Musing Mystical

✨ A Gathering Place for Magical Readers and Writers ✨

Revelations from the Source, by Barbara Hand Clow

Revelations from the Source, by Barbara Hand Clow
Bear & Company, 1591434319, 352 pages, October 2021

It started with Revelations of the Ruby Crystal (2015), then came Revelations of the Aquarius Age (2018). Now, at long last, Barbara Hand Clow has completed the trilogy with the most recent book Revelations from the Source (2021). I have eagerly been anticipating this latest release after having grown quite fond of the tight-knit community of characters in this series. All my hopes and expectations were exceeded in this dynamic final book, which expertly weaves together multi-dimensional layers of information, inspiring revelations, and reconsideration of how things truly are in the world.

Before diving into things, while this book can be read as a stand-alone, I highly recommend reading the first two books before this one. Clow doesn’t spend too much time introducing the characters in this final book, and the few sentences to summarize the characters’ relationships for those who aren’t familiar hardly does justice to the complexity of their bonds. Plus, the characters have naturally evolved, and therefore their current circumstances in this book are directly related to the previous ones.

This being said, Revelations from the Source was a thrilling read because it has an up-to-date timeline of current events. While not every event in the book happened in real life, the story intends to parallel current events. From the election of Pope Francis, the first Jesuit to hold the position, to political tensions in Iran and the presidency of Donald Trump, all the way up to the COVID-19 pandemic, the book focuses on the characters’ experiences of events.

As I read, I was reflecting on having lived through these experiences, many not too long ago, with a new sense of perspective, as well as room to integrate what I was feeling as I moved through them. This is because all of the characters in the story are very tapped into the zeitgeist, all from their own point of view, such as a psychotherapist working with clients’ processing to an artist capturing energetic transmissions of sound in painting to awaken the masses. Another character is a reporter, who previously covered events in the Middle East but is now a correspondent for a newspaper reporting on the happenings in the Vatican.

My favorite character point of view is Claudia, esteemed fashion-designer and astrologer. Since I am an astrologer myself, I could remember all the full moons and conjunctions described, during which characters perform initiations or simply muse about the world. I especially recall the conjunction of Saturn and Pluto in 2020, which was a significant moment in the book as well, as the characters work together to perform a ritual uniting the nine dimensions. I think those prone to reflecting on the placement of the stars, as well as the tumultuous events of the past few years would have a lot to gain from reading the insights of the characters in Revelations from the Source.

Clow’s astrological background is effortlessly integrated into the fictional narrative of this story. For instance, there is a lot of discussion about the nine different dimensions, with certain characters having more of a connection to each one. Clow previously authored the book The Alchemy of the Nine Dimensions, which I’m sure this story’s plot is based on. I’m always a fan of reading fictional stories where I can relate to a character’s feelings, thoughts, and experience, rather than just a non-fictional explanation of some phenomena. And it’s for this reason that I enjoyed this book so thoroughly. Other topics that Clow has woven in from her previous books include Mayan Codes (The Mayan Code), energetic influence of Chiron (Chiron), connections to other star systems (The Pleiadian Agenda), and lots of raising sexual energy as a form of altering consciousness (Astrology and the Rising of Kundalini)!

However, Clow doesn’t hesitate to venture into some of the deepest, darkest shadows in our culture as well. At times, it was hard to stomach parts of the story, especially the sexual abuse of priests on young children, which is a prominent theme in the entire series. This book really covers a lot of the energetic forces of the Catholic Church, as well as how the energy of youths has been inappropriately harvested for power, money, and prestige. Once again, while the story is fiction, it mentions events that really happened such as the Boston Globe story which revealed the extent of abuse and cover-up in the Catholic Church.

Quite a few characters leave the Church, and by the end of it, I felt more confident in my resolve to do so as well. I was born and raised in the Catholic faith, even attending a Catholic university for my undergraduate studies. However I am increasingly finding it hard to find faith in a religion that does not value the spiritual authority of women and is rife with abuse and misconduct. The characters’ journeys were really empowering in my own spiritual path, making me see that I could follow their lead, rather than continue to go along with the corruption that has taken hold in the Catholic religious community. There’s so much history packed in the story, as another character is a scholar of early-Christianity, that I was constantly Googling new topic ideas, such as “Marconi” and “Mithraism.”

Other controversial topics include climate change, vaccinations, 5G towers, and the public-safety response to the pandemic. I will admit, sometimes the beliefs did feel a bit “conspiracy theory-esqe,” but I kept an open mind without discrediting anything. I was especially intrigued by the explanation for the coronavirus springing to life when it did, which had to do with telluric interference. Now that is a thought that has never crossed my mind!

At its heart, Revelations from the Source is a tale of the characters’ awakening into the Age of Aquarius. Due to their reputable, affluent, and influential families, the characters in the story are keepers of secret history, serving as a bridge between past and present. In this way, they serve as foils to modern society, clearly showing where humanity has veered off course, thus resulting in evil forces being unleashed through social strife, political controversy, intimate violence, and looming threats of war.

Clow clearly shows through the plot that the transition isn’t an easy one, and there are many forces at work during this tumultuous time. However, with the right perspective, and tools (art, past-life regressions, astrology, writing), humanity will be able to pull through. What’s most important is that we remember the importance of connection, building trust, and working together to overcome the destructive forces both within ourselves and the world at large.

The story’s theme of friendship and community is a prompt for the reader to find their own community to assist during this changing of ages. And most of all, for readers to continue to do their own investigations and express their revelations with a broader community. In this age where the people have the power and the power is the people, increasing our ability to transmit thoughts, energies, and feelings effectively will be a key to survival.

Overall, I am immensely satisfied with the culmination of this trilogy. Revelations from the Source is a treasure-trove of alternative ideas woven perfectly into the seemingly-static fabric of our 3-D reality. Filled with history, ancient and secret knowledge, as well as esoteric understandings of humanity’s place within the greater star systems, this book will bring you into new realms of realization. By delving into the defilement and debasement of some of society’s most corrupt institutions, the truth is exposed. Something we will be seeing more of as the Age of Aquarius dawns.

I highly recommend not only this book, but this entire series, for those looking for a fascinating read that delves into many dimensions, facets of history, and opens a doorway to a future unlike what we’ve known thus far. The writing is engaging, and the characters will soon feel like an extended friend group (I certainly wish I could call on them for advice!). More and more, those awakening to the shifts will be looking for answers, and while it’s fictional, this book is sure to be the key that unlocks readers’ perception.

Mister Yam, by Yeng K Tan

Mister Yam, by Yeng K Tan
Independently published, 9798450939674, 236 pages, August 2021

I will admit that I did not know what I was getting myself into when I started reading Mister Yam by Yeng K Tan. The bold, contrasting colors on the front of the book, overlaid by a red sheep with golden wings wasn’t much of an indication of what this curious book might be about.

Sure, sure I had read the back-cover description: a twenty-something year old guy disillusioned by corporate life finds his life re-examined when a series of events propels him to embark on a mysterious quest to find answers only he can discover. Kind of generic, right? But let me tell you, this book was so much more than your run of a mill adventure pursuit of the unknown; it’s filled with transcendental wisdom, intimate psychological revelation, and a lot of good eats!

Mister Yam lives a pretty routine life: he has a steady job, though he’s not much interested in career ambition, visits his favorite local bar, enjoys watching the evening news, recently experienced a break up with his girlfriend, and most of all, is always thinking about his next meal.

However, after attending a career fair with his buddy Lorenzo, a series of strange events start happening in his life. It begins when a bald man with a big hat gives him a small wooden box with a lock but no key on a train. Then Mister Yam starts getting phone calls from a person eerily familiar with small details of his life, such as what he’s doing at that moment.

Since the box remains a mystery to him, Mister Yam takes it to a local pawn shop to see if they can tell him more about it. Looking up a data search of the box reveals map coordinates, but nothing else. After learning that his friend Lorenzo has gone missing in the midst of all these random and unexplainable events, Mister Yam feels like he must follow the coordinates to find his friend.

He continues his journey to find answers on a bus headed towards Montana. Oddly enough, at a stop in Idaho, he notices the girl from the pawn shop is also on the bus, and they decide to share lunch. She invites him to travel with her for a bit, and he accepts the offer.

As they ride around in her van, Emma reveals her own experience with the bald man and how her life was inexplicably changed after meeting him. Once a Mormon, the bald man even connects to why she’s back in Idaho at that time. Mister Yam isn’t the type of person to overthink things though, and rather than probe her about who this bald man might be, they just get stoned and hook up.

The next day, Mister Yam continues on his journey to Montana. Once again he meets a woman, Sappho, who assists him in this journey. She had seen Lorenzo check into the hotel with the bald man just a few weeks prior. While they were staying at the hotel, she had an odd experience that matches a dream Mister Yam has been having, where they enter a dark room filled with candles.

Together, they set off into the snowy Montana mountain side to find what is located at these mysterious coordinates. However, this is where my summary will end because what comes next is one of those endings that makes you really question concepts of perception, reality, and the feats of consciousness.

I realize this summary seems rather basic, but do not let it deter you from picking up this book! I intentionally left out a lot of the mysterious events, such as a strange play called The Life of Boris, and the many references to sheep that keep revealing themselves.

Plus, what really makes the book worth reading is the revelations the character has about perception. He’s a foodie by heart, and his descriptions of what he’s eating created a craving in me quite a few times. But most of all, he’s a rather unassuming person who’s open to letting the mystery reveal itself without working too hard to grasp it. Yes, he’s curious, but he’s not over thinking about all the events occurring; he’s more like a passenger on a great voyage of sublime divine planning.

At times I didn’t know what to think about the events, and I really had no idea how it would turn out. But I felt reconnected to my own awareness through reading the book, and I was enticed to be more mindful in my day to day routine. This plot moves along a general path, but it has detours, just like life does. There’s something very “in the flow” to how it progresses.

As mysterious as it seems, there’s always a gentle pulse of love and higher knowledge that seems to be guiding seemingly unconnected events to make it a cohesive narrative. The pieces are all woven together in due time, and I valued Mister Yam’s “take it as it is” style in the matter of getting to the heart of the truth.

Reading Mister Yam instantly reminded me why I adore independently published books. Tan’s writing style is unique, fresh, and one of a kind. This story doesn’t have the same narrative plot that’s been churned out over and over again, making the read a wash-rinse-repeat type of experience.

What I liked most about it overall was the stream of consciousness narration of the main character. I really got into his inner dialogue. And while I did feel like he was very much a dude (I will admit the male mind seems very foreign to me), I completely vibed with Mister Yam’s observations, thoughts about the world, and motivations. It reassured me that as a millennial, we do see things in a way other I want to say older but am trying to not create an OK Boomer moment) view things.

From the disillusionment with a corporate lifestyle to insights about current politics, I felt like Mister Yam was immensely relatable. And therefore, I was more inclined to be interested in how the story unfolded. (To be honest, I was actually very interested and read this book in one day because I just wanted to keep going!) He had valuable insight into the world, and he was also a great tipper. His respect towards those around him reflected his good nature.

The other aspect of this book that I enjoyed is how well it captures the “spirit of the land”. From San Francisco to Montana, I felt the narrative come alive through the character’s interaction with the landscape. Whether it be walking around Berkeley to being hunkered down in the snow of Montana, Tan does a wonderful job of painting a vivid picture for the reader. Even when it was just Mister Yam sitting at the bar, I could see it, taste it, feel it, and hear it.

Overall, Mister Yam is like the millennial’s version of a Burning Man revelations within one’s ho-hum life through a strange series of events that help Mister Yam get at the truth of the matter. There’s a mixture of Jung’s synchronicities with psychedelic revelations that come via perception of the mind, filled with the many tastes of Food Network. If this feels like a random jumble of things, I’ve made my point clear. There’s no one way to explain the deep message of Mister Yam, but reading it is a journey in itself — one that I highly encourage.

The Age of Witches, by Louisa Morgan

The Age of Witches, by Louisa Morgan
Orbit Books, 9780356512587, 528 pages, February 2020

Horses, poppets, and duels within a family of witches? Add a splash of romance and you’re got the magical ingredients for The Ages of Witches by Louisa Morgan. This is a definite must-read for witchcraft-fiction readers. Featuring strong women protagonists and actual occult wisdom, this book was a lovely read. What’s best is that Morgan’s writing flows at a gentle pace, making it so I didn’t rush through it in just a day or two and allowing me to really get wrapped up in the tale.

The story is centered around young Annis Allington, who cares more for horseback riding than afternoon tea and marriage. There’s no riding side-saddle for this young lady; she has a natural repertoire with her horses and enjoys the strength she feels galloping around the streets of New York.

Unfortunately, her scheming step-mother, Frances Allington, has other plans for Annis’s life in order to fuel her own personal desire for a place among society’s elite. What Annis doesn’t realize is that Frances is a witch, who specializes in the use of the maleficia, or dark magic used to control others. Her specialty is working with poppets to control her target and make them bend to her will, which is how she landed Annis’s father as a husband.

Wishing to separate Annis from her beloved horse and lure her into a royal marriage, sealing a title to enhance the family’s reputation, Frances brings her to London to meet with a potential suitor. Well, from Frances’s point of view, the match will be guaranteed for she’s prepared to magically make it so, regardless of the feelings of either party.

James, who recently became the new Marquess of Rosefield, has the weight of the world upon his shoulders now that his family has passed. Coming to terms with the family’s dwindling finances and his father’s debt has put James in the position of having to make choices about how to best secure a future for the Rosefield estate. His mother, Lady Eleanor, eagerly and continually suggests finding a wealthy woman to marry, thus ensuring the future of their family’s legacy.

Conveniently, she has invited Frances and Annis to visit with them, hoping for there to be a spark. Well, there certainly is strong chemistry between James and Annis, but not the way their parents had hoped for. James is appalled at Annis’s forwardness in regard to her desire to become a horse breeder, and Annis cannot stand Jame’s conventionality or views on what is and is not appropriate behavior for a woman.

After the first day though, the feelings between them begin to shift. Annis can sense something is off about it; she’s experiencing embarrassing sensual feelings for James, whom she knows she is not truly attracted to at all. It’s clear that James too is feeling the allure, suddenly looking at Annis in a very different way.

Annis doesn’t know what to make of this and is truly worried about her predicament. She knows that Frances is trying to corner her into this marriage, and she’s also fearful of the consequences, such as losing her beloved horse, if she doesn’t play along.

Luckily, Harriet Bishop, Annis’s aunt and Frances’s cousin, has been following along with what’s happening in her family’s bloodline. Readers are introduced to her at the very start of the book, and I for one was instantly taken with her. I only wish I had an aunt watching over the development of my own magical gifts.

Both Harriet and Frances shared a great-great- grandmother, Bridget Bishop, who was hung for witchcraft during the Salem witch trials. Bridget had two daughters, Mary and Christian, who each went down their own witchcraft path. Christian followed in Bridget’s footsteps, freely using the maleficia to have her magical way, while Mary chose the path of magic that does not impede the will of others. Frances’s mother, unlike Harriet’s, had come from the lineage of Christian, who practiced the dark arts without discretion.

Harriet and her grandmother found Frances after her mother had passed. Living in squalor, they awakened her to the secret of the family’s witchcraft lineage and took her into their home to oversee her training. They had hoped she would not succumb to the maleifica’s strong powers, but ultimately the pull was too strong. Frances decides to make her way in the world using the witchcraft that compels, controls, and consumes others, expertly using her poppets to get what she needs in life.

“Witch should be a beautiful word, signifying wisdom and knowledge and discipline, but it isn’t used that way. It’s been made an insult, implying evil, causing fear. The word has been perverted.”1

I know I certainly feel this way sometimes, hesitant to share my personal spiritual path as a witch. Therefore I often found myself agreeing with Harriet’s thoughtful sentiments. She is an admirable witch and herbalist, maintaining discretion about her client’s personal needs. Though, she also knows how the beauty and power of witchcraft can be used for ill and malice towards others.

Stepping into to prevent Annis from the harm Frances wishes to callously inflict on her (though France might truly believe what she’s doing is for the best interest of all despite the lack of freedom of choice or ethics concerning the welfare of others), Harriet ventures to London herself to reveal the secrets of their family to Annis before it’s too late.

As for the summary, I’ll stop here. This is hardly a full synopsis of all the twists and turns the book takes, but it’s hopefully enough to convey the essence of the plot. Once Harriet, Annis, and Frances are in London together, it’s truly a battle of wills for the direction that magic will take.

What I love most about the book is Morgan’s portrayal of witchcraft, which I believe can only come from true reverence for the art, along with a bit of practical experience in the craft. There’s even a character who is a strega! This was especially heartwarming for me to read since I come from an Italian lineage.

Throughout the book are fun cantrips, such as the following:

“The touch of this remedy will move the heart
So kindness is the better part.
Leaf and root and flower bless
The heart that always answers, Yes.”2

The spellwork of the witches, especially with the poppets, is always described in detail. From the herbs used to make a salve to the description of using a piece of hair for the intended poppet, Morgan truly captures what goes into magical workings. She even includes the witches mixing in blood for their spell potency, as well as the use of an adder stone to give the work a boost.

Morgan also does a wonderful job of capturing life in the 19th-century for women. While Annis has budding feminist notions, there’s also still societal rules about what constitutes appropriate path’s for a woman’s live. Offering the option of witchcraft to a young woman is one of the most remarkable gifts to be handed down generation after generation — it’s more than just an alternative path, it’s a route to self-discovery and a life beyond the constraints of social norms.

Magic aside, Morgan has created some memorable characters. I really enjoyed the various cooks, maids, and personal attendants who accompanied the main characters. I can picture the different accents the characters used, thus further amplifying my connection to the story’s setting. I was especially taken aback by Annis’s intimacy with her horses, which gave me a new appreciation for the relationship between horse and rider. At times, I wished I could just hop on a horse and go for a little trot around the block!

All in all, The Age of Witches was a very fun read. I almost want to say it was relaxing. Yes, the plot was interesting, and at no time did my attention stray, but the pace was easy-going. This book had all the elements of a good story: family conflict, romance, and a whole lot of heart. Plus, It made me think about what type of magical practitioner I consider myself to be, and it inspired me to be more active in my herbalism and word craft for spellwork. I highly recommend it as an engaging witchcraft-fiction read!

The Ladies of the Secret Circus, by Constance Sayer

The Ladies of the Secret Circus, by Constance Sayer
Redhook, 0316493678, 464 pages, March 2021

I’ll admit it.. I’ve been very into magical circus books this summer (see my review for Bacchanal). When I found the Ladies of the Secret Circus by Constance Sayer in the recently published section of my library, I was delighted to once again be immersed in the enchantment that springs forth from the unique energy of circus life. However, while the plot was decent, this book didn’t stand out as a must-read for me. Overall, it was an interesting story, but written with too many plot gaps and a clear indication the writer does not have much experience working magic in the real world.

The overall premise is that on the day of her wedding, Lara Barnes’s fiancé, Todd, goes missing. Yes, they’ve had an on-again-off-again relationship for quite some time, including him being with other women, but the disappearance is a shock to the small town. While Kerrigan Falls is known for its lack of crime, an eerily similar disappearance happened 30 years prior to the day, when another handsome, young, beloved man named Peter went missing in the midst of his aspiring musical career.

Lara is absolutely devastated by the loss of her love, but can sense there’s something more to the story. She has learned how to do simple magic, or “corrections”, as she calls them. For instance, she alters her wedding dress to better fit her taste that day, though she’s aware the illusion will only hold as long as she maintains concentration. She inherited this power from her mother, Audrey, who chose a normal life, hiding her magic from everyone, including her ex-husband Jason.

In the months following Todd’s disappearance, Lara distracts herself by purchasing a local radio station and putting work into her fixer-upper home. She does her best to avoid media attention and rumors about what might have occurred, as she’s in her own personal state of mourning the loss of her beloved. Though, this doesn’t stop her from forming a romantic relationship with the local sheriff, Ben, who is a bit out of his league with such a big case in his small town. What begins with him giving her updates on the case, blossoms into a friendship, which turns into a budding romance.

As a supportive mother, Audrey is trying to lift her daughter’s spirits. Together, they attend the Rivoli circus, as the owners are long-time friends from the days when their family ran a circus. Audrey’s mother had decided to give up the circus, after going mad from her magical powers and no longer being able to maintain it. While at the circus, Lara has an unusual encounter with a fortune teller, where she is gifted with the diaries of her great-grandmother Cecil Cabot.

Reading the journals, Lara learns her great-grandmother was part of Le Cirque Secret, also known as the dark circus. Suddenly, all she’s known is turned upside down. As she tries to figure out the deeper truth, Lara recalls visits from a mysterious man as a child who had told her Todd was not her destiny. When he appears again following Lara reading the diaries with a proposition for Lara, inviting her to come to Paris, as he needs her help, in exchange for information about Todd and her family secrets, she decides to go ahead.

From this point on in the story, it becomes a dual narrative of Lara’s experience and that of her great-grandmother Cecil’s experience in Le Cirque Secret. While Lara’s story is boring white-bread suburban living, Cecil’s life is filled with romance, passion, and magic of 19th-century Paris and circus performances.

Cecil and her twin, Esme, were the children of one of the most notorious demons in the underworld, Althacazur, who is a favorite of Lucifer. When his wife passes away, he needs a home for his daughters, thus he creates Le Cirque Secret (which also is a good way for him to reel in those who are more eager to sell their souls to him in exchange for what they desire — truly a win-win). Known for her cunning charm and quick temper, Lara soon realizes this man is her great-great-grandfather, and her family’s origin is much darker than she ever imagined.

What’s especially enticing about Le Cirque Secret is that only those with a ticket can see the entrance, which pops up in the middle of an open, vacant spot in the town it’s performing in. Since it’s run by demons, who were essentially hand-picked by Althacazur in order to entertain and babysit his kids, this is no usual circus. All the performers are trapped, fulfilling the contracts they’ve made with demons for the rest of eternity. Nevertheless, there is an element of kinship among them.

Cecil and Esme, despite being twins, are often at odds with each other. Their good friend Slyvie tends to pick sides among them, but she also helps to smooth out the tensions. Oddly, Cecil has no memories prior to her 11th birthday blowing out candles. She can’t recall their early childhood, though Esme can and mocks Cecil for her weakness, as she’s also the only person in the circus that does not have a performance routine.

When Cecil grows weary of her sister’s taunts, she asks father about her lost memories and shares what Esme had told her. This prompts a swift and ruthless punishment for Esme, which changes her forever. From then on, all love has been lost between the sisters. However, Cecil finally finds her own strength and becomes an aerial performer. She learns that she can do more than swing from the bars as an acrobat. Cecil can actually fly through air with her magic, dazzling and astounding audiences.

During a night on the town after a circus performance, Cecil meets painter Emile Gradeux. They have an instant connection, sparking young love in the heart of Paris. Esme has usually been the one to go for painters, tormenting them by allowing her portrait to be painted, knowing it will vanish by morning, as it’s impossible to capture Cecil or Esme’s likeness. There’s something about Emile though that opens Cecil’s heart to happiness and love, and she continues to develop her relationship with them.

Surprisingly, Althacazur takes an interest in Emile and offers him the chance to do three paintings of the circus: one of Slyvie, one of Cecil, and one of Esme. Cecil and Esme’s intense rivalry is fueled by their common romantic interest in painter Emile. Ultimately, many relationships are destroyed, with consequences that are still impacting Lara in modern-day.

Swept away in the elegance of 19th-century Paris, these diary entries are definitely the best part of the book. Intermixed with characters such as Mann Ray, Pablo Picassion, and Ernest Hemmingway, the creative spirit comes alive amid the chaos of the circus. It’s easy to get caught-up in the glamour and romance

On her mission to learn more about her family’s past, Lara discovers more paintings in Paris, as well as a fellow Le Cirque Secret enthusiast, Tedd Barthlow-Bentham, a friend of Gaston, the local portrait framer and art enthusiast of Kerrigan Falls who has accompanied her. When Lara goes missing, Ben comes rushing to her rescue. Eventually, all the pieces come together for what is intended to be a surprising end. Though, if you’ve been reading between the lines, it’s easy to spot it coming.

So, overall the book has an appealing plot and it does keep the reader engaged to an extent. The major drawbacks to the book that irked me as a reader was the flow of the plot, which seemed a bit jerky. Sayer jumps from here to there with little transition, which makes it not as an appealing read. I sometimes didn’t know how things progressed as rapidly as they did in a very short time-frame.

Then, and I think this was my biggest problem with the book, Lara was not a very relatable character. Basic doesn’t even begin to describe her. It’s almost as if she was devoid of deeper emotional feelings. She was very one-dimensional, and most of the time she’s simply confused about what’s going on in her life. The romances between both Todd and Ben seem superficial, and she doesn’t really strike me as someone with a genuine range of emotion, which made me feel she was a bit annoying as a protagonist.

This was interesting because it wasn’t that Sayers couldn’t write a better character; Cecil and Esme have passion, depth, and self-awareness. And as I already said, the parts of the book focused on these characters in Paris were certainly the best. Lara just simply seems naive, selfish, and a bit aloof, not allowing for an emotional connection to be made with her, which as a reader I enjoy having with a main character.

Then my other peeve about the book was that the magic described is the kind of “wave your hand and something happens magic”. It came naturally to all of the characters because of their demonic origins. Therefore, it almost seems taken for granted. Yes, it was neat reading about their powers and their journey to master it. But most of the time, especially with Lara and Audrey, the magic was used to simply enchant life and make it a little better, rather than actually doing anything substantial. It’s mostly all glamour magic.

Plus, the portrayal of the demonic realm was very glossed over and prettily packaged. There was the usual allusion to great people, such as Mussolini, who sold their sold to the devil, or in this case a demon. While Sayers tries to depict the cost of their deal, such as permanent abuse based on the whims of Althacazur, one again, there seem to be little self-reflection or self-awareness on the part of these side characters damned to Hell’s circus forever. The book definitely didn’t weight the pros and cons of selling one’s soul in the way The Invisible Life of Addie LaRue by V.E. Schwab captured (a book I do highly recommend!).

All in all, The Ladies of the Secret Circus was a unique plot and memorable for its originality, but it could have been written a bit better. It’s most redeeming aspect is Sayer’s portrayal 19th-century Paris. Otherwise, it’s a watered-down stunted romance of a confused character trying to figure out her family’s history, drawing the reader into some very superficial aspects of the demonic realm. For those who are looking for a decent book to read, filled with enough mystery and intrigue to keep you occupied, this is an all right selection. It probably will not be a life-changing read, but it might be worth delving into once.

The Vine Witch, by Luanna G. Smith

The Vine Witch (The Vine Witch #1), by Luanna G. Smith
47North, 1542008387, 268 pages, October 2019

One of my favorite books that I read this summer was The Vine Witch by Luanna G. Smith. You can only imagine my delight in discovering that it was the first of three books in a series! For two marvelous weeks, I was wrapped up in the drama, intrigue, romance, and excitement of these novels. I considered writing a review of each separately, but then decided to write about them side by side. I can hardly imagine one would enjoy The Vine Witch and not want to continue on with the rest of the series.

As much as I enjoy a brand-new book, I also am thrilled when I discover a fully published series that lets me jump right from one book to the next with no wait time! While the latest book in the series, The Conjurer, was released in 2021, The Glamourist was published in 2020 and The Vine Witch in 2019. I highly recommend reading them in order of publication date, which is easy to do now that they’re all released.

They stories definitely build upon one another, and it’s adds a lot to the newer books already knowing the full backstory. All the characters are introduced in The Vine Witch, and the following two novels expand on the past of two characters, continuing to reveal how the three magical women’s fate is intertwined. Their unique friendship evolves as the women overcome enemies, personal challenges, and twists of fate that captivate the imagination, perfectly blending in magic, mystery, and mayhem.

Now.. onto the good stuff!

Set in the charming Chanceaux Valley, The Vine Witch delves into the story of Elena Boureanu, who has just returned to her human form after spending seven years as a toad due to a curse put on her. It was only her skilled knowledge of poisons that helped her break the curse, gruesomely by eating her shedding toad skin, which contained a specific chemical that was able to alter the effects of the spell. Still haunted by her amphibious time, Elena is eager to get revenge on the person she knows must have put this spell on her: Bastien Du Monde, her former fiance.

Elena returns to her home, Château Renard, and happily reunites with her dear Grandmere, Unfortunately during Elena’s time as a toad, her grandmother was not able to maintain the vineyard or its finances, leading her to sell it to Jean-Paul Martel, a budding vigneron. So far, Jean-Paul hasn’t had much luck with his crop, but he is intent on applying his scientific knowledge to bring the fields back to life.

Despite the rocky start they get off to upon meeting, Jean-Paul allows Elena to stay at Château Renard for the time being. Elena, who feels deeply intertwined with the vineyard is glad to be back, but also is keenly away from a spell lingering over the fields, which is contributing to the bad harvests. She’s eager to use her magic to lift the curses, but knows she must hide her magic from Jean-Paul, who denounces the superstitions of vine witches in the valley.

Meanwhile, Bastien and his new wife are on a mission to buy up the land in the area to expand their own wine-making business, which has become exceedingly popular during the time Elena was gone. For a while Elena hides her presence, not wanting Bastien to know she’s back for revenge, but eventually her identity is revealed, shocking even Elena as she uncovered the truth about her past.

As Elena comes to terms with her powers and grapples with her sparking romance with Jean-Paul, who is opening up to her supernatural world, she also must contend with the evil force that wants to do her in. When a surprising death lands Elena in magical jail, she becomes acquainted with Yvette, a rough and tumble young woman, and Sidra, a jinni. All three women have been accused of murder, but there is also their side of the story that is not give a voice. Their break-out links them together, leading to a bond that will continue to be called upon for the rest of the series.

I won’t go further, as to not give spoilers, but from a magical perspective here are some of the things that I loved about the book. First of all, Smith really makes this magic feel real. While some of the magic is extraordinary, it’s grounded in magical theory and practice. For instance, Elena must take time to reunite with her magical tools and slowly regain her strength after coming back from the curse. There are limits to her powers and this prevents a sense of all-consuming, omnipotent magic dominating the story; it’s realistic.

Additionally, the magic she does is deeply tied to the land, the vines, the animals, and her home, which I believe many witches can relate to in their own lives. Gardens, hillsides, rivers, and streams all become sacred places of power; nature and the elements are the foundation of witchcraft. You get a sense of this as you read, and it inspires one to reconnect with their landscape.

Plus, I found the concept of a vine witch to be fascinating, and it did leave me to wonder if this was ever a real thing. There was a sensuality about her connection to the wine, and the magic felt palpable, as though I could taste it as I read.

Another aspect that I really enjoyed was a local baking witch, whose pastries pointed the way to one’s true love based on their flavors. I enjoyed that there was an exploration of other types of witches, beyond the vine witches, all mixed into the story. It made the story feel imbued with sorcery, as the mundane world thrived without even realizing all the small charms and magical world around it.

I highly recommend The Vine Witch to anyone who enjoys supernatural fiction. As far as books about witches go, this is definitely one of my top five favorites. Smith has done a wonderful job of bringing to life the magic in the mundane. From cooking to gardening, this book will inspire you to include a few spells of your own in the daily routine.

The Witch’s Heart, by Genevieve Gornichec

The Witch’s Heart, by Genevieve Gornichec
Ace, 978-0593099940, 368 pages, February 2021

Browsing the library the other day, my husband handed me The Witch’s Heart by Genevieve Gornichec. Always up for a book about witches, I immediately dove in. In just under a day, I finished this book, not being able to stop once I started reading. I’m so thoroughly impressed by Gornichec’s writing and the fact that this is her first debut novel!

The Witch’s Heart is the tale of Angrboda, a powerful witch in Norse mythology, who despite being burned three times by the gods of Asgard, continued to live on. When trickster god Loki returns her heart, which had been brutally ripped from her during the last time she was thrown in the flames, a relationship develops.

And let me tell you, the banter of Loki and Angrboda never got old. I had quite a good time envisioning Loki as Gornichec portrays him. It is a beautiful love story that develops between them, filled with romance amid Loki’s many antics and common disappearances to his other life in Asgard.

Overtime, Angrboda and Loki have three children together: Hel, Fenrir, and Jörmungand. Their family life is quite unique, with Angrboda being a powerful witch, Loki always up to some playful mischief, Fenrir being a wolf and Jörmungand being a snake. Hel is a rather serious child, though she dotes on her father.

Troubling Angrboda from the time of her first pregnancy with Hel, however, is the visions of the future she’s seen in her state of seid, in which she can leave her body to travel astrally and see the future. Odin, king of the Norse gods, is after what only she can see, for the others who have been taught seid do not have as strong an ability as she does.

The flashes Angrboda has seen in visions and dreams have shown a bleak future, in which her family is torn apart and destruction completely envelops the Nine Worlds. Odin however wants more information and ruthlessly pursues his aim of knowing.

Ultimately, Angrboda must find the power within herself, with the help of friends, such as devoted friend Skadi to do her best to save her family. I won’t give much more away, but it’s a beautiful story of motherhood, love, and kinship that ties together so perfectly in the end.

To be honest, I hardly knew anything about Norse mythology when I started The Witch’s Heart. Throughout reading, I was Googling the different gods and goddesses mentioned: Tyr, Freya, Thor (okay, I knew that one!), Frey, and Njörd to name a few. Plus, I also really had no clue about Ragnarok, other than that it was part of a Marvel movie.

Gornichec did a great job of bringing the entire Norse pantheon to life in a way that made it easy to see the relationship of the different characters. She wove mythological tales into the plot, blending together her well-defined characters and the many stories of their personhood that have lived on through song, poetry, and storytelling.

Her portrayal of Angrboda especially really stunned me. Capturing the ups and downs of her life as a witch, mother, and wife, made her immensely relatable to all women. You couldn’t help but root for her, after all that she’s withstood in her life. I mean, screw the gods and goddesses, this witch is the real kick ass hero, and I’m glad that Gornichec chose to focus on her story.

This book is the perfect blend of myth, fiction, and inspiration. I’m simply in awe of the story Gornichec has crafted, and I truly consider this book a masterpiece. I feel so connected to the main characters such as Loki, Hel, Skadi, and Angrboda, and I’m glad this story presented them in a way that aids me in knowing them beyond what I may have researched about them.

That is the beauty of fiction — the ability to bring characters to life in a meaningful way that transforms the life of readers. Their stories, the choices they made, and the love they shared was compelling, captivating, and completely opened my heart.

I highly recommend The Witch’s Heart for those interested in an engaging tale filled with love, magic, and Norse mythology. This book reminds me of Circe, where the story is told from the witch’s point of view rather than the traditional mythological perspective of the men in the story. Angrboda is a heroine in her own right, and her story definitely is one worth reading.

Permission Granted, by Regina Louise

Permission Granted: Kick-Ass Strategies to Bootstrap Your Way to Unconditional Love, by Regina Louise
New World Library, 1608687268, 320 pages, June 2021

In a world filled with many voices claiming to be able to easily and quickly show readers the pathway to self acceptance, Permission Granted: Kick-Ass Strategies to Bootstrap Your Way to Unconditional Love by Regina Louise is really the only book you need ever pick up. Packed full of information and actual real-life strategies that make sense, this book cuts through the noise and provides the tools needed to go on this journey and find the pot of gold at the end.

As a speaker, coach, author, and teacher, Louise is no stranger to hard work and dedication. Her frank prose allows you to connect instantly with the source material and to make connections within yourself that previously you might have overlooked. With fourteen “Kick-Ass Strategies” in the table of contents, readers can jump to whatever they need in the moment or go through the book in a methodical way. Personally, I always read the whole thing front to back, although in this case I was sidetracked by Kick-Ass Strategy #6: Be Big (and Small).

In this chapter, Louise explores what it means to take up space and to lean into it. Having been told for much of my life that I need to tone down, be quieter, watch my language and all that, this chapter resonated with me so much I needed to put the book down and take a few breaths  Louise pinpointed precisely what I feel during those moments, saying:

“…if you’re anything like me, and you’ve been told that you’re a big personality, that you’re too much, which you translate as ‘I’m not wanted’ and ‘I’m about to be abandoned’, then the next thing you know, you’re lost in a big-ass trauma response.”1

I hadn’t thought of it like that, in terms of a trauma response. In reflection, it makes sense, and it’s these moments of realization that makes this book so worth the time investment. Louise writes with such authenticity and awareness that only comes from someone who has walked this path before.

Along with this is the sprinkling of personal anecdotes, a skill that not all books in the same realm as this one can say they’ve mastered. I find that in most situations, anecdotes can be overused as the writer might not have enough content for the actual book, and so it ends up reading more like a memoir. Not that I mind reading about other people’s journeys: I am completely interested in hearing about their challenges and how they overcame them. I just want the book that is sold to me to be the actual book I get after purchasing. This book is precisely what it says it is and I couldn’t be happier.

Subsequent chapters deal with big topics that could actually be books in their own right. This meaty book delves into a lot of muck that we tend to ignore in our quest for happiness and security and love: things like championing yourself, reconnecting with our inner child, fully engaging in our messiness, and giving ourselves permission. In Kick-Ass Strategy #5: Compose a Permission Statement, Louise takes us through the challenging exercise of drafting a permission statement that ultimately gives you mentorship of yourself. Louise says:

“Drafting a permission statement is an act of enormous generosity toward yourself. It’s evidence of your willingness to get on board with who you are, and it offers you the chance to examine your values and beliefs and to own your inherent right to flex your personal power.”2

It’s writing like this that pulls you in and helps you bypass some of the resistance you might feel around doing the exercises. This chapter also raises interesting questions around being fully seen and feeling psychologically safe in those moments and challenges the reader to fully engage with the material.

Part of this exercise includes selecting words from a list that best describe you. In doing this particular exercise, I found it hard to pick only the suggested number of twelve adjectives, and harder still to reduce that number down to six. Challenging, but not impossible.

It meant I had to sit with myself and really dig deep to find out which words actually resonate with me and which ones I wanted to be. There is a huge difference there. It’s exercises like this that teach us how to connect with who we really are and to start to accept ourselves as just that: not good, not bad, just who we are. 

The combination of anecdotes and writing exercises makes this book an absolute treasure. Louise’s way of taking the reader through the self-discovery process is delightful, if a bit painful at times. Part of this process includes uncovering those parts of the self that might be resistant to change and helps to uncover the roots of why that might be. If this sounds like shadow work, it absolutely is. While it might not take the usual form of what would normally be classified as shadow work, Louise’s book most definitely falls into that category.

If you thought you could bypass doing any actual work just by reading a book, Louise’s book will change your mind and encourage you to engage with the material. Honestly, digging deep into your own psyche is not fun, but feeling like Louise is right there with you, telling you how they managed to get through it and what the results were make a huge difference and helps you to feel less alone while you root around in the darkness. Trust me.

Those who identify as being on a journey of discovery through self-awareness of behavior and societal triggers would benefit from this book. In fact, I would suggest that most people even interested in the idea of being self-aware would derive a lot from Louise’s fantastic book.

Permission Granted is about more than just accepting yourself. It’s also about finding space for otherness, for those who aren’t like you but exist in the same space. Once we discover that those around us aren’t really that different, perhaps that knowledge could lead to a better, more stable foundation upon which we can build a more sustainable society. 

All the Yellow Posies, by Elaine DeBohun

All the Yellow Posies, by Elaine DeBohun
Independently Published, 8572925623, 367 pages, April 2021

Historical fiction is one of my favorite genres. I love being immersed in the cultural norms of a time before, as I find there’s a certain romance that the modern world seems to lack. All the Yellow Posies by Elaine DeBohun is set in the time frame between World Wars, which often feels overlooked despite it being filled with movements such as prohibition and women’s suffrage. This romantic novel tells the tale of how love can guide the way beyond both time and space, perfectly intertwining those who are inevitably linked by destiny.

Main character Lou, an aspiring journalist and young woman determined to make her own way in the world despite her wealthy family’s desires for her life, leaves home following the last outbreak of the 1918 influenza to return to her college town of Fredericksburg, Virginia.

Immediately she finds a room to rent by a kindly gentleman Mr. Thompson, who runs a successful tailoring business, where his children Holden and Madeline also work. He has two other sons: the youngest Jamie, who is in medical school, and the oldest Dane, who is an artist living in Europe.

Lou quickly feels at home among the Thompson family, who take her in as one of their own. She lands a job as the secretary of their family business and settles into her new life quite nicely. Right off the bat, Holden catches her eye with his charisma and provocative antics. Though he is married, they develop a close kinship based on their love of literature and writing aspirations.

Lou becomes a source of solace for Holden, who is struggling with shell-shock from his service in World War I and having difficulty transitioning back to civilian life. Consistently drinking his prescribed alcohol, Holden’s behavior can be erratic and extreme, with moods rapidly shifting due to his deep thinking and emotional intensity. Let’s just say, it’s a rollercoaster of emotion for Lou who realizes a romance with Holden requires courage and a willingness to embrace the unknown.

Unforeseen circumstances completely shift Lou’s life upside down though, and soon Lou finds herself in Paris, France. I hesitate to go much more into the plot at this point though, or I might risk revealing a spoiler alert. Let’s just say, in her path to make meaning of her life and pursue her ambitions as a writer, she comes to realize she must follow the signs beckoning her in this new direction.

One interesting part of the book is when Lou visits a Romani gypsy and has a tarot card reading. The gypsy gifts Lou with a tarot deck, which she uses quite often for insight. Just like common belief that symbols such as feathers and pennies indicate a message from a passed loved one, Lou comes to make a connection with bluebirds that appear when she is on the right path. Ultimately, Lou’s grief and pain lead to her ultimate happiness as she embraces the mysterious path being laid out before her.

There is a wholesome quality to All the Yellow Posies. It is sentimental and romantic in an old-fashioned way where men knew what it meant to be gentlemen. Nevertheless, the women characters are strong, independent, and keen on pursuing their paths.

I especially enjoyed the relationship between Lou and character Bette, who many authors might pose as enemies, but DeBohun decides to portray as mature women, capable of acknowledging their shared bond of love. I felt like I was wrapped up in the Thompson family, sharing their joys and losses right along with them.

I will admit delving into Holden’s character, filled with what would now be considered post-traumatic stress from the aristocracies he witnessed during his time on the battlefield, was tough at points. My heart definitely broke at times as I was brought to tears by the story’s events. All the Yellow Posies certainly isn’t a fluffy read, and it invites the reader to truly move through a whole range of human emotion.

DeBohun does a wonderful job of tackling the tough emotions with intimate delicacy, showcasing her own emotional depth and talent as a writer. By the end, all of the characters have moved through loss, sorrow, and anguish to become a better version of themselves. There is a higher power in this story, but it is not religious or even very spiritual, it is love that guides the way making it universally relatable.

I recommend All the Yellow Posies to those seeking a heartfelt read. The dynamic interplay of emotions beautifully plays out within the containment of one family and their close relationships. All the characters make an impression on the heart, which I know will still be with me for a time to come. Plus, the time period and unique culture of both America and Europe during this time is very interesting to be immersed within.

Heal Yourself and the World with Tai-chi, by Bob Klein

Heal Yourself and the World with Tai-chi: How to make your life powerful and become a healer, by Bob Klein
Artistic Video, 189219869X, 428 pages, January 2021

Reading Bob Klein’s Heal Yourself and the World with Tai-chi: How to make your life powerful and become a healer was truly an epic voyage. At just over four hundred pages of pure text, this book is an ocean of experience and wisdom that can help the reader come to a deeper, harmonious resonance with themselves and, by extension, the rest of the world.

As Klein advises, simply reading this book cannot bring you the healing understanding indicated in the title. That can only be gained through an embodied practice. However, as a motivational aid and discussion of the fundamental principles of Tai-chi, his book is a perfect starting point for those (like myself) who are intellectually interested in the practice, but have yet to take the first physical steps on this path.

Klein presents a fascinating tour of the guiding principles of Tai-chi and zookinesis with a writing style that is both easy to comprehend and full of profound insight. His constant use of metaphor and analogy often grounds his exposition through humor, and allows him to clearly communicate ideas that might otherwise be quite “heady” and abstract. For instance he writes:

“The image you use to influence the body should be passive – like hitting a gong and letting the sound do the work of reaching everyone’s ear. . . Once you hit the gong, you don’t need to then run over to everyone and push them toward the dining room.”1

This style is a perfect reflection of one of Klein’s main points throughout the book: that modern human beings have become terribly divorced from embodied experience. Our awareness is all too often solely localized to our heads: our mind as opposed to our body.

Again, this is why reading the book isn’t ultimately going to impart the transformative knowledge that Klein talks about. Alongside the book, he recommends using videos (if not attending classes) to develop the expanded awareness necessary to heal oneself and the world.

However, Klein also notes that only taking classes or learning the Tai-chi forms may not yield this embodied awareness either, as he laments that many contemporary teachers possess only a shallow understanding of Tai-chi’s power. Similar to the typical yoga classes that you find nowadays, they are all form and no substance: simply an exercise for the body.

This is one of the main reasons why I found Heal Yourself and the World with Tai-chi so stimulating: it is a companion text to the practice which allows one to find the deeper power of Tai-chi when a suitable teacher/class isn’t available. In our time of remote/online classes – rather than traditional, in-person mentorship of the past – Klein’s book is perfect for marrying a purely form-based practice to the deeper wisdom of your “body-mind.”

This book is most definitely not an instruction manual for the Tai-chi forms, so if that’s your only interest, Klein’s book is probably not for you. Nor is it solely a discussion of the practice of Tai-chi itself. There is an incredible breadth to the topics in the book, and it often feels more like a spiritual treatise than a text about the practice. But this is in no way a bad thing, and is precisely the reason that the book is an ideal supplement for the physical practice of Tai-chi. 

The winding flow of Klein’s style carries you along from one topic to the next, weaving an integrated philosophical narrative while always bringing you back to the grounded, embodied discussion of the practice. If you are a reader who likes short, contained sections with lots of page-breaks and subject headers, you might have a little difficulty moving through this book. But I think that Klein’s way of writing perfectly reflects many of the principles that Tai-chi helps you to learn. The book itself exemplifies these ideas through its holistic presentation and through its demonstration of the interconnectedness of its various topics.

Sometimes you might get the sense that the text is a little repetitive, but I never found this to detract from the book. In fact, rather than being directly repetitive, I think it’s more that Klein takes you on circuitous detours in his exploration of a given topic. So, when he returns to the original point, this is what might give the impression of “I’ve been here before.” However, you have come back to the idea with new insights, metaphors, and explanations that were gained in the interim. I love the organic feel that this writing style lends to the book – it feels like Klein is guiding you through explorations of a living landscape rather than leading you down a dry, flat road.

Again, this reflects another principle emphasized by Tai-chi: awareness that is not one-dimensional. We are obsessed with linearity in the modern age: straight roads, squared-off architecture, rational/scientific modes of thought. While none of these might be “bad” per se, the accumulation of linearity in our lives gets us stuck outside the rhythms and patterns of Nature. Klein presents the intriguing point that flat walking surfaces, such as our floors and sidewalks, contributes to one’s awareness staying confined to the head, rather than being distributed throughout the whole body.

We don’t have to be aware of our environment (and can “get things done” in our minds) because the ground is so predictable – and yet, we might trip over the slightest imperfection. The unfortunate consequence is that, while convenient in some ways, traveling across linear ground removes us from being aware – being present – to the here and now.

Although many of the principles that Klein discusses will be familiar to those familiar with Taoism and other spiritual traditions originating in Asia, I think the aspects of Heal Yourself and the World with Tai-chi that sets it apart from other books are two-fold. First, Klein’s self-exemplary style – the form of the text is aligned with its content – and second, his emphasis on embodied practice rather than purely intellectual understanding. These two features allow this book to truly stand out as an enjoyable journey over Klein’s ocean of wisdom.

Pagan Portals – Raven Goddess, by Morgan Daimler

Pagan Portals – Raven Goddess: Going Deeper with The Morrigan, by Morgan Daimler
Moon Books, 1789044867, 104 pages, October 2020

Heavily researched books get a bad reputation for being stuffy, boring, or just too damn long. When something has been researched to the point where it’s just a collection of facts with no soul, that’s where I check out. Fortunately, Raven Goddess: Going Deeper with The Morrigan by Morgan Daimler provides an abundance of thoroughly researched and cross-checked facts, coupled with a flair that only an accomplished storyteller could achieve.

Having authored many books on the subject of the Irish Gods and Ungods, despite not being part of that heritage, Daimler has captured the respect of fellow authors and scholars by their clarity on the subject matter and the depth of their research on the topics. A blogger, poet, teacher, witch, priestess and the author of more than two dozen books, Daimler’s Pagan Portals – Raven Goddess is a shining example of this depth of research as this book takes you beyond the normal space of explaining who The Morrigan is and explores the mystery that surrounds her.

The Morrigan has been misrepresented in many books, mostly due to the rapid spread of misinformation through opinion-based writings. I am not in any way suggesting that people may not have an opinion on how they identify or interact with any particular God or Goddess, but I do believe having the facts should precede any sort of opinion-based writing. Having said that, while Daimler does inject their own opinion on a regular basis throughout the book, it’s done in a simple and satisfying way that adds layers to the information being presented.

The opinions expressed by Daimler are based on their exhaustive research and their ability to translate the old texts that are referred to throughout the book. Having tried learning Gaelic exactly once in my life, it is impressive to see the original text plus the various translations already made compared to Daimler’s translations. This added touch lends a layer of authenticity to the book that is both refreshing and downright amazing.

Referencing old texts, parts of poems, and scholarly writings, Daimler is able to piece together a very deep and revealing portrait of who The Morrigan is and how we can work with Her as individuals if we feel called to. Beyond the normal listing of various correspondences, Daimler provides an in-depth examination of various sources of the material from which the correspondences associated with The Morrigan are derived. This cross referencing could be tiresome for folks if it weren’t for the way Daimler writes. 

In one chapter, Daimler provides irrefutable proof that Morgen Le Fay and The Morrigan are two separate entities. They explain:

“The Morrigan and Morgen Le Fay are often associated with each other in modern paganism… both certainly were vilified and demonized over time as stories evolved, the Morrigan going from a goddess to a night spectre and Morgen from a priestess of Avalon to an incestuous and usurping sister of the king.”1

That is perhaps one the most common misperceptions of The Morrigan that I have personally come across. I didn’t think that the two shared any roots, but over the years as I did my own reading and found others who made connections, it made me wonder. The biggest point of contention is the fact that the Morrigan is Irish and Morgen La Fay is Welsh, so that should have stopped the connection there. Fortunately, this book cleared all that up as Daimler says without reservation, “there’s no evidence that the Morrigan and Morgen La Fay share any roots or that historically the two have any connection to each other..”2

There are other pieces to the book that enhance the journey through the history of The Morrigan. The correct spelling of her name, for example, as well as an explanation of why it is “The Morrigan” and not simply “Morrigan”. Daimler goes into this briefly, stating “It may help to keep in mind that her name translates to a title — either the Great Queen or the Phantom Queen, so try thinking that you are saying that.”3

References to other works abound, if you aren’t careful you will fall down a rabbit hole of personal research and cross checking. As I write this, I have four other books on the subject including Daimler’s first book on The Morrigan titled “The Morrigan: Meeting the Great Queens”. I love reading books that give you additional resources to look up your own information and this book does that perfectly. Daimler’s writing is clear and concise and carries a hint of reverence for the subject matter. This book is an absolute pleasure to read and conjures up many questions that no doubt I will spend time finding my own answers to.

For me, as someone who follows The Morrigan and has for years, this book provides a wealth of knowledge that I didn’t have and more importantly, didn’t know I was missing. Yes, it’s scholarly and a bit repetitive at times, as Daimler is constantly drawing upon their vast knowledge of Irish paganism in order to provide clarity around the Morrigan, her associations or correspondences, and her activities, but still Pagan Portals – Raven Goddess is perfect for those wishing to dive a bit deeper into the lore behind The Morrigan in order to deepen their understanding of her and strengthen their own connection to her.