Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

The Magical Nordic Tarot, by Jayne Wallace

The Magical Nordic Tarot: Be Inspired by Nordic Legends and Explore Your Past, Present, and Future, by Jayne Wallace and illustrated by Hannah Davies and Tracey Emin
CICO Books, 1782498865, 64 page, 2020

The Magical Nordic Tarot by Jayne Wallace is a serenely magical deck. In recent years I’ve found myself attracted to all things Nordic such as hygge, the Northern Lights (which is on my list of things to see), and a society that promote a healthy work/life balance. However, I am not at all familiar with Nordic myths and legends. I have been looking forward to using this deck because I was curious to see how this deck would incorporate Nordic myths, gods, and goddess with the card interpretations. I am happy to say it wonderfully connects the reader with the exceptional energy of Nordic mythology, infusing the reading with the wisdom of Scandinavian culture.

The deck has a nice card stock and the card size is manageable (about 4” x 6”). The illustration on the outside of the cards reminds me of a love child between Vincent Van Gogh’s Starry Night and the Northern Lights. A bright yellow star is and smaller illuminated stars are placed on a background of colors of muted purples, pinks, and greens.

Hannah Davies’s illustrations of the Major Arcana cards are pure beauty. The depiction of light, landscape, and images reminds me of the dancing Northern Lights. Most of the images on the Major Arcana cards are set in a Nordic landscape and each card has a unique keyword at the bottom. In the accompanying book Jayne provides a description of the scene, key words, a message, and a meaning. Also included is a description of the card’s connection to Nordic myths, folklore, gods, goddesses, or legends that provides a deeper explanation of the card’s imagery. 

I pulled a few Major Arcana cards as I familiarized myself with the deck.

The Lovers shows a man and woman each standing on what appears to be a mini iceberg. Two white swans swim towards them. Pastel colors of purple, pink, and turquoise are used in the illustration. “Passion” appears at the card’s bottom, supporting the message “I am entwined with passion.” 1 As the Nordic connection to the card, Jayne writes that “The goddess of spring and eternal youth, Idun, was thought to have magical apples that would help the gods and goddesses stay young and beautiful forever.” 2

The Magician is cloaked in a fur-trimmed jacket with the beams of the Northern Lights behind him. In the foreground is a compass, representing the directional points in which one can move. Mastery is the keyword of the card, representing that ultimately, we are all masters of our own fate.

In the Empress card, a woman sits on the ground, surrounded by blooming flowers and three rabbits (fertility). She lovingly caresses her belly that is pregnant with new life. In the background, mountains are set against the Northern Lights. Jayne describes that “in Nordic folklore it was said that seeing the Northern Lights could ease the pain of childbirth.” 3 Nurture is the keyword for this card, a reminder that we need to nurture the new. 

The Hermit depicts a young man sitting in contemplation against the background of a waterfall. In the far distance, the Northern Lights shine like beacons. A rabbit and deer stand near but do not disturb the man. Jayne details that “the Nordic tree of life was thought to have three wells under it, all of which would water its roots and keep it alive.” 4  Wisdom is the keyword, the wisdom that comes from inner knowing that bubbles up when we are silent.

Interestingly, Jayne included an extra card titled Clarity to the Major Arcana. Clarity is depicted as a blue cat, “one of the most sacred animals in Nordic mythology.” 5 Unlike the other cards in the deck, this card was illustrated by Tracey Emin and so has a different style, more of a loose Japanese water color with no Nordic references.  It is described as a card of compassion and self-care. The blue cat is “synonymous with the goddess of love and beauty, Freya, who’s thought to have traveled in a chariot pulled by cats, felines were highly prized by ancient Nordic people, who believed the cats had been given to Freya as a gift from Thor.” 6 I did not pull this card in any of my readings, though, but remain intrigued by its placement in the deck. I’m curious to see in which reading it will emerge.

The Minor Arcana cards contain depictions of each of the four suits. In the book, Jayne explains each of the four suits, their respective elements, and associations (for example, finances for Pentacles). The accompanying book also provides a description of the meaning of each card and a keyword. There are no Nordic legends or myths written about for the Minor Arcana cards. 

The numbered cards of the Minor Arcana show the respective number and suit image with a different colored background for each suit. For example, One of Swords has one sword on the card against a purplish background. While the numbered cards lack illustrations that might help one in determining a message, each card has keyword at the bottom. Going back to the One of Swords, the clarifying word is Clarity. However, the court cards of the Minor Arcana are illustrated in the same Nordic style of the Major Arcana card. Most are set against a background of mountains and Northern Lights. They also include a keyword. I feel that a beginner can easily become familiar with the meanings of the Minor Arcana with a keyword which compensates for the lack of an illustration. The austere background of the numbered cards in no way diminishes one’s ability to read the cards. 

The accompanying guide book is divided into four sections: Introduction, the Spreads, Major Arcana, and Minor Arcana. 

The Introduction offered advice to both novice and experienced readers. I liked that Jayne Wallace walks new readers through various ways to connecting with the deck. Before diving into different spreads and the card meanings, Jayne suggests ways to get the most of a reading, advice that I have found is often skipped in tarot books. I think it’s really important to build a relationship with one’s cards and liked that this information was included. Jayne recommended various ways to connect with your deck including touching every card and also sleeping with the deck under your pillow. She also offers ways to care for your cards, which I think is another aspect of working with a deck that is also often neglected. 

The Introduction also suggested various ways to begin the reading, set the mood, and participate in a closing ritual. I feel that these different components covered in this section reinforce the idea of respecting the cards, opening a “dialogue” with them, honoring the process of a reading, and concluding the reading with a ritual. I admit that I haven’t done a closing ritual in all my years of working with my cards but now plan on including last step in my ritual, which is generally centering one’s self and thanking the cards. Beautiful!

The second section of the book was on various Spreads. The Spreads range from one and three cards spreads to a spread that used 36 cards. The smaller Spreads are geared to both the Beginner and also a more experienced reader who wants a quick bit of guidance or clarification. I was not familiar with some of the spreads that Jayne included such as the four card Nordic Compass, the six card Horseshoe, the seven card Light Within, and that large 36 card spread, Clock. 

I did a few quick reads which were amazingly spot on. But of course, I had to try the Clock spread which intrigued me. In this spread you pull 12 cards and set them out like the numbers on a clock and continue the process of laying out the cards until you have three cards for each of the 12 number spots, each of which corresponds to a topic such as Money, New Beginnings, Obstacles, and Past. As Jayne writes, the spread is meant to give insight into life at the present, offering help and guidance to any obstacles or challenges. As I sat with each of the 12 piles I came to see that the three cards in each spot began to reveal a story and I was able to get a deeper understanding of the message coming forth in each of the 12 positions; much more clarification came through by pulling the three cards rather than just one as many spreads often suggest.

All in all, The Magical Nordic Tarot is a beautiful deck. I enjoyed embracing the Nordic myths and legends while engaging with the deck. The deck seemed “quiet” to me, quite like the world seems after a snowfall. The messages come through, but in a muted way that gently seeps into one’s being versus a loud pronouncement. This feeling invited me to sit with the cards, enabling them to open themselves to me. I highly recommend this deck for those who seek an unassuming read filled with the beauty of Nordic landscapes, myths, and spirituality.

The Tree Angel Oracle, by Fred Hageneder

The Tree Angel Oracle: The Ancient Path into the Sacred Grove, by Fred Hageneder and illustrated by Anne Heng
Earthdancer Books, 1644110386, 1144 pages, 2nd Edition 2020

The Tree Angel Oracle by Fred Hageneder is a truly beautiful deck, illustrated by Anne Heng. The cards are illustrated with fairy-like figures ethereally interwoven with an image of a tree, creating a magical, endearing effect.  Printed on heavy, shiny cardstock, the cards felt special and charged from the moment I took them out of the box.  I delighted in selecting the cards that match trees that grow in my yard and around my neighborhood, such as Oak, Holly, Cherry, and Apple. I quickly choose all the cards matching the species of trees I have on my property and had a fun time envisioning these angels living in my trees.  The Tree Angels in these cards are drawn with such delicacy and care that I can truly get a feel for the character of the tree angels and also how they connect to that particular species of tree.

The book opens with an endearing introduction where Hageneder writes about a visionary experience he had while attending a Kundalini Yoga Retreat.  In his vision, he was invited into a sacred grove of trees and encouraged by the Tree Angels themselves to develop this oracle deck based on his experiences connecting deeply to trees.

However, unfortunately for me, the fantasy ended there.  In the first chapter of the book, Hageneder presents sort of a “woven tapestry” per se of world religions, their symbolism and mythologies, and how they each hold trees in high esteem.  He presents a particular interpretation on some ubiquitous religious stories, in particular the Garden of Eden story from the Book of Genesis. Here, he very matter-of-factly presents a remarkably modern and “New Age” summation of what that symbology means. Being somewhat of a nerd about classical Theology, I was miffed not seeing appropriate academic citations to back up his interpretative claims, and by the time I got past this, I was far from thinking about trees. Though his religious world-view is interesting — I probably agree with more of it than I disagree — I think it is problematic to present interpretations on religious symbolism as fact without contextualizing the scholarship that gave rise to those interpretations.  But we’ve strayed from the topic of trees, so let’s get back to that.

Obviously, there are hundreds of species of tree in the world and there are only 36 cards in this deck.  Hageneder has based his selection of trees on the “Ancient Irish Tree Alphabet” called the “ogham.” (p. 25) However because this particular catalogue of trees (and he doesn’t describe the “ogham” any further) all originate in a particular geographical area occupied by the Celts, he has omitted some of those trees in favor of wider diversity. For example, he included Ginkgo and Sycamore, which are native to other regions.

Hageneder offers several simple spreads to read the cards, though he emphasizes that choosing one card at a time is a great method for this deck.  I like the “Silent Guardians” spread which is a two-card spread where each card is part of a message relating to a transition in your life – passing from one phase to another.  The three-card spread suggested is called “The Primeval Doorway,” and in this spread the Tree Angels invite you to meet your guide on a journey into the Underworld.

The messages The Tree Angel Oracle cards offer are rich and long, with multiple meanings embedded.  Oak is one of my favorite cards because Oak trees are often associated with magic.

“The source of the life force nourishes your deepest roots with vitality, will, and power.  Make the world your own! But take care, hear the secrets of success, care for those in need, bring tenderness where emptiness once ruled.” (p. 57)

Oak is about being strong and enjoying vitality, but also about having integrity and being compassionate.

Sometimes the descriptions surprised me.  For example, the Ivy Tree Angel signifies humility, though in other sources I’ve known, ivy represents a protector and in other sources, an opportunist. So it seems to me that Hageneder is developing his meanings and interpretations from his own inspiration instead of drawing on ideas about tree spiritual energies that others have written about.

I am grateful for this deck, grateful for the window into deeper communion with trees that The Tree Angel Oracle offers. The cards are so beautifully illustrated by Anne Heng. The messages about the spiritual consciousness that is alive in trees is also beautiful – for this is something I very much believe in.  While Hageneder’s descriptions of the Tree Angel Oracle do not always resonate with me, I believe there is something profoundly magical and alive in these cards and there is a story to tell about discovering the consciousness in trees.

Celebrating the Yuletide with Downhome Mystic

🌲 The season of Yule is upon us! 🌲

Quick History Lesson

This yearly celebration has roots in the Germanic Paganism culture and is usually celebrated for 12 days beginning on the winter solstice. This year Yule begins on Monday, December 21st and ends on Friday, January 1st, 2021. The Winter Solstice is the shortest day of the year, but it simultaneously marks the return of daylight. Often associated with honoring a variety of God and Goddesses, this was a time to be joyful, dance, sing, and connect with nature.

This Pagan celebration was natural for our ancestors, as they were so deeply connected to the Great Mother. They felt sense of connection to the natural world; the direct reciprocity people felt with the Earth was ingrained in daily life. Unfortunately, many of us have become disconnected from nature, from the Great Mother, and finding our way back has been an integral part of our spiritual path. Creating celebration and honoring nature’s cycles helps connect us to our past, deepen our connection to the Earth, and ultimately connect back to ourselves. 

How Do I Celebrate Yule?

This is the fun part! Now is the time to get creative, consider what is meaningful to you (and your family), and create a celebration that best fits your needs and wants. A Yuletide celebration can range from an elaborate gathering to a bath time ritual to a simple altar created at the foot of a pine tree. Here are some of my suggestions:

Connect or Reconnect with Nature

When was the last time you stood barefoot on the earth? If you live in an area that is not too cold or snow-covered, find an area to stand soul (of your foot) to soul on the earth. Feel the soil on your feet, feel the connection of the earth move up your body. If you are unable to be barefoot in your area, take a walk out in nature. Look for signs of winter and reflect on the changes in your life that have taken place over the course of the year.

Build an Altar

This can be done either outside during your nature walk or in your home. If you choose to build an altar at home, gather a few items from outside and bring them home with you, placing each item on your altar while giving thanks and honoring each beautiful item. You could gather evergreen branches, berries, sticks, pinecones, a vile of snow or natural water (ocean, stream, river, rain), brown leaves, feathers, any items that call to you. You might be surprised by what you find! If you choose to create an altar outside, find a special location such as the foot of a tree, in a meadow, or alongside a stream. Lovingly place a few natural items with intent onto the altar while speaking what you are thankful for. 

Dance in the Sunlight or Moonlight

Dancing is a lovely way to reconnect to our bodies and spirit, and it can be especially satisfying if you are outdoors and with others. When we dance, we seem to come alive! We feel the blood move through our bodies, we feel our hearts pump, and our breath deepens; we become embodied. Try dancing with a scarf, moving it through the air and across the ground, further connecting you to the earth.

Build a Fire

You may have heard the term Yule-log. The tradition of a Yule-log varies among different regions and religions, but the basics are burning a log to entice the sun to return to longer days. Often a portion of the log is kept and used to start the fire for the next year’s Yule-log. The ashes were also believed to be good luck and could be used in the garden or kept in an area of the house for protection.  As the Yule-log burns, you can watch the flames, dance, and feel the warmth on your face. This is also a good time to tell stories or hold hands with a loved one basking in the fire’s glow.

Sing Songs

Many of our favorite holiday songs are versions of Yule songs, such as Deck the Halls and the Holly and the Ivy. Singing opens our throat chakra and clears away energetic debris. Singing with others can be an uplifting experience, as a single voice becomes a choir. 

Get Witchy in the Kitchen

Whip up a batch of holiday cookies, bake some rosemary bread, or craft a warm seasonal soup. Try adding an herb that you have never worked with or check out the seasonal farmers market for some wholesome root vegetables. Depending on what you make, you can always place an offering on your altar or out in nature, thanking the Great Mother or God or Goddess of your choice. 

There are many beautiful ways to celebrate the season of Yule; these are a few of my favorites. I would love to hear which one you like best or if you have anything to add. Comment below if you decide to try any of these suggestions.

The Diamond Rose, by Daniela Valenti

The Diamond Rose: A Sentinel 10 Novel, by Daniela Valenti
Daniela Valenti, 1777427304, 258 pages, 2020

I love a good paranormal-romance, mostly because as an intuitive person that’s how all my life usually feels, if only in my own mind. I can always relate to the trials of learning how to use one’s powers wisely while encountering spirits, energies, and deities with their own agenda. I appreciate when a fiction book strengthens my confidence in my own intuition from inspiring me with how a strong character handles what comes their way; sometimes it’s just more relatable than reading a nonfiction book on a topic because I can develop a connection to the characters and use them as inspiration. Therefore, I was thrilled to discover The Diamond Rose by Daniela Valenti, which is the first book in an on-going series, that kept me hooked from the start with a relatable, intriguing plot. I could not get enough of this book and am already eagerly awaiting the next one coming out in 2021!

The premise of The Diamond Rose is the protagonist, a medical student named Amanda, suddenly develops psychic abilities during a solar flare. Luckily, her best friend since childhood, Lydia, also has her psychic powers activated so she’s not alone in this venture. Together, the women are encouraged to join the most powerful secret society in order to learn how to control their powers and receive protection from a mafia-like Committee. The fact that the Committee is the most powerful, filled with secrets, and may or may not have its Sentinel’s best interest at heart only adds interest to how this will play out in the long-run within the series. Meanwhile, Amanda struggles with feelings for her stoic, handsome, and ripped partner James, while also fending herself from the attraction of Alain, a rogue assassin stalking her. The mixture of intrigue and romance set the stages for Amanda as she navigates this new way of life in a way many modern women can relate to – drinking her tea, lots of baths, and frequent shopping.

What I liked most about The Diamond Rose was the cast of characters that Valenti brings to life. From the start, she develops layered-interactions between the characters, generating enough conflict to be engaging but also a sense of teamwork. It made me wish I had my own team of psychics to tackle energy-suck plasma and mind-controlling bad guys with! The variety of characters, each with their own strengths and weaknesses, make for a force to be reckoned with. You can see they are a team, but there’s still alliances that are forming, which keep it interesting as you keep guessing at what may transpire between them.

I especially appreciate the focus in the plot on Amanda’s relationship with her best friend Lydia because it demonstrates a healthy and mature friendship between women. Too often, women are pitted against each other as competitors, portraying them as envious or not to be trusted. I found it refreshing to see the dynamic between these two, who openly share their opinions on the other’s love life (is the guy ever really good enough for your bestie?), work through their disagreements, and continue to be honest and loving with each despite differences of opinion.

Beyond the variety of characters, there’s also competing secret societies, each with their own agenda that add even more complexity to the story. The book perfectly satiates readers’ curiosity about these rumored secret societies, so often alluded to in modern times, while laying a web that ties another main character, Basil, and his family to these different organizations.This is just one example of the foundation laid by Valenti that keeps the readers questioning what lay ahead for the characters further into the series.

Another unique feature of the book is Valenti’s profession as a psychiatrist, which allows her to expertly weave in psychological and medical concepts. Being that many of the characters have a scientific background, she creates the perfect counter of reason and logic to all the paranormal happenings, which adds humor and keeps the story grounded in a reality that seems plausible to the reader. Valenti’s use of contrasting perspectives enables the reader to see the characters’ perspective from a scientific view-point and also supernatural one, especially in disagreements between Lydia and Amanda, and leaves the reader’s reflection on whose point is right.

My favorite part of the book was when the Sentinels get their initial training. I have been very into studying defense and protection magic recently, and Amanda gave me a lot of inspiration for accepting my abilities and learning how to protect myself with them. I used the technique for turning off psychic receiving that Amanda got in training in real life with much success. It was fun to engage with the experience of the characters in this way and to imagine what it’d be like to be a Sentinel myself.

One-downside of the book for readers may be their frustration with Amanda’s romantic choices. Just like a good friend, you’ll be screaming “Why are you putting yourself through this heartache?” when she full-fledge throws herself into a rather toxic relationship. Since it seems Amanda’s childhood wounds are only healed by utterly consuming love, she tosses all reason to the side and dives in headfirst to an “unconditional” love affair with a domineering suitor. It’s a classic mash-up of toxicity and bonding over abuse that fuels the love, in my opinion, and this may have some more level-headed women smacking their palm to their face saying, “Girl, get a grip.” However, by the end, the twist of events certainly seems to be a set-up for the evolving plot in the upcoming books. As much as I wanted to hate on Amanda for her choices, I also have experienced my fair share of flings with the bad boy. Being that she’s young, I hope to see her mature as the series goes on.

The only other thing worth mentioning about The Diamond Rose is that it’s lacking any BIPOC in it, which is a bit disheartening. I think a little more diversity would make it more appealing to a wider range of audience. Amanda is a very much “basic white girl,” though still with enough depth to make her an interesting lead.

Overall, I really enjoyed The Diamond Rose and read it under 24 hours (I even stayed up late one night because I wanted to know what would come next). I think Valenti is off to a great start with the series – I’m already invested in the characters – and I look forward to seeing what’s next for the Sentinels. This book perfectly blends the suspense that comes from a good thriller with the romance at the heart of chick lit. I highly recommend it for anyone whose is seeking a paranormal-romance, especially for those who are looking for a fictional role model to inspire them as they hone their psychic abilities.

Winter, by Jo Graham

Winter: Rituals to Thrive in the Dark Cycle of the Saeculum, by Jo Graham
Llewellyn Publications, 0738763712, 211 pages, 2020

I was intrigued by the title of this book and looked forward to diving into it to familiarize myself with the saeculum in general — the season of Winter specifically. I had no knowledge of the concept of the saeculum, first mentioned by the Etruscans but also written about by the ancient Greeks and Romans. Saeculum roughly translates into the expected lifetime of an individual (80 years). It is based on the cycles of the Great Wheel that, if we live to 80 and beyond, we will experience during our life lifetime.  In Winter: Rituals to Thrive in the Dark Cycle of the Saeculum, Jo Graham does a marvelous job of detailing out the concept of saeculum and also explaining each season of the Great Wheel, including what to expect. She also goes back in time to what happened during each season in both recent and ancient history to help us understand the current time of Winter.

As Graham explains, the Romans called this 80-year cycle the Great Wheel, or the wheel of generations. The Great Wheel is aligned with the seasonal nature of all life. Each cycle of the Great Wheel lasts roughly 80 years, and each of the four seasons within the Great Wheel cycle lasts approximately 20 years. Each season is further divided into periods of 10 years, including Imbolc, Belatane, Lammas, and Samhain. Therefore, we are all born in a certain season in the cycle of the Great Wheel. Graham provides charts to determine in what season you were born. I was born in Spring of the current cycle. Therefore, I experienced my youth in Spring, adulthood in Summer, maturity in Autumn, and am now entering old age in Winter. I admit gasping at being categorized as being in Old Age, but in terms of the Great Wheel, we all get to live through each of the four seasons if we are blessed to live to 80 (at which point the cycle begins again). “Every eighty years we pass through what the Classical Greeks called ekpyrosis, a destruction by fire that then allows for rebirth and the growth of new things.” 2

Graham also breaks down how each of the so-called age groups (Millennials, Baby Boomers, Gen-Xers) are going to meet the Winter (the season in which we are living now) challenges in their own unique ways. According to the Great Wheel, we entered the season of Winter around 2010. In 2020, we are in Imbolc. Winter will be nearing an end in 2030. Graham goes into detail writing about how events that have occurred since 2010 are exemplary of things that happen in the season of Winter which, like anything natural, does not have a fixed start and end date. For example, the approach of Winter could be felt in the attacks of 9/11 and the stock market crash of 2008, which happened in Samhain in the Fall season.

Winter is divided into four sections: Introduction, The Crisis Approaches, The Storm Rages, and Aftermath. There is also an extensive bibliography at the end of the book. In each section, Graham describes what to expect in each phase of Winter, what happened in a Winter seasons in times past, and includes detailed rituals to help cope/survive and ultimately thrive during this season. In addition to explaining about the Great Wheel and the seasons, Graham also writes extensively in the Introduction about the last season of Winter, 1925 – 1945, which included the Great Depression and World War II. Definitely not good times for civilization. I shuddered to think that we are in this season again.

One ritual that Graham recommended in the Introduction was to help reconnect with ancestors who you know experienced the last Winter. Without going into too much detail, the ritual involved mask-making (how the Romans honored and invited in their ancestors) and also journaling to invoke our ancestors for counsel, wisdom, and ways to cope during Winter. I loved this ritual and was happy to receive guidance from grandparents and extended family who lived through this period. I was shown that while there was hardship, families worked together and everyone in the world was in the same boat – much like today’s Winter with COVID-19.

In the section titled “The Crisis Approaches,” Graham offers a broader picture of the last cycle of Winter. She also asks us to remember where we were when this current season of Winter began (around 2010), what we were experiencing in our life at that time, what our community, country, and the world at large was also was experiencing. She brings us back further in time through another journaling exercise to 2000, just before the start of the current Winter. When I sat quietly and journaled about this time, I realized that my 18-year marriage had come to a sudden end. As Graham writes, “Winter as a season is inevitable” and it always arrives. 6 

The first phase of Winter is what she describes as the “Gathering Storm,” 7 which is easy to dismiss as a gradual change in temperature, a few snowflakes. She encourages us to prepare for the Winter and not to be complacent and caught off guard. “We can get through Winter the same way our ancestors did: with planning, community, and faith.” 8 She also recommends journaling exercise with questions about our values. “Our values can help guide not just ourselves but those around us as we navigate this season.” 9 This exercise asks us to look at who we are now in this phase of Winter by answering questions on topics such as hospitality, honor, our relationship to the Earth, and how we feel about Pagan values. It was a very interesting exercise and I soon found out in the next section the relevance of the topics. As she cautions, “Remember, we cannot make good decisions about the events to come if we don’t realistically understand our own situation with its vulnerabilities and strengths and receive truthful information about events as they happen.” 10

In the section titled “The Storm Rages”, Graham helps us to prepare for the inevitable storm, including rituals to invoke Athena Strategos (for strength) and Hermes (for effective communication based on clarity and truth). She also asks us to choose what seeds we want to preserve through the Winter to plant in the Spring, not just for us personally but also for our country at large and includes a ritual to save these seeds. She also walks the reader through the process of creating a haven, once again not just for ourselves but also for others who might come to us seeking shelter from the Winter. There was a beautiful rite to Vesta to hallow the house, to protect it, and bless it, that I found quite moving. While the ritual is best done with a community, due to the pandemic I did this alone and found it equally as beautiful and beneficial. I especially like the direction to keep a candle burning (artificial) throughout the night.  

Heroes are needed to get through the Winter, and the final chapter in this section deals with different types of heroes. Graham offers an exercise to determine the type of hero we are based on our temperament. Ideally, we will want to be in a community of heroes who possess different skills and strengths: communicator, warrior, helper, and conservator. The exercise revealed that I am a helper warrior. Graham includes a ritual to make a bracelet to wear as a reminder of our hero skill-type; also recommended is a community-based ritual to help all of us carry out our unique roles depending on our hero-type. 

The final section is “Aftermath”. Jo includes a meditation to help us move from Winter into Spring. Included is a ritual to bring forth the seed we saved and preserved and how to decide how and when to plant it. There is also a ritual to welcome the returning Winter warriors and to honor the departed who did not survive the season. Graham concludes Winter with rituals for invoking Concordia, the daughter of Mars and Venus to “rule our interactions so that the world to come is the best we can make it” 11 and a ritual to banish Discoria, or lawlessness.

Do not expect Winter to be a quick read. I recommend reading each section slowly and engaging in the rituals, exercises, and meditations that call to you. It would have been personally helpful if I had read Graham’s first book, The Great Wheel, to have had an initial fuller understanding of the natural cycle of the Great Wheel. No doubt, the topics covered in the book are heavy, for Winter is not to be trifled with. At times, I found myself depressed, especially in reading that the coming years are those of cataclysm. But it also helped me put into perspective what is happening in the country today in terms of bad communication, unrest, a lack of empathy and civility, a pandemic, and governments turned on their heads. I very much enjoyed that Graham asked me to remember via a journaling exercise that my grandparents and extended family came through the Winter. It left me with hope that “in the early 2030s we will be charting new courses socially, economically, environmentally, and physically. Spring will be fully upon us.” 12

Cosmic Dancer Oracle, by Sedona Soulfire and Tess Whitehurst

Cosmic Dancer Oracle, by Sedona Soulfire and Tess Whitehurst, illustrated by Elinore Eaton
Llewellyn Publications, 0738767107, 44 cards, 148 pages, 2020 

The Cosmic Dancer Oracle by Sedona Soulfire and Tess Whitehurst perfectly captures the soulful integration of mind, body, and soul. This deck is a mixture of radiance and delight, as the cards beautifully show the flow of energy within the relationship between body and spirit. Elinore Eaton, the deck’s illustrator, has magnificently expressed the dynamic rhythm of the movement as a form of self-expression in this illuminating, brightly colored work of art. Working with this deck has been an exciting journey, as it’s invited my body to participate in the process of connecting with the unseen to glimpse the answer I seek and revitalize my spirit.

I’ve always enjoyed exploring my intuition through my body. I actually wrote my thesis on the importance of teaching in a way that promotes one’s kinesthetic intelligence, or the body’s knowing, as a learning tool. This project evolved into me dancing the principles of eco-psychology and documenting the self-reflection process. Countless hours were spent discovering my body’s intelligence, while also researching how impactful dance can be as a form of therapy. It is for this reason that I absolutely adore and appreciate Soulfire and Whitehurst’s intention in creating this deck.

As the introduction states, “Life really is a dance. Sometimes it’s time to sparkle and shine, and sometimes it’s time to retreat and recharge. Some days you’re called to lead, and others you’re called to follow. At times it’s appropriate to improvise, and others call for well-practiced choreography. What’s more, invisible currents of energy and vibration coalesce in ways that create and animate everyone and everything in the Universe (seen and unseen), even the passage of time.” 10 This deck has done a wonderful job of portraying this sentiment visually, while also providing guidance for the reader to use movement to anchor the oracle cards’ messages in their own body.

There are 44 cards in the Cosmic Dancer Oracle, and every single one is unique. The deck truly represents the range of emotions people are able to share through their bodies. Blending cosmic energy and elemental power, the cards offer the reader intuitive images that are sensational visual representations of dancers using movement to embody a sacred oracle message. Truthfully, the artwork on the cards is some of the best I’ve ever seen in an oracle deck. Looking through the deck, each card fills me with the excitement akin to going to a museum exhibition of my favorite artist. Eaton’s imagery activates my psyche and speaks directly to my soul. Some cards make me want to get up and dance, while others help me to honor the need to rest. As I look from card to card, each one’s energy activates both my body and intuition.

The accompanying guidebook is uplifting and straightforward in the guidance offered. Messages affirm the importance of ancestry, offerings, surrender, and creative flow. It feels as though I am receiving a gentle spiritual reminder when reading the message for the cards I’ve pulled that help me to shift my focus towards love, openness, and unity with the current situation I am inquiring about. The guidebook’s messages further help to facilitate connection to one’s body by offering a movement, pose, or dance for every message. I’ve really enjoyed following the guidance and doing this, as I feel like it imparts the cards within into my embody reality.

For instance, the card I pulled today was Clear The Vessel. This was very apt to how I was feeling, as I had just finished deleting emails back to 2018 to do a bit of techno-cleansing to prepare for the new year. The guidebook offered a breathing posture of moving into a stance with my feet shoulder-width apart, extending my arm upward, pressing together my index finger and thumb, and doing rapid breathing. As I did this pose, I instantly felt my energy becoming grounded and excess energy being released through  my body. It made me feel purified, relaxed, and ready to move onto my next task.

Overall, Cosmic Dancer Oracle is a wonderfully intuitive and well-integrated deck. I highly recommend it to anyone looking to add a bit of mystic movement to their life. The artwork is gorgeous and makes it so this deck can be used for oracle reads, meditative visualization, and altar creation. All my readings with the deck thus far have been just what I needed to hear in the moment. This is definitely a deck that’s not going to get dusty, as I’m sure it will be used it frequently.

Year of the Witch, by Temperance Alden

Year of the Witch: Connecting with Nature’s Seasons through Intuitive Magick, by Temperance Alden
Weiser Books, 9781633411876, 224 pages, 2020

Year of the Witch: Connecting with Nature’s Seasons through Intuitive Magick by Temperance Alden is a charming yet quirky little book.  I say little because the book itself is a comfortable, hand-held size with wide pages and margins roomy for note-taking.  It makes the experience of reading it more pleasurable.  I selected it thinking it would be a guide to practicing with the pagan sabbat days, like Beltane and Yule.  It is, but it takes a meandrous journey getting there.  The author’s thesis is that a witch can customize their experience of “the witch’s year” to be an authentic communion with the Earth and not limited to a conceptual celebration of holidays reflecting seasons that do not align with lived experience in one’s locale. 

For example, the author resides in South Florida, and moved there after living in Montana – so her experience of autumn has varied widely.  She wants witches and people exploring a witchcraft practice to feel empowered to claim their own sacred Earth holidays.  Therefore, her personal annual celebration of seasons includes “Shark Season” and “Avocado Harvest.”. 13

Alden makes it clear from the get-go that her aim is for fledgling witches to develop a connection to the Earth and an appreciation for local nature spirits. She goes into great detail towards what this practice entails, beginning with what I found to be the very best explanation of what intuition is that I’ve ever come by (and a message I very much needed to hear):

“The most common questions asked by those beginning their paths of witchcraft usually boil down to a variation on ‘Am I doing this right?’…. These questions often indicate that someone is going too fast down the path…and trying to run before they learn to walk’…. It is necessary to first learn how to distinguish between the voices of anxiety, ego and intuition…. Intuition is the literal gaining of knowledge without any conscious thinking or reasoning.  Intuition hardly ever comes in the form of an impulse. More often it feels like a lazy afternoon breeze flowing through our lives without any effort.”14

In Chapter 2, “Cycles, Seasons, Death and Rebirth,” she talks about hormonal cycles, the cycle of the seasons, cycles in climate, and astrological cycles as well.  Here, the book takes a sharp and unexpected twist when [TRIGGER WARNING] Alden reveals that she does not believe in climate change and cites some academic sources to back up her point of view!!!  This is not what most readers seeking guidance on how to work with earth-based witchcraft are going to expect, and frankly I don’t know what to say about this.  We are all entitled to our opinion on whether the science supporting the actuality of climate change is accurate, but in this book, her opinion stands out like a big yellow caution sign.  Everything else in this book is wonderful (if not a bit divergent at times), but throwing climate change denial at an unsuspecting reader bites a bit.

From there in Chapter 3, “Elemental Magick,” Alden goes on to explain the elements — earth, air, fire, water and spirit — and their role in magic work. In Chapter 4, “Sheparding the Land,” she comes across as a true eco-activist, insisting that students of her magical-methods make it part of their spiritual work to create ways of reducing their footprint on the earth, such as not using single-use plastic water bottles, and buying seasonal produce from farmers instead of shopping big box grocery stores. 15

My only other criticism of Year of the Witch, is that in Chapter 5, “At the Gates of Witchcraft,” Alden deep dives into a rant about being called a “plastic witch.”  She accuses witches who use this term insultingly as spiritually bypassing their privilege.

“I believe the term plastic witchcraft is twofold in its meaning. First ‘being plastic’ refers to being superficial and fake. Second, [it] refers to using plastic products. However, the term itself is very condescending and shows an aggressive amount of spiritual bypassing. [It] allows for more privileged witches to ridicule and scorn less fortunate witches.” 16

For a moment, I forgot I am a 46-year-old woman reading a spiritual book of my chosen belief-system from the comfort of my favorite armchair, and I was transported into my 16-year-old-self up in my bedroom flipping through the latest issue of Sassy Magazine and reading an essay written by the staff intern who just passed Psych 101 with a B+.  All I have to say about that is I think this book aims at a younger audience….

Finally! After all that drama, and through some delightful ideas about creating altars and building spiritual gardens outside, we get to the end of the book where Alden presents the traditional “year of the witch” and explains the eight sacred sabbaths: Samhain, Yule, Imbolc, Ostara, Beltane, Litha, Lughnasadh, and Mabon.  For each holiday she goes into traditional lore and a suggested practice for celebrating.  The chapters are brief, but they are well referenced and offer some fun ideas, such as bread-baking recipes to celebrate the harvest feast at Lughnasadh (also called Lammas).

Alden’s ending conclusion in Year of the Witch is that if you are a witch living in a region with a climate differing from the classical four-season year, you can make your own holidays and create your own personalized “year of the witch” to follow.  Adding to the overall charm, she put in a recipe to make your own Florida Water and also for cascarilla powder in the appendix, along with a calendar of all pagan holidays celebrated in different countries around the world.  Overall, this is a fun book!

Astrology’s Higher Octaves, by Greg Bogart, Ph.D.

Astrology’s Higher Octaves: New Dimensions of a Healing Art, by Greg Bogart, Ph.D.
Ibis Press, 9780892541935, 232 pages, November 2020

Astrology’s Higher Octaves: New Dimensions of a Healing Art by Greg Bogart, Ph.D. is a must-read for astrologers! I finished it earlier today, after savoring it over the course of this week, and am still processing all the revelations I’ve had as a result of Bogart’s incredible knowledge and expertise of astrology. While it’s not exactly a linearly progressing book, each chapter has its own theme, I deeply enjoyed reading Bogart’s insight, which he conveys with humility, humor, and profound self-realization.

The content of this book is so utterly refreshing to me because of the unique viewpoints Bogart puts forth about the practice of astrology and all its potential for personal growth, spiritual awakening, and aligned living. By the end, the reader gains an understanding of how astrology can tap us into the imaginal realm and also be the best guide for structuring our daily lives. The multi-facet approach depicts the usefulness of astrology on many levels, offering perspectives that invite an integration of mind, body, and soul as one looks towards the cosmos for answers.

To begin, Bogart describes for the reader his own personal journey that has led him to where he is today. As a therapeutic astrologer, Bogart incorporates psychology with mythic symbolism and astrological timing techniques in order to facilitate healing and stages of development in his client’s life. What really struck me about this is how well Bogart elucidates his methodology and clearly states how he uses astrology to facilitate emotional healing, spiritual growth, and expanded awareness with his clients, which is the primary focus of the next chapter.

Once the methodology is clearly laid out, Bogart bridges therapeutic astrology with dream interpretation. Drawing on the work of Carl Jung, Bogart examines how archetypal energy of the planets is easily expressed in dreams and can help to journey deeper into the mythical experience of working with energy of certain planetary transits. By combining astrology and dreamwork, he helps clients to develop awareness of the unconscious energy within their psyche and in turn have more agency in the co-creative expression and manifestation of these archetypal energies at play in their lives. I personally loved his thoughts on the topic because my entire time in graduate school for depth psychology, I was also studying astrology and directly saw the link between these two fields. I wholeheartedly agree with Bogart as he writes, “In the future I believe the link between astrology and dreams will become a major focus of depth psychology.” 17 Yes, thank you, more please!

From here, the book becomes a bit more grounded and practical as Bogart describes his use of diurnal astrology. This is my only caution about this book: sometimes the material may be over the head of someone just learning astrology. For instance during this whole chapter, Bogart doesn’t explain how one might create their own diurnal chart and for someone who doesn’t fully grasp the transits of planets yet, this section may be a bit advanced. That being said, it was refreshing to read about someone else who lives their life by the stars! Bogart’s explanation of how different plants influencing angular placements in the chart invite different types of energy into the day. He gives all sorts of examples about how the harmony or disharmony of the planets crops up in daily life, and also offers insight on how to best navigate the different energies to find a feeling of flow and alignment with the current moment in time.

In the following chapter, spanning nearly 70 pages and by far the longest in the book, Bogart dives into the topic of vocational astrology. I found this section absolutely fascinating, but that could be my 5-planet 6th house Capricorn stellium speaking, being mercilessly transited by Pluto and squared by Mars in Aries nearly this whole past year. Did I mention Uranus is hanging out in my 10th house? Career stability is something I could use some insight on! All joking aside, this section was truly phenomenal. I appreciate Bogart’s approach because he fills the chapter with dozens of anecdotes and charts for the reader to look at, which really helps with getting a visual for what he’s describing, of both his personal clients and celebrities. Once again, I have to say this section may be over the head for someone who is not familiar with the different planetary aspects (conjunct, opposing, square), but still feel there’s value for even a novice astrologer in this chapter if only to gain an understanding of the premise of vocational astrology. The whole chapter is packed with insight about different models used for assessing one’s vocational type, reference to work of other astrologers who have written on this subject, and in-depth chart analysis.

The book concludes with a chapter on Bogart’s evolving focus on the music of the cosmos, or the sound of astrology. This chapter is simply mind-blowingly amazing. While I’ve read about the harmonics of the universe before, Bogart’s description of how music and astrology can co-evolve together made me perceive the subject in an entirely new way. He writes, “Music and astrology have the power to awaken us to states of consciousness outside the mundane, the profane, to tap our sense of the sacred, our perception of a greater beauty and harmony.” 18 Reading about Bogart’s ideas of weaving together the components of music (tone, rhyme, tempo) with the movement of planets made me wish I could hear the sound of my own natal chart, and I’ve been trying to imagine what it would sound like ever since! I look forward to his new direction and hope it generates a new book sometime down the line. There’s a lot to explore here and all music lovers will appreciate Bogart’s insightful perceptions of link between astrology and sound.

My favorite thing Bogart said in the whole book was about the need to have both structure and improvisation in astrology.

“Rather than just repeating what we’ve read and staying in interpretative ruts, it’s possible to improvise and say something new, bold, and edgy, as long as it’s in alignment with the astrological symbolism. That’s the main parameter — that we stay within the form and that we don’t just make things up. That’s part of the astrologer’s ethical responsibility: to be true to what the planets indicate.”19

All in all, Astrology’s Higher Octaves is a wonderful read for those looking to explore new dimensions of astrology. It teeters on the edge of the field, and gently pushes new boundaries, backed up with a beautiful blend of Bogart’s research and intuition. I was actually so moved by reading this book that I decided to sign up for a year-long program at the Portland School of Astrology, finally taking a leap of faith towards furthering a career in astrology combined with my background in depth psychology due to Bogart’s inspirational writing. I’m excited to see what Bogart has to share in his next book and will certainly be getting a copy of his previously published book Planets in Therapy. He is a wonderful guide for people seeking to explore the realms of psyche and expand their perceptions through astrology to create a meaningful, fulfilling life.

Dreams, by Mary Phelan

Dreams: Exploring uncharted depths of consciousness, by Mary Phelan
Mandrake of Oxford, 1906958985, 240 pages, November 2020

I decided to read Dreams: Exploring uncharted depths of consciousness by Mary Phelan because I’m in the midst of an 8-week course with Robert Moss, a pioneer writer in the field of dreams, and am finding myself seeking other perspectives to supplement what I’m learning. I figured Phelan, who has documented all her dreams for 11 years, might have the insider perspective I was seeking! Reading Dreams, it became very evident that her dedication to analyzing her dreams has yielded impactful information that has assisted her in navigating life’s twists and turns. Luckily, this book offers methodologies for readers to effectively understand the messages of their dreams and the great wisdom they hold for us. It was a wonderful complement to the exercises, activities, and dream-timing I am doing these days.

What stands out most about the content of Dreams is the way Phelan recounts her personal experiences to assist the reader with making their own connections to their internal world. Discussing the content of dreams isn’t alway easy, as it calls for a different type of thinking: the mythic, poetic, and creative side of our brain. Phelan helps the reader to get into this state of mind by referring to the great works of Shakespeare and other artists to awaken this mindset for us. She also refers to the work of Sigmund Freud and Carl Jung to illuminate the connection between our subconscious and conscious mind. There is quite a bit of focus on the concept of archetypes and the individuation process, especially as it pertains to fairy tales.

Drawing on examples of ingenuity that were prompted by dreams, such as the invention of the sewing machine, Phelan asserts that success in life comes to those who nurture their ability to discern the subtle prompts of their subconscious. A dream isn’t simply random images that appear in your slumber, it’s a jam-packed reel of scenes, feelings, encounters that when examined can lead to revelations about your waking life. Phelan devotes a good portion of the book to describing imagery, settings, and relationships that occur in dreams to explain their web of possible meanings. She has a wealth of experience to share about how she would interpret a dream and, as a result, was able to capitalize on something in her waking life.

A strong sentiment that Phelan conveys in the book is that one must take action in order for this process of working with dreams to be effective. Yes, most people naturally dream every night, but there’s a whole slew of ways to improve one’s ability to have dreams and successfully recall them. Some examples are getting enough sleep, not eating or exercising too close to bedtime, having an evening routine. It is also vital for one to put in the effort of tracking their dreams, both big and small, in order to be able to track on-going patterns. One way she suggests doing this is by having a dream notebook.

Then the most important step follows: taking action on what the dreams reveal! As much as you are prompted and prodded in your dreams, nothing will actually change or manifest without acting on the knowledge that has come through the dreams. I enjoy this reminder because sometimes I do not take the time to reflect on my dreams, especially on a busy morning. By taking the time to slow down and create an intentional practice, I have already started to be more aware of the content of my dreams and piece together the bits of information I receive while asleep.

The other point Phelan repeatedly brings up in the book, truly more of a warning than assertion, is about keeping one’s dreams secret and only revealing them to a trusted few. I was intrigued by this because I’d never heard any other dream practitioner offer this caution to the dreamer. From what I’ve studied, in certain cultures, such as the Australian Aboriginal, discussing dreams is part of the social bonding. Families will discuss dreams every morning to piece together the information they are receiving to assist the community as a whole by connecting the dots to see a bigger picture, or sometimes messages are sent through the dreamer to share a message with a relative or friend. 20

However, Phelan takes the approach that because dreams contain such sensitive subconscious information, one must be careful who they are shared with. Before sharing your dreams with another, it is worth reflecting on how much of your personal life you are comfortable with this person knowing, and whether they are truly someone you can trust to hold space and respect the content of your dreams. Furthermore, Phelan brings up a wonderful point about how speaking your dreams too soon – before you’ve fully figured out their meaning – can make them confounded with someone else’s interpretation. Above all, Dreams helps the reader to value their own ability to decode the messages of their dreams and respect just how valuable the insight contained within them can be. Thanks to Phelan’s insight, I now can respect and value the aspect of silence regarding dreams and hope to better sense when it is appropriate to share and when it is not.

My only reservation about this book is that at times it can feel a bit scattered. Phelan has packed in so many topics, ranging from the science behind why we dream to the effectiveness of dream catchers to an analysis of the story “Aladdin” that it becomes hard to fully follow along with ease. Sometimes it felt like the book was here, there, and everywhere, with very abrupt transitions from one focus to the next. This may be because I prefer to go deeper into one topic, rather than explore a variety of topics quickly. For instance, there’s a chapter titled “Cosmic Dreams,” which delves into astrology, astral bodies, and aliens, that is followed by “Sleep Disorders and Nightmares,” which describes the phenomenon of sleep paralysis and other sleep disorders. The smorgasbord of it all can feel a bit overwhelming when not in the right headspace to be integrating so much knowledge at once. For those who like to move slowly and really dive into a subject, this book may be too much to handle.

Additionally, although Dreams is meant to empower readers to discern their own meaning of dreams, Phelan shares a lot of personal examples about how she’s interpreted things and not as much insight on how someone can do this for themselves. The amount of archetypal explanations of possible meanings for situations, scenes, and objects in dream described in the book seems like it could steer a reader away from figuring out their own interpretation. I hope new readers are able to use her personal experience as a model without resorting to it in order to draw upon her pre-made associations to interpret their dreams. There is a chart at the end with all types of objects, places, and situations that may appear in one’s dreams. While this tool may be a good starting place, it also seems contradictory to Phelan’s advice to figure out your own personal interpretations because every symbol will have its own meaning based on your personal experience and mindset.

Overall, Dreams: Exploring uncharted depths of consciousness is a candid depiction of Phelan’s journey and process of working with dreams that is a suitable read for beginner or advanced dreamers. It is well-sourced and packed with scientific data, psychology knowledge, and personal experience that offers a strong framework for someone who is seeking to develop their own practice of working with dreams. Phelan effectively conveys how this work can be used for deepening one’s self-knowledge and empowering oneself by getting in touch with the internal guidance of dreams. If you want an overview of all the different facets of dream exploration, this is a good choice because it spans many topics in an introductory fashion that will help you get started in doing your own dream analysis.

The Heart Path Oracle Cards, by Nadine Gordon-Taylor

The Heart Path Oracle Cards, by Nadine Gordon-Taylor
Bear & Company, 1591433903, 53 cards, 128 pages, September 2020

The Heart Path Oracle Cards tell stunning, evocative stories through rich imagery. Nadine Gordon-Taylor, artist and author, offers us the beauty of the natural and the mythic world with incredible technical skill and a visceral understanding of color. Each of these 53 cards holds the galaxy within them.

Gordon-Taylor is able to render exquisite details in a surrealist landscape. Her intimate understanding of the natural world allows this vivid imagery to come alive. The images themselves are portals, offering an initiation into the energy they hold. Each card comes with text that aids you in understanding the transmission of the image if this visual way of understanding the universe is new to you. The visual depth of each card also allows you to put the book aside for your own journey and information to emerge. 

Gordon-Taylor holds an MFA and EdD. She is a classically-trained visual artist. She has a depth of knowledge of both the natural world and the mythological one. The accompanying book offers a vivid description of what is held within the card itself. She includes a channeled message of the card as well as an affirmation to anchor the energy of that card in your body. It is a helpful tool, particularly if you are a beginner in using oracle decks, to deepen your intimacy with yourself and with the more than human world.

I confess, I quickly put aside the booklet, more drawn to the imagery than the writing. As someone who sits with clients regularly, tarot or oracle deck in hand, I found that these cards deepen the divinatory and narrative arc of the reading. They are generous in how they invite you into the mysteries of yourself, of the natural world, of the cosmic and elemental energies swirling around us just waiting to be acknowledged. 

One thing I loved about this deck as I sat with clients is how deftly it moved from the mundane to the inner realms of the heart to the outer realms of the galactic. Each card holds the human-being experience, and how it is that we root into the earth and reach up to the stars. 

As a white person working with a variety of decks, I appreciate in this deck that there are different races and ethnicities as well as some variation in body size.

There are some cards that feel like initiations into the deeper mysteries. Some cards that remind you it gets better. These cards can be an instruction on your spiritual path. “Programming your Highest Intentions” is a card that invites you to use the power of intention to change the reality of your everyday life. There is a playful irreverence to some of the messages. This artist allows vitality and play as a through-line to her work. 

My favorite card, “The Connection” invites you to take deep breaths. A woman-tree at the center of a grove of trees is circled by lambs and her tree family. Above, helping guides offer peace and love. The trees themselves take the shape of a heart. The use of light and shadow brings both grace and soft intensity. It reminds you that you are always held in the nest of the universe. 

The guidebook is practical and accessible as it speaks to these great cosmic archetypes and energies. It is a tool that will meet you where you’re at and invite you to go deeper into what you are seeing and feeling with the imagery. There is a glossary at the back of the book to support you in your growth and learning, if you come to these cards as a beginner. I celebrate the work to take these profound energies and make them accessible. 

Each card is laid out so that the painting fills the majority of the frame. The text of the card gives both title and baseline instruction. Take deep breaths, setting boundaries, manifest your dreams, birthing a new life. In this way, you can be in imaginal space and communion with the card without having to refer to the book. The book will take you deeper if you desire it. For me, the style of writing didn’t land with how I receive and understand information. 

The Heart Path Oracle Cards are truly for anyone who wants help in deepening understanding the messages of love that are offered to us from the unseen world, from the natural world, from our own bodies and hearts. It is a fantastic beginner deck because it delves into profound concepts in accessible ways. For me, this deck inspires me to get outside, to breathe, and to remember my vital, small role in the great organism of the universe.