Musing Mystical

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Author Archives: Alanna Kali

About Alanna Kali

Alanna Kali is an astrologer, numerologist, and pioneer spirit that loves to explore life through the lens of depth psychology. She has a passion for studying the humanities and social trends. Her academic work is centered upon reuniting body, mind, and spirit through eco-psychology. She loves reading, spending time in nature, and travel.

360 Degrees of Your Star Destiny, by Ellias Lonsdale

360 Degrees of Your Star Destiny: A Zodiac Oracle, by Ellias Lonsdale
Destiny Books, 1644112825, 416 pages, August 2021

As a huge fan of Sabian symbols, I was eager to read Ellias Lonsdale’s latest book 360 Degree of Your Star Destiny. While this book is based on Chandra Symbols, which differ from Sabian symbols, I very much enjoyed reading about the esoteric wisdom of each degree in the zodiacal wheel. Lonsdale’s poetic writing brings astrological energy to life, filled with metaphor and imagery, going beyond the static, traditional interpretations of these potent power points.

Before diving in, I think it’s beneficial to highlight the differences between these various star degree systems. Sabian symbols were channeled in 1925 by Elsie Wheeler, along with assistance from Marc Edmund Jones. The story is actually quite lovely and can be read here. Master astrologer Dane Rudhyar  was fascinated with the symbols and interrupted them through his own lens.

However, Lonsdale, who has studied with both Rudhyar and Jones, drew inspiration for this book from the Chandra system, which was channeled by John Sandbach in 1983. Sandbach’s spirit guide, Chandra, which is Sanskrit for “Moon”, shared the symbols with Sandbach in the span of four hours one afternoon. He intended for those symbols to facilitate new awareness in astrologers, going beyond the labels of some degrees as “negative” and some as “positive”. His aim was for astrologers to be able to tune into the energy of these points, which is ever changing, without overthinking or over-rationalizing the symbolic meaning.1

With this foundation laid, Lonsdale has continued the work. 360 Degrees of Your Star Destiny is a collaborative work between Lonsdale, his current partner, Sharuna, and his former partner Sarah, in the form of spirit guide Haven, having passed beyond this world. It was channeled while Lonsdale and Sharuna lived in a “wildly open state”2 in the Singing Hills, bluffs overlooking the Pacific Ocean. It has taken them nearly 25 years to write this book based on the original transmissions.

Tapping into the Chandra Symbols’ energy is very intuitive when following Lonsdale’s method. Detailed are the “core activator”, or word image, for the nine planets, along with Rising Sign, Moon’s nodes, and asteroids Vesta, Juno, Ceres, and Pallas. The core activor descriptions of the planets are intended to help the reader connect with the esoteric wisdom of astrology. The descriptions of the planets based on their core activating imagery really adds a new dimension to one’s relation with each planet. For instance, here is part of the description for “Pluto as Winged Prophecy”3 (core activator: winged prophecy”):

“The true Plutonian depth process keeps us perpetually in the dark, yet it is a laser that reveals whatever we need to know to move deeper in order to get through the underworld. Clairsentience shows us that we do not need to see nor hear in the physical or subtle worlds. All is vibrationally and immensely re-creative.”4

I find there’s great advantage in relating to the planets through this core activation imagery. It brought the planets alive for me in a new way. Two that were especially revelatory for me were “Mercury as Intonation”5 and “Mars as Being and Becoming”6 Lonsdale’s elucidation on this word imagery renewed my  connection to the planets, inviting me to relate to them in a way different that I normally do.  He reminded me that planetary energy is both malleable, ever-changing, and multi-dimensional.

“In this way each planet opens as a portal and an evolutionary impulse into uncharted waters. So the planets don’t just tell us how it has always been. They reveal the mystery of what can be, as all is moving forward and deeply through us at any given time.”7

After opening the reader to all the planetary energies, Londales then delves into all the Chandra symbols and their star spark, which is the interpretation of the symbol. The book moves from Aries-Pisces, starting with the first degree and moving upward. In this system, the degree should always be rounded up. For instance, my natal Sun at 29 degrees Aquarius would be rounded up to 30 degrees. And speaking of this, let me share my star spark to give you an idea of Lonsdale’s poetically thought-provoking writing style:

“Aquarius 30
A large pool filled with white water lilies in bloom
Light in the spirit food that permeates the ethers of the planet with all that we need to grow and evolve. It’s a signal, a direct emanation of that sense that there is so much more where this came from. To inhale light in abundance is to be greatly blessed, honored, show the way.”

This is only a small snippet, yet I felt like there is so much wisdom in just this paragraph that I want to meditate on it for a week. I mean, naturally, I was so eager and curious that I read through all my natal planets immediately. But now that I went and did that, I can spend time with each Chandra symbol and let it’s insight reveal itself to me as I ponder the star spark and how it energetically shows up in my life. I have been taking it slow to absorb the information, and this delicacy with the imagery and interpretation has made all the difference.

I am trained in depth psychology, and one of the greatest things I learned is that you can’t rush the unconscious mind, which views the world in symbols, metaphor, myth and imagery. What is hidden must be accessed by indirect routes, allowing the mind to open and reveal itself as it feels ready. You can’t force the process, though it can be guided with the right words and images. This is what 360 Degrees of Wisdom has been for me: a subtle and powerful guide into the more esoteric wisdom of the planets, as well as the more subtle layers of energy in play within my own astrological chart.

Another way that I have been connecting with the Chandra Symbols is through drawing. By sketching and coloring the symbol, I feel like I am opening up new channels within myself for information to flow through. I have even tried translating my interpretation of the symbol and star spark into poetry. The beauty of this book is the invitation to be creative in how one approaches planetary energy and becomes attune to it in their own life.

Lonsdale writes how the reader can use the Chandra Symbols to learn about their natal chart (as I have been doing), as well as a form of divination by opening to a page to take in its meaning, following meaningful transits, and looking back on special moments in life to see what the planetary energy was at that time. These symbols and star sparks help to create meaning about one’s  astrology journey.

I plan on moving more slowly through the star sparks in my natal chart, moving towards each planet as it calls to me. Right now I am really wanting to work with Mars a bit more closely. The star spark feels SO resonant that it’s soul-warming. Here’s the Chandra symbol and part of the star spark for my natal Mars:

“Capricorn 15
A woman wearing a necklace of skulls
At the center of the maze, in the heart of darkness, she stumbles on the power that is given her, the power she cannot deny. She goes anywhere and everywhere in her search to become the other. Then she returns to the place she started from and the magic is right there, stronger than ever, refusing to be held within the structure and forms she tries to impose on it.”8

I have been reading this paragraph to myself every morning. I feel it within me, and it taps into an inner source of power I often overlook, though I cannot consciously describe what hits me so deeply. The imagery is especially potent for me since my middle name is Kali, a Hindu goddess often portrayed wearing a necklace of skulls! I have even thought about purchasing a necklace with a skull on it to remind me of my Mars energy. And this is what is so amazing about all the ways the Chandra symbols can be integrated into one’s own practice.

The core activators of the planets are not closed-off, bound definitions of each planet, nor are the star sparks walled-in interpretations. There’s so much room for contemplation, application, growth, and revelation within Lonsdale’s system, which make it mighty appealing to this philosophical astrologer.

I am also excited to refer to the Chandra Symbols and star sparks during certain impactful transits, such as Saturn crossing my descendent. I feel like going into the energy of that degree, while keeping in mind the planetary activator of Saturn, will help make the experience more meaningful. I certainly believe this consciousness to our transits can impact how we experience them, and I’m grateful Lonsdale has shared his channeled wisdom about each degree to help guide us in the process.

I highly recommend 360 Degrees of Your Star Destiny for those looking to expand their relationship with planetary energy. As I’ve said, these are not text-book definitions. Lonsdales has done a wonderful job of translating multifaceted, ever-changing energy into imagery that one can use as a starting point to delve deeper into the insight of the stars.

If you are someone who enjoys working with imagery, either as an artistic, writer, or depth-psychologist, this is definitely a must-have for one’s astrological collection. Because of the simplicity of the method and boundless possibilities of integrating the Chandra Symbols and star sparks, I think this is a great book for astrological beginners. Though even those who have lived by the stars for quite some time are sure to find something meaningful in Lonsdale’s works.

I keep thinking this book would be great to explore as a group, perhaps through meditation, art, or poetry. I would really enjoy discussing it with others, and for that reason, I plan on recommending it to friends. There’s something about it that calls to be shared, as though the information doesn’t want to be static and wants to keep moving. Perhaps it’s been passed along to you now! 🙂 

Seasons of the Witch: Yule Oracle, by Juliet Diaz and Lorraine Anderson

Seasons of the Witch: Yule Oracle, by Juliet Diaz and Lorraine Anderson
Rockpool Publishing, 1925946223, 44 cards, 144 pages, September 2021

Even though we are quickly approaching one of my favorite sabbats, Samhain, my mind recently has been wondering towards Yuletide already. This is because I’ve been doing daily pulls from Seasons of the Witch: Yule Oracle by Lorraine Anderson and Juliet Diaz. While I know the first deck in this series, Season of the Witch: Samhain Oracle, might be more appropriate for the current season, I haven’t made the switch just yet. The insight I’ve been receiving from Seasons of the Witch: Yule Oracle is just too good to await the winter to use!

I want to start off by saying the deck is absolutely beautiful. With gilded green edges, it feels like I’m holding a shiny present in my hand. Images of candles, Fir trees, and furry animals make the deck come to life. There’s a gentle warmth that radiates from the deck, which reminds me of the sense of community and hope that we naturally call on to make it through the dark days of Winter. Simultaneously, cards such as Solitude and Crone remind us of the inevitable necessity of going inward and facing one’s own depths during this season too.

As I look through the deck and do my daily pull, I find the oracle cards perfectly capture all the cozy, snowy, magical feelings of the Yuletide season. I am genuinely impressed with Anderson and Diaz’s choices for card names, such as Chills and Ringing of the Bells, which instantly tap me into the sensation of Winter. I enjoy how the deck includes Reindeer Medicine and Bear Medicine, along with Poinsettia, Mother Mary, and Father Christmas.  The cards are a soulful reminder of all the special parts of the Yuletide season for one’s craft. As the authors write:

“Christmas is a Christian tradition but its roots are based in pagan ways. Familiar symbols such as Christmas trees, stars, lights, giving gifts, and even Santa Claus are threaded through pagan cultures and predate the Chrsitian celebration.”1

My favorite cards feature traditional Yuletide snowy scenes with silhouettes of a witch on her broom riding in the sky. The folklore of La Befana, the Italian Christmas witch, is near and dear to my heart, so I truly enjoy seeing a witch in action outside of the usual Halloween imagery. I like imagining there’s a Christmas witch that watches over us all, delivering presents of the heart to us as we are hunkered down inside for the cold Winter months.

Each oracle card features a beautiful image, the name and number of the card, and a short one-sentence oracle message. The guidebook then elaborates quite eloquently on each card, offering keywords and heartfelt messages that have been spot-on every time I’ve pulled a card so far. Along with advice for working with this deck, including spreads and magic tips for some cards, the guidebook is also filled with Yuletide imagery. It’s a pleasure to look through it, as images of mistletoe and holly line the pages. It’s worth noting this guidebook does not provide reverse oracle meanings as the guidebook for the Samhain Oracle does, but this didn’t bother me at all because I hardly use reverse cards in oracle readings.

One spread I really like is The Evergreen Wreath, which assists the reader in figuring out where they are now and where they want to go. Another one I thought is creative is The Christmas Cross Tarot Spread, based on the traditional Celtic Cross, but framed in the perspective of Yuletide (ex. Card 2 is Winter Storm, while Card 5 is Ghost of the Past), once again heightening the connection to the season. I’m also looking forward to The New Year Ahead spread once it gets closer to the start of 2022.

I’ve come to trust this deck, which doesn’t always happen instantly for me, and not just because my first pull was the card Squirrel Medicine, when squirrels are my favorite animal ever. It’s something more; Yule Oracle feels imbued with good vibes and an openness, which I believe stems from the author’s intention when crafting this deck. There is a really heartfelt section in the guidebook about reclaiming the witch, in which the authors write: 

“The way we view magic needs to change. It’s time to reclaim this world for yourself. To reclaim magic means to honor yourself through the magic you create. If your magic is pink and purple with glitter and that feels good to you, then it’s your right to express that magic in this way. If you love beautiful things and aesthetically pleasing design but are also a witch, know that your magic is no less valuable because you also value art. If your magic is about rolling in the dirt under a full moon to connect with the earth, then so it is. Your magic is beautiful in its dirty rawness.”2

This meaningful passage really made me appreciate the mindset of the authors. It also reaffirmed that my magic, which I will say leans towards the pink and glittery kind, is valuable, even if it’s not the traditional imagery of gothic witchcraft. I feel like there’s this greater reclaiming of our inherent magic, and within this shifting of the imagery, there is limitless potential of how everyone’s unique magic will be expressed. I have a lot of respect for Anderson and Diaz for acknowledging this as part of this introduction to this deck, especially since they also acknowledge the lack of diversity in Samhain Oracle.

All in all, I can say I’m in love with the Seasons of the Witch: Yule Oracle. There’s just something about the traditions and sentiments of this season that always brings up the good tidings. The range of oracles in this deck provide inspiration and divination from all sorts of guides: animals, sacred symbols, Yuletide folklore, and the simplicity of winter life. I think this deck will be the perfect present for Witch Switch gift swaps or to give as a meaningful gift to your inner coven of loved ones.

And, just to get you excited, I found out via Google that there will be a Seasons of the Witch: Beltane Oracle coming in March 2022! Woohoo! 🙂 I’m a very seasonal person, so it’s a thrill to have decks to embrace the energy of the season. Speaking of which, it’s probably time to pull out my Seasons of the Witch: Samhain Oracle!

Inner Practices for Twelve Nights of Yuletide, by Anne Stallkamp and Werner Hartung

Inner Practices for the Twelve Nights of Yuletide, by Anne Stallkamp and Werner Hartung
Earthdancer Books,1644113244, 144 pages, October 2021

I’m sure we’ve all felt that liminal in-between realities that occurs between Yule and the New Year, where we are often left wondering “What day is it?” This year, rather than getting lost in the transition of time, I plan to actively integrate the past and divine the future based on what I’ve read in Inner Practices for the Twelve Nights of Yuletide by Anne Stallkamp and Werner Hartung. Filled with meditations and journal prompts, I am  looking forward to delving into the spiritual energy of this sacred time. Reading this book has made me very excited for the Yuletide season, though I am still not fully on board with all of its information.

Originally published in German, this book has been quite the success. Stallkamp and Hartung are a married couple and both are dedicated to spiritual healing. Stallkamp teaches classes on geomancy and spiritual healing, while also working as an interior designer who clears energy in living spaces and arranges to foster energetic balance. Hartung is a medium who also leads workshops on geomancy and spiritual healing, as well as channeling. Both Stallkamp and Werner are Reiki masters too.

I’ve always felt there was a special energy between Christmas and the epiphany, though I’d never realized that other cultures and traditions honored this time as a sacred pause. Stallkamp and Werner briefly mention this, but choose to not delve further into detail, though I wish they had done so to provide a bit more background information. Rather, the book opens with a channelled message from Minerva, known for being a Roman goddess, who asserts herself as a Elohim, or energetic being, in the transmission. Unfortunately, this seemed like a detour from what I had hoped was going to be a book about the Yuletide season; I suppose I was looking for something more grounded and rooted in tradition.

What follows is Stallkamps and Hartung’s system for the twelve nights of Yuletide. For the most part, the twelve nights correspond with traditional Pagan holidays of the solstices and equinoxes, along with cross-quarter days. However, there are some corresponding dates that are not explained at all, plus there is no information about why these dates were selected. I longed for a deeper explanation of how this system works and where the information came from, rather than just a general overview from a channelled message.

The premise of doing these inner practices during the twelve nights of Yuletide is to both reflect upon the year prior and discover what the year ahead will hold. Since there are twelve nights, each one corresponds to a month of the year, though the days vary and this is not thoroughly explained as I already mentioned. Readers are prompted to use reiki to heal and integrate the past year, while also looking to God, the Creator, and our dreams for guidance about our future during this time.

Meaning, by page 20, we are somehow incorporating channeled messages from a Roman goddess/Elohim for Gaia, while corresponding the nights of Yuletide to Pagan holidays, and now we’re supposed to be doing a Japanese form of energy healing and engage in dream interpretation to determine God’s plan for our lives in the next year. Needless to say I was befuddled about the way the authors have presented this system, as it doesn’t seem to have any coherent spiritual basis and is rather a grab-and-go mash up of whatever spiritual path seems suitable for their purpose.

Not to say things can’t all be integrated, but I think it’s too much to piece together in just the opening pages. The remainder of the book is mostly Christianity-centered, even quoting the Old Testament at times, though it does include prayers to Mother Earth. So, if you’re looking to approach Yule from a Pagan perspective, this probably isn’t the best choice.

Now that I’ve vented my frustrations with the book, I will highlight what I like about it. The actual practice of connecting with the past and present during the sacred pause of Yuletide seems like a meaningful spiritual practice. The authors do provide great questions for reflection, meditations, and energy exercises to integrate the past and prepare for the future. I think I will refer to the book during this time and practice some of their suggestions. Though, I will be doing this based on the tenets of my own spiritual practice, rather than the mix-and-match method suggested by the author.

At the very least, this book heightened my interest in the twelve nights of Yuletide and prompts me to be more intentional this season. I will be looking for signs as to what the year might hold for me during this week, as well as consciously tying up loose ends of the past.

Unfortunately, Inner Practices for the Twelve Nights of Yuletide is not a book I will be recommending this holiday season. However, if a reader is willing to look past the spiritual inconsistency and open to the idea that this is a sacred time of transition, they may benefit from engaging in the practices suggested by the authors. I sincerely hope another book is published on this topic, as I feel there is great value from honoring the traditions of this time during the transition from one year to the next.

Crystal Oversoul Cards, by Michael Eastwood

Crystal Oversoul Cards: Attunements for Lightworkers, by Michael Eastwood
Findhorn Press, 1644111764, 66 cards, 224 pages, November 2020

I was drawn to the Crystal Oversoul Cards: Attunements for Lightworkers by Michael Eastwood because of the intricate geometric crystal designs on the cards. I thought this deck might help me connect with the sacred geometry within different crystals, hence changing my state of consciousness in meditation. While these cards have shown to be useful for attuning to different perceptions, overall they are quite different than I expected in both positive and negative ways.

First of all, the cards are very big and bulky in my hand. Unfortunately the large size of the cards seems to have detracted from the crystal images on the card. They don’t appear to have enough pixels for the amount of space they take up on the card, similar to if you’ve ever tried to make a photograph bigger and all it does is lose the quality and look stretched out. The only redeeming quality is that the box is nicely designed; it has a magnetic strip along the side, allowing for easy opening and closing, that keeps the box securely shut when being stored.

I also think I underestimated just how New Age these cards would be as an oracle deck. I’m a big fan of working with crystal energy, and I can be receptive to ideas about Lemuria and Atlantis. However, my first impression was that this deck pushed it a bit too far and was very untethered in its approach to attuning to these crystals energies. The whole deck requires knowledge of working with additional chakras beyond the traditional seven: the eighth chakra, the ninth chakra, and the Earth Star chakra. I wasn’t familiar with this, nor could I find much information on them. Leery of channeled information, I will admit I approached this deck with a bit of skepticism.

Eastwood has previously published two card and book sets, Crystal Oversoul Attunements and Crystal Oversoul New Earth Attunements, which he combined to make this deck. An Oversoul is described as “the collective soul or matter all individual crystals in their field will identify and communicate with.”1 I take this to be almost like a common soul of the crystal, which people can communicate with. According to Eastwood, in the past humanity had a closer connection to the Crystal Oversouls, but they still can play a role in our evolution to new levels of consciousness and spiritual awareness. He compares the Crystal Oversouls to mandalas or templates, writing:

“Their visual manifestation as mandalas serves as a clear purpose and the intricate, never ending and overlapping patterns within each temple mirror the differences and uniqueness. Every fine detail stimulates our consciousness to remember specific aspects of our vastness; to reconnect with the awareness of our being part of a greater unfolding, of our divine self.”2

After sharing his own experience of working with crystals and describing how co-creating with them can be a spiritual path, Eastwood moves into teaching the deck user about attunements. I finally became more comfortable with his concept of an Oversoul because he also discusses how the crystal is overseen by a Deva, which I have read much more about and am already familiar with. This made the leap into understanding the Oversoul not quite as far as I had felt it was before. He writes, “When we direct our healing or intent through a crystal, it is amplifying back the consciousness of an Oversoul and Deva directly into our aura.”3 This provided me with a more grounded understanding as proceeded with my first attunement.

Another surprising thing I discovered, which made me more confident in getting started with this deck, is that Eastwood recorded meditations for cards 45-66 because they are especially important energies for the awakening of humanity. There is a link to download them through Inner Traditions website. Hearing Eastwood’s voice was soothing, and it helped me to feel more connected to the cards than when I read the description in the guidebook. I honestly wish he had done the meditation for all the cards and not just these final ones in the deck.

At last, I decided to do a supportive attunement, intending to learn from the image and information. I chose the card Petalite. This card spoke to experiences I was having at the time, including desiring to integrate both intellect and intuition, as well as cleanse my energetic field to release outdated patterns and limiting beliefs. It felt particularly apt for the timing of the pull too because it was during a waning moon phase, which is the time frame this card corresponds with. I spent time holding the card to my chest, envisioning the energy of Petalite merging with my own. This was when I started to feel a sense of reciprocity with the Crystal Oversouls. As I opened myself to their energy, I did indeed start to feel new levels of relaxation, awareness, and wisdom emerge from within.

I realized I had misjudged this deck. My first hasty pull upon receiving it has been hoping for an immediate answer, which the guidebook does not provide. Eastwood offers an attunement for the deck user to open up to the crystal’s energy in their own life. The essence of this deck is engaging in one’s own energy work to facilitate this relationship with the Crystal Oversouls. One will get out of this deck the energy that they put into it.

While this might not be a deck I pull from every day, I feel reassured knowing I can call on the Crystal Oversouls in my spiritual journey as allies. It is interesting to connect with the crystals energetically, merging my auric field with their Oversoul, rather than just touching my crystals or meditating with them physically. There is a subtle dimension of consciousness at work here, and the cards do a wonderful job of facilitating this relationship even without the crystals themselves being in my physical presence.

Therefore, I highly recommend Crystal Oversoul Cards for energy workers who are looking to enhance their connection with the crystal realm. Whether or not one wishes to make the connections to the distant past, such as the time of Lemuria or Atlantis, there is still a great benefit for the future in reuniting with the wisdom of the Crystal Oversouls. Yes, to use this deck requires tapping in beyond the ordinary senses and opening up to new perceptions and ideas, such as the additional chakras, but energetically it will be impactful

Yemaya, by Raven Morgaine

Yemaya: Orisha, Goddess, and Queen of the Sea, by Raven Morgaine
Weiser Books, 1578637430, 208 pages, September 2021

Back in May, sitting atop a small mountain in Joshua Tree National Park and meditating as the sun rose at dawn, the word “Yemaya” came through the silence. Instantly, I felt a sense of peace rush through me. I knew Yemaya was a great ocean goddess, but that was my extent of knowledge about her. When I returned home after this experience, I followed an intuitive nudge to bring some cowry shells down to the ocean and honor Yemaya, thanking her for the beauty of the ocean that I enjoy and the calmness that it brings me.

While I felt a call to continue developing this relationship and explore this quiet prompting from either my intuition or the Universe (not sure!), my summer travels took me away from my home on the California coast and into the canyons of Utah, woods of the Sequoia trees, and cities of the east coast from Philadelphia, PA to Providence, RI. Within my heart though, I kept remembering Yemaya and doing my best to connect with her energy wherever I went.

Now that I’m settled into my daily routine again, back to combing the beaches for seashells and spending my weekends reading on the beach, I felt ready to explore this budding relationship a bit more. However, I will admit I didn’t know exactly where to get started. The Orishas have always felt unreachable for me, a white American woman with European ancestry, due to their African heritage. I am well aware of the training and dedication that goes into becoming a devotee of the Orishas, and I also know how inaccessible these traditions can be to outsiders.

Therefore, you can only imagine my joy in discovering the recently published book Yemaya: Orisha, Goddess, and Queen of the Sea by Raven Morgaine. It was all I’ve been searching for and more!

Morgaine is a spiritual artist who has dedicated his life to Yemaya. He practices Candomble, New Orleans Voodoo, Santeria, and witchcraft. He also owns his own shop, Familiar Spirits, in Coventry, Rhode Island. Most of all, he’s an incredible storyteller that brought all facets of Yemaya to life in this wonderfully written book. His inclusion of practical wisdom, anecdotes, recipes, recipes for making oils and candles, along with plenty of Orisha stories made my connection to Yemaya so much more tangible and alive.

In fact, there were times reading this book when I would put it down and have my thoughts be washed away in feelings of love, tenderness, and security. It felt as though I was coming home to a mother who wanted nothing more than to make me feel loved, nurtured, and supported. While I am only in the beginning phases of building my altar and figuring out what this relationship is going to look like in my life, Yemaya assured me this pathway is open to all and that I will find my way.

Filled with his own written prayers, blessings, and spells, this entire book is imbued with Morgaine’s energy in the best way possible. His love and reverence for Yemaya streams through every word written, from warning those seeking to develop a relationship with Yemaya about what she does not like (never put metal on her altar or use it as a ritual tool, also she’s not a dog person!) to all the ways one can win her favor (beautiful combs, pearls, mirrors, white roses). Morgaine does not cut a single corner in laying out the foundation for establishing a relationship with Yemaya, and he happily delves into stories to illuminate the meaning behind why the practices are done the way they’ve always been done.

I truly loved learning more about many Orishas, from Yemaya’s younger sister Oshun to Shango and Eleggua. Morgaine’s writing was one of the most inviting introductions to the Orishas I’ve ever come across, and for the first time, I felt welcomed to partake in and honor these gods and goddesses.

Though, I will also admit, Morgaine’s solemn warning of what is involved in creating and maintaining a relationship with Yemaya is both awe-inspiring and a bit nerve-wracking all in one. More than anything, he conveys that she is not a goddess to call upon on a whim or to instantly demand quick results from. She is royalty, and thus she wants to be treated with respect, care, and devotion. She enjoys her lavish praise and will actively pursue what she wants, letting the practitioner know what does and does not please her.

The experiences shared by Morgaine of working with Yemaya for over 35 years made me realize just how misconstrued my previous assumptions of this great ocean goddess had been. I particularly enjoyed how he went through all the different facets of Yemaya, naming each one and sharing a bit of background information related to that incarnation of her, so that a more well-rounded picture of her was painted.

Morgaine openly shares trials from his own life, from despair at the end of an abusive relationship to being evicted at a very sensitive time in his life following his brother’s passing, to show readers Yemaya’s ever-present compassion for her children. Likewise, he also recounts times where she graced him with her presences, highlighting that Orisha gods and goddesses are more than just abstract energies; they are dedicated protectors, guardians, and way-showers of the natural world and humanity.

What has me most inspired is the descriptions of how to build an altar. I am looking forward to creating the time and space to do this soon. I knew I had been collecting seashells, sand dollars, and mermaid figurines for something! And thanks to the wisdom Morgaine has imparted in Yemaya, I also plan on creating cleansing and protecting my house as well.

Once again, I must impart how thorough Morgaine is in his details of doing these things. He even describes how it’s good to have an altar with drawers to store sacred objects, where to find affordable old furniture, and how to cleanse the furniture. At other times, Morgaine reminds the reader to use a dust mask or that a certain spell might smell weird, but that’s okay. His conversational writing style makes it feel like I am directly receiving this valuable information from a beloved teacher, mentor, and friend.

Somehow, Morgaine finds the perfect mixture of lightheartedness and seriousness to impart these lessons with care and consideration both of Yemaya and the well-being of the practitioner. He very much wants to ensure Yemaya is honored in a way that is pleasing to her, and he also wants to make sure practitioners don’t make foolish mistakes that can have detrimental impacts. Truthfully, he’s the perfect mediator between both, an ambassador if you will, in establishing this relationship.

And what’s so special about Morgaine’s perspective in Yemaya is that it’s inclusive. For him, having a relationship with Yemaya is not limited by one’s race, gender, sexual orientation, or cultural background. He draws parallels between Mother Mary and Isis with Yemaya, as well as acknowledging that many pagans choose to work with deities outside of their own culture’s pantheon. There’s a lovely section on how different aspects of Yemaya are protectors of people of all gender and sexual orientations — Yemaya is mother to us all.

Oh, I could keep raving about this book forever! All in all, Yemaya is a wonderful book to begin a relationship with the great mother ocean goddess. Morgaine teaches the reader how to cultivate a spiritual practice dedicated to Yemaya through telling her stories with the Orishas, sharing her many aspects of self through reincarnation, what offerings she loves and what things she dislikes, and how to establish a relationship nearby or far from the ocean. The anecdotes, recipes, magical associations, and practical wisdom from Morgaine are enough to get someone started on this path for at least a few years!

Mister Yam, by Yeng K Tan

Mister Yam, by Yeng K Tan
Independently published, 9798450939674, 236 pages, August 2021

I will admit that I did not know what I was getting myself into when I started reading Mister Yam by Yeng K Tan. The bold, contrasting colors on the front of the book, overlaid by a red sheep with golden wings wasn’t much of an indication of what this curious book might be about.

Sure, sure I had read the back-cover description: a twenty-something year old guy disillusioned by corporate life finds his life re-examined when a series of events propels him to embark on a mysterious quest to find answers only he can discover. Kind of generic, right? But let me tell you, this book was so much more than your run of a mill adventure pursuit of the unknown; it’s filled with transcendental wisdom, intimate psychological revelation, and a lot of good eats!

Mister Yam lives a pretty routine life: he has a steady job, though he’s not much interested in career ambition, visits his favorite local bar, enjoys watching the evening news, recently experienced a break up with his girlfriend, and most of all, is always thinking about his next meal.

However, after attending a career fair with his buddy Lorenzo, a series of strange events start happening in his life. It begins when a bald man with a big hat gives him a small wooden box with a lock but no key on a train. Then Mister Yam starts getting phone calls from a person eerily familiar with small details of his life, such as what he’s doing at that moment.

Since the box remains a mystery to him, Mister Yam takes it to a local pawn shop to see if they can tell him more about it. Looking up a data search of the box reveals map coordinates, but nothing else. After learning that his friend Lorenzo has gone missing in the midst of all these random and unexplainable events, Mister Yam feels like he must follow the coordinates to find his friend.

He continues his journey to find answers on a bus headed towards Montana. Oddly enough, at a stop in Idaho, he notices the girl from the pawn shop is also on the bus, and they decide to share lunch. She invites him to travel with her for a bit, and he accepts the offer.

As they ride around in her van, Emma reveals her own experience with the bald man and how her life was inexplicably changed after meeting him. Once a Mormon, the bald man even connects to why she’s back in Idaho at that time. Mister Yam isn’t the type of person to overthink things though, and rather than probe her about who this bald man might be, they just get stoned and hook up.

The next day, Mister Yam continues on his journey to Montana. Once again he meets a woman, Sappho, who assists him in this journey. She had seen Lorenzo check into the hotel with the bald man just a few weeks prior. While they were staying at the hotel, she had an odd experience that matches a dream Mister Yam has been having, where they enter a dark room filled with candles.

Together, they set off into the snowy Montana mountain side to find what is located at these mysterious coordinates. However, this is where my summary will end because what comes next is one of those endings that makes you really question concepts of perception, reality, and the feats of consciousness.

I realize this summary seems rather basic, but do not let it deter you from picking up this book! I intentionally left out a lot of the mysterious events, such as a strange play called The Life of Boris, and the many references to sheep that keep revealing themselves.

Plus, what really makes the book worth reading is the revelations the character has about perception. He’s a foodie by heart, and his descriptions of what he’s eating created a craving in me quite a few times. But most of all, he’s a rather unassuming person who’s open to letting the mystery reveal itself without working too hard to grasp it. Yes, he’s curious, but he’s not over thinking about all the events occurring; he’s more like a passenger on a great voyage of sublime divine planning.

At times I didn’t know what to think about the events, and I really had no idea how it would turn out. But I felt reconnected to my own awareness through reading the book, and I was enticed to be more mindful in my day to day routine. This plot moves along a general path, but it has detours, just like life does. There’s something very “in the flow” to how it progresses.

As mysterious as it seems, there’s always a gentle pulse of love and higher knowledge that seems to be guiding seemingly unconnected events to make it a cohesive narrative. The pieces are all woven together in due time, and I valued Mister Yam’s “take it as it is” style in the matter of getting to the heart of the truth.

Reading Mister Yam instantly reminded me why I adore independently published books. Tan’s writing style is unique, fresh, and one of a kind. This story doesn’t have the same narrative plot that’s been churned out over and over again, making the read a wash-rinse-repeat type of experience.

What I liked most about it overall was the stream of consciousness narration of the main character. I really got into his inner dialogue. And while I did feel like he was very much a dude (I will admit the male mind seems very foreign to me), I completely vibed with Mister Yam’s observations, thoughts about the world, and motivations. It reassured me that as a millennial, we do see things in a way other I want to say older but am trying to not create an OK Boomer moment) view things.

From the disillusionment with a corporate lifestyle to insights about current politics, I felt like Mister Yam was immensely relatable. And therefore, I was more inclined to be interested in how the story unfolded. (To be honest, I was actually very interested and read this book in one day because I just wanted to keep going!) He had valuable insight into the world, and he was also a great tipper. His respect towards those around him reflected his good nature.

The other aspect of this book that I enjoyed is how well it captures the “spirit of the land”. From San Francisco to Montana, I felt the narrative come alive through the character’s interaction with the landscape. Whether it be walking around Berkeley to being hunkered down in the snow of Montana, Tan does a wonderful job of painting a vivid picture for the reader. Even when it was just Mister Yam sitting at the bar, I could see it, taste it, feel it, and hear it.

Overall, Mister Yam is like the millennial’s version of a Burning Man revelations within one’s ho-hum life through a strange series of events that help Mister Yam get at the truth of the matter. There’s a mixture of Jung’s synchronicities with psychedelic revelations that come via perception of the mind, filled with the many tastes of Food Network. If this feels like a random jumble of things, I’ve made my point clear. There’s no one way to explain the deep message of Mister Yam, but reading it is a journey in itself — one that I highly encourage.

The Age of Witches, by Louisa Morgan

The Age of Witches, by Louisa Morgan
Orbit Books, 9780356512587, 528 pages, February 2020

Horses, poppets, and duels within a family of witches? Add a splash of romance and you’re got the magical ingredients for The Ages of Witches by Louisa Morgan. This is a definite must-read for witchcraft-fiction readers. Featuring strong women protagonists and actual occult wisdom, this book was a lovely read. What’s best is that Morgan’s writing flows at a gentle pace, making it so I didn’t rush through it in just a day or two and allowing me to really get wrapped up in the tale.

The story is centered around young Annis Allington, who cares more for horseback riding than afternoon tea and marriage. There’s no riding side-saddle for this young lady; she has a natural repertoire with her horses and enjoys the strength she feels galloping around the streets of New York.

Unfortunately, her scheming step-mother, Frances Allington, has other plans for Annis’s life in order to fuel her own personal desire for a place among society’s elite. What Annis doesn’t realize is that Frances is a witch, who specializes in the use of the maleficia, or dark magic used to control others. Her specialty is working with poppets to control her target and make them bend to her will, which is how she landed Annis’s father as a husband.

Wishing to separate Annis from her beloved horse and lure her into a royal marriage, sealing a title to enhance the family’s reputation, Frances brings her to London to meet with a potential suitor. Well, from Frances’s point of view, the match will be guaranteed for she’s prepared to magically make it so, regardless of the feelings of either party.

James, who recently became the new Marquess of Rosefield, has the weight of the world upon his shoulders now that his family has passed. Coming to terms with the family’s dwindling finances and his father’s debt has put James in the position of having to make choices about how to best secure a future for the Rosefield estate. His mother, Lady Eleanor, eagerly and continually suggests finding a wealthy woman to marry, thus ensuring the future of their family’s legacy.

Conveniently, she has invited Frances and Annis to visit with them, hoping for there to be a spark. Well, there certainly is strong chemistry between James and Annis, but not the way their parents had hoped for. James is appalled at Annis’s forwardness in regard to her desire to become a horse breeder, and Annis cannot stand Jame’s conventionality or views on what is and is not appropriate behavior for a woman.

After the first day though, the feelings between them begin to shift. Annis can sense something is off about it; she’s experiencing embarrassing sensual feelings for James, whom she knows she is not truly attracted to at all. It’s clear that James too is feeling the allure, suddenly looking at Annis in a very different way.

Annis doesn’t know what to make of this and is truly worried about her predicament. She knows that Frances is trying to corner her into this marriage, and she’s also fearful of the consequences, such as losing her beloved horse, if she doesn’t play along.

Luckily, Harriet Bishop, Annis’s aunt and Frances’s cousin, has been following along with what’s happening in her family’s bloodline. Readers are introduced to her at the very start of the book, and I for one was instantly taken with her. I only wish I had an aunt watching over the development of my own magical gifts.

Both Harriet and Frances shared a great-great- grandmother, Bridget Bishop, who was hung for witchcraft during the Salem witch trials. Bridget had two daughters, Mary and Christian, who each went down their own witchcraft path. Christian followed in Bridget’s footsteps, freely using the maleficia to have her magical way, while Mary chose the path of magic that does not impede the will of others. Frances’s mother, unlike Harriet’s, had come from the lineage of Christian, who practiced the dark arts without discretion.

Harriet and her grandmother found Frances after her mother had passed. Living in squalor, they awakened her to the secret of the family’s witchcraft lineage and took her into their home to oversee her training. They had hoped she would not succumb to the maleifica’s strong powers, but ultimately the pull was too strong. Frances decides to make her way in the world using the witchcraft that compels, controls, and consumes others, expertly using her poppets to get what she needs in life.

“Witch should be a beautiful word, signifying wisdom and knowledge and discipline, but it isn’t used that way. It’s been made an insult, implying evil, causing fear. The word has been perverted.”1

I know I certainly feel this way sometimes, hesitant to share my personal spiritual path as a witch. Therefore I often found myself agreeing with Harriet’s thoughtful sentiments. She is an admirable witch and herbalist, maintaining discretion about her client’s personal needs. Though, she also knows how the beauty and power of witchcraft can be used for ill and malice towards others.

Stepping into to prevent Annis from the harm Frances wishes to callously inflict on her (though France might truly believe what she’s doing is for the best interest of all despite the lack of freedom of choice or ethics concerning the welfare of others), Harriet ventures to London herself to reveal the secrets of their family to Annis before it’s too late.

As for the summary, I’ll stop here. This is hardly a full synopsis of all the twists and turns the book takes, but it’s hopefully enough to convey the essence of the plot. Once Harriet, Annis, and Frances are in London together, it’s truly a battle of wills for the direction that magic will take.

What I love most about the book is Morgan’s portrayal of witchcraft, which I believe can only come from true reverence for the art, along with a bit of practical experience in the craft. There’s even a character who is a strega! This was especially heartwarming for me to read since I come from an Italian lineage.

Throughout the book are fun cantrips, such as the following:

“The touch of this remedy will move the heart
So kindness is the better part.
Leaf and root and flower bless
The heart that always answers, Yes.”2

The spellwork of the witches, especially with the poppets, is always described in detail. From the herbs used to make a salve to the description of using a piece of hair for the intended poppet, Morgan truly captures what goes into magical workings. She even includes the witches mixing in blood for their spell potency, as well as the use of an adder stone to give the work a boost.

Morgan also does a wonderful job of capturing life in the 19th-century for women. While Annis has budding feminist notions, there’s also still societal rules about what constitutes appropriate path’s for a woman’s live. Offering the option of witchcraft to a young woman is one of the most remarkable gifts to be handed down generation after generation — it’s more than just an alternative path, it’s a route to self-discovery and a life beyond the constraints of social norms.

Magic aside, Morgan has created some memorable characters. I really enjoyed the various cooks, maids, and personal attendants who accompanied the main characters. I can picture the different accents the characters used, thus further amplifying my connection to the story’s setting. I was especially taken aback by Annis’s intimacy with her horses, which gave me a new appreciation for the relationship between horse and rider. At times, I wished I could just hop on a horse and go for a little trot around the block!

All in all, The Age of Witches was a very fun read. I almost want to say it was relaxing. Yes, the plot was interesting, and at no time did my attention stray, but the pace was easy-going. This book had all the elements of a good story: family conflict, romance, and a whole lot of heart. Plus, It made me think about what type of magical practitioner I consider myself to be, and it inspired me to be more active in my herbalism and word craft for spellwork. I highly recommend it as an engaging witchcraft-fiction read!

The Ladies of the Secret Circus, by Constance Sayer

The Ladies of the Secret Circus, by Constance Sayer
Redhook, 0316493678, 464 pages, March 2021

I’ll admit it.. I’ve been very into magical circus books this summer (see my review for Bacchanal). When I found the Ladies of the Secret Circus by Constance Sayer in the recently published section of my library, I was delighted to once again be immersed in the enchantment that springs forth from the unique energy of circus life. However, while the plot was decent, this book didn’t stand out as a must-read for me. Overall, it was an interesting story, but written with too many plot gaps and a clear indication the writer does not have much experience working magic in the real world.

The overall premise is that on the day of her wedding, Lara Barnes’s fiancé, Todd, goes missing. Yes, they’ve had an on-again-off-again relationship for quite some time, including him being with other women, but the disappearance is a shock to the small town. While Kerrigan Falls is known for its lack of crime, an eerily similar disappearance happened 30 years prior to the day, when another handsome, young, beloved man named Peter went missing in the midst of his aspiring musical career.

Lara is absolutely devastated by the loss of her love, but can sense there’s something more to the story. She has learned how to do simple magic, or “corrections”, as she calls them. For instance, she alters her wedding dress to better fit her taste that day, though she’s aware the illusion will only hold as long as she maintains concentration. She inherited this power from her mother, Audrey, who chose a normal life, hiding her magic from everyone, including her ex-husband Jason.

In the months following Todd’s disappearance, Lara distracts herself by purchasing a local radio station and putting work into her fixer-upper home. She does her best to avoid media attention and rumors about what might have occurred, as she’s in her own personal state of mourning the loss of her beloved. Though, this doesn’t stop her from forming a romantic relationship with the local sheriff, Ben, who is a bit out of his league with such a big case in his small town. What begins with him giving her updates on the case, blossoms into a friendship, which turns into a budding romance.

As a supportive mother, Audrey is trying to lift her daughter’s spirits. Together, they attend the Rivoli circus, as the owners are long-time friends from the days when their family ran a circus. Audrey’s mother had decided to give up the circus, after going mad from her magical powers and no longer being able to maintain it. While at the circus, Lara has an unusual encounter with a fortune teller, where she is gifted with the diaries of her great-grandmother Cecil Cabot.

Reading the journals, Lara learns her great-grandmother was part of Le Cirque Secret, also known as the dark circus. Suddenly, all she’s known is turned upside down. As she tries to figure out the deeper truth, Lara recalls visits from a mysterious man as a child who had told her Todd was not her destiny. When he appears again following Lara reading the diaries with a proposition for Lara, inviting her to come to Paris, as he needs her help, in exchange for information about Todd and her family secrets, she decides to go ahead.

From this point on in the story, it becomes a dual narrative of Lara’s experience and that of her great-grandmother Cecil’s experience in Le Cirque Secret. While Lara’s story is boring white-bread suburban living, Cecil’s life is filled with romance, passion, and magic of 19th-century Paris and circus performances.

Cecil and her twin, Esme, were the children of one of the most notorious demons in the underworld, Althacazur, who is a favorite of Lucifer. When his wife passes away, he needs a home for his daughters, thus he creates Le Cirque Secret (which also is a good way for him to reel in those who are more eager to sell their souls to him in exchange for what they desire — truly a win-win). Known for her cunning charm and quick temper, Lara soon realizes this man is her great-great-grandfather, and her family’s origin is much darker than she ever imagined.

What’s especially enticing about Le Cirque Secret is that only those with a ticket can see the entrance, which pops up in the middle of an open, vacant spot in the town it’s performing in. Since it’s run by demons, who were essentially hand-picked by Althacazur in order to entertain and babysit his kids, this is no usual circus. All the performers are trapped, fulfilling the contracts they’ve made with demons for the rest of eternity. Nevertheless, there is an element of kinship among them.

Cecil and Esme, despite being twins, are often at odds with each other. Their good friend Slyvie tends to pick sides among them, but she also helps to smooth out the tensions. Oddly, Cecil has no memories prior to her 11th birthday blowing out candles. She can’t recall their early childhood, though Esme can and mocks Cecil for her weakness, as she’s also the only person in the circus that does not have a performance routine.

When Cecil grows weary of her sister’s taunts, she asks father about her lost memories and shares what Esme had told her. This prompts a swift and ruthless punishment for Esme, which changes her forever. From then on, all love has been lost between the sisters. However, Cecil finally finds her own strength and becomes an aerial performer. She learns that she can do more than swing from the bars as an acrobat. Cecil can actually fly through air with her magic, dazzling and astounding audiences.

During a night on the town after a circus performance, Cecil meets painter Emile Gradeux. They have an instant connection, sparking young love in the heart of Paris. Esme has usually been the one to go for painters, tormenting them by allowing her portrait to be painted, knowing it will vanish by morning, as it’s impossible to capture Cecil or Esme’s likeness. There’s something about Emile though that opens Cecil’s heart to happiness and love, and she continues to develop her relationship with them.

Surprisingly, Althacazur takes an interest in Emile and offers him the chance to do three paintings of the circus: one of Slyvie, one of Cecil, and one of Esme. Cecil and Esme’s intense rivalry is fueled by their common romantic interest in painter Emile. Ultimately, many relationships are destroyed, with consequences that are still impacting Lara in modern-day.

Swept away in the elegance of 19th-century Paris, these diary entries are definitely the best part of the book. Intermixed with characters such as Mann Ray, Pablo Picassion, and Ernest Hemmingway, the creative spirit comes alive amid the chaos of the circus. It’s easy to get caught-up in the glamour and romance

On her mission to learn more about her family’s past, Lara discovers more paintings in Paris, as well as a fellow Le Cirque Secret enthusiast, Tedd Barthlow-Bentham, a friend of Gaston, the local portrait framer and art enthusiast of Kerrigan Falls who has accompanied her. When Lara goes missing, Ben comes rushing to her rescue. Eventually, all the pieces come together for what is intended to be a surprising end. Though, if you’ve been reading between the lines, it’s easy to spot it coming.

So, overall the book has an appealing plot and it does keep the reader engaged to an extent. The major drawbacks to the book that irked me as a reader was the flow of the plot, which seemed a bit jerky. Sayer jumps from here to there with little transition, which makes it not as an appealing read. I sometimes didn’t know how things progressed as rapidly as they did in a very short time-frame.

Then, and I think this was my biggest problem with the book, Lara was not a very relatable character. Basic doesn’t even begin to describe her. It’s almost as if she was devoid of deeper emotional feelings. She was very one-dimensional, and most of the time she’s simply confused about what’s going on in her life. The romances between both Todd and Ben seem superficial, and she doesn’t really strike me as someone with a genuine range of emotion, which made me feel she was a bit annoying as a protagonist.

This was interesting because it wasn’t that Sayers couldn’t write a better character; Cecil and Esme have passion, depth, and self-awareness. And as I already said, the parts of the book focused on these characters in Paris were certainly the best. Lara just simply seems naive, selfish, and a bit aloof, not allowing for an emotional connection to be made with her, which as a reader I enjoy having with a main character.

Then my other peeve about the book was that the magic described is the kind of “wave your hand and something happens magic”. It came naturally to all of the characters because of their demonic origins. Therefore, it almost seems taken for granted. Yes, it was neat reading about their powers and their journey to master it. But most of the time, especially with Lara and Audrey, the magic was used to simply enchant life and make it a little better, rather than actually doing anything substantial. It’s mostly all glamour magic.

Plus, the portrayal of the demonic realm was very glossed over and prettily packaged. There was the usual allusion to great people, such as Mussolini, who sold their sold to the devil, or in this case a demon. While Sayers tries to depict the cost of their deal, such as permanent abuse based on the whims of Althacazur, one again, there seem to be little self-reflection or self-awareness on the part of these side characters damned to Hell’s circus forever. The book definitely didn’t weight the pros and cons of selling one’s soul in the way The Invisible Life of Addie LaRue by V.E. Schwab captured (a book I do highly recommend!).

All in all, The Ladies of the Secret Circus was a unique plot and memorable for its originality, but it could have been written a bit better. It’s most redeeming aspect is Sayer’s portrayal 19th-century Paris. Otherwise, it’s a watered-down stunted romance of a confused character trying to figure out her family’s history, drawing the reader into some very superficial aspects of the demonic realm. For those who are looking for a decent book to read, filled with enough mystery and intrigue to keep you occupied, this is an all right selection. It probably will not be a life-changing read, but it might be worth delving into once.

Alchemical Tantric Astrology interview with Fredrick “Rico” Hamilton Baker

Alanna: Hello there! Thank you so much for doing this interview for Musing Mystical. After reading Alchemical Tantric Astrology, I feel like I understand myself in a whole new way. I really gained a lot from the book, and believe it’s truly the future of astrology, so it’s a real pleasure to chat with you.

Rico: Thank you Alanna for your interest in ATA.  I feel blessed to have someone with your depth of interest and understanding to read my book.  You are the perfect reader and to hear that it has touched you so deeply personally is especially rewarding.  Since we are all participating in the monumental shift of the Great Ages from Pisces to Aquarius, I would like to think, as you mention, that ATA will play a role in this major shift.  As you know, Aquarius and its rulers, Saturn and Uranus, play a primary part in the first Hermetic house, awakening the Cosmic Serpent at the Root Chakra.

Alanna: Yes! I absolutely love how you reframe the astrological seasons, sharing information about Aquarius as the first Hermetic House. This is something I really resonated with, yet I feel like it’s *hidden* information. What aspects of Aquarius energy make it the point in this system?

Rico: Aquarius contains many hints about awakening, especially in relation to Capricorn.  Aquarius time contains the beginning of Spring and in the language of the seasons puts the emphasis on waking up from Capricorn’s dark winter.  Aquarius is associated with surprising Uranus and its radioactive alchemical metal uranium, which compares to Capricorn’s serious Saturn and alchemical metal lead. Most telling is the fact that when the planetary rulers of the twelve signs of the zodiac are arranged in their natural order, Capricorn and Aquarius relate to Saturn, which becomes the bottom of the ATA chart and relate to the first Root Chakra in the Tantric Chakra system. It does seem rather “hidden” and I often refer to the ATA system as “Hidden in Plain Sight” because when we look at the natural zodiac and its rulers, the dual rulership order seems so obvious.  It seems only natural to put the zodiac in the order of the ATA system with Capricorn and Aquarius on the bottom and Cancer and Leo on the top so that they line up in perfect order with the seven planets, seven alchemical metals, and seven chakras. 

Alanna: Well speaking of beginnings, maybe I should start by asking more about your astrological career. What drew you to astrology and what’s maintained your interest for so long?

Rico: I would have to say that “It’s in the Stars.”  Double Scorpio loves penetrating to the core, and Virgo Rising, ruled by Hermes/Mercury in an air sign and the third house is a definite set-up.  Ha!

In the mid-1960s, transiting Uranus met up with Transiting Pluto in my natal first house of identity and I dropped applying for Dental schools and instead transferred to U.C. Santa Cruz, a new experimental campus of the University of California, and started over taking all the subjects I was now finding most interesting: Psychology, Philosophy, and Religious Studies. I found Carl Jung and his writing about Astrology fascinating  and had my chart done by the local iconic astrologer, who helped me get started by providing basic training wheels, and off I went. 

A chance opportunity to attend a workshop with Dane Rudhyar put me over the edge, by seeing what was Possible. I took quite a few courses in Psychology and thought that I might get into counselling, but fortunately found Astrology much more interesting. I just plain love astrology, but in another sense Astrology found me and has not let go. Humans and cycles are totally enthralling for me.

Alanna: I completely agree! I too transitioned from studying psychology to becoming an astrologer. I saw in your website biography that you studied Archetypal Psychology with James Hillman – a true legend! Do you have any memorable stories of Hillman?

Rico: I have been very blessed with great teachers.  In this case, I was in a Master’s class in psychology that was focusing on Carl Jung because the professor, Gorgen Tappan, was a Jungian therapist. As a class we got fascinated by Hillman’s book Revisioning Psychology and couldn’t stop, which led to reading everything we could find by Hillman.  Word got to Hillman that there was this Master’s class in sunny California that was going crazy over his work and somehow things got arranged so that he became our visiting professor.  I took a really long time writing my master’s thesis so that I could continue participating in his classes for several years. We got to hang out with him in many venues, e.g., I really enjoyed our informal dream groups and other small group meetings.

It is somewhat embarrassing, but I was constellated as the person who asked him the most challenging questions, so he once referred to me as a “bring down.”  At the time I considered this a compliment of sorts, being called a “bring down” by Mr. Depth Psychology himself.  Ha!  I was a smart ass Puer to his serious Senex. I enjoyed watching when his brilliant wife, Patricia Berry, on a few occasions had challenging dialogs with James.

My personal Scorpio response to his Aries persona aside, I was deeply affected by these fortunate years focused on Hillman’s ideas, perhaps most memorably by themes such as Psychology as Soul Making; the dialog of Soul and Spirit; multi-perspective vs. literal interpretation; and his original unique interpretations of myth, alchemy, and current events, etc., etc.

Alanna: Wow! I love these stories. I’m always reading Hillman, and imagining you there with him, challenging him nonetheless, really cracks me up. Then your thesis was titled “Hermes: Logos of Psyche” —  I have quite a few questions in regard to it!  Were you already studying astrology when you wrote it? Did doing research on Hermes impact the way you look at this planet/archetypal energy in an astrology chart? Can you tell us a bit about your thesis?

Rico: I was already involved with astrology when Hillman came on the scene in our Psychology M.A. program at Sonoma State University, and the application of Archetypal Psychology to the mythology of signs and planets was seamless.  At that time I began a rough version of the twelve signs of the zodiac from the perspective of Archetypal Psychology.

Hermes/Mercurius was a natural focus not only due to the influence of Jung and alchemy, but for the accent on Mercury in my natal chart and for the association of Mercury as the ruler of Astrology in general. I look especially closely at Mercury in a person’s chart, since it reflects on their all-important use of language, and I am keen to notice the archetype that Mercury expresses in every chart I encounter.

My master’s thesis, “Hermes: Logos of Psyche” basically takes on the task of showing how the many myths about Hermes/Mercury demonstrate a privileged position in Psychology (as the Logos of Psyche).  So I focused especially on the myths of Psyche and Eros and the philosophical psychology of Logos, along with the extended myths and history of Hermes and the hermetic tradition. Included was a section on Hermes and the hermetic tradition as connected to astrology, where I gave an introduction to the two signs ruled by Mercury, Gemini and Virgo. Two signs, by the way, which are highly accented in my natal chart.

As for the Logos part, I bring in the philosophy of Martin Heidegger and his thought regarding hermeneutical phenomenology, which has a connection to Hermes’ archetype as translator. Hermeneutics is the philosophy of interpretation and translation, especially of biblical texts. Although the thesis was written for the M.A. program, it built upon the exceptional undergraduate program of Humanistic Psychology I was privileged to attend at U.C. Santa Cruz.  Most notable in this regard were classes with Norman O. Brown and his books, Hermes The Thief and Love’s Body.

Alanna: Wow. Mercury is one of my favorite planets, and I’m always digging deeper into the archetype. This work sounds amazing – and I will be checking out those books and ideas you mentioned. Now, I think your reading style, which integrates wisdom from many sources, is very impressive. Your website states, “My form of interpretation relies heavily on humanistic and archetypal astrology, gender-balance, and some references to occult traditions such as numerology, alchemy, and yoga.” What are some things that catch your attention the most when doing a chart reading, how do you determine what aspects to focus on?

Rico: Interpretation is a hermetic art, as briefly touched upon above.  Understanding astrology as a language and the astrologer as a translator offers a wonder-full way into chart interpretation.  Hermes as messenger and translator is on a way to language.  Martin Heidegger has this beautiful thought about the deep Greek meaning of Logos or word or language as a Way or Path through the forest that opens now and again on an opening that reveals.

I like to see the astrologer as an artist who is practicing with all his tools as a painter practices painting over and over until it is no longer an effort.  I do not feel that I need to think about what tools to choose. Translation has similarities with magic as the word and image are creative.

Alanna: How have your unique experiences contributed to your astrological understanding that you put forth in the ATA system?

Rico: Perhaps we can envision two streams coming together in ATA.  One is all the study of astrology and listening to astrology teachers that accumulates knowledge, like the upward inhalation.  The other stream is the downward exhalation that simplifies and eventually completely empties.  This second stream is practiced by yoga and meditation and helps the astrologer to sense the subtle meanings.  Both of these streams are important for all astrologers, but especially in ATA where the ultimate goal is aligning with the cosmic cycles or universal breath. 

Alanna: I know developing the ATA system has been a journey of many years, what inspired you to finally write the book now?

Rico: There are actually no beginnings to the circle but we can look back and see how the various parts of the book were coming together over the years. Specifically the study and practice of astrology on one hand and the study and practice of yoga on the other hand. I was inspired to write articles to send out via email and to make introductory pieces on the signs and planets. I taught a few classes here and there and in my meditation and dreams (a friend calls it “Night School) the questions and answers started to coalesce. 

In one way of looking at the process it was seemingly aiming for the big 2020 era transit of the Chiron/Kundalini portal at the cusp of Capricorn and Aquarius.  My collection of writings was starting to look more like a book and I turned automatically to North Atlantic Books in Berkeley CA since they had published previous books (Prenatal Yoga and Conscious Conception).  When I approached Richard Grossinger personally he liked what he saw and pointed me towards Inner Traditions, and they were also interested so a contract was signed and the publishing process began in earnest.

As an astrological aside, I have found that the transit of Saturn around my natal chart correlates strongly with my social introversion and extroversion.  I have been having Saturn transit the quarter of my natal 4th, 5th, and 6th houses and it appears that I am once again becoming more visible socially.  When Saturn enters Pisces and pops above the horizon, it will likely become easier to present the book to a larger audience.  If I live long enough to see Saturn and Uranus meet my natal Uranus at the midheaven, then the book could be socially successful.

Alanna: Do you ever feel like your ATA sets you at odds with other astrologers? Or do you feel like it is usually well-received by others in the field?

Rico:  The book has not yet had enough exposure to receive much attention from other well-known astrologers with the exception of Barbara Hand Clow, who absolutely raved about how much she loves it.  Other astrologers who are friends have been very positive and supportive.  The book will be in the hands of several other respected astrologers soon, and I am hoping for the best.  The fact is that I do not see ATA in opposition to other forms of astrology.  I see ATA best utilized as an addition to standard astrology.  The natal chart is primary.

Alanna: What were your favorite and least favorite parts of your writing journey? How did you synthesize such wide bodies of knowledge into this applicable, innovative system?

Rico:  I love to read and write.  Remembering my natal Pluto and Mercury emphasis on depth and breadth, it has all come very naturally.

Alanna: Do you have any recommendations for someone wishing to learn more about alchemy? Tantra? Astrology? Perhaps a book suggestion?

Rico: The annotated bibliography in my ATA book should do the job quite nicely.  For a unique treatment of all the above I would recommend my former wife, Jeannine Parvati’s and my book Conscious Conception: Elemental Journey through the Labyrinth of Sexuality.  It is out of print but quite a few are kicking around the net, and I still have a few new ones for sale.

Alanna: A specific question I had about the ATA system is how would you characterize the difference between the upward energy of Aquarius-Leo and the downward energy of Virgo-Capricorn. Now that we’ve entered Virgo season, I am wondering what shifts I might be on the lookout for.

Rico:  This is a very good and potentially far-reaching question.  Basically I view the phenomenal world as dualistic and everything is alive and like the breath, inhaling and exhaling.  As the alchemical dictum goes: “As above, so below.”  The upward accumulating energy is like the in-breath and the downward distributing energy is like the out-breath.  Likewise the transit of every planet, galaxy, and super-galaxy.

The complete process of breathing contains a time of full lungs connected in ATA with the signs Cancer and Leo and of empty lungs related to Capricorn and Aquarius.  These two times of relative calmness have the potential of silent oneness or nonduality, which might be termed enlightenment, symbolized in Tantra as sexual union or in Alchemy as the divine marriage of Silver and Gold. The seven signs and seven chakras lead upward from Aquarius in terms of the Spirit and ascension, whereas the five signs from Virgo downward are related to the Soul (as per James Hillman and Soul/Spirit).  Myths related to ascension might be Jupiter and Juno, or Dionysis and Ariadne, while the downward path might be related to Shiva and Kali or Pluto and Persephone as king and queen of the Underworld.  The present transit of Pluto, king of the underworld, over this Root under-worldly portal at the end of Capricorn is highly charged!

Looking at Mercury as ruler, the upward sign of Gemini is the home of a Mercury/Hermes who is the alchemical minister acting to bring together the Sun and Moon in the divine marriage; whereas Mercury/Hermes as ruler of the downward sign of Virgo acts as psychopomps, carrying the Soul to the Underworld. As the inner planets (including Mars) recently transited the upper Crown portal and celebrated the alchemical marriage, the resulting insights, symbolized by the alchemical amalgam, handed off the fruits of their union to the Virgin of the Harvest in the sign of Virgo.  Each cycle is different, but every year at harvest time we feel the energy shift from the fixed highs of solar Leo to the mutable metal Mercury moving downward with the noticeably less solar energy of Fall/Autumn.

Alanna: Wow! That imagery you provided about planetary energy within the inhale-exhale metaphor really helped me to connect with the concept in a new way. How do you feel an ATA reading differs from a standard Western tropical reading? Can one type of reading provide information the other can’t? What might a client want to consider when deciding which reading to select?

Rico: Ideally I recommend the two being done together, understanding the natal chart and major transits is an excellent precursor to looking at the ATA chart, then the ATA chart is most useful as a supplement.  The whole process ideally refers back to the natal chart.

The ATA chart adds another dimension or several more dimensions but is still expanding on the natal chart which is the essence.  The ATA chart adds the alchemical and tantric metaphors which ultimately can assist with healthful and enlightening resonance with the universal breath.

I am working on a book (very slowly again) about the Five Pillars of Yoga.  All five (Advaita Vedanta, Ashtanga Yoga, Ayurveda, Astrology, and Vastu) help us to attune to the natural order of the cosmos.  So many of the vibrations in the world today are random and arbitrary and therefore out of tune and this is not optimal.  The ATA chart can be very helpful to bring many of our vibrations in tune with the natural cycles, especially of the planets, but also in relation to sounds, colors, geometric forms, etc. 

Alanna: Oh, I certainly feel the out-of-sync vibrations, and find so far ATA has helped me to readjust to natural cycles. This is at the heart of why I practice astrology — to re-attune to the natural cycles of both Earth and the planets. And, Rico, another book on the horizon? What a joy for readers! Please keep us updated about its progress.

Switching subjects a bit, I know that you’ve written extensively on the astrological significance of 2012. Alchemical Tantric Astrology also delves into the current transit of Pluto. What do you foresee  being major trends in the upcoming astrological climate? What advice do you have for the general public about what lies ahead?

Rico:  I suspect that you meant the year 2020, but actually both years, 2012 and 2020, are important in ATA because of the emphasis on the sign Capricorn, which in ATA is pointing to completion.  2020 had such a large number of important transits across this potent portal that I was certain we would see major changes.  And yes, Pluto is the big player still to transit this point.  Since Pluto/Hades is the divinity of the apocalypse and King of the Underworld, I think that we will once again experience monumental changes. Pluto is also completing the American Revolution cycle of 250 years, returning to his place as he was in 1776!  We can certainly expect that the tension we feel presently in this country will continue and likely grow in intensity over the next few years.  A 250 years big cycle still needs to bottom out.

In 2023 and 2024 Pluto will transit direct and retrograde over the cusp between Capricorn and Aquarius that symbolically is associated in ATA with the release of powerful energy for transformation.  This energy, which in some ways can be associated with what is called kundalini in yoga, can be highly positive for evolution, however it affects everyone differently and some who do not understand it  tend to feel it is threatening and disorienting. When Pluto enters Aquarius to stay in 2024, all the major outer planets will be on the upward accumulating side of the ATA chart, suggesting, as mentioned above, energy relating to the in-breath, generally uplifting and refreshing.

This passage is another major one of many indications that the 2160 year Great Age of Pisces is ending and the Age of Aquarius is approaching. There are reasons to believe that this major shift will have accompanying turmoil.  The Age of Pisces has had a large share of powerful teachers and saviors that may be problematic to release.  Meanwhile, although Aquarius has its brilliant and positive frontside, it also has its share of negative aspects in its backside, perhaps most notably, runaway technology. With Aquarius as the first awakening sign of Alchemical Tantric Astrology, I like to think of ATA as an appropriate form of astrology for the approaching Great Age of Aquarius.  I think and feel that the amazing transits we have been experiencing, as the planets have entered Aquarius and begin a new cycle and Cosmic Inhalation, are making important contributions to this larger shift of the new Great Age.

Alanna: This information is a wonderful guide to think about what might lay ahead. Thank you so much for this interview, Rico! It’s been wonderful chatting with you!

Rico:  This has been a totally enjoyable and revealing experience for me too.  Your excellent questions have helped me to explore new realms.  You are welcome and Thank You!

For those who are interested, you can learn more about Rico and his work at his website.

The Vine Witch, by Luanna G. Smith

The Vine Witch (The Vine Witch #1), by Luanna G. Smith
47North, 1542008387, 268 pages, October 2019

One of my favorite books that I read this summer was The Vine Witch by Luanna G. Smith. You can only imagine my delight in discovering that it was the first of three books in a series! For two marvelous weeks, I was wrapped up in the drama, intrigue, romance, and excitement of these novels. I considered writing a review of each separately, but then decided to write about them side by side. I can hardly imagine one would enjoy The Vine Witch and not want to continue on with the rest of the series.

As much as I enjoy a brand-new book, I also am thrilled when I discover a fully published series that lets me jump right from one book to the next with no wait time! While the latest book in the series, The Conjurer, was released in 2021, The Glamourist was published in 2020 and The Vine Witch in 2019. I highly recommend reading them in order of publication date, which is easy to do now that they’re all released.

They stories definitely build upon one another, and it’s adds a lot to the newer books already knowing the full backstory. All the characters are introduced in The Vine Witch, and the following two novels expand on the past of two characters, continuing to reveal how the three magical women’s fate is intertwined. Their unique friendship evolves as the women overcome enemies, personal challenges, and twists of fate that captivate the imagination, perfectly blending in magic, mystery, and mayhem.

Now.. onto the good stuff!

Set in the charming Chanceaux Valley, The Vine Witch delves into the story of Elena Boureanu, who has just returned to her human form after spending seven years as a toad due to a curse put on her. It was only her skilled knowledge of poisons that helped her break the curse, gruesomely by eating her shedding toad skin, which contained a specific chemical that was able to alter the effects of the spell. Still haunted by her amphibious time, Elena is eager to get revenge on the person she knows must have put this spell on her: Bastien Du Monde, her former fiance.

Elena returns to her home, Château Renard, and happily reunites with her dear Grandmere, Unfortunately during Elena’s time as a toad, her grandmother was not able to maintain the vineyard or its finances, leading her to sell it to Jean-Paul Martel, a budding vigneron. So far, Jean-Paul hasn’t had much luck with his crop, but he is intent on applying his scientific knowledge to bring the fields back to life.

Despite the rocky start they get off to upon meeting, Jean-Paul allows Elena to stay at Château Renard for the time being. Elena, who feels deeply intertwined with the vineyard is glad to be back, but also is keenly away from a spell lingering over the fields, which is contributing to the bad harvests. She’s eager to use her magic to lift the curses, but knows she must hide her magic from Jean-Paul, who denounces the superstitions of vine witches in the valley.

Meanwhile, Bastien and his new wife are on a mission to buy up the land in the area to expand their own wine-making business, which has become exceedingly popular during the time Elena was gone. For a while Elena hides her presence, not wanting Bastien to know she’s back for revenge, but eventually her identity is revealed, shocking even Elena as she uncovered the truth about her past.

As Elena comes to terms with her powers and grapples with her sparking romance with Jean-Paul, who is opening up to her supernatural world, she also must contend with the evil force that wants to do her in. When a surprising death lands Elena in magical jail, she becomes acquainted with Yvette, a rough and tumble young woman, and Sidra, a jinni. All three women have been accused of murder, but there is also their side of the story that is not give a voice. Their break-out links them together, leading to a bond that will continue to be called upon for the rest of the series.

I won’t go further, as to not give spoilers, but from a magical perspective here are some of the things that I loved about the book. First of all, Smith really makes this magic feel real. While some of the magic is extraordinary, it’s grounded in magical theory and practice. For instance, Elena must take time to reunite with her magical tools and slowly regain her strength after coming back from the curse. There are limits to her powers and this prevents a sense of all-consuming, omnipotent magic dominating the story; it’s realistic.

Additionally, the magic she does is deeply tied to the land, the vines, the animals, and her home, which I believe many witches can relate to in their own lives. Gardens, hillsides, rivers, and streams all become sacred places of power; nature and the elements are the foundation of witchcraft. You get a sense of this as you read, and it inspires one to reconnect with their landscape.

Plus, I found the concept of a vine witch to be fascinating, and it did leave me to wonder if this was ever a real thing. There was a sensuality about her connection to the wine, and the magic felt palpable, as though I could taste it as I read.

Another aspect that I really enjoyed was a local baking witch, whose pastries pointed the way to one’s true love based on their flavors. I enjoyed that there was an exploration of other types of witches, beyond the vine witches, all mixed into the story. It made the story feel imbued with sorcery, as the mundane world thrived without even realizing all the small charms and magical world around it.

I highly recommend The Vine Witch to anyone who enjoys supernatural fiction. As far as books about witches go, this is definitely one of my top five favorites. Smith has done a wonderful job of bringing to life the magic in the mundane. From cooking to gardening, this book will inspire you to include a few spells of your own in the daily routine.