Roth says, “one of the most profound conclusions I’ve come to from studying The Sword of Moses is how much the angels seem indeed to be God, in particular because of the recurrence of parts of the ineffable Tetragrammaton in their names.”1 

The divine names are spelled out in easy to pronounce syllables, such as “GiBehRehYoAhLa,” which Roth identifies in a footnote as “clearly the name Gabriel.”2 However, this is one of the few he explains and the rest run together in long strings of barbarous names of power, such as the following, which appears to be a flowing permutation of the four-letter ineffable name of God, transliterated as YHWH: “YoHehWaWaHeh AhHehHeh HehWaHeh HehHehYo…”3 In a spell for wisdom, one of the most curious names mentioned is Prince Abraxas, a Gnostic spirit addressed as a Jewish archangel, who is charged to reveal arcane knowledge to the magician, indicating some syncretism with Greek magic. 

While the power of the spoken word is emphasized, the magician may also wield the Sword in written form by creating talismans, writing the divine names on fabric and crafting them into ritual garments, or even scrawling them on one’s own skin like a tattoo “to protect the magic worker from the wrath of angels, who can easily be offended by humans.”4

There are a variety of intriguing spells, ranging from those addressing mundane health concerns, such as one to cure migraines believed to be caused by a demonic spirit called a palga, to the more fantastical, such as walking on water and path-jumping, a type of supernatural travel involving riding a reed, rather like a witch straddling a broomstick. A few of the spells utilize the apotropaic hand gesture of crooking the little finger of one’s left hand. For example, this gesture is used in a spell to protect yourself “during legal proceedings”5, and in “a binding spell to catch thieves,” the magician is instructed to put their little finger in their ear while saying the divine names.6 

There are even killing spells included, without any didactic warnings or threats of karmic repercussions. Roth says that “Jewish magic does not have any idea of karma, the Three-Fold Law, the slingshot effect, or other negative reactions for negative magic.”7 The Sword gives you the freedom to think for yourself, and decide what action is appropriate and justified in your situation outside of the confines of any rigid moral code. Besides, one might hope that the angels would not bestow such power on someone who would use it irresponsibly. 

In mythic time, Moses himself used a killing curse. Exodus 2:11-12 recounts how Moses murdered an Egyptian overseer who was beating an Israelite slave. The weapon he used to slay the Egyptian is not mentioned, but according to an alternate version of the tale in Pirkei de-Rabbi Eliezer (Chapters of Rabbi Eliezer), Moses cursed the overseer and slew him with “the sword of his mouth.”8

Before the reader dares to try any of these spells, they must first obtain the spiritual authority to wield the Sword by performing a three-day purification rite, for which Roth gives detailed instructions.

“This book’s aim is to make it as simple and easy as possible while maintaining its authenticity and power.”9

 The magician is advised to bathe in living water, wear only white, avoid contact with anything unclean (including insects, dead things, nocturnal emissions, semen, and menstrual blood), fast for three days, consuming only bread, salt, and water after sunset, and recite the Amidah (the Standing Prayer) thrice each day while facing the east. The prayers are interwoven with potent angelic adjurations addressing thirteen archangels. The purpose of the adjurations is to invoke the thirteen heavenly princes and bind them and all the angels under their authority to the magician, and in doing so, gain control of the Sword. If the magician is not in a state of ritual purity, he risks offending the angels and incurring their fiery wrath. As a verbal fail-safe, the angels are also ordered not to harm the magician.

I believe the threat of being burned alive is a metaphor for the transformative power of the angels. Their celestial fire brings symbolic death and transfiguration through spiritual alchemy, and they will sear away the impurities of the magician in order to make him worthy to speak the divine names. The fiery Sword of Moses bestows the power to change reality, but first the magician must initiate change from within. 

This metaphorical sword of magic words captured my imagination, and I was so fascinated by the divine names that I decided on impulse to perform the purification ritual as soon as possible, following Roth’s directions to the best of my ability. Roth suggests that a long weekend may work well for some practitioners, so I chose Saturday, Sunday, and Monday to perform the rite and began at sundown on Friday in keeping with the Jewish tradition that a day begins when the sun sets the day before. Not being Jewish myself, I didn’t have to worry about violating any Sabbath restrictions. According to Roth, gentiles may say the prayers because Isaiah 56:7 declares that “My house shall be a house of prayer to all nations.”10

Unfortunately, I don’t live close to a body of living water, so I wasn’t able to dunk myself in one, but I hoped that taking a shower would suffice. I avoided using scented toiletries, as these may offend the angels, who are sensitive to strong fragrances, regardless of how pleasing humans may think they are. I wore a white robe for three days and baked my own bread for breaking fast when the sun went down. Even though the bread was delicious, it quickly became boring. I was at least permitted to butter my toast, because according to Roth, “There is nothing that says we cannot.”11 I recited the Amidah and the angelic adjurations thrice each day, while facing the east in my bedroom. Roth assures us that there is no need to cast a magic circle for protection or to contain raised energy because the angels are listening to the adjurations from up in heaven. Each recitation took 35 minutes, which was a test of endurance. The first day was especially challenging because I had a headache from caffeine withdrawals. If I had only had the foresight to give up coffee a few days before I began the ritual, I could have avoided that discomfort. 

The time of day for saying the prayers and adjurations was not rigid, so I chose shortly after dawn for the first recitation, solar noon for the second, and a couple of hours before sunset for the third. As I chanted, I visualized a burning sword revolving in the air before me, ablaze with Hebrew letters that lit up the blade like orange lava, as if it had been forged in a smoldering volcano. Sometimes I got tongue-tied and stumbled over the strange syllables, but in the moments when the cantillations found a steady flowing cadence and rolled off my tongue with natural ease, it felt as though my lips were possessed and aflame with the holy names. I found that concentrating all of my energy on reciting what my conscious mind registered as gibberish banished extraneous thoughts and induced a light trance state which I think is key to facilitating contact with the Divine powers being addressed. Between the fasting and standing for extended periods of time chanting, I often felt exhausted afterwards and needed to lie down. 

While I would love to report that some stellar transformation occurred, or that I had an incredible vision of being gifted with a supernatural sword, after I completed the ritual, I only felt a subtle difference, a numinous sense of peace and gratitude. I felt it to be very healing and it helped me to better recognize when irrational anxiety is knotting up inside of my chest. One line in particular from the Amidah really resonated with me:

“Heal me, Nurturing One, and let me feel healed. Save me, Holy One, and let me know I am safe. Healed in body, mind, spirit. Saved from the blight of my own fears. Heal me from perfectionism and lust for results. Save me from believing my own inner critics and soothe my grief.”12

The Magic of the Sword of Moses will be a treasure to anyone who has an interest in Jewish magic and medieval grimoires. There is a wealth of information packed into this slim volume of less than 200 pages, presented with clarity and precision. The modern magician’s magical practice will be enriched by sharpening the sword of their tongue with divine names of power, as long as they approach the angels with a sense of respect and awe, ever keeping in mind that they are spirits of fire. 

Spirit Speaker, by Salicrow

Spirit Speaker: A Medium’s Guide to Death and Dying, by Salicrow
Destiny Books, 9781644117286, 110 pages, April 2023

In her comprehensive book Spirit Speaker: A Medium’s Guide to Death and Dying, author and medium Salicrow combines what she has learned from over three decades of working with the dying with personal stories from her own family.  Salicrow has been aware of her psychic abilities since childhood and was fortunate to grow up in a family that honored her gifts and provided training (She comes from both Irish Travelers and Blackfoot roots). In addition to helping people connect with their loved ones on the other side, she works as a Reiki master, a druid, and tarot and runes reader. Her work also includes leading women’s circles and retreats in her community in Vermont.  

In this book, Salicrow shares her experiences with death and dying as a part of life.  She takes out much of the mystery and fear and explains the dying process in a way that is both easy to understand and very compassionate. Perhaps because I lost all four of my grandparents within a four-year period when I was a young teenager, I have always been fascinated by death. I wrote my senior paper on a book called The American Way of Death and Dying by Jessica Mitford. Little did I know that I would learn how to talk to spirit people in my forties!

Although this is a short book, Salicrow packs it with everything you need to know about dying, death, and spirit communication. She begins with a discussion about ancestors and how to create an ancestor altar to foster communication with our beloved dead. Next, she discusses signs and symbols from special songs playing on the radio to visitation dreams to special smells that fill the room when a loved one is near. 

As she begins to talk about the dying process, she introduces the concept of “The Gray,” which is  a “time surrounding death, when the person is still living but cannot get better, and the time after passing when a spirit may be confused about what has just happened.”13 This term was new to me, but accurately describes this phase as a transition between living and dying. 

The examples that Salicrow shares about loved ones and clients are descriptive and warm.  She shares from her heart and you can feel the compassion as she highlights how to sit with the dead, honor the dead, and move on after a loss. One of the suggestions she had was to replace photos of the living with photos of deceased family members in the room of a dying person. She explains that in some cases, a person may be hanging on for family, not willing to let go and pass to the other realm. By seeing a few photos of departed loved ones, the dying person can look forward to crossing over and see the love and support waiting for them there. 

Salicrow goes further and provides a meditation you can use with a dying person to help them cross over.  It was quite detailed and would be easy to record and play for the person several times, as she suggested.  She includes other tips for sitting with the dead in this book.

In the final sections, Salicrow discusses spirit communication and some practical steps the reader can take. She again highlights the use of “wide-angle vision” and an exercise that she referenced earlier in the book. Lastly, she describes how to make altars to the dead and how to honor those in spirit. She explains the concept of living with the dead in this section, which is one of my favorites from the book:

“I am a person who lives with my dead. They are woven into my daily life and hold just as much space in my heart and mind as the living. I am who I am because they came before me, teaching me with their kindness as well as with the wounds they inflicted. None of us is perfect; We are all growing, changing, and becoming. Just as we inevitably realize our parents did not have it all figured out, we, too, need to understand that our ancestors experienced their own tragedies, wounding, and growth. They are allies on our path to becoming, and by giving regular offerings, the relationship between us and our dead is strengthened. As we do so we heal ourselves and those who are part of our family line”14

I really enjoyed reading this book.  Salicrow’s writing style is very conversational and bright, especially for a topic that some would consider morose. The book was well planned, easy to read, and included both a table of contents and a very specific index.  I plan to create my own altar to my ancestors and will also enjoy teaching some of the concepts in this book to my women’s group and clients. 

Spirit Speaker would be great for anyone to read, from a beginner who is new to concepts regarding spirit communication to those who have years of experience as a medium. This book would also be beneficial for anyone who is facing hospice care for a loved one or friend. I found it fascinating that she combined so much information in one book. It was as if she took all of the ideas I’ve picked up along my twenty year journey, books I’ve read, and experiences I’ve had and put these into one small volume about death, dying, and spirit communication. I’ll be getting additional copies of this book for clients and students in order to share the comprehensive information and personal journey of Salicrow and her way of living with the beloved dead.

Pagan Portals – Dream Analysis Made Easy, by Kystrina Sypniewski

Pagan Portals – Dream Analysis Made Easy: Everything You Need to Know to Harness the Power of Your Dreams, by Kystrina Sypniewski
Moon Books, 978-1-80341-178-1, 101 pages, April 2023

Coming from a holistic healing and spiritual background, I have always had an interest in the secret, mysterious world of our dreams. But when I started exploring dream work, there was much less information to find, being pre-internet times. Back then only certain writers and researchers had worked with dreams. Carl Jung became my first port of call, with him being so well known and having written a wealth of information on the subject. Sadly, I found his work lacking the spiritual element I desired. I was then led to the work of Denise Linn and that is where my dream work began.

However, more recently, I have been pondering this question: in today’s climate of information overload, if people wished to start from scratch and enter into the realm of dream research, where would they start? Feeling that it’s necessary for them to start with the basics, Pagan Portals – Dream Analysis Made Easy: Everything You Need to Know to Harness the Power of Your Dreams by Kystrina Sypniewski is a great book for beginners. Sypniewski has touched on most of the basics and the foundation of dream analysis quite well.

Sypniewski rightly begins with an introduction into sleep and sleep patterns. I feel this is very important, as without this background understanding of sleep and its stages discovering much more about dreams would be lacking. We need to understand REM sleep and when it occurs to better know our dream cycles. I found her research fitted with my own understanding.

She then quite rapidly (this book is only 100 pages) moves onto the potential meaning behind our dreams and their use to our own wellbeing and understanding of ourselves. She covers these topics in a holistic way. Sypniewski writes how dream imagery and messages may help us process past experiences, provide insight into our current life situation, as well as be potentially prophetic, giving us clues and guidance toward potential future occurrences.

Sypniewski then moves into the basics of dream discovery. In this section she covers methods of recall-what you remember happened in your dream and benefits of dream diaries and dictionaries. A basic dream diary is a journal that is placed on the bedside, so it is quickly accessible, in order to be able to note down dreams before they slip away. To me a dream diary is vital for recall, and Sypniewski instructs on how to make these diaries more structured and detailed. She covers this well and gives advice on how to format one, which I think is very helpful.

As the book progresses, Sypniewski moves on to dream symbology.  She covers the deeper symbology, as in, what a house or car commonly represents.

“The house represents the dreamer. If the house is a specific dwelling with which the dreamer has a very strong and unique past association, then the house represents either the fear of, or possible recurrence of the situation the dreamer associates with that house.”15

However, Sypniewski does stress that it is crucial to see the process as one of self-discovery. A fleeting symbol to one person may mean something very different to another. Her method of self-discovery provides a very different take than a dream dictionary. Dream dictionaries tend to take a “one size fits all” approach and although she does offer some symbols and interpretations later in the book, she does say they are just potential meanings and it is so important to find your own.

“Although it is essential you interpret your dreams in a personal way, there are a few symbols which are pretty accepted as having a universal meaning.”16

The concept of discovering what symbols mean to you for yourself is reiterated throughout the book. It can be repetitive at times, but I think she just wishes to stress the importance of taking the personal approach and to teach readers not to view dreamwork as superficial.

As the book progresses further, she expands on what we can learn from our dreams and the messages and warnings they can impart. She also reflects on the vital process of healing and insight from working with our subconscious and the benefits of potentially prophetic dreams. 

Having worked in many ways to discover more about myself and the subconscious mind, I turned to lucid dreaming, especially in my youth. Lucid Dreaming is covered in a very brief chapter, which I was a little disappointed about, so if you are looking for detailed information on this topic then you’ll need to do more research. However, she does give enough detail for a beginner and provides great advice for a starting point. I had not read her take on lucid dreaming before, so I did learn something from it, and I am now using the method suggested by Sypniewski.

The latter portion of the book focuses on mythological and archetypal characters and images and what they can represent within the collective consciousness of humanity with questions to ask yourself. She cites many dream examples and teaches how they might be interpreted. Many of these examples prove the healing and beneficial effect of our dreams, which is good for those learning the art of dream work for the first time.

Sypniewski does a great job throughout the book of helping the reader gain the building blocks for interpretation, covering how to almost dissect your dreams and showing the reader the methods of structuring your dream recall in a way that you can learn most from it. These methods are covered thoroughly and re-iterated for clarity as the book concludes.

Overall, I do feel Pagan Portals – Dream Analysis Made Easy is a very good book for beginners into the realm of dream analysis and self-discovery. Sypniewski covered all the basics and more, and I was heartened by her approach to self-interpretation of symbols along with her guidance and structures for really getting to know yourself through your dreams.

The Medicine Woman Oracle, by Catherine Maillard

The Medicine Woman Oracle: Discover the Archetypes of the Divine Feminine, by Catherine Maillard and illustrated by Caroline Maniere
Rockpool Publishing, 9782702917824, 49 cards, 196 pages, October 2022

The Medicine Woman Oracle: Discover the Archetypes of the Divine Feminine by Catherine Maillard is an incredibly unique deck.  The illustrator, Caroline Maniere, used vivid, jewel-toned colors to illustrate each of the women or animals included, as well as similar colors for the back of the cards. Unlike other decks I’ve worked with, Catherine Maillard divides this deck into four distinct sections:  Medicine Women Cards, Gifts of the Feminine Cards, Totem/Allied Spirits Cards, and Medicine Action Cards.

Maillard has a background in facilitating women’s circles and 20 years experience in shamanic practices, dance therapy, and working with the Keepers of the 13 Moons.  She also has training in aromatherapy, applied reflexology, and plants and herbs. Her goal in creating this deck is to create a guide for the feminine journey, to help women heal their wounds and free themselves from old patriarchal patterns. 

I was extremely interested in this deck because of my love of the spiritual teachings of shamans around the globe and the mystery and healing power of the medicine wheel.  This deck did not disappoint! Maillard weaves rich archetypes throughout the deck and includes healing rituals or practices for every card. 

Many decks include spreads or ways to interact with the cards, and Maillard is no exception. The spread that first caught my eye was the Medicine Wheel Spread, a spread with four cards that made use of the deck’s unique composition:

Card 1: The Circle of Medicine Women

Card 2: The Circle of Gifts of the Feminine

Card 3: The Circle of the Totems/Allied Spirits

Card 4: The Circle of Medicine Action

Maniere has brilliantly color-coded the cards in each of the four sections by coloring the design on the back of the card a specific color and then matching the color on the bottom of the front of the card. This makes it amazingly easy to divide the cards into the four sections that you need to use for this spread. 

After separating the cards, you fan them out and select one card from each of the four groups of cards. Maillard invites you to take your time and turn over each card, one at a time, as you ask a question that relates to the specific flavor of that section of the deck. 

Next, it’s time to go to the guidebook and read the messages you find for each card. At the end of each card’s written guidance is a ritual or practice that you can do for healing, more introspection or, as Maillard puts it, “to awaken the medicine wheel.”16

When I used this spread for my own daily card practice, I pulled my four cards and made notes in my journal.  I focused on the first two cards for that day, finishing the practice with the suggested rituals.  The next day, I worked with the other two cards.

Even after more than 20 years of working with oracle decks, I am still amazed at the clarity of the guidance that comes through and this deck was no exception.  I received a message about going within for inner guidance from three of the cards.  The fourth card referenced the chance to “Free yourself from secrets; discover the hidden treasure of your heritage,”17 which is available to me from the feminine line of my ancestors.  As someone who has been working with my ancestors throughout my spiritual journey, this was a great confirmation. One line particularly spoke to me:

“Remember, along with any trauma you carry the antidote.”18 

This is brilliant! I’ve never seen it expressed quite like that before. How affirming and encouraging! 

My favorite card in this deck is “Medicine Woman #3: Authenticity:  I open the way of truth”. The colors feature my favorites of turquoise and cobalt blue.  She holds crystals in her hands and wears a multi-colored headdress of colored feathers. 

To further test the wisdom of the deck, I did a series of Medicine Wheel four-card readings for clients and friends. I did these on Zoom and showed the cards and read a few lines from the guidebook.  With the rich imagery on the cards, the title and descriptive tagline, there was more than enough information for a quick reading.

Each reading was very unique and each person wrote later to express gratitude for the timeliness of the messages received. One woman was actively researching her genealogy and received the “Healing Family Lines” card. Two women received the “Path of Beauty” card.  One woman expressed that she had been “too busy” to spend time in nature and would use the guidance to add this to her daily rituals.  The other woman wanted to begin creating art and would use the guidance as confirmation that she was on the right track. Two different actions from the same card!  This is why I love oracle decks, especially this one by Maillard.

This deck includes 49 cards, including a 13th Medicine Woman, which Maillard asks you to remove from the deck when doing the Medicine Wheel Spread.  I used it as a blessing for each person and shared the guidance as a bonus card. The cards are edged in gold, standard oracle card size and a nice weight.  The colors are vivid and printed in a matte finish.  

The guidebook is 196 pages and includes a table of contents, which is broken into the four sections.  However, due to the color coding of the cards and the matching colors in the guidebook, it’s not really necessary to refer to the table of contents. Maillard also includes a lengthy introduction and a section on how to use the cards.  At the end, there is a bibliography for more information.  Because of the information she provides, I feel that anyone from a beginner to expert reader can benefit from these cards.  She walks you step by step to create space for a reading and then to use the cards for guidance. 

Later in the week, I shuffled The Medicine Woman Oracle extensively to mix up the colors and sections and took them to my weekly “Coffee & Cards” group.  Each woman pulled just one card from the deck.  Again, I was amazed at the guidance and how each person was encouraged by the message she received.  One woman pulled one of the same cards she had received earlier in the week from her personal reading with me.  She said, “I guess I’ll have to really focus on that one!”

In the future, I’ll use these cards as a sign-off for my intuitive readings or for more detailed readings for women in transition.  I feel that these cards can truly benefit any woman who is on a quest to learn more about herself and her own healing capabilities.

Deep, Dark & Dangerous, by Stacey Demarco

Deep, Dark & Dangerous: The Oracle of the Beautiful Darkness, by Stacey Demarco and illustrated by Kinga Britschgi
Rockpool Publishing, 1922579076, 128 pages, 44 cards, October 2022

Where do you turn to when you want illumination on the darkness present in your life? Oracle cards are my go-to for all sorts of questions, but often for the deeper questions, the “love and light” aspects of many decks feels incomplete, leaving me longing for something more. Deep, Dark & Dangerous: The Oracle of the Beautiful Darkness by Stacey Demarco has become the missing link in my oracle readings, providing meaningful insights from the archetypal energies that lurk in our shadows and depths.

There’s a real potency to this deck. For the first time in a while, I took Demarco’s suggestion of a dedication ritual in the guide book and performed it before getting started. Admittedly, this is something I rarely do with oracle cards, but this deck inspired a certain reverence that made it feel necessary to brace myself and prepare properly. Just like how I dip my toes into a deep pool to test the warmth before diving in, I have been called to move more slowly with this deck as I do my readings – not wanting to pull too many cards at once and be overwhelmed by what energy is coming through the deck.

Luckily, Demarco is someone I trust to guide readers to meeting these mysterious energies with care. She has created dozens of oracle decks and books, including The Enchanted Moon, Plants of Power, Moon Magick, and The Halloween Oracle. For over 25 years she has shared her gifts as a pagan practitioner and modern witch, teaching how spirituality can be used to solve modern day problems. In the guidebook, she writes:

Confession: I’ve even carefully put the small strip of paper holding the new cards together back on after each reading. This might be my subconscious way of trying to “tame” these forces, which is no easy feat, as many spiritual practitioners know.

“If we decide to seek or even engage with these unconscious aspects of ourselves, these darker shadows, these ill-formed, half-created, seemingly ugly monsters of our unconscious, perhaps we can refine them, perhaps even reshape them into something exquisitely useful and beautiful.”19

The cards are divided into three types: dark, deep, and dangerous. The dark cards are filled with entities that reside in the darker places (Kali, Persephone, Anubis, Charon) while the deep cards are entities that reside deep within our psyche, the ocean, or other environments (Hydra, Selkie, Mermaid). My favorite ones are the dangerous cards that feature predatory entities that are often out to harm us, unless we attune our senses to the dangers at hand and heed their warning (Werewolf, Vampire, Medusa, Erinyes).

The guidebook provides a few ideas for spreads to use for the card, such as the Dark Moon Three-Card Draw and The Four Element Spread, along with guidance on how to tune in and pick the cards. Then for each card Demarco shares a paragraph-long oracle message, the dualistic qualities the card represents (ex. clarity/opaqueness or discipline/chaos), the mythos or story of the entity on the card, and finally, the plant and crystal companion. The oracle message might seem a little short, but I have found them so far to be very on-point for the questions I’ve asked. And I especially enjoy reading the background stories about all the dark, deep, and dangerous entities and the way Demarco relates them to modern life.

The cards are all numbered at the top and also state whether they fall into the deep, dark, or dangerous category. And on the card, there is a keyword provided at the bottom. Right below the keyword is the name of the entity featured on the card. The guidebook has all the cards listed numerically, which makes it quite easy to look up the oracle message.

As for the imagery on the cards, the illustrations by Kinga Britschgi perfectly capture the essence of each entity. Britschgi has a knack for detail that really brings each entity to life. The interplay of colors and shading make for eye-catching imagery. Some cards provoke a bit of fear, while others invoke a sense of wonder and awe, such as Kraken, featured to the right. 

I enjoy how the visuals sometimes give me a little shiver and remind me of the power in connecting with these unconscious forces. I am reminded of the thrill of taking a walk on the wild side. Britschgi’s images invoke the heightened sense of arousal that comes from letting the imagination linger in the darkness and depths, bringing to life what we might find in the shadows.

The card I pulled for today was Selkie. It is a depth card and the keyword is freedom. The duality is containment/freedom and pretense/authenticity. The oracle message encourages me to seek out my inner truth and embrace my authenticity, as that is ultimately the route to freedom.

This feels resonant with me, as I just made my first social media post in a while that detailed my inner journey of personal and emotional growth. It was scary to put myself out there instead of hiding behind the filters and hashtags, but sharing my feelings did indeed feel liberating. I take heart in Demarco’s message of how the selkie can find their way back home after being lost in a realm not of their own. She writes:

“Eventually, the selkie finds her skin and is reunited with her authentic form. Without a backward glance, she steps into it, and allows herself to be enveloped by her true shape once again and re-enters the aquatic world.”20

I just love how the mythos of the selkie is drawn upon to find meaning in my present circumstance. The entities in this deck really make one reflect on their own circumstance, delving into the parts of ourselves we keep tucked away, both consciously and unconsciously. Taking the time to go deep, embrace the darkness, and acknowledge the danger puts us in the position to discover new aspects of ourselves while also embracing shifts happening that are meant to steer us clear of potential downfalls.

All in all, Deep, Dark & Dangerous Oracle has quickly become one of my favorite decks. The card and messages ask you to be bold in acknowledging these entities. A whole world of exploration is opened if you have the courage to go beyond the realm of comfort. Facing what scares us the most is a great way to empower ourselves and discover just what we’re capable of, and this deck is the perfect way to gently ease your way into the unknown. I highly encourage those seeking to add a bit of mystery and intensity to their readings to see what dark and dangerous things might be hiding in their depths. I bet you’ll be surprised just how cathartic, transformative, and filled with beauty it can be to find out!

Ancestral Grimoire, by Nancy Hendrickson

Ancestral Grimoire: Connect with the Wisdom of the Ancestors through Tarot, Oracles, and Magic, by Nancy Hendrickson
Weiser Books, 1578637775, 240 pages, September 2022

Lately I’ve been all about exploring magic through a community-based lens. In Western occultism there seems to be an exclusive focus on the individual, but the deeper I’ve dived into my own practice, the more I see the interrelatedness and notice how the dynamics/energy of relationship influence our own manifestation, healings, insights, and so on. And it’s for this reason that I’ve been interested in cultivating a deeper relationship with my ancestors.

My seeking to learn more about my ancestors led me to Ancestral Grimoire: Connect with the Wisdom of the Ancestors through Tarot, Oracle, and Magic by Nancy Hendrickson. Hendrick’s previous book Ancestral Tarot: Uncover Your Past and Chart Your Future (2021) was the first time I realized tarot cards could be used for ancestor work; I loved this novel approach of using the tarot to know more about my own ancestral lineage. Plus, I trusted Hendrickson as a guide since she also has written extensively on using Ancestry.com to and discovering one’s family history online.

Ancestral Grimoire is the natural combination of her expertise, allowing readers to the next step of using tarot and oracles to enhance one’s own magical practice with the help of the ancestors by creating a personal grimoire, also referred to as a Book of Shadows. This book equips readers with tools beyond the tarot to reconnect with their ancestors, including pendulums, oracle cards, sigils, casting charms, runes, sidewalk oracles, and energy work. But it also goes beyond just reconnecting the reader with their ancestors; Ancestral Grimoire guides readers to discovering their own magic.

“One ancestor can be with you for a lifetime, another for just a moment. Ask for someone to show you the way out of darkness and they will hand you a blueprint no architect could even conceive. Want to know the most potent form of magic? Ask.”20

Hendrickson focuses on four types of magic (family magic, personal magic, elemental magic, and celestial magic) as she guides the reader through a full-year process of creating their own grimoire. The invitation is to both experiment with different magic and also experience the enhancement that comes from trying out these forms of magic with ancestral assistance. No two months are the same, and the variety makes for an interesting practice month to month.

And there’s no need to fret if you start reading in a month other than January. You can certainly pick up right where you are in the Wheel of the Year or you can even skip around and choose to do the magic during a different month. As with most magic, there’s room for variation and a personal touch.

For instance, I started this book all the way back in September (yes, over six months ago!) and have been making my way in chronological order since without concern for the standard January-December year. You might find the book calls to you a certain time or perhaps you want to begin this grimoire with a particular sabbat. Trust that it has come to you at the right time and move through it in a way that feels aligned with your practice.

September has been one of my favorite months so far in this practice. It was a celestial magic month with the focus being sky magic. The tarot spread for the month focused on connecting with my celestial ancestor and discovering their karmic influence on me, the intergenerational sky magic I’ve inherited, and a solar or lunar symbol I could create to honor this ancestor (with ideas included on how to create this symbol). Then there also is a pendulum spread to discern where balance is needed, fitting for the time of the autumn equinox.

But what I enjoyed most about this month was the practice “Messages in Paint and Fire” where I got to play with finger paint! There’s also an option to use smoke signals, but I for one enjoy getting my handy dirty and engaging in the creative process. Hendricks writes, “Keeping your question in mind, look for answers in the paint.”21 I still have my painting hanging up and it continues to give me new inspiration and insight from time to time.

This month, April, is focused on elemental  magic, specifically land magic, using the tools of tarot, a pendulum, and energy work (chakras). Hendricks writes, “I invite you to ask for an ancestor who was a land whisperer, an ancestors who knew how to communicate with the nonhuman entities who watched over the land, as well as with the land itself.”22

Though I haven’t delved in yet, I can see this month for my grimoire that I will be doing a bit of shadow work, using the pendulum to tap into energy points within my own neighborhood, and exploring the energy of my chakras along with land chakras. Exciting stuff! 😀

All in all, Ancestral Grimoire is filled with practices to discover your own personal magic while strengthening the connection with your ancestors. This book is a doorway to discovery about the hidden strengths and shadows of your ancestors that have been inherited, providing you with the tools needed to divine, manifest, heal, and create meaningful relationships with your predecessors. I recommend this book for anyone looking to explore their ancestry while also expanding their knowledge about who they are and where they come from.

Even if readers aren’t familiar with some of the tools used in the book, the month to month practice will build their confidence as the new skills are developed. In just a single book, there’s a whole year of possibility as your spiritual team grows and you learn who to call on for what purposes. It’s comforting to know you’re never alone and there’s always ancestors from beyond the physical realm available to be called on for advice and guidance.

Pagan Portals – The Water Witch, by Jessica Howard

Pagan Portals – The Water Witch: An Introduction to Water Witchcraft, by Jessica Howard
Moon Books, 978-1-78535-955-2, 112 pages, March 2023

As a practicing witch with over twenty years’ experience, Jessica Howard has provided a blueprint for inviting the element water into personal practice. Her book, Pagan Portals – The Water Witch: An Introduction to Water Witchcraft, is full of useful information and insight. Not only does Howard talk about the various ways water could be used to develop one’s connection to the Divine, she also shares her own personal experience with the element, furthering the concept of there being no right way to practice this particular type of witchcraft.

Howard has laid the book out in both highly digestible and very practical sections in only 112 pages. The table of contents provides a glimpse of what’s contained within this book: an in depth look at the various facts of this craft. 

Personally, as a Fire sign I find water incredibly challenging to work with. Despite the great healing abilities water contains, along with various divination and knowledge seeking qualities, I have found it very difficult to use regularly. Howard’s clearly written book identifies the challenges and addresses them in the third chapter titled “Connecting With Water Energies”. In this chapter, she identifies and addresses the main root of my personal block when it comes to water: being gentle with yourself for not getting it right away. She explains why it might feel disheartening at first, saying:

“Sometimes we have shut ourselves off for so long that it can take a while to open ourselves up to these energies. So even if it doesn’t work with the first meditation or first blessing, keep at it. Try different approaches, search for more ideas than just what’s in this book, and keep at it until you find something that works for you.”23

I like the fact that Howard recognizes and fully embraces the fact that not every practicing witch is going to connect to water in the same way she has. By building in flexibility and encouraging additional studies outside of the book she wrote, she creates a sense of trust with the reader that isn’t overly cloying or fake. There is no loftiness in her language; not to say that what she writes is basic, rather, the way the book is written invites dialogue and experimentation on the part of the practitioner. Howard has not written a book telling the reader specifically how to be a water witch – she is sharing her journey and providing the steps she took in order to connect with the element in the way that she does.

This lack of information gatekeeping is so refreshing! Too many times I’ve read books that start off promising to share insight into whatever and before too long the realization that nothing is actually being shared sets in and I’m left with a book that doesn’t help my personal pursuit of knowledge. It’s disheartening and causes immense frustration. Howard has gone out of her way to ensure that if nothing else, the reader walks away with a healthy understanding of water in the context of magic and how useful it can be when used in conjunction with current practices. 

In a later chapter, Howard talks about the environment as it relates to those who follow a magical path. She is forthright in her requests to the reader in this specific framework: not only does she challenge those magical practices that instruct the practitioner to contribute to the ongoing crisis we see all around us in nature, but she gives specific thought to what we as individuals could do in order to reduce our footprint in this mass destruction. I’ve not seen anything as specific as this in any previous magical books and I am glad she took the time to remind us of the devastation our practices can cause if we aren’t mindful. Howard says:

“I’ve seen books on witchcraft which have recommended putting your petition into a plastic container and throwing into a river…pouring perfume into rivers because undines like pleasant scents. Please do not follow this advice. If you want to throw something into a river to help rid yourself of negativity, use a stick or small stone. If you want to give an offering to the undines, use a small vial of water which has had naturally grown rose petals steeped in it. Please stop and think about what you are offering and what the potential harm it could have before you make it.”24

This might turn folks off who want to just do their thing and not concern themselves with the harm they might be doing to the environment. Personally, my offerings are usually a combination of items that can be composted (fruit, flowers), and containers that are specific to the use of magic (candle holders, cast iron cauldron). While some of this might come off as sounding ‘holier than thou’, I share this only to show how simple it is to be mindful of the materials being used in your practice. 

Pagan Portals – The Water Witch is a wonderful book for those looking to expand their practice to include water work. It’s beautifully written and full of useful information that encourages the reader to learn more through other channels. A softer read than I am used to, this book both challenged my ideas around water magic and whether I could actually use it and helped me to find my own path as I navigated my deep feelings around being open to new things and performing magic.

Crimson Craft, by Halo Quin

Crimson Craft: Sexual Magic for the Solo Witch, by Halo Quin
Moon Books, 978-1-78535-939-2, 178 pages, January 2023

As a practicing Faery witch and lifelong lover of magic, Halo Quin is also a devotee of Freya and the Faery Queen, so it’s easy to see where the impetus for Crimson Craft: Sexual magic for the Solo Witch comes from! One of my favorite sections of this book is at the beginning of Chapter 1. Titled “Foreplay”, this small section is a warning to those who might not be ready to tackle the very intimate topics covered. Starting off with a bit of cheek is absolutely delightful, and perfectly suited to Quin.

The book is separated into a variety of chapters that are logically and well thought out in terms of pacing. The first chapter deals with how to use the book, with sections on safety considerations, including mental health support, as well as a note about ethics that talks about consent. While this is a book targeting solo practitioners and assisting with healing wounds associated with the erotic self, the inclusion of consent is completely appropriate. 

Separated into parts which then house individual chapters, Quin has deftly taken a number of topics and expanded on them in a detailed way. In “Part II Laying the Foundation”, Quin talks about sensual magic and provides insight into how to prepare for the various practices described. Interestingly, it’s acknowledged that not all things need to be healed all at once and the reader is cautioned to take their time and check in with themselves. Quin explains:

“Our bodies hold the memories of all we have lived through, and some of us have lived through quite painful things. We might need support to heal, or release, some things. If you encounter something like that within yourself, I invite you to consider what kind of support might be the right choice for you and seek it out when you are ready.”25

Quin has spent a great deal of time ensuring that this book is approachable and written in a way that is helpful and not divisive. You will find no earth shattering practices in here, unless you count taking responsibility for your own healing particularly sensational. This is not to mean that the book isn’t worthy of being on the shelf alongside other popular books of this ilk; rather, I would suggest starting with this book before those others. The tone is soft and gentle and might be a better entry into this sort of practice for those who are new to this. It isn’t easy healing sexual wounds no matter how much therapy might have been done, and this book is in line with many parameters around self-care with respect to the numerous calls to perform self check-ins along the way.

Having said that, the section on erotic divinities absolutely got my full attention. In fact, I jumped ahead to it as soon as I saw the table of contents. Who wouldn’t? I mean, I guess some people have patience and read through the whole book in order the way it was meant to be read but that person is not me.

Quin states that “Magic. Sex. War. Love. The deities of passion hold all these things in their grasp. The Goddesses of Passion are known by many names and many faces.”26 Quin continues by naming a few: Inanna, Aphrodite, Lilith, Freyja, Venus, and Babylon, all of whom have their own stories and embody the Goddess persona in very different ways, depending on which stories you subscribe to.

Quin connects love and righteous war saying that they are two sides of the same coin, which is apparent in that goddesses of love are often also warrior women as well. It’s an interesting concept, and one that is found often when reading about goddesses in this context. Quin explains why there is such a deep connection between love and war within the context of love goddesses, stating, “Perhaps because love is a passion, love is a feeling that fills one with fire. Whether that fire is the gentle hearth or the roaring bonfire, it is akin to the fire that can be used to protect the ones we love from darkness.”27

Not only does Quin talk about the goddesses, but the gods of passion are mentioned as well. It’s a bit tricky to navigate this particular space when there is much talk of reclaiming the divine feminine, but Quin magnificently sidesteps the drama and gets right to the point. Quin says:

“Each one of us, regardless of gender, has to learn to temper our passions, and to know when to let them pour out into the world. And so, the gods of love are so often depicted as wild and kind in equal measure…with their passions held in balance in service of their love. And here is the lesson of the gods of passion; where the goddesses can teach us about boundaries of self, the gods can teach us about the boundaries of community and family. Passion is both expression and protection, and is this not love?”28

Recognizing that gender can produce more stress in specific instances, I feel that this book would be more helpful than harmful for those looking to reclaim their sexual sovereignty. There are exercises included throughout the book that assist with healing in the form of journaling, meditation, spellcasting, and others. I would recommend Crimson Craft to absolutely anyone looking to start down the path of healing, regardless of whether the harm being dealt with is sexual or not. This is a valuable addition to any library, and I know it’s going on my shelf.

Soul Helper Oracle, by Christine Arana Fader

Soul Helper Oracle: Messages from Your Higher Self, by Christine Arana Fader and illustrated by Elena Dudina
Earthdancer, 978-1-64411-468-1, 43 cards, 128 pages, April 2022

When I first opened the Soul Helper Oracle: Messages from Your Higher Self by Christine Arana Fader, I was eager to start working with the deck. I shuffled for a bit, said my usual blessing for a new deck, asked a question, and selected a card. I pulled the “Success and Happiness Are Coming” card, which, ironically, is the card whose illustration by Elena Dudina adorns the box cover and the front of all of the cards.

I placed the card in front of me, spending time looking at the glorious illustration of a woman, her under-eye area ringed with small purple jewels, a crystal located over her third eye, and her flaming red hair crowned with peacock feathers. She tells me to enjoy and celebrate life – a message I definitely needed to hear.

Before looking up the card’s meaning in the accompanying small book, I read the introduction that explained how to use the cards, interpretation methods, and consulting an oracle. In hindsight, I would have been better served to have read the introduction that Christine offers first. She describes how the deck guides a person to notice when our souls are speaking to us (which is really all of the time) and to heed its advice, meaning to go deeper into the storm of life facing us to find peace, to search for the truth within, and recognize our potential.

The deck is meant to be used to discover the core issue facing us when a card is pulled, to find the essence of the matter at hand, and to work with the recommended soul helpers. To do so, she recommends pulling only one card and working with the issue at hand for 21 days.

This is not the deck to use for a fast answer, but rather to work with the four soul helpers associated with each card: power animals, herbal essential oils, healing crystals, and numbers. Through a deep 21-day dive on what is being communicated, your soul’s messages will reveal themselves. It is through this extended focus and soul support that the vibrations offered by the soul helpers can help bring “clarity, divine light, and wisdom and will immediately bring about a change for the better, opening doors and guiding you toward happiness.”26

The accompanying booklet describes the characteristics and associated vibrations of the four soul helpers and how to work with them over the 21 days. For example, with the herbal essential oils you can put the recommended oil in a diffusers, or onto your crown chakra, or spritz it in a spray bottle filled with spring water and the oil to mix with your aura.

I’ve lived with this deck for a few months, and just before sitting down to write this review, I pulled another card: “Nature is Calling You”. The card states Nature wants to touch, fulfill, and protect me with its healing powers. With a wink and a nod from my soul, this was the same card that I pulled three weeks ago. And, its message is one that I not only need to hear, but to believe and then live willing to accept the help that is given so freely to me by my soul.

The predominant color of this card is green. A girl clothed in what looks to be a bikini of green leaves, holds some moss to her ear, much like we sometimes hold seashells to our ear when at the ocean. Her head is cocked to one side as she listens, surrounded by ferns, a small waterfall in the background. The power animal of the card is a puma; the herbal essential oil is tea tree; the healing crystal is emerald; and the number is 2.

The wisdom of the card’s offering is spot on for me and it reminds me that the issue raised by the card is not necessarily an easy one but an urgent one. It resonates with me tremendously. I will willingly work with the four soul helpers, heed the message, and work on the prodding that tells me to let go of lower, negative energies and forgo the dark paths of victimhood and begin to shine in my true light instead.

Christine Arana Fader and Elena Dudin have birthed an amazing beautifully illustrated and written deck. I loved Christine’s statement that “your soul is telling you to enjoy life, even its storms and silences, to treat everything as if it were a game in which you are the winner. It tells you to have faith in yourself and your strengths, and to trust your own magic.”29 The challenge for me has been to actually live my belief in this. Working with this deck has given me guidance on how to trust my soul to guide me on this path and to not resist or overthink, or to allow myself to override the divine light of the soul.

I highly recommend Soul Helper Oracle but remind the reader that to fully access the help offered within that you really do need to sit with your chosen card and work with the associated four soul helpers for the 21 days. Invest the time in yourself, your soul is waiting for you to listen and work in concert. As Christine reminds us, “those things that you heal and liberate within yourself will heal and liberate the whole world.”30