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Tag Archives: witchcraft

Cackle, by Rachel Harrison

Cackle, by Rachel Harrison
Berkley Publishing Group, 0593202023, 304 pages, October 2021

I was in a mood yesterday, but a quick trip to the library always changes that. Cackle by Rachel Patterson had arrived for me. As soon as I got home, I dove in. Once I started, I couldn’t put the book down, and I finished by the early evening. This book was just the reminder I needed of how empowering it can be to fully utilize my own magic and not shy away from power.

The basic premise of the book is the main character, Annie, is going through a break-up with her beau of a decade. It’s rough and she’s truly on the struggling bus trying to cope, drinking too much and feeling very despairing about her singledom. Since she can no longer afford New York City rent, she takes a job in upstate and moves to a small town named Rowan. Immediately, she loves the charm and small-town feel of Rowan.

Her impromptu meeting of Sophie, the most well-known woman in town, helps her to establish herself in Rowan. But there’s something odd about the way the townsfolk treat Sophie. Annie chalks it up to a mixture of reverence and fear, but Sophie is so doting towards her, she enjoys the company regardless. Annie is one of those people that seeks validation from others and prefers company over being alone.

When she’s not putting herself down, she’s usually crying over her ex-boyfriend Sam. Honestly, at times her depressed, self-depreciation did seem a little old at times, but I think it had its place within the overall context of the novel. And Annie is at least funny, so at times her distorted self-image is a nice comic relief. If we’re honest, many of us have gone through what Annie is experiencing, feeling lost, confused, and unsure of ourselves and the path forward.

Despite all of the emotional turmoil in her life, Annie quickly becomes best friends with the mysterious Sophie, who happens to live in a giant, haunted house in the middle of the woods. Sophie loves sweets, often baking for Annie, and Britney Spears. She’s caring, wise, and just a little intimidating with her subtle jokes of eating hearts and all-black wardrobe. But Sophie looks out for Annie, taking her under her wing, and even curses those who are unkind to her.

Sophie also has the ability to control spiders, so this book will definitely make you see arachnids in a new light. Just an FYI, in case you’re not a spider person! I for one loved all of it and just can’t stop imagining having a cute spider pet now.

As Annie’s relationship develops, she discovers new parts of herself. While she still pines over her ex, just like many modern women who had dreams of a marriage and family, she also starts to realize she has her own power. Power to indeed cause harm to those who bother her, as well as making objects float to her. As if this all isn’t enough to contend with, Annie realizes there are those in town who do not trust Sophie. She must decide for herself if her new bestie is honest and trustworthy, as some townsfolk say otherwise.

Like I said, I read this book quickly, and that’s mostly because it’s one of those chick-lit fiction books, which I have to say I love. Annie has a typical “basic” girl attitude and through surrender is able to discover a whole new power within her. The term “witchcraft” is barely used, as Sophie doesn’t like the stigma associated with it.

In reality, she’s nothing more than a woman who truly owns her desires, doesn’t settle, and is content to be fully in her own power. She’s unafraid to stand up for herself to those who seek to hurt her and finds no reason to shrink herself to please others or make them more comfortable. As Annie learns to do the same, she realizes there might be no turning back.

The revolution of women deciding they want to claim their happiness and be powerful, whether it intimidates others or not is the most potent magic. And Harrison has captured this journey perfectly in Cackle.

Another aspect of the book I really liked is that Sophie and Annie enjoy playing dress-up, dancing, baking or getting drunk together, and simply spending quality time with each other. Cackle celebrates modern-day female friendship, not through bonds of solidarity, but through simple care, nurturance, and honesty.

Sophie is a friend who knows when Annie needs psychedelic mushrooms, whiskey, or simply hot tea. She also doesn’t mince her words and is quite openly against Annie’s pining over Sam, making her new clothes and even cutting her hair. Cackle portrays all the small ways female friends support each other that make all the difference. While it might be hard to see how one is changing post-break-up, with the support of Sophie, Annie emerges a new person. At its heart, this story has a strong theme of friendship, women’s empowerment, and a sprinkle of magic!

The final thing I’ll note that I enjoyed is how magic was not portrayed as malevolent or benevolent. Sophie openly feels comfortable using her power to curse, choke, and probably even kill those who seek to do her wrong. Soon, Annie is learning how to do the same thing. I liked that Cackle wasn’t afraid to show women standing up for themselves and that the full range of supernatural powers was acknowledged without judgement. Sure, at first Annie was a bit taken aback by what she could do, but in time, she learned to wield it wisely.

I think it’s important to know how to both manifest your desires and use your energy to keep that which seeks to harm you at bay. Inevitably, there will always be something a little bit scary about a woman who is fully in control of herself and willing to own this power. It’s the classic witch motif that has caused men to shiver for centuries, but is that a reason to stay small?

Us modern-women of the 21st century think not! And for those of us who need a little self-esteem boost, or a reminder that we can choose who we give our energy to and rewrite our story at any time, Cackle is the book for us! Harrison has done a marvelous job of mixing modernity and magic to inspire us to believe the two can co-exist, even if only in fictional tales that inspire us not to seek our happily ever after, but the true witch within.

The Once and Future Witches, by Alix Harrow

The Once and Future Witches, by Alix E. Harrow
Redhook, 0316422045, 528 pages, October 2020

Embracing the season of the witch, my book club picked The Once and Future Witches by Alix E. Harrow for our October read, and I am in love! This is such an empowering tale of women finding their strength, courage, and magic to change the world. It’s a reminder of what happens when women from all walks of life embrace witchcraft and join together to raise hell!

At a whooping 528 pages, this book wasn’t just a rinse-and-repeat story with the typical exposition, rising action, climax, and resolution. There were so many twists and turns along the way, which made it a really lovely read to sink my teeth into. I knew this wasn’t a book I was going to tear through, and this opened me up to embracing all the characters that I’m sure will live on in my heart for quite some time.

This is a tale of the three Eastwood sisters, Agnes, Beatrice, and Juniper, who are reunited in New Salem under magical circumstances. Having all escaped the wrath of their abusive father, the girls are each making their own way in the world: Agnes as a mill girl, Beatrice as an assistant librarian, and Juniper as a good-intentioned suspected criminal on the run. As fate would have it, Beatrice chants secret hidden worlds that bring back the lost tower of Avalon, a place that was banished the last time it was called back by witches in Old Salem, leading to the great purge of witchcraft.

Suddenly, the sisters are brought back together, though not without their share of quarrels and hard-feelings between them. Juniper, who has taken up the cause of women’s suffrage, is set on using magic to further the rights of women. Bella, though hesitant to be drawn in, is obsessed with collecting witch-stories and tales. As witches know, all that is required is the will, the words, and the way. Together, the sisters use their strengths to create their own group of witches and start to wreak mayhem in the town.

Mayoral candid Gideon Hill is dead-set on capturing the witches and bringing them all to justice. There’s an oddity about him, and the shadows of the town seem to obey his will. However, this doesn’t stop these women from advocating for the ways of witchcraft to be brought back. And there’s just so many twists and turns, with a whole lot of love — both romantic and sisterly!

I won’t get too far into the plot, because as mentioned already, it’s a long book. But I will rave about it from the stance of a witch. It did a really good job of portraying witchcraft as inclusive, open to everyone regardless of their social status, ancestry, and even gender. The book is filled with spells, fables, and fairy tales – all with a witchy spin to them. It makes one proud to be a witch, and I wish more women could unite under common causes to protect one another.

The book also draws heavily upon the maiden, mother, crone archetype, as well as the united three-circle witch’s mark. There’s a mixture of academic witchcraft aka grimoires and arcane spellwork with witchcraft that is only spoken and passed down through oral traditions. I especially liked the focus on the Daughters of Tituba, which is an African-American group of witches that the Eastwood sisters become involved with.

Another aspect I liked was how magic was used for social justice. As many women in the book acknowledge, small spells are mostly for mundane things, such as whitening the laundry or keeping one’s hair in place, but as the women share their words and ways with each other, they discover that bigger change can happen through magic. I love reading about women working together, understanding each other’s plight, whether it be as a mother, abused daughter or wife, or part of the LGBTQ community .

There’s a strong acknowledgement of the desperation that often leads one to tap into magic in order to create a path where one was not before. This book isn’t about girls who “do the right thing”, it’s about the women who decide to claim their power in a world that refuses to give it to them. I felt very sovereign reading about these badass witches who didn’t back down and kept witchcraft alive even in the face of adversity. They didn’t adhere to stereotypes, but were happy to throw them in other’s face with their pointed hats and broom flying.

I highly, highly, highly recommend this book for anyone who’s into witch-fiction. Once and Future Witches one of the best books in this category I’ve ever read. There’s so much beauty, love, and magic interwoven in the pages; every reader’s heart will certainly swell, as their magic grows. This powerful read will remind you of what can happen when you choose a life of magic and decide to stand in solidarity with a community to achieve so much more than you ever could on your own. All the while, teaching the importance of healing old hurts, forgiving the past, and opening one’s heart to learn to love again. <3

Seasons of the Witch: Yule Oracle, by Juliet Diaz and Lorraine Anderson

Seasons of the Witch: Yule Oracle, by Juliet Diaz and Lorraine Anderson
Rockpool Publishing, 1925946223, 44 cards, 144 pages, September 2021

Even though we are quickly approaching one of my favorite sabbats, Samhain, my mind recently has been wondering towards Yuletide already. This is because I’ve been doing daily pulls from Seasons of the Witch: Yule Oracle by Lorraine Anderson and Juliet Diaz. While I know the first deck in this series, Season of the Witch: Samhain Oracle, might be more appropriate for the current season, I haven’t made the switch just yet. The insight I’ve been receiving from Seasons of the Witch: Yule Oracle is just too good to await the winter to use!

I want to start off by saying the deck is absolutely beautiful. With gilded green edges, it feels like I’m holding a shiny present in my hand. Images of candles, Fir trees, and furry animals make the deck come to life. There’s a gentle warmth that radiates from the deck, which reminds me of the sense of community and hope that we naturally call on to make it through the dark days of Winter. Simultaneously, cards such as Solitude and Crone remind us of the inevitable necessity of going inward and facing one’s own depths during this season too.

As I look through the deck and do my daily pull, I find the oracle cards perfectly capture all the cozy, snowy, magical feelings of the Yuletide season. I am genuinely impressed with Anderson and Diaz’s choices for card names, such as Chills and Ringing of the Bells, which instantly tap me into the sensation of Winter. I enjoy how the deck includes Reindeer Medicine and Bear Medicine, along with Poinsettia, Mother Mary, and Father Christmas.  The cards are a soulful reminder of all the special parts of the Yuletide season for one’s craft. As the authors write:

“Christmas is a Christian tradition but its roots are based in pagan ways. Familiar symbols such as Christmas trees, stars, lights, giving gifts, and even Santa Claus are threaded through pagan cultures and predate the Chrsitian celebration.”1

My favorite cards feature traditional Yuletide snowy scenes with silhouettes of a witch on her broom riding in the sky. The folklore of La Befana, the Italian Christmas witch, is near and dear to my heart, so I truly enjoy seeing a witch in action outside of the usual Halloween imagery. I like imagining there’s a Christmas witch that watches over us all, delivering presents of the heart to us as we are hunkered down inside for the cold Winter months.

Each oracle card features a beautiful image, the name and number of the card, and a short one-sentence oracle message. The guidebook then elaborates quite eloquently on each card, offering keywords and heartfelt messages that have been spot-on every time I’ve pulled a card so far. Along with advice for working with this deck, including spreads and magic tips for some cards, the guidebook is also filled with Yuletide imagery. It’s a pleasure to look through it, as images of mistletoe and holly line the pages. It’s worth noting this guidebook does not provide reverse oracle meanings as the guidebook for the Samhain Oracle does, but this didn’t bother me at all because I hardly use reverse cards in oracle readings.

One spread I really like is The Evergreen Wreath, which assists the reader in figuring out where they are now and where they want to go. Another one I thought is creative is The Christmas Cross Tarot Spread, based on the traditional Celtic Cross, but framed in the perspective of Yuletide (ex. Card 2 is Winter Storm, while Card 5 is Ghost of the Past), once again heightening the connection to the season. I’m also looking forward to The New Year Ahead spread once it gets closer to the start of 2022.

I’ve come to trust this deck, which doesn’t always happen instantly for me, and not just because my first pull was the card Squirrel Medicine, when squirrels are my favorite animal ever. It’s something more; Yule Oracle feels imbued with good vibes and an openness, which I believe stems from the author’s intention when crafting this deck. There is a really heartfelt section in the guidebook about reclaiming the witch, in which the authors write: 

“The way we view magic needs to change. It’s time to reclaim this world for yourself. To reclaim magic means to honor yourself through the magic you create. If your magic is pink and purple with glitter and that feels good to you, then it’s your right to express that magic in this way. If you love beautiful things and aesthetically pleasing design but are also a witch, know that your magic is no less valuable because you also value art. If your magic is about rolling in the dirt under a full moon to connect with the earth, then so it is. Your magic is beautiful in its dirty rawness.”2

This meaningful passage really made me appreciate the mindset of the authors. It also reaffirmed that my magic, which I will say leans towards the pink and glittery kind, is valuable, even if it’s not the traditional imagery of gothic witchcraft. I feel like there’s this greater reclaiming of our inherent magic, and within this shifting of the imagery, there is limitless potential of how everyone’s unique magic will be expressed. I have a lot of respect for Anderson and Diaz for acknowledging this as part of this introduction to this deck, especially since they also acknowledge the lack of diversity in Samhain Oracle.

All in all, I can say I’m in love with the Seasons of the Witch: Yule Oracle. There’s just something about the traditions and sentiments of this season that always brings up the good tidings. The range of oracles in this deck provide inspiration and divination from all sorts of guides: animals, sacred symbols, Yuletide folklore, and the simplicity of winter life. I think this deck will be the perfect present for Witch Switch gift swaps or to give as a meaningful gift to your inner coven of loved ones.

And, just to get you excited, I found out via Google that there will be a Seasons of the Witch: Beltane Oracle coming in March 2022! Woohoo! 🙂 I’m a very seasonal person, so it’s a thrill to have decks to embrace the energy of the season. Speaking of which, it’s probably time to pull out my Seasons of the Witch: Samhain Oracle!

The Age of Witches, by Louisa Morgan

The Age of Witches, by Louisa Morgan
Orbit Books, 9780356512587, 528 pages, February 2020

Horses, poppets, and duels within a family of witches? Add a splash of romance and you’re got the magical ingredients for The Ages of Witches by Louisa Morgan. This is a definite must-read for witchcraft-fiction readers. Featuring strong women protagonists and actual occult wisdom, this book was a lovely read. What’s best is that Morgan’s writing flows at a gentle pace, making it so I didn’t rush through it in just a day or two and allowing me to really get wrapped up in the tale.

The story is centered around young Annis Allington, who cares more for horseback riding than afternoon tea and marriage. There’s no riding side-saddle for this young lady; she has a natural repertoire with her horses and enjoys the strength she feels galloping around the streets of New York.

Unfortunately, her scheming step-mother, Frances Allington, has other plans for Annis’s life in order to fuel her own personal desire for a place among society’s elite. What Annis doesn’t realize is that Frances is a witch, who specializes in the use of the maleficia, or dark magic used to control others. Her specialty is working with poppets to control her target and make them bend to her will, which is how she landed Annis’s father as a husband.

Wishing to separate Annis from her beloved horse and lure her into a royal marriage, sealing a title to enhance the family’s reputation, Frances brings her to London to meet with a potential suitor. Well, from Frances’s point of view, the match will be guaranteed for she’s prepared to magically make it so, regardless of the feelings of either party.

James, who recently became the new Marquess of Rosefield, has the weight of the world upon his shoulders now that his family has passed. Coming to terms with the family’s dwindling finances and his father’s debt has put James in the position of having to make choices about how to best secure a future for the Rosefield estate. His mother, Lady Eleanor, eagerly and continually suggests finding a wealthy woman to marry, thus ensuring the future of their family’s legacy.

Conveniently, she has invited Frances and Annis to visit with them, hoping for there to be a spark. Well, there certainly is strong chemistry between James and Annis, but not the way their parents had hoped for. James is appalled at Annis’s forwardness in regard to her desire to become a horse breeder, and Annis cannot stand Jame’s conventionality or views on what is and is not appropriate behavior for a woman.

After the first day though, the feelings between them begin to shift. Annis can sense something is off about it; she’s experiencing embarrassing sensual feelings for James, whom she knows she is not truly attracted to at all. It’s clear that James too is feeling the allure, suddenly looking at Annis in a very different way.

Annis doesn’t know what to make of this and is truly worried about her predicament. She knows that Frances is trying to corner her into this marriage, and she’s also fearful of the consequences, such as losing her beloved horse, if she doesn’t play along.

Luckily, Harriet Bishop, Annis’s aunt and Frances’s cousin, has been following along with what’s happening in her family’s bloodline. Readers are introduced to her at the very start of the book, and I for one was instantly taken with her. I only wish I had an aunt watching over the development of my own magical gifts.

Both Harriet and Frances shared a great-great- grandmother, Bridget Bishop, who was hung for witchcraft during the Salem witch trials. Bridget had two daughters, Mary and Christian, who each went down their own witchcraft path. Christian followed in Bridget’s footsteps, freely using the maleficia to have her magical way, while Mary chose the path of magic that does not impede the will of others. Frances’s mother, unlike Harriet’s, had come from the lineage of Christian, who practiced the dark arts without discretion.

Harriet and her grandmother found Frances after her mother had passed. Living in squalor, they awakened her to the secret of the family’s witchcraft lineage and took her into their home to oversee her training. They had hoped she would not succumb to the maleifica’s strong powers, but ultimately the pull was too strong. Frances decides to make her way in the world using the witchcraft that compels, controls, and consumes others, expertly using her poppets to get what she needs in life.

“Witch should be a beautiful word, signifying wisdom and knowledge and discipline, but it isn’t used that way. It’s been made an insult, implying evil, causing fear. The word has been perverted.”3

I know I certainly feel this way sometimes, hesitant to share my personal spiritual path as a witch. Therefore I often found myself agreeing with Harriet’s thoughtful sentiments. She is an admirable witch and herbalist, maintaining discretion about her client’s personal needs. Though, she also knows how the beauty and power of witchcraft can be used for ill and malice towards others.

Stepping into to prevent Annis from the harm Frances wishes to callously inflict on her (though France might truly believe what she’s doing is for the best interest of all despite the lack of freedom of choice or ethics concerning the welfare of others), Harriet ventures to London herself to reveal the secrets of their family to Annis before it’s too late.

As for the summary, I’ll stop here. This is hardly a full synopsis of all the twists and turns the book takes, but it’s hopefully enough to convey the essence of the plot. Once Harriet, Annis, and Frances are in London together, it’s truly a battle of wills for the direction that magic will take.

What I love most about the book is Morgan’s portrayal of witchcraft, which I believe can only come from true reverence for the art, along with a bit of practical experience in the craft. There’s even a character who is a strega! This was especially heartwarming for me to read since I come from an Italian lineage.

Throughout the book are fun cantrips, such as the following:

“The touch of this remedy will move the heart
So kindness is the better part.
Leaf and root and flower bless
The heart that always answers, Yes.”4

The spellwork of the witches, especially with the poppets, is always described in detail. From the herbs used to make a salve to the description of using a piece of hair for the intended poppet, Morgan truly captures what goes into magical workings. She even includes the witches mixing in blood for their spell potency, as well as the use of an adder stone to give the work a boost.

Morgan also does a wonderful job of capturing life in the 19th-century for women. While Annis has budding feminist notions, there’s also still societal rules about what constitutes appropriate path’s for a woman’s live. Offering the option of witchcraft to a young woman is one of the most remarkable gifts to be handed down generation after generation — it’s more than just an alternative path, it’s a route to self-discovery and a life beyond the constraints of social norms.

Magic aside, Morgan has created some memorable characters. I really enjoyed the various cooks, maids, and personal attendants who accompanied the main characters. I can picture the different accents the characters used, thus further amplifying my connection to the story’s setting. I was especially taken aback by Annis’s intimacy with her horses, which gave me a new appreciation for the relationship between horse and rider. At times, I wished I could just hop on a horse and go for a little trot around the block!

All in all, The Age of Witches was a very fun read. I almost want to say it was relaxing. Yes, the plot was interesting, and at no time did my attention stray, but the pace was easy-going. This book had all the elements of a good story: family conflict, romance, and a whole lot of heart. Plus, It made me think about what type of magical practitioner I consider myself to be, and it inspired me to be more active in my herbalism and word craft for spellwork. I highly recommend it as an engaging witchcraft-fiction read!

The Vine Witch, by Luanna G. Smith

The Vine Witch (The Vine Witch #1), by Luanna G. Smith
47North, 1542008387, 268 pages, October 2019

One of my favorite books that I read this summer was The Vine Witch by Luanna G. Smith. You can only imagine my delight in discovering that it was the first of three books in a series! For two marvelous weeks, I was wrapped up in the drama, intrigue, romance, and excitement of these novels. I considered writing a review of each separately, but then decided to write about them side by side. I can hardly imagine one would enjoy The Vine Witch and not want to continue on with the rest of the series.

As much as I enjoy a brand-new book, I also am thrilled when I discover a fully published series that lets me jump right from one book to the next with no wait time! While the latest book in the series, The Conjurer, was released in 2021, The Glamourist was published in 2020 and The Vine Witch in 2019. I highly recommend reading them in order of publication date, which is easy to do now that they’re all released.

They stories definitely build upon one another, and it’s adds a lot to the newer books already knowing the full backstory. All the characters are introduced in The Vine Witch, and the following two novels expand on the past of two characters, continuing to reveal how the three magical women’s fate is intertwined. Their unique friendship evolves as the women overcome enemies, personal challenges, and twists of fate that captivate the imagination, perfectly blending in magic, mystery, and mayhem.

Now.. onto the good stuff!

Set in the charming Chanceaux Valley, The Vine Witch delves into the story of Elena Boureanu, who has just returned to her human form after spending seven years as a toad due to a curse put on her. It was only her skilled knowledge of poisons that helped her break the curse, gruesomely by eating her shedding toad skin, which contained a specific chemical that was able to alter the effects of the spell. Still haunted by her amphibious time, Elena is eager to get revenge on the person she knows must have put this spell on her: Bastien Du Monde, her former fiance.

Elena returns to her home, Château Renard, and happily reunites with her dear Grandmere, Unfortunately during Elena’s time as a toad, her grandmother was not able to maintain the vineyard or its finances, leading her to sell it to Jean-Paul Martel, a budding vigneron. So far, Jean-Paul hasn’t had much luck with his crop, but he is intent on applying his scientific knowledge to bring the fields back to life.

Despite the rocky start they get off to upon meeting, Jean-Paul allows Elena to stay at Château Renard for the time being. Elena, who feels deeply intertwined with the vineyard is glad to be back, but also is keenly away from a spell lingering over the fields, which is contributing to the bad harvests. She’s eager to use her magic to lift the curses, but knows she must hide her magic from Jean-Paul, who denounces the superstitions of vine witches in the valley.

Meanwhile, Bastien and his new wife are on a mission to buy up the land in the area to expand their own wine-making business, which has become exceedingly popular during the time Elena was gone. For a while Elena hides her presence, not wanting Bastien to know she’s back for revenge, but eventually her identity is revealed, shocking even Elena as she uncovered the truth about her past.

As Elena comes to terms with her powers and grapples with her sparking romance with Jean-Paul, who is opening up to her supernatural world, she also must contend with the evil force that wants to do her in. When a surprising death lands Elena in magical jail, she becomes acquainted with Yvette, a rough and tumble young woman, and Sidra, a jinni. All three women have been accused of murder, but there is also their side of the story that is not give a voice. Their break-out links them together, leading to a bond that will continue to be called upon for the rest of the series.

I won’t go further, as to not give spoilers, but from a magical perspective here are some of the things that I loved about the book. First of all, Smith really makes this magic feel real. While some of the magic is extraordinary, it’s grounded in magical theory and practice. For instance, Elena must take time to reunite with her magical tools and slowly regain her strength after coming back from the curse. There are limits to her powers and this prevents a sense of all-consuming, omnipotent magic dominating the story; it’s realistic.

Additionally, the magic she does is deeply tied to the land, the vines, the animals, and her home, which I believe many witches can relate to in their own lives. Gardens, hillsides, rivers, and streams all become sacred places of power; nature and the elements are the foundation of witchcraft. You get a sense of this as you read, and it inspires one to reconnect with their landscape.

Plus, I found the concept of a vine witch to be fascinating, and it did leave me to wonder if this was ever a real thing. There was a sensuality about her connection to the wine, and the magic felt palpable, as though I could taste it as I read.

Another aspect that I really enjoyed was a local baking witch, whose pastries pointed the way to one’s true love based on their flavors. I enjoyed that there was an exploration of other types of witches, beyond the vine witches, all mixed into the story. It made the story feel imbued with sorcery, as the mundane world thrived without even realizing all the small charms and magical world around it.

I highly recommend The Vine Witch to anyone who enjoys supernatural fiction. As far as books about witches go, this is definitely one of my top five favorites. Smith has done a wonderful job of bringing to life the magic in the mundane. From cooking to gardening, this book will inspire you to include a few spells of your own in the daily routine.

Hekate, by Courtney Weber

Hekate: Goddess of Witches, by Courtney Weber
Weiser Books, 978-1578637164, 224 pages, August 2021

Author Courtney Weber has a wealth of personal experience with witches and witchcraft. Her bio describes her many accomplishments – she is a Wiccan priestess, writer, tarot advisor, creator of the Tarot of the Boroughs tarot deck, a metaphysical teacher, workshop leader, and social activist. She leads workshops throughout the U.S. and has written several other books in the magical genre including Brigid: History, Mystery, and Magick of the Celtic Goddess, Tarot for One: The Art of Reading for Yourself, and The Morrigan: Celtic Goddess of Magick and Might.

Her latest book, Hekate: Goddess of Witches, begins with a chapter titled “Meeting Hekate” and was an exciting indication of what was to follow with. It’s a delightful combination of personal story, facts about Hekate and her lineage, impressions of what it is to be a witch today, suggestions for using the book, and three rituals for getting to know Hekate, which I found to be wonderful, especially including these rituals right off the bat, in chapter one. Weber’s down to earth writing style made me feel at ease right away, like I was not only meeting Hekate, but happily meeting her as well. 

The book continues with a deeper dive into Hekate’s lineage, a nice touch especially if you are a fan of mythology (and really, what witch isn’t!?), and then proceeds with a listing of animals that are strongly associated with Hekate, including brief descriptions of the reasons for some of these associations. 

Hekate is considered the goddess of witches and Weber explains how Hekate’s familial relationships (as well as her own) were affected by being a witch in a section called “The Witch in the Family.” This section brilliantly weaves the author’s personal experiences, Hekate’s mythological stories, and the readers experience (unearthed by some deep and powerful questions provided in this section).

I particularly loved this interweaving of experiences – Hekate’s, the author’s, and my own as the reader, a beautiful braid of powerful ideas for discovering one’s own role with Hekate’s support. This section contains a ritual for “Finding Yourself in Hekate”, which in part includes the words:

Masked Lady, Gorgon queen
The sister, the daughter, the mother, the lover,
The cousin, the child, the one who sees,
The one who watches, the one from afar,
Stand with me in this moment,
And I will stand with you.5

This section concludes with a beautiful encouragement for how to find your strength and unique offerings and gifts per a change of perspective, especially when being a witch is causing stress for you in family or social situations.

Hekate is a goddess who has many names and personas (I’ve read lists of over a hundred different epithets for her, each name attached to a different facet of her power and personality), and this book covers several of them in depth.  Many of Hekate’s personas are considered “dark” or “dangerous” – such as “Brimo” and “Hekate Chthonia” – the goddess of the Underworld, and I loved the way this book’s message embraces all sides of her, both dark and light. After all, the world is full of both and our lived experience will always encounter both, no need to shy away from darkness.  

Each chapter is presented with a delightful mix of the author’s own personal storytelling and experiences and a wide variety of spells and rituals calling on different aspects of the goddess for different situations and outcomes. I enjoyed that Weber was very thorough in covering many different areas where these spells and rituals may be used – sometimes even metaphorical, as in the section “Working with Hekate and the Dead” where we find rituals for working with the dead and with ghosts, including a ritual for releasing a “symbolic ghost” – which I found to be potentially useful to most of us, for who hasn’t dealt with a memory “haunting” them?

My favorite experience with this book happened the day I read the last few pages of the chapter called “The Dangerous Goddess and the Dangerous Witch”. I have a personal practice of drawing cards each day. I draw a tarot card, a playing card, and a pair of Lenormand cards. That day my cards showed two different swords, a scythe and the crossroads. I smiled seeing the crossroads card since Hekate is known as the Queen of the Crossroads. But my jaw dropped when I picked up the book to continue reading where I’d left off the previous day and found myself reading about Brimo and three different rituals all using athames (ritual blades). Hekate seemed to be speaking to me loud and clear. 

Another of my favorite rituals in the book is included in the chapter titled “Keeper of the Keys”, actually a lovely pair of rituals – one for opening a symbolic door and another for closing one. These rituals will be on my list for the near future, along with all of the rituals requiring keys, of which I have a fondness as well as a fair collection. 

The chapter titled “Hekate’s Grimoire” includes a list of items that Hekate is known to have affection for to be used in offerings, along with a list of herbs that are historically sacred to her, some gorgeous invocations to her, two recipes for moon water, and a nice compilation of spells for a variety of situations. 

I thoroughly enjoyed everything about Hekate: Goddess of Witches and am delighted to add it to my growing library on Hekate. I would recommend it to anyone interested in knowing her or knowing more about her. It is a beautiful tribute to Hekate for novice and adept alike. 

Pagan Portals – Temple of the Bones, by Jennifer Teixeira

Pagan Portals – Temple of the Bones: Rituals to the Goddess Hekate, by Jennifer Teixeira
Moon Books, 1789042828, 112 pages, June 2021

Pagan Portals – Temple of the Bones: Rituals to the Goddess Hekate author Jennifer Teixeira has been a practicing witch for over two decades, and in 2009 went forward on her priestess path with The Starflower Coven and The Amazon Blood Mothers of San Francisco Bay Area in California. Beyond being a practicing witch, the author’s specific relationship with the Goddess and experience leading ritual dedicated to Hekate more than qualifies her to educate on the specific rites and rituals presented within these pages.

At just 112 pages, the book is compact and reads as a literal handbook for developing and maintaining a relationship with Hekate, specifically as a group. The writings are in large part the actual public rituals of The Temple of Bones, a group dedicated to Hekate that meets in the San Francisco Bay Area in California.

The book begins with a Foreword written by Rowan “Briar” Rivers, one of the Temple of Bones leaders, who begins by telling the story of how they came to be a dedicants of Hekate, and how the group came to be formed. Rivers goes on to explain some of the many symbols and signs that Hekate may use to call upon and invite you to also enter into a relationship with Her.

Hekate is known for having many names (I’ve read in places that there are hundreds at least) and we are shown more than a dozen of them in this book. The Temple of Bones chooses one epithet to work with each month, and the chapter titled “Epithets of Hekate” gives us the exact format that is used to facilitate Her monthly prayer circle where each month another of Her names is called upon for community healing and protection.

The ritual format continues to be explained in the following chapters, “Casting the Circle in the Temple of Bones,” “Elements of Hekate,” “Ancestors of Blood and Affinity,” “Calling the Goddess,” and “The Ritual Working.”

These chapters are succinct and direct with instructions given for leading these portions of the ritual.

The chapter titled “The Bone Oracle” goes into great depth with the Temple of Bone’s “Bone Divination Guide.” Having next to no knowledge of reading or “throwing” bones, and also having an interest in lithomancy (fortune telling by reading crystals and stones) I was thrilled to see that the Temple’s “bones” include crystals, stones, shells, bones, herbs and other interesting, assorted items including alligator claw, coyote claws and teeth, a fossilized stingray barb, and an iron nail. The guide explains the meanings attached to each item and how to use them in divination.

The pages following are a virtual recipe book of offerings, spells, incense formulations, potion recipes, flying ointments, and rituals for the phases of the moon. There is a simple recipe for Florida Water, which I happened to be looking for and delighted to find (and thrilled to realize how simple it is to make!)

The Chapter “Hekate’s Garden” lists the herbs used by the Temple of Bones and explains a bit of history and usage for each. This chapter, as well as the “Bone Divination Guide” are worth the price of the book alone as a reference for working with Hekate.

“The Temple of Bones Ritual Pit” gives the outline for the public ritual of the Temple of Bones and is wonderfully complete in its instruction and would be useful for anyone desiring to lead a Hekatean ritual.

The book wraps up with suggestions for further reading.

I would recommend Pagan Portals – Temple of the Bones to anyone who is interested in working with or learning more about the Goddess Hekate. It is a lovely addition to my own small Hekatean library and I’m sure I’ll use it often in the future at the very least for its lists of herbs, explanations of specific “bones”, incense formulas, and of course for that wonderful Florida Water recipe.

Witch Please, by Ann Aguirre

Witch Please: A Charming Small-Town Paranormal Romantic Comedy, by Ann Aguirre
Sourcebooks Casablanca, 1728240166, 368 pages, September 2021

A sexy, funny, romantic tale of witchcraft? Witch Please, I just can’t get enough. Ann Aguirre has immensely brightened up my life with this book, which I just found hilarious. I will admit, it’s more of a romantic comedy with a backdrop of witchcraft than a supernatural tale, but regardless, it’s just what I needed for a light, entertaining read.

The premise is that main character Danica Waterhouse, a technomancer, is living her life, filled with the ups and downs of adulthood. While she has a successful fix-it business with her cousin Clem, she’s also still coping with ill feelings towards her former partner, who after years of “not wanting anything too serious” broke it off with her and was engaged in just a few months.

When the handsome baker in town, Titus Winnaker, also known as CinnaMan to her concern for his delectable buns, ahem, both in the bakery and in real life, if you catch my drift, needs repairs to his oven, Danica’s life changes forever. On his end, there’s instant attraction and he’s basically sure she’s the one from the first time they meet.

Danica too feels the attraction and literal sparks are flying as her magic goes haywire, but there’s family concerns that keep her from opening up to this love. Her mother chose to marry a mundane person, and as a result lost all of her magical power. This is not what Danica wanted for her life, and the path of no longer having her magic was certainly not how she intended to go.

Raised by her grandmother, who persistently badgers Danica to explore Binder (Tinder for witches) in order to find a mate and keep their bloodline pure, she has always considered mundane men off limits. Plus, after her last heartbreak, she made a pact with cousin Clem to stay single for life. With the love of her coven and her magic, she thought that would be enough to sustain her.

After just a few dates and some steamy moments with Titus, it’s clear the attraction isn’t dissipating. Even her spellwork can’t ward off this building attraction. Then to make this worse, her magic malfunctions have drawn a witch hunter to town. Now there’s just one more element in the mix adding to why she needs to break it off with Titus.

It’s nearly impossible not to adore Titus. He’s pretty much the perfect guy: sexy, romantic, reflective, and emotionally attuned to all of Danica’s needs. There’s a reason many of the women in town pop in to Sugar Daddy’s that goes beyond his irresistible pastries. However, Titus also has family problems going on that keep him preoccupied.

After his mother’s death, his father quickly remarried and moved to another state, leaving behind his grown children to essentially start a new life. Titus and sister Maya feel hurt at their father’s lack of a grieving process and are having a hard time accepting his new life. It doesn’t help to find out their new stepmother is expecting, further creating a rift between them and their father.

Needless to say, there’s enough going on in the book to make for a very captivating read. I especially love the way Aguirre wrote the book so that it alternates between Danica and Titus in narration. The internal dialogue of the characters is hilarious and really gives insight into their perceptions, intentions, and self-awareness. All the characters are relatable, and I liked each one very much. The context of the book is all very up-to-date, such as them watching Netflix and using modern slang.

This is also a fun read because of all the steamy parts. Phew! It got quite sensual and erotic. There were chapters where I was seeking out my husband like “Hello!” to relieve some of the steam 😉 So, for those of you who like the passionate, sultry moments as well, this is definitely a great read for that. It certainly added some spice to my life and got the juices flowing.

The only downside worth mentioning is that there were a few parts it felt like it was dragging on. While I was engaged the entire time, the pace isn’t the quickest. Keep in mind, the setting is a small Midwestern town where there’s not too much action. Even the witch hunter coming to town seemed to fizzle out into a very anti-climatic solution that honestly confused me greatly.

It was fun reading about Danica’s coven, but it seemed more like a book club, which is their ruse to keep it secret, than a coven to be honest. The women are more engaged in town gossip and venting about life than doing magic. Granted, each person had their own magical powers, but it seemed like mostly the vivamancers just tended to plant more than group spells. It is for this reason I think it’s more a fun, entertaining read than one really focusing on the reality of being a witch.

Also, all of this book is based on the idea of witchcraft being passed down secretly through bloodline, while Paganism, New Age, etc. are not real things and can be used merely as cover-ups so others don’t ask too many questions. I don’t find this offense in any way, but to some who are very prideful of their craft, it may feel like a slight, though it’s only fiction!

Overall, I really enjoyed Witch Please. It was hilarious, heartfelt, and a really fun premise for a book. By the end, it wove together in a really unique way that brought it all together and left me fulfilled. It also made me really want to go bake something with all the descriptions of eating sweets — mmm!!! I recommend this book to those wanting an easy, lighthearted read filled with romance, magic, and mishaps that make for a wonderful story. I’m sure it will have you chuckling and rooting for love along the way.

Spells Trouble, by P.C. Cast and Kristin Cast

Spells Trouble: Sisters of Salem, by P.C. Cast and Kristin Cast
Wednesday Books, 1250765633, 320 pages, May 2021

As a millennial who grew up watching Double Double Toil and Trouble, there will always be a place in my heart for twin witches. I mean, come on, there’s just something so downright spooky about the psychic connection they share. Well, I’m happy to say that P.C. Cast and daughter Kirstin Cast are back at again with their latest book Spells Trouble: Sisters of Salem, which if you haven’t figured out by now focuses on TWIN witches, Hunter and Mercy Goode. And it’s certainly double the fun!

I will confess, P.C. Cast is one of my favorite authors because she just gets what it means to be a witch and brings to life the most authentic characters in fantasy-filled books that always keep eagerly page-turning. My favorite is P.C.’s Goddess Summoning series, which I always recommend to all my magickal friends for entertaining reading, along with Eternal: More Love Stories with Bite, which she edited. I can’t recommend literally anything she’s written highly enough.

This isn’t the first time this mother-daughter duo has teamed up. Their most well-known series is probably House of Night, which was immensely popular and had many off-shoot series, and they have also authored The Dysasters. Luckily, Spells Trouble is only the first in this latest series, and the next book Omens Bite is expected out in 2022! It filled me with happiness knowing there’s already another book to look forward to next year. Oh yes, which brings me back to the review!

So, essentially Mercy and Hunter Goode come from a long line of witches who guard the five portals to the Underworld in their small, Midwestern town. There’s a special tree for each of the gates, representative of the Underworld it’s guarding (for instance Egyptian, Greek). It is their sacred duty to maintain the gates in order to keep the monsters contained in the Underworld.

However, on the eve of their 16th birthday, when they are dedicating themselves to their chosen god/goddess, all hell breaks loose, literally. Without warning, the twins are thrust into a life or death situation, suddenly finding themselves alone and with little guidance on how to fortify the gates and ensure an incident doesn’t happen again.

As if that’s not enough to deal with, murders start happening around town. Quickly, it becomes clear something has escaped from the Underworld, but determining what is just another mystery the sisters have to solve. Luckily, they have some wonderful friends, as well as a devoted feline familiar that are willing to assist them with their task.

This is the basic run down, but in fact, the book is so much more. It is an intimate portrayal of the sisters finding their own magical powers, learning what it means to be dedicated to their deities, experimenting with spells (some successful, others not so much), and drawing upon their inner strength to make it through a very tough time.

There’s also subplots happening throughout the book, such as Mercy dating a jerky jock, who is sweet to her but a misogynist pig to the others, and Hunter’s experience as a lesbian in a small town. Spoiler alert, their familiar also turns into a person, which is quite entertaining. Hunter and Mercy both also have best friends, Emily and Jax respectively, who add to the dynamic between the characters and provide comic relief and heart-warming love.

While it is a young adult novel, which deals with coming of age themes, I still enjoyed it very much as an adult. I think this is because P.C. and Kristin write with so much honesty and truth about witchcraft, weaving in spells and describing the ritual objects used. I’ve yet to find another author who so effectively blends the practicalities of modern witchcraft with captivating fantasy elements.

The book does have an added supernatural component, but I enjoy this because it’s like the psychic world given 3-D formation. Rather than banishing spirits, the twins are fighting monsters from the Underworld. There’s demonic possession, mythological creatures reeking havoc, and intense physical manifestations of energy, but it makes for a wonderful story.

Also featured is more common spell work, such as one done by Hunter to relieve the grief of her sister. Reading about the girls collecting the items they need, picking out herbs and crystals, and also going through grimoires to find spells were all things I could relate to as a magical practitioner.

I also very much related to the twin’s experience of getting acquired with their powers. Mercy has dedicated herself to be a Green Witch of goddess Freya, while Hunter is a Cosmic Witch dedicated to god Tyr (well, for the most part..). Seeing how each of their powers manifest itself is insight into determining what one’s own magical skill set might be.

Mercy can intuitively connect with nature, calling on trees as allies, but she’s terrible at tarot. While Hunter draws strength from the moon, crystals, and is wonderful at decoding the messages of her tarot deck. She’s also realizing she has quite the skill for blood magic, while Mercy copes with her first sexual experience dedicated to a love and fertility goddess. It’s confusing sometimes stepping into our powers, isn’t it?

All in all, I absolutely loved Spells Trouble, and I recommend it to all witches looking for an entertaining summer read. I think there’s so much potential for this series, and the Casts are authors who never let me down. I’m thrilled to see how this series develops, as I’m already invested in the character and enjoying the plot. It has the right mixture of feel-good emotions stemming from the love, trust, and bravery of the character with the tension from conflict between the twins about what the path forward looks like in regard to their choice of deities. Eek! But I don’t want to give too much away, so I’ll wrap up here by saying this is one to add to the reading list this summer!

Of Blood and Bones, by Kate Freuler

Of Blood and Bones: Working with Shadow Magick and the Dark Moon, by Kate Freuler
Llewellyn Publications, 0738763637, 312 pages, July 2020

“… we all have a dark side. It’s part of who we are. Even the most peaceful of light workers casts a shadow. We all possess the ability to hate, to be angry, to be bitter, and to want revenge….if we can acknowledge our own darkness honestly, we can control it and channel it into something productive…”6

Of Blood and Bones: Working with Shadow Magick and the Dark Moon by Kate Freuler is a highly recommended title for any who want to deepen their practice of witchcraft and magick in a more balanced and polarized way. Much has been written about the power of moon magick in its more traditional phases; the dark moon always being cloaked in mystery and more of a one-sided stance on how to use its energies. Ms. Freuler faces the topic of dark moon magic head on and begins a dialogue of understanding of its subtleties in a way that leads the reader towards deeper exploration of the dark moon tides within oneself and its inherent support of shadow magick and workings.

As the title suggests, this is not your ordinary book about moon magick, traditional shadow work, or darker Deities. This is an exploration of calling forth the shadow that is cast from a brilliance of polarized light and learning to navigate the terrain as you claim your own dark nature as a source of power. The tools employed on this journey are literally of blood and bone, ashes, remains, rust, decay, debris and more. Their uses and many of the more maligned and misunderstood practices associated with the work of dark magick such as cursing, hexing, blood magick, and others is given the proper context for use. Freuler honors the ethics surrounding the choice and provides enough information to allow the reader to explore these practices using free will and holding the intention of seeing the bigger picture.

Of Blood and Bones is separated into five parts and fourteen chapters. It is written in a way that provides the reader with the tools to go about the work of inner reflection early on in the reading so that ultimately this more informed way can be carried into the outer expressions of that practitioner’s craft. A disclaimer section at the beginning of the book sets the appropriate tone for what follows and lends itself to the example of offering due diligence around the forthcoming subject matter, some of which involves the legality and proper obtaining of the ingredients used.

The spellwork contained in each chapter holds true to the intention of breaking through the hesitancy around workings of a darker nature. Materials used, the how, and the why are all very carefully outlined providing multiple layers of discernment to be developed by the practitioner about their use and when they would be needed. A Spell Index at the end of the book provides easy reference without the need to search through the chapters. Recommended Resources and an ample Bibliography conclude the book, pulling everything together in a user-friendly way from start to finish.

The introduction, “It’s Not All Love and Light,” prepares the reader to take a look at all of the aspects of witchcraft and magickal workings. The reader is reminded that there are aspects of light and dark in all endeavors and for a synthesized and whole practice to develop we have to embrace all of the polarities within our practice. Ethics takes center stage throughout the book and the encouragement to allow those darker aspects that we all possess to come forward to be dealt with and acknowledged is the underpinning of becoming more informed in our practice.

“To be truly connected to nature, the seasons and the cycles of life, we must be balanced; we must acknowledge, accept and embrace the darkness of our spirits as fully as the light parts. This doesn’t mean that we should indulge in negativity and harmful behavior but rather accept these traits as guides and teachers in our personal growth. From there we can transform our lives…”7

“Part 1: Shadow Work and the Dark Moon Current” and the chapters contained within give a very through overview of everything that is needed to begin this journey of dark magick. Listings of Deities aligned with dark magick, moon tides, incense recipes, altars and rituals of dedication provide the reader with ample information to proceed more informed than when starting, now knowing that this work is deeply transformational and to expect to emerge from the dark forever changed.

“Part II: Blood and Bones” exposes the reader to the old ways of the craft and the repurposing of objects for magick, knowing their inherent power. Body fluids such as blood, semen, urine, menstrual blood, and saliva carry powerful and potent magick. Additionally, living a life very close to nature, animal parts were often employed in spells and rituals; their power derived from the earth itself and the specific energy that a particular animal carried. There were no magick stores and everything was seen as sacred and holding its own mantle of power.

“These (subjects) that people find so terrifying make up our very life energy. Blood, semen, urine, menses, bones, and even saliva are literally at the core of survival. Their presence creates life, and their absence takes life away. So, while these topics can be gory, gritty and gross, they speak to people on a primitive level as old as the earth…”8

“Part III: The Forbidden Craft” hones in on some of the more controversial topics surrounding shadow magick. Had the strong component of ethics that flowed through the book not been abundantly present, misunderstanding of the intention and the ultimate categorizing of this book with others that are wholly about revenge, retribution, misplaced power, and harm could have become a lost moment in discernment around what is not so clearly black or white, good or bad, or able to be defined by any of the usual semantics used. Curses, hexes, bindings, death magick, and more are fully discussed from the perspective of when these methods would be appropriately used and the greater ramifications surrounding the intention and its greater energetic effects on both the practitioner and the recipient.

“Chapter 8: A Witch’s Curios” offers the reader an inside look at some of the tools such as broken mirrors, rusty nails, bullet casings, graveyard dirt, hair and nails, and more that typically are not incorporated into spellwork. These are the objects of magick that lay discarded or of fearsome touch: all that lay at the threshold of death and all that are the necessary unwanted reminders of something not entirely of the light. The use for these objects and energies they carry are outlined and spells using items such as these are included. The ethical and legal aspects of collecting graveyard dirt or obtaining some of the other items is thoroughly discussed for informed decision in acquiring and using these as part of your magick.

“In the dark witch’s cabinet there are some things that are repulsive, some things that smell yucky, some things that are frightening, and some things that society as a whole just wants you to ignore. Grab your hand sanitizer and come on in…”9

Of Blood and Bones is a book that will definitely evoke strong opinions about its content. Much of what is provided would be considered by some to be less than wholesome magick, while I suspect others will delight in adding new perspective and tools to a practice that is already dedicated to shadow magick. What cannot be denied is that the compilation of this work clearly shows knowledge by Freuler of all aspects of a balanced practice of magick and respect and reference for those less mainstream practices. We are part of the natural world that at times can be uninviting, messy, unforgiving, overtly blunt, and all together disruptive in its nature. And, this is what makes for a practice that is fully integrated into both the decay and the new life that are part of a continual cycle of being.

There is more that I could say about the details of this book, but it would be a disservice and muddy the intent. This is work (and reading) that must be absorbed through experience and claimed by trial and error. This is a power and way of working that is ancient in all of the ways of that simple word, and so the inroads and understands go deep and reach far. There is much to digest in this book, but with each doing and reading, another mystery within the reader will be revealed — another option for practice will be shown. A deepening of connection to the world and work as co-creator of that light and dark will become who you truly are as a witch.

“As you emerge from your shadow work, you may find that everything around you seems different. This is because you are different. Your perspective has deepened and expanded, balancing the light and the dark…”10